War

7 artworks

  • Between the Sun and Moon 2- White Silkscreen Print by Cleon Peterson

    Cleon Peterson Between the Sun and Moon 2- White Silkscreen Print by Cleon Peterson

    The Crawler- White Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 16 x 12” black and bone screen print. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

    $759.00

  • Kaboom Giclee Print by Scott Listfield

    Scott Listfield Kaboom Giclee Print by Scott Listfield

    Kaboom Giclee Print by Scott Listfield Artwork Limited Edition Print on 290gsm Smooth Cotton Rag Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 16x24 Kaboom Giclee Print by Scott Listfield – A Postmodern Reflection in Street Pop Art & Graffiti Artwork Scott Listfield’s 2023 giclee print Kaboom is a haunting and visually arresting piece that merges science fiction aesthetics with urban desolation and social commentary. Printed as a signed and numbered limited edition of 50, this 16 x 24 inch artwork is executed on 290gsm smooth cotton rag fine art paper. The quality of the material emphasizes every painted texture and hue, drawing attention to the vibrant interplay between light and shadow. At the center of the piece is Listfield’s iconic astronaut figure, isolated and contemplative, staring out over a sprawling city skyline just as a massive mushroom cloud dominates the horizon. The explosion itself is stylized in horizontal scan lines that echo digital screens and retro video signal interference, reinforcing the idea of disaster as spectacle and media-fed consumption. This imagery links the piece firmly to the growing lexicon of Street Pop Art & Graffiti Artwork, where traditional painting collides with dystopian futurism and mass culture anxiety. Scott Listfield and the Symbolism of the Solitary Astronaut Scott Listfield, an American contemporary artist born in the United States, is widely known for his astronaut series, where a lone space traveler becomes a recurring observer in landscapes filled with modern symbols, ruins, and surreal interventions. In Kaboom, this figure is rendered with atmospheric lighting and reflective textures, standing as a surrogate for the viewer—detached, passive, and contemplative in the face of cataclysm. The posture of the astronaut suggests resignation rather than action, a commentary on the paralysis many experience when faced with planetary crisis, cultural collapse, or digital saturation. Listfield’s astronaut functions not just as a protagonist but as a mirror, holding space for the disconnection of modern existence while surrounded by overwhelming visual stimuli and threats. Color, Composition, and Material in a Digital-Apocalyptic Landscape The print features an ominous but saturated palette, dominated by glowing purples, fiery oranges, and the city’s electric yellows. These tones contribute to the surreal beauty of the end-of-the-world scene. The RGB dots in the upper left corner recall the digital calibration marks of early television screens, suggesting that the viewer is not witnessing reality, but a mediated version of it. The precision of the giclee printing process on smooth cotton rag paper preserves the brushstroke-like quality of the digital painting, offering richness and depth rarely seen outside original canvas works. The format, vertical and cinematic, echoes movie posters from retro sci-fi classics while anchoring itself firmly in the aesthetics of contemporary Street Pop Art & Graffiti Artwork. Media, Spectacle, and Stillness in a Chaotic World Kaboom is more than a moment of fictional explosion—it is a cultural snapshot loaded with implications about violence, technology, and detachment. The silence of the image is its most deafening quality. No figures are fleeing, no alarm blares, only one astronaut stands watch while a city unknowingly or uncaringly exists under threat. Listfield uses this static composition to comment on how desensitized society has become to devastation, how explosions have become entertainment, and how observation has replaced action. In the lineage of Street Pop Art & Graffiti Artwork, this piece contributes to the evolving language of critique wrapped in glossy visuals, asking viewers to reflect not just on what they see, but how they see it. It is an artwork about aftermath, anticipation, and alienation—all rendered in tones too vivid to ignore.

    $629.00

  • Double Feature HPM Embellished Archival Print by Ces

    Ces One- Rob Provenzano Double Feature HPM Embellished Archival Print by Ces

    Double Feature Hand-Embellished Limited Edition Archival Pigment Print Art on 290gsm Moab Entrada Rag Bright Paper by Artist Ces One- Rob Provenzano Contemporary Pop Artwork. 2022 Signed & Numbered HPM Hand Embellished Limited Edition of 13 Artwork Size 16x20 Double Feature • Autographed archival pigment print • Additional hand-painted elements on Moab Entrada Rag Bright 290 GSM archival paper • 16 x 20 inches Hand-embellished, signed and numbered by CES in a limited embellished edition of 13

    $360.00

  • War and Folly 16x20 Archival Print by Pooch

    Pooch War and Folly 16x20 Archival Print by Pooch

    War and Folly 16x20 Limited Edition Archival Pigment Prints on Fine Art Paper by Pooch Graffiti Street Artist Modern Pop Art.

