Tribal Druid & Native

3 artworks


  • Marchers White Silkscreen Print by Cleon Peterson

    Cleon Peterson Marchers White Silkscreen Print by Cleon Peterson

    Marchers White Silkscreen Print by Cleon Peterson 2 Color Hand-Pulled on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2016 Signed & Numbered Limited Edition of 125 Artwork Size 13x34 Silkscreen Print of Tribal Men Carrying Bloody Swords Marching In Line. "Marchers White" stands as a testament to the intersection of pop art and street art, encapsulated in the powerful medium of silkscreen printing. Cleon Peterson, the artist behind this captivating piece, introduces a stark, almost confrontational narrative to the world of contemporary art. Dated to 2016, the work highlights a row of tribal men, each gripping a blood-streaked sword, marching in an unbroken line. Their imposing silhouettes, juxtaposed against the unforgiving black backdrop, become symbolic of unity, resistance, and perhaps even revolt. Hand-pulled on deckled fine art paper, the tactile experience of the piece amplifies the already potent visual impact. This technique, representative of Peterson's commitment to craft, harks back to traditional printing methods, uniting the old with the present in a seamless fashion. Each print in this limited series of 125 carries Peterson's signature, an assurance of authenticity and the artist's personal touch. Despite its seeming simplicity, the artwork is laden with symbolism. The choice of tribal men evokes primitive energies, raw emotions, and unyielding convictions. Their bloodied swords, meanwhile, invite speculation. Are they victims or victors? Oppressed or oppressors? Peterson leaves this open-ended, allowing viewers to craft their narratives or confront their biases. As a beacon in the world of pop and street art, "Marchers Black" is more than just an artwork; it's a conversation, a critique, and a reflection of society's ever-evolving dynamics.

    $1,342.00

  • Mourning Dance Archival Print by Graham Yarrington

    Graham Yarrington Mourning Dance Archival Print by Graham Yarrington

    Mourning Dance Archival Print by Graham Yarrington Limited Edition on Cotton Fine Art Paper, Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 30 Artwork Size 30x24 Archival Pigment Fine Art Graham Yarrington's "Mourning Dance" is a reflective work that intertwines street pop art's fluidity and graffiti art's solemnity of personal loss. This 2023 signed and numbered limited edition archival print, one of only thirty, is a 30x24 inch piece printed on cotton fine art paper with archival pigment. It exemplifies Yarrington's style, which often features a mix of grayscale and vibrant colors, creating a striking, visually arresting, and emotionally stirring contrast. The artwork captures the essence of Yarrington's artistic journey, reflecting themes of grief and the search for meaning in the wake of personal tragedy.

    $282.00

  • Marchers Black Silkscreen Print by Cleon Peterson

    Cleon Peterson Marchers Black Silkscreen Print by Cleon Peterson

    Marchers Black Silkscreen Print by Cleon Peterson 2 Color Hand-Pulled on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2016 Signed & Numbered Limited Edition of 125 Artwork Size 13x34 Silkscreen Print of Tribal Men Carrying Bloody Swords Marching In Line. "Marchers Black" stands as a testament to the intersection of pop art and street art, encapsulated in the powerful medium of silkscreen printing. Cleon Peterson, the artist behind this captivating piece, introduces a stark, almost confrontational narrative to the world of contemporary art. Dated to 2016, the work highlights a row of tribal men, each gripping a blood-streaked sword, marching in an unbroken line. Their imposing silhouettes, juxtaposed against the unforgiving black backdrop, become symbolic of unity, resistance, and perhaps even revolt. Hand-pulled on deckled fine art paper, the tactile experience of the piece amplifies the already potent visual impact. This technique, representative of Peterson's commitment to craft, harks back to traditional printing methods, uniting the old with the present in a seamless fashion. Each print in this limited series of 125 carries Peterson's signature, an assurance of authenticity and the artist's personal touch. Despite its seeming simplicity, the artwork is laden with symbolism. The choice of tribal men evokes primitive energies, raw emotions, and unyielding convictions. Their bloodied swords, meanwhile, invite speculation. Are they victims or victors? Oppressed or oppressors? Peterson leaves this open-ended, allowing viewers to craft their narratives or confront their biases. As a beacon in the world of pop and street art, "Marchers Black" is more than just an artwork; it's a conversation, a critique, and a reflection of society's ever-evolving dynamics.

    $1,342.00

Tribal Druid & Native Graffiti Street Pop Artwork
Tribal themes have been a source of inspiration for many artists throughout history, and this includes both graffiti art and pop art. Graffiti art has its roots in urban culture, while pop art emerged in the 1950s and 1960s as a response to the rise of mass consumerism and the popularization of advertising and media. In graffiti art, tribal themes are often used to convey a sense of cultural identity and heritage. Graffiti artists may draw on traditional tribal art styles and motifs to create their own unique works that speak to their individual experiences and perspectives. For example, a graffiti artist might incorporate patterns inspired by Maori or Native American designs into their work to express their own cultural heritage or pay homage to the traditions of others. Similarly, in pop art, tribal themes are often used to explore issues of identity and cultural exchange. Pop artists may draw on imagery from tribal cultures to create bold, colorful works that comment on the ways in which cultures intersect and influence one another. For example, pop artist Keith Haring often incorporated tribal motifs into his work to create a sense of universal human connection, while also exploring themes of power and oppression. Graffiti art has its roots in the hip-hop culture of the 1970s and 1980s, and it has since grown to become a global phenomenon. Graffiti artists often use tribal themes in their work as a way of expressing cultural identity and heritage. For example, a graffiti artist of Pacific Islander descent might incorporate traditional Polynesian designs into their work to pay homage to their cultural heritage. In addition, graffiti artists may also draw on tribal motifs to create a sense of community and belonging. Graffiti writers often form crews, or groups of like-minded individuals, and the use of tribal themes can serve as a way of visually representing this sense of shared identity and purpose. Pop art emerged in the 1950s and 1960s as a response to the rise of mass consumerism and the popularization of advertising and media. Pop artists often drew on imagery from popular culture to create bold, colorful works that commented on the changing nature of American society. Tribal themes were often used in pop art to explore issues of identity and cultural exchange. Pop artists such as Keith Haring and Jean-Michel Basquiat often incorporated tribal motifs into their work as a way of creating a sense of universal human connection. For example, Haring's "Radiant Baby" image incorporates elements of tribal art, but it is also a symbol of hope and innocence that transcends cultural boundaries. The use of tribal themes in graffiti art and pop art can serve as a means of exploring issues of identity, heritage, and cultural exchange. By drawing on traditional motifs and styles, artists can create works that speak to their own experiences while also bridging the gap between different cultures and communities.

© 2024 Sprayed Paint Art Collection,

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