El Seed- Erika Pink Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. 2014 Limited Edition of 500 Montana Artist  Series Spray Paint Can Artwork Size 3x8 Great Condition with Box El Seed – Erika Pink Limited Edition Spray Paint Can (2014) Montana MTN Artist Series The El Seed “Erika Pink” Limited Edition spray paint can is a striking crossover between contemporary calligraffiti and one of the most respected graffiti paint makers in the world, Montana MTN. Released in 2014 as part of the MTN Artist Series, this rare collectible transforms an everyday spray can into a sculptural art object. Limited to just 500 pieces worldwide, this edition features El Seed’s signature flowing Arabic calligraphy layered in bold black across a vibrant pink backdrop. The intricate composition wraps seamlessly around the cylindrical surface, turning the can into a 360-degree canvas. The contrast between the energetic linework and the soft pink tone gives the piece both elegance and urban edge. El Seed is internationally recognized for blending Arabic calligraphy with contemporary street art, creating large-scale murals and fine art pieces that bridge cultures and languages. This collaboration with Montana MTN captures his distinct visual language in a highly collectible format. Each can measures approximately 3 x 8 inches and comes in its original branded wooden presentation box, laser-marked with the MTN Limited Edition insignia. The inclusion of the box adds significant display and collector value. The piece is in great condition, making it ideal for collectors of graffiti art, street art memorabilia, and limited artist collaborations. As part of the Montana MTN Artist Series, this edition sits among a respected lineage of artist-designed cans that have become sought-after over time. With only 500 produced, the Erika Pink edition stands as a rare and visually powerful piece of contemporary street art history. A true fusion of functional design and fine art, this El Seed Montana MTN limited edition spray can is both a cultural statement and a standout addition to any serious urban art collection.

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Subway Series- 10 Photo Original OTP Archival Pigment Print on 310gsm Fine Art Paper by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed Orignal 1 of 1 Unique Subway Graffiti Photo Framed “I’ve always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I’ve been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It’s what made me Cope2. But me, I like to change it up and show all my different styles. So with this show, I’m able to show my evolution of style and how I’ve progressed. “Versatile” shows where I came from and what I’m doing now,” Cope2 said from his studio in New York. -Cope2 During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Anarchy Rat Polystone Sculpture Limited Edition Artwork by Artist Brandalised of Pop Graffiti Painting & Street Art Fame. 2021 Wall series 9.5" wall, 6.5" rat by Brandalised. Anarchy Rat stands on its hind legs, crowbar in hand, standing in front of an obvious anarchy sign. It's fighting for the absolute freedom of the individual. Add Anarchy Rat to your Brandalised Rat Series and connect the walls together to form an expansive display set.

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MQ Silver Tag Dollar Original Marker Drawing by MQ Planet- Mque on USA Currency 1 Dollar Bill &  100 Lot Modern Street Pop Artwork. 2023 Signed by Tag Original Silver & Black Permanent Marker Drawing Size 6x2.75 On Real USA 1 Dollar Bill Currency. Also Includes 2x 100 Dollar Bill Printings That Include Either a Printed Tag or Marker Tags, I Can't Tell, The Ink is Shiney Speckled on Tag. MQ Planet's "MQ Silver Tag Dollar": A Currency of Street Pop Art MQ Planet, known to the world by his birth name Mque, transcends traditional art forms by merging the mediums of street pop art and graffiti artwork with the emblematic canvas of currency. The "MQ Silver Tag Dollar," a 2023 signed original artwork, is a sterling example of how the raw energy of street art can be encapsulated on the canvas of a real USA 1-dollar bill currency. Measuring 6x2.75 inches, this piece features a silver and black permanent marker drawing, underscoring the artist's innovative approach to modern street pop art. Monetary Medium: A New Avenue for Expression Using currency as a canvas is not merely a choice but a statement, a way for MQ Planet to embed its message within the very fibers of everyday transactions. Imprinting his iconic tag onto a dollar bill is provocative; it transforms the bill from a piece of legal tender into a piece of art, challenging the viewer to reconsider the value we place on money versus art. The "MQ Silver Tag Dollar" exemplifies how the artist capitalizes on the ubiquity of currency to disseminate his vision, ensuring that his art circulates as freely as the dollar itself. The piece is not just art; it becomes a vehicle for transmitting street pop culture. MQ Planet: An Artistic Alchemist In the hands of MQ Planet, the dollar bill transcends its monetary purpose, becoming alchemized into something of far greater cultural significance. With the "MQ Silver Tag Dollar," Mque performs an act of artistic alchemy, turning the ordinary into the extraordinary. His choice of a silver marker is deliberate, contrasting the verdant green of the dollar bill and giving the tag a chrome-like sheen that demands attention. The tag, a bold representation of the artist's signature, is both a personal mark and a universal symbol within the graffiti community. It signifies ownership and presence, a graffiti artist's claim over space—even on something as small as a dollar bill. The "MQ Silver Tag Dollar" is a testament to the enduring versatility and adaptability of street pop art and graffiti artwork. It exemplifies how artists like MQ Planet continuously push the boundaries of their craft, finding new ways to engage with audiences and leave an indelible mark on the cultural landscape. Through works like this, MQ Planet leaves his signature on a physical object and imprints his vision onto the very fabric of pop culture.

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A P O P H E N I A Silkscreen Print by Add Fuel Hand-Pulled 6-Color on 320gsm Astropack Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 19.69x27.56 Silkscreen Print A P O P H E N I A Silkscreen Print by Add Fuel A P O P H E N I A by Add Fuel is a masterwork of visual decoding, layering ornamental tradition with street-born semiotics to construct a compelling example of Street Pop Art & Graffiti Artwork. Released in 2023 as a hand-pulled silkscreen edition, this 6-color print on 320gsm Astropack fine art paper measures 19.69 by 27.56 inches and is signed and numbered in a limited run of 100. True to Add Fuel’s signature language, this piece fractures expectations by deconstructing tilework aesthetics and revealing subversive narratives beneath the surface. Traditional Ornamentation Meets Urban Expression Add Fuel, the Portuguese visual artist born Diogo Machado, is globally recognized for transforming azulejo tile motifs into contemporary compositions that pull from graffiti, comic illustration, and digital art. A P O P H E N I A lives up to its name by encouraging viewers to find meaningful patterns in layered chaos. Through strategic tears in the blue-and-white ceramic facade, Add Fuel reveals a multidimensional view of street culture. Each layer beneath the decorative mask reveals graffiti elements, cartoonish eyes, spray can fonts, and references to playful vandalism. These ruptures become metaphors for exposure—lifting the veil on how historical identities clash or coalesce with urban reinvention. This technique mirrors the visual tension at the core of pop art’s evolution: reverence and rebellion, past and present. The ornamental tile patterns themselves are sharply printed with impeccable silkscreen precision, emphasizing symmetry and repetition. But these are violently interrupted with jagged rips and embedded graffiti text—injecting defiance into formality. Layering as Cultural Commentary The print reads as a layered palimpsest of history, heritage, and rebellion. Add Fuel uses the azulejo not just as pattern, but as cultural symbol—a representation of colonial history, religious expression, and architectural identity in Portuguese-speaking regions. By inserting abstracted cartoon eyes, bubble-style graffiti lettering, and pink pop flourishes beneath the surface, he questions who writes cultural legacy and who redraws it. The pink upper right insert, mimicking a gallery-mounted screenprint overlaying a tile wall, points toward institutional framing, commerce, and the ongoing commodification of street aesthetics. Each section in A P O P H E N I A appears surgically exposed, intentionally disruptive, and graphically clean. The effect is an exploration of what happens when underground expression seeps through decorative veneer—when lived street experience insists on being seen within museum-ready surfaces. Printmaking Precision Meets Urban Interruption Printed with six meticulous layers, the craftsmanship of A P O P H E N I A elevates it far beyond a reproduction of street wall aesthetics. The 320gsm Astropack fine art paper absorbs color with depth and vibrancy while allowing the precise edges of the rip effects and tile seams to stand out. The silkscreen process allows each motif—from the tightly interlocked azulejo geometry to the looser graffiti splashes—to retain graphic clarity, simulating physical layering and dimensional depth. It’s not just visual illusion—it’s the handcraft of print technique made tangible. Add Fuel’s A P O P H E N I A is both homage and confrontation, tradition and disruption. It sits comfortably in the context of modern pop street art, not by borrowing aesthetics from graffiti but by merging tile and tag with equal care. It is a visual thesis on identity, culture, and the simultaneous erosion and persistence of public expression.