    $159.00

  • Art in Action Stealing Banksy Archival Print by Jeff Gillette

    Jeff Gillette Art in Action Stealing Banksy Archival Print by Jeff Gillette

    Art in Action- Stealing Banksy Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Jeff Gillette Urban Pop Art. 2022 Signed & Numbered Limited Edition of 100 Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Artwork Size 16x20 "Art in Action- Stealing Banksy" by Jeff Gillette is a provocative limited edition print that confronts the viewer with a powerful commentary on the commodification and ownership of street art. This 2022 archival pigment print on 290gsm Moab Entrada fine art paper, in a limited series of 100 signed and numbered editions, presents a stark black, white, and red composition that is sizeable at 16x20 inches, designed to make a statement wherever it is displayed. Gillette's work is often a satirical exploration of the intersection between global pop culture and the gritty realities of urban environments, and "Stealing Banksy" is no exception. The piece showcases a stenciled image reminiscent of the iconic style associated with the elusive street artist Banksy, featuring figures removing a wall piece, with the word "MINE" prominently displayed. The stark monochrome palette punctuated by the bright red text draws the eye immediately to the central message of the piece – the controversial practice of physically removing street art from its original public location to private collections for profit. In this print, Gillette plays with the layered concepts of art, ownership, and value. By depicting the act of 'stealing' Banksy, the artist raises questions about the nature of street art: is it meant to be a freely accessible art form or a commodity for the highest bidder? The image acts as a stark reminder of the tensions between art as a public treasure and as a private luxury. For collectors, "Art in Action- Stealing Banksy" is not just a piece of fine art; it's a piece of the ongoing dialogue about the place of street art in society. The limited nature of the print run reflects the exclusivity that comes with the territory of fine art, yet the subject matter critiques this exclusivity. Gillette's signature on each print adds a layer of authenticity and a direct connection to the artist, further entwining the themes of authorship and ownership inherent in the piece's narrative. Through "Stealing Banksy," Jeff Gillette invites us to reflect on the paradoxes of street art's ephemeral nature and its simultaneous status as a coveted commodity in the art market.

    $352.00

  • War Child Silkscreen Print by Hijack

    Hijack War Child Silkscreen Print by Hijack

    War Child 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Hijack Rare Street Art Famous Pop Artwork Artist. 2022 Signed Edition of 75 16x16 Ukraine War Protest Print. "When adults wage war, children suffer." War Child by Hijack: A Powerful Statement in Street Pop Art & Graffiti Artwork The War Child silkscreen print by Hijack is a striking piece of street pop art & graffiti artwork, using a five-color hand-pulled technique to create a bold and emotionally charged image. Released in 2022, this signed, limited edition print of 75 captures the devastating impact of war through the lens of innocence. Measuring 16x16 inches, this fine art print is a direct protest against the war in Ukraine, highlighting the suffering endured by children in conflict zones. Symbolism and Message Behind War Child Hijack’s artwork is known for its ability to communicate strong social and political messages, often using stenciled imagery reminiscent of early graffiti movements. In War Child, a young girl stands before a bullet-riddled wall, drawing a peace symbol with what appears to be the holes left by gunfire. The choice of a bright yellow background contrasts with the dark imagery, making the scene both visually arresting and emotionally powerful. The child clutches a stuffed teddy bear, a universal symbol of childhood, emphasizing innocence and vulnerability amidst destruction. This print echoes a fundamental reality of war—the youngest and most innocent suffer the most. The image is a call to awareness, urging viewers to reflect on the human cost of armed conflicts. It speaks to the resilience of children, showing that even in the face of violence, they cling to symbols of hope and peace. The Influence of Hijack in Street Pop Art & Graffiti Artwork Hijack has established a strong presence in the street pop art & graffiti artwork world, using a combination of stenciling, mixed media, and traditional silkscreen techniques. His works often draw influence from activist street art, satirical graffiti, and urban social commentary, making them both thought-provoking and visually engaging. War Child follows in the footsteps of artists who have used public art as a means of social protest, calling attention to issues that are often ignored or underrepresented in mainstream discourse. Hijack’s visual style is reminiscent of stencil-based political street art, often associated with protest movements and anti-war messaging. His ability to translate global conflicts into emotionally charged urban artwork has earned him recognition as a contemporary voice in activist-driven street pop art. The Role of War Child in Modern Protest Art War Child fits within a broader tradition of street pop art & graffiti artwork that challenges authority, exposes injustice, and provides commentary on contemporary issues. The Ukraine war has generated a global response from artists, many of whom have used their platforms to speak out against violence and humanitarian crises. By creating limited-edition prints like War Child, Hijack ensures that the message reaches collectors, activists, and art enthusiasts who share a passion for socially conscious urban art. This piece is more than just a print—it is a statement, a protest, and a call to action. Through the visual language of street pop art & graffiti artwork, Hijack turns walls into megaphones, amplifying voices that might otherwise go unheard. War Child stands as a testament to the power of art to challenge, provoke, and inspire change, making it an essential addition to the evolving narrative of art as activism.

