Tribal Druid & Native

8 artworks


  • Between Man & God- White Silkscreen Print by Cleon Peterson

    Cleon Peterson Between Man & God- White Silkscreen Print by Cleon Peterson

    Between Man & God- White Limited Edition Hand Pulled 2-Color Silkscreen Printed on White Coventry Rag Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. Between Man & God (White), 2018 Screenprint in colors on Coventry Rag paper 28 x 43 inches (71.1 x 109.2 cm) (sheet) Ed. 36/150 Signed, numbered and dated in pencil along lower edge Published by the artist. Mild handling creases along the right edge. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

    $3,135.00

  • Marchers White Silkscreen Print by Cleon Peterson

    Cleon Peterson Marchers White Silkscreen Print by Cleon Peterson

    Marchers White Silkscreen Print by Cleon Peterson 2 Color Hand-Pulled on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2016 Signed & Numbered Limited Edition of 125 Artwork Size 13x34 Silkscreen Print of Tribal Men Carrying Bloody Swords Marching In Line. "Marchers White" stands as a testament to the intersection of pop art and street art, encapsulated in the powerful medium of silkscreen printing. Cleon Peterson, the artist behind this captivating piece, introduces a stark, almost confrontational narrative to the world of contemporary art. Dated to 2016, the work highlights a row of tribal men, each gripping a blood-streaked sword, marching in an unbroken line. Their imposing silhouettes, juxtaposed against the unforgiving black backdrop, become symbolic of unity, resistance, and perhaps even revolt. Hand-pulled on deckled fine art paper, the tactile experience of the piece amplifies the already potent visual impact. This technique, representative of Peterson's commitment to craft, harks back to traditional printing methods, uniting the old with the present in a seamless fashion. Each print in this limited series of 125 carries Peterson's signature, an assurance of authenticity and the artist's personal touch. Despite its seeming simplicity, the artwork is laden with symbolism. The choice of tribal men evokes primitive energies, raw emotions, and unyielding convictions. Their bloodied swords, meanwhile, invite speculation. Are they victims or victors? Oppressed or oppressors? Peterson leaves this open-ended, allowing viewers to craft their narratives or confront their biases. As a beacon in the world of pop and street art, "Marchers Black" is more than just an artwork; it's a conversation, a critique, and a reflection of society's ever-evolving dynamics.

    $1,342.00

  • Matrilineal Original Oil Painting by Dan Christofferson- Beeteeth

    Dan Christofferson- Beeteeth Matrilineal Original Oil Painting by Dan Christofferson- Beeteeth

    Matrilineal Original Die Cut Vinyl, Oil Paint on Wood Cradled Panel ready to hang by Dan Christofferson- Beeteeth Graffiti Street Artist Modern Pop Art. "Matrilineal" - 24"x32" Die-cut vinyl on the panel for my "West Was Won" show. -Dan Christofferson

    $1,545.00

  • Eclipse Giclee Print by Julian Callos

    Julian Callos Eclipse Giclee Print by Julian Callos

    Eclipse Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Julian Callos. Julian Callos - "Eclipse" limited edition fine art giclee print signed and numbered by the artist edition of 40 12" x 16" Eclipse Giclee Print by Julian Callos

    $99.00

  • Weapons of Mass Creation Silkscreen Print by Dan Christofferson- Beeteeth

    Dan Christofferson- Beeteeth Weapons of Mass Creation Silkscreen Print by Dan Christofferson- Beeteeth

    Deseret Alphabet 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. AP Artist Proof. Weapons of Mass Creation Fest, Cleveland Ohio June 8 9 10 2012. Perforated lower edge perfectly intact.

