Infectious Substance Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Biohazard Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker. Slap Up In Perfect Condition. Reframing Perception through Street Pop Art Street pop art and graffiti artwork, characterized by their vibrant immediacy and cultural resonance, have a way of capturing the zeitgeist of the era in which they were born. The "Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker" series by graffiti artist Saber, whose real name is Ryan Weston Shook, exemplifies this phenomenon. With his 2020 collection of signed original slap-up graffiti art tags, Saber converges the world of hazardous material warnings with the rebellious spirit of street art. Each 4x4 marker-tagged piece carries his unique interpretation, transforming the ominous implications of the bio-hazard symbol into a canvas that speaks to the broader impact of what is genuinely infectious in our societies. Saber's Artistic Intervention on Bio-Hazard Symbols Saber's choice of the bio-hazard label as a substrate for his art is particularly telling. The symbol, designed to alert to dangerous pathogens, is recontextualized in his work to question the infectious nature of ideas, the virulence of art, and the power of expression to permeate and affect the public psyche. The contagious substance label, meant to protect by warning, is overlaid with Saber's tags that neither obscure the message nor dilute its significance. Instead, they add a layer of meaning, an artist's signature that challenges the viewer to question the boundaries between safety, censorship, public health, and public discourse. Modern Street Artwork as Social Commentary In modern street artwork, Saber's creations are a powerful testament to the artist's role as a social commentator. His work on the Uline S-180 stickers is a visual metaphor for 2020, a period marked by global health crises and a heightened awareness of biological hazards. By tagging these stickers, Saber connects the dots between the literal infectious agents the labels warn against and the metaphorical contagion of fear, misinformation, and societal unrest that characterized the year. The permanence of the marker on the glossy sticker mirrors the lasting impact of the year's events on the collective consciousness, ensuring that while the hazards may be contained, the dialogue they incite is not. In every line and color choice, Saber's art on the bio-hazard stickers demands engagement and reflects the unyielding nature of Street Pop Art and Graffiti Artwork. As a documented figure in the graffiti community, Saber's American roots and contributions continue to shape the conversation around the power of street art to reframe our perception of the symbols that dominate our public spaces. Each tag is a deliberate reclamation, a declaration that even the most exemplary of symbols can become a medium for enduring artistic expression.

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Punisher Crossing Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal Crosswalk Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Real Reclaimed NYC New York City Crossing Cross Walk Street Sign Painting Original Artwork Size 30x37.5  RD-357: Pioneering Street Pop Art on Urban Canvases RD-357, an artist known for his distinctive contribution to street pop art and graffiti artwork, has manifested his creativity through a unique, striking, and thought-provoking medium. His original piece titled "Punisher Crossing Original Street Sign Painting" encapsulates street art's raw essence while ingeniously infusing pop culture iconography elements. This work is a stellar example of RD-357's inventive use of everyday objects as canvases, transforming a mundane metal crosswalk street sign into a vibrant artwork that commands attention and sparks dialogue. The "Punisher Crossing" is a unique artwork that exudes the rebellious spirit and subversive edge often associated with street pop art. Created in 2012, this mixed media piece employs acrylic and spray paint on a real crossing sign measuring 30x37.5 inches. RD-357's choice to use an actual street sign as the foundation for his artwork not only repurposes the object but also embeds the art piece within the fabric of urban life it seeks to comment on. The sign, once a directive for pedestrians, now carries a powerful visual message, made all the more potent by its placement on an object of regulation and order. The Artistic Language of RD-357's Street Sign Paintings In "Punisher Crossing," RD-357 demonstrates a masterful control over color and composition. The background of the sign is ablaze with a vivid, almost violent splatter of yellow and red spray paint, reminiscent of the chaos and energy of city streets. Against this explosive backdrop, the figure of the Punisher is rendered with precision in acrylic, his stark, menacing presence immediately drawing the eye. The character's hand, outstretched and holding a gun, breaks the boundaries of the sign's frame, suggesting a defiance of constraints and a breaking free from imposed limits. RD-357's work is deeply embedded in the language of street pop art, a genre that combines the gritty, underground aesthetic of street art with the bright, graphic quality of pop art. His paintings, especially this piece, are a dialogue between the artist and the urban landscape, between the fictional characters of pop culture and the reality of the viewer's environment. By bringing the Punisher - a symbol of vigilante justice and anti-heroism - into the context of a crosswalk sign, RD-357 creates a juxtaposition that is at once startling and intriguing. The artwork becomes a statement on control and chaos, power and powerlessness, and the fine line between societal order and individual action. RD-357's Impact on Contemporary Street Art RD-357's contributions to the street art scene have been significant, and his influence can be seen in the way street pop art has evolved over the years. His artworks, particularly those on street signs, are more than mere paintings; they are interventions into the urban environment, which challenge the viewer to reconsider the role and potential of public space. The "Punisher Crossing" sign is emblematic of this approach, seamlessly integrating art into the city's daily liandlso elevating the discourse around street art. By signing his work, the artist claims ownership of a public domain piece, an act that is a form of artistic rebellion. The signature on "Punisher Crossing" is not merely a mark of authenticity; it is a declaration of presence, a proof of the artist's interaction with the world around him. Through works like this, RD-357 has etched his name into the annals of street pop art history, securing his place as a maverick who has expanded the possibilities of graffiti artwork. The "Punisher Crossing Original Street Sign Painting" by RD-357 stands as a testament to the power of street pop art to communicate, provoke, and inspire. By transforming a simple street sign into a complex and compelling work of art, RD-357 challenges perceptions, invites reflection, and continues influencing the ever-evolving narrative of street and graffiti art.

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MTA Subway Map Tag- Show Stopper Original One of a Kind Marker Drawing Artwork on MTA Subway Map by Popular Street Art Pop Culture Artist Stay High 149- Wayne Roberts. 2011 Signed Framed Original Painting/Drawing on New York MTA Subway Train Map Size 22.75x32.25

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Priority Mail 228-2016 Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Drawing Art on USPS Mailing Label by Graffiti Artist Modern Street Artwork. 2020 Signed by Tag Original Slap Up Graffiti Art Tag 4.25x5.5 Color Marker on USPS United States Postal Service Priority Mail Label 228-2016.  Priority Mail 228 Labels: Slap-Up Canvas for the Streets Street Pop Art and Graffiti Artwork have become synonymous with urban landscapes' raw, vibrant, and often controversial energy. Amongst the most captivating forms of this art is the slap-up label sticker, a brief piece that combines the guerrilla tactics of street art with the aesthetic approach of pop art. These stickers, often found adorning city walls, lampposts, and mailboxes, carry the pulse of the streets and the artist's signature. The United States Postal Service's Priority Mail 228 label is a particularly iconic medium within this genre. Initially intended for postal use, artists have repurposed these labels as canvases for their work. With its distinctive red, white, and blue design, the label offers an instantly recognizable backdrop deeply rooted in American iconography. This juxtaposition of official symbolism with the rebellious nature of graffiti creates a powerful, provocative, and patriotic visual statement. Graffiti artists like Saber have transformed these labels into vehicles of personal expression and social commentary. Saber, an American artist named Ryan Weston Shook, is known for his work within the graffiti community and beyond. His involvement with the art form dates back to the 1990s, and he has since become a notable figure in the street art world.  Tag Art: Marking Presence and Identity Tagging, which involves writing one's alias or signature in a stylized form, is central to graffiti culture. It's a means of claiming territory, asserting identity, and engaging with the public in a dialogue often unmediated by gallery spaces' conventions. The Saber piece utilizes a blue permanent marker to create a tangle of lines and shapes that coalesce into his distinctive tag. Measuring 4.25x5.5 inches, this slap-up label sticker is a quintessential example of tag art, embodying the spontaneity and personal touch that are hallmarks of the genre. Created in 2020 and signed by the artist, this piece carries the weight of authenticity and the immediacy of street art. Despite its small scale, the tag commands attention, with the intensity of the blue marker standing bold against the label's pre-printed elements. The label's date, March 2016, provides a temporal context, anchoring the artwork in a specific moment of Saber's artistic journey. The cultural significance of slap-up label art lies in its accessibility and transience. These stickers can be produced en masse and placed in various locations, allowing for a wide distribution of the artist's work. However, their lifespan is unpredictable, as they can easily be removed or destroyed, mirroring the fleeting nature of fame and public attention in the digital age. Saber's use of the Priority Mail 228 label is a nod to a tradition in street art that values the repurposing of everyday items into something extraordinary. The label's transformation from a mundane postal accessory into a piece of art disrupts the ordinary and challenges the viewer to see the extraordinary in the everyday. This quality places slap-up label art firmly within the canon of Street Pop Art and Graffiti Artwork, genres that continually redefine themselves through unconventional materials and methods. The Priority Mail 228 Slap-Up Label Sticker by Saber is more than just a piece of art; it is a statement, a piece of cultural fabric, and a reflection of the artist's presence in the urban landscape. As with much of Street Pop Art and Graffiti Artwork, it encapsulates a moment in time, a burst of creative energy, and a dialogue with the public that is as vibrant and dynamic as the streets from which it was born.

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Train 24 is an original acrylic on HO Scale model train box-car sculpture artwork by graffiti street artist and modern pop artist LushSux. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole. Introducing "Train 24" by LushSux: A Canvas on Rails "Train 24" emerges as a distinct piece within the oeuvre of the audacious street artist LushSux. Known for his exquisite murals and daring street pop art, LushSux transitions his artistry onto an unconventional medium—an HO-scale model train box-car—melding the meticulous craft of model train enthusiasts with the rebellious streak of graffiti art. Signed and created in 2014, this original piece represents the scale-defying nature of graffiti art, demonstrating that the spirit of this street-bound art form can be encapsulated within the 14x3 inches of a model train. LushSux's Signature Style in Miniature Form The artwork "Train 24" features a graffiti tag, commonly called a throw-up, characterized by its bubbly letters and quick execution—a style that is a staple in LushSux's street art repertoire. The vibrant pink hue of the tag punctuates the otherwise subdued palette of the model train car, drawing the eye and challenging the viewer's perception of space and art. In bringing his craft to such a miniature scale, LushSux blurs the lines between the subversive nature of graffiti and the controlled precision of model train painting. The tag, sprawled across the length of the train, becomes a moving narrative, a literal vehicle for the artist's expression. The Artistic and Collectible Value of "Train 24" "Train 24" stands not only as a piece of modern pop art but also as a coveted collectible item within the subculture of model train collecting. Fusing this niche hobby with the dynamic world of street art creates a cross-cultural artifact that appeals to a diverse group of collectors and enthusiasts. As an original signed by LushSux, the piece carries the weight of authenticity and the prestige of ownership that is highly sought after in both the art world and the model train community. This work is a testament to LushSux's versatility as an artist and to the expansive possibilities of graffiti artwork as a genre that continues to challenge and redefine itself. "Train 24" is a locomotive sculpture that symbolizes the journey of street pop art from the fringes into the spotlight of mainstream collectibility and artistic recognition.

