TV Television

5 artworks

  • Hollow Mickey Grey Resin Sculpture by Disney x Apportfolio x Daniel Arsham

    Daniel Arsham Hollow Mickey Grey Resin Sculpture by Disney x Apportfolio x Daniel Arsham

    Hollow Mickey Grey Resin Sculpture by Disney x Apportfolio x Daniel Arsham Limited Edition Pop Artwork Street Artist Fine Art. 2020 Stamped Resin Sculpture Limited Edition of 500 Artwork Size 17x16x17.25 of a Gray Mickey Mouse Ghost Like Stylized Daniel Arsham Hollow Mickey Grey Resin Sculpture. New in Box. The collaboration between Disney, Apportfolio, and celebrated contemporary artist Daniel Arsham has led to the creation of an extraordinary piece of collectible art: the Hollow Mickey Grey Resin Sculpture. This limited edition piece, which showcases Arsham's unique vision within pop and street art, is an emblematic reinterpretation of the iconic Disney character Mickey Mouse. Created in 2020, the sculpture is a profound statement that merges the playful essence of Mickey Mouse with the edgy and often ephemeral energy found in street art. This Hollow Mickey piece is not just a representation of the beloved character; it's a physical manifestation of the passage of time—a recurring theme in Arsham's work. The sculpture is skillfully cast in grey resin, encapsulating a ghost-like form that seems absent and present. It encapsulates the fleeting nature of pop culture, preserving the momentary in a form that feels as if it has been excavated from the distant future. With dimensions of 17x16x17.25 inches, the artwork has a commanding presence that captures attention and provokes contemplation. Limited to just 500 pieces, each sculpture is stamped, underscoring the authenticity and exclusivity of the artwork. Collectors of Arsham's work appreciate not just the aesthetic and emotional appeal but also the fine art aspect of this limited-edition series. It stands at the intersection of pop art and fine art, an accessible piece that is charged with the intellectual depth of contemporary art practices. Arsham's Hollow Mickey challenges the boundaries between traditional sculpture, street art, and pop culture iconography. It is a perfect example of how modern street artists can take ubiquitous symbols from popular media and infuse them with a sense of history, decay, and the sublime. This piece doesn't merely represent a character; it symbolizes the temporal relationship we have with cultural icons and our ever-changing engagement with art and nostalgia. As such, it holds a mirror to the viewer, inviting a personal interpretation that resonates with the fleeting nature of time and the enduring quality of a cultural phenomenon.

    $1,174.00

  • Animaniac Marker Drawing by Sechor

    Sechor Animaniac Marker Drawing by Sechor

    Animaniac Original Marker & Pencil Hand Drawing on Bristol Paper by Modern Graffiti Street Art Artist Sechor. 2021 Signed Original Marker Drawing 01/2021 14x17 in, Bristol Paper

    $291.00

  • I'm Sick Of That Fake Thug Dead Prez Silkscreen Print by Mark Drew

    Mark Drew I'm Sick Of That Fake Thug Dead Prez Silkscreen Print by Mark Drew

    I'm Sick Of That Fake Thug Dead Prez Silkscreen Print by Mark Drew Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2019 Signed & Numbered Limited Edition of 200 Artwork Size 17x11 Silkscreen Print of Lucy van Pelt & Pig Pen Thinking "I'm Sick Of That Fake Thug RNB Rap Scenario" Mark Drew's Street Pop Commentary through Peanuts and Dead Prez Mark Drew’s 2019 silkscreen print titled I'm Sick Of That Fake Thug serves as a sharp and insightful fusion of music culture and nostalgic cartoon imagery. Known for his signature remixing of Peanuts characters with classic hip-hop lyrics, Drew pulls from the revolutionary voice of Dead Prez to create a vivid commentary on authenticity and street culture within the music industry. This hand-pulled silkscreen edition, limited to 200 signed and numbered pieces, measures 17 by 11 inches and utilizes bold visual contrast to reinforce its message. The print features Lucy van Pelt and Pig Pen in a stark black outline against a warm yellow-and-white backdrop, where Drew captures a moment of critique from Dead Prez's lyricism, visually anchoring it within the innocence of Schulz’s comic strip. Stylistic Juxtaposition and Cultural Subversion The work thrives on juxtaposition. The childlike familiarity of Peanuts is set against one of the most politically charged and socially aware hip-hop acts of the 2000s. Pig Pen, known for his disheveled appearance, is placed as the unexpected mouthpiece of frustration with inauthentic portrayals in the RNB and rap industry. This contradiction enhances the viewer’s engagement, forcing a reconsideration of cultural consumption. Drew’s consistent technique of overlaying vintage cartoon simplicity with potent hip-hop text transforms his prints into vehicles of cultural dialogue. This particular work uses its clean, silkscreened forms and expressive typography to deliver a punch of truth masked in humor and nostalgia. Process and Limited Format in Street Pop Art Executed as a traditional hand-pulled silkscreen print, Drew’s method aligns with the tactile history of street pop art and graffiti artwork. Each copy in this edition of 200 reflects the artist’s direct involvement and commitment to authenticity—ironically reinforcing the very critique embedded in the print’s message. The controlled color palette of black, yellow, and white gives the piece a visual rhythm that supports its lyrical source material while maintaining accessibility through recognizable characters. Drew’s prints are not mass-reproduced digital pieces but collectible fine art that maintains the rebellious soul of graffiti. Mark Drew’s Ongoing Hip-Hop Narrative Based in Tokyo, Mark Drew continues to elevate conversations around hip-hop, nostalgia, and cultural commentary through his street pop art works. His recontextualization of familiar American pop icons with global hip-hop culture continues to resonate across generations. By pairing Dead Prez’s critique with characters like Lucy and Pig Pen, Drew not only pays homage to lyricism and activism but also highlights how visual art can amplify the emotional and social truths found in music. Each print in this series carries not just artistic value, but a reflection of the ongoing dialogue between art, resistance, and authenticity.

