Chicago Jordan 1s V2 Shoeuzi 75% Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. 2020 Edition of 300, Size 75% Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box ‘CHICAGO’ shoeuzi v2 art sculpture The v2 is the upgraded 4-part magnetic assembly model. 75% scale Micro Uzi (185mm length) hand-cast unsaturated polyresin painted in lead-free resin paint. Features ‘UZI’ leather paneling.

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Garfield Lasagna Bomber Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ndikol. 2021 Garfield 7” Vinyl Art Toy Limited Edition Hasta lasagna, don't get any on ya! Known for being lazy and sarcastic, he packs one mean throw. Keep the Mondays away from Lasagna Bomber by Ndikol unless you want a dish of lasagna hurled straight to your face. Stylized in the stencil-like finish and the iconic pose you’ve come to know from Ndikol, Lasagna Bomber puts a multi-layered twist to our favorite orange tabby cat. Contrasting black and white details with a boxful of yummy, cheesy, lasagna, you know you want to be on his side of the food fight. LICENSEE AND MANUFACTURED BY: Mighty Jaxx International Pte Ltd

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Low Fidelity Music Bear Art Toy by Luke Chueh Limited Edition Collectible Sculpture Figure Fine Artwork by Graffiti Pop Street Artist. 2024 Limited Edition Artwork Size 4x7 New In Box Stamped Vinyl Fine Art Toy Figure Sculpture of Bear in Black & White and Headphones Chilling. Low Fidelity Music Bear: A Vinyl Sculpture of Urban Stillness by Luke Chueh The Low Fidelity Music Bear Art Toy by Luke Chueh released in 2024 presents a minimalist and emotionally charged collectible figure sculpted in a monochromatic palette of black and white. This 7-inch tall stamped vinyl art sculpture features a stylized bear standing upright in a matte black hoodie with hands in the pockets and headphones wrapped snugly over the ears. It is a Limited Edition figure created by one of the most significant voices in Street Pop Art & Graffiti Artwork, known for transforming introspection into visual form. Housed in its original box and cast in high-quality vinyl, this sculpture balances simplicity with symbolic power. Emotional Resonance Through Clean Design Luke Chueh’s work is rooted in the quiet depiction of internal struggle and psychological complexity, and the Low Fidelity Music Bear serves as a distilled representation of these themes. The contrast between the stark white bear and its black hoodie is not just a stylistic choice but a visual metaphor for duality—purity and protection, visibility and invisibility, vulnerability and armor. The figure's face remains neutral, devoid of traditional expression, making the silence louder and inviting viewers to project their own feelings onto its blank canvas. This silent narrative is central to Chueh’s style and has defined his contribution to graffiti art and pop culture. The Language of Solitude and Sound The inclusion of headphones on the figure adds a distinct conceptual layer. Music, often a refuge for emotional clarity, is symbolized here not just as entertainment but as isolation and self-containment. In urban environments saturated with noise, the figure’s detachment becomes a form of resistance. The bear does not perform. It listens. It withdraws. The still posture, minimalist features, and grayscale aesthetic form a commentary on loneliness, reflection, and the human impulse to seek peace in sonic retreat. This sculpture encapsulates how graffiti pop street art can address inner conflict using commercial materials and stylized characters. A Collectible Embedded with Narrative This 2024 vinyl sculpture is not only a collectible but a commentary on the weight of stillness in a fast-moving culture. As with other works in the Low Fidelity series, this edition turns the act of listening into a meditative act. The figure’s oversized black hoodie serves as a shell, while the headphones act as a barrier from the world. This object exemplifies how Luke Chueh uses toy design as a platform for expressive storytelling within the framework of Street Pop Art & Graffiti Artwork. Each sculpture, stamped and presented in its box, carries the unmistakable presence of the artist’s vision—a blend of melancholy, humor, and minimalist precision. Chueh's bear is not simply an icon of modern collectible culture; it is a reflection of contemporary emotion made tangible.

