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Dissection of Grogu- 24x20 Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2021 Signed & Numbered Fine art print by NYCHOS Size: 24 x 19,7 inch / 61 x 50 cm Limited Edition of 111 Velvet Fine Art cotton fiber paper Hand-signed & numbered

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Pass-Through I HPM Archival Print by Dave Pollot Limited Edition Hand Burnt Multiple on Matte Velvet Rag Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered HPM Hand Embellished Print Limited Edition of TBD Artwork Size 24x13.62 Archival Pigment Fine Art Each Artwork Is Uniquely Hand Burnt By Artist

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These Violent Delights Giclee Print by Dave Pollot Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2020 Signed & Numbered Limited Edition of 15 Artwork Size 24x16.5 Vinatge Italian City on Riverway Populated By Workers From Westworld TV Show Dave Pollot's "Old Is New Is Old Again" is a compelling piece of limited edition giclee print artwork that has found its grounding in the intersection of pop art, street art, and graffiti art. Released in 2020, this stunning piece is a testament to Pollot's unparalleled ability to repurpose, reimagine, and recontextualize traditional art forms into contemporary and engaging works. As part of an exclusive series, only 10 signed and numbered copies of this masterpiece exist, each meticulously produced on fine art paper to ensure longevity and vibrancy of color. Measuring 8x10 inches, with a mat that extends the dimensions to 11x14 inches, "Old Is New Is Old Again" is a captivating representation of a Renaissance man in vintage attire. The main subject, distinguished and posed as a gentleman of a bygone era, sports a curious addition that beautifully exemplifies Pollot's creative aesthetic — a graphic of a wolf howling at the moon. This piece seamlessly integrates aspects of modern imagery with classical portraiture, resulting in a unique fusion that embodies the spirit of graffiti pop and street art. In the realm of pop art, Pollot's piece is a nod to the repetition and mass production synonymous with the movement. By embedding modern iconography into a traditional portrait, the artist creatively merges past and present, thereby urging viewers to explore the ubiquitous influence of pop culture on societal perception. The wolf, a symbol often found in street and graffiti art, adds an element of rawness and organic spirit to the otherwise refined and polished depiction of the gentleman. Street art, often reflective of social and cultural expressions, finds its representation in the artwork as well. Pollot's rendering of the gentleman is symbolic of the adaptability and fluidity of street art, with its roots firmly set in the culture of the streets but its reach extending far beyond. The unorthodox incorporation of a graffiti-style wolf into a classical portrait suggests a strong link to street culture, bridging the gap between fine art and popular expressions of creativity. Graffiti art, traditionally associated with rebellion and counterculture, takes on a new form in "Old Is New Is Old Again." The howling wolf, often used in graffiti as a signifier of freedom and independence, has been seamlessly incorporated into the artwork. Its presence offers a stark contrast to the gentleman's attire, suggesting a dichotomy between societal norms and the desire for personal freedom and expression. Through this piece, Dave Pollot has remarkably bridged the gap between varying art forms and historical periods, crafting a timeless piece that speaks volumes of his understanding of art and culture. "Old Is New Is Old Again" is a perfect example of Pollot's ability to draw from diverse artistic movements and social themes, creating a work that resonates with the complexity and diversity of the human experience. In essence, this piece serves as a visual dialogue between different eras and artistic styles, proving that in the realm of art, the old and the new can coexist in the most harmonious and visually striking ways.

