Verdy

1 artwork

  • Sale -25% Untitled Pointman & Vick Silkscreen Print by Verdy x Futura 2000- Leonard McGurr

    Futura 2000- Leonard McGurr Untitled Pointman & Vick Silkscreen Print by Verdy x Futura 2000- Leonard McGurr

    Untitled Pointman & Vick Silkscreen Print by Verdy x Futura 2000- Leonard McGurr Hand-Pulled on Deckled Mohawk Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 40 Artwork Size 18x24  Silkscreen Print Stylized Vick Panda Rabbit holding a Pointman Sci Fi Creature in Red, Black & White. Verdy x Futura 2000: A Dynamic Dialogue in Street Pop Art & Graffiti Artwork The 2025 limited edition silkscreen print titled Untitled Pointman & Vick is a highly collectible collaboration between two titans of Street Pop Art & Graffiti Artwork—Verdy and Leonard McGurr, also known as Futura 2000. This hand-pulled 18x24 inch artwork, limited to only 40 signed and numbered editions, brings together two iconic characters born from very different visual traditions: Verdy’s Vick, a panda-rabbit hybrid pulsing with urban cuteness and punk energy, and Futura’s Pointman, an angular, sci-fi inspired alien form that has long represented the artist’s abstract evolution of graffiti since the 1980s. The synergy of these two figures positioned together on a stark white canvas creates a striking and unmistakable visual statement. Character Fusion: From Tokyo Subculture to NYC Futurism Verdy’s Vick, a staple of Japanese youth culture and streetwear, is rendered with bold lines, minimalism, and emotional defiance. Often seen in his works tied to Girls Don’t Cry and Wasted Youth, the Vick figure represents innocence crossed with resistance, captured here with expressive posture and his recognizable spiked hair and long ears. In this piece, Vick stands confidently while clutching Futura’s Pointman—a creature that has become emblematic of space-age graffiti abstraction. The Pointman figure, often portrayed as detached and observing, now appears anthropomorphized yet held in a position of connection, suggesting creative control, reverence, or even confrontation. Leonard McGurr, born in the United States, redefined graffiti art with his experimental use of shapes, negative space, and conceptual narrative. His Pointman character broke away from traditional lettering and tags, opting instead for a visual language that combined comic book energy, cosmic theory, and social metaphor. This character now enters Verdy’s minimalist playground, blurring lines between eras and aesthetics. Minimalist Form with Maximum Impact Printed in red, black, and white, the silkscreen’s visual economy amplifies the tension and harmony between the two characters. The limited palette makes the composition pop with clarity, a visual nod to both vintage animation and punk zine graphics. Each line is deliberate. Each shape speaks volumes. The exaggerated proportions and surreal character styling are a testament to both artists’ skill in balancing humor, symbolism, and subculture in visual form. The work functions as a mirror of mutual respect between two worlds—Verdy’s Japanese design-driven storytelling and Futura’s American avant-garde rebellion. A Collectible Print for the Global Art Vanguard As a signed and numbered edition of just 40, this 18x24 inch silkscreen print is a rare artifact that ties two global artistic forces into a single unified piece. It represents more than just collaboration—it embodies cross-generational momentum in street pop and graffiti art. Fans and collectors of either artist will immediately recognize the cultural and historical significance embedded in the composition. Verdy and Futura 2000 have together constructed a moment that celebrates character-based iconography as legitimate, emotional, and deeply impactful contemporary art. This print is not just a visual work—it is a document of two worlds shaking hands through their art.

    $5,225.00 $3,919.00

Verdy> Pop Artist Graffiti Street Artworks

Verdy: Redefining Youth Culture Through Street Pop Art & Graffiti Artwork

Verdy, a Japanese graphic artist based in Tokyo, has emerged as one of the most influential contemporary voices in the landscape of Street Pop Art & Graffiti Artwork. Known globally for his vivid, character-driven illustrations and iconic brand identities, Verdy seamlessly merges streetwear, visual art, and youthful subculture into a singular visual language. His work is defined by simplicity, emotional resonance, and an instantly recognizable style that appeals to both underground art communities and mainstream fashion audiences. With creations like Vick and brands such as Girls Don’t Cry and Wasted Youth, Verdy has shifted the conversation in street art by bringing vulnerability and optimism into spaces often dominated by grit and defiance.

The Emotional Edge of Verdy's Characters

One of Verdy’s most recognizable contributions to the world of Street Pop Art & Graffiti Artwork is his creation of Vick, a panda-rabbit hybrid character who reflects both innocence and resistance. Vick’s exaggerated features, downcast expressions, and endearing posture carry an emotional charge rarely seen in the bold world of graffiti. Rather than showcasing rebellion through destruction, Verdy redefines it through softness, connection, and emotional honesty. This shift has allowed a broader audience—particularly youth audiences in Japan and internationally—to find relatability and community through his art. His characters become mascots for introspection in a fast-paced visual world.

Girls Don’t Cry and Wasted Youth as Visual Movements

Verdy’s impact extends far beyond walls and canvases. His streetwear brands Girls Don’t Cry and Wasted Youth function not just as fashion labels but as cultural movements, each rooted in visual storytelling. Girls Don’t Cry is deeply personal, inspired by his wife and designed to channel vulnerability into strength. The use of bold typography, simple logos, and sentimental messaging has made the brand a streetwear phenomenon. Wasted Youth takes on a more rebellious tone, playing with punk aesthetics and a critique of systems that suppress individuality. Both brands contribute to a redefinition of Street Pop Art & Graffiti Artwork by translating street aesthetics into wearable emotion and visual philosophy.

Global Influence and Artistic Collaborations

Verdy’s work has not remained confined to Japan. His collaborations with artists like Leonard McGurr, known as Futura 2000, and fashion powerhouses including Nike and Human Made have pushed his influence into the global spotlight. Through these cross-medium efforts, Verdy continues to amplify the value of characters and iconography in urban art. His art often balances cute and confrontational, merging childhood innocence with the visual codes of punk zines, manga, and Western pop culture. Each of his pieces, whether a silkscreen print or a limited edition hoodie, speaks to the unspoken emotions of youth navigating modern identity. Verdy’s aesthetic continues to shape how artists interpret pop and street visual languages, and his legacy as a visual storyteller is only expanding.

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© 2025 Sprayed Paint Art Collection,

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