Trippy

BunnyKitty Dream State- Orange 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dave Persue Modern Pop Artwork Artist. 2021 Orange Variant Edition of 35 Signed and numbered, 6 color screenprint on archival paper Size 18x24 Print hand-pulled in Los Angeles, CA.

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Late Night Study II Original Ink Hand Drawing on Fine Art Paper by modern trending street art artist Sheefy McFly. 2020 Signed Original Marker Drawing Artwork Size 18x24 Framed Late Night Study II, 2020 Ink on paper 24 x 18 inches (61 x 45.7 cm) (sheet) Signed and dated along right edge. Framed Dimensions 27.5 X 21.5 Inches

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Artboard Print Artwork Giclee Limited Edition Print on 300gsm Moab Entrada Cotton Rag Paper by Pop Culture Graffiti Artist Nopattern- Chuck Anderson. Giclee Print on Moab Entrada cotton rag 300 GSM with Deckled Edges. Edition of 100. Signed and Numbered by the Artist. 18 x 25 inches NoPattern is the Chicago-based studio of artist, designer, photographer and creative director Chuck Anderson. Known for his surreal use of color and light, pioneering juxtapositions of traditional & digital mediums and endless experimentation, Chuck's work has become highly sought-after by a wide spectrum of brands spanning the fashion. advertising, entertainment, tech, and sports worlds.

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Powderpuff Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Alex Garant. Artist: Alex Garant Title: "Powderpuff" Medium: Archival Pigment Print Edition: 50 Markings: Signed and numbered by the artist Dimensions: 18" x 18"

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Obey Conformity Trance- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 350 February 10, 2021 Obey as a pseudo-command in my art has always been a form of reverse psychology. My philosophy is actually “question everything”. Conformity is often more unconscious than conscious… an adaptation to structures we may not agree with and a submission to unseen forces of manipulation… unseen because our eyes and minds are not open wide enough. People come up with conspiracy theories like “the Illuminati” to explain the feelings that they are cogs in someone else’s machine, but the deconstruction of power and control requires nothing more than a conscious and diligent examination of how power and influence upon the government accumulate and concentrate under capitalism. Shepard Fairey

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Night Time Manila Yellow Silkscreen Print by Dalek- James Marshall Hand-Pulled 14-Color on French Manila Yellow Kraft Cardstock Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 15 Artwork Size 18x24 Silkscreen Print Night Time Manila Yellow Edition Night Time Manila Yellow Silkscreen Print by Dalek – James Marshall James Marshall, known in the art world as Dalek, brings his unmistakable aesthetic into radiant focus with the 2023 silkscreen edition “Night Time Manila Yellow.” This limited release, printed on French Manila Yellow Kraft cardstock, measures 18x24 inches and is restricted to a rare edition of only 15. Each hand-pulled screen print uses 14 carefully layered colors to construct an explosive and hypnotic composition that is as precise as it is playful. The print is signed and numbered by the artist, anchoring its place in the collector-driven Street Pop Art & Graffiti Artwork universe. Mechanized Play and Surreal Symbolism Dalek’s signature Space Monkey figures remain central to this print, yet here they multiply and entangle in a world of robotic mechanisms, riotous shapes, and layered structures. “Night Time Manila Yellow” feels like a visual symphony of saturation, with teal, fuchsia, neon yellow, and black elements collapsing into one another across a dreamlike grid. The figures wield mallets, spears, and geometric props, each one seemingly locked into an urgent task. This sense of choreography and visual automation transforms the print into more than a character study—it's an elaborate stage of organized chaos, one that balances between subconscious memory and futuristic design. Precision in Color and Structure The richness of this 14-color silkscreen process gives the artwork a luminous depth and tactile presence. Dalek’s use of French Manila Yellow cardstock as the paper base imbues the piece with a warmer, vintage sensibility—subtly grounding the neon, cartoon-drenched chaos that dominates the surface. The meticulous layering of color demonstrates Dalek’s technical discipline as well as his commitment to producing high-fidelity editions. Bold curves, repeating circular motifs, and structured overlaps give the artwork a sense of mechanical rhythm, echoing visual strategies seen in Op Art and Constructivism, but reimagined through a Street Pop Art lens. Color Theory Meets Urban Noise “Night Time Manila Yellow” stands as a contemporary artifact of street culture’s evolution into collectible fine art. Dalek’s work is deeply rooted in his early exposure to graffiti and punk iconography, yet here, his visual language has matured into complex architectural compositions. The use of saturation, repetition, and robotic characters reflects a commentary on technology, identity, and consumption, though without didacticism. The viewer is left to interpret the orchestration of symbols on their own terms. The balance between childlike excitement and structured precision makes this piece a compelling addition to Dalek’s growing body of highly sought-after silkscreen editions. With its rare edition count, rich color layering, and frenetic design, “Night Time Manila Yellow” is a defining example of modern screen printing intersecting with visual rebellion. It is a print that demands attention and invites exploration—a layered map of energy, control, and disintegration in full color.

