Water

Laugh in the Face of... Artwork Giclee Limited Edition Print on Italian Cold-Press Archival Watercolor Paper by Pop Culture Graffiti Artist Nosego. Laugh in the Face of... by Nosego Fine art Giclée print on Italian cold-press watercolor paper Featuring hand-deckled edges Hand-embellished 24 x 18 Inches Limited Edition of 50 (signed & numbered)

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Scuba Horse Delights 13-Color Hand-Pulled Limited Edition Silkscreen Print on 325gsm Coventry Rag by Faile Rare Street Art Famous Pop Artwork Artist. We are excited to release this new silkscreen block print based on some of the smaller wood puzzle blocks. This is a vibrant mix of images and textures from the studio. Scuba Horse Delights is a 13 color hand-pulled silkscreen print, made on a heavyweight Coventry Rag 325gsm with a deckled edge. Scuba Horse Delights Edition of 350 Dimensions: 12 x 18 Inches Silkscreen Ink on Coventry Rag 325gsm Paper Signed, Stamped and Numbered. FAILE 2020

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Emperors of the North Watch the Clock 7-Color Hand-Pulled Limited Edition Silkscreen Print on Classic Crest White Paper by Tim Doyle Rare Street Art Famous Pop Artwork Artist. Emperors of the North Watch the Clock by Tim Doyle Limited Edition of 150 each (signed & numbered) 7-color screenprint on classic Crest White 36" x 18" Printed by Nakatomi Inc. "The idea of rising sea levels, and the animals of the sea (mythic or otherwise) coming into areas they aren't normally seen is fascinating to me" -Tim Doyle

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Moon Over Biloxi- White 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. White Variant Signed & Numbered Moon Over Biloxi Screen Print 18 x 24 inches Edition of 200 July 27, 2010. "The title of this print “Moon Over Biloxi” is a tribute to the Dead Kennedy’s song “Moon Over Marin”. In 1984 I picked up maybe my 4th punk record which was the 2nd Dead Kennedy’s album “Plastic Surgery Disasters”. The album is a great listen all the way through and includes some blistering tunes like “Riot” and “Bleed For Me” laced with social commentary. The surprise song though is “Moon Over Marin”… detractors have called it the Dead Kennedy’s “U2” song, but I disagree. “Moon Over Marin” is more melodic than most DK, but juxtaposed with the darkness of the lyrics, the song evokes a powerful sense of existential melancholy. I think the concept that struck me, and stuck with me, is that our disrespect of each other and the planet may doom us, but things will continue without us. I think it is healthy to recognize impermanence, but also to appreciate the value of the ephemeral. Moonlight, real or electric, will probably be around, but what it will be casting light on is the real question. There will always be a moon over Biloxi." -Shepard

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Moon Over Biloxi 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. Signed & Numbered Moon Over Biloxi Screen Print 18 x 24 inches Edition of 400 July 27, 2010. "The title of this print “Moon Over Biloxi” is a tribute to the Dead Kennedy’s song “Moon Over Marin”. In 1984 I picked up maybe my 4th punk record which was the 2nd Dead Kennedy’s album “Plastic Surgery Disasters”. The album is a great listen all the way through and includes some blistering tunes like “Riot” and “Bleed For Me” laced with social commentary. The surprise song though is “Moon Over Marin”… detractors have called it the Dead Kennedy’s “U2” song, but I disagree. “Moon Over Marin” is more melodic than most DK, but juxtaposed with the darkness of the lyrics, the song evokes a powerful sense of existential melancholy. I think the concept that struck me, and stuck with me, is that our disrespect of each other and the planet may doom us, but things will continue without us. I think it is healthy to recognize impermanence, but also to appreciate the value of the ephemeral. Moonlight, real or electric, will probably be around, but what it will be casting light on is the real question. There will always be a moon over Biloxi." -Shepard

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Landfall PP Printers Proof Artwork Giclee Limited Edition Print on 290GSM Fine Art Paper by Pop Culture Graffiti Artist Josh Keyes. PP Printers Proof Signed & marked PP 18x26 inches / 46x66cm Fine art print on 290gsm paper Hand signed and numbered Artist proof working copy, small bump to lower mid white margin bottom. The hybrid world that Keyes has created steps on surrealism and photorealism, a mix that unsettles the viewers, making us feel unsafe and exposed to an uncertain and mischievous future. At the core of work exists the concern for our survival and the earth's future. This preoccupation is highlighted through the display of animals lost and displaced from their natural settings. They are in peril and away from their natural ecosystem, relocated in dioramic fantastical situations.

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Cathedral Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Kari-Lise Alexander. 2017 Signed & Numbered Limited Edition of 25 Giclee Artwork Size 18x18 "Cathedral," a giclée print on 290gsm fine art paper by Kari-Lise Alexander, is a captivating piece that blends pop culture's aesthetics and graffiti art's raw authenticity. This 2017 signed and numbered limited edition of 25 pieces, measuring 18x18 inches, is a testament to Alexander's unique vision within contemporary art. While distinct from traditional street pop art and graffiti, her work carries the same spirit of personal expression and cultural resonance that characterizes these art forms. Alexander's "Cathedral" is a piece that invites introspection and admiration, holding a special place in the collections of modern art enthusiasts.