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The Man Who Walks Through Walls AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print. Shepard Fairey x Blek le Rat The Man Who Walks Through Walls AP Silkscreen Print 2008 The 2008 The Man Who Walks Through Walls AP Artist Proof silkscreen print is a rare collaboration between Shepard Fairey, internationally recognized as OBEY, and stencil pioneer Blek le Rat. Hand-pulled on fine art paper and measuring 18 x 24 inches, this limited edition Artist Proof was signed by both artists and marked “AP,” distinguishing it from the standard numbered edition of 100. As an Artist Proof, it holds particular value among collectors of Street Pop Art & Graffiti Artwork, symbolizing both artistic experimentation and the direct approval of the creators. Imagery and Urban Context The composition combines stark stencil work with a heavily graffitied wall, embedding the artwork within the raw energy of urban life. At the center, a suited man carries bags labeled with text, positioned alongside a goat, while a police officer passes in the foreground. To the right, a telephone booth punctuates the scene, grounding the work in the everyday architecture of the city. The layering of graffiti tags, political scrawls, and the surreal juxtaposition of figures evoke themes of consumerism, authority, and rebellion. The suited figure in particular hints at urban alienation, while the presence of the goat and booth adds absurdity, making the composition at once humorous and sharply critical. Collaboration Between Shepard Fairey and Blek le Rat Blek le Rat, born Xavier Prou in 1951 in France, is widely credited as the father of stencil graffiti, bringing social commentary directly into the streets of Paris beginning in the 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, built his reputation through his OBEY sticker campaign and politically engaged prints, including the Hope poster of Barack Obama. Their collaborative works, such as The Man Who Walks Through Walls, highlight a shared belief in the role of public art as a platform for protest and dialogue. The merging of Fairey’s graphic sensibilities with Blek’s direct stencil approach emphasizes the continuity between two generations of politically minded street artists. Rarity and Significance of the Artist Proof The Artist Proof edition carries special weight within the print world, typically produced in very small quantities and often retained by the artists. Signed by both Shepard Fairey and Blek le Rat and marked AP, this print holds heightened collectible value and authenticity. Beyond rarity, its imagery and collaborative nature underscore the strength of street art as a vehicle for political and cultural critique. The Man Who Walks Through Walls AP silkscreen print is not just a fine art object but also a vivid statement on urban culture, consumerism, and resistance, making it a defining example within the history of Street Pop Art & Graffiti Artwork.

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Cope2- Violeta Signal Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. If anyone has ever figured out how to rise to the top, manage and maintain their success for decades like an authentic rock-star, it?s got to be COPE2 (KD), a New Yorker originally from the South Bronx. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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I am going to NY Silkscreen Print by Mr. Brainwash- Thierry Guetta Hand-Pulled 16-Color on Deckled Fine Art Paper Framed Limited Edition Artwork. 2014 Signed & Numbered Custom Framed Limited Edition of 100 Artwork Size 46x25 Silkscreen Print of NYC Yellow Cab with Blurred Urban New York City Background. Custom Antique Brown Bronze Colored Frame Measuring 51x30. Thierry Guetta's Homage to the Energy of New York City Thierry Guetta, known as Mr. Brainwash, has been a defining figure in the melding of street art with pop art sensibilities, creating works that capture the essence of contemporary urban life. His limited edition silkscreen print "Going to NY" from 2014 is a vivid example of this synthesis. It captures the iconic image of a New York City yellow cab, a symbol deeply ingrained in the city's cultural identity. It is decorated with the visually arresting techniques of Street Pop Art and Graffiti Artwork. Guetta's technique in "Going to NY" showcases his adeptness with the silkscreen process, utilizing a remarkable 16-color palette on fine art paper. The image of the cab is framed by the blurred lines of the city's frenetic movement, conveying a sense of speed and vitality that is the lifeblood of urban New York. The cab is not just a vehicle but a canvas, covered with vibrant graffiti that tells many untold stories about the city that never sleeps. Limited Edition's Collectability and Symbolism  In this piece, Guetta depicts a ubiquitous element of New York's transportation and encapsulates the city's spirit. The graffiti adoring the cab speaks to the art form's integral role in New York's cultural tapestry. This artwork is more than a static image; it is a snapshot of movement, a representation of the city's constant flux and its unending capacity for reinvention and expression. "Going to NY" is a piece that stands out in its rarity and craftsmanship. This work is a collector's item, part of a limited edition of 100, each signed and numbered by Guetta himself. The custom antique brown bronze-colored frame, measuring 51x30 inches, contrasts the artwork's street art aesthetic, signifying its transition from the streets to the collector's private gallery. The Legacy of Mr. Brainwash's Urban Visions Guetta's work, particularly "Going to NY," has contributed significantly to the growing recognition and appreciation of Street Pop Art and Graffiti Artwork within the fine art world. By introducing the visual language of the streets into the galleries, Guetta challenges traditional notions of what constitutes fine art. His work is a dialogue between the highbrow and the every day, celebrating the potential for beauty and meaning in the most unexpected places. "Going to NY" by Mr. Brainwash is more than a piece of art; it is a statement about urban life's vibrancy and its inherent artistry. As Street Pop Art continues to evolve, works like this serve as milestones along the path of artistic innovation. They remind us that art is not confined to the hallowed halls of museums but is all around us, in the streets we walk and the vehicles that pass us by. Guetta's "Going to NY" is a celebration of this dynamic, a testament to the beauty of the city's chaos, and a treasured piece for any art lover drawn to the pulse of the metropolis.

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This Way Up Orange Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glosse Arrow Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x6 Marker Tagged on Mail Service Up Arrow Label Sticker. Exact Sticker May Slightly Vary From Image. Signature Styles and Symbolism within the Graffiti Movement Street Pop Art and Graffiti Artwork have evolved into prominent visual languages of urban culture, often conveying potent messages of social and political dissent. Within this context, the original tag art by the American graffiti artist Saber, precisely his "This Way Up Orange Slap-Up Label Sticker," epitomizes the dynamic intersection between everyday materials and artistic expression. Known for his influential role in the graffiti community, Saber, whose real name is Ryan Weston Shook, has crafted an impactful career that extends beyond the streets and into the gallery spaces. Saber's work on the "This Way Up Orange Slap-Up Label Sticker" is a testament to street art's raw energy and spontaneity. Using a familiar mailing gloss arrow sticker as his canvas, Saber transforms an object of mundane utility into a vibrant piece of art. The choice of material is not incidental; it speaks to the graffiti tradition of appropriating public spaces and objects for personal expression. Typically signifying direction and purpose, the arrow is recontextualized here to direct attention to the overlooked surfaces of urban environments that become the graffiti artist's domain. The bold use of orange and the confident strokes of the marker creates a striking contrast, emphasizing the piece's visual impact. Saber's gestural lines, layered and overlapping, defy the simplicity of the sticker's original purpose. This interplay of color and form is characteristic of Street Pop Art, where the vibrancy of popular culture is distilled into visual snippets that capture the viewer's attention. The year 2020, when this piece was created, saw a resurgence in graffiti art's relevance, mirroring a time of social upheaval and the search for new means of expression. Saber's "This Way Up Orange Slap-Up Label Sticker" aligns with the historical ethos of graffiti as a form of resistance and identity. By signing the artwork, the artist asserts ownership and authenticity, a bold claim in the often anonymous world of street art. Graffiti Artwork, traditionally seen as vandalism, has gained recognition in the art world, blurring the lines between high art and street culture. Saber's work, much like that of his predecessors and contemporaries, challenges preconceived notions of what constitutes art and who is deemed an artist. The permanence of the marker on the gloss arrow sticker symbolizes the lasting impact of graffiti culture, an indelible mark on the face of contemporary art history. The "This Way Up Orange Slap-Up Label Sticker" by Saber is more than a mere piece of original permanent marker art. It reflects the artist's American heritage, a snapshot of the year 2020, and a bold statement within the Street Pop Art and Graffiti Artwork movement. Saber, who remains a pivotal figure in the graffiti world, continues to inspire and provoke, ensuring that his art remains a part of the urban landscape as the streets themselves.