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Bullet Holes Original One of a Kind Mixed Media Spray Paint Acrylic Painting Artwork on Stretched Canvas by Popular Street Graffiti Artist RD-357. Bullet Holes by RD-357 Painting- This original artist stretched canvas mixed media spray paint graffiti painting features the RD tag with bulletholes and concrete in the background. Awesome rare original canvas art by prolific street artist Real Deal RD357.

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Spraycan Art Train Original All City Style Subway Painting on Wall Sculpture Artwork by Graffiti Street Artist Artist Rek Santiago. 2010 Signed Original Spray Paint Marker & All City Style Train Sculpture One of A Kind Artwork Size 20.25x5x1.75 Signed, Titled & Dated on Back, Tagged On Front Rek & NSA. Original Hand Painted Graffiti on Wall Mountable All City Style Subway Train Platform. Displayed With Box. Box Has Artist-Made Paint Marks. Scattered Soiling & Blemishes Constatant With Age, Great Condition.

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Risky E Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24. From the first "Beyond The Streets" exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat. Risk Rock's "Risky E Graffiti Alphabet Letter" and Its Place in Street Pop Art The "Risky E Graffiti Alphabet Letter" giclée by Risk Rock is a vibrant piece that encapsulates the dynamic interplay between typography and abstraction in street pop art and graffiti artwork. As a limited edition fine art paper print from 2012, this work forms part of the exclusive "Beyond The Streets" exhibit collection, showcasing the evolution of street art from public spaces into galleries. Limited to 100 signed and numbered editions, the artwork measures 24x24 inches, offering a substantial visual statement in size and impact. Although there is minor to light yellowing on the margins of the museum-quality paper, the image remains pristine—a testament to the lasting power of street art when transferred to a more permanent medium. Risk Rock, a celebrated figure within the street art community, is known for his bold use of color and innovative approach to graffiti lettering. The "Risky E" is a prime example of his style, blending graffiti's raw, kinetic energy with the precision of printmaking. The giclée process, renowned for its high fidelity to the original artwork, allows the piece's intricate details and vibrant colors to be preserved, creating a lasting impression akin to that of a mural encountered on the street. The Cultural Resonance of Risk Rock's Artistic Expression The "Risky E Graffiti Alphabet Letter" is more than a mere decorative piece; it is a cultural statement that resonates with the ethos of street and pop art. It represents a moment when graffiti, once relegated to the fringes of the art world, began to be recognized for its artistic value and cultural significance. The piece, birthed from the "Beyond The Streets" exhibit, symbolizes graffiti's transition from an act of rebellion to a form of artistic expression embraced by museums and collectors alike. Risk Rock's contribution to the street art movement is immortalized in this print, reflecting the artist's mastery over form, color, and composition. The letter "E" is transformed into a standalone piece of art, showcasing the potential of typography to transcend its functional roots and become a medium for creative expression. This transformation is characteristic of street pop art, where everyday elements are recontextualized to challenge perceptions and engage viewers in a dialogue. The Significance of Giclée in Preserving Street Art Aesthetics Giclée prints like "Risky E" have played a significant role in preserving the aesthetics of street art for future generations. By capturing the vibrancy and detail of the original artwork on fine art paper, the giclée process ensures that the transient nature of street art can be enjoyed long after the original piece might have faded or been painted over. With its limited edition status, this print elevates the ephemeral nature of graffiti into a collectible form, allowing fans and new audiences alike to own a piece of street art history. The slight aging of the paper's margins does not detract from the artwork's value; instead, it adds a layer of authenticity reminiscent of the aging walls that host graffiti art in the urban landscape. The promise that the image can be easily matted and preserved speaks to the adaptability of street art and its ability to find new life in different contexts and formats. Risk Rock's "Risky E Graffiti Alphabet Letter" giclée is a testament to the enduring appeal and significance of street pop art and graffiti artwork. As a limited edition print, it represents the intersection of street culture and fine art, embodying the spirit of an art movement that continues to influence and redefine the boundaries of artistic expression. The piece is a tribute to the artists who have brought the language of the streets into the galleries and the collectors who have helped pave the way for graffiti to be recognized as a legitimate and impactful art form.

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Katsu Hand Tagged & Signed Silver Chrome Spray Paint Can Artwork by Montana MTN Limited Edition Crossover. 2023 Signed Katsu Silver Chrome Spray Paint Can Signed Box Limited Edition of ??? Out of 500 Artwork Size 3x8 Can. Both can and wooden boxes are hand-signed, tagged, and drawn on with spray paint. The Katsu Hand Tagged & Signed Silver Chrome Spray Paint Can is a collectible piece that melds the rebellious spirit of graffiti with the exclusivity of limited edition art. Presented in a partnership with Montana MTN, a brand synonymous with high-quality spray paint favored by street artists worldwide, this 2023 release encapsulates the essence of urban art in a tangible form. Encased within a wooden box, each spray paint can measure 3x8 inches and comes hand-signed by the artist Katsu, a pseudonymous figure revered in the underground art community. The signing of the can and the box not only authenticates each piece but also incorporates Katsu's signature style directly onto the objects, making every edition unique. This series, limited to an undisclosed number out of 500, stands as a coveted item for collectors and enthusiasts of street culture. The iconic Katsu tag, typically seen in public spaces as an act of reclaiming territory and self-expression, is recontextualized here as a collectible art form. This crossover between street and collectible art challenges traditional perceptions of graffiti as mere vandalism, elevating it to a form of pop art that can be admired and owned. The chrome finish on the cans reflects the quintessential look of graffiti art as it glistens on city walls, capturing the fleeting nature of such works, which often disappear as quickly as they appear. Each can and box, adorned with spray paint, carries the gritty textures and raw aesthetic found on the streets, offering a piece of the urban landscape to be appreciated within the sanctity of personal spaces. It's a dialogue between the artist and the collector, a signed contract that art is not confined to galleries and museums but is all around us, in the alleys and on the boulevards, alive in the places we pass every day. This series by Katsu and Montana MTN immortalizes the transient art of tagging, granting permanence to what is typically ephemeral and providing a narrative of contemporary art's evolution.

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Gif-iti Lenticular #1 Limited Edition Archival Pigment Print on Animated Lenticular by Insa Graffiti Street Artist Modern Pop Art. This edition is a motion animation lenticular print, any movement changes the motion of the piece. "I originally thought that you would only be able to see these pieces online, but through this kind of retro technology of lenticular printing we have managed come go full circle and bring this piece back into being the real world." - Insa

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Radioactive III Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Radioactive Symbol Warning Sticker by Graffiti Artist Modern Street Artwork. 2022 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Radioactive Warning Label Uline S-13849 Sticker.  Slap Up In Perfect Condition. Radioactive  Expressions in Street Art In Street Pop Art and Graffiti Artwork, the "Radioactive III Slap-Up Label Sticker" series by Saber, legally known as Ryan Weston Shook, stands out as a profound commentary on the interplay between hazard and creativity. His 2020 series of original permanent marker art drawings on the quintessential yellow and black radioactive warning stickers transform these danger symbols into compelling pieces of modern street artwork. Each 4x4 piece, tagged with Saber's moniker on the Uline S-13849 sticker, carries the weight of its message through the juxtaposition of the universally known hazard symbol with the personal style of the graffiti artist. Confronting Perceptions with Tag Art The choice of the radioactive symbol, a globally recognized sign of lethal materials and the presence of unseen dangers, is intentional and provocative. Saber's tags across these stickers confront our perceptions of risk and the unseen forces that shape our world. By marking these warning labels with his art, Saber injects a human element into the conversation about the hazards surrounding us, both seen and unseen, tangible and intangible. The act of tagging these specific stickers is a bold statement, challenging the viewer to consider the potential for harm that exists not just in the physical realm but in the realm of ideas and expression. Saber's Artistic Legacy An American artist, Saber utilizes his work to provoke and challenge the status quo. His artistry on the "Radioactive III" stickers reflects his capacity to take warning symbols and transform them into symbols of identity and resistance. The series, signed and dated, is a testament to a year marked by global unrest and a reevaluation of what constitutes a threat to our collective well-being. Through his work, Saber raises questions about the role of art in a world that is increasingly aware of and responsive to the dangers it faces, be it environmental, political, or social. In each piece, Saber's signature style — bold, assertive, and unapologetic — captures the essence of street art's capacity to engage with its environment in a dialogue that is both critical and hopeful. The radioactive symbol, once a stark warning, becomes through Saber's intervention a canvas for exploring the boundaries of art and the power of an artist's touch to change how we see the world around us. As an active contributor to the graffiti and street art scene, Saber's work continues to resonate, ensuring that his voice and vision are as enduring as the radioactive elements his chosen canvases warn us about.

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Signed RISK-OLEUM Red Dawn of The Canmans Artist Edition 213 Vinyl Art Toy by Risk Rock x Comikaze Limited Edition Collectible Sculpture Figure Fine Artwork by Graffiti Pop Street Artist. 2013 Signed on Box Limited Edition of 200 Artwork Size 4x7 New In Box Stamped Vinyl Fine Art Toy Riskoleum Figure Sculpture. Mad Society Kings, Art Work Rebels, Angels Will Rise, West Coast Artists (AWR/MSK/TSL/WCA) Graffiti Street Artist  Risk Rock. Vinyl Figure with Moveable Arms and a Detachable Top that Pops Off to Reveal Hollow Storage Inside.  Signed RISK-OLEUM Red Canman 213 by Risk Rock in Street Pop Art & Graffiti Artwork The Signed RISK-OLEUM Red Canman 213 Artist Edition is a limited vinyl art figure created in 2013 by Los Angeles graffiti artist Kelly Graval, known as Risk Rock. Released in partnership with Comikaze, this collectible piece was part of a limited run of only 200 units and features Risk’s signature on the box, making it a rare item for collectors of graffiti-influenced art toys. Designed to resemble a classic aerosol spray can brought to life with arms, feet, and a removable top, the figure merges sculptural function with the visual language of graffiti culture. Standing approximately 7 inches tall and constructed from vinyl, the RISK-OLEUM figure pays homage to the tools of graffiti while acting as a stylized character with distinct urban identity. This particular edition, labeled 213 Risk Rock Red, not only references Risk’s area code but solidifies the artwork as a physical representation of his legacy in Street Pop Art & Graffiti Artwork. Design Language, Functionality, and Packaging This vinyl figure draws directly from the aesthetic of traditional spray paint brands while layering in iconography from Risk’s personal visual vocabulary. The figure features a red plaid pattern wrapped around the midsection, mimicking product branding while referencing punk influences and West Coast graffiti styling. The blood-red gloves, paint-splattered feet, and mischievous devil icon on the front give the figure a defiant presence. Its moveable arms and detachable cap reveal a hollow interior, allowing it to double as both sculpture and storage piece. The edition’s packaging further elevates its status, with the figure displayed in a custom-printed box labeled Dawn of The Canmans, and Risk’s bold tag scrawled across the exterior, transforming the box into part of the art. These design elements highlight how form, message, and collectibility come together in the Street Pop Art & Graffiti Artwork genre. Graffiti Crew Affiliations and Cultural Significance Risk Rock is a long-standing figure in the Los Angeles graffiti movement and a founding member of several of the region’s most respected crews, including AWR (Art Work Rebels), MSK (Mad Society Kings), WCA (West Coast Artists), and TSL (The Seventh Letter). His contribution to graffiti culture spans decades and has included freeway takeovers, large-scale murals, fine art exhibitions, and designer collaborations. This figure embodies that history, with references to Risk’s crews prominently displayed on the back of the piece. The inclusion of multiple crew names solidifies the Canman as not just a toy, but a miniature archive of West Coast graffiti history. Each detail reflects Risk’s role as both an innovator and historian within the movement. Limited Edition Status and Collector Relevance As a signed and numbered edition of only 200 units, the RISK-OLEUM Red Canman 213 holds significant value in the collectible art market. The combination of artist-authenticated packaging, functional design, and deep cultural references makes this piece a highly sought-after item among collectors of graffiti memorabilia, vinyl figures, and pop-influenced sculpture. It stands as a physical artifact that merges the legacy of spray can art with the expanding universe of Street Pop Art & Graffiti Artwork. With its signature, interactive design, and cultural roots, the figure continues to represent the fusion of street tradition and contemporary art form. Risk’s ability to move fluidly between the street, the gallery, and the art toy world is perfectly captured in this edition, offering collectors an authentic and highly stylized piece of graffiti history.

