Red Dumpster HPM Limited Edition Hand-Painted Diecast Metal Graffiti Art Toy Collectible Artwork by Street Artist Amuse126. 2021 Signed Limited Edition of 26 HPM Embleshed Custom Graffiti Mini Dumpsters 4x4 Street Dumpster Series 1 Diecast Metal AM Throw Up Bubble Letter Hand Painted HPM Hand- Embellished Run of 26, Signed 2021

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NY Tripway Map I Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Cope2 pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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No Trespassing No Graffiti 12x18- III Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. No Trespassing No Graffiti Surveillance Sign. Challenging Norms with Cope2's Street Pop Art & Graffiti Artwork The piece "No Trespassing No Graffiti 12x18- III" by Cope2 is a provocative work that embodies the rebellious spirit of street pop art and graffiti artwork. The 2020 signed original spray paint painting features bubble letters on a real metal street sign, size 12x18 inches, boldly proclaiming "Graffiti Is A Crime." This artwork is a direct challenge to the legal and societal boundaries that have long been imposed on graffiti artists. Cope2, a name that carries weight in the graffiti world, uses this piece to confront the paradox of graffiti as an art form: its simultaneous existence as a celebrated creation and a criminal act. The medium of the actual metal street sign, an object that typically represents law and control, is subverted and repurposed as a canvas for free artistic expression. This inversion is symbolic of the very nature of street art — a medium that often exists in heavily regulated and surveilled spaces. By choosing this as his canvas, Cope2 does not just create a piece of art; he crafts a statement on the right to public space and the nature of artistic freedom. The Socio-Cultural Commentary of Cope2's Work "No Trespassing No Graffiti" is more than a visually striking piece; it serves as a socio-cultural commentary on the state of street art today. The bright colors and the unmissable bubble letters are quintessential elements of traditional graffiti, yet they stand in stark contrast against the formal, authoritative backdrop of the street sign. This contrast is a visual metaphor for the tension between the artist and the establishment, between creativity and conformity. The artwork captures what Cope2 represents — an artist who has thrived in the face of adversity and legal challenges for over three decades. This mixed media piece shows his dedication to the craft and his ability to adapt and evolve. He showcased his mixed-media the streets to a respected figure in modern pop art while maintaining the edge and authenticity of his street roots. Impact of "No Trespassing No Graffiti" on Street Pop Art & Graffiti Artwork Cope2's "No Trespassing No Graffiti" impact on the perception of street pop art and graffiti artwork cannot be understated. It is an embodiment of the defiance often intrinsic to this genre of art. Yet, it also represents a maturation of the form, a sign that street art has claimed its rightful place in contemporary art discourse. The piece stands as a symbol of resistance against the criminalization of graffiti, urging a reexamination of the laws and cultural perceptions that govern public expression. Through this work, Cope2 asserts the value of street art as a legitimate and powerful form of social and artistic expression. The painting is a direct engagement with the viewer, a call to question and redefine the boundaries of legality and artistry. It is a bold declaration that the presence of graffiti in the public sphere can be both an act of vandalism and a significant cultural artifact. "No Trespassing No Graffiti" is a pivotal piece in the narrative of street pop art and graffiti artwork. It is a testament to Cope2's enduring influence and his commitment to pushing the boundaries of what street art can convey. This artwork is not just a statement against prohibition; it is a proclamation of the transformative power of graffiti, its role in challenging the status quo, and its potential to change how we interact with and understand the urban landscape. It is a piece that encapsulates the complex identity of graffiti, standing as a vibrant example of the dialogue between artist, city, and society.

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RD Bold Tag Marker Original Drawing by RD-357 Real Deal on Cardboard Modern Street Pop Artwork. 2012 Signed Original Marker Cardboard Upcycled Graffiti Tag Drawing Size 16.5x7.5. Tape and Natural Creases Exist. RD-357: The Bold Lines of Street Identity RD-357, known by the moniker 'Real Deal,' is an artist whose bold tags have become a symbol of authenticity and raw expression in the street art community. His 2012 work, a signed original marker on cardboard, sized at a striking 16.5x7.5 inches, is a testament to the artist's direct approach to art-making. This piece, known simply as "RD Bold Tag," is a quintessential example of how street art conveys identity and presence. The Tag as a Signature of Existence In graffiti and street art, the tag represents more than just a name; it is the artist's signature and, often, their alter ego. It's a stamp of existence, a claim of a moment in time and space. RD-357's "RD Bold Tag" is a declaration of being, rendered in stark contrast on the humble medium of upcycled cardboard. Using discarded materials as a canvas speaks to the ethos of street art's ingenuity and resourcefulness, echoing the movement's roots in making the most out of the urban landscape.  Street Pop Art: A Dialogue with the Mainstream Street pop art, an offshoot of the broader pop art movement, takes everyday imagery and objects, recontextualizing them within the art world. RD-357's work fits snugly within this definition, as it elevates a simple tag to the status of high art by its execution and intention. Signing 'RD' across any surface is a form of pop art—taking a common element from the streets and imbuing it with a unique artistic quality. The nature of RD-357's work—its simplicity, directness, and refusal to be ignored—reflects the undercurrents that drive much of pop and street art. It is a reminder that art doesn't need to be complex to be powerful. Sometimes, a tag and a piece of cardboard are enough to make a lasting statement. "RD Bold Tag" by RD-357 encapsulates the spirit of street art in its most elemental form. It doesn't just mark a physical space; it marks a point in the artist's journey, a dot on the map of street art history. This piece serves as an example of RD-357's work and as a symbol of the street art movement's enduring legacy. This legacy continues to evolve and influence new generations of artists worldwide.

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Health Hazards Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Warning Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Health Flammability Special Instability Hazard Warning Label Uline S-724 Sticker. Slap Up In Perfect Condition. Artistic Alchemy on Hazardous Grounds The transformation of ordinary objects into visual spectacles is a hallmark of Street Pop Art and Graffiti Artwork. In this vein, the "Health Hazards Slap-Up Label Sticker" by Saber, real name Ryan Weston Shook, from the United States, stands out as a captivating fusion of warning label iconography and graffiti artistry. Created in 2020, these pieces symbolize how graffiti artists repurpose everyday items, such as health flammability and particular instability hazard warning label stickers, to make bold statements through art. Saber's original permanent marker art drawings on these glossy arrow stickers testify to the genre's ingenuity and ability to imbue commonplace materials with new life and meaning. Symbolism and Significance in Saber's Work Saber's art on hazard warning stickers is particularly poignant. The stickers' inherent message of caution and danger is juxtaposed with Saber's tags' freeform and expressive nature. This contrast is not merely aesthetic but symbolic, alluding perhaps to the inherent risks and hazards of graffiti creation. In the urban jungle, the graffiti artist is both a creator and a transgressor, and Saber's work captures this duality perfectly. The use of bright, contrasting colors over the hazard symbols does not obscure the warning but instead invites the viewer to reflect on the layers of meaning within the piece. Reflections of 2020 in Street Pop Art 2020 was not just another year in the annals of history but a turning point for societies worldwide. The original slap-up graffiti art tags on these health and hazard stickers by Saber reflect a year marked by global upheaval and a reevaluation of what is considered safe and dangerous. In his 4x4 marker-tagged creations, Saber captures the spirit of an era where the world grappled with health crises and societal instability. By signing each piece, Saber not only claims authorship but also anchors the artwork in time and place, offering a permanent marker — literally and figuratively — of a moment in time through the lens of Street Pop Art and Graffiti Artwork.

