Tribal Druid & Native

4 artworks


  • Broken Lithograph Print by Jeff Soto

    Jeff Soto Broken Lithograph Print by Jeff Soto

    Broken Lithograph Print by Jeff Soto Hand-Pulled Print on 80# Patina Matte Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2010 Signed & Numbered Limited Edition of 450 Artwork Size 21.88x30 Jeff Soto's "Broken" Lithograph: A Tapestry of Street Pop Art and Surrealism Jeff Soto's "Broken" lithograph is a masterful amalgamation of graffiti's raw spontaneity and the vivid, dream-like quality of pop art, presenting a unique tableau that captures the imagination. This hand-pulled print on 80# Patina Matte Fine Art Paper, released in a limited edition of 450 in 2010, is a testament to Soto's prowess in translating the essence of street art onto a more enduring medium. Each piece, sized at 21.88x30 inches, is meticulously signed and numbered, emphasizing its exclusivity and the artist's personal touch. Soto's work is renowned for its intricate detail, and "Broken" is no exception, with its layered imagery and textured visuals that invite viewers to delve into a narrative as sprawling and complex as graffiti itself. "Broken" is not just an artwork; it is a narrative piece that encapsulates the multifaceted nature of Street Pop Art and Graffiti Artwork. The fantastical creature at the center of the composition, with its vibrant pink hue and juxtaposition of animalistic traits, is a visual anchor that draws the eye and ignites curiosity. This creature, existing in a world that defies conventional reality, symbolizes the freedom of expression inherent in street art. This freedom allows for a fusion of the real and the surreal, giving rise to a new realm where the rules of traditional art are bent and reimagined. The Cultural Impact of Jeff Soto's "Broken" in the Art World Jeff Soto's "Broken" cultural impact extends beyond its aesthetic appeal, speaking to the heart of the street art movement's influence on contemporary art. The piece embodies the rebellious spirit of graffiti, with its disregard for boundaries and its challenge to the status quo. In bringing such a piece to the realm of fine art prints, Soto demonstrates the evolving perception of graffiti as a legitimate and impactful form of artistic expression. The limited edition nature of "Broken" mirrors the transient nature of street murals, often at the mercy of time and urban development, adding a sense of preciousness to their ownership. Soto's "Broken" celebrates the creative spirit that drives the street pop art movement. It bridges the often underground world of graffiti and the established art community, showcasing the potential for street-inspired visuals to resonate within gallery spaces. The print's complexity, with its swirling colors and forms, echoes the layered textures and meanings often found in street murals, inviting a deeper engagement and interpretation from its audience. Jeff Soto's "Broken" lithograph print is a vibrant homage to the transformative power of street pop art and graffiti. As a limited edition work, it captures the essence of a movement that continues to challenge and redefine the boundaries of artistic expression. Each signed and numbered print stands as a testament to the artist's vision, a piece of a larger narrative that celebrates the union of street culture and fine art. Much like the street art inspired by, it is a narrative that continues to evolve and influence long after the paint has dried.

    $190.00

  • The Fool Archival Print by Beau Stanton

    Beau Stanton The Fool Archival Print by Beau Stanton

    The Fool Limited Edition Archival Pigment Print on 310gsm Fine Art Paper by Beau Stanton Graffiti Street Artist Modern Pop Art. "The Fool was the central piece from my Arcane Archetypes exhibition where all the paintings were based on images from the Major Arcana of the Tarot. My first intention with this body of work was to create a series of images that instill a lasting imprint into the viewer’s subconscious. As an initial point of departure I started to research one of the most recognizable and iconic sets of images, the Major Arcana of the Tarot. After studying several existing decks, I discovered that some of the images shared common ground visually and conceptually with several paintings I had created in the past.When I first thought about making a series of paintings based on images from the Tarot, I knew that I would have to include the Fool since it is the “zero” card and an extremely important archetype in the set. I started by researching all of the iconic tarot decks to see the ways the symbols had been interpreted in the past along with reading a few books by 19th Century occultists who were really into tarot. From there I applied some of my own symbols that I often use in my work that had common ground with the overall significance of The Fool to concoct a fresh take on an ancient iconic symbol." - Beau Stanton