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Ceci N'est Pas Une Spongebob PP Archival Print by Shark Toof Limited Edition Print on 310gsm Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 24x18 Archival Pigment Fine Art. "Ceci N'est Pas Une Spongebob, This Is Not A Spongebob" Decoding "Ceci N'est Pas Une SpongeBob" by Shark Toof "Ceci N'est Pas Une SpongeBob" is a provocative piece by the renowned street pop artist Shark Toof, challenging the boundaries of pop culture iconography within the context of modern street art. The artwork is a Printer's Proof (PP) archival print from 2019, meticulously signed and marked by the artist, denoting its status as a rare collector's item. Printed on 310gsm Museum Fine Art Paper, this piece exemplifies the high-quality medium Shark Toof employs to ensure durability and depth of color, crucial for the archival pigment fine art that this work represents. A Fusion of Street Art and Pop Culture This piece is a testament to the collision of street pop art and graffiti artwork with mainstream pop culture symbols. Shark Toof takes the universally recognized figure of SpongeBob SquarePants and distorts it, presenting an image that both acknowledges and subverts the original character. The title itself, a nod to René Magritte's "The Treachery of Images," prompts viewers to question the nature of representation and reality in art. Shark Toof's work suggests that the image of SpongeBob we see is not the character itself but a representation skewed by the artist's perspective and the cultural context in which it is viewed. Shark Toof's Artistic Commentary In "Ceci N'est Pas Une SpongeBob," Shark Toof is not simply replicating a beloved character; he is initiating a dialogue about the saturation of media icons in society and the consumption of these images. The distortion and decomposition of SpongeBob's features invite the audience to reflect on how mass media shapes and sometimes distorts our perceptions. This work captures the spirit of street pop art by using graffiti artwork's spontaneous and rebellious essence to comment on and criticize phenomena. The layered textures and vibrant colors reveal the complex relationship between commercial imagery and artistic expression. The art piece explores the tension between street art's ephemeral nature and fine art prints' enduring quality. Shark Toof bridges two seemingly disparate worlds by choosing SpongeBob, an icon from an animated children's show, and placing it in the sophisticated realm of limited edition prints. This juxtaposition challenges the viewer's understanding of what constitutes 'legitimate' art, questioning the hierarchies within the art world. Through "Ceci N'est Pas Une SpongeBob," Shark Toof contributes to the discourse on the value and significance of street pop art and graffiti artwork in contemporary culture. By recontextualizing a figure from the lexicon of popular media, he endows it with new meaning and elevates it within the art canon. This artwork is a visual spectacle with an intellectual engagement, prompting conversations about the nature of art, media's influence, and street art's power to transform and transcend ordinary objects and characters into extraordinary pieces of cultural commentary.

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Stargate 8-Color Hand-Pulled Limited Edition Metallic Ink Silkscreen Print on Fine Art Paper by Todd Slater Rare Street Art Famous Pop Artwork Artist. 24 x 36 inches /// 8 screens (4 metallic inks & a black varnish star chart layer) /// signed and numbered edition of 165 (AP edition of 75) "The character of Ra, the Egyptian solar deity, is the one that has really stayed with me all these years. I wanted to give Colonel Jack O'Neil and Dr. Daniel Jackson a glimpse of what awaited them at the other end of the wormhole. The two characters view their journey in different ways. Dr. Jackson's journey is filled with childlike wonder seeing something magnificent and awe-inspiring while Colonel O'Neil bears an atomic bomb capable of producing cataclysmic results. We learn later in the film that the character of Ra is an alien life form who possessed the body of a young boy. I wanted to touch on this and add some tension to the image by showing his glowing blue eyes. The print is 8 colors and features 4 varieties of metallic gold and copper inks. There is also a hidden star chart in the background printed in a shiny black varnish." -Todd Slater

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Teletubbies Status Factory Poster 2010 Vintage Poster on Glossy Paper by Graffiti Street Art and Pop Culture Artist Ron English- POPaganda. Ron English- POPaganda Status Factory 2010 Event Poster Gin Smiley Skeleton Smile. Some creases around edges.