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Bubbles PNB RAW 8673 Green Original Graffiti Painting by Seen UA, One-of-a-kind Spray Paint & Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original Green Bubbles PNB RAW Post No Bills Series Acrylic & Spray Paint Painting Size 26x30 Original canvas from SEEN, Bubbles PNB RAW Series, 2023. Actual painting size is 30" x 34" (76,2 x 86,3 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 26" x 30" (66 x 76,2 cm) // UN- stretched size is 30" x 34" (76,2 x 86,3 cm). SIGNED ON THE BACK. Bubbles PNB RAW 8673 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Bubbles PNB RAW" is a collection of works that showcase the artist's signature lettering and bills stencil, blending street art with traditional fine art. In Bubbles PNB RAW 8673, Seen UA masterfully incorporates bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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The Man Who Walks Through Walls AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print. Shepard Fairey x Blek le Rat The Man Who Walks Through Walls AP Silkscreen Print 2008 The 2008 The Man Who Walks Through Walls AP Artist Proof silkscreen print is a rare collaboration between Shepard Fairey, internationally recognized as OBEY, and stencil pioneer Blek le Rat. Hand-pulled on fine art paper and measuring 18 x 24 inches, this limited edition Artist Proof was signed by both artists and marked “AP,” distinguishing it from the standard numbered edition of 100. As an Artist Proof, it holds particular value among collectors of Street Pop Art & Graffiti Artwork, symbolizing both artistic experimentation and the direct approval of the creators. Imagery and Urban Context The composition combines stark stencil work with a heavily graffitied wall, embedding the artwork within the raw energy of urban life. At the center, a suited man carries bags labeled with text, positioned alongside a goat, while a police officer passes in the foreground. To the right, a telephone booth punctuates the scene, grounding the work in the everyday architecture of the city. The layering of graffiti tags, political scrawls, and the surreal juxtaposition of figures evoke themes of consumerism, authority, and rebellion. The suited figure in particular hints at urban alienation, while the presence of the goat and booth adds absurdity, making the composition at once humorous and sharply critical. Collaboration Between Shepard Fairey and Blek le Rat Blek le Rat, born Xavier Prou in 1951 in France, is widely credited as the father of stencil graffiti, bringing social commentary directly into the streets of Paris beginning in the 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, built his reputation through his OBEY sticker campaign and politically engaged prints, including the Hope poster of Barack Obama. Their collaborative works, such as The Man Who Walks Through Walls, highlight a shared belief in the role of public art as a platform for protest and dialogue. The merging of Fairey’s graphic sensibilities with Blek’s direct stencil approach emphasizes the continuity between two generations of politically minded street artists. Rarity and Significance of the Artist Proof The Artist Proof edition carries special weight within the print world, typically produced in very small quantities and often retained by the artists. Signed by both Shepard Fairey and Blek le Rat and marked AP, this print holds heightened collectible value and authenticity. Beyond rarity, its imagery and collaborative nature underscore the strength of street art as a vehicle for political and cultural critique. The Man Who Walks Through Walls AP silkscreen print is not just a fine art object but also a vivid statement on urban culture, consumerism, and resistance, making it a defining example within the history of Street Pop Art & Graffiti Artwork.

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Slayer Iconicizm Archival Print by Cope2- Fernando Carlo Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2025 Signed & Numbered Print Limited Edition of 60 Artwork Size 14x12 Archival Pigment Fine Art  Bronx Icon 25 by Cope2: A Vivid Pulse of New York's Street Pop Art & Graffiti Artwork Cope2, born Fernando Carlo in the Bronx, New York, delivers a chromatic explosion of energy and history in his 2025 limited edition archival pigment print, Bronx Icon 25. Created on 290gsm Moab Entrada fine art paper, this 14x12 inch piece captures the grit, rhythm, and raw personality of one of graffiti's most influential figures. Signed and numbered in a run of 60, the edition reflects not only Cope2's status in the graffiti world but his seamless transition into the fine art arena while maintaining the authenticity of his roots. The Visual Vocabulary of Cope2 Cope2’s style is known for its distinctive bubble letters, layered color fields, and relentless tagging language, but Bronx Icon 25 goes beyond the expected. It offers a controlled chaos where abstract compositions collide with wildstyle lettering. Against a background drenched in neon greens, electric pinks, punchy blues, and metallic silvers, his intricate handstyle bursts forward with sharp lines and rapid gesture. The print carries his iconic throw-ups, nested inside overlapping marks that allude to subway panels and street corners from decades past. What makes this work sing is its ability to move fluently between unfiltered aggression and orchestrated balance, an approach Cope2 has perfected over his forty-year evolution from the streets to global galleries. A Pioneer’s Mark on Paper Bronx Icon 25 stands not only as an artwork but as a document of urban resilience. The pigment print format lends the work deep color saturation and lasting archival quality, which amplifies Cope2’s street-born intensity in a new context. Each mark echoes the walls of 1980s New York, when graffiti was criminalized but flourished as a visual language of youth, identity, and survival. In this edition, the splatters, drips, and scratches become purposeful. His use of Moab Entrada paper offers a textured surface that complements the layered ink techniques, giving the viewer a tactile connection to the street. Legacy in the Evolution of Street Pop Art & Graffiti Artwork Fernando Carlo’s contributions are foundational. Few artists can claim the same impact on the graffiti scene both as a cultural innovator and as a globally exhibited artist. Bronx Icon 25 bridges raw aerosol sensibility with the elevated finish of modern art printmaking. This piece is a collision of borough-born tradition and global contemporary relevance. It reflects a time when graffiti was more than expression—it was presence, defiance, and community. Cope2’s mark remains permanent, and Bronx Icon 25 is a living reminder of that mark’s origin, growth, and undying pulse.

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Detroit Series 25 Original Painting Spray Paint, Acrylic Paint, and Mixed Media on Cradled Wood by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed & Titled Original Spray Paint Acrylic Paint Mixed Media Painting on Cradled Wood Panel Ready to Hang Graffiti Artwork Bubble Letter Size 24x16 "I've always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I've been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It's what made me Cope2. But I like to change it up and show all my different styles. So, with this show, I can show my style evolution and how I've progressed. "Versatile" shows where I came from and what I'm doing now," Cope2 said from his studio in New York. -Cope2 The Evolution of Cope2 in Street Pop Art and Graffiti Artwork Within the pantheon of street pop art and graffiti artwork, Cope2 stands as a figure of significant importance, a name synonymous with the gritty roots and dynamic evolution of the genre. The "Detroit Series 25 Original Painting" is a testament to the artist's journey through the ever-changing landscape of urban art. This 2010 signed and titled original piece, measuring 24x16 inches, fuses spray paint, acrylic paint, and mixed media on a cradled wood panel, embodying the essence of what Cope2 has termed as 'hardcore graffiti.' Yet, it does more than that. It showcases a readiness to hang graffiti artwork that pulsates with the energy of bubble letters, a signature style that has made Cope2 a celebrated figure in modern pop art. This piece is not simply a static work of art; it narrates the story of Cope2's artistic evolution. Having spent over three decades dedicated to the craft of graffiti, Cope2 has earned recognition not just for his adherence to the raw foundations of graffiti but also for his adaptability and his embrace of mixed media approaches. The "Detroit Series 25" reflects this transition, showcasing how the artist has progressed from the streets to the studio, from the brief to the enduring. Cope2's Artistic Journey and Influence on Modern Art In the artist's words, Cope2 has described his artistic journey as one marked by versatility and evolution. The shift from exclusively employing spray paint to a multifaceted array of mediums signals a broader trend within street art's integration into the fine art world. The "Detroit Series 25" is emblematic of this shift, combining traditional graffiti techniques with the tactile nature of acrylics and the solidity of wood as a canvas. This fusion reflects a sophisticated approach to street-inspired art, blurring the boundaries between an underground subculture and the polished gallery scene. Cope2's work, particularly in the "Detroit Series," can be seen as a cultural chronicle, documenting the rise of street art from subversive beginnings to mainstream acclaim. His pieces are imbued with the spirit of New York's urban landscape, the birthplace of contemporary graffiti, yet they speak to audiences far beyond the city's confines. Through his work, Cope2 has captured the visceral thrill of graffiti, the bold colors, the daring contours, and the unapologetic self-expression, all while translating it into a format that commands respect within the contemporary art sphere. Reflecting Social Narratives through Graffiti Artwork Cope2's "Detroit Series 25" is more than an aesthetic endeavor; it is a social statement, capturing the zeitgeist of its era. His art does not exist in a vacuum but as a vibrant commentary on the environment from which it springs. The artwork tells the story of transition, not just for the artist but for the medium of graffiti itself. Once relegated to the fringes of the art world, considered an act of vandalism, graffiti has been recontextualized through works like those of Cope2. These pieces reflect the changing narratives around street art, elevating it to a form of street pop art that mirrors society's evolving attitudes towards public space, ownership, and artistic liberty. The legacy of Cope2's "Detroit Series 25" lies in its ability to capture the imagination of a diverse audience, bringing the raw, unfiltered voice of the streets into the sanctified spaces of art galleries. It embodies the spirit of resilience and adaptability, allowing graffiti to endure and flourish despite often hostile societal perceptions. The artwork stands as a vibrant testament to the power of street pop art and graffiti artwork to transcend their origins, influencing and reshaping the modern art scene in profound ways. In contemplating the impact of the "Detroit Series 25," it becomes clear that Cope2's influence extends beyond the visual. His work, with its vivid imagery and poignant use of mixed media, underscores the potential of graffiti to act as a catalyst for dialogue and reflection. It is a powerful demonstration of the artist's ability to evolve while remaining true to the core tenets of his craft, ensuring that his work remains relevant and resonant in the fast-paced world of modern art. Through his creations, Cope2 has shown where he came from and what he is doing now, marking his indelible imprint on the fabric of street pop art and graffiti artwork.