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Obey Conformity Trance- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 350 February 10, 2021 Obey as a pseudo-command in my art has always been a form of reverse psychology. My philosophy is actually “question everything”. Conformity is often more unconscious than conscious… an adaptation to structures we may not agree with and a submission to unseen forces of manipulation… unseen because our eyes and minds are not open wide enough. People come up with conspiracy theories like “the Illuminati” to explain the feelings that they are cogs in someone else’s machine, but the deconstruction of power and control requires nothing more than a conscious and diligent examination of how power and influence upon the government accumulate and concentrate under capitalism. Shepard Fairey

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All Is Well Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Alex Garant, Street Pop Art Graffiti Legend. AP Artist Proof 18x26 Signed 2018 Edition of 40

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BunnyKitty Dream State- Teal 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dave Persue Modern Pop Artwork Artist. 2021 Teal Variant Edition of 25 Signed and numbered, 6 color screenprint on archival paper Size 18x24 Print hand-pulled in Los Angeles, CA.

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Night Time Cotton Candy Silkscreen Print by Dalek- James Marshall Hand-Pulled 14-Color on French Cotton Candy Kraft Cardstock Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 15 Artwork Size 18x24 Silkscreen Print Night Time Cotton Candy< Edition Night Time Cotton Candy Silkscreen Print by Dalek – James Marshall Dalek, the moniker of American artist James Marshall, returns with a sugar-rush symphony of geometry and color in “Night Time Cotton Candy,” a 2023 silkscreen edition crafted with meticulous hand-pulled precision. Printed on French Cotton Candy Kraft cardstock and sized at 18x24 inches, this limited edition of only 15 is signed and numbered by the artist. The print explodes with a joyful riot of saturated tones, anchored by Dalek’s iconic Space Monkey characters, which appear like mechanized avatars of urban energy and consumer commentary. Hyperstructure Meets Playful Chaos “Night Time Cotton Candy” is a dazzling example of visual complexity. Built through 14 individually pulled screens, the composition unfolds like a futuristic blueprint mashed with childhood iconography. Dalek’s Space Monkeys march and float through layers of concentric circles, mechanical appendages, and retro-futuristic gadgets. This visual symphony is rendered in a vivid palette of bubblegum pinks, bright aqua blues, highlighter yellows, and inky blacks. The Cotton Candy color base gives the entire work a surreal glow, as if the whole scene exists on the outer rim of a neon-lit dream. Despite the childlike exuberance of the figures and palette, the architectural arrangement and robotic motion convey themes of precision and repetition. The overall effect is a commentary on rhythm, routine, and the mechanical aspects of modern life, veiled in the soft aesthetics of confectionery joy. Dalek harnesses the dualities of cuteness and control, of chaos and symmetry, creating an aesthetic tension that elevates the print beyond decorative abstraction. Technical Discipline in the Print Studio Silkscreening at this level demands absolute control. Each of the 14 color layers must align with pinpoint accuracy, especially in a piece as intricate and tightly composed as this. The crisp layering of hard-edged lines, flat fills, and gradients reveals Dalek’s mastery not only as a designer but as a technician. The French Cotton Candy Kraft paper used as the base further enhances the visual harmony, offering a soft tint that complements the vibrant pigments without overpowering them. The surface is smooth, the print is saturated without being bloated, and each section interacts like cogs in a kinetic sculpture. The process reflects the graffiti artist’s foundational respect for precision and rhythm, reinterpreted through the lens of Street Pop Art & Graffiti Artwork. Dalek’s Visual Philosophy and Collectible Allure James Marshall’s artistic legacy is deeply rooted in the language of street art, psychedelia, anime, and mathematical form. “Night Time Cotton Candy” is an evolved meditation on those sources. It feels like a remix of old-school rave flyers, Atari-era graphics, and mechanical illustrations, transformed into a collectible fine art object. The Space Monkey character is more than a mascot—it is a cultural transmitter, speaking to cycles of identity, media overload, and hyper-stimulation. With only 15 editions in existence, this piece is a rare and powerful acquisition. For collectors, it serves not just as a snapshot of Dalek’s signature visual style but as a statement of where street art and pop surrealism intersect in today's market. “Night Time Cotton Candy” encapsulates an ethos of playful critique, rendered with the discipline of a master printmaker.