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Yogi on Xanax 9-Color Hand-Pulled Limited Edition Silkscreen Print on Mohawk Superfine UltraWhite Paper by Ben Frost Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered Ben Frost Yogi on Xanax, 9-color Hand-Pulled Screen Print on Mohawk Superfine UltraWhite, 160 lb Cover 24 x24 in., 61 x 61 cm Edition of 50, signed & numbered by the artist Printed by POP!NK Editions Yogi on Xanax by Ben Frost – Consumer Critique in Street Pop Art & Graffiti Artwork Yogi on Xanax is a 2022 limited edition 9-color hand-pulled screen print by contemporary Australian artist Ben Frost, printed on 160 lb Mohawk Superfine UltraWhite cover stock in a 24 x 24 inch format. Signed and numbered in an edition of 50, this bold silkscreen work was produced by POP!NK Editions, renowned for their meticulous craftsmanship in contemporary art print production. The piece combines pharmaceutical packaging design with nostalgic cartoon imagery to produce a visually explosive and conceptually loaded commentary on modern consumer culture. Frost inserts the wide-eyed face of Yogi Bear into the unmistakable layout of a Xanax prescription label, transforming an innocent animated figure into a symbol of medication culture, psychological sedation, and branded addiction. Pharma Design Meets Cartoon Chaos Ben Frost is internationally known for his provocative use of pop culture iconography, and Yogi on Xanax exemplifies his strategy of visual collision. The imagery reappropriates the familiar Xanax box, typically associated with clinical calm, and injects it with the erratic energy of Yogi Bear’s wide grin and hypnotic spiral eye. The polished pharmaceutical layout clashes with the expressive cartoon illustration, creating a moment of visual and conceptual tension. Frost’s technique exposes the strange intersection between happiness, dependence, and entertainment. By overlaying humor onto something serious, he invites viewers to question how commercial products—from children's cartoons to anxiety medications—are embedded into cultural behavior and identity. This blend of absurdity and critique is central to Street Pop Art & Graffiti Artwork, where language and imagery from mass culture are subverted for public commentary. Material Precision and Production Integrity The print’s execution on Mohawk Superfine UltraWhite paper ensures a pristine, high-fidelity surface that supports the layered ink of the 9-color silkscreen process. The heavyweight 160 lb cover stock provides durability and a gallery-quality finish, elevating the piece from poster to collectible artwork. Each color is individually hand-pulled, resulting in rich, solid applications that enhance the saturation and intensity of Frost’s bold graphics. The print’s 24 x 24 inch dimensions offer a perfect square composition, aligning the clinical symmetry of packaging design with the oversized personality of Yogi Bear’s warped cartoon form. Frost’s decision to preserve the integrity of the Xanax design while inserting his own subversive visuals makes this work a standout example of pop art precision with street-level satire. Ben Frost and the Visual Language of Commercial Rebellion Ben Frost continues to be a defining voice in Street Pop Art & Graffiti Artwork, using the language of branding, packaging, and iconography to reflect the contradictions of contemporary life. In Yogi on Xanax, he exploits the comfort of nostalgia to highlight uncomfortable truths. The cartoon becomes the messenger for a culture that medicates joy and aestheticizes control. Frost’s unique visual style—bold lines, saturated colors, and razor-sharp layout—presents a clear but distorted mirror to viewers, forcing them to reconcile the ridiculous with the real. His work does not ask for passive admiration; it demands a response. Yogi on Xanax stands as a satirical totem of consumer anxiety, wrapped in packaging that feels as familiar as it is jarring. This print does not just exist in the world of contemporary pop—it defines what it looks like when pop turns critical.

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Vader- Metal Limited Edition 4-Color Hand-Pulled Silkscreen Print on Metal Sheet by Craig Drake Graffiti Street Artist Modern Pop Art. Darth Vader from Star Wars TV, Movies & Games on Metal Sheet.

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No-Longer Bart Archival Print by Alex Pardee Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 24x18 Archival Pigment Fine Art "No-Longer Bart" is an archival print by the artist Alex Pardee, known for his unique, twisted, and darkly humorous illustrations. Alex Pardee's work often incorporates popular culture icons, such as characters from The Simpsons, in bizarre and distorted forms that challenge viewers' perceptions and emotions. The "No-Longer Bart" print features a warped and unsettling rendition of the beloved character Bart Simpson, whose image has been altered to align with Pardee's signature style. Alex Pardee's archival prints are typically produced with high-quality materials to ensure the longevity and preservation of the artwork.

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A Girl Dressed As Rikku Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Ian Francis Graffiti Street Artist Modern Pop Art. Ian Francis - A Girl Dressed as Rikku, 2009 BLK/MRKT Editions 3-color screenprint on 100% cotton rag Edition: 100 Size: 18 x 24 inches signed/numbered/stamped. Based on the Final Fantasy video game character.

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Ink Head Slick Yellow Silkscreen Print by OG Slick Hand-Pulled 14-Color on 298gsm Stonehenge Fine Art Paper Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 55 Artwork Size 24x24 Silkscreen Print of Mickey Mouse Cartoon Guan Yin Throwing Hand Signs With Upper Body and Face Blacked Out With Black. "Ink Head Slick Yellow" is a mesmerizing silkscreen print crafted by the renowned graffiti artist, OG Slick. Exemplifying a seamless blend of pop art, street art, and graffiti art, this hand-pulled 14-color silkscreen print has been meticulously set on a 298gsm Stonehenge Fine Art Paper, emphasizing the precision and attention to detail that the artist is known for. With a limited edition count of only 55, each piece is authenticated with OG Slick's signature and bears a unique edition number, elevating its exclusivity. At the heart of the artwork is a provocative representation of the beloved Mickey Mouse cartoon character, reimagined as Guan Yin, the Goddess of Compassion. This depiction intriguingly showcases Guan Yin, traditionally seen as a symbol of mercy and compassion, throwing hand signs, a gesture frequently seen in street art. The upper body and face of Mickey Mouse are cloaked in black, offering an intense contrast against the vibrant backdrop and evoking a sense of mystery. The inspiration behind this distinctive portrayal stems from OG Slick's childhood memories of Chinatown. There, small figurines placed at store registers were believed to bestow good fortune upon the shop owner and those who offered money. This traditional practice is cleverly juxtaposed with a modern twist in the artwork, where Guan Yin is illustrated being showered with digital currency, hinting at the evolving dynamics of value, faith, and the digital age. Through "Ink Head Slick Yellow", OG Slick has once again demonstrated his unique ability to amalgamate cultural symbols, childhood memories, and urban influences, creating an art piece that resonates deeply with both traditional and contemporary sentiments.