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No Cure Original Acrylic Spray Paint Painting by Cope2- Fernando Carlo One of a Kind Artwork on Canvas by Street Art Pop Artist. 2020 Signed Mixed Media Spray Paint & Acrylic Painting Original Artwork Size 43x53 on Unstretched Canvas Explosion of Color: Fernando Carlo's "No Cure" Fernando Carlo, known in the street pop art and graffiti art world as Cope2, is a Bronx-born artist whose work vibrates with the pulse of urban life. His piece titled "No Cure Original Acrylic Spray Paint Painting" is a spectacular canvas that showcases the raw energy and colorful chaos that defines street art. Created in 2020, this one-of-a-kind artwork is an amalgam of acrylic and spray paint, reflecting Cope2's dexterity with mixed media and his deep roots in graffiti culture. Spanning an impressive 43x53 inches on unstretched canvas, "No Cure" stands as a testament to Cope2's enduring influence in the realm of contemporary street art. In the canvas, we see a riot of colors and shapes, clashing and blending in an almost musical harmony. The artwork is signed by the artist, which not only ascertains its authenticity but also marks it as a significant piece within his extensive body of work. Cope2's signature is recognized worldwide, a symbol of credibility in the constantly evolving graffiti scene. With "No Cure," Cope2 demonstrates his versatility and his commitment to the craft, delivering a visual feast that is both a nod to the past and a step into the future of street art. The Bold Artistry of Cope2 Fernando Carlo's journey as Cope2 is a story etched onto the very streets of New York. Since the 1980s, he has been a figure synonymous with the graffiti scene, often regarded as one of the godfathers of New York City subway graffiti. His style has evolved over the decades, yet it retains the essence of the movement — bold, confrontational, and unapologetically public. "No Cure" captures this evolution, its canvas a dynamic collision of traditional graffiti elements with experimental pop art aesthetics. The title "No Cure" itself evokes a sense of raw, uncontained expression. It suggests an ailment for which there is no remedy, perhaps a reference to the addictive nature of artistic creation, especially within the context of street art where the act of painting can be as compelling as the art itself. This painting does not seek to cure but to capture and convey the complex layers of city life, the artist's inner narrative, and the vibrant cultural dialogue of the streets. The unapologetic presence of text, abstract motifs, and splattered paint illustrates Cope2's fearless approach to art and life. Contextualizing "No Cure" in Street Pop Art "No Cure" is not just an artwork but a visual representation of the culture from which it emanates. To understand this piece is to delve into the history of street art and its transition into the gallery space. Street pop art, with its roots in the countercultural movements of the 20th century, seeks to bring the vitality of street culture into the often sterile world of fine art. Cope2 does this masterfully, drawing on his experiences as a Bronx native to infuse his work with an authenticity that cannot be manufactured. The year 2020, when "No Cure" was created, marked an era where street art had firmly established itself as a genre that could command the walls of high-end art spaces while retaining its street cred. In this light, Fernando Carlo's work is a bridge, connecting the gritty sidewalks lined with aerosol to the white walls of art collectors seeking a piece of the street for themselves. "No Cure" embodies the zeitgeist of contemporary urban art, a beacon of the enduring spirit and evolving nature of street pop art and graffiti artwork. In the broader discourse of street pop art, Cope2's "No Cure" is a vibrant chapter that speaks to the diversity and complexity of graffiti art. It stands as a colorful testament to the artistic force of Fernando Carlo and the indelible mark he has left on the cultural fabric of the urban landscape. As the lines between street art and fine art continue to blur, pieces like "No Cure" remind us that at the heart of this movement is the power of raw, unedited expression — a power that indeed has no cure.

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Mask AP Silkscreen Print by Dave Kinsey Artist Proof Hand-Pulled 4-Color Screen Print on 290gsm 100% White Archival Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2006 Signed & AP Marked Limited Edition Artwork Size 18x24

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Blue Dumpster HPM Limited Edition Hand-Painted Diecast Metal Graffiti Art Toy Collectible Artwork by Street Artist Amuse126. 2021 Signed Limited Edition of 26 HPM Embleshed Custom Graffiti Mini Dumpsters 4x4 Street Dumpster Series 1 Diecast Metal AM Throw Up Bubble Letter Hand Painted HPM Hand-Embellished Run of 26, Signed 2021

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Brut Graffiti Raw Original One of a Kind Mixed Media Spray Paint Painting Artwork on Stretched Canvas by Street Art Pop Culture Artist DrNuse89. 2022 Signed Original Painting Size 9x3

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Apex- Turquoise Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN x Apexer. Directly from the Bay Area, APEX presents his design inspired in the Super Burners Series, a saga of powerful artworks where colors and shapes are taken over their limits to give expression to an inimitable style.

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Remio Study- 04 Original One of a Kind Mixed-Media Spray Paint, Acrylic Painting Artwork on Fine Art Paper by Popular Street Graffiti Artist Remio. Mixed Media on Fine Art Paper Size: 54 x 50 Inches Release: January 31, 2020 Run of: 1 Massive

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Untitled Graffiti Original Spray Paint Marker Painting by BLADE- Steven Ogburn One of a Kind Artwork on Bristol Fine Art Paper by Street Art Pop Artist. 2022 Signed & Dated Spray Paint & Marker Painting Original Artwork Size 14x11. Soft crease to the middle as received from the artist. Steven Ogburn, more renowned by his moniker "BLADE", remains a luminary figure in the evolving landscape of graffiti art. His latest masterpiece, an untitled spray paint and marker painting, seamlessly marries the aesthetics of street art with pop culture nuances. Executed on Bristol Fine Art Paper, this work resonates with BLADE's signature vibrancy and unrestrained creativity, a testament to his enduring legacy in the graffiti world. The audacious color palette, punctuated with bold typography and whimsical motifs, creates an engaging visual narrative characteristic of the iconic style that has earned BLADE international acclaim. Crafted in 2022, this piece captures the zeitgeist of contemporary street art, drawing viewers into a vivid tapestry of urban expressionism. Every inch of the canvas exudes BLADE's mastery, from the intricate layering of spray paint to the meticulous detailing with markers. A subtle soft crease running through the middle stands as a mark of authenticity, a characteristic trait received directly from the artist. Such raw imperfections enhance the allure, reminding us of the spontaneous spirit that underpins graffiti culture. In a world where street art continues to break barriers, challenging traditional artistic norms, BLADE's recent artwork is a radiant beacon of the genre's evolution. Both enthusiasts and novices will be captivated by the artwork's depth, reveling in the dynamic fusion of pop art motifs and raw street aesthetics. It is a symbolic representation of BLADE's contribution to an art movement that continually redefines itself, pushing boundaries with every spray and stroke. Steven Ogburn, better known as BLADE, is one of the most influential graffiti artists in the world. Rising to prominence in the New York City subway art movement of the 1970s, BLADE painted an estimated 5,000 trains, earning him the title "King of Trains." His work is characterized by vibrant color palettes, intricate lettering, and bold graphic designs. With a career spanning over five decades, BLADE has transitioned from urban environments to the global art scene, exhibiting his work in galleries worldwide while continuing to inspire new generations of street artists.