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Eyes Like Those Original One of a Kind Mixed Media Spray Paint Collage Painting Artwork on Stretched Canvas by Pop Artist Indie184- Soraya Marquez. 2017 Signed Original One of a Kind Painting Size 35.5x48 Unlined canvas.

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Heidelberg Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Stephanie Buer.

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Untitled Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Stephanie Buer.

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Bowie Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist CES. 17 inch by 22 inch archival cotton paper. From an edition of 25 signed and numbered by the artist.

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Shizentomotel Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by Oga Namahage Graffiti Street Artist Modern Pop Art. Shizentomotel a mural based in Shonan [Shizentomotteru] They are a variety of characters that can be called their own background has continued to transmit the message along with the "natural" that name also attached to the parallel course of things.

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Blackbook- A Realistic Awareness Builds Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist DocTC5. 2019 Signed & Numbered Limited Edition of 25 Artwork Size- 17x14 Small Crease To Extreme Lower Left Facing Edge. Blackbook - A Realistic Awareness Builds by DocTC5 Blackbook - A Realistic Awareness Builds is a striking example of Street Pop Art & Graffiti Artwork by DocTC5, a foundational figure in the legacy of New York graffiti. This 2019 limited edition giclee print captures the bold spirit of blackbook culture while paying tribute to the foundational aesthetics that shaped early graffiti movements. DocTC5, a long-standing member of the historic crew The Crazy 5 (TC5), brings decades of style writing mastery into a single composition that blends wildstyle lettering, figurative illustration, and symbolic motifs in a format traditionally reserved for sketchbook experimentation. Tribute to Style Writing and TC5 Legacy The work features DocTC5’s signature fusion of elaborate lettering and playful character design. The central graffiti piece, rendered in layered hues of magenta, burnt orange, and yellow, spells out ZAPRC in a stylized format characteristic of 1970s and 1980s NYC train-era wildstyle. The surrounding design elements are saturated with symbolism—the bold TC5 initials above the work reference one of the most influential graffiti collectives in the history of urban art. Beneath the piece, a female character in a diving motion floats over a white circle and luminous yellow-edged star containing the number 5, a visual cue linking the print back to The Crazy 5. The acronym ARAB—A Realistic Awareness Builds—appears in precise handstyle in the lower right corner, cementing the print’s narrative and purpose as a call to authenticity, evolution, and knowledge in graffiti practice. Giclee Fine Art with Street Authenticity Produced as a fine art giclee on archival paper, this edition balances museum-quality printmaking with raw street aesthetics. Measuring 17x14 inches, the print preserves the feel of an original blackbook page while offering a refined visual texture. This signed and numbered edition of 25 includes the artist’s embossed seal in the lower right corner, signaling both provenance and artistic intent. The slight crease noted on the lower left edge speaks not to damage, but to the lived quality that defines much of the graffiti world’s most valuable artifacts—these pieces are handled, shared, and carried, often reflecting the rough texture of the culture itself. Graffiti as Cultural Message and Collective Memory DocTC5’s Blackbook - A Realistic Awareness Builds is more than a nostalgic homage. It is a transmission of knowledge from one of the original New York graffiti writers to the contemporary audience, packaged in a format that echoes the sacred personal blackbooks of early graffiti. It blends vivid color palettes with structured complexity and energetic flow, reminding viewers that graffiti is more than public vandalism—it is a codified language, a form of rebellion, and a deeply expressive culture. With this edition, DocTC5 preserves the legacy of The Crazy 5 while inviting a new generation to explore what it means to write, remember, and evolve.

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New York City Subway Map Limited Edition Archival Pigment Print on 310gsm Fine Art Paper by Cope2 street artist modern pop art. 2016 Signed & Numbered Limited Edition of 75 Artwork Size 17x24 "Having a print made from an original New York City subway map piece that I created and collaborated with 1xRun on is a really great idea in the sense that many art collectors are able to own a piece of my New York City history.The whole concept of doing a New York City subway map goes perfect with my history as being a New York City graffiti art legend cause the subway system is were I made my bones and a name for my self tagging up and getting my name on every subway line and subway system in the whole city." - Cope2 Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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Big Boy Two Legends One Print Limited Edition Hand Pulled Serigraph Print on Heavy Art Paper by Risk x Seen Graffiti Street Artist Modern Pop Art. Graffiti Legends and best friends collab again for this 2019 print.18 x 24 inches- Edition of 50- Signed by both Risk and Seen.

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It's a Bird! It's a Plane! Dude is he Tagging? Giclee Print by Priest Corp Artwork Limited Edition Print on 290gsm Cold Pressed Cotton Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 23x18 Silkscreen of DC Comic Book Hero Super Man Looking Out Over The Top of the City Skyscrapers as Helicopters Surround Him Flanked By Urban Graffiti Priest Corp Artwork’s limited edition giclee print titled "It's a Bird! It's a Plane! Dude is he Tagging?" stands as a striking testament to the enduring interplay between pop culture and street art. Dated 2023 and released as a limited run of just 50 pieces, this artwork is exquisitely printed on 290gsm cold pressed cotton fine art paper, which not only ensures longevity but also showcases the rich, vibrant hues of the silkscreen in exquisite detail. The visual narrative unfolds atop a cityscape, with DC Comic’s legendary superhero, Superman, positioned as the central figure. He is seen overlooking the vastness of the city's skyscrapers, a sentinel of justice and hope. This iconic imagery of Superman is, however, juxtaposed with elements emblematic of urban life. Helicopters encircle him, creating a dynamic tension in the composition, hinting at an urgency or perhaps an unfolding event. Yet, what truly accentuates the contemporary theme is the surrounding graffiti. This unexpected infusion of street art challenges traditional comic iconography, suggesting a dialogue between the vigilance of superheroes and the voices of urban artists. By merging the iconic imagery of Superman with the raw expressionism of graffiti, Priest Corp Artwork underscores the evolving nature of both pop and street art. It's a reflection on how classic symbols from our popular consciousness can be reimagined and recontextualized within the fabric of urban narratives. This piece not only celebrates the spirit of a classic superhero but also elevates the significance of graffiti as a form of contemporary commentary.

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M=bw² Collage 36x48 Large Format Silkscreen Print by Mr. Brainwash- Thierry Guetta  Hand-Pulled 13-Color on Deckled Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 18 Artwork Size 48x36 Silkscreen Print of Albert Enstine Holding Love is the Answer Sign Standing by a Highly Detailed Graffiti Tagged Wall. Confluence of Genius and Street Art: Thierry Guetta's Masterpiece In the vibrant sphere of street pop art, few pieces resonate with the intellectual depth and visual impact of "M=bw²," a commanding large format silkscreen print by the eminent street artist Thierry Guetta, known professionally as Mr. Brainwash. The 2024 signed and numbered limited edition release stands out with its striking dimensions of 48x36 inches. This print captures the iconic visage of Albert Einstein standing against a meticulously detailed wall, bathed in graffiti, with a sign declaring "Love is the Answer." This artwork is not merely a tribute to the theoretical physicist but a bold statement in the conversation between science and street pop art, merging the realms of theoretical physics with the visceral, color-splashed world of graffiti artwork. Artistic Interpretation of Einstein's Legacy Albert Einstein, a figure synonymous with genius, becomes the focal point in Mr. Brainwash's visual narrative, where the theoretical underpinnings of the universe meet the expressive freedom of street art. Guetta's piece distills the complexity of Einstein's contributions to science and his cultural significance into a single image that is as thought-provoking as it is aesthetically striking. With each of the limited 18 pieces, "M=bw²" presents a unique color palette, expertly hand-pulled across deckled fine art paper, which gives the artwork an organic edge and tactile presence that echoes the textural quality of graffiti on a brick wall. The interplay of Einstein's contemplative pose with the vibrant chaos of the background graffiti invites the viewer to reflect on the relationship between order and entropy, theory and practice, restraint and expression. This silkscreen print embodies a cross-disciplinary dialogue, encouraging interpretations that cross the borders of art, science, and philosophy. Guetta's Visual Ode to Street Pop Art and Graffiti Artwork Mr. Brainwash's choice to depict Einstein in the context of graffiti is revelatory of the artist's appreciation for the inherent wisdom and revolutionary potential within both science and street art. The "M=bw²" collage becomes a symbolic gesture, aligning the transformative power of love, as alluded to in Einstein's sign, with the transformative power of street art. By superimposing such a profound message onto a wall that bears the marks of numerous anonymous street artists, Guetta pays homage to the communal and often revolutionary spirit of graffiti. The artwork thus becomes an anchor point in the larger narrative of Street Pop Art & Graffiti Artwork, asserting the value of love as a fundamental, universal answer, much like the answers Einstein sought in his equations. In each layer of paint and every deliberate silkscreened line, "M=bw²" reflects the multifaceted nature of human knowledge and creativity. Guetta's work is a testament to the ongoing influence of iconic historical figures and the power of art to reinterpret and repurpose their legacies in ways that resonate with contemporary culture and social discourse. As a medium, street art has often been a visual language for the marginalized and the voiceless, and in "M=bw²," it articulates a message that combines the intellectual and the emotional, the historical and the immediate. Through "M=bw²," Thierry Guetta continues to shape the pulse of street art, ensuring its role not just as a mode of artistic expression but as a medium for profound social and intellectual commentary. The work serves as a reminder that the essence of significant figures like Einstein can find new life and new relevance in the hands of visionary artists and that the questions of our existence remain as pertinent in the alleys adorned with graffiti as they do in the annals of science. In Guetta's print, the message that "Love is the Answer" stands as a universal truth that traverses the domains of art, science, and human experience.