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Godzilla Limited Edition 2-Color Silkscreen Print on Fine Art Paper by Marie Bergeron counter-culture street artist art.

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Yogi on Xanax- Black 7-Color Hand-Pulled Limited Edition Silkscreen Print on Mohawk Superfine UltraWhite Paper by Ben Frost Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered Ben Frost Yogi on Xanax, 7-color Hand-Pulled Screen Print on Mohawk Superfine UltraWhite, 160 lb Cover 24 x24 in., 61 x 61 cm Edition of 25, signed & numbered by the artist Printed by POP!NK Editions Yogi on Xanax by Ben Frost – Pop Culture Intervention in Street Pop Art & Graffiti Artwork Yogi on Xanax is a 2022 limited edition 7-color hand-pulled silkscreen print by Australian-born artist Ben Frost, printed on 160 lb Mohawk Superfine UltraWhite cover paper. Measuring 24 x 24 inches, this silkscreen print was produced in a signed and numbered edition of just 25, crafted under the direction of POP!NK Editions. Known for his subversive blending of pop culture icons with controversial subject matter, Frost delivers a provocative image that fuses the innocence of Yogi Bear with the cold design language of a pharmaceutical Xanax label. This juxtaposition forces a confrontation between humor and critique, childhood nostalgia and chemical dependency, all while maintaining the graphic vibrancy and clean execution that define his studio practice. The piece is bold, glossy, and ironic—designed to trigger recognition and unsettle the viewer simultaneously. Pharmaceutical Satire and Cartoon Familiarity Collide Ben Frost’s work routinely challenges the sanitized narratives of consumer branding and media imagery. In Yogi on Xanax, the use of Yogi Bear—an animated figure associated with carefree antics and childhood television—is purposefully misaligned with the clinical, regulated world of prescription medication. The cheerful cartoon smile and brightly saturated colors stand in contrast to the red-labeled warnings and dosage marks of Xanax packaging. The artwork explores themes of escapism, emotional suppression, and the commercialization of health, suggesting that even the most innocent symbols are not immune to societal pressures. Frost’s treatment of iconography reflects the strategies central to Street Pop Art & Graffiti Artwork, where visual language is repurposed to expose hidden truths and cultural contradictions. Printing Technique, Surface Quality, and Material Precision Executed with precision on Mohawk Superfine UltraWhite paper, the 7-color silkscreen process ensures that every layer of ink sits cleanly atop the surface, producing striking contrast and tonal balance. This heavy-weight paper enhances the density of color and preserves the integrity of each line and text detail. The silkscreen technique, a mainstay of pop art production since the era of Andy Warhol, allows Frost to replicate the flat commercial style of packaging design while embedding it with sharp conceptual tension. Each print is signed and hand-numbered, reinforcing its collectibility and placing it within the canon of fine-edition Street Pop Art & Graffiti Artwork. POP!NK Editions’ involvement in the production guarantees a gallery-level standard of finish, ensuring that each print is not only conceptually rich but also technically flawless. Ben Frost’s Cultural Commentary Through Brand Distortion Ben Frost continues to push the boundaries of what pop imagery can convey in a critical, ironic, and visually arresting format. Yogi on Xanax operates on multiple levels—as parody, as product, and as visual disruption. It pulls from the mass media archive and reintroduces familiar icons with new, unsettling associations. This is central to the strategy of Street Pop Art & Graffiti Artwork, where repetition, appropriation, and recontextualization are not just aesthetic choices but radical acts. By placing a figure like Yogi Bear in the frame of medical necessity and emotional regulation, Frost questions how society assigns meaning and value to images. His art reflects a world where cartoons sell pills and pills sell calm, a world where branding and identity collapse into one unified surface. Yogi on Xanax is not just pop art—it is a sharp and unapologetic reflection of contemporary visual culture.