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NY Tripway Map II Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Cope2 pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

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Shadow Limited Edition Archival Pigment Prints on Museum Fine Art Paper by DAIM Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 100 Artwork Size 20x13 "In 1989 I wrote my writer’s name for the first time. After all those years I still see this lettering as a self-portrait. By concentrating on a certain idea, the technique or a style, by working on a certain piece for a long time frame, by totally engaging in this process, you get to know a lot about yourself and your personality. And this of course can be seen again in the works, that I create.I wanted to realize something special: The series of these three prints is chosen so that you can reproduce the entire spectrum of my work. My use of the name DAIM is becoming more and more complex in them. My development as a human being strongly corresponds with this process. It has something to do with personal maturing, the general situation of aging." - Daim Shadow Limited Edition Archival Pigment Print by DAIM Shadow by DAIM is a striking three-dimensional graffiti composition that explores the contrast between depth, structure, and abstraction. This archival pigment print on museum fine art paper presents the artist’s trademark illusion of sculptural lettering, where sharp, angular forms appear to emerge from and recede into the background. The play of light and shadow in this work enhances its monumental presence, making it a prime example of modern graffiti transformed into fine art. Three-Dimensional Lettering and Architectural Influence DAIM, born Mirko Reisser, is internationally recognized for his pioneering role in three-dimensional graffiti lettering. His approach integrates architectural precision with abstract movement, resulting in compositions that seem to break free from the two-dimensional plane. Shadow embodies this mastery by using layered depth, shading, and an interplay of light and darkness to create the illusion of floating structures. This piece utilizes a muted palette of grays, blacks, whites, and hints of blue, creating a stark, industrial aesthetic. The shadows cast by each fragment of the lettering give the impression that the composition exists within an atmospheric void, emphasizing the dynamic energy of destruction and reconstruction within the piece. The letterforms remain highly stylized yet nearly deconstructed, symbolizing the fluidity of identity and artistic evolution. Personal Evolution and Graffiti as Self-Reflection For DAIM, graffiti is more than a visual statement—it is a self-portrait. His approach to lettering has evolved over the decades, becoming increasingly complex and introspective. He has described his work as a reflection of personal growth, with each composition marking a distinct phase in his artistic and personal journey. Shadow represents a refinement of his three-dimensional technique, stripping down elements to their most essential yet impactful forms. The controlled chaos of the composition reflects a balance between movement and stillness, showcasing DAIM’s ability to create a harmonious tension within his work. The controlled drips along the edges of the piece allude to the organic roots of graffiti, reminding viewers of the raw, urban origins of the art form. The Impact of DAIM on Street Pop Art & Graffiti Artwork DAIM’s contributions to street pop art & graffiti artwork have established him as a leading figure in three-dimensional urban lettering. His work blurs the lines between graffiti, architecture, and contemporary abstraction, challenging traditional notions of what street art can achieve. Shadow stands as a testament to the depth and sophistication of graffiti as an art form, pushing the boundaries of lettering into the realm of fine art and modern design. By mastering light, perspective, and structure, DAIM has elevated graffiti into a fully immersive visual experience, leaving an indelible mark on the art world. His ability to transform simple letters into multidimensional sculptures continues to inspire the next generation of urban artists.

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Art Rodeo² Main Silkscreen Print by Kunstrasen Hand-Pulled 12-Layer on Somerset Satin Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 100 Artwork Size 23.62x23.62 Silkscreen Print Exploring the Layers of "Art Rodeo² Main" by Kunstrasen "Art Rodeo² Main," a silkscreen print by Kunstrasen, epitomizes the dynamic intersection of street culture and fine art. Released in 2024, this hand-pulled, 12-layer print on Somerset Satin fine art paper is a testament to the genre's meticulous craft and vibrant expression. Each piece is signed and numbered with a limited edition of 100, solidifying its status as a sought-after collectible in 23.62x23.62 inches. Kunstrasen's Mastery of Silkscreen Printing The technical prowess of Kunstrasen is on full display in "Art Rodeo² Main," where the depth of the image is achieved through twelve distinct layers. This layering technique is central to the silkscreen process, allowing for a complexity of color and detail that imbues the artwork with life and texture. The Somerset Satin paper, a hallmark of fine art prints, complements the vivid inks used, resulting in a piece that captures the eye and invites touch. The Cultural Commentary of Street Pop Art This artwork is a narrative on the spectacle of the art world, the rodeo of creation and critique, showcasing figures that are both part of and apart from the colorful chaos behind them. In this way, "Art Rodeo² Main" reflects the quintessential essence of street pop art and graffiti artwork, where the public space becomes a canvas for personal and societal reflection. Kunstrasen, a voice in modern street art, uses "Art Rodeo² Main" to navigate the dialogue between the artist and the viewer, the creator and the consumer. The bold graphic elements juxtaposed with the intricate background stencils create a sense of movement and energy, symbolic of the rush and rebellion inherent in street art. "Art Rodeo² Main" by Kunstrasen is not merely a piece of art; it's a commentary on the dynamic world of street pop art. Each print from the limited edition series is a snapshot of the artist's vision, where the layers of paint on the paper mirror the layers of meaning within the work. It's a statement about the power of art to captivate, challenge, and communicate, continuing the legacy of street art's influence on contemporary culture.

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Blackbook Untitled Drawing Original Mixed Media Painting Art on Art Paper by Graffiti Street Artist Modern Pop Artist Sen2. 2005 Signed Sen2 "Untitled" Blackbook Drawing Framed Ink Marker Pencil Graffiti Framed Artwork Size 25.5x19 Blackbook Untitled Drawing by Sen2 This 2005 untitled blackbook drawing by renowned graffiti street artist Sen2 captures a raw and precise moment from the sketchbook practice of one of the most iconic writers to rise from the Bronx. Rendered in ink, marker, and pencil on art paper, the piece exemplifies the artist's geometric energy, color mastery, and dynamic flow. The framed artwork measures 25.5 by 19 inches and delivers the intensity of handstyle illustration and three-dimensional letterplay that defined graffiti's move from the subway to the studio. From Wildstyle to Precision Draftsmanship Sen2, born Sandro Figueroa Garcia in Puerto Rico, became a central figure in New York City's graffiti movement during the 1980s. This blackbook drawing embodies his transition from bombing walls and trains to refining his craft within the structure of studio practice. Each stroke of marker and wash of color in the work is intentional, sharpened by years of experience with aerosol and street surfaces. Sen2's ability to maintain the rebellious spirit of wildstyle while embracing architectural structure and visual clarity sets him apart in the world of Street Pop Art & Graffiti Artwork. Layered Color and Visual Tension The composition bursts with contrast. Soft pastels in blue, yellow, green, and orange interplay against thick black shadows and clean directional lines that suggest movement and spatial depth. These overlapping forms evoke the energy of subway pieces while grounded in the polish of gallery-ready drawing. The arrows, textures, and interlocking angles pull the viewer through layers of intention—each edge refined, each fill pattern calculated yet expressive. The drawing captures not only form but attitude, with a style that suggests motion, control, and continual evolution. Studio Evolution of Graffiti Language Sen2's untitled piece belongs to a larger movement in which blackbooks became not just preparatory tools but finished works in their own right. Street Pop Art & Graffiti Artwork often begins in sketch form, and this piece stands as a definitive artifact of that process. It documents a moment of imagination before execution—where letters transform into weapons of style, and the street’s visual dialect is transcribed into a gallery-safe medium. For collectors, the work offers a window into the raw talent and thought process of one of graffiti's modern pioneers, preserved with care and now framed as art history in motion.

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SUntitled Tags Throw Up Archival Pigment Print on 310gsm Fine Art Paper by Seen UA Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited Edition of 73 Artwork Size 17x25 Now more likely to be seen exhibiting canvas work in a commercial gallery than painting illegally outside at night, Mirando still thinks the street art scene is not what it used to be.“Today it’s just gone so far to the point where you don’t know what’s real or fake anymore. It’s missing the mysteriousness about it,” he says, adding that advancements in technology have also changed the graffiti scene as it is known today.

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Time Travel Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist COPE2 x Afa Annfa x Chino Lam. 2021 Time Travel Skateboard Size: 80 x 20cm Editions of 100, numbered.