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Terrarium Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x18

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May Mantas Thrive Artwork Giclee Limited Edition Print on Italian Cold-Press Archival Watercolor Paper by Pop Culture Graffiti Artist Caia Koopman. May Mantas Thrive by Caia Koopman released in celebration of World Oceans Day 2015 Limited Edition of 50 (signed & numbered) Fine art Giclée print on Italian cold-press archival watercolor paper 24" x 18" Printed by Paragon Press

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Getting Up Limited Edition 5-Color Hand-Pulled Silkscreen Print on 100lb Metallic Cougar Paper Stock by Skinner Graffiti Street Artist Modern Pop Art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by a calculated chaos. His work has been shown all over the world in various museums, universities, and galleries. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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The Initiate Archival Pigment Fine Art Limited Edition Print on 310gsm Museum Natural Fine Art Paper by Artist Vans The Omega, Street Pop Art Graffiti Legend. Signed & Numbered 2019 Archival Pigment Print on 310gsm Museum Natural Fine Art Paper Size: 16 x 18 Inches Release: September 23, 2019

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City By The Sea XL Hand-Pulled 5-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 24x18

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Landfall Artwork Giclee Limited Edition Print on 290GSM Fine Art Paper by Pop Culture Graffiti Artist Josh Keyes. Edition of 175 18x26 inches / 46x66cm Fine art print on 290gsm paper Hand signed and numbered The hybrid world that Keyes has created steps on surrealism and photorealism, a mix that unsettles the viewers, making us feel unsafe and exposed to an uncertain and mischievous future. At the core of work exists the concern for our survival and the earth's future. This preoccupation is highlighted through the display of animals lost and displaced from their natural settings. They are in peril and away from their natural ecosystem, relocated in dioramic fantastical situations.

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Cacophony Hand-Painted Multiple Archival Pigment Print on 3 Tiers of Laser-Cut Acrylic Panel ready to hang by Eddie Colla Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 25 Laser Cut Acrylic Artwork Size 18x18 "The Goldfish Girl was created almost a decade ago. I often revisit it, and she has been the longest continuing character I've created. I often write backstories for these characters to help me create the pieces, but they are generally never shared with the viewer. The Goldfish Girl was born in mainland China and raised mostly by a single father. Her mother passed away when she was 18 months old from cancer. She was often very ill as a child and was eventually diagnosed with a compromised immune system disorder, although a precise diagnosis was never given. This is the reason for always wearing the mask and gloves. Her father bred Goldfish for a living and taught her that trade as a kid. They worked side by side and rarely had visitors because of her condition. Often being extremely ill and also losing her mother made her childhood difficult. As most children do, she tried to find a reason for her misfortune, a reason for why all this had happened to her and her father. Eventually, she believed that her illness and her mother's cancer were punishment by nature. A curse for toying with nature by breeding goldfish. Eventually, her father passed away as well. Needing to make a living and also to taunt fate she illegally immigrated to Hong Kong. There is a famous goldfish market in Mong Kok on Tung Choi street, but it's commonly called goldfish street. With a compromised immune system the most dangerous thing to her was other people. As a challenge to fate, she moved to one of the most densely populated cities in the world. She got a stall on Tung Choi Street. This is her challenge, to taunt fate and win, becoming the master of her own fate. These images are vignettes of her life in Hong Kong. I've never given the character a name. Sometimes she is pictured with a boombox because music becomes a central companion to her mostly solitary life. In the piece Cacophony I wanted her to literally be surrounded by the city. In some way, I think I tried to create a character that embodied a lot of traits I aspire to. To remind me.” - Eddie Colla

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Miranda and Caliban Artwork Giclee Limited Edition Print on 310gsm Museum-Grade Archival Paper by Pop Culture Graffiti Artist Tran Nguyen. Miranda and Caliban by Tran Nguyen Fine-art Giclée print on Canson Aquarelle 310gsm museum-grade archival paper 13 x 18 inches Limited Edition of 75 Signed & Numbered Printed with ♥ by Static Medium "I often paint figures enveloped by nature such as birds. I'm interested in the relationship between the two and how they co-exist with one another on the picture plane." -Tran Nguyen