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BunnyKitty Dream State- Purple 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dave Persue Modern Pop Artwork Artist. 2021 Purple Variant Edition of 15 Signed and numbered, 6 color screenprint on archival paper Size 18x24 Print hand-pulled in Los Angeles, CA.

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Helping Hands Archival Print by Dalek- James Marshall Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 33 Off the Press Show Series Artwork Size 18x24 Archival Pigment Fine Art. Space Monkey Heads, Weapons & Trippy Shapes. Exploring the Psychedelic Geometry: Dalek's "Helping Hands" Dalek, also known as James Marshall, has emerged as a seminal figure in the transformation of street pop art into a form that fuses graffiti's raw, dynamic energy with the meticulous precision of fine art. His 2023 creation, "Helping Hands," is a limited edition archival print encapsulating this hybrid aesthetic. Limited to 33 signed and numbered pieces, the series is part of the "Off the Press Show Series," each print measuring 18x24 inches and printed on fine art paper. This artwork is a vibrant symphony of Marshall's iconic Space Monkey characters, a series of weapons, and a collection of shapes that defy the conventional perception of space and form. In "Helping Hands," the striking color palette and the array of trippy, psychedelic shapes invite the viewer into a world that is both familiar and alien. The Space Monkey heads, a recurrent motif in Dalek's work, are depicted with a visual language that speaks to the heart of street pop art and graffiti artwork. Each head, armed with an arsenal of whimsical weapons and surrounded by abstract forms, conveys a sense of playful aggression, a hallmark of Marshall's style. The Space Monkey Phenomenon in Modern Art The Space Monkey is more than just a character; it has become an emblem of Dalek's artistic journey and a symbol within the larger context of pop graffiti and street art. Initially a vehicle for Marshall to explore his style and identity, the Space Monkeys have evolved into a complex commentary on society, individuality, and the nature of conflict. With "Helping Hands," these characters are not passive but are actively engaging with the environment around them, which is a chaotic yet structured universe of shapes and colors. This archival pigment fine art print is a vibrant example of how street art motifs can transition into collectible fine art. The limited edition nature of "Helping Hands" elevates the Space Monkeys from urban walls to the sanctified space of galleries and private collections while still maintaining the accessibility and populist spirit that is intrinsic to street art. James Marshall's Visionary Contribution to Art James Marshall's contributions to the art world are characterized by a fearless blending of genres and a willingness to experiment with form and color. In works like "Helping Hands," he has distilled the essence of graffiti artwork into a format that challenges and expands the boundaries of pop art. His use of archival pigment on fine art paper signifies respect for the durability of art, contrasting with the ephemeral nature of traditional street art, which is often at the mercy of the elements and city ordinances. The complexity of "Helping Hands" lies in its visual impact and the layers of meaning each component represents. The Space Monkeys, armed and yet seemingly at ease, juxtaposed with the mind-bending geometric backdrop, create a tension that is both thought-provoking and visually arresting. Marshall's work is a dialogue between the viewer and the canvas, a conversation that delves into themes of existence, resistance, and the interplay between harmony and discord. James Marshall, who hails from the United States, has left an indelible mark on the contemporary art scene through his art. "Helping Hands" is a testament to his skill as an artist and his vision as a creator who seamlessly melds the street with the studio. As a piece of modern artwork, it not only represents a moment in time but also serves as a bridge to the future of art where the lines between street pop art, graffiti artwork, and fine art continue to blur and converge.

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Daydream Artwork Giclee Limited Edition Print on Cotten Fine Art Paper by Pop Culture Graffiti Artist Charmaine Olivia. 2017 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 8 inch by 24 inch archival cotton paper edition of 50 signed and numbered by the artist.