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Pop Sub Final #4 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jacob Bannon Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 7x7 Pop Sub Final #4 by Jacob Bannon: A Dark Emblem of Street Pop Expression Pop Sub Final #4 is a visually arresting 7x7 inch one-color silkscreen print by Jacob Bannon, released in 2014 as a numbered limited edition of 100. Printed on fine art paper, this haunting monochromatic image encapsulates Bannon’s signature visual language—one that thrives on raw emotion, layered texture, and existential symbolism. The design appears as a spectral fusion of a skull and a cratered celestial surface, evoking lunar imagery overlaid with a decayed human face. Rendered in coarse halftones and distressed gradients, the print does not merely suggest decay but embraces it as the very fabric of visual construction. The tactile roughness and obscured features challenge the viewer to interpret the image emotionally rather than analytically. This technique aligns the piece firmly within Street Pop Art & Graffiti Artwork, where instinct often overrides polished perfection. Jacob Bannon: Raw Signal in Urban Silence Jacob Bannon is a multidisciplinary American artist known for his work in visual art, graphic design, and music, particularly as the vocalist for the band Converge. His creative practice merges visceral abstraction with thematic intensity, often touching on mortality, emotional fracture, and spiritual displacement. His artworks are marked by dense visual layering, distressed surfaces, and a commitment to translating sound into image. Pop Sub Final #4 reflects this approach perfectly—an artwork that resonates like feedback from an amplifier. It captures the ghostly echo of urban anxiety, a worn currency of identity that has passed through too many hands. This print does not shout, it vibrates. It is not an illustration but a signal. Printmaking as Annihilation and Revelation As a one-color hand-pulled silkscreen print, the physical process behind Pop Sub Final #4 is as integral to its meaning as the image itself. The ink is uneven, the textures are chaotic, and the breakdown of form into shadow and void mirrors the themes Bannon regularly explores. At 7x7 inches, the small scale intensifies the print’s claustrophobic energy, drawing the viewer in for a closer inspection of what feels like a decayed artifact. This limited edition format speaks to the ethos of Street Pop Art & Graffiti Artwork—accessible, raw, and designed for impact without dilution. It is not simply hung on a wall but pressed into the experience of the viewer like a worn badge or underground symbol. Symbolism and Dissonance in Street Pop Language The circular format enclosing a skull-like visage evokes universal symbols of mortality and time. Bannon’s print pushes against decorative tendencies by refusing to clarify its meaning, instead evoking a sensation of unrest, loss, and timeless ruin. Unlike clean vectors or digital graphics, this work feels buried in a deeper emotional register. Pop Sub Final #4 communicates in tones of erosion, deterioration, and silence. Within the wider street and pop art culture, where loud colors and recognizable icons often dominate, Bannon's approach provides an antidote—proof that Street Pop Art & Graffiti Artwork can whisper with the same power it screams. His print is a meditation, a relic, and a confrontation, all in one stark square.

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Unworn New Old Stock Adidas Yeezy Boost 350 V2 Zebra- Size 5 Shoe Rare Limited Edition Sneaker Artwork Collectible. Adidas is back with their latest Yeezy Boost 350 V2. Fresh off the heels of NBA All-Star Weekend, these Yeezy's are nicknamed the "Zebras," and come in a classic white, black and red color scheme. Sporting a white-based Primeknit upper with black accents giving off a Zebra stripe vibe, “SPLY-350” displayed across the sides in red finished off by a translucent BOOST cushioned sole. To date they are the most limited adidas Yeezy release and have instantly become one of the most popular colorways. Their release date is set for February 25th, 2017. Retail is set at $220 and they will only be available in men’s sizing, no love for infants from Yeezus this time around. On June 24th, adidas will re-release the coveted “Zebras,” giving fans worldwide one more shot at obtaining one of 2017s most popular kicks. If you got lucky with the first release, already have a pair on lock from the re-release or don’t want to risk taking the “L,” check out the marketplace where you can buy and sell the “Zebra” adidas Yeezy 350 Boost V2 online now. Rock, stock or flip, the choice is yours and yours alone.