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Blue Dumpster HPM Limited Edition Hand-Painted Diecast Metal Graffiti Art Toy Collectible Artwork by Street Artist Amuse126. 2021 Signed Limited Edition of 26 HPM Embleshed Custom Graffiti Mini Dumpsters 4x4 Street Dumpster Series 1 Diecast Metal AM Throw Up Bubble Letter Hand Painted HPM Hand-Embellished Run of 26, Signed 2021

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Def Syntax- Blue Yellow I Hand-Embellished Limited Edition Silkscreen Print on Fine Art Paper by Artist Defer Contemporary Pop Artwork. 2022 Signed & Numbered HPM Hand-Embellished Mixed Media Limited Edition of 1 Artwork Size 22x30 Embossed by BEYOND THE STREETS 1 of 1. "Def Syntax pays homage to the ancient roots of typography and timeless nature of hand styles". - DEFER "Def Syntax- Blue Yellow I" is a profound testament to the evolution and intricacies of typography, artfully conceived by the celebrated artist Defer. Revered in the realms of pop art, street art, and graffiti art, Defer masterfully intertwines historical reverence with contemporary aesthetics, bringing forth a piece that resonates with art enthusiasts and historians alike. In this hand-embellished limited edition silkscreen print on fine art paper, the symphony of blue and yellow hues melds seamlessly with the dynamic myriad of characters and symbols. Every stroke and nuance emanates Defer's deep respect for the ancient roots of typography. The immersive background, seemingly chaotic at first glance, is methodically juxtaposed against a bold, green depiction of a creature reminiscent of ancient mythologies. Such intentional interplay between the old and new, chaos and structure, serves as a testament to the artist's profound understanding of balance. Dated 2022, this piece stands as a unique embodiment of Defer's artistic journey, being a hand-embellished mixed media limited edition. As an affirmation of its authenticity and value, the artwork is meticulously embossed by BEYOND THE STREETS, a testament to its pedigree in the contemporary art space. Limited to just one edition, its exclusivity adds another layer of allure, making it a coveted piece for collectors. As quoted by the artist himself, "Def Syntax pays homage to the ancient roots of typography and timeless nature of hand styles." Such a statement encapsulates the essence of the artwork, bridging historical craftsmanship with modern interpretations. For anyone invested in the realms of pop, street, or graffiti art, "Def Syntax- Blue Yellow I" serves not just as an artwork, but as a chronicle of the enduring spirit of human expression.

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urchase One Love 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by 123Klan Rare Street Art Famous Pop Artwork Artist. 2011 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 4 color screenprint on 100 lb, acid-free paper Signed and numbered limited edition of 100  Printed by Ben LaFond.

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Reveal Silkscreen Print by Dave Kinsey Hand-Pulled 3-Color Screen Print on 290gsm 100% White Archival Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2006 Signed & AP Marked Limited Edition Artwork Size 24x24

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Another New York Classic PP Printer Proof Archival Print by Tats Cru x BIO- Wilfredo Feliciano Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2021 Signed & Marked PP Limited Edition Artwork Size 17x17 Archival Pigment Fine Art "Another New York Classic" by Tats Cru x BIO: A Tapestry of Urban Artistry "Another New York Classic" by Tats Cru and BIO, also known as Wilfredo Feliciano, is a Printer's Proof (PP) archival print that captures the essence of New York's graffiti heritage, remastered through the lens of modern pop art. Released in 2021, this limited edition artwork is a signature piece that showcases the intricate and bold style that has become synonymous with Tats Cru, a pioneer graffiti collective born on the streets of the Bronx. The 17x17 inch print is crafted on 290gsm Moab Entrada fine art paper, chosen for its ability to hold the dense archival pigment, ensuring that each line, curve, and hue retains its intended vibrancy and detail. Signed and marked as a PP by BIO, this print is part of a limited edition series that has been created with the discerning collector in mind. Each piece is a celebration of the rich graffiti culture that Tats Cru has been instrumental in shaping. As street artists who have transitioned from the transient surfaces of city walls to the permanence of fine art paper, Tats Cru and BIO have redefined the boundaries between street art and gallery art, infusing their work with a level of sophistication without losing the raw energy that defines the genre. Tats Cru and BIO: Guardians of Graffiti's Legacy In "Another New York Classic," the complexity of graffiti art is distilled into a single frame. The work is emblematic of Tats Cru's role as both guardians of graffiti's legacy and innovators within the art form. BIO's contribution as a founding member of Tats Cru is evident in the mastery over line and form, bringing a dynamism to the piece that is both nostalgic and forward-thinking. The print is not just a representation of street pop art; it's a dialogue with the history of graffiti art, a statement piece that speaks to the evolution of urban expression. The use of archival pigment in the creation of this print ensures that the artwork stands the test of time, a quality that is particularly significant in the context of graffiti art, which is often ephemeral. The decision to create a PP edition reflects a dedication to excellence and exclusivity, with each print serving as a testament to Tats Cru's and BIO's commitment to their craft. Cultural Significance and Collectibility of "Another New York Classic" "Another New York Classic" is more than a fine art print; it's a cultural artifact that embodies the spirit of New York City's street art movement. It is a piece that resonates with those who have witnessed the transformation of graffiti from underground phenomenon to a respected artistic practice. For collectors, owning a PP edition of this work means engaging with a piece of history, a narrative of street art's journey as told by some of its most influential figures. "Another New York Classic" PP archival print by Tats Cru and BIO stands as a monument to the impact of street art on modern pop culture. It is a testament to the power of graffiti as a form of artistic expression and its enduring influence on the landscape of contemporary art. Through their work, Tats Cru and BIO continue to inspire a new generation of artists and art lovers, bridging the gap between the streets and the fine art world, and ensuring that the legacy of street pop art and graffiti artwork continues to thrive.

