Trippy

1 artwork

  • Hiatus Kaiyote Tigercorn Blotter Paper Archival Print by Lauren YS

    Lauren YS Hiatus Kaiyote Tigercorn Blotter Paper Archival Print by Lauren YS

    Hiatus Kaiyote Tigercorn Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Lauren YS pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Hiatus Kaiyote Tigercorn by Lauren YS: Psychedelic Iconography in Street Pop Art & Graffiti Artwork Hiatus Kaiyote Tigercorn is a vivid, limited edition archival pigment print created by Lauren YS, an American visual artist known for her neon-infused surrealism and work rooted in street art and lowbrow pop culture. Released on April 19, 2021, this 7.5 x 7.5 inch print was produced on perforated blotter paper and signed, numbered, and accompanied by a certificate of authenticity. Each edition was hand-perforated by Zane Kesey, reinforcing its connection to the rich visual history of blotter art and the psychedelic movement. The artwork’s unmistakable visual force and playfully aggressive imagery make it a standout within contemporary Street Pop Art & Graffiti Artwork, combining musical tribute, personal mythology, and psychotropic aesthetics in one explosive design. The central figure, a tiger-unicorn hybrid bursting with saturated green and blue tones against a radiant pink vortex backdrop, is both fantastical and confrontational. The creature's striped body cleverly incorporates the name Hiatus Kaiyote, celebrating the boundary-pushing Australian music group known for their fusion of soul, jazz, and electronic sound. The print radiates energy through its swirling background and exaggerated character design, with bold outlines and psychedelic patterns creating the visual equivalent of an electric current. The hand-drawn look and use of saturated, fluorescent color reflect Lauren YS’s signature approach, which bridges studio illustration and mural work while engaging with themes of transformation, empowerment, and altered perception. Lauren YS and the Language of Neo-Psychedelia Lauren YS has made a name through a body of work that embraces fantasy, mutation, and cultural remix. Their art often merges human and animal forms with dreamlike elements, pulling inspiration from science fiction, mythology, and subcultural symbology. With Hiatus Kaiyote Tigercorn, the choice of blotter paper as a medium is a deliberate nod to psychedelic visual traditions, and its scale and format mimic the exact dimensions of traditional LSD blotters. This connection is not just aesthetic but historical. Psychedelic blotter sheets were often canvases for visual experimentation, carrying illustrations that paralleled or enhanced the psychedelic experience. By using this format to immortalize a psychedelic feline hybrid, Lauren YS both honors and modernizes the lineage of this artform. As with all street-infused works, immediacy and impact are key. Hiatus Kaiyote Tigercorn achieves this with its chaotic energy and saturated palette, which would feel equally at home on a gallery wall or the side of a building. The animal's surreal form and hyperexpressive features suggest both humor and intensity, making it impossible to ignore. This aligns with Street Pop Art & Graffiti Artwork’s emphasis on creating emotional impact through image and color, particularly within public or alternative formats. Symbolism, Identity, and Surrealism in the Psychedelic Format The hybrid creature at the center of Hiatus Kaiyote Tigercorn is more than a decorative concept. Its features—striped body, unicorn horn, bared teeth—convey tension and duality. It is simultaneously fierce and whimsical, graceful and dangerous. These contradictions reflect the dual nature of many psychedelic experiences, which oscillate between beauty and chaos. The typography integrated into the tiger's stripes highlights the influence of sound and rhythm, visually representing the impact of Hiatus Kaiyote’s music. This combination of auditory and visual stimulation mirrors the synesthetic experiences often reported under psychedelics, reinforcing the relevance of this format in contemporary psych-pop culture. Lauren YS’s use of street art influences, comic surrealism, and layered visual metaphors adds depth to what may initially seem like a playful design. The exaggerated style and mythical creature format evoke dream states and imagined worlds. Their artistic language finds common ground with graffiti and pop surrealism, both of which champion distorted figures, bright palettes, and social resistance through fantasy. The use of perforated blotter paper brings this rebellious spirit to a tactile surface historically associated with radical freedom and mind expansion. Blotter Paper as Canvas in Contemporary Street Pop Art Hiatus Kaiyote Tigercorn exemplifies how contemporary artists are reclaiming blotter paper not merely as nostalgic reference but as a legitimate platform for art. When Zane Kesey hand-perforates each print, he embeds a cultural and material authenticity that connects these works to an underground tradition of chemically-induced exploration and revolutionary aesthetics. Lauren YS’s contribution stands out for its immediacy, symbolic boldness, and high-octane color scheme, transforming each sheet into a portal of visual and conceptual intensity. As part of the broader revival of blotter art within Street Pop Art & Graffiti Artwork, this print operates at the crossroads of music, psychedelia, and visual storytelling. Lauren YS continues to redefine how street-influenced art can engage with legacy formats while expanding its boundaries into new mythologies and imaginative terrains. Through their bold characters and kaleidoscopic visuals, they offer not just an image, but an invitation to perceive, question, and celebrate altered ways of seeing.

    $352.00

Trippy Graffiti Street Pop Art

Trippy as Visual Disruption in Street Pop Art & Graffiti Artwork

Trippy is a term often associated with altered states and psychedelic imagery, but in the context of Street Pop Art & Graffiti Artwork, it serves as a dynamic tool for disrupting visual logic and cultural expectations. Artists across generations have used trippy aesthetics to challenge linear thinking and confront passive viewership. These works often feature optical illusions, warped anatomy, vivid color clashes, and surrealist motifs that pull from both psychedelic subculture and mass media iconography. Within graffiti and pop traditions, the trippy sensibility transforms walls, canvases, and prints into portals that distort time, identity, and perception.

From Psychedelia to Urban Expression

The origins of trippy imagery in art trace back to the countercultural revolution of the 1960s, where music posters, underground zines, and album covers became laboratories for visual experimentation. Those same hallucinogenic patterns and color explosions migrated to street walls in the 1980s and 1990s, merging with graffiti tags and hip-hop-driven iconography. Street Pop Art expanded the application, embedding comic book fonts, ad logos, and cartoon faces into warped universes. Artists like Kenny Scharf and Rammellzee bent the visual grid with compositions that felt electric and unstable, helping cement trippy as a cornerstone of rebellious visual language in the urban art scene.

Color Theory and Chaos in Contemporary Use

In contemporary graffiti and Street Pop Art, trippy does not always mean nostalgic. It often pushes forward with updated palettes that lean into digital glow, neon bleed, and glitch-inspired gradients. The result is a visual overload that mimics modern digital overstimulation while retaining the freedom and intensity of analog psychedelia. Trippy artworks collapse space and perspective, forcing viewers to navigate layered elements that twist traditional forms into something surreal and saturated. Through this method, trippy becomes more than a style—it is a visual commentary on fragmentation, repetition, and subconscious interpretation.

Trippy as a Cultural Frequency

Trippy is not simply an aesthetic decision. It is an assertion of freedom against rigid design standards and intellectual containment. In Street Pop Art & Graffiti Artwork, trippy energy creates space for joy, confusion, rebellion, and deep reflection. Whether rendered in fine art prints, hand-painted murals, or underground zines, the trippy impulse keeps the medium alive by refusing to sit still or be decoded easily. It is unpredictable, often humorous, sometimes menacing, but always immersive. As artists continue to explore what urban art can say and feel like, trippy remains one of its most powerful visual frequencies.

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