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Signed RISK-OLEUM Red Dawn of The Canmans Artist Edition 213 Vinyl Art Toy by Risk Rock x Comikaze Limited Edition Collectible Sculpture Figure Fine Artwork by Graffiti Pop Street Artist. 2013 Signed on Box Limited Edition of 200 Artwork Size 4x7 New In Box Stamped Vinyl Fine Art Toy Riskoleum Figure Sculpture. Mad Society Kings, Art Work Rebels, Angels Will Rise, West Coast Artists (AWR/MSK/TSL/WCA) Graffiti Street Artist  Risk Rock. Vinyl Figure with Moveable Arms and a Detachable Top that Pops Off to Reveal Hollow Storage Inside.  Signed RISK-OLEUM Red Canman 213 by Risk Rock in Street Pop Art & Graffiti Artwork The Signed RISK-OLEUM Red Canman 213 Artist Edition is a limited vinyl art figure created in 2013 by Los Angeles graffiti artist Kelly Graval, known as Risk Rock. Released in partnership with Comikaze, this collectible piece was part of a limited run of only 200 units and features Risk’s signature on the box, making it a rare item for collectors of graffiti-influenced art toys. Designed to resemble a classic aerosol spray can brought to life with arms, feet, and a removable top, the figure merges sculptural function with the visual language of graffiti culture. Standing approximately 7 inches tall and constructed from vinyl, the RISK-OLEUM figure pays homage to the tools of graffiti while acting as a stylized character with distinct urban identity. This particular edition, labeled 213 Risk Rock Red, not only references Risk’s area code but solidifies the artwork as a physical representation of his legacy in Street Pop Art & Graffiti Artwork. Design Language, Functionality, and Packaging This vinyl figure draws directly from the aesthetic of traditional spray paint brands while layering in iconography from Risk’s personal visual vocabulary. The figure features a red plaid pattern wrapped around the midsection, mimicking product branding while referencing punk influences and West Coast graffiti styling. The blood-red gloves, paint-splattered feet, and mischievous devil icon on the front give the figure a defiant presence. Its moveable arms and detachable cap reveal a hollow interior, allowing it to double as both sculpture and storage piece. The edition’s packaging further elevates its status, with the figure displayed in a custom-printed box labeled Dawn of The Canmans, and Risk’s bold tag scrawled across the exterior, transforming the box into part of the art. These design elements highlight how form, message, and collectibility come together in the Street Pop Art & Graffiti Artwork genre. Graffiti Crew Affiliations and Cultural Significance Risk Rock is a long-standing figure in the Los Angeles graffiti movement and a founding member of several of the region’s most respected crews, including AWR (Art Work Rebels), MSK (Mad Society Kings), WCA (West Coast Artists), and TSL (The Seventh Letter). His contribution to graffiti culture spans decades and has included freeway takeovers, large-scale murals, fine art exhibitions, and designer collaborations. This figure embodies that history, with references to Risk’s crews prominently displayed on the back of the piece. The inclusion of multiple crew names solidifies the Canman as not just a toy, but a miniature archive of West Coast graffiti history. Each detail reflects Risk’s role as both an innovator and historian within the movement. Limited Edition Status and Collector Relevance As a signed and numbered edition of only 200 units, the RISK-OLEUM Red Canman 213 holds significant value in the collectible art market. The combination of artist-authenticated packaging, functional design, and deep cultural references makes this piece a highly sought-after item among collectors of graffiti memorabilia, vinyl figures, and pop-influenced sculpture. It stands as a physical artifact that merges the legacy of spray can art with the expanding universe of Street Pop Art & Graffiti Artwork. With its signature, interactive design, and cultural roots, the figure continues to represent the fusion of street tradition and contemporary art form. Risk’s ability to move fluidly between the street, the gallery, and the art toy world is perfectly captured in this edition, offering collectors an authentic and highly stylized piece of graffiti history.