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Sidewalk Closed- Wood Original Mixed Media Graffiti Artist Modern Pop Art on Real Street Sign by Sonic Bad. 2018 Signed Original Spray Paint & Mixed Media on Wooden New York City NYC Sidewalk Closed Vintage Sign Artwork Size 21.5x11.5 The Artistic Alchemy of Sonic Bad: Reimagining Public Notices Sonic Bad's 'Sidewalk Closed - Wood' is an exemplary showcase of modern pop art manifested through the lens of street sensibilities and graffiti culture. Created in 2018, this signed original piece is a vibrant declaration of the transformative power inherent in street pop art and graffiti artwork. The fusion of spray paint and mixed media on a wooden canvas that once served as a New York City sidewalk sign encapsulates the artist's penchant for repurposing the functional into the visually extraordinary. Technique and Symbolism in Sonic Bad's Work The artwork, measuring 21.5x11.5 inches, is a testament to Sonic Bad's mastery over mixed media. The piece harmoniously integrates the textures of wood with the fluidity of spray paint, achieving a layered effect that adds depth and complexity to the composition. The choice of a 'Sidewalk Closed' sign is significant; it takes an object that signifies obstruction and transforms it into a portal of creative expression, thus inviting reflection on the role of public space and the rules that govern it. Sonic Bad's approach to the sign is subversive yet playful, disrupting its original intent and engaging viewers in a dialogue about the accessibility of art and public communication. The vibrant color palette and intricate design work serve to capture the gaze and provoke thought, a hallmark of effective street pop art. The way the letterforms and characters are interwoven with the sign's warning embodies a kind of artistic alchemy, turning the mundane into the magical. Impact and Reception of Sonic Bad's Street Sign Artwork The 'Sidewalk Closed - Wood' piece by Sonic Bad does not simply occupy space; it commands attention and interaction. Its existence in a gallery or a private collection continues to challenge perceptions of street art's place within the art world hierarchy. Sonic Bad's work is celebrated for its unabashed embrace of street art aesthetics while simultaneously pushing the boundaries of what such art can communicate and how it is perceived. Sonic Bad, an artist who remains an enigmatic figure in the graffiti art scene, utilizes anonymity as a tool, allowing the work to speak for itself. The artist's contributions to street pop art are measured by the vibrancy of the pieces left in public view and the conversations they ignite. The influence of such work extends beyond the streets, infiltrating popular culture and challenging traditional art's status quo. Sonic Bad's Legacy in Street Pop Art Sonic Bad's 'Sidewalk Closed - Wood' is not merely a piece of reclaimed street furniture but a microcosm of street art's potential to redefine the aesthetics of urban living. This work stands as a cultural artifact, a piece of New York City's story told through the eyes of a street artist. Sonic Bad's legacy is enshrined in every color splash and line twist, a testament to the enduring allure and social commentary of street pop art and graffiti artwork. The legacy of artists like Sonic Bad is often measured by the endurance of their work in the public imagination and their ability to inspire future generations of artists. By turning a sidewalk sign into a canvas, Sonic Bad has not only altered the sign's trajectory but also contributed to the narrative of street art as a form of modern pop art. This piece will continue to be a point of reference for discussions about the interplay between public space and artistic freedom, embodying the spirit of street art that refuses to be sidelined.

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Happy Endings Silkscreen Print by OG Slick x The Beautiful Losers Hand-Pulled on 30in Circle Hand Deckled Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 99 Artwork Size 30in Diameter Circle  Silkscreen Print Smiley Face Hands Holding Spray Paint Can Spraying Line Across Faces Eyes. Happy Endings: A Bold Statement in Street Pop Art Happy Endings by OG Slick, created in collaboration with The Beautiful Losers, is a provocative piece of Street Pop Art and Graffiti Artwork. This hand-pulled silkscreen print is meticulously crafted on a 30-inch circular piece of hand-deckled fine art paper, capturing the essence of bold visual storytelling. Released in 2024, this limited edition of 99, signed and numbered by the artist, is a striking representation of OG Slick’s iconic Smiley Face motif. With a spray paint can in hand, the figure disrupts its own face by drawing a single red line across the eyes, offering a sharp commentary on perception, expression, and rebellion. OG Slick and the Subversive Power of Happy Endings OG Slick, a pioneering figure in graffiti and street art, is known for blending urban grit with pop culture motifs. In Happy Endings, his signature Smiley Face evolves into a thought-provoking emblem of modern discontent. The playful yet subversive act of the character spraying a line across its own eyes challenges viewers to reflect on self-censorship, identity, and societal norms. By partnering with The Beautiful Losers, a collective known for elevating street-inspired narratives, OG Slick amplifies the piece’s cultural significance. The work juxtaposes innocence and rebellion, using vibrant colors and bold imagery to make a powerful visual statement. Symbolism and Techniques in Happy Endings Happy Endings embodies the dynamic interplay between simplicity and complexity, a hallmark of Street Pop Art. The vibrant yellow Smiley Face, a universal symbol of joy, is disrupted by a crimson red spray line that bisects its eyes, creating a jarring visual contrast. This act of defacement serves as a metaphor for challenging traditional expectations and questioning the nature of happiness. The use of silkscreen printing enhances the artwork’s depth, allowing the bright colors and clean lines to stand out. The hand-deckled edges of the fine art paper add a tactile quality, grounding the piece in the raw authenticity of street art. Collectibility and Impact of Happy Endings Happy Endings is a testament to OG Slick’s ability to blend pop culture symbolism with the raw energy of graffiti. Each print, meticulously hand-pulled and limited to an edition of 99, is a highly sought-after collector’s item. The collaboration with The Beautiful Losers further solidifies its place in contemporary art history, merging the worlds of high art and street culture. The piece not only celebrates the rebellious spirit of graffiti but also invites viewers to reconsider their perspectives on joy, identity, and artistic expression. Happy Endings stands as a bold and thought-provoking addition to the canon of Street Pop Art and Graffiti Artwork.

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Hand Painted LA River AP 8 Limited Edition Spray Paint Hand-Embellished HPM Giclee Print on Fine Art Paper Custom Framed by Saber Graffiti Street Artist Modern Pop Art. AP Artist Proof Spray Paint Embellished Custom framed and metallic silver matted in a massive silver ornate frame, measuring 47x36

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Multi Tags Series 8609 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size 20x34 Multi Tags Series 8609: Original Graffiti Painting by Seen UA Multi Tags Series 8609 is a 2023 original painting by the graffiti artist Seen UA. Known as one of the pioneers of graffiti culture, Seen UA, born Richard Mirando, gained notoriety for his work on subway trains and urban landscapes during the early days of the graffiti movement in the 1970s. This piece is part of his ongoing Multi Tags Series, a collection that explores the expressive power of tagging in its raw, repetitive form. Measuring 20x34 inches, the artwork is crafted using acrylic paint and spray paint on unstretched canvas, emphasizing the street art origins of Seen’s work. The Art of Tagging in Street Pop Art and Graffiti Culture Tagging is one of the most fundamental elements of graffiti culture. A tag, typically a stylized signature or name, is the artist’s mark left on a surface, often as a form of identity or declaration of presence. In street pop art, tagging transcends its initial association with urban vandalism and becomes a form of visual expression and artistry. UA’s Multi Tags Series, 8609, captures this ethos, presenting a wall of repeated tags layered over one another rhythmically and chaotically. The repetition of tags in the series can be seen as both an assertion of identity and a commentary on the nature of urban life. The layering of tags, with overlapping colors and textures, mirrors the layering of voices, identities, and experiences in the urban environment. This dense field of repeated tags evokes the sensation of walking through a city covered in graffiti, where each tag competes for attention while simultaneously blending into the collective hum of the urban landscape. UA’s use of color in Multi Tags Series 8609 further enhances this effect. The painting is dominated by a palette of blues, grays, and whites, with each tag applied in quick, gestural strokes. The color variations suggest a gradient effect, where the tags seem to move in and out of focus, creating a sense of depth and movement. This visual layering invites the viewer to engage with the piece as a whole and on a more detailed, individual level, much like how street art is experienced in public spaces. Graffiti as an Artistic Language UA’s career has been defined by his ability to elevate graffiti from its underground roots into the wider art world. In the early days of graffiti, tags were often seen as acts of rebellion or defiance, expressions of a counterculture that rejected the norms of mainstream society. However, artists like Seen have demonstrated that tagging can also be a sophisticated form of visual language. Multi Tags Series 8609 exemplifies this idea, using tags as markers of identity and tools for creating intricate compositions. In this piece, Seen UA employs acrylic and spray paint, two mediums central to graffiti culture. Combining these materials allows for a range of textures and effects, from the smooth, controlled lines of the acrylic to the more spontaneous, unpredictable bursts of spray paint. The contrast between the two mediums reflects the tension between control and chaos often present in street art. The acrylic tags are precise and deliberate, while the spray paint adds an element of raw energy, evoking the feeling of graffiti created quickly in public spaces. The unstretched canvas in Multi Tags Series 8609 further connects the work to its graffiti roots. Unlike traditional gallery paintings, which are typically stretched and framed, the unstretched canvas recalls graffiti's impermanent, transient nature. Graffiti is often created on surfaces subject to weathering, removal, or destruction, and by choosing an unstretched canvas, Seen UA embraces this sense of impermanence. Much like the graffiti tags it depicts, the artwork feels as though it could be rolled up, moved, or even erased, underscoring the temporary and ever-changing nature of street art. Seen UA: A Legacy of Graffiti and Street Pop Art UA’s influence on the graffiti movement cannot be overstated. Often referred to as the “Godfather of Graffiti,” his work has been a cornerstone of the street art scene for decades. Starting as a young artist tagging subway cars in New York City, Seen UA helped shape the visual language of graffiti, bringing it from the streets into galleries and museums worldwide. His transition from illegal tagging on subway trains to producing fine art pieces like Multi Tags Series 8609 reflects the evolution of graffiti as an art form. Despite his success in the art world, Seen UA has always remained true to the ethos of graffiti culture. His Multi Tags Series continues to celebrate street art's raw energy and rebellious spirit, even as it is displayed in more formal settings. By repeating his tags repeatedly in this series, Seen UA reminds viewers of the persistence and resilience of graffiti culture. Tags are often removed, painted over, or buffed out by city authorities, but graffiti artists continue to create, leaving their marks wherever possible. In this sense, Multi Tags Series 8609 can be seen as a celebration of the enduring nature of graffiti and the artists who create it. The Visual Power of Repetition One of the most striking aspects of Multi Tags Series 8609 is its use of repetition as a visual device. Repetition is a powerful tool in street pop art, where the constant reiteration of symbols, images, and motifs helps to reinforce their meaning. In this piece, Seen UA’s repeated tags create a hypnotic pattern that draws the viewer’s eye across the canvas. Each tag is distinct and part of a larger whole, creating a sense of unity within the chaos. The repeated tags also evoke the act of tagging itself, which is often done in quick, repetitive motions. This physicality is reflected in the gestural quality of the tags, which appear to have been applied rapidly, with energy and urgency. The viewer can almost imagine the artist’s hand moving across the canvas, repeating the same mark repeatedly to leave a lasting impression. Multi Tags Series 8609 is a testament to Seen UA’s mastery of graffiti as a visual language and artistic expression. Using repetition, color, and texture, Seen UA creates a dynamic, engaging work that captures the essence of graffiti culture while pushing the boundaries of what street pop art can be.