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MQ Silver Tag Dollar Original Marker Drawing by MQ Planet- Mque on USA Currency 1 Dollar Bill &  100 Lot Modern Street Pop Artwork. 2023 Signed by Tag Original Silver & Black Permanent Marker Drawing Size 6x2.75 On Real USA 1 Dollar Bill Currency. Also Includes 2x 100 Dollar Bill Printings That Include Either a Printed Tag or Marker Tags, I Can't Tell, The Ink is Shiney Speckled on Tag. MQ Planet's "MQ Silver Tag Dollar": A Currency of Street Pop Art MQ Planet, known to the world by his birth name Mque, transcends traditional art forms by merging the mediums of street pop art and graffiti artwork with the emblematic canvas of currency. The "MQ Silver Tag Dollar," a 2023 signed original artwork, is a sterling example of how the raw energy of street art can be encapsulated on the canvas of a real USA 1-dollar bill currency. Measuring 6x2.75 inches, this piece features a silver and black permanent marker drawing, underscoring the artist's innovative approach to modern street pop art. Monetary Medium: A New Avenue for Expression Using currency as a canvas is not merely a choice but a statement, a way for MQ Planet to embed its message within the very fibers of everyday transactions. Imprinting his iconic tag onto a dollar bill is provocative; it transforms the bill from a piece of legal tender into a piece of art, challenging the viewer to reconsider the value we place on money versus art. The "MQ Silver Tag Dollar" exemplifies how the artist capitalizes on the ubiquity of currency to disseminate his vision, ensuring that his art circulates as freely as the dollar itself. The piece is not just art; it becomes a vehicle for transmitting street pop culture. MQ Planet: An Artistic Alchemist In the hands of MQ Planet, the dollar bill transcends its monetary purpose, becoming alchemized into something of far greater cultural significance. With the "MQ Silver Tag Dollar," Mque performs an act of artistic alchemy, turning the ordinary into the extraordinary. His choice of a silver marker is deliberate, contrasting the verdant green of the dollar bill and giving the tag a chrome-like sheen that demands attention. The tag, a bold representation of the artist's signature, is both a personal mark and a universal symbol within the graffiti community. It signifies ownership and presence, a graffiti artist's claim over space—even on something as small as a dollar bill. The "MQ Silver Tag Dollar" is a testament to the enduring versatility and adaptability of street pop art and graffiti artwork. It exemplifies how artists like MQ Planet continuously push the boundaries of their craft, finding new ways to engage with audiences and leave an indelible mark on the cultural landscape. Through works like this, MQ Planet leaves his signature on a physical object and imprints his vision onto the very fabric of pop culture.

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2 7 Avenue Line OTboys- Silver Sign Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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Dangerous When Wet Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Glossy Flame Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Dangerous When Wet Label Uline S-176 Sticker. Slap Up In Perfect Condition. Challenging Conventions with Street Pop Art The "Dangerous When Wet Label Uline S-176 Sticker" series, created by the renowned graffiti artist Saber, whose birth name is Ryan Weston Shook, stands as a compelling intersection of street art innovation and cautionary messaging. Saber's 2020 collection of 4x4 marker-tagged artworks embodies the essence of Street Pop Art and Graffiti Artwork, repurposing warning labels meant to signify potential danger into canvases that question and provoke thought about the inherent risks in our daily lives and the nature of perceived threats. Fluidity and Permanence in Saber's Art The warning labels Saber selects are traditionally designed to alert individuals of the immediate physical dangers of substances that react with water. However, by incorporating his signature tag into these labels, Saber invites a dialogue on the fluidity of art and its ability to leave a permanent mark on both the physical and cultural landscapes. Through tagging, these stickers, which once served a single helpful purpose, are now transformed into a statement on the juxtaposition of danger and beauty, impermanence and endurance. This speaks to the heart of graffiti's ethos – creating art that can withstand the elements, much like the substances the original labels warn against. Saber and the Assertion of Artistic Presence Each signed original slap-up graffiti art tag is a declaration of presence, asserting the artist's voice in a reserved space for warnings and prohibitions. The choice of the 'Dangerous When Wet' sticker is especially resonant in the year it was created, a year fraught with global challenges where the metaphorical concept of being 'dangerous when wet' could be extended to the idea of ideas, movements, and expressions that gain momentum and power when combined with the elements of social and political change. In exploring this theme, Saber utilizes the language of Street Pop Art and Graffiti Artwork to navigate the complexities of communication in public spaces. His work demands recognition for its aesthetic appeal and its ability to engage with and transform the messages embedded within our environments. As a respected figure in street art, Saber continues to push the boundaries of how art can interact with and alter the fabric of society. Each piece he creates is not just an artwork; it is a challenge, a question, and a statement rolled into one, symbolic of the power and potential of street art to recontextualize and redefine the symbols surrounding us.

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Risky A Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky P Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Railroad Spike Track Teeth Black Object Art by RD-357 Real Deal Original Tag Designer Collectible Pop Artist Artwork. 2021 Original Spray Paint RD Tag on Reclaimed Metal Railroad Spike Art Object Size 6x1 Artwork. Railroad Spike Track Teeth Black by RD-357 – Reclaimed Object in Street Pop Art & Graffiti Artwork Railroad Spike Track Teeth Black is a 2021 original artwork by RD-357, also known as Real Deal, a graffiti artist whose work explores the intersection of street authenticity and industrial minimalism. This piece features a reclaimed metal railroad spike measuring 6 x 1 inches, transformed through the addition of RD’s distinct black tag. Executed in spray and marker, the tag cuts across the rusted shaft in a tight, angular form, accented by an arrow pushing forward. This object functions as both a sculptural work and a symbolic message, channeling graffiti’s mobile essence into a handheld relic. The spike—once a mechanical element of motion—becomes the vessel for name-based authorship, connecting the physical infrastructure of rail transit with graffiti’s legacy of distribution, presence, and personal signature. Tag as Sculpture and Object as Surface RD-357’s choice of object echoes graffiti’s foundational principle of using what is available to communicate identity and energy. Unlike traditional street surfaces like walls or doors, this object carries its own embedded story before it is ever painted—steel forged for permanence, wear from transit and time, dents from labor. The tag laid upon it becomes a layer of personality over raw material, marking the spike as no longer industrial but autobiographical. The black line curves through the space with purpose and direction, controlled yet expressive. The arrow flaring from the D propels the tag with motion, continuing graffiti’s tradition of symbolizing flow, travel, and attack. The artist’s use of black ink on a distressed, brown-and-steel base emphasizes legibility and intent, evoking early handstyle culture in its most stripped-down form. Graffiti Culture, Movement, and Found Object Authenticity Railroads have always played a central role in graffiti’s evolution—not only as literal canvases for mobile expression, but as metaphors for movement, rebellion, and connectivity. By placing his tag on a spike rather than a train, RD-357 draws attention to the mechanisms behind motion. This object represents the understructure of transit—what holds tracks together, what enables trains to move, and by extension, what allowed graffiti to gain visibility across cities and boroughs. The object becomes a fragment of cultural infrastructure, repurposed through the graffiti writer’s hand into an artifact of identity. It is as much about claiming authorship as it is about preserving the overlooked materials that define how cities are built and traversed. Street Pop Art & Graffiti Artwork in Micro Form In the context of Street Pop Art & Graffiti Artwork, Railroad Spike Track Teeth Black is a testament to how graffiti can inhabit small-scale objects without losing impact. This piece condenses the energy of a full burner into a six-inch form. It distills namewriting into something tactile and permanent, a tool transformed into a sculpture. As a collectible artifact, it speaks to both the material history of the city and the personal history of the artist. The spike becomes a bridge—between labor and expression, between transportation and authorship, between anonymity and signature. It is graffiti boiled down to one tag, one object, and one gesture—yet it contains the weight of movement, story, and presence.

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Iconic Bubble- Black 8-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Somerset Satin Paper by Cope2 Rare Street Art Famous Pop Artwork Artist. Edition of 75 signed by the artist 8 color screenprint on 300 gsm somerset paper Dimensions: 75 x 55cm year 2019

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Untitled Graffiti Future Throw-Up AP Artist Proof Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Saber. AP Artist Proof 2009 Signed & Marked Regular Limited Edition of 100 Artwork Size 24x18 CAN'T REMEMBER THE NAME, 2009 Giclée Print 24 x 18 in (60.96 x 45.7 cm) Limited Edition of 100 Signed by the Artist w/ AP Notation

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Blue Piece Red Splash PP Printer Proof Archival Print by Nicer- Hector Nazario Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2021 Signed & Marked PP Limited Edition Artwork Size 17x14 Archival Pigment Fine Art. Dynamic Expressions in "Blue Piece Red Splash" by Nicer - Hector Nazario "Blue Piece Red Splash" is a Printer's Proof (PP) archival print by Nicer-Hector Nazario, encapsulating the raw energy and vibrancy of the street art movement. This 2021 signed and marked PP, part of a limited edition, is printed on 290gsm Moab Entrada Fine Art Paper, notable for its ability to capture the subtleties of pigment and texture crucial to such works' visual impact. Measuring 17x14 inches, the artwork expresses Nicer's signature style, which has been refined through his long-standing practice and innovation within the graffiti art genre. Nicer's Graffiti Artistry and Impact More importantly, a core member of the Tats Cru, he has been at the forefront of transforming graffiti from an underground act of rebellion to a respected and sought-after artistic expression. "Blue Piece Red Splash" showcases his work's intricate layering and bold color contrasts, reflecting a deep understanding of form, space, and color dynamics. The art piece, with its explosive blue lettering and striking red splashes, embodies the spirit of street pop art, where the immediacy of the visual experience is paramount. The artwork's title suggests a narrative beyond the visible, hinting at the interplay between calm and chaos, structure and disruption—themes often explored in street and pop art. Nicer's ability to convey movement and emotion through static imagery is a testament to his mastery of graffiti art. The splatters of red evoke a sense of action as if the artwork is a frozen moment amidst a vibrant performance of creation and expression. Legacy of Nicer's Contributions to Street Art As a globally recognized graffiti artist, Nicer has contributed to the broader conversation about the role and significance of street art in contemporary culture. His works, including "Blue Piece Red Splash," are visually stimulating and serve as a commentary on the art form itself, challenging perceptions and inviting viewers to explore the depth and complexity of graffiti art. Like much of his art, this print bridges the gap between street culture and the fine art world, underscoring the importance of street art as a legitimate and impactful form of modern art. Through his vibrant creations, Nicer continues to influence the trajectory of street pop and graffiti artwork, proving that these art forms can convey complex messages and evoke profound emotional responses. "Blue Piece Red Splash," with its dynamic composition and arresting color palette, celebrates Nicer's artistic vision and reflects his enduring impact on the art world.