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New Supreme x Vans Skate Grosso Mid-Monogram S Logo Red Size 12 Shoe Rare Limited Edition Sneaker Artwork Collectible. 2021 New In Box Never Worn Size 12 Supreme x Vans Crossover Fashion Shoe Skate Grosso Mid-Monogram S Logo Red Size 12 by Supreme x Vans Shoes

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Munk Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Jo Dery. 2014 Editon of 100 COA Munk Archival Print by Jo Dery

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Star Skull- 2015 SDCC Exclusive Limited Edition Vinyl Art Toy Collectible Artwork by Urban Pop Artist Ron English- POPaganda. 2015 Limited Edition Size 7" Tall

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Sweet Home Chicago- White Hand-Pulled 1-Color Silkscreen Print on Fine Art Paper by Desirable Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed Limited Edition Artwork Size 5x7

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Unworn New Old Stock Vans x Anderson .Paak Sid DX- Size 12 Shoe Rare Limited Edition Sneaker Artwork Collectible. Yes, Lawd! Vans and Anderson .Paak are both synonymous with the laid-back California lifestyle, and this season, we’ve partnered on a special collection of musically-inspired footwear and apparel. Hailing from the beach town of Oxnard, California, Andy injects his infectious love of life into everything he does, and this collection is no exception. The Vans x Anderson .Paak Sid DX is made with sturdy suede and canvas uppers and features upgraded sockliners.

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Limited Quantities Slap-Up Label Sticker Original Tag Art by Saber Original Spray Paint Art Drawing on Glossy US Flag Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed by Tag Original Slap Up Graffiti Art 10x7 Neon Orange Spray Paint & Acrylic Paint Tagged on Limited Quantities Sticker. Saber's Signature Style and Medium The notion of exclusivity and scarcity often heightens the allure of an artwork, a concept that street pop art and graffiti artwork embody with particular zeal. In the realm of this artistic expression, the 'Limited Quantities' slap-up label sticker original tag art by Saber is a vivid exemplar of such rarity and desirability. This piece is a testament to the graffiti artist's signature style, where the urban landscape becomes a canvas for bold statements and visual disruptions. The artist, Saber, whose real name is respected in the street art community, chooses an everyday object—a glossy US flag sticker—and transforms it into a conduit for artistic expression. Measuring 10x7 inches, the work features neon orange spray paint and acrylic, a combination that Saber employs to create an arresting visual impact. The piece is a 2020 original, signed by the artist's tag, a mark of authenticity in the graffiti world. Saber's work is a dialogue between the artwork and its viewers. It is a conversation sparked by the vibrant hues and the vigorous, almost aggressive application of the tag that slices through the text 'Limited Quantities.' Using a slap-up sticker underscores the guerrilla nature of street art—fast, unexpected, and often fleeting. This mode of art-making aligns with the concept of limited editions; just as the sticker is quickly placed, it can be just as rapidly removed or covered, its existence as fleeting as the quantity it denotes. The Cultural Resonance of Limited Quantities in Modern Street Art In the culture of street pop art and graffiti artwork, the phrase 'Limited Quantities' speaks volumes. It is not just a literal indication of availability but also a symbolic nod to the transient nature of the genre. Street art is often at the mercy of environmental elements, city clean-up crews, or even other artists who may paint over a piece in the ever-evolving urban gallery. Thus, each work's existence is inherently limited, a transient moment of expression captured before it is altered or erased. Saber's piece serves as a literal and figurative marker of the times. In an age where consumerism often leads to mass production and replication, there is a growing appreciation for what is rare and unique. With its exclusive tag and vibrant spray paint on a glossy sticker, this artwork becomes a collectible item, a treasure hunt find for street art lovers and casual observers alike. The neon orange color, often associated with caution and high visibility, plays a dual role in this artwork. It demands attention, ensuring the message and the art cannot be ignored. Simultaneously, it satirizes the concept of caution by implying that the content, the 'Limited Quantities' of authentic street art, should be approached with reverence and awareness. Saber, an American artist, has contributed to the urban art scene and shaped the conversation around the value and significance of street pop art. Much like the 'Limited Quantities' slap-up sticker, his works reflect a societal commentary on the state of art, consumerism, and the politics of space and visibility. They are symbols of resistance, creativity, and the indomitable spirit of the street art movement. Saber's 'Limited Quantities' sticker is more than just a piece of graffiti artwork; it is a statement on street pop art's transient yet impactful nature. It is an emblem of the scarcity that often accompanies true creativity and originality in the bustling marketplace of ideas that is the modern cityscape. With each piece, Saber not only leaves his mark on the physical world but also imprints on the collective consciousness of a culture that continues to seek out the rare, the unique, and the authentic expressions of human experience.