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Wishing Limited Edition Archival Pigment Prints on 300gsm Cotton Rag Fine Art Paper by Ces One- Rob Provenzano Graffiti Street Artist Modern Pop Art. "The Wish was part of an art exhibition at Pratt Institute here in New York and was based on a piece I had painted over in Italy last year." - Ces One- Rob Provenzano Wishing Limited Edition Archival Pigment Prints on 300gsm Cotton Rag Fine Art Paper by Ces One – Rob Provenzano Ces One, also known as Rob Provenzano, is a legendary graffiti artist from the Bronx, New York, whose work has made a lasting impact on the world of Street Pop Art and Graffiti Artwork. His piece, Wishing, has been transformed into a stunning limited edition archival pigment print on 300gsm cotton rag fine art paper, capturing the raw energy and intricate craftsmanship that defines his style. The original mural, created in Italy and later exhibited at Pratt Institute in New York, reflects Ces One’s signature wildstyle lettering infused with bold colors and dynamic movement. Ces One – A Pioneer in Graffiti Artwork and Street Pop Art Born and raised in the Bronx, Rob Provenzano is one of the most recognized names in graffiti history. His artistic career began in the early 1980s when he became a prominent figure in the New York graffiti scene. Ces One is known for his mastery of wildstyle lettering, an intricate and highly stylized form of graffiti that is nearly indecipherable to those unfamiliar with the art form. His work pushes the boundaries of letter abstraction, incorporating three-dimensional effects, futuristic color palettes, and explosive compositions that defy traditional structure. Street Pop Art and Graffiti Artwork have long been intertwined with urban culture, and Ces One’s work exemplifies this fusion. His ability to manipulate typography into visually complex and aesthetically striking arrangements sets him apart from many of his contemporaries. The sharp angles, dynamic shading, and illusion of depth create an almost sculptural effect on flat surfaces, turning graffiti into something more than just letters on a wall. Wishing – A Testament to Graffiti’s Evolution into Fine Art Wishing is more than just a graffiti piece; it represents the evolution of street art into fine art. The archival pigment print of this artwork preserves the texture and vibrancy of the original piece while allowing a wider audience to experience its intensity. The use of 300gsm cotton rag fine art paper ensures a museum-quality finish that enhances the depth and contrast of the colors. Ces One’s choice of electric blues, fiery reds, and neon pinks combined with a dramatic black backdrop adds an almost ethereal glow, making the piece feel alive with movement. This artwork showcases the interplay of chaos and control, a recurring theme in graffiti. Each stroke and gradient is meticulously placed, yet the overall effect appears spontaneous, echoing the energy of the streets from which it was born. Ces One’s ability to balance precision with raw emotion is evident in Wishing, making it a prime example of Street Pop Art and Graffiti Artwork transcending its origins. The Impact of Ces One on Modern Graffiti Artwork Ces One has influenced countless graffiti artists and continues to be a major figure in the global street art community. His ability to innovate within the genre while respecting its foundational elements has cemented his legacy as one of the most skilled wildstyle artists of his time. His work bridges past and present, connecting the early days of graffiti with contemporary interpretations of Street Pop Art. By producing limited edition prints of his work, Ces One brings graffiti from the streets into galleries and private collections, ensuring its place in modern art discourse. Wishing serves as a powerful example of how Graffiti Artwork can exist beyond its transient nature, proving that street art is not just an act of rebellion but a legitimate and celebrated art form.

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Many Faces- Untitled HPM Limited Edition Hand-Embellished HPM Archival Pigment Prints on Fine Art Paper by Urban Graffiti Artist Abstrk. 2022 Signed & Numbered HPM Hand-Embellished Unique Limited Edition of 15 Artwork Size 24x24

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Caution Sechor Required Original Mixed Media Spray Paint & Acrylic Painting graffiti artist modern pop art on Real Metal Street Sign by Sechor. 2021 Signed Original Acrylic paint on metal. 14x10 in

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Alonso Alcalde 123 Klan Blue Spray Paint Can Artwork by Montana MTN  Limited Edition Artist Paint Crossover Graffiti Street Object Art. 2024 123 Klan Blue Color Limited Edition of 500 Spray Paint Can with Custom Wood Box Object Artwork Size 3x8 Montana MTN Filled with Paint. Alonso Alcalde x Montana MTN 123 Klan Blue Spray Paint Can in Street Pop Art & Graffiti Artwork In 2024, Chilean-born artist Alonso Alcalde collaborated with Montana Colors to release a limited edition spray can titled 123 Klan Blue. Known for his street-influenced abstract work and his presence in international graffiti culture, Alcalde brought his unique visual language to the cylindrical surface of a functioning spray paint can. The edition was capped at 500 units worldwide and came housed in a custom-engraved wooden box, cementing its status as both functional tool and collectible object. This release is part of Montana MTN’s broader initiative to highlight influential voices in the Street Pop Art & Graffiti Artwork movement by turning the tools of creation into platforms for visual storytelling. Measuring 3 inches in diameter and 8 inches in height, the piece blurs the boundary between utilitarian graffiti material and gallery-level sculpture. Design Approach and Symbolic Layers Alonso Alcalde’s can artwork features a dense collage of photography, painted marks, graphic fragments, and layered textures that mirror the aesthetic techniques he applies to his traditional works. The imagery wraps around the surface with intentional fragmentation, suggesting themes of motion, place, and memory—key elements in his ongoing artistic exploration. Dominant tones of orange, red, and yellow contrast against the branded 123 Klan Blue dome, merging chaos and control in the visual composition. The word Patiperro, one of Alcalde’s longtime monikers, appears subtly within the layout, linking the object to his graffiti identity. This mix of hand-rendered energy and print production reflects the wider evolution of graffiti from its ephemeral urban origins into institutional and collectible formats. It transforms the spray can from a disposable tool into an archival artifact with artistic weight. Montana MTN Artist Series and Cultural Relevance Montana Colors is known for curating collaborations with artists deeply rooted in the culture of graffiti and urban visual language. The 123 Klan Blue edition featuring Alonso Alcalde continues this tradition by selecting an artist who authentically represents both street credibility and experimental artistry. Unlike promotional collectibles, this can is filled with usable spray paint, maintaining its utility while operating as a sculptural object. This duality reinforces the power of Street Pop Art & Graffiti Artwork to inhabit spaces of both raw creation and refined presentation. The artist’s ability to integrate layered narrative with functional form resonates with collectors, writers, and fans of contemporary street-based culture. Limited Edition Status and Market Impact The release of only 500 units, each individually boxed and signed with custom design elements, elevates the can from graffiti supply to high-value object art. As part of a long-standing tradition where graffiti culture intersects with product design, the Alonso Alcalde 123 Klan Blue can embodies the move toward street artist-branded merchandise with integrity. Its rarity, packaging, and embedded artistic voice place it in the lineage of spray can collectibles that document not only creative aesthetics but also shifts in the art market’s view of graffiti. By participating in this Montana MTN collaboration, Alcalde reinforces his position as a contemporary force in Street Pop Art & Graffiti Artwork, producing work that both honors tradition and reshapes how it is experienced.

