War

1 artwork


  • Biohazard Downset Stompbox 1994 Seattle WA AP Silkscreen Print by Frank Kozik

    Frank Kozik Biohazard Downset Stompbox 1994 Seattle WA AP Silkscreen Print by Frank Kozik

    Biohazard Downset Stompbox 1994 Seattle WA AP Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1994 Signed by Kozik & Limited Edition of AP Artwork Size 18x22.5 Silkscreen Print Band Gig Poster by Frank Kozik Nuke Tank Biohazard Military-Themed Gig Poster. Moore Theater November 18th 1994 Seattle Washington. Frank Kozik is an internationally recognized artist, best known for revitalizing the concert poster scene in the 1990s with his distinctive, edgy designs. Born in Madrid, Spain in 1962, Kozik emigrated to the United States at the age of 14, where his love for punk rock and counter-culture aesthetics began to shape his artistic vision. In the 1980s, he moved to San Francisco, CA, where he began creating concert posters for alternative bands, ultimately designing artwork for major acts such as Nirvana, Pearl Jam, and The Red Hot Chili Peppers. His work, characterized by saturated colors, cartoonish figures, and a subversive, often dark humor, became emblematic of the grunge era. In addition to poster art, Kozik has also made significant contributions to the world of designer toys, most notably with his creation of the Labbit character for Kidrobot. His work across various mediums has earned him a global following, making him a key figure in contemporary pop culture and art.

    $348.00

War

Graffiti art and Pop art are two distinct art forms that emerged in the 20th century, but they share some common themes and elements, including the representation of war. Graffiti art originated as an underground subculture that emerged in the streets and subways of New York City in the late 1960s and early 1970s. Graffiti artists used the walls and public spaces as their canvas, and their work often featured political and social commentary, including critiques of war and militarism. Many graffiti artists expressed anti-war sentiments through their work, such as depicting images of destruction and violence, or slogans and messages of peace. In contrast, Pop art emerged in the 1950s and 1960s as a reaction against the traditional fine art world, and celebrated the popular culture and mass media of the time. Pop artists such as Andy Warhol and Roy Lichtenstein incorporated images and iconography from popular culture, including images of war and military conflict. Their work often used bold colors and stylized images to comment on the impact of war and military culture on society. In both graffiti art and Pop art, war was often represented as a destructive force that caused pain, suffering, and loss. Graffiti artists used their work to protest against war and the military-industrial complex, while Pop artists used war imagery as a reflection of the pervasive influence of military culture on American society. War was a prevalent theme in both graffiti art and Pop art, reflecting the artists' concerns about the impact of war on society and the world around them.

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