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To The Art Train Original All City Style Subway Painting on Wall Sculpture Artwork by Graffiti Street Artist Artist Rek Santiago. 2010 Signed Original Spray Paint Marker & All City Style Train Sculpture One of A Kind Artwork Size 20.25x5x1.75 Signed RekOne NSA & RekOne WB Original Hand Painted Graffiti on Wall Mountable All City Style Subway Train Platform. Scattered Soiling & Blemishes Constatant With Age, Great Condition.

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A P O P H E N I A Silkscreen Print by Add Fuel Hand-Pulled 6-Color on 320gsm Astropack Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 19.69x27.56 Silkscreen Print A P O P H E N I A Silkscreen Print by Add Fuel A P O P H E N I A by Add Fuel is a masterwork of visual decoding, layering ornamental tradition with street-born semiotics to construct a compelling example of Street Pop Art & Graffiti Artwork. Released in 2023 as a hand-pulled silkscreen edition, this 6-color print on 320gsm Astropack fine art paper measures 19.69 by 27.56 inches and is signed and numbered in a limited run of 100. True to Add Fuel’s signature language, this piece fractures expectations by deconstructing tilework aesthetics and revealing subversive narratives beneath the surface. Traditional Ornamentation Meets Urban Expression Add Fuel, the Portuguese visual artist born Diogo Machado, is globally recognized for transforming azulejo tile motifs into contemporary compositions that pull from graffiti, comic illustration, and digital art. A P O P H E N I A lives up to its name by encouraging viewers to find meaningful patterns in layered chaos. Through strategic tears in the blue-and-white ceramic facade, Add Fuel reveals a multidimensional view of street culture. Each layer beneath the decorative mask reveals graffiti elements, cartoonish eyes, spray can fonts, and references to playful vandalism. These ruptures become metaphors for exposure—lifting the veil on how historical identities clash or coalesce with urban reinvention. This technique mirrors the visual tension at the core of pop art’s evolution: reverence and rebellion, past and present. The ornamental tile patterns themselves are sharply printed with impeccable silkscreen precision, emphasizing symmetry and repetition. But these are violently interrupted with jagged rips and embedded graffiti text—injecting defiance into formality. Layering as Cultural Commentary The print reads as a layered palimpsest of history, heritage, and rebellion. Add Fuel uses the azulejo not just as pattern, but as cultural symbol—a representation of colonial history, religious expression, and architectural identity in Portuguese-speaking regions. By inserting abstracted cartoon eyes, bubble-style graffiti lettering, and pink pop flourishes beneath the surface, he questions who writes cultural legacy and who redraws it. The pink upper right insert, mimicking a gallery-mounted screenprint overlaying a tile wall, points toward institutional framing, commerce, and the ongoing commodification of street aesthetics. Each section in A P O P H E N I A appears surgically exposed, intentionally disruptive, and graphically clean. The effect is an exploration of what happens when underground expression seeps through decorative veneer—when lived street experience insists on being seen within museum-ready surfaces. Printmaking Precision Meets Urban Interruption Printed with six meticulous layers, the craftsmanship of A P O P H E N I A elevates it far beyond a reproduction of street wall aesthetics. The 320gsm Astropack fine art paper absorbs color with depth and vibrancy while allowing the precise edges of the rip effects and tile seams to stand out. The silkscreen process allows each motif—from the tightly interlocked azulejo geometry to the looser graffiti splashes—to retain graphic clarity, simulating physical layering and dimensional depth. It’s not just visual illusion—it’s the handcraft of print technique made tangible. Add Fuel’s A P O P H E N I A is both homage and confrontation, tradition and disruption. It sits comfortably in the context of modern pop street art, not by borrowing aesthetics from graffiti but by merging tile and tag with equal care. It is a visual thesis on identity, culture, and the simultaneous erosion and persistence of public expression.

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Water Fall Brick Wall Tats Cru Original Spray Paint Painting by BG183 One of a Kind Artwork on Gallery Wrapped Canvas by Street Art Pop Artist. 2017 Spray Paint Painting Original Ready to Hang Artwork Size 12x12 Water Fall Brick Wall by BG183 of Tats Cru – Original Spray Paint Artwork in Street Pop Art & Graffiti Artwork Water Fall Brick Wall is a 2017 original spray paint painting on a 12 x 12 inch gallery wrapped canvas by BG183, a founding member of the legendary graffiti collective Tats Cru. This one-of-a-kind piece is a visual embodiment of New York’s graffiti legacy, blending illustrative mastery with the texture and iconography of urban decay. The title references both a literal cascade of water and the rhythmic flow of paint across a weathered surface, evoking the layered history of graffiti walls where years of tags, buff marks, and new burners converge into visual sediment. BG183 channels that history through a meticulously controlled aerosol technique, using soft gradients, bold shapes, and textured overlays to mimic the depth and permanence of a brick wall weathered by time, spray, and spirit. BG183 and the Tats Cru Tradition As one of the core members of Tats Cru, BG183 has played a key role in redefining what graffiti can be both on the street and in gallery spaces. Known for his technical range, from wildstyle burners to hyper-detailed characters, BG183’s work always maintains the energy of the street even when translated to canvas. Water Fall Brick Wall reflects that ability to carry raw graffiti aesthetics into the language of fine art without diluting its power. The composition is bold and balanced, structured with layers that feel both spontaneous and composed, a characteristic mark of a writer with decades of experience navigating walls, trains, and community murals. Tats Cru’s influence on hip hop visual culture, public art, and muralism flows directly into this piece, grounding it in authenticity and authority. Spray Paint Texture and Surface Depth The surface of Water Fall Brick Wall is alive with texture—misty edges, hardline fades, and drip formations that simulate the stratification of layered graffiti over time. BG183 uses the canvas not as a flat background but as a sculptural element, giving visual weight to each spray layer. The color palette leans into cool blues and warm earth tones, referencing water movement against brick decay, while still maintaining vibrancy. The edges of the piece echo the softness of aerosol dispersal, blending into the gallery-wrapped sides in a way that allows the work to exist without a frame. This ready-to-hang presentation reinforces the idea of street art entering fine art space without losing its connection to outdoor surfaces and uncurated expression. Urban Energy in Street Pop Art & Graffiti Artwork Water Fall Brick Wall stands as a concentrated burst of graffiti’s raw language reassembled for interior contemplation. It is a homage to the layers of city infrastructure—walls that hold names, messages, and identities built up over time. BG183 does not attempt to replicate graffiti; he reinterprets its essence, offering a piece that is both a portrait of a wall and a standalone visual narrative. In the broader conversation of Street Pop Art & Graffiti Artwork, this painting represents the bridge between street-coded authenticity and studio execution. It holds graffiti’s visual rhythm, spatial awareness, and cultural reverence in every layer of paint and in every inch of surface tension. It is not just an artwork—it is a declaration from a writer who has earned his mark, signed in spray and built from brick and motion.

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Beyond LA 2-Color Hand-Pulled Limited Edition Silkscreen Print on 298 GSM Classic Crest Solar White Paper by Pop Artist OG Slick x Beyond The Streets. 2018 Signed & Numbered Limited Edition of 250 Artwork Size 24x24. Scattered creases on the left side of the print. OG Slick (b. 1967) Beyond LA, 2018 Screenprint in colors on Classic Crest Solar White paper 24 x 24 inches (61 x 61 cm) (sheet) Ed. 59/250 Signed, numbered, and dated in pencil along lower edge Published by Beyond the Streets, Los Angeles

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Sen2- Light Blue Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. Born in Puertorico, grown in the Bronx, representing worldwide, SEN2 (4Burners) is an NYC icon who developed his style with respect for the wild style tradition and interest for the European styles.