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Mask AP Silkscreen Print by Dave Kinsey Artist Proof Hand-Pulled 4-Color Screen Print on 290gsm 100% White Archival Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2006 Signed & AP Marked Limited Edition Artwork Size 18x24

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Quetzal Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Stinkfish Graffiti Street Artist Modern Pop Art. "The piece is based on a photo that I took in a gypsy neighborhood "Zorroza" at the city of Bilbao (Spain) last year in May. The following year I was painting a wall with my friend Malk, when a lot of kids come to us to ask about the wall and play around. At the end the whole family was around us, one of the members of the family was this little girl with these powerful eyes and a really special and strange energy." - Stinkfish

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Ambition 24X36 HPM Hand-Pulled 1-Color Silkscreen Print on Butcher Paper by Artist Eddie Colla Limited Edition Pop Art Artwork. 2021 Signed HPM Limited Edition Artwork Size 24x36

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Saber Anonymous Violet HPM Hand Embellished Limited Edition Rare Spray Paint Can Artwork Crossover by Famous Graffiti Paint Maker Montana MTN. 2023 Spray Paint Can Sign HPM Hand Embellished Print Box Limited Edition of 40 HPM, Limited Amount HPM. Artwork Size 3x8 Can. Limited Edition MTN Spray Can, Montana Colors Spray Paint, Low Pressure Can in Wood, and Acrylic Case Stamped with Saber's tag Spray Paint Color: Anonymous Violet Limited Edition 400ml. The Plexi Glass Cover is Cracked and Broken in 2, Displays Perfect. This was caused by Saber Deeply Scoring The Lid With Graffiti Etchings. The Artistic Alchemy of Spray Paint: Saber Anonymous Violet HPM Edition The Saber Anonymous Violet HPM Hand Embellished Limited Edition spray paint can stand as a testament to the cross-pollination of pop art, street art, and graffiti. This is not just a container of pigment but a piece of art history materialized through the collaboration of Saber, a luminary in the graffiti world, and Montana MTN, the renowned graffiti paint maker. The 2023 edition of this spray paint can is a rare collectible, with each of the 40 pieces being individually signed and hand-embellished by the artist himself, making every can a unique work. Encased in a wood and acrylic box, stamped with Saber's distinctive tag, the artwork is imbued with the essence of the street. The color, Anonymous Violet, is bold, reflecting Saber's preference for impactful, vivid hues in his large-scale murals. The hand-embellished print adoring each can is a hallmark of authenticity and artistic involvement, distinguishing these limited-edition pieces from standard graffiti supplies. This particular series serves as a tool for creating street pop art and graffiti artwork and as a standalone piece of collectible art. The dimensions of the can, standing at 3x8 inches, make it a compact yet significant object. The low-pressure system of the can is designed for fine detail work, accommodating the nuanced techniques of graffiti artists. The "HPM" in the title stands for 'Hand Painted Multiple,' indicating that while the series is a limited edition, each piece has been individually touched by the artist, creating variations that ensure every can is one of a kind. Cultural Relevance of the Saber Anonymous Violet HPM Edition The cultural relevance of the Saber Anonymous Violet HPM spray paint can is multifaceted. In the realm of street pop art and graffiti artwork, the tools of the trade are often as celebrated as the artworks themselves. Montana MTN, with its history of providing quality materials to graffiti artists, has long been recognized within the community. The collaboration with Saber elevates this can to an artifact of the culture, representing the artist's commitment to his craft and the broader graffiti movement.

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Risky V Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Risky N Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Chaz Bojorquez MOCA Art in the Streets Black Spray Paint Can Artwork by Montana MTN  Limited Edition Artist Paint Crossover Graffiti Street Object Art. 2011 Signed, Printed Chaz Bojorquez MOCA Black Color Limited Edition of 500 Spray Paint Can with Custom Box Object Artwork Size 3x8 Montana MTN Filled with Paint. Chaz Bojórquez MOCA Spray Paint Can by Montana MTN The Chaz Bojórquez MOCA Art in the Streets limited edition spray paint can by Montana Colors is a powerful tribute to one of the most respected pioneers of West Coast graffiti culture. Released in 2011 in conjunction with the landmark MOCA Art in the Streets exhibition, this rare object merges the historical significance of Bojórquez's calligraphic Cholo style with the influential legacy of Montana MTN’s design-forward can series. This specific release was part of a 500-piece edition featuring a printed reproduction of Bojórquez's distinctive skeleton figure and handstyle layered over gritty urban textures. Each can was filled with functional black paint and housed in a custom-printed box, serving both as a collector's item and a commentary on the duality of utilitarian object and fine art. Legacy of Chaz Bojórquez in Street Pop Art & Graffiti Artwork Born and raised in Los Angeles, Chaz Bojórquez developed a deeply personal and culturally rooted form of graffiti that drew upon Cholo script, a calligraphy style originating from East LA gangs. By introducing this aesthetic to the fine art world, Bojórquez challenged existing hierarchies and legitimized urban lettering as a serious artistic form. His artworks often include skulls, Gothic motifs, and stylized letterforms that reflect the struggles, stories, and spiritual codes of his community. His influence helped elevate street-based visual culture to institutional recognition, and his role in MOCA’s Art in the Streets exhibition marked a key moment in contemporary art history when museums openly celebrated graffiti. Montana MTN and the Street Pop Art Object Format Montana Colors, a legendary European spray paint manufacturer, has long supported graffiti artists through specialized products and limited collaborations. Their limited-edition art cans blur the lines between tool and collectible sculpture, embracing the physical language of graffiti culture as a new medium for fine art. By inviting artists like Chaz Bojórquez to design these cans, Montana MTN acknowledges the cultural value of graffiti’s original format while inviting a broader audience to appreciate it. These cans are not simply paint containers but curated art objects representing the evolution of urban expression. The custom printed surface, the iconic form factor, and the functional contents make each release a unique hybrid of tradition, branding, and subversion. Chaz Bojórquez and the Art in the Streets Legacy The 2011 MOCA Art in the Streets exhibition, curated by Jeffrey Deitch, brought Bojórquez’s work to an international audience. His contribution stood out for its historical depth and authenticity, anchoring the exhibition’s narrative in the often-overlooked roots of West Coast graffiti. The spray can created with Montana MTN to mark this occasion captures that spirit in physical form. It features a monochromatic skull with fedora motif and raw wall textures referencing one of his most iconic public murals. By transforming this into a functional can, the project recontextualizes traditional graffiti elements as commemorative, portable art. This piece represents not only Bojórquez’s legacy but the deeper message of graffiti as a voice of identity, resistance, and design mastery within Street Pop Art & Graffiti Artwork.