    $229.00

  • Sale -15% On the Sunny Side of the Street- Yellow Silkscreen Print by Cleon Peterson

    Cleon Peterson On the Sunny Side of the Street- Yellow Silkscreen Print by Cleon Peterson

    On the Sunny Side of the Street- Yellow On Red Hand-Pulled 2-Color Silkscreen Print on 290gsm Coventry Rag Paper Deckled Edges by Artist Cleon Peterson Limited Pop Art Artwork. 2021 Signed & Numbered Limited Edition of 125 Artwork Size 14x20.5 Limited edition of 125 Hand-pulled 14 x 20.5” Yellow on Black screenprint on 290gsm Coventry Rag Paper with deckled edges. Signed and numbered. Cleon Peterson (b. 1973) On the Sunny Side of the Street (Yellow), 2021 Screenprint on Coventry Rag paper 20-1/2 x 14 inches (52.1 x 35.6 cm) (sheet) Ed. 125 Signed, numbered, and dated in pencil along the lower edge. Published by the artist. The art of Peterson has a robust anti-establishment character, and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist, and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks, paintings, prints, sculptures, and murals exhibited in the US, Europe, and Asia. "On the Sunny Side of the Street" is a yellow silkscreen print by Cleon Peterson, an American artist known for his provocative and often dark artwork. Peterson's work often explores themes of violence, power dynamics, and societal unrest, reflecting the complex and contradictory nature of human existence. This particular print, "On the Sunny Side of the Street," presents a different tone than much of Peterson's other work, given its title and yellow color. It could be an attempt to explore the brighter, more optimistic side of life, or perhaps it presents a contrasting view to the darker themes found in his other pieces. As an artist, Peterson is known for his ability to make striking visual statements that leave a lasting impact on viewers.

    $702.00$597.00

  • Pattern of Corruption Black Gold AP Silkscreen Print by Shepard Fairey- OBEY x Cleon Peterson

    Shepard Fairey- OBEY Pattern of Corruption Black Gold AP Silkscreen Print by Shepard Fairey- OBEY x Cleon Peterson

    Pattern of Corruption Black Gold AP Silkscreen Print by Shepard Fairey- OBEY x Cleon Peterson Artist Proof Hand-Pulled 2-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2015 Signed & AP Marked Original Run Limited Edition of 150 Artwork Size 18x24 Repeating Image of Tribal Man With Bloody Knife and Lotus Flower Vine Pattern Silkscreen "Cleon Peterson and I recently collaborated on a mural in Miami’s Wynwood district and were happy enough with the end result to decide to make some limited edition screen prints inspired by the mural. Cleon and I both deal with the persistent themes of the fragility of society, human savagery, and corruption in our work. The image has a dichotomy in its hypnotic classical floral pattern with sinister elements woven into it, which caution the viewer to look deeper than an appealing surface presentation." - SHepard Fairey "Pattern of Corruption Black Gold" is a striking representation of the collaboration between two giants of the street art world, Shepard Fairey, best known for his OBEY campaign, and Cleon Peterson. As an AP Silkscreen print, this piece emphasizes the hand-crafted nature of their work, a detail that resonates deeply with enthusiasts of street and pop art. Shepard Fairey's iconic art has always challenged societal norms, provoking viewers to consider underlying complexities and contradictions present in contemporary society. Cleon Peterson, with his depictions of chaotic human interactions, similarly forces viewers to grapple with the darker underbelly of humanity. The inspiration behind this piece emerged from the mural the duo worked on together in Miami’s Wynwood district, a place renowned for its vibrant street art scene. It's evident in the AP Silkscreen print how their artistic styles and messages seamlessly intertwine. The meticulous detail of a tribal man brandishing a bloody knife juxtaposed with the lotus flower vine pattern invites introspection on the duality of human nature. The combination of tribal motifs with classical floral patterns not only alludes to a blending of the traditional with the contemporary but also serves as a cautionary tale. The surface beauty of the design may lure the viewer in, but as Fairey himself mentioned, the sinister undertones remind us to delve deeper and question the allure. A limited-edition release, with only 150 prints available, the artwork has achieved heightened significance among collectors and enthusiasts. The hand-pulled, two-color screen print on fine art paper stands as a testament to the dedication of the artists to their craft. The "Pattern of Corruption Black Gold" is not merely an artwork; it's a poignant commentary on society's fragility and the ever-present themes of corruption and human savagery, themes that both Fairey and Peterson have consistently explored in their works.