    $951.00

  • Stormtrooper Messiah Archival Print by Ron English

    Ron English- POPaganda Stormtrooper Messiah Archival Print by Ron English- POPaganda

    Stormtrooper Messiah Limited Edition Archival Pigment Fine Art Prints on Moab Entrada Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ron English- POPaganda. 2021 Signed & Numbered Limited Edition of 100 Archival Pigment Print in Colors on Moab Entrada Fine Art Paper Artwork Size 17x22 The "Stormtrooper Messiah" is a limited edition work of art by the critically acclaimed artist Ron English- POPaganda, known for his provocative blend of street art and pop culture iconography. This particular piece is one of a series of 100 archival pigment prints, each signed and numbered to assure its collectability and authenticity. The artwork measures 17x22 inches and is rendered on Moab Entrada Fine Art Paper, a choice that denotes high quality and ensures the longevity and vibrancy of the colors used in the print. This piece by English is a powerful commentary on the intersections of ideology, iconography, and the indoctrination mechanisms within our society. It reimagines a standard stormtrooper - a symbol of the faceless enforcer from the "Star Wars" franchise - in the garb of a religious icon, precisely resembling the Messiah. This fusion of imagery from distant corners of culture spotlights the often unexamined devotion we have to certain facets of pop culture, paralleling religious fervor. English’s choice of a stormtrooper, an emblem of collective identity and unyielding authority, enveloped in the trappings of a spiritual figure, questions the role of such figures and the institutions behind them in shaping beliefs and behaviors. The artist employs luminous and contrasting colors to breathe a sense of reverence into the figure, an approach that reflects the aura often associated with religious artworks. The flowing robes in vivid hues give the subject a sense of motion and ethereal presence, intensifying the impact of the visual juxtaposition. The "Stormtrooper Messiah" is more than a piece of fine art; it's a visual discourse that challenges the viewers to reflect on the narratives and symbols that influence their understanding of power, culture, and spirituality. Ron English- POPaganda, through his distinctive merger of street art's grit and pop art's fascination with the mainstream, has created an arresting image that continues to spark conversations in the art community and beyond.

    $360.00

  • Submerged Archival Print by Super A

    Super A Submerged Archival Print by Super A

    Submerged Archival Print by Super A Archival Pigment Fine Art Limited Edition Print on 300gsm Archival Cotton Rag Paper Pop Artist Modern Artwork. 2022 Signed & Numbered Limited Edition of 90 Artwork Size 17x24 Hand Deckled

    $315.00

TV Television Graffiti Street Pop Art

Television's Imprint on Street Pop Art & Graffiti

Since its inception, television has been a dominant cultural force, its screen a mirror reflecting, shaping, and sometimes distorting the society that tunes into its daily broadcasts. In the realm of street pop art and graffiti artwork, TV has carved its niche not merely as a medium for entertainment but as a rich source of inspiration and a canvas for commentary. Artists have co-opted the imagery and iconography of television, using it to critique our media-saturated environment. The TV set itself, with its classic box shape and antenna, has become a symbolic feature in many street artworks, symbolizing the pervasive influence of mass media on public consciousness.

Cultural Commentary Through Urban Mediums

The portrayal of television in street art often carries with it a duality; on the one hand, it represents the collective memories and shared experiences of generations raised in front of its glow. On the other hand, it is depicted as a tool of propaganda, a peddler of consumerism, and a shaper of reality that can lead to a passive, controlled society. Street artists utilize the television motif to discuss issues such as the loss of individuality, the manipulation of news, and the passivity of modern-day viewership. The medium of street art, known for its provocative and rebellious undertones, becomes an ironic choice for depicting television, as it traditionally serves as a counter-narrative to mainstream channels.

The Evolution of Television in Street Art

As television technology has evolved from the bulky cathode-ray tubes to the sleek flat screens of today, so has its representation in street pop art. The older television sets evoke nostalgia, a longing for simpler times. At the same time, modern screens can be seen as symbols of rapid technological changes and the continuous consumption of digital content. Graffiti artists and muralists alike have painted televisions with reverence and criticism, underscoring the device's role as a central fixture in daily life and as a mediator of the information flowing into the public sphere. The fusion of television themes with street art aesthetics also speaks to the power of visual communication. Just as television has been used to convey messages to a broad audience, street art captures the gaze of passersby, offering an unfiltered, often unsanctioned expression that might otherwise be censored on mainstream media. This makes the street wall a public television that broadcasts the community's diverse voices and talents. Street pop art and graffiti artwork that incorporate television challenge viewers to reconsider their relationship with the media they consume. By bringing the indoors out and plastering private consumption onto public walls, artists remind us of the communal roots of storytelling and the shared experiences that television can facilitate. Yet, they also ask us to be critical of the content that shapes our perceptions and to seek out our narratives in a world where reality and fiction are often intertwined on the small screen. Through this lens, television-themed street art connects to a common cultural thread and a disruption, encouraging individual thought and engagement in the urban landscape.
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