    $2,500.00

  • Mutha Chucka Murdered Out Astroboy Art Toy by OG Slick

    OG Slick Mutha Chucka Murdered Out Astroboy Art Toy by OG Slick

    Mutha Chucka Limited Run 2016 Edition Cast Resin Sculpture Artwork by Graffiti Street Modern Pop Artist OG Slick. 2016 Limited Edition of 30 Large Mutha Chucka Murdered Out Astroboy OG Slick (b. 1967) Cast Resin Statue Art Toy Measuring 16 x 11-1/2 inches (40.6 x 29.2 cm) OG Slick, an eminent figure in the street art and graffiti world, has been actively leaving his mark since the 1980s. Born in Hawaii and later making his way to Los Angeles, his contributions to pop art are vast, having blended the boundaries between street art and mainstream culture. As one of the early graffiti writers, his artistic journey has been nothing short of iconic. He transitioned from painting graffiti on streets to gaining recognition as a graphic designer and illustrator, creating logos and designs for streetwear brands and musicians. His renowned "LA Hands" design has become synonymous with Los Angeles culture. Moreover, his graffiti style draws from various sources, including the early New York City graffiti scene, hip-hop culture, and classic cartoons. He effortlessly assimilates these elements into his work, creating compositions that are not only visually captivating but also deeply rooted in the history of graffiti art. His use of bold colors, intricate lettering, and satirical caricatures have become his signature, gaining him a devoted following amongst street art enthusiasts and collectors. His collaborations with prominent brands and artists have further solidified his influence in pop culture, which continues to flourish. OG Slick's dedication and passion for his craft have not only paved the way for other street artists but also reaffirmed the significance and impact that graffiti art holds within the realm of pop culture.

    $608.00

War

Graffiti art and Pop art are two distinct art forms that emerged in the 20th century, but they share some common themes and elements, including the representation of war. Graffiti art originated as an underground subculture that emerged in the streets and subways of New York City in the late 1960s and early 1970s. Graffiti artists used the walls and public spaces as their canvas, and their work often featured political and social commentary, including critiques of war and militarism. Many graffiti artists expressed anti-war sentiments through their work, such as depicting images of destruction and violence, or slogans and messages of peace. In contrast, Pop art emerged in the 1950s and 1960s as a reaction against the traditional fine art world, and celebrated the popular culture and mass media of the time. Pop artists such as Andy Warhol and Roy Lichtenstein incorporated images and iconography from popular culture, including images of war and military conflict. Their work often used bold colors and stylized images to comment on the impact of war and military culture on society. In both graffiti art and Pop art, war was often represented as a destructive force that caused pain, suffering, and loss. Graffiti artists used their work to protest against war and the military-industrial complex, while Pop artists used war imagery as a reflection of the pervasive influence of military culture on American society. War was a prevalent theme in both graffiti art and Pop art, reflecting the artists' concerns about the impact of war on society and the world around them.

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© 2025 Sprayed Paint Art Collection,

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