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SlapTag Urban Decay Original One of a Kind Montana Gold Spray Paint and Acrylic Painting Artwork on Wood by Popular Street Graffiti Artist Lyric One. Signed Original 2021 Montana Gold Spray Paint and Acrylic on Wood Panel Size: 18 x 18 x 2 Inches Release: November 01, 2021

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What A Graffiti Writer Sees Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by LushSux Graffiti Street Artist Modern Pop Art. Signed & Numbered Limited Edition of 40 Artwork Size 16x20 Graffiti Urban Industrial Street Scene Depicting Various Graffiti Throw Ups & Tags in Black & White. Insight into LushSux's "What A Graffiti Writer Sees" LushSux, the notorious graffiti street artist, presents a candid visualization of the urban landscape through the eyes of a graffiti writer with his work "What A Graffiti Writer Sees." This limited edition artwork, produced in a series of 40 archival pigment prints on 310gsm Museum Natural Fine Art Paper, measures 16x20 inches and is a signed and numbered offering from the artist. In black and white, the piece depicts a street scene brimming with various graffiti throw-ups and tags, capturing the raw essence of the graffiti artist's vision. Decoding the Urban Canvas in LushSux's Art The artwork is a monochromatic tribute to the graffiti culture, embodying the visual language and symbols that graffiti writers imbue in the urban environment. In this piece, buildings are not merely structures but potential canvases, bristling with opportunity and awaiting the artist's mark. LushSux translates the three-dimensional world into a flat surface yet retains the depth and complexity of the graffiti artist's perspective. Each element, from the roller tags to the dripping paint, is rendered authentically, highlighting the artist's intimate understanding of this art form. LushSux and the Graffiti Narrative Through "What A Graffiti Writer Sees," LushSux makes a poignant statement about perception and the often overlooked details in our surroundings. The piece transcends a simple depiction of graffiti; it explores the artist's psyche, the subcultural codes, and the often invisible dialogue between graffiti writers. It is a reflective piece, inviting the viewer to step into the shoes of those who see the city as a playground of expression. LushSux, as both a participant and observer in the graffiti scene, uses his artwork to bridge the street and the gallery, merging the visceral experience of street pop art with the contemplative space of fine art viewership. This artwork is not just a representation of a physical space; it is a window into the cultural and social underpinnings of the street art movement, a modern pop art phenomenon that continues to evolve and provoke.

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Alife Fire Hydrant Stencil HPM Art Spray on Printed 20lb. Bond stock Engineering Paper Mixed Media Artwork by NY Street Graffiti Artist Legend RD-357. 2019 Signed & Numbered Limited Edition Print by RD 357. ALIFE released a minimal run, and they sold out immediately. The print is signed by RD 357. This print has been framed, and ed and a minor crease is not noticeable when framed. This print will be shipped in the original print tube. RD 357 is an American graffiti artist and member of the 357 Crew, formed in 1985 and active on the subways during the mid-to late 1980s. He is from New York City, Manhattan's Upper East Side. W x 24" H x 36" Edition of 20 Spray enamel on printed 20lb. Bond stock, engineering paper. It is numbered and signed; some Creases Due To The Printing Process and Paper Add To The Style character of RD-357's Art, Number 2 of 20. RD-357: A Fusion of Engineering Precision and Street Artistry The urban landscape is a canvas for the bold, a playground for those who speak in the visual language of spray paint and stencils. It is within this vibrant world that the works of RD-357 come to life. His 'Alife Fire Hydrant Stencil HPM' art spray on printed 20lb. Bond stock engineering paper is not just a work of art but a statement, a confluence of precise engineering and the raw, unfettered spirit of New York street graffiti. RD-357, an American graffiti artist from Manhattan's Upper East Side, embodies the ethos of street pop art and graffiti artwork through his unique blend of technical precision and street sensibility. Born from the mid to late 1980s graffiti boom, RD-357 became a member of the formidable 357 crews known for their impact on the subway art movement. The 'Alife Fire Hydrant Stencil HPM' stands as a testament to RD-357's mastery over his medium and his deep understanding of the cultural heartbeat of New York City. This limited edition print, created in 2019, showcases the iconic image of a fire hydrant—a ubiquitous symbol of the streets, reimagined through the lens of RD-357's artistic vision. The print, an edition of only 20, speaks to the exclusivity and the demand for RD-357's work, having sold out immediately upon release. The signature of RD-357 graces each print, a seal of authenticity and a mark of the artist's engagement in his work. The Signature Alife Fire Hydrant Stencil: Iconography and Impact The choice of a fire hydrant as the focal point of this artwork is laden with significance. As a fixture of the cityscape, the hydrant symbolizes New York's functionality and chaos, a source of relief and an obstacle on the sidewalk. RD-357's portrayal elevates it to an icon, capturing the essence of the city's infrastructure as art. RD-357 delivers a crisp image juxtaposed with the fluidity and chance inherent in street art by employing a stencil technique coupled with spray enamel on engineering paper. The presence of minor creases in the prints adds to the artwork's character, infusing each piece with imperfections that echo the textures of the urban environment. Number 2 of the limited series is part of RD-357's vision, a piece of the narrative of New York's artistic evolution. In conclusion, the 'Alife Fire Hydrant Stencil HPM' by RD-357 is more than a mere collector's item; it is a piece of street art history. Through this work, RD-357 bridges the worlds of precision engineering and the spontaneity of street art, offering a piece that stands as both a functional object and a work of pop art. It reflects the artist's roots in the gritty reality of New York's streets and the finesse of his approach to the medium. This work is a celebration of RD-357's legacy and a tribute to the city that serves as his muse and canvas.

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Video Surveillance 12x18- II Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. This Area is Under 24 Hour Surveillance Sign.  

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Bubbles PNB RAW 8670 White Original Graffiti Painting by Seen UA, One-of-a-kind Spray Paint and Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original White Bubbles PNB RAW Post No Bills Series Acrylic & Spray Paint Painting Size 26x30 Original canvas from SEEN, Bubbles PNB RAW Series, 2023. Actual painting size is 30" x 34" (76,2 x 86,3 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 26" x 30" (66 x 76,2 cm) // UN- stretched size is 30" x 34" (76,2 x 86,3 cm). SIGNED ON THE BACK. Bubbles PNB RAW 8670 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Bubbles PNB RAW" is a collection of works that showcase the artist's signature lettering and bills stencil, blending street art with traditional fine art. In Bubbles PNB RAW 8670, Seen UA masterfully incorporates bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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Abstract Tagged Untitled Original One of a Kind Spray Paint & Marker Painting Artwork on Folded Cardboard by Popular Street Graffiti Artist Saber. 2020 Spray Paint & Marker Original 16.5x13 Mixed Media Graffiti Painting by Saber. In the vibrant sphere of contemporary art, "Abstract Tagged Untitled" emerges as a profound expression of the street graffiti genre. Saber, the artist behind this captivating piece, utilizes a dynamic combination of spray paint and marker on folded cardboard to construct a narrative that speaks volumes through its abstraction. Crafted in 2020, the artwork's dimensions span 16.5x13 inches, a size that allows for an intimate yet impactful interaction with the viewer. The painting presents a raw and gritty texture, a signature of Saber's work, encapsulating the spontaneity and energy synonymous with street art. The bold black lines slashed across the canvas are reminiscent of tags seen on urban landscapes, symbols of identity and existence within the din of the city. Contrasted with the electric blue spray paint that seems to dance around the stark strokes, there is an almost musical rhythm to the composition. The choice of cardboard as the substrate adds an ephemeral element, highlighting the often temporary nature of graffiti art as it battles the elements and the changing cityscape. This particular piece by Saber does not just portray an aesthetic appeal but also embodies the essence of graffiti culture. It's a form that has been historically misunderstood and yet remains one of the most powerful means of self-expression for artists who operate on the fringes of the traditional art world. Saber, through his work, captures the voice of the street, translating it into a universal language, transcending the boundaries that often confine art to galleries and museums. The painting stands as a testament to the genre's evolution and its acceptance into the broader art community. It reflects a journey from the walls of defiance to the walls of collectors and connoisseurs. "Abstract Tagged Untitled" is not only an original and one-of-a-kind piece of street art by Saber but also a compelling slice of the narrative that street and graffiti art continues to write in the history of modern artistic expression. It's a declaration that the power of art lies not just in representation but also in the raw, unfiltered emotion that it can evoke, something Saber has masterfully captured.