    $1,213.00

  • Marchers Black Silkscreen Print by Cleon Peterson

    Cleon Peterson Marchers Black Silkscreen Print by Cleon Peterson

    Marchers Black Silkscreen Print by Cleon Peterson 2 Color Hand-Pulled on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2016 Signed & Numbered Limited Edition of 125 Artwork Size 13x34 Silkscreen Print of Tribal Men Carrying Bloody Swords Marching In Line. "Marchers Black" stands as a testament to the intersection of pop art and street art, encapsulated in the powerful medium of silkscreen printing. Cleon Peterson, the artist behind this captivating piece, introduces a stark, almost confrontational narrative to the world of contemporary art. Dated to 2016, the work highlights a row of tribal men, each gripping a blood-streaked sword, marching in an unbroken line. Their imposing silhouettes, juxtaposed against the unforgiving black backdrop, become symbolic of unity, resistance, and perhaps even revolt. Hand-pulled on deckled fine art paper, the tactile experience of the piece amplifies the already potent visual impact. This technique, representative of Peterson's commitment to craft, harks back to traditional printing methods, uniting the old with the present in a seamless fashion. Each print in this limited series of 125 carries Peterson's signature, an assurance of authenticity and the artist's personal touch. Despite its seeming simplicity, the artwork is laden with symbolism. The choice of tribal men evokes primitive energies, raw emotions, and unyielding convictions. Their bloodied swords, meanwhile, invite speculation. Are they victims or victors? Oppressed or oppressors? Peterson leaves this open-ended, allowing viewers to craft their narratives or confront their biases. As a beacon in the world of pop and street art, "Marchers Black" is more than just an artwork; it's a conversation, a critique, and a reflection of society's ever-evolving dynamics.

    $1,342.00

Tribal Druid & Native Graffiti Street Pop Artwork
Tribal themes have been a source of inspiration for many artists throughout history, and this includes both graffiti art and pop art. Graffiti art has its roots in urban culture, while pop art emerged in the 1950s and 1960s as a response to the rise of mass consumerism and the popularization of advertising and media. In graffiti art, tribal themes are often used to convey a sense of cultural identity and heritage. Graffiti artists may draw on traditional tribal art styles and motifs to create their own unique works that speak to their individual experiences and perspectives. For example, a graffiti artist might incorporate patterns inspired by Maori or Native American designs into their work to express their own cultural heritage or pay homage to the traditions of others. Similarly, in pop art, tribal themes are often used to explore issues of identity and cultural exchange. Pop artists may draw on imagery from tribal cultures to create bold, colorful works that comment on the ways in which cultures intersect and influence one another. For example, pop artist Keith Haring often incorporated tribal motifs into his work to create a sense of universal human connection, while also exploring themes of power and oppression. Graffiti art has its roots in the hip-hop culture of the 1970s and 1980s, and it has since grown to become a global phenomenon. Graffiti artists often use tribal themes in their work as a way of expressing cultural identity and heritage. For example, a graffiti artist of Pacific Islander descent might incorporate traditional Polynesian designs into their work to pay homage to their cultural heritage. In addition, graffiti artists may also draw on tribal motifs to create a sense of community and belonging. Graffiti writers often form crews, or groups of like-minded individuals, and the use of tribal themes can serve as a way of visually representing this sense of shared identity and purpose. Pop art emerged in the 1950s and 1960s as a response to the rise of mass consumerism and the popularization of advertising and media. Pop artists often drew on imagery from popular culture to create bold, colorful works that commented on the changing nature of American society. Tribal themes were often used in pop art to explore issues of identity and cultural exchange. Pop artists such as Keith Haring and Jean-Michel Basquiat often incorporated tribal motifs into their work as a way of creating a sense of universal human connection. For example, Haring's "Radiant Baby" image incorporates elements of tribal art, but it is also a symbol of hope and innocence that transcends cultural boundaries. The use of tribal themes in graffiti art and pop art can serve as a means of exploring issues of identity, heritage, and cultural exchange. By drawing on traditional motifs and styles, artists can create works that speak to their own experiences while also bridging the gap between different cultures and communities.

© 2024 Sprayed Paint Art Collection,

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