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Fett Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Vance Kelly Graffiti Street Artist Modern Pop Art. Legends of Star Wars

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Vader Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Vance Kelly Graffiti Street Artist Modern Pop Art. Legends of Star Wars

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Ceci N'est Pas Une Raphael Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 50 Artwork Size 24x18 "Growing up with the first comic book release of Ninja Turtles in 1984, I identified most with Raphael. He was named after the 16th-century painter Raphael and is usually depicted as being aggressive, sullen, maddened, and rebellious. Not only did I relate to his character, as a teen with angst, but Raphael is a perfect parallel to my sharks." - Shark Toof

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Hangry Giclee Print by Brett Crawford Artwork Limited Edition Print on Somerset Fine Art Paper Graffiti Pop Street Artist. 2019 Signed & Numbered Limited Edition of 25 Artwork Size 24x24.  Hangry by Brett Crawford – Childhood Chaos Meets Street Pop Art & Graffiti Artwork Hangry is a 2019 limited edition giclee print by American artist Brett Crawford, known for his vivid imagination and cultural remixing. Printed on Somerset fine art paper in a large 24 x 24 inch format, this edition was released in a run of only 25 signed and numbered pieces. The artwork centers on Cookie Monster—one of the most recognizable characters from American television—engaged in an explosive moment of mischievous joy as he grips a giant tricycle and hurtles across the frame. In one hand he clutches a cracked cookie mid-chomp, while Oscar the Grouch, reimagined as a toy figure embedded in the handlebars, reacts with comic alarm. Behind them, the oversized word BIG dominates the composition in bold magenta and yellow lettering, creating a retro pop typography backdrop that is both playful and iconic. Satire, Scale, and Childhood Iconography Brett Crawford's Hangry taps into nostalgia while dismantling it with energy and humor. Cookie Monster, in this image, is not a gentle puppet but a symbol of chaotic appetite—literally hangry. The absurd scale of the trike, the manic tilt of motion, and the exaggerated expression all point to an emotional state somewhere between joyride and meltdown. This portrayal is not for children, but for adults who grew up with these characters and now see them as symbols of emotion, memory, and marketing. Within the context of Street Pop Art & Graffiti Artwork, Crawford’s rendition becomes a critique of overindulgence and commercial culture, disguised as slapstick. It is candy-coated irony painted in glossy perfection. Medium Mastery and Vibrant Detail Printed using advanced giclee techniques, Hangry delivers high-impact color and crispness that preserve the artist’s original depth and layering. Somerset fine art paper, known for its archival quality and subtle texture, supports the saturated hues and dynamic shading that define Crawford’s work. From the texture of Cookie Monster’s blue fur to the reflection on the plastic body of the toy vehicle, every detail is rendered with precision and clarity. The composition captures motion and volume with a painter’s sensitivity while honoring the flatness and boldness of pop visual language. The scale of the print enhances its presence, making it feel larger-than-life—much like its subject. Brett Crawford and the Evolution of Play into Pop Commentary Hangry is a pure expression of Crawford’s ongoing exploration of pop culture through exaggeration and surreal humor. By combining recognizable figures from children’s media with oversized props and exaggerated emotions, he reinvents nostalgia as satire. The addition of Oscar the Grouch as a passive object, almost decorative, adds layers of subtext about consumer culture and the domestication of rebellion. Cookie Monster’s primal hunger turns into a metaphor for modern impulse—whether for food, fame, or fun. Through this vibrant and unapologetically loud composition, Crawford transforms a simple scene into a complex visual narrative. As a work of Street Pop Art & Graffiti Artwork, Hangry stands as a colorful and confrontational piece that is equal parts childhood memory and adult commentary.