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We Are Silkscreen Print by Add Fuel Hand-Pulled 6-Color on 320gsm Astropack Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 19.69x27.56 Silkscreen Print Add Fuel's Artistic Vision in "We Are" "We Are" by Add Fuel is a captivating silkscreen print that epitomizes the innovative spirit of street pop art and graffiti artwork. The 2023 limited edition piece, signed and numbered with a release of only 100 copies, measures 19.69x27.56 inches and is a testament to the meticulous craft of hand-pulled printing. Created on 320gsm Astropack fine art paper, the work showcases a 6-color process that vividly brings to life the intricate patterns and bold graffiti elements that are the signature of Add Fuel's style. Add Fuel, the artist behind "We Are," reinterprets the traditional blue and white ceramic tile aesthetic with a contemporary twist, infusing the classic medium with the energy and boldness of street art. The print features an array of tile designs, each detailed with unique patterns, forming a more significant, cohesive image. At first glance, the artwork pays homage to the historical art form, but upon closer inspection, the disruptive force of graffiti tears through the surface, creating a striking contrast. The artwork's juxtaposition of historical art motifs with modern graffiti techniques speaks to the evolving nature of street pop art. Add Fuel's work is a dialogue between past and present, suggesting that both traditional art forms and contemporary expressions have a place in today's cultural landscape. Like much of street pop art, this piece is not confined to the walls of galleries; it carries the vibrancy of the streets and the weight of history, bridging different art movements and eras. The Significance of Hand-Pulled Silkscreen in Art Hand-pulled silkscreen as the medium for "We Are" highlights the importance of craftsmanship in an age of mass production. Each print in the limited series results from a laborious process requiring precision and patience, ensuring that every piece is imbued with the artist's touch. Using multiple colors in printing allows for depth and complexity, making each print a rich visual experience. Silkscreen printing, especially when done by hand, is a nod to traditional art creation techniques. In an era where digital art is becoming increasingly prevalent, Add Fuel's commitment to hand-pulled prints emphasizes art-making's tactile and physical aspects. It is a celebration of the artist's hand in an age where it can often be absent from the creative process. Street Pop Art and Graffiti Artwork's Influence on "We Are" "We Are" is firmly rooted in street pop art and graffiti art traditions. These movements have long been characterized by their willingness to challenge conventional ideas about where art belongs and what forms it can take. Add Fuel's print extends this tradition, demonstrating that the disruptive spirit of street art can find harmony with more classical art forms. The cultural influence of street pop and graffiti artwork is evident in the reception of pieces like "We Are." They resonate with a broad audience, appealing to those who appreciate street art's rebellious nature and traditional designs' intricate beauty. This blend of styles has become a hallmark of contemporary art, reflecting a society that values diversity and the fusion of ideas. In the broader context of modern art, "We Are" symbolizes unity and progress. Add Fuel's innovative approach to his craft indicates a more significant movement within the art that seeks to honor the past while boldly stepping into the future. His work visually represents the possible dialogue between different artistic disciplines and a reminder that art is a constantly evolving conversation. "We Are" by Add Fuel is a striking example of the potential for street pop art and graffiti artwork to transcend boundaries and create something new and vibrant. The limited edition silkscreen print is a testament to the power of art to unite diverse elements into a cohesive and compelling whole. It celebrates art's capacity to connect us to our heritage while pushing us to explore new horizons. Through works like "We Are," the conversation between traditional art forms and contemporary expressions continues, enriching the cultural fabric of our time.

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Priority Mail 228-2013 Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Drawing Art on USPS Mailing Label by Graffiti Artist Modern Street Artwork. 2020 Signed by Tag Original Slap Up Graffiti Art Tag 4.5x3.5 Color Marker on the USPS United States Postal Service Priority Mail Label 228-2013.  Street Art's Intersection with Everyday Objects The 'Priority Mail 228-2013' slap-up label sticker featuring original tag art by Saber is a remarkable embodiment of how modern street artwork intersects with everyday objects. Saber, a recognized name in graffiti, transforms a mundane USPS mailing label into a canvas for his artistic expression. This piece, a 4.5x3.5 color marker on the USPS United States Postal Service Priority Mail Label 228-2013, is 2020 original, showcasing the artist's unique ability to repurpose everyday items into art. Saber's Artistic Commentary on Communication This work is more than an act of creative repurposing; it serves as a commentary on communication and how messages are transmitted in the modern world. By choosing a Priority Mail label, Saber taps into the theme of urgency and the importance of messages that such labels signify. His artwork disrupts this narrative of swift communication with a personal and cryptic tag, suggesting that amidst the rapid exchange of information, there are layers of meaning waiting to be uncovered. The tag, applied with a color marker, flows across the label in a style reminiscent of Saber's street art murals. The vibrant green strokes against the white and red of the Priority Mail label create a stark contrast, symbolizing perhaps the clash between the institutional and the individual, the standardized and the personalized. The use of a USPS label also points to the public domain as a space ripe for artistic intervention, where the artist can leave a mark that is both provocative and publicly accessible. Modern Street Art and the Culture of Slap-Up Tags Saber's choice of a slap-up label adheres to the culture of street pop art, where quick, spontaneous creations are integral to the art form. Slap-up tags are known for their immediacy and are often used by artists to leave a quick signature in public spaces. This piece emulates that culture, with Saber's tag being a literal and figurative mark of the artist's presence. In the context of street pop art and graffiti artwork, Saber's 'Priority Mail 228-2013' label is a testament to the genre's evolving canvas. It moves beyond walls and subway cars to find a place on portable, everyday items, thus expanding the reach of street art. Saber, an American artist, is known for such innovations, constantly challenging the boundaries of where and what street art can be. In sum, the artwork on the Priority Mail label is a statement on the power of street art to transform the mundane into the extraordinary. It captures the essence of street pop art's spontaneity and Saber's role as a pioneer in the movement. The tag, a signature of the artist's identity, reminds of the personal touch in an increasingly impersonal world dominated by digital communication and standardized services.

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Blackbook Untitled Drawing Original Mixed Media Painting Art on Art Paper by Graffiti Street Artist Modern Pop Artist Sen2. 2005 Signed Sen2 "Untitled" Blackbook Drawing Framed Ink Marker Pencil Graffiti Framed Artwork Size 25.5x19 Blackbook Untitled Drawing by Sen2 This 2005 untitled blackbook drawing by renowned graffiti street artist Sen2 captures a raw and precise moment from the sketchbook practice of one of the most iconic writers to rise from the Bronx. Rendered in ink, marker, and pencil on art paper, the piece exemplifies the artist's geometric energy, color mastery, and dynamic flow. The framed artwork measures 25.5 by 19 inches and delivers the intensity of handstyle illustration and three-dimensional letterplay that defined graffiti's move from the subway to the studio. From Wildstyle to Precision Draftsmanship Sen2, born Sandro Figueroa Garcia in Puerto Rico, became a central figure in New York City's graffiti movement during the 1980s. This blackbook drawing embodies his transition from bombing walls and trains to refining his craft within the structure of studio practice. Each stroke of marker and wash of color in the work is intentional, sharpened by years of experience with aerosol and street surfaces. Sen2's ability to maintain the rebellious spirit of wildstyle while embracing architectural structure and visual clarity sets him apart in the world of Street Pop Art & Graffiti Artwork. Layered Color and Visual Tension The composition bursts with contrast. Soft pastels in blue, yellow, green, and orange interplay against thick black shadows and clean directional lines that suggest movement and spatial depth. These overlapping forms evoke the energy of subway pieces while grounded in the polish of gallery-ready drawing. The arrows, textures, and interlocking angles pull the viewer through layers of intention—each edge refined, each fill pattern calculated yet expressive. The drawing captures not only form but attitude, with a style that suggests motion, control, and continual evolution. Studio Evolution of Graffiti Language Sen2's untitled piece belongs to a larger movement in which blackbooks became not just preparatory tools but finished works in their own right. Street Pop Art & Graffiti Artwork often begins in sketch form, and this piece stands as a definitive artifact of that process. It documents a moment of imagination before execution—where letters transform into weapons of style, and the street’s visual dialect is transcribed into a gallery-safe medium. For collectors, the work offers a window into the raw talent and thought process of one of graffiti's modern pioneers, preserved with care and now framed as art history in motion.

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No Skateboarding Freestyle Blotter Paper Archival Print by Cope2- Fernando Carlo Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Blotter paper, a type of thick absorbent paper, is traditionally used in fields like chemistry for drying samples or in the art world for watercolor painting. However, it has found a unique niche in the world of graffiti and street art for the creation of "blotter art", which is often associated with psychedelic art due to its historical use as a medium for distributing LSD. Experience the convergence of fine art and counterculture with our Fine Art Archival Prints on Perforated Blotter LSD Paper. These prints, a nod to the psychedelic era, are designed to deliver stunning visual impact. They are printed on high-quality blotter paper, which was traditionally used for LSD tabs, but now repurposed for this unique art form. Each piece is a work of masterful creativity, providing an experience that is both aesthetically pleasing and culturally significant. Printed with archival inks to ensure longevity, these prints are not only collectibles but also lasting symbols of a vibrant subculture.

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MQ- Chrome Silver Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. No Box 2009 MQ Planet- Mque x Montana MTN Spray Paint. For more than a decade, the New York City-born artist has made a name for himself in graffiti by not being afraid and staying true to street culture. The distinctive style of MQ letters has influenced a generation of bombers. His work can be found from the sides of ships in San Francisco to the brick walls of New York City. MQ Chrome Silver Limited Edition: A Monument in Street Pop Art In the dynamic sphere of street pop art and graffiti artwork, the MQ Chrome Silver Limited Edition Spray Paint Can is a testament to the fusion of artistic ingenuity and cultural influence. This rare piece, a crossover project by the acclaimed graffiti paint maker Montana MTN, marks a significant point in the career of the New York City-born artist MQ Planet, or by his real name, Mque. Since its inception in 2009, this limited edition spray paint can have become a symbol of Mque's fearless approach to street culture and his lasting impact on a generation of graffiti artists, or 'bombers,' as often referred to. Mque's Influence on Street Art and Graffiti Mque's journey in graffiti began on the vibrant streets of New York City, where he honed his distinctive style of MQ letters, a style that would come to influence countless others. His bold, unapologetic approach to art was characterized by embracing street culture in its rawest form. Mque's artwork, spanning from the maritime canvases of ships in San Francisco to the historic brick walls of New York, showcases his adaptability and commitment to the essence of street art. The Chrome Silver Limited Edition spray paint can is not just a tool but a piece of history, embodying the spirit and tenacity of the artist. The Significance of the MQ Chrome Silver Limited Edition Can The MQ Chrome Silver Limited Edition spray paint can by Montana MTN is more than an artist's signature on a product; it is a collaborative emblem of the street art community. This rare item encapsulates the synergy between artist and manufacturer, highlighting Montana MTN's recognition of Mque's contribution to the art form. Collectors and admirers of street pop art and graffiti artwork see the can as a collector's item. Still, for a pra beacon of inspiration, urging practitioners to push boundaries and make their mark with the same daring spirit Mque displayed. In the world of street pop art, where the cityscape becomes a canvas and the spray can a paintbrush, the MQ Chrome Silver Limited Edition is a tribute to the ever-evolving narrative of graffiti. It honors the legacy of an artist who stayed true to the ethos of street culture and yet managed to leave an indelible mark on its history. Mque's work, his collaboration with Montana MTN, and the resulting Chrome Silver spray paint remain pivotal in the discourse of street pop art and graffiti artwork for years to come.