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Sea Change Archival Print by Beau Stanton Limited Edition on Cotton Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2020 Signed & Numbered Print Limited Edition of 75 Artwork Size 24x18 Archival Pigment Fine Art Beau Stanton's "Sea Change" and the Evolution of Street Pop Art Beau Stanton's "Sea Change" is a compelling archival print that encapsulates the essence of Street Pop Art and Graffiti Artwork, inviting viewers into a world where the majestic power of the sea meets the intricacy of human creativity. Released as a limited edition print in 2020, this work is part of an exclusive collection, limited to just 75 signed and numbered pieces, each rendered on cotton fine art paper with a size of 24x18 inches. Utilizing archival pigment, Stanton ensures that each print is imbued with a sense of permanence, preserving the intensity of his colors and the sharpness of his lines for generations to admire. The artwork is a visual narrative, combining the historical significance of maritime imagery with the vibrant, expressive techniques characteristic of graffiti art. The steamship, an emblem of industrial progress and historical exploration, is reimagined through Stanton's lens, set against a backdrop of geometric patterns and mandala-like designs. This contrast speaks to the transformative nature of time, acknowledging the enduring impact of past innovations on present and future societies. Beau Stanton's Artistic Signature in Modern Art "Sea Change" is an undeniable signature of Beau Stanton's artistic lexicon, merging the illustrative precision of fine art with the raw, accessible energy of street art. Stanton bridges historical narratives with contemporary cultural dialogue by infusing the classical imagery of a steamship with a tapestry of radiant hues and elaborate patterns. This print stands as a beacon within the Street Pop Art movement, demonstrating the potential of graffiti artwork to transcend urban walls and enter the hallowed spaces of fine art galleries. Stanton's work challenges perceptions, advocating for the inclusion of street-inspired aesthetics within the broader context of modern art. His limited editions, including "Sea Change," have cultivated a dedicated following, attesting to the growing appetite for artworks that defy conventional categorizations. Collectors and enthusiasts are drawn to the visual appeal of Stanton's creations and the layers of meaning and historical references that enrich each piece. In essence, "Sea Change" is more than a piece of art; it is a historical dialogue rendered through modern artistic practices, a testament to art's fluidity and ever-evolving nature. Stanton's commitment to quality, as evidenced by the archival materials used, positions this print as a valuable and lasting contribution to the narrative of Street Pop Art and Graffiti Artwork. Through this and other works, Stanton continues to shape the trajectory of street art, ensuring its place within the annals of art history.

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Cathedral AP Artist Proof Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Kari-Lise Alexander. AP Artist Proof 2017 Signed & Marked AP Limited Edition Giclee Artwork Size 18x18 Kari-Lise Alexander’s Cathedral: The Fluidity of Identity in Contemporary Pop-Inspired Surrealism Kari-Lise Alexander’s Cathedral, released as an 18 x 18 inch signed Artist Proof in 2017, presents a hypnotic portrait that blends photorealistic precision with elements of surreal distortion. This giclée print on 290gsm fine art paper captures a figure partially obscured by cascading water, flowers, and organic abstraction. The subject, a pale-skinned woman draped in vibrant blossoms, is simultaneously present and vanishing, her body dissolving into fluid motion. The transparency of water acts as a veil, distorting reality and transforming the portrait into a meditation on impermanence, transformation, and self-concealment. Alexander, known for her figurative surrealism, often incorporates themes of water, femininity, and nature into her work. In Cathedral, she positions the viewer as both witness and intruder, observing a moment of private reflection through a barrier of falling water. The water does not merely frame the composition—it reshapes it. Faces blur. Petals smear. The painting becomes an active space where emotion is filtered through liquid movement. This dynamic use of transparency offers more than visual interest; it becomes a metaphor for the slippery, ever-shifting boundaries of personal identity. Hyperreal Texture Meets Atmospheric Abstraction The interplay between realism and abstraction in Cathedral is deliberate and poetic. The figure’s facial expression is rendered with lifelike accuracy—delicate shadows, tightly painted features, and emotional weight. Yet her body, partially hidden by wet streaks and botanical textures, seems to dissolve into the background. This creates a tension between what is defined and what is disappearing. Kari-Lise Alexander utilizes oil-like effects in a digital print medium to mimic the unpredictability of nature and the complexity of inner life. The circular framing device behind the figure may evoke the architectural structure implied by the title. A cathedral, often associated with spiritual sanctuary and towering form, contrasts with the vulnerability of the exposed body and the ephemeral texture of water. The contrast suggests that the true place of worship in this work is not stone or space, but the internal landscape of emotion and memory. The circle becomes both halo and lens—focusing the viewer’s attention while abstracting the context. Symbolism of Nature and the Female Form In Cathedral, floral imagery serves as more than decorative flourish. The dense crown of peonies, berries, and green vines placed on the figure’s shoulders connects her to cycles of life and growth. The flowers are not merely worn—they appear to grow from her, reinforcing a fusion between the natural world and the self. Water, often a recurring motif in Kari-Lise Alexander’s paintings, amplifies this symbolism. It signifies renewal, decay, and emotional release all at once. In combination, these elements create a visual language where the feminine body becomes both the temple and the terrain. Though not strictly situated within traditional Street Pop Art & Graffiti Artwork, Cathedral echoes contemporary movements that challenge the line between classical portraiture and cultural commentary. The work’s ethereal energy, paired with its striking surface distortion, aligns it with a broader pop-influenced aesthetic that merges beauty with introspection, and figuration with experimentation. Kari-Lise Alexander's work expands the vocabulary of modern surrealism by using tactile realism to explore the unseen interior—turning emotion, memory, and transformation into arresting visual experiences.

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