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SABER ONE Hand-Pulled 5-Color Silkscreen Print on Cotton Fine Art Paper by Desirable Artist Saber Limited Edition Pop Art Artwork. 2009 Signed & Numbered Limited Edition of 100 Artwork Size 20x16 SABER ONE, 2009 5-Color Screen Print on 100% cotton archival paper 20 x 16 in (50.8 x 40.64 cm) Limited Edition of 100 Signed and Numbered by the Artist

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Brick Woman Artwork Giclee Limited Edition Print on Heavy Paper by Pop Culture Graffiti Artist Lady Pink. 2005, Edition size 25 giclee prints on heavy paper. Signed and numbered, size 18" x 17"

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Stacked MTA Subway Map 11 Original Spray Painting by Cope2- Fernando Carlo One of a Kind Artwork on Real New York Train Map by Street Art Pop Artist. 2011 Signed Spray Paint Painting Original Artwork Size 22.8x28.9 Custom Framed Subway Map from New York City.

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Graffiti for Sale Silkscreen by Hijack Hand-Pulled 15-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 30x22 Hijack's "Graffiti for Sale" stands as a testament to the evolution of street art, an audacious blend of rebellion and commercialism. Crafted in 2022, this limited edition, hand-pulled 15-color screen print encapsulates the paradoxical nature of street art's rise to mainstream acclaim. Rendered on fine art paper, the composition spans 30x22 inches, creating an ample canvas to appreciate the artwork's meticulous detail and vivid chromatic play. The piece, limited to just 50 signed and numbered editions, brings to the forefront the contentious debate surrounding the commercialization of graffiti. At the center stands a poised figure, presumably an art dealer, holding a placard declaring "Graffiti for Sale." This central image, juxtaposed against a cacophony of vibrant graffiti tags and emblems, confronts the viewer with the tension between street art's roots in countercultural expression and its present-day commodification. Delving into the vivid backdrop, one can trace the raw energy of graffiti's underground origins. Explosions of color, wild typography, and iconic symbols sprawl chaotically, capturing the essence of a clandestine world of midnight tags and adrenaline-fueled mural sessions. However, the central figure's stoic presence serves as a constant reminder of the changing perceptions and commercial intersections of this once covert art form. In "Graffiti for Sale," Hijack manages to create a visual discourse that challenges viewers to contemplate the trajectory of street art. Has it been co-opted by the very establishment it once defied, or has its mainstream success given it a larger platform for its messages? The artwork doesn't answer these questions but rather encourages a dialogue, a true hallmark of meaningful art in any era.

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David with Machine Gun AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print. Shepard Fairey x Blek le Rat David with Machine Gun AP Silkscreen Print 2008 The David with Machine Gun AP Artist Proof silkscreen print from 2008 is a rare collaborative work created by Shepard Fairey, widely known as OBEY, and stencil art pioneer Blek le Rat. Hand-pulled on fine art paper and measuring 18 x 24 inches, this Artist Proof edition is signed by both artists and marked “AP,” distinguishing it from the standard numbered release of 100. Artist Proofs carry additional significance within the art world due to their limited availability and direct association with the artists’ approval process, making this piece especially sought after by collectors of Street Pop Art & Graffiti Artwork. Imagery and Symbolic Tension This print features Michelangelo’s classical David, a symbol of Renaissance ideals of beauty, youth, and heroism, reimagined with a modern twist: he holds a machine gun. The stark juxtaposition between timeless humanist ideals and contemporary instruments of war creates a powerful critique of violence and the ways cultural icons are repurposed to reflect current anxieties. Set against a graffiti-covered urban backdrop, the figure embodies the collision between high art traditions and street-level social commentary. The work challenges viewers to consider how ideals of strength and beauty are corrupted when reframed within the context of militarization. Collaboration Across Generations Blek le Rat, born Xavier Prou in France in 1951, is often credited as the father of stencil graffiti, influencing countless artists with his Paris-based interventions since the 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, rose to prominence through his OBEY campaign and politically resonant prints, later achieving international acclaim with his Hope poster of Barack Obama. Their joint creation of David with Machine Gun demonstrates how two generations of artists from different cultural backgrounds can merge their practices to create a unified message. It serves as both homage to classical art and a critique of the modern world. Rarity and Collectible Importance Artist Proof editions such as this one are rarer than the main run, typically reserved for the artists themselves or for key collaborators. Marked “AP” and carrying the signatures of both Fairey and Blek le Rat, this print embodies both historical and artistic value. Beyond its scarcity, the work is a striking representation of how street artists reinterpret cultural symbols to confront pressing issues like war and societal decay. The David with Machine Gun AP silkscreen stands as a prime example of the fusion of fine art history and modern protest through the visual language of Street Pop Art & Graffiti Artwork.

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Bubbles PNB RAW 8675 Orange Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Untretched Canvas. 2023 Signed Original Orange Bubbles PNB RAW Post No Bills Series Acrylic & Spray Paint Painting Size 26x30 Original canvas from SEEN, Bubbles PNB RAW Series, 2023, Actual painting size is 30" x 34" (76,2 x 86,3 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 26" x 30" (66 x 76,2 cm) // UN- stretched size is 30" x 34" (76,2 x 86,3 cm). SIGNED ON THE BACK. Bubbles PNB RAW 8675 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. Seen UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Bubbles PNB RAW" is a collection of works that showcase the artist's signature lettering, post no bills stencil, blending street art with traditional fine art. In Bubbles PNB RAW 8675, Seen UA masterfully incorporates an array of bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes, while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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5 North Archival Print by Stephanie Buer Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 40 Artwork Size 18x24 Archival Pigment Fine Art Stephanie Buer, the artist behind "5 North", presents an 18" x 24" archival pigment print. This limited edition artwork is numbered and signed by Stephanie herself, with only 40 copies available.

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Bronx Icon 25' Archival Print by Cope2- Fernando Carlo Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2025 Signed & Numbered Print Limited Edition of 60 Artwork Size 14x12 Archival Pigment Fine Art  Bronx Icon 25 by Cope2: A Vivid Pulse of New York's Street Pop Art & Graffiti Artwork Cope2, born Fernando Carlo in the Bronx, New York, delivers a chromatic explosion of energy and history in his 2025 limited edition archival pigment print, Bronx Icon 25. Created on 290gsm Moab Entrada fine art paper, this 14x12 inch piece captures the grit, rhythm, and raw personality of one of graffiti's most influential figures. Signed and numbered in a run of 60, the edition reflects not only Cope2's status in the graffiti world but his seamless transition into the fine art arena while maintaining the authenticity of his roots. The Visual Vocabulary of Cope2 Cope2’s style is known for its distinctive bubble letters, layered color fields, and relentless tagging language, but Bronx Icon 25 goes beyond the expected. It offers a controlled chaos where abstract compositions collide with wildstyle lettering. Against a background drenched in neon greens, electric pinks, punchy blues, and metallic silvers, his intricate handstyle bursts forward with sharp lines and rapid gesture. The print carries his iconic throw-ups, nested inside overlapping marks that allude to subway panels and street corners from decades past. What makes this work sing is its ability to move fluently between unfiltered aggression and orchestrated balance, an approach Cope2 has perfected over his forty-year evolution from the streets to global galleries. A Pioneer’s Mark on Paper Bronx Icon 25 stands not only as an artwork but as a document of urban resilience. The pigment print format lends the work deep color saturation and lasting archival quality, which amplifies Cope2’s street-born intensity in a new context. Each mark echoes the walls of 1980s New York, when graffiti was criminalized but flourished as a visual language of youth, identity, and survival. In this edition, the splatters, drips, and scratches become purposeful. His use of Moab Entrada paper offers a textured surface that complements the layered ink techniques, giving the viewer a tactile connection to the street. Legacy in the Evolution of Street Pop Art & Graffiti Artwork Fernando Carlo’s contributions are foundational. Few artists can claim the same impact on the graffiti scene both as a cultural innovator and as a globally exhibited artist. Bronx Icon 25 bridges raw aerosol sensibility with the elevated finish of modern art printmaking. This piece is a collision of borough-born tradition and global contemporary relevance. It reflects a time when graffiti was more than expression—it was presence, defiance, and community. Cope2’s mark remains permanent, and Bronx Icon 25 is a living reminder of that mark’s origin, growth, and undying pulse.

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Harder Faster Stronger- Holographic Ink (OPN HEART 008) HPM Limited Edition Giclee Print Hand-Painted Multiple with Hand Embellishment on Heavy Matte Paper by Jason Naylor Spray Paint street artist art. Limited Edition 18 x 24 Giclée Print on heavy matte paper with spray paint embellishments in Holographic. Edition of 15 each. This print is (OPN HEART 008)

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