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Supreme NYC HPM Acrylic Archival Print by Daniel Loveridge Fine Art Hand-Embellished Limited Edition on 290gsm Moab Entrada Rag Bright Paper Artist Artwork. 2023 Signed & Numbered Acrylic Paint Hand Embellished Limited HPM Edition of 5 Artwork Size 17x14 "Daniel Loveridge’s gritty canvases seamlessly capture urban decay's raw and unrepentant beauty. Working predominantly in acrylic and ink on canvas, Loveridge paints en plein air, as he has for his sixteen-year-long career. Dilapidated interior scenes comprise the majority of the artist’s oeuvre. Abandoned buildings rife with decomposing tin and concrete walls are intensified by brilliantly pigmented patches of graffiti throughout his compositions." -House of Roulx

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Train 6 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist LushSux. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole. Dissecting "Train 6" by LushSux: A Miniature World of Graffiti Art "Train 6" is a fascinating piece in the collection of works by the graffiti street artist LushSux, known for his unapologetic and often contentious approach to modern pop art. This particular artwork is an original piece from 2014, featuring a vibrant graffiti tag applied to an HO-scale model train box car. The piece measures 14x3 inches, demanding meticulous attention to detail and a steady hand to maintain the integrity of the graffiti art style on such a small scale. This work is a signature example of street pop art, a genre that fuses the raw, energetic aesthetics of street art with the mass culture appeal of pop art. LushSux's Innovative Approach to Street Art on Model Trains LushSux, an Australian artist whose work has been lauded and criticized, operates within the global street art scene, bringing his work into the public eye and often sparking debate. His choice to utilize a model train as a canvas for "Train 6" is emblematic of his innovative approach to street art, as it encapsulates graffiti's ethos in a form traditionally associated with precision and nostalgia rather than the subversive nature of street art. The work showcases LushSux's dynamic style, characterized by bold lines and striking colors, which command attention despite the diminutive size of the canvas. Through this medium, LushSux challenges the viewer's perception of where street art can exist, suggesting that any object can become a vessel for artistic expression. The Cultural and Artistic Significance of "Train 6" "Train 6" is more than just a piece of art; it is a cultural artifact that bridges the gap between the underground world of street art and the more conventional hobby of model train collecting. LushSux's tag on the model train brings a piece of the street into a different context, inviting viewers to reconsider the boundaries of street pop art and graffiti artwork. By signing the piece, LushSux affirms the artwork's authenticity and value, positioning it as a collectible item within the art world and the subculture of model train enthusiasts. The painting represents a confluence of subcultures, serving as a testament to street art's versatility and expansive reach. Through pieces like "Train 6", LushSux continues to provoke, entertain, and elevate the status of street art in the contemporary art scene.

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Untitled Graffiti Original Spray Paint Marker Painting by BLADE- Steven Ogburn One of a Kind Artwork on Bristol Fine Art Paper by Street Art Pop Artist. 2022 Signed & Dated Spray Paint & Marker Painting Original Artwork Size 14x11. Soft crease to the middle as received from the artist. Steven Ogburn, more renowned by his moniker "BLADE", remains a luminary figure in the evolving landscape of graffiti art. His latest masterpiece, an untitled spray paint and marker painting, seamlessly marries the aesthetics of street art with pop culture nuances. Executed on Bristol Fine Art Paper, this work resonates with BLADE's signature vibrancy and unrestrained creativity, a testament to his enduring legacy in the graffiti world. The audacious color palette, punctuated with bold typography and whimsical motifs, creates an engaging visual narrative characteristic of the iconic style that has earned BLADE international acclaim. Crafted in 2022, this piece captures the zeitgeist of contemporary street art, drawing viewers into a vivid tapestry of urban expressionism. Every inch of the canvas exudes BLADE's mastery, from the intricate layering of spray paint to the meticulous detailing with markers. A subtle soft crease running through the middle stands as a mark of authenticity, a characteristic trait received directly from the artist. Such raw imperfections enhance the allure, reminding us of the spontaneous spirit that underpins graffiti culture. In a world where street art continues to break barriers, challenging traditional artistic norms, BLADE's recent artwork is a radiant beacon of the genre's evolution. Both enthusiasts and novices will be captivated by the artwork's depth, reveling in the dynamic fusion of pop art motifs and raw street aesthetics. It is a symbolic representation of BLADE's contribution to an art movement that continually redefines itself, pushing boundaries with every spray and stroke. Steven Ogburn, better known as BLADE, is one of the most influential graffiti artists in the world. Rising to prominence in the New York City subway art movement of the 1970s, BLADE painted an estimated 5,000 trains, earning him the title "King of Trains." His work is characterized by vibrant color palettes, intricate lettering, and bold graphic designs. With a career spanning over five decades, BLADE has transitioned from urban environments to the global art scene, exhibiting his work in galleries worldwide while continuing to inspire new generations of street artists.

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This Biohazard Neon Orange Slap-Up Label Sticker Original Tag Art by Saber Original Acrylic Paint Art Drawing on Biohazard Label Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 6x6 Acrylic Paint Tagged on Medical Biohazard Label Sticker. Neon High Visibility Orange Biohazard Symbol Uline label #S-20794. Exploring the Fusion of Street Pop Art and Graffiti Artwork In the dynamic sphere of contemporary visual culture, street pop art and graffiti artwork stand out as potent forms of expression that encapsulate urban life's rhythm and raw sentiments. Among the luminaries of this genre is the renowned graffiti artist Saber, known for his striking contributions to the street art panorama. The piece under scrutiny is a vibrant example of his ingenuity—a 6x6 acrylic or marker piece tagged on a medical biohazard label sticker featuring a neon high visibility orange biohazard symbol from Uline label #S-20794. Distinctive Aesthetic of Saber's Tag Art Saber's original permanent marker art drawing on a mailing glossy arrow sticker presents a striking visual paradox. The neon orange of the biohazard symbol evokes a sense of caution, typically used to warn of dangerous substances. Contrasted with the blue drips of paint that appear haphazardly splashed across the surface, there is intentional defiance and palpable tension between structure and chaos. This work is a signed 2020 original slap-up graffiti art tag that showcases not just the artist's signature style but also his ability to transform ordinary objects into powerful statements. The choice of a biohazard label as a canvas is a commentary on the infectious nature of art and ideas. Saber effectively takes a symbol that denotes hazard and contamination and recontextualizes it within the aesthetic of street pop art. By doing so, he challenges the viewer to reconsider the connotations of biohazards, not just in the physical sense but in the metaphorical contagion of art in public spaces. Impact and Significance in Modern Street Art Saber is an American artist whose real name has been as influential in the graffiti community as the images he creates on walls and in galleries. His use of a mailing label as a medium is a nod to the guerrilla tactics of early street art culture, where quick, impactful statements were essential, and materials were often repurposed or found objects. This sticker art, often called a 'slap-up,' is a form of street art that is quickly applied, or 'slapped up,' onto a surface in a public space. It allows for transient yet assertive communication, echoing urban life's fast-paced and often impermanent nature. The neon orange and blue artwork transcends its simple components, becoming a canvas for a larger discourse on visibility, legality, and the permanence of art. As a form of street pop art, it retains the accessibility and mass appeal of pop culture while embedding itself in the more subversive and counter-cultural roots of graffiti. This duality is where its power lies; it is both a bold declaration and a subliminal whisper, a fixture on the streets that can be as quickly removed as it is noticed. In the context of graffiti artwork, Saber's biohazard label sticker becomes an artifact of the streets, a testament to the artist's ability to command attention and communicate through symbols and color. With its saturated hues and deliberate drips, the piece resonates with the energy of the streets and the people's voices. It is a piece that marks a physical space and stamps a moment in time, encapsulating the essence of street pop art in its ability to capture the pulse of contemporary urban life. The interplay of color, symbol, and medium in this piece illustrates the innovative potential of street pop art. Saber's work disrupts the monotony of urban environments, offering passersby a moment of aesthetic arrest amidst the concrete canvas of the city. In modern street artwork, such interventions are not just decorative but are vital narratives that articulate the identity and the undercurrents of a city's cultural dialogue. Through works like this, Saber and his contemporaries continue to influence the trajectory of street pop art, ensuring its evolution and relevance. They remind us that the streets remain a powerful platform for artistic expression, where the voices of the marginalized and the spirit of rebellion can find their visual lexicon. Saber's neon orange slap-up label sticker is not just a mark made with acrylic or marker; it is a statement, a challenge, and a vibrant echo of the energy that drives the city's heart.

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Heidelberg Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Stephanie Buer.

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Triple Made in USA Flag Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Glossy US Flag Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed 3x Uncut US Flag Made in USA America Original Slap Up Graffiti Art Tag 12x4 Marker Tagged on Sticker. The Fusion of Patriotism and Rebellion: Street Pop Art & Graffiti Artwork The artwork under scrutiny exemplifies a vibrant confluence of street art ethos and patriotic expression. At first glance, the piece presents itself as a defiant act of embellishment on a symbol of national pride, the American flag, with a repetitive assertion of domestic production - "Made in the USA." Yet, upon closer inspection, it reveals a layered dialogue between the artist's intent and the viewer's interpretation, characteristic of street pop art and graffiti artwork. Saber, the artist behind this creation, is a recognized figure within the street art community. His contributions have been instrumental in elevating graffiti as a legitimate form of contemporary art. Born in the United States, Saber's works often imbue a sense of national identity while simultaneously challenging the status quo. Through his art, he manifests a unique blend of patriotism and critique, a duality especially palpable in this piece. Symbolism and Significance in Saber's Artwork The triptych form of the uncut sticker sheet intensifies the impact of the message "Made in USA," iterated thrice for emphasis. Each flag is a canvas for Saber's signature tagged style, where the fluidity and boldness of his lines are pronounced against the structured backdrop of the stars and stripes. The choice of a glossy US flag sticker as a medium is deliberate, enhancing the interplay of textures and finishes, a hallmark of street pop art. Saber's use of permanent markers to draw over the stickers indicates the permanence of the sentiments expressed through the artwork. The stark black scribbles, chaotic and vigorous, convey a sense of urgency and raw emotion that often accompanies national identity and production discussions. The act of tagging over a national symbol can be seen as a form of social and political commentary, a conversation starter on topics ranging from patriotism to consumerism in American society. Contextualizing Saber's Work in Modern Street Art In the landscape of modern street art, Saber's work stands out for its fearless confrontation with political themes and its nuanced examination of American identity. His 2020 series of tagged US flag stickers holds a mirror to the complexities of the "American Dream" and the realities of the country's manufacturing ethos. By overlaying graffiti art onto an emblem of national pride, Saber challenges viewers to reconsider their perceptions of the flag and graffiti as an art form. The graffiti artist's employment of slap-up labels, a street art staple, underscores the transient nature of the medium. Traditionally, slap-ups are quickly affixed to surfaces in public spaces, intended for mass consumption, and often subject to removal or decay. In contrast, Saber's work immortalizes this ephemeral technique, transforming the slap-up into a lasting artifact of cultural expression. The fusion of graffiti with the iconic flag imagery in this artwork invites discourse on the dichotomy between established norms and subversive acts. It is a testament to the evolving narrative of street pop art, where the boundaries between the sanctioned and the insurgent are blurred. Saber's art does not just occupy physical space; it occupies the mental space of contemplation, urging an engagement with its underlying messages. Saber's triple "Made in USA" flag stickers stand as a poignant example of how street pop art and graffiti can encapsulate complex socio-political themes within a singular visual experience. It is a striking reminder of the power inherent in street art to communicate, challenge, and engage on levels that transcend the visual, firmly establishing Saber's position within the pantheon of contemporary street artists.