    $373.00

  • Three-Piece Etching Aquatint Print by Zwy Milshtein

    Zwy Milshtein Three-Piece Etching Aquatint Print by Zwy Milshtein

    Three-Piece Etching Limited Edition Etching with Aquatint Print on Hand-Decorated Fine Art Paper by Zwy Milshtein is a pop art graffiti artist art. 1970 Signed & Numbered Limited Edition Etching Art Print. Artist: Zwy Milshtein Title: Three Piece Etching Medium: etching, with Aquatint Size: 21 x 30 inches Edition: Signed in pencil and marked 26/75 Zwy Milshtein: A Maestro of Etching and Aquatint Zwy Milshtein's artistic narrative is one of movement, not just across geographies but also through the evolution of his distinct style and technique. Born in 1934 in Kichinev, now known as Moldova, Milshtein's journey through the turbulence of World War II led him from Russia to Romania and eventually to Israel. However, in Paris, to which he moved in 1955, Milshtein found his enduring artistic home. Here, he became renowned as both a painter and a master engraver, celebrated for his etchings and engravings that capture the complexity of human experience. The Intertwining Paths of Engraving and Street Art The "Three-Piece Etching" by Milshtein is a testament to the craftsmanship and depth of engraving as an art form. Completed in 1970, this signed and numbered limited edition etching with aquatint, measuring 21 x 30 inches, is a fine example of Milshtein's adeptness with aquatint—a technique that allows for the creation of tonal effects, producing rich textures and a range of shades that lend a painterly quality to prints. This artwork, part of an exclusive series marked 26/75, is particularly notable for its abstract composition and the intriguing use of negative space, which engages the viewer in a visual dialogue reminiscent of contemporary street art and graffiti. Milshtein's Impact on Contemporary Art Milshtein's influence on the art world is well-documented through numerous exhibitions and retrospectives. His work was featured at ARC, the Museum of Modern Art in Paris, and in 1978, the Bibliotheque Nationale in Paris hosted a retrospective exhibition of his engravings. His artistic achievements include participation in the Hans Christian Andersen House project 1997, where he, along with other top European artists, paid tribute to the Danish author's bicentennial birthday. The aesthetic choices and technical skill displayed in works like "Three-Piece Etching" echo the visual strategies found in street pop art and graffiti. Milshtein's art, while distinct in its medium and execution, shares the spirit of innovation and subversion that is a hallmark of street art. His engravings invite the public to explore themes of identity, memory, and existence, much like street art and graffiti often do within the urban landscape. Zwy Milshtein's contributions to the world of engraving and his explorations in aquatint have secured his reputation as an artist of great skill and depth. "Three-Piece Etching" is a prime example of his ability to communicate complex ideas through printmaking. His legacy continues to inspire and influence artists within and beyond pop art, street art, and graffiti, affirming his artistry's enduring power and relevance.

    $350.00

  • After The Storm Giclee Print by Alexis Price

    Alexis Price After The Storm Giclee Print by Alexis Price

    After The Storm Giclee Fine Art Limited Edition Print on Fine Art Paper by Modern Pop Artist Alexis Price. 2019 Signed & Numbered 24x30 Edition of 20

    $438.00

Tribal Druid & Native Graffiti Street Pop Artwork
Tribal themes have been a source of inspiration for many artists throughout history, and this includes both graffiti art and pop art. Graffiti art has its roots in urban culture, while pop art emerged in the 1950s and 1960s as a response to the rise of mass consumerism and the popularization of advertising and media. In graffiti art, tribal themes are often used to convey a sense of cultural identity and heritage. Graffiti artists may draw on traditional tribal art styles and motifs to create their own unique works that speak to their individual experiences and perspectives. For example, a graffiti artist might incorporate patterns inspired by Maori or Native American designs into their work to express their own cultural heritage or pay homage to the traditions of others. Similarly, in pop art, tribal themes are often used to explore issues of identity and cultural exchange. Pop artists may draw on imagery from tribal cultures to create bold, colorful works that comment on the ways in which cultures intersect and influence one another. For example, pop artist Keith Haring often incorporated tribal motifs into his work to create a sense of universal human connection, while also exploring themes of power and oppression. Graffiti art has its roots in the hip-hop culture of the 1970s and 1980s, and it has since grown to become a global phenomenon. Graffiti artists often use tribal themes in their work as a way of expressing cultural identity and heritage. For example, a graffiti artist of Pacific Islander descent might incorporate traditional Polynesian designs into their work to pay homage to their cultural heritage. In addition, graffiti artists may also draw on tribal motifs to create a sense of community and belonging. Graffiti writers often form crews, or groups of like-minded individuals, and the use of tribal themes can serve as a way of visually representing this sense of shared identity and purpose. Pop art emerged in the 1950s and 1960s as a response to the rise of mass consumerism and the popularization of advertising and media. Pop artists often drew on imagery from popular culture to create bold, colorful works that commented on the changing nature of American society. Tribal themes were often used in pop art to explore issues of identity and cultural exchange. Pop artists such as Keith Haring and Jean-Michel Basquiat often incorporated tribal motifs into their work as a way of creating a sense of universal human connection. For example, Haring's "Radiant Baby" image incorporates elements of tribal art, but it is also a symbol of hope and innocence that transcends cultural boundaries. The use of tribal themes in graffiti art and pop art can serve as a means of exploring issues of identity, heritage, and cultural exchange. By drawing on traditional motifs and styles, artists can create works that speak to their own experiences while also bridging the gap between different cultures and communities.

© 2024 Sprayed Paint Art Collection,

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