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Bubbles PNB RAW 8670 White Original Graffiti Painting by Seen UA, One-of-a-kind Spray Paint and Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original White Bubbles PNB RAW Post No Bills Series Acrylic & Spray Paint Painting Size 26x30 Original canvas from SEEN, Bubbles PNB RAW Series, 2023. Actual painting size is 30" x 34" (76,2 x 86,3 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 26" x 30" (66 x 76,2 cm) // UN- stretched size is 30" x 34" (76,2 x 86,3 cm). SIGNED ON THE BACK. Bubbles PNB RAW 8670 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Bubbles PNB RAW" is a collection of works that showcase the artist's signature lettering and bills stencil, blending street art with traditional fine art. In Bubbles PNB RAW 8670, Seen UA masterfully incorporates bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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Risky Q Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Bronx Icon 25' Archival Print by Cope2- Fernando Carlo Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2025 Signed & Numbered Print Limited Edition of 60 Artwork Size 14x12 Archival Pigment Fine Art  Bronx Icon 25 by Cope2: A Vivid Pulse of New York's Street Pop Art & Graffiti Artwork Cope2, born Fernando Carlo in the Bronx, New York, delivers a chromatic explosion of energy and history in his 2025 limited edition archival pigment print, Bronx Icon 25. Created on 290gsm Moab Entrada fine art paper, this 14x12 inch piece captures the grit, rhythm, and raw personality of one of graffiti's most influential figures. Signed and numbered in a run of 60, the edition reflects not only Cope2's status in the graffiti world but his seamless transition into the fine art arena while maintaining the authenticity of his roots. The Visual Vocabulary of Cope2 Cope2’s style is known for its distinctive bubble letters, layered color fields, and relentless tagging language, but Bronx Icon 25 goes beyond the expected. It offers a controlled chaos where abstract compositions collide with wildstyle lettering. Against a background drenched in neon greens, electric pinks, punchy blues, and metallic silvers, his intricate handstyle bursts forward with sharp lines and rapid gesture. The print carries his iconic throw-ups, nested inside overlapping marks that allude to subway panels and street corners from decades past. What makes this work sing is its ability to move fluently between unfiltered aggression and orchestrated balance, an approach Cope2 has perfected over his forty-year evolution from the streets to global galleries. A Pioneer’s Mark on Paper Bronx Icon 25 stands not only as an artwork but as a document of urban resilience. The pigment print format lends the work deep color saturation and lasting archival quality, which amplifies Cope2’s street-born intensity in a new context. Each mark echoes the walls of 1980s New York, when graffiti was criminalized but flourished as a visual language of youth, identity, and survival. In this edition, the splatters, drips, and scratches become purposeful. His use of Moab Entrada paper offers a textured surface that complements the layered ink techniques, giving the viewer a tactile connection to the street. Legacy in the Evolution of Street Pop Art & Graffiti Artwork Fernando Carlo’s contributions are foundational. Few artists can claim the same impact on the graffiti scene both as a cultural innovator and as a globally exhibited artist. Bronx Icon 25 bridges raw aerosol sensibility with the elevated finish of modern art printmaking. This piece is a collision of borough-born tradition and global contemporary relevance. It reflects a time when graffiti was more than expression—it was presence, defiance, and community. Cope2’s mark remains permanent, and Bronx Icon 25 is a living reminder of that mark’s origin, growth, and undying pulse.

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The Mash- Embellished Limited Edition Hand-Embellished Archival Pigment Prints and Arcylic on 310gsm Fine Art Paper by Cope2 Graffiti Street Artist Modern Pop Art. "This piece was made towards the end of 2014. I was in my studio, listening to music and The Monster Mash came on. It was funny because I just started painting to the song and that's kinda how it went.This piece is more of what I'm doing today. It's kind of mashed up with all kinds of paint and different designs. It's got a lot of fo elements of what I do.It all kinda goes right. It's simple and to the point. Simplicity." - Cope2 The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

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Walking Tall Original Acrylic Spray Paint Marker Painting by BLADE- Steven Ogburn One of a Kind Artwork on MTA NYC Subway Map by Street Art Pop Artist. 2011 Signed Acrylic, Spray Paint & Paint Marker Painting Original Artwork Size 32x23 on Reclaimed NYC Transit Subway Map. Walking Tall on the Tracks of History Created in 2011 by New York graffiti legend BLADE, born Steven Ogburn, Walking Tall is a standout one-of-a-kind painting that encapsulates the grit and pride of subway graffiti culture. Executed on a reclaimed MTA NYC Subway Map, this 32 by 23 inch mixed media piece is a raw fusion of acrylic, spray paint, and paint marker that brings to life the aesthetics of the early 1970s graffiti boom while echoing the artist’s unmistakable handstyle. It is both a throwback to BLADE's reign over the NYC subway system and a reflection of his continued presence as a living force in the evolution of Street Pop Art & Graffiti Artwork. The use of an actual subway map as a canvas is symbolic and literal—a surface that once served as his open-air gallery is transformed into collectible fine art. Subway Trains Reimagined on Paper BLADE’s Walking Tall centers on a stylized train car with an abstract letter fill, where traditional graffiti writing techniques meet geometric expression and iconography. The upper portion of the map features the minimal render of a silver subway car, as if peeking above a black cloud—a direct nod to the iconic whole-car takeovers of the past. The bottom third explodes with stylized green and yellow letters on a textured spray-painted background, complete with stars, lines, and symbols that have become identifiers of BLADE’s visual language. Each panel section bursts with controlled chaos, symbolizing both the movement of trains and the relentless momentum of the graffiti movement itself. This format reinforces the context in which the artist made his name—among the motion, dirt, and noise of a working urban infrastructure. The Personal Markings of a King Walking Tall is more than a graffiti piece—it is a statement of longevity and authorship. Above the stylized train, BLADE tags himself and his original crew, The Crazy 5, anchoring this work in the foundational lore of New York graffiti history. The inclusion of his classic elements such as arrows, shapes, and three-dimensional tricks is not just decorative but deeply personal. These components serve as narrative cues to an era when tagging trains was as much a cultural revolution as it was an artistic one. BLADE’s decision to layer his work atop an official MTA map adds yet another level of engagement—fusing outlaw history with institutional cartography. Street Pop Art & Graffiti Artwork with Institutional Impact As with much of BLADE’s gallery work, Walking Tall maintains the ethos of the street while recontextualizing graffiti into the domain of contemporary fine art. The result is a hybrid visual experience: high art with a raw edge, refined technique with street spontaneity. This piece belongs to a broader trajectory in which subway-born artists have made the leap from anonymous fame to documented, signed, and archived works. It reflects a career rooted in authentic urban storytelling, now preserved in permanent collections and museums around the world. Walking Tall is not nostalgia—it is survival, expression, and style, captured on a map that once guided the very trains he transformed into rolling canvases.

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Cup of Beer PP Printer Proof Archival Print by Nicer- Hector Nazario Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2021 Signed & Marked PP Limited Edition Artwork Size 17x14 Archival Pigment Fine Art. The Creative Essence of "Cup of Beer" by Nicer - Hector Nazario "Cup of Beer" is a Printer's Proof (PP) archival print that captures the vibrant and dynamic essence of street pop art and graffiti artwork. Created by Nicer-Hector Nazario, a vital member of the legendary Tats Cru, this 2021 piece is an exemplar of his distinct style and artistic philosophy. The artwork, measuring 14x17 inches, is printed on 290gsm Moab Entrada Fine Art Paper. It is renowned for its ability to present colors with clarity and depth, enhancing the visual impact of the archival pigment fine art. Symbolism and Technique in Nicer's Work Nicer's "Cup of Beer" juxtaposes the playful image of a man enjoying a casual drink with the bold, stylized lettering typical of graffiti art. This print reflects the cultural nuances and street aesthetics that have been the hallmark of Nicer's work for decades. His use of caricature to portray the joyous and carefree moments of urban life is underscored by the meticulous craftsmanship and attention to detail that Nicer applies to his work. The choice of subject, coupled with the graffiti art form, reveals a celebration of the every day, a theme often explored in pop art. The print is not merely a static image; it is a dialogue with the viewer, offering a glimpse into the communal and accessible aspects of street culture. The lively colors and expressive illustration within "Cup of Beer" are characteristic of the street pop art movement, where the blend of graphical elements and urban motifs create a language that speaks to a diverse audience. Nicer's work encapsulates the spirit of graffiti as an art form that is inherently public and engaging, inviting interaction and reflection. Nicer's Influence on Street Art and Pop Culture Nicer's contribution to the world of street art extends beyond his technical skill. As an influencer in the graffiti art scene, his work has played a significant role in bringing the vibrancy of street art into the fine art domain. "Cup of Beer," like much of Nicer's oeuvre, showcases the urban environment's cultural richness and graffiti's potential for its origins as a subversive act to become a celebrated art form. By signing and marking each PP of "Cup of Beer," Nicer ensures the authenticity and collectibility of his work, a reflection of the growing appreciation for graffiti artwork in the art market. His legacy has helped pave the way for future generations of street artists, advocating for the recognition and respect of street pop art within the broader artistic community. Through works like "Cup of Beer," Nicer-Hector Nazario continues challenging perceptions, celebrating urban culture, and pushing the boundaries of street pop art and graffiti artwork. His dedication to his craft and ongoing contributions to the art world affirm his status as a pioneer and innovator in the street art movement.