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Detroit Series 24 Original Painting Spray Paint, Acrylic Paint, and Mixed Media on Cradled Wood by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed & Titled Original Spray Paint Acrylic Paint Mixed Media Painting on Cradled Wood Panel Ready to Hang Graffiti Artwork Bubble Letter Size 24x16 "I've always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I've been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It's what made me Cope2. But I like to change it up and show all my different styles. So, with this show, I can show my style evolution and how I've progressed. "Versatile" shows where I came from and what I'm doing now," Cope2 said from his studio in New York. -Cope2 Cope2 and the Intersection of Street Pop Art & Graffiti Artwork The "Detroit Series 24 Original Painting" by Cope2 marks a significant milestone in the fusion of street pop art and graffiti artwork. A masterful blend of spray paint, acrylic paint, and mixed media on cradled wood, this 2010 piece, sized at 24x16 inches, is signed and titled by the artist himself. The artwork is a ready-to-hang testament to Cope2's journey in the art world, vividly encapsulating his thirty-plus years of experience with what he calls 'hardcore graffiti.' This piece is a bold declaration of the artist's evolution, embodying the diverse styles Cope2 has embraced and mastered over the years. The artwork's bubble letters pop against the wood panel, showcasing Cope2's ability to marry the spontaneity of street art with the permanence and texture that fine art mediums like wood and acrylics provide. "Detroit Series 24" is not just an artwork; it is a narrative, a visual autobiography that charts the artist's progression from the streets of New York to the refined spaces of galleries. Cope2's adaptation to mixed media paintings is a conscious choice that speaks to his desire for growth and exploration within his craft while also honoring the roots of graffiti that laid the foundation for his career. Reverberations of Cope2's Artistic Evolution Cope2's commitment to showcasing his stylistic evolution is palpable in "Detroit Series 24". The artwork is a physical manifestation of the versatility he speaks of. This versatility has allowed him to remain a relevant and celebrated figure in modern art. Through this series, he offers a visual history of his personal development, displaying the range of his artistic capabilities. The series is a celebration of change, of the potential within the graffiti art form to adapt and thrive in various environments and formats. In this piece, as with others in the series, there is a dialogue between street art's raw, energetic quality and the thoughtful, intentional nature of studio-based work. The artwork serves as a bridge, connecting the often underrepresented art form of graffiti with the mainstream narrative of contemporary art. It is a testament to the legitimacy and depth of street pop art and graffiti artwork, challenging the notion that these forms of expression are somehow less valid than their traditional counterparts. The Legacy of Cope2's Detroit Series in Street Pop Art & Graffiti Artwork The legacy of "Detroit Series 24" extends beyond its aesthetic achievements. The work is a significant contribution to the ongoing conversation about the place of street art within the larger context of art history. Cope2's journey reflects the journey of graffiti itself, from an act of defiance to a respected art form that commands space in galleries and private collections alike. His work, particularly in this series, encapsulates the spirit of resilience that defines much of street art and graffiti, showcasing an adaptability that has enabled the art form to flourish. Cope2 has not only documented his evolution through his art but has also mirrored the evolution of street pop art and graffiti artwork. "Detroit Series 24" is a vibrant celebration of this progression, a canvas where the past and the present coexist, where the language of the streets is translated into the lexicon of fine art. Cope2's contribution to the art world through this piece and others in the series is invaluable, marking him as a pivotal figure in recognizing and appreciating street-inspired art. Ultimately, "Detroit Series 24" is a bold statement on the transformative power of art and the artist's enduring quest for expression and reinvention. Through his work, Cope2 continues to inspire and challenge, pushing the boundaries of what street pop art and graffiti artwork can be. His pieces are not just works to be hung on a wall; they are dynamic conversations, ever-evolving as the artist himself evolves, and inviting viewers to witness the unfolding story of one of the most influential modern artists in the realm of street pop art and graffiti.

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Man In The Mirro Original Permanent Marker USPS Box End Drawing Art on Cardboard by Graffiti Artist DrNuse69 Modern Street Artwork. 2022 Signed Original Slap Up Graffiti Art Tag 7.5x4.5 Marker Tagged on USPS Priority Mailing Box End.

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Abstract Cubism 1 Original One of a Kind Mixed Media Spray Paint Acrylic Painting Artwork on Stretched Canvas by Popular Street Graffiti Artist RD-357. Custom Framed 31.5x22.5. Abstract Cubism 1 by RD-357 Painting- This original artist's stretched canvas mixed media spray paint graffiti painting features the RD tag with cubsitic colors in the background. Awesome rare original canvas art by prolific street artist Real Deal RD357.

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NYC Subway Map VII True Legend Archival Print by Cope2- Fernando Carlo Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 35 Artwork Size 14x19 Archival Pigment Fine Art "NYC Subway Map VII True Legend" stands as a vibrant testament to Cope2's, aka Fernando Carlo, influence and stature in the street art community. This limited-edition archival print is a confluence of the gritty energy of New York's underground scene and the refined technique of contemporary fine art. With only 35 signed and numbered pieces available, the artwork exudes exclusivity and significance. Measuring 14x19 inches, the piece is printed on 290gsm Moab Entrada fine art paper, renowned for its ability to present rich, accurate colors and to maintain the integrity of the original work for years to come. Cope2's dynamic piece pulses with the lifeblood of urban culture, a tribute to the artist's deep roots in the Bronx and the indelible mark he has left on the global graffiti landscape. The print is layered with his iconic bubble letters, wildstyle tags, and bold throw-ups that have become his signature. Embedded within the chaos of color and form is the NYC subway map, a nod to the artist's beginnings and the subway's role as the moving canvas of choice for early graffiti writers. It's here that Cope2 declares himself a "True Legend," a status earned through decades of contributing to the evolving language of street art. This piece, while celebratory, is also a dialogue with the viewer, challenging perceptions of what constitutes legitimate art. Cope2 brings the raw authenticity of the streets into a format traditionally associated with the art gallery, thereby erasing the boundaries between high art and street culture. Collectors of "NYC Subway Map VII True Legend" acquire more than just a piece of art; they are preserving a snapshot of a culture in constant motion, a culture that has sprawled from the subways of New York to capture the world's imagination. This print symbolizes the enduring legacy of street art and its unstoppable ascent into the art world's consciousness.

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Heath Ledger Joker Construction Zone Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal NYC New York Construction Zone No Trespassing Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Reclaimed NYC New York Construction Zone No Trespassing Sign Painting Original Artwork Size 24x24 Batman Villian Played by Heath Ledger in the Movie as Joker Looking at the Viewer. RD Tag in Rust Red. RD-357's Heath Ledger Joker: A Fusion of Street Pop Art and Iconography The Heath Ledger Joker Construction Zone original street sign painting by RD-357, also known as Real Deal, encapsulates the essence of street pop art through its provocative use of public signage repurposed for artistic expression. Created in 2012, this mixed media acrylic and spray paint artwork transforms a New York City construction zone 'No Trespassing' sign into a canvas, depicting the iconic Batman villain played by Heath Ledger in a way that both challenges and captivates the viewer. Contextualizing RD-357's Artistic Approach RD-357, an artist whose real name remains elusive in the true spirit of street art anonymity, is known for his gritty interpretations of pop culture figures on unconventional canvases. This particular artwork measures 24x24 inches and is a testament to street art's versatility, pushing beyond traditional boundaries. RD-357 draws upon the anarchic spirit of the Joker, using a symbol of law and order – a construction sign – to present an image of chaos and rebellion. The irony is palpable; the sign, which once stood as a warning against unauthorized entry, now invites viewers to engage with the art in a personal, almost aggressive manner. Symbolism and Impact in RD-357's Joker Artwork This piece is not just a portrait; it is a statement. By choosing Heath Ledger's Joker, RD-357 taps into the collective consciousness of a society fascinated by the anti-hero archetype. Ledger's portrayal of the Joker was posthumously celebrated, and his death in 2008 left a cultural imprint that RD-357 leverages in this artwork. The juxtaposition of the Joker’s figure against the backdrop of a New York construction sign speaks volumes about the chaotic undercurrents within the perceived order of urban life. The use of mixed media, with acrylic and spray paint, highlights street art's raw, visceral nature, while also paying homage to the vibrancy of pop art. The viewer is confronted with the Joker's gaze, which, coupled with the bright warning colors of the construction sign, creates an unsettling yet magnetic presence. This interaction compels the audience to contemplate the layers of meaning behind the piece – from transforming public property into a medium for personal expression to the dialogue between art and spectator that challenges societal norms and the very definition of public space. In conclusion, RD-357's Heath Ledger Joker on a New York City construction sign is an outstanding example of how street pop art can merge cultural iconography with subversive messaging. Through this piece, the artist immortalizes a beloved film character and raises questions about authority, ownership, and the role of art in public discourse. The artwork remains a one-of-a-kind testament to the power of graffiti art to redefine spaces and provoke thought long after the paint has dried.