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Life is Beautiful- Fragile Limited Edition Resin Sculpture Artwork by Legendary Fine Graffiti Street Artist Mr Brainwash- Thierry Guetta. 2022 Signed & Numbered Limited Edition of 70 Artwork Size 12x7 Signed Limited Edition of 90 Size 7 x 12 x 1.75 in (17.8 x 30.5 x 4.4 cm) Includes Plexiglass Case & Signed by the Artist Resin Sculpture Artwork.

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Young MC Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda. Before there was MC Supersized, there was Young MC. Ron English- POPaganda’s iconic character has been captured in the prime of his youth in the form of a 7 inch vinyl figure with a box design by Ron English- POPaganda. The latest in Ron's ongoing POPaganda concept.

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New Nike Blazer Low Sacai KAWS Neptune Blue Size 11.5 Shoe Rare Limited Edition Sneaker Artwork Collectible. Style DM7901-400 Colorway Neptune Blue/Light Blue-Pink-Yellow Release Date 11/27/2021 New In Box Integrating Street Art into Fashion: Nike Blazer Low sacai KAWS Neptune Blue The New Nike Blazer Low sacai KAWS Neptune Blue Size 11.5 Shoe stands as a testament to the enduring influence of street pop art and graffiti artwork within the realm of high fashion and collectible sneaker culture. Released on November 27, 2021, this rare limited edition sneaker is the result of a triumvirate collaboration between Nike, the avant-garde Japanese brand sacai, and the iconic New York-based artist KAWS. This sneaker is a canvas where the Neptune Blue colorway is harmoniously interlaced with light blue, pink, and yellow accents, mirroring the vibrant palettes found in KAWS' renowned artistic works. Each element of the design, from the multicolored overlapping eyestays and Swooshes to the signature KAWS XX insignias debossed on the lateral toe, is a deliberate nod to the artist's signature aesthetic. The doubled tongues and laces are distinct sacai touches that enhance the layered complexity of the shoe, akin to the layered meanings often found in street art. Presented new in box, these sneakers are not just footwear; they are wearable art that embodies the spirit of collaboration and innovation. KAWS x sacai x Nike: A Fusion of Artistic and Athletic Innovation The collaboration between KAWS, sacai, and Nike for the Blazer Low sacai KAWS Neptune Blue sneaker exemplifies a seamless blend of artistic vision and athletic innovation. KAWS, known for his bold colors, whimsical designs, and crossover between commercial and fine art, imparts his artistic DNA into the very fabric of the sneaker design. The choice of Neptune Blue as the base color, complemented by a selection of vibrant hues, transforms the shoe into a moving canvas that captures the eye and ignites conversation. The sneaker's design—featuring doubled elements and stacked soles—reflects sacai's reputation for deconstructing and reconstructing classic silhouettes, which when paired with Nike's legacy in sneaker culture, results in a piece that is both groundbreaking and deeply rooted in streetwear tradition. Each pair of the New Nike Blazer Low sacai KAWS Neptune Blue Size 11.5 Shoe is not just a rare collectible but a piece of history that encapsulates the collaborative spirit of modern street pop art. The Cultural Impact of Nike Blazer Low sacai KAWS Neptune Blue In the lineage of street-inspired sneaker releases, the Nike Blazer Low sacai KAWS Neptune Blue is particularly noteworthy for its cultural resonance within the domains of street pop art and sneaker collecting. The sneaker's release was met with anticipation and enthusiasm, indicative of the cultural cache that KAWS and sacai command within the fashion and art communities. The sneaker transcends its functional purpose, becoming a symbol of the wearer's appreciation for art and design, and a signifier of belonging to the community that recognizes and celebrates the confluence of street art and high fashion. Collectors and aficionados of KAWS' work, sacai's designs, and Nike's sneakers are drawn to this release not only for its aesthetic appeal but also for its rarity and the statement it makes. The Nike Blazer Low sacai KAWS Neptune Blue, in its limited edition release, has become a sought-after item, reflecting the growing trend of sneakers as investment pieces and markers of cultural capital. It is a footwear embodiment of the fluidity between street art's raw expressiveness and the