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Pass-Through II HPM Archival Print by Dave Pollot Limited Edition Hand Burnt Multiple on Matte Velvet Rag Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered HPM Hand Embellished Print Limited Edition of TBD Artwork Size 24x16.87 Archival Pigment Fine Art Each Artwork Is Uniquely Hand Burnt By Artist

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My Heart and Soul, an Original Acrylic Painting by Raid71 of a Kind of Artwork on Canvas by a Street Art Pop Artist. 2023 Signed Acrylic Painting Original Artwork Size 24x48 of Stylized Mickey Mouse with Disney & Star Wars Related Tattoos All Over. The Cultural Tapestry of Raid71's Original Art Raid71, known for his striking and imaginative visual style, creates a bold statement with "My Heart and Soul." The canvas size, 24x48 inches, gives the artist a large landscape to explore the depth and complexity of the character's transformation. Using acrylics allows Raid71 to layer and texture the work, providing a sense of dimension that brings the tattoos to life. These tattoos are more than mere decoration; they narrate stories within stories, referencing the rich worlds of Disney and Star Wars, which have profoundly impacted popular culture. In this painting, the artist delves into the notion of identity and legacy—how characters and stories from our childhood remain ingrained in our adult selves, much like indelible ink on skin. The juxtaposition of a traditionally wholesome character adorned with tattoos typically associated with a counterculture lifestyle challenges viewers' perceptions and invites them to find connections to the imagery. Street Pop Art and graffiti Artwork have always been a platform for artists to merge iconic pop culture elements with the gritty, raw energy of the streets. "My Heart and Soul," an original acrylic painting by Raid71, exemplifies this synthesis by reimagining a universally beloved character, Mickey Mouse, infused with a tapestry of Disney and Star Wars-related tattoos. This original artwork, signed by the artist and dated 2023, represents how street art and pop culture iconography can collide in vibrant and unexpected ways. Significance of Acrylics in Street Pop Art & Graffiti Artwork The medium of acrylic paint is particularly well-suited to the expressive needs of Street Pop Art and graffiti Artwork. Its versatility and fast-drying nature allow artists like Raid71 to work spontaneously, an approach often essential in the street art scene. Acrylics also provide the durability for artworks destined for diverse environments, from gallery walls to private collections. In "My Heart and Soul," Raid71 utilizes acrylics to create textures and layers that mimic the look and feel of tattoos on skin, a feat that requires both skill and an intimate understanding of the medium. The result is a piece that stands not just as a painting but as an embodiment of the artist's technical prowess and creative vision. Raid71's Place in the Pantheon of Street Pop Art & Graffiti Artwork Artists like Raid71 are reshaping the landscape of Street Pop Art and graffiti Artwork, proving that the genre is not confined to public murals or ephemeral pieces. By bringing the sensibilities of street art to the canvas, they create works that can be appreciated in a more traditional art context while retaining the edginess and immediacy that define street art. "My Heart and Soul" is a testament to this evolution, showcasing how street art can be accessible and sophisticated. The painting asserts that characters like Mickey Mouse, which some might dismiss as mere children's entertainment, hold a more profound significance and can be powerful symbols when reinterpreted through the lens of street art. Collectibility and Enduring Appeal of Original Works Original artworks in Street Pop Art and graffiti Artwork hold a special place in the hearts of collectors. "My Heart and Soul," a unique, one-of-a-kind piece, carries an intrinsic value beyond its visual appeal. The fact that the artist signs it adds to its authenticity and directly connects the artist and the collector. Collectors and enthusiasts are drawn to such pieces' originality and personal touch. In a world where reproductions and prints are readily available, an original work is a distinctive creation that captures a moment in the artist's artistic journey. Raid71's painting, with its intricate detail and cultural references, is not just a piece of art; it is a piece of history, a snapshot of the intermingling currents of pop culture and street art at this point. In summary, "My Heart and Soul" by Raid71 celebrates Street Pop Art and graffiti Artwork, a genre that continues to push boundaries and challenge our understanding of art and culture. Using acrylics and the canvas medium, Raid71 invites us to reflect on our connections to the icons of our childhood and the stories that shape our world. This painting is a bold representation of the creative potential at the intersection of street art and pop culture, a potential that Raid71 harnesses with skill and vision.

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LET ME IN Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shane Lewis Rare Street Art Famous Pop Artwork Artist. 2021 Silkscreen print 24 x 9 inches Limited Edition of 50 Inspired by Eric Andre Unsigned

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Don't Get Too Close Limited Edition Giclee Print on Fine Art Paper by Tony Hodgkinson counter-culture street artist art. Inspired by Avengers Assemble Fine Art Giclee Print Limited Edition of 30 Approximately 24" x 12" Mild Yellowing to Margins.

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Slum Park- Standard Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Modern Pop Street Graffiti Artist Jeff Gillette. Archival Pigment Print on 290gsm Moab Entrada Fine Art Print Size: 24 x 15 Inches Release: October 20, 2021 Run of: 50

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