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Multi Tags Series 8609 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size 20x34 Multi Tags Series 8609: Original Graffiti Painting by Seen UA Multi Tags Series 8609 is a 2023 original painting by the graffiti artist Seen UA. Known as one of the pioneers of graffiti culture, Seen UA, born Richard Mirando, gained notoriety for his work on subway trains and urban landscapes during the early days of the graffiti movement in the 1970s. This piece is part of his ongoing Multi Tags Series, a collection that explores the expressive power of tagging in its raw, repetitive form. Measuring 20x34 inches, the artwork is crafted using acrylic paint and spray paint on unstretched canvas, emphasizing the street art origins of Seen’s work. The Art of Tagging in Street Pop Art and Graffiti Culture Tagging is one of the most fundamental elements of graffiti culture. A tag, typically a stylized signature or name, is the artist’s mark left on a surface, often as a form of identity or declaration of presence. In street pop art, tagging transcends its initial association with urban vandalism and becomes a form of visual expression and artistry. UA’s Multi Tags Series, 8609, captures this ethos, presenting a wall of repeated tags layered over one another rhythmically and chaotically. The repetition of tags in the series can be seen as both an assertion of identity and a commentary on the nature of urban life. The layering of tags, with overlapping colors and textures, mirrors the layering of voices, identities, and experiences in the urban environment. This dense field of repeated tags evokes the sensation of walking through a city covered in graffiti, where each tag competes for attention while simultaneously blending into the collective hum of the urban landscape. UA’s use of color in Multi Tags Series 8609 further enhances this effect. The painting is dominated by a palette of blues, grays, and whites, with each tag applied in quick, gestural strokes. The color variations suggest a gradient effect, where the tags seem to move in and out of focus, creating a sense of depth and movement. This visual layering invites the viewer to engage with the piece as a whole and on a more detailed, individual level, much like how street art is experienced in public spaces. Graffiti as an Artistic Language UA’s career has been defined by his ability to elevate graffiti from its underground roots into the wider art world. In the early days of graffiti, tags were often seen as acts of rebellion or defiance, expressions of a counterculture that rejected the norms of mainstream society. However, artists like Seen have demonstrated that tagging can also be a sophisticated form of visual language. Multi Tags Series 8609 exemplifies this idea, using tags as markers of identity and tools for creating intricate compositions. In this piece, Seen UA employs acrylic and spray paint, two mediums central to graffiti culture. Combining these materials allows for a range of textures and effects, from the smooth, controlled lines of the acrylic to the more spontaneous, unpredictable bursts of spray paint. The contrast between the two mediums reflects the tension between control and chaos often present in street art. The acrylic tags are precise and deliberate, while the spray paint adds an element of raw energy, evoking the feeling of graffiti created quickly in public spaces. The unstretched canvas in Multi Tags Series 8609 further connects the work to its graffiti roots. Unlike traditional gallery paintings, which are typically stretched and framed, the unstretched canvas recalls graffiti's impermanent, transient nature. Graffiti is often created on surfaces subject to weathering, removal, or destruction, and by choosing an unstretched canvas, Seen UA embraces this sense of impermanence. Much like the graffiti tags it depicts, the artwork feels as though it could be rolled up, moved, or even erased, underscoring the temporary and ever-changing nature of street art. Seen UA: A Legacy of Graffiti and Street Pop Art UA’s influence on the graffiti movement cannot be overstated. Often referred to as the “Godfather of Graffiti,” his work has been a cornerstone of the street art scene for decades. Starting as a young artist tagging subway cars in New York City, Seen UA helped shape the visual language of graffiti, bringing it from the streets into galleries and museums worldwide. His transition from illegal tagging on subway trains to producing fine art pieces like Multi Tags Series 8609 reflects the evolution of graffiti as an art form. Despite his success in the art world, Seen UA has always remained true to the ethos of graffiti culture. His Multi Tags Series continues to celebrate street art's raw energy and rebellious spirit, even as it is displayed in more formal settings. By repeating his tags repeatedly in this series, Seen UA reminds viewers of the persistence and resilience of graffiti culture. Tags are often removed, painted over, or buffed out by city authorities, but graffiti artists continue to create, leaving their marks wherever possible. In this sense, Multi Tags Series 8609 can be seen as a celebration of the enduring nature of graffiti and the artists who create it. The Visual Power of Repetition One of the most striking aspects of Multi Tags Series 8609 is its use of repetition as a visual device. Repetition is a powerful tool in street pop art, where the constant reiteration of symbols, images, and motifs helps to reinforce their meaning. In this piece, Seen UA’s repeated tags create a hypnotic pattern that draws the viewer’s eye across the canvas. Each tag is distinct and part of a larger whole, creating a sense of unity within the chaos. The repeated tags also evoke the act of tagging itself, which is often done in quick, repetitive motions. This physicality is reflected in the gestural quality of the tags, which appear to have been applied rapidly, with energy and urgency. The viewer can almost imagine the artist’s hand moving across the canvas, repeating the same mark repeatedly to leave a lasting impression. Multi Tags Series 8609 is a testament to Seen UA’s mastery of graffiti as a visual language and artistic expression. Using repetition, color, and texture, Seen UA creates a dynamic, engaging work that captures the essence of graffiti culture while pushing the boundaries of what street pop art can be.

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Bubbles PNB RAW 8675 Orange Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Untretched Canvas. 2023 Signed Original Orange Bubbles PNB RAW Post No Bills Series Acrylic & Spray Paint Painting Size 26x30 Original canvas from SEEN, Bubbles PNB RAW Series, 2023, Actual painting size is 30" x 34" (76,2 x 86,3 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 26" x 30" (66 x 76,2 cm) // UN- stretched size is 30" x 34" (76,2 x 86,3 cm). SIGNED ON THE BACK. Bubbles PNB RAW 8675 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. Seen UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Bubbles PNB RAW" is a collection of works that showcase the artist's signature lettering, post no bills stencil, blending street art with traditional fine art. In Bubbles PNB RAW 8675, Seen UA masterfully incorporates an array of bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes, while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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Hand of Doom Giclee Print by Seen UA Artwork Limited Edition Print on Canvas Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition Artwork Size 102x26 Hand of Doom is a captivating and intricate giclee print on canvas by the renowned graffiti pop street artist, Seen UA. Known for his exceptional prowess in blending street and pop art, Seen UA first introduced this stunning masterpiece in 2023. This artwork emanates an urban vibe, offering a glimpse into the unfiltered reality of street life, subtly intertwined with elements of pop culture. Limited in its availability, Hand of Doom is a signed and numbered piece. This attribute, along with the distinct signature of Seen UA, increases its exclusivity, making it a highly sought-after artwork among enthusiasts and collectors of pop and street art. The dimensions of this masterpiece, measuring 102x26, lend it an imposing presence, further enhancing its appeal. Hand of Doom is an exemplar of the giclee print technique. Giclee, a French term meaning 'sprayed ink', is a high-resolution, high-fidelity method of fine art printing. This technique allows Seen UA to transform his original graffiti designs into digital artwork, which is then sprayed onto canvas with minute droplets of ink. The result is an unparalleled level of detail and color depth, mirroring the vibrancy and dynamism of the original graffiti. Seen UA's Hand of Doom is more than just a print; it is a synthesis of urban grit and contemporary culture. It captures the rebellious spirit of street art and the vivacity of pop art, while its limited-edition status makes it an intriguing piece for any art collector's portfolio. This artwork exemplifies Seen UA's mastery of diverse art forms, reinforcing his status as a significant figure in the realms of graffiti, pop, and street art.

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Where The Hose M30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. Where The Hose M30 by OG Slick: Urban Commentary and Graffiti Wit in Street Pop Art & Graffiti Artwork Where The Hose M30 is a 2025 hand-embellished giclee print by OG Slick, presented in a limited edition of 25. Each 30x30 inch print is produced on 310gsm deckled fine art paper, signed and numbered by the artist, and uniquely hand-finished using spray paint and various graffiti techniques. The central subject is a fire hydrant—painted, stickered, and transformed—set against a stark background, with the hand-scrawled question Where the hose at? hovering above in playful red script. The image merges cheeky wordplay with street realism, combining slick visual execution and raw cultural irreverence. Every HPM version differs, each featuring its own variation of paint splatter, spray application, and embellishment marks, reinforcing the individuality and rebellious spontaneity embedded in Street Pop Art & Graffiti Artwork. Symbolism, Humor, and Street-Level Critique The fire hydrant in Where The Hose M30 is rendered with a gritty aesthetic, adorned in layers of graffiti, tags, and stickers including OG Slick’s signature Japanese text, cartoon gloves, and pop references. These decals give the hydrant the look of a public object long claimed by urban artists. The playful title scrawled above evokes both literal and slang meanings, inviting multiple interpretations—part street joke, part cultural commentary. Whether read as a nod to graffiti beefs, territorial markings, or masculine bravado, the question itself is as much a provocation as it is a punchline. Some variants in the edition feature bursting spray streams, others are overlaid with bold magenta or buffed whiteout gestures, each echoing the transient, ever-changing nature of city surfaces and graffiti culture. Within Street Pop Art & Graffiti Artwork, OG Slick uses this hydrant not only as a subject but as a symbol of pressure, release, and public infrastructure hijacked by personal voice. OG Slick’s Artistic Practice and Visual Language OG Slick, a fixture of Los Angeles graffiti culture since the 1980s, is renowned for remixing commercial and municipal iconography through a filter of street aesthetics and satirical wit. His work blends cartoon-based visual familiarity with hardcoded graffiti influence, often embedding commentary on fame, ownership, and identity. In Where The Hose M30, he recontextualizes the mundane—turning a utilitarian fire hydrant into a sculptural character that carries attitude, history, and street-coded meaning. By layering his personal motifs over a public object, Slick continues his career-long tradition of turning the overlooked into a bold visual narrative. His attention to detail in both form and wordplay makes this piece an extension of the graffiti wall, a flat surface alive with attitude, cultural shorthand, and layered contradiction. Edition Variation and Urban Artifact Value As with all HPM releases by OG Slick, each copy of Where The Hose M30 is one of a kind. While the base giclee ensures fidelity to the original digital layout, the embellishments disrupt that uniformity, introducing chaos, imperfection, and hand-executed energy. Some prints are saturated in pink or buffed out with white spray, while others are activated with directional burst marks and smudges of black ink. These choices give each collector a unique relationship to the piece, similar to how different graffiti tags evolve across the city depending on who sees them, alters them, or covers them. OG Slick captures that energy in a fixed format that still feels in flux. The deckled paper adds a tactile frame to the work, reinforcing its status as both high art and cultural subversion. In Street Pop Art & Graffiti Artwork, Where The Hose M30 stands as a sharply humorous yet technically refined work that reclaims public visual space and retools it with attitude, commentary, and urban soul.