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Quarantine High Vis Tagged Original Slap-Up Label Marker Painting/Drawing Art on Mailing Label by Tru Graffiti Legend Saber Urban Street Artist. 2020 Signed Marker Original Quarantine Collection Slap Up Graffiti Art Tag 6.5x3 Tagged on Virus Covid Quarantine High Visibility Neon Orange Warning Label.

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Street Where? K30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM.

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Fence Piece Original Marker & Pencil Hand Drawing on Bristol Paper by Modern Graffiti Street Art Artist Sechor. 2021 Signed Original Drawing 04/2021 14x17 in, Bristol Paper

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Multi Tags Series 8465 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas. 2023 Signed on Back Original Multi Tags Series Acrylic & Spray Paint Painting Size 52x34 Original canvas from SEEN, Multi Tags Series, 2023. The actual painting size is 34" x 52" (86,3 x 132 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 30" x 48" (61 x 122 cm) // UN- stretched size is 34" x 52" (86,3 x 132 cm). Multi Tags Series 8465 is an original graffiti painting by legendary street artist Seen UA, whose real name is Richard "Richie" Mirando. A pivotal figure in the graffiti and street art movement, Seen UA rose to prominence in the 1970s and 1980s. Originally from the Bronx, New York, Seen UA began his artistic career by tagging subway trains and quickly gained recognition for his unique style and skillful lettering. In the Multi Tags Series, Seen UA showcases a variety of graffiti styles, techniques, and forms, creating a visually captivating composition. As the title suggests, the painting features multiple tags, a signature element of graffiti art. These tags often represent the artist's street name or the name of their crew. The work showcases Seen UA's distinct talent for incorporating bold, vibrant colors and intricate designs, blending them harmoniously in a dynamic and energetic composition. Through this piece, the artist continues to push the boundaries of graffiti art, demonstrating its legitimacy as a powerful form of artistic expression. UA's artwork has been exhibited in galleries and museums worldwide, and his influence on the graffiti and street art scene is undeniable. Collectors and enthusiasts alike appreciate the cultural and historical significance of his works, as they represent the origins and development of this vibrant art movement.

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NYC Subway Map VII The Goat Archival Print by Cope2- Fernando Carlo Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 35 Artwork Size 14x19 Archival Pigment Fine Art "NYC Subway Map VII The Goat" is a captivating archival print by the acclaimed street artist Cope2, also known as Fernando Carlo. This piece, limited to an exclusive set of 35, is signed and numbered by the artist himself, signaling its rarity and collectible value. The artwork, with dimensions of 14x19 inches, is rendered on 290gsm Moab Entrada fine art paper, which is a testament to its high-quality production. The paper's reputation for durability and color rendition ensures that the vivid pigments and dynamic lines retain their visual impact over time. This print by Cope2 is a celebration of the New York City graffiti tradition, encapsulating the raw energy and bold expressiveness associated with this art form. Against the backdrop of the iconic NYC subway map, a symbol intrinsically linked to the origins of street art culture in the metropolis, Cope2 overlays his distinctive tags and lettering. The term "The Goat," often used to denote 'The Greatest of All Time,' in this context, could be interpreted as the artist's nod to the legendary status of New York's graffiti scene or perhaps a self-reference to his own standing within the street art hierarchy. Carlo's choice of vibrant colors and the inclusion of layered text create a sense of depth and complexity, inviting viewers to explore the intersections of art, urban life, and public space. His work is not just an aesthetic achievement but also an urban chronicle that preserves the ephemeral nature of street art in a more permanent form. The print serves as a visual archive of the city's urban fabric, the artist's personal history with graffiti, and the evolution of street art into the realm of fine art. For art enthusiasts and collectors, owning a piece from "NYC Subway Map VII The Goat" series is an opportunity to hold a fragment of street art history, as Cope2's prints are held in high esteem within the graffiti community and beyond. His work stands as a vibrant bridge connecting the energy of street-level creativity with the refinement of fine art, all the while maintaining the spontaneous spirit that is the essence of graffiti art.

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Alonso Alcalde 123 Klan Blue Spray Paint Can Artwork by Montana MTN  Limited Edition Artist Paint Crossover Graffiti Street Object Art. 2024 123 Klan Blue Color Limited Edition of 500 Spray Paint Can with Custom Wood Box Object Artwork Size 3x8 Montana MTN Filled with Paint. Alonso Alcalde x Montana MTN 123 Klan Blue Spray Paint Can in Street Pop Art & Graffiti Artwork In 2024, Chilean-born artist Alonso Alcalde collaborated with Montana Colors to release a limited edition spray can titled 123 Klan Blue. Known for his street-influenced abstract work and his presence in international graffiti culture, Alcalde brought his unique visual language to the cylindrical surface of a functioning spray paint can. The edition was capped at 500 units worldwide and came housed in a custom-engraved wooden box, cementing its status as both functional tool and collectible object. This release is part of Montana MTN’s broader initiative to highlight influential voices in the Street Pop Art & Graffiti Artwork movement by turning the tools of creation into platforms for visual storytelling. Measuring 3 inches in diameter and 8 inches in height, the piece blurs the boundary between utilitarian graffiti material and gallery-level sculpture. Design Approach and Symbolic Layers Alonso Alcalde’s can artwork features a dense collage of photography, painted marks, graphic fragments, and layered textures that mirror the aesthetic techniques he applies to his traditional works. The imagery wraps around the surface with intentional fragmentation, suggesting themes of motion, place, and memory—key elements in his ongoing artistic exploration. Dominant tones of orange, red, and yellow contrast against the branded 123 Klan Blue dome, merging chaos and control in the visual composition. The word Patiperro, one of Alcalde’s longtime monikers, appears subtly within the layout, linking the object to his graffiti identity. This mix of hand-rendered energy and print production reflects the wider evolution of graffiti from its ephemeral urban origins into institutional and collectible formats. It transforms the spray can from a disposable tool into an archival artifact with artistic weight. Montana MTN Artist Series and Cultural Relevance Montana Colors is known for curating collaborations with artists deeply rooted in the culture of graffiti and urban visual language. The 123 Klan Blue edition featuring Alonso Alcalde continues this tradition by selecting an artist who authentically represents both street credibility and experimental artistry. Unlike promotional collectibles, this can is filled with usable spray paint, maintaining its utility while operating as a sculptural object. This duality reinforces the power of Street Pop Art & Graffiti Artwork to inhabit spaces of both raw creation and refined presentation. The artist’s ability to integrate layered narrative with functional form resonates with collectors, writers, and fans of contemporary street-based culture. Limited Edition Status and Market Impact The release of only 500 units, each individually boxed and signed with custom design elements, elevates the can from graffiti supply to high-value object art. As part of a long-standing tradition where graffiti culture intersects with product design, the Alonso Alcalde 123 Klan Blue can embodies the move toward street artist-branded merchandise with integrity. Its rarity, packaging, and embedded artistic voice place it in the lineage of spray can collectibles that document not only creative aesthetics but also shifts in the art market’s view of graffiti. By participating in this Montana MTN collaboration, Alcalde reinforces his position as a contemporary force in Street Pop Art & Graffiti Artwork, producing work that both honors tradition and reshapes how it is experienced.

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