TV Television

3 artworks

  • Batgirls Giclee Print by Mimi Yoon

    Mimi Yoon Batgirls Giclee Print by Mimi Yoon

    Batgirls Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Mimi Yoon. 18x25 Series of 100 2021 DC Comics Batgirl by Mimi Yoon

    $323.00

  • Suckadelic Suckpax Silkscreen Print by The Sucklord

    The Sucklord Suckadelic Suckpax Silkscreen Print by The Sucklord

    Suckadelic Suckpax 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by The Sucklord Rare Street Art Famous Pop Artwork Artist. 2021 Size: 19″x25″ Edition of 50 Signed, Numbered and hand-splattered by The Super Sucklord The Sucklord’s “Suckadelic Suckpax Print” is a limited edition, four-color screen print. Embracing the retro design of trading card wax packaging straight out of the ’80s, this colorful classic is sure to make you smirk as you gaze upon the man himself, wearing his notorious Boba Fett helmet, carrying a ghetto blaster! Limited to only 50 signed, numbered and hand-paint splatted copies with an image based upon the Suckpax Series 2 release’s art. We’re not sure if buying this will make you an asshole… but you’ll certainly feel like one if you don’t!

    $214.00

  • Who Will Save Us Now Silkscreen Print by Epyon5

    Epyon5 Who Will Save Us Now Silkscreen Print by Epyon5

    Who Will Save Us Now Silkscreen Print by Epyon5 Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 16.75x25 Silkscreen Print Who Will Save Us Now Silkscreen Print by Epyon5 Hand-Pulled on Fine Art Paper Who Will Save Us Now is a limited edition silkscreen print created by the artist Epyon5 in 2013. This hand-pulled screenprint measures 16.75x25 inches and was released in a signed and numbered edition of 50. The work exemplifies the fusion of Street Pop Art & Graffiti Artwork, incorporating bold color choices, stencil-based techniques, and layered symbolism to create a piece that resonates with fans of urban and pop culture-inspired art. Epyon5 is known for his ability to merge classical artistic training with street-inspired aesthetics, and this piece serves as a testament to that approach. Visual Composition and Symbolism Who Will Save Us Now features a striking portrait of Bill Murray, a cultural icon whose face has become synonymous with a sense of irreverence and unpredictability. The composition is framed within an emblem-like design, incorporating a balance of symmetry, heraldic motifs, and layered typography. The use of red, black, and off-white enhances the graphic impact of the work, making it reminiscent of both propaganda posters and vintage advertising. The sunburst effect radiating from behind the central figure amplifies the sense of importance, elevating Murray’s persona to that of an almost mythological figure. The presence of roses at the bottom of the piece adds an unexpected softness, contrasting the otherwise sharp lines and high-contrast palette. The layered elements and textures reinforce the hand-crafted nature of the silkscreen process, ensuring each print carries subtle variations that make it unique. Street Pop Art & Graffiti Artwork Influence Epyon5’s artistic style is deeply rooted in Street Pop Art & Graffiti Artwork, with this print showcasing his signature stencil approach. The bold lines and restricted color palette align with the aesthetics of stencil graffiti, a method popularized by urban artists seeking to make a strong impact with minimal elements. His work draws influence from both classic pop art figures and contemporary street artists who use screen printing as a way to blend fine art with mass media references. The combination of sharp-cut stencil work and the imperfections of hand-pulled printing techniques adds a tactile quality that cannot be replicated through digital means. This print’s connection to urban art movements makes it a piece that appeals to collectors who appreciate the DIY ethos of screen printing and the rebellious nature of street-inspired artwork. Impact and Collectibility With only 50 signed and numbered editions, Who Will Save Us Now is a highly sought-after work among fans of Street Pop Art & Graffiti Artwork. The choice of Bill Murray as the central figure adds to its appeal, as he is frequently used in pop culture-based artwork due to his enigmatic personality and cult status. Epyon5’s execution of the print solidifies its place within contemporary street-inspired art, blending humor, nostalgia, and technical craftsmanship. The collectible nature of this edition, along with the labor-intensive process of hand-pulled silkscreen printing, makes it a significant piece within the artist’s portfolio. Its presence in both private collections and exhibitions highlights the growing appreciation for artists who merge fine art techniques with the raw energy of street culture.

    $194.00

TV Television Graffiti Street Pop Art

Television's Imprint on Street Pop Art & Graffiti

Since its inception, television has been a dominant cultural force, its screen a mirror reflecting, shaping, and sometimes distorting the society that tunes into its daily broadcasts. In the realm of street pop art and graffiti artwork, TV has carved its niche not merely as a medium for entertainment but as a rich source of inspiration and a canvas for commentary. Artists have co-opted the imagery and iconography of television, using it to critique our media-saturated environment. The TV set itself, with its classic box shape and antenna, has become a symbolic feature in many street artworks, symbolizing the pervasive influence of mass media on public consciousness.

Cultural Commentary Through Urban Mediums

The portrayal of television in street art often carries with it a duality; on the one hand, it represents the collective memories and shared experiences of generations raised in front of its glow. On the other hand, it is depicted as a tool of propaganda, a peddler of consumerism, and a shaper of reality that can lead to a passive, controlled society. Street artists utilize the television motif to discuss issues such as the loss of individuality, the manipulation of news, and the passivity of modern-day viewership. The medium of street art, known for its provocative and rebellious undertones, becomes an ironic choice for depicting television, as it traditionally serves as a counter-narrative to mainstream channels.

The Evolution of Television in Street Art

As television technology has evolved from the bulky cathode-ray tubes to the sleek flat screens of today, so has its representation in street pop art. The older television sets evoke nostalgia, a longing for simpler times. At the same time, modern screens can be seen as symbols of rapid technological changes and the continuous consumption of digital content. Graffiti artists and muralists alike have painted televisions with reverence and criticism, underscoring the device's role as a central fixture in daily life and as a mediator of the information flowing into the public sphere. The fusion of television themes with street art aesthetics also speaks to the power of visual communication. Just as television has been used to convey messages to a broad audience, street art captures the gaze of passersby, offering an unfiltered, often unsanctioned expression that might otherwise be censored on mainstream media. This makes the street wall a public television that broadcasts the community's diverse voices and talents. Street pop art and graffiti artwork that incorporate television challenge viewers to reconsider their relationship with the media they consume. By bringing the indoors out and plastering private consumption onto public walls, artists remind us of the communal roots of storytelling and the shared experiences that television can facilitate. Yet, they also ask us to be critical of the content that shapes our perceptions and to seek out our narratives in a world where reality and fiction are often intertwined on the small screen. Through this lens, television-themed street art connects to a common cultural thread and a disruption, encouraging individual thought and engagement in the urban landscape.
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