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SAMO©…SINCE 1978... Deluxe Collectors Set Archival Pigment Fine Art Limited Edition Print, Photos, Book & Marker on Fine Art Paper by Modern Pop Street Graffiti Artist Ali Diaz. 2018 Signed & Numbered Al Daiz Portfolio Art Set of Prints, Art Objects, Media & Photographs. The Samo©… Since 1978… Deluxe Collectors Set Includes The Following Items: A signed first-edition book with an exclusive inscription by Al Díaz and Mariah Fox. A signed and numbered archival print measuring 8 x 8 inches is a photograph by Al Díaz from circa 2018. An 11-piece archival print set of vintage SAMO© photography, each measuring 4 x 6 inches, with photographs by Al Díaz, Natalya Maystrenko, and Jane Burrell Yadav from around 1978/79. A signed paint marker that was used to create an original SAMO© piece of art. A hand-screened canvas tote bag, printed on each side, measuring 15 x 20 inches. An enamel cross pin. A sticker pack. A bookmark. A blue marker. A signed Letter of Authenticity. Historical Significance and Composition of the SAMO©…SINCE 1978... Deluxe Collectors Set Released in 2018, this limited edition portfolio by Al Diaz is a comprehensive assembly that includes various items, each rich with the essence of street pop art. A signed first edition book with an exclusive inscription provides insight into the SAMO© tag's inception and evolution, a narrative co-created with Mariah Fox. Accompanying the book is a signed and numbered archival print, an 8 x 8-inch photograph Diaz took, offering a visual narrative that complements the written word. The realm of modern street pop art and graffiti artwork is ever-evolving, often blurring the lines between an art piece and a historical document. The "SAMO©…SINCE 1978..." Deluxe Collectors Set is a prime example of this intersection, offering a tangible connection to the roots of street art as seen through the lens of influential artist Al Diaz. This set is not just an amalgamation of art objects; it's a capsule of cultural heritage that chronicles the rise of one of the most enigmatic tags in the history of graffiti. Further delving into the historical context, the set includes eleven archival prints measuring 4 x 6 inches, featuring vintage SAMO© photography by Al Diaz, Natalya Maystrenko, and Jane Burrell Yadav. These images capture the rawness of the late 1970s and early 1980s in New York, where SAMO© became a recognized symbol of rebellion and artistic freedom. Including a signed paint marker used to create an original SAMO© piece signifies the authenticity of the art-making process, bridging the past with the present. The Artistic and Collectible Value of Al Diaz's Work The Deluxe Collectors Set assembles art objects extending beyond prints and photographs. This eclectic mix includes a hand-screened canvas tote bag, an enamel cross pin, a sticker pack, and a bookmark. Each item is a piece of memorabilia and a slice of the artistic journey that Diaz has embarked upon. Notably, the set has a blue marker and a signed letter of authenticity, sealing its value as a collectible. Al Diaz's contributions to the graffiti art scene are deeply etched into the cultural fabric of urban art. His work, especially the SAMO© tag, co-created with the legendary artist Jean-Michel Basquiat, has become a symbol of street art's DIY ethos and provocative nature. This Deluxe Collectors Set does not merely reflect Diaz's artistic footprint; it serves as a conduit for the stories, the era, and the movement that SAMO© represents. Legacy of the SAMO© Tag The legacy of the SAMO© tag immortalized in this Deluxe Collectors Set is multifaceted. It's a testament to the power of words and images in the public domain, a reminder of street art's transitory yet impactful nature. The tag's cryptic messages once sparked curiosity and dialogue among passersby on New York's streets. Through this set, they continue instigating thought and appreciation among collectors and art enthusiasts. In essence, the "SAMO©…SINCE 1978..." Deluxe Collectors Set by Al Diaz is more than just an item of monetary value; it is an essential piece for anyone interested in the history and evolution of street pop art and graffiti artwork. Through this collection, Diaz cements his place in art history and invites others to explore and understand street art's profound impact on society and culture. As a limited edition of just 25 sets, it holds a unique place in the pantheon of modern art collectibles, embodying the spirit of a time when art took to the streets, challenging conventions and forever changing the face of urban expression.

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Summer School 2- 7.8 Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist DGK.

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Oil and Water IV The Year that Took the Wind Out of Our Sails 2020 AP Archival Print by Dave Pollot Limited Edition Print on Matte Velvet Rag Fine Art Paper Pop Artist Modern Artwork. AP Artist Proof 2020 Signed & Marked AP Limited Edition 4/10 Artwork Size 18x24 Archival Pigment Fine Art "Oil and Water IV The Year that Took the Wind Out of Our Sails" stands as a testament to the prowess of Dave Pollot, a revered name in contemporary pop art. This piece, created in 2020, exemplifies Pollot's unique ability to extract meaning from mundane objects and translate it into visually compelling narratives. Conceived as an archival pigment print on matte velvet rag fine art paper, the artwork is steeped in Pollot's signature style and offers a thoughtful commentary on the challenging year that was 2020. The piece is part of a limited edition series, signed and marked as Artist's Proof (AP), and assigned the distinct serial 4/10. These marks authenticate its exclusivity, affirming the artist's hands-on involvement in the creation process, ensuring each piece's uniqueness. Measuring 18x24 inches, the print is designed to stand out, creating a striking impression that encapsulates the artist's knack for turning everyday images into poignant masterpieces. Pollot's work transcends the traditional boundaries of pop art, drawing influence from street and graffiti art in its aesthetic and thematic expression. The juxtaposition of oil and water in this piece serves as a metaphor, alluding to the incompatibility and conflict faced in 2020. Like oil and water, the year saw the world's population struggling to mix, separated by invisible barriers of fear and uncertainty, a theme which the artist deftly brings to life. "Oil and Water IV The Year that Took the Wind Out of Our Sails" is not merely a captivating piece of visual art; it is an archival record of a difficult historical moment, viewed through the lens of a talented pop artist. Its distinctive combination of archival pigment on matte velvet rag paper enriches its impact, granting it a timeless appeal. This artwork is a must-have for modern art aficionados who appreciate the narrative depth and visual charm of pop art, as well as the novel perspectives it brings to the events of our time.

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Risky C Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Time Travel Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist COPE2 x Afa Annfa x Chino Lam. 2021 Time Travel Skateboard Size: 80 x 20cm Editions of 100, numbered.

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LA River Artwork Giclee Limited Edition Print on Pearl Fine Art Paper by Pop Culture Graffiti Artist Saber. 2019 Signed & Numbered Limited Edition of 100 Pearlescence Paper 27x19.25 Los Angeles has always been a hub for creativity, diversity, and innovation. Among its most influential and audacious forms of expression is street art, notably graffiti, which has made its indelible mark on the city's sprawling urban landscapes. A testament to this vibrant culture is the LA River Artwork Giclee print, an exceptional piece crafted by the renowned pop culture graffiti artist Saber. Hailing from Los Angeles, Saber has been an integral force in graffiti art, pushing boundaries and setting new standards for the genre. His dynamic and intricate designs encapsulate the energy, complexity, and authenticity of the urban environment. The LA River Artwork is a shining example of his prowess and unique aesthetic. This limited edition piece is a testament to the dedication and precision Saber pours into his art, capturing the transformative nature of graffiti as it breathes life and narrative into mundane city structures. Crafted in 2019, this giclee print boasts impeccable quality and detail. Limited to just 100 copies, each print has been meticulously signed and numbered by Saber, underscoring its exclusivity and value as a collector's item. The choice of pearlescence paper measuring 27x19.25 inches augments the vibrancy of the artwork, giving it a shimmering finish that adds depth and dimension. The medium, often favored in fine art reproductions, ensures longevity, clarity, and an immersive visual experience for the viewer. Graffiti art, often dismissed in its nascent stages as mere vandalism, has evolved to be recognized as a genuine form of artistic expression, with Saber at its forefront. The LA River Artwork is a testament to the genre's transformation and its ever-evolving relationship with pop culture. This piece is not just an artwork; it's a narrative, a piece of Los Angeles's soul, immortalized in color and form by one of its most iconic artists.

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Marie I #2 Limited Edition Hand-Embellished HPM Archival Pigment Prints on 290gsm Moab Entrada Rag Bright Paper by Adam Caldwell Graffiti Street Artist Modern Pop Art. 2017 Signed Limited Edition Eternal Return I • Autographed hand-embellished archival pigment print • Additional paint, graphite and ink stamping on Moab Entrada Rag Bright 290 GSM archival paper • 18 x 24 inches Hand-embellished, signed and numbered by artist Adam Caldwell in a limited edition of 3 • # 2/3

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Happy OG San F30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. Happy OG San F30 by OG Slick: Sticker Bomb Rebellion in Street Pop Art & Graffiti Artwork Happy OG San F30 is a 2025 hand-embellished giclee print by West Coast graffiti innovator OG Slick. Released in an extremely limited edition of only 25, this 30x30 inch print is executed on 310gsm deckled fine art paper and enhanced individually by hand with spray paint, splatter, and stencil work. Each version is signed, numbered, and uniquely altered, turning every piece into a one-of-one collectible. The imagery is anchored by OG Slick’s instantly recognizable happy face character with an eyepatch, surrounded by a wall of bombed stickers—layered logos, graffiti tags, and Japanese script overlaid in chaotic repetition. The background pulses with energy and contradiction, channeling the language of street saturation into the framework of gallery presentation, firmly anchoring this work within the domain of Street Pop Art & Graffiti Artwork. Graffiti Identity and Urban Overload At the center of Happy OG San F30 is a three-dimensional illusion of Slick’s mascot-style smiley face, set against a cluttered backdrop of stickers and branding. The character’s face is mischievous and iconic—bright yellow, eyepatched, and grinning—set deep into a surface of repeated OG Slick tags, gloved hands, Japanese type, and portrait-style graphics. These elements, often seen wheatpasted across real city walls, are turned into a visual mosaic of cultural imprint. Each piece from the edition features variations in embellishment—some drenched in white-out buffing drips, others slashed with graffiti textures and flares of color. This intentional randomness echoes the street’s unpredictability and the performative nature of tagging, remixing, and rewriting public space. In Street Pop Art & Graffiti Artwork, identity is layered and questioned, and this piece captures that through repetition and distortion of self-referential branding. OG Slick’s Signature Blend of Humor and Rebellion OG Slick, based in Los Angeles with roots in Hawaii, has spent decades merging graffiti technique with pop culture critique. His work has long balanced playful iconography—like his recurring glove and smiley face figures—with gritty rebellion. In Happy OG San F30, Slick tackles the commercialization of graffiti itself, packaging it as fine art without compromising the aggressive messiness that gives it power. The sticker-bomb aesthetic recalls DIY zine culture, punk graphics, and urban tagging. It creates a claustrophobic yet rhythmic canvas that mimics actual urban surfaces layered over time. The eyepatch on the smiley face injects attitude and defiance into what might otherwise feel nostalgic or naïve. It’s a declaration: this is not just happiness, it’s earned chaos. Limited Edition Print as Urban Object and Subversive Gesture Printed with high-resolution giclee techniques and hand-embellished with spray and buff, each copy of Happy OG San F30 serves as a tactile collision between fine art and unsanctioned creativity. The deckled edges and archival-quality paper elevate the print’s object status, while the embellishments make every piece unstable, immediate, and alive. The randomness of spray, layering, and buffing across the edition mirrors the real-world ephemerality of graffiti—where no wall stays the same, and no tag is sacred. OG Slick invites collectors into a moment of street chaos preserved on paper, where symbols of rebellion are recast as aesthetic icons. As a component of Street Pop Art & Graffiti Artwork, this print acts as both artifact and intervention—marking where subculture meets spotlight and turning visual overload into something permanent, beautiful, and defiant.

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Shark USPS Priority Original Spray Paint & Permanent Marker Slap-Up Label Drawing Art by Tru Graffiti Artist Shark Toof Modern Street Artwork. 2015 Signed Orignal Spray Paint Mixed Media Marker Slap Up Graffiti Drawing Artwork Size 4.75x3.5 Slap Up Graffiti Art Tag 4.75x3.5 Spray Paint & Marker Tagged on USPS Label.

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