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Marching to Oblivion Blue Raspberry Silkscreen Print by Dalek- James Marshall 13 Color Hand-Pulled on Blue Raspberry Card Stock Fine Art French Paper Co Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 12 Artwork Size 18x24 Silkscreen Print Marching to Oblivion Blue Raspberry by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Marching to Oblivion Blue Raspberry is a limited edition silkscreen print released in 2025 by American artist James Marshall, known professionally as Dalek. Measuring 18 by 24 inches, this vibrant screenprint was produced in a small run of twelve, each signed and numbered by the artist. Printed by hand using thirteen colors on Blue Raspberry card stock from the French Paper Company, this work demonstrates the technical precision and conceptual intent that Dalek brings to Street Pop Art & Graffiti Artwork. Marshall first gained recognition for his Space Monkey character, which served as a foundation for his exploration of identity, repetition, and urban visual culture. This piece reflects his continued evolution through high-contrast compositions, bold color fields, and animated character design rooted in both street art and contemporary pop aesthetics. Visual Language and Character Aesthetics The central figure in Marching to Oblivion Blue Raspberry is a hyper-energized creature with bright green limbs, circular mouse-like ears, and a wide, exaggerated mouth punctuated with polka-dot colors. The character is captured mid-motion, rhythmically juggling toy-like mallets while dancing atop a minimalistic gray platform. The cyan-blue background offers striking contrast, pushing the character forward in a burst of visual noise and balance. Each limb and accessory has been carefully positioned to evoke movement, volume, and rhythm without relying on traditional depth cues. This precise, graphic composition speaks to Dalek’s background in illustration and graffiti, where storytelling often happens in frozen frames of chaos. The use of bright, flat colors, iconic shapes, and cartoon logic aligns this piece firmly within Street Pop Art & Graffiti Artwork, blending urban visual codes with gallery-level execution. Material Process and Printmaking Precision Executed through a thirteen-color hand-pulled silkscreen process, this print demonstrates a refined commitment to craft and color theory. The Blue Raspberry cardstock provides an unconventional foundation that transforms the background into an active visual element rather than a passive support. This material choice amplifies the fluorescent color palette while maintaining a sense of tactile richness. Each ink layer was applied manually, reinforcing the physical labor often associated with graffiti and mural practices. The careful registration and color saturation required for this level of quality elevate the piece to a standard of contemporary printmaking rarely achieved in editions this small. The hand-pulled nature of the print ensures that subtle variations exist between each copy, emphasizing the importance of uniqueness even in a multiple. Cultural Relevance and Street Pop Evolution Dalek’s Marching to Oblivion Blue Raspberry serves as more than a static image—it operates as a cultural document of the fusion between street energy and pop precision. James Marshall continues to explore visual intensity without sacrificing clarity or depth. His art speaks to the performative and repetitive aspects of daily life, represented through his chaotic yet controlled characters. The tension between play and purpose, repetition and spontaneity, mirrors the structure of graffiti itself: repetitive tags, ritualistic motion, and bursts of controlled energy in public view. This print brings those values to the collector’s wall without erasing their roots. It exists within Street Pop Art & Graffiti Artwork as both homage and innovation, offering a clean yet electric artifact that speaks directly to audiences familiar with the pulse of contemporary visual culture.

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Marching to Oblivion Nightshift Silkscreen Print by Dalek- James Marshall 13 Color Hand-Pulled on Nightshift Card Stock Fine Art French Paper Co Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 12 Artwork Size 18x24 Silkscreen Print Marching to Oblivion Nightshift by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Marching to Oblivion Nightshift is a 2025 limited edition silkscreen print by American artist James Marshall, known professionally as Dalek. This hand-pulled screenprint is executed in thirteen colors on Nightshift Blue cardstock provided by the French Paper Company, a material choice that adds depth and richness to the saturated neon palette. Each print in the edition of twelve measures 18 by 24 inches and is signed and numbered by the artist. Dalek is recognized for his ability to merge the graphic power of graffiti with the conceptual nuance of contemporary pop aesthetics. This print exemplifies his approach, featuring a character in mid-march across a minimal platform, caught in a moment of chaotic animation. It continues the tradition of Dalek’s hybridization of Street Pop Art & Graffiti Artwork, offering a fusion of hand-crafted technique, cartoon logic, and layered commentary on repetition, identity, and movement. Character Design and Color Theory in Motion The character in Marching to Oblivion Nightshift is an evolved iteration of Dalek’s signature Space Monkey figure, which first appeared in his early 2000s work. Rendered in high-contrast greens, purples, and blues, the figure juggles mallets and orbs with an expression that suggests manic joy or mechanical precision. The forms are sharp yet playful, occupying a visual space between Saturday morning animation and the visual codes of graffiti tagging. The character’s exaggerated limbs, oversized eyes, and dynamic posture project energy and volume, qualities central to Street Pop Art & Graffiti Artwork. These forms emerge from the background with crisp clarity due to the precision of screenprint layering, where each color is added by hand in sequence. The piece plays with spatial depth and surface illusion, making it both a spectacle and a meditation on repetition and performance. Materials and Printmaking Craft Dalek’s commitment to fine art printmaking is evident in the level of detail and control required to produce a 13-color silkscreen on dark-toned French Paper. The Nightshift Blue stock is a deliberate departure from traditional white backgrounds, offering a deep foundation that intensifies the vibrancy of the neon inks. This technical choice enhances contrast while grounding the character in a nocturnal atmosphere. The hand-pulled process not only honors the roots of street art as a physical and labor-intensive form, but also situates the piece within a lineage of craft-based art making. Every color alignment, registration mark, and clean edge testifies to the labor behind the image, making each edition both a finished work and a documentation of process. Within the context of Street Pop Art & Graffiti Artwork, this commitment to print fidelity mirrors the hand-painted dedication of murals and throw-ups. Contemporary Positioning and Artistic Intention Marching to Oblivion Nightshift exists at a crossroad of character art, street culture, and fine art editioning. James Marshall continues to define a unique visual territory where his characters do not speak with words but with posture, movement, and repetition. This silence allows viewers to project their own narratives onto the scene, creating a dialogue that aligns with the viewer-driven ethos of street art. The tension between joy and oblivion in the title suggests a deeper reflection on routine, spectacle, and distraction in modern life. By issuing this work in a deliberately limited edition of twelve, Dalek emphasizes the importance of intention and scarcity, key concepts that contrast with the reproducibility of digital imagery. Through projects like Marching to Oblivion Nightshift, Dalek strengthens the voice of Street Pop Art & Graffiti Artwork as a serious, evolving discipline capable of combining critical theory, visual pleasure, and masterful production.

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Rocket Monkey Uncut Sheet Yellow Silkscreen Test Print by Dalek- James Marshall Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 5 Test Prints Artwork Size 18x24 Silkscreen Print Rocket Monkey Uncut Sheet Yellow by Dalek (James Marshall) in Street Pop Art & Graffiti Artwork Rocket Monkey Uncut Sheet Yellow is a 2025 silkscreen test print by American artist James Marshall, known professionally as Dalek. This print, produced in a signed and numbered limited edition of five, measures 18 by 24 inches and was hand-pulled on fine art paper provided by the French Paper Company. The yellow background is bold and electric, serving as the launchpad for four identical renderings of Dalek’s Rocket Monkey figure. These uncut sheets are typically used in the print production process to evaluate color alignment, layer accuracy, and visual balance. Far from being throwaway proofs, test prints like this one hold a unique place in Street Pop Art & Graffiti Artwork for capturing process as part of the final piece. Each screen registration mark, alignment target, and color note serves as a visible record of the print’s creation, transforming what is often hidden behind the scenes into a collectible object of its own. Character Design and Graphic Energy Rocket Monkey represents a stylistic evolution of Dalek’s early Space Monkey character, rendered with a streamlined silhouette and exaggerated cartoon proportions. The figure appears to be floating or hovering with the aid of a backpack-like structure, one hand holding a container that emits a curling tongue or stream of vapor. With large circular eyes and a pink tongue that curves outward like smoke, the character carries both innocence and intensity. The repetition of the image across the uncut sheet creates a rhythmic visual field that references both sticker culture and factory production. This setup speaks directly to graffiti’s mass-distribution mindset, where repetition and reproduction enhance visual dominance. Set against a pure yellow background, the turquoise, pink, green, and black inks pop with unmistakable clarity. The design is clean but retains the punk urgency and joyful absurdity that have become signatures of Dalek’s contributions to Street Pop Art & Graffiti Artwork. Process Visibility and the Test Print Format What makes Rocket Monkey Uncut Sheet Yellow particularly compelling is its transparency. Test prints are often used by screen printers to refine alignment and saturation before the final edition is produced. Dalek embraces this transitional stage, turning it into an intentional work. The registration marks and Pantone notes along the edges are printed data that would usually be trimmed off, but here they remain intact, reminding the viewer of the mechanical and manual labor involved in creating the image. This choice celebrates the silkscreen method and roots the work firmly in the traditions of street art, where process is often as important as product. The raw nature of the format speaks to graffiti’s improvisational quality, while the precision of the final image reflects Dalek’s disciplined, design-driven approach. Positioning in Contemporary Urban Print Culture Rocket Monkey Uncut Sheet Yellow exemplifies how Street Pop Art & Graffiti Artwork can blend mass production and fine art without losing its conceptual edge. By framing a production-stage object as finished artwork, Dalek draws attention to the stages of making that are typically invisible. It also challenges viewers to see beauty in repetition, imperfection, and structure. The small edition size adds exclusivity, while the content and format maintain accessibility through visual humor and street-level attitude. As with much of Dalek’s work, this piece offers cultural commentary through character-driven imagery, expanding the language of graffiti beyond lettering into full symbolic universes. Rocket Monkey floats above its cartoon context, part avatar, part design experiment, and part critique of how images are produced and consumed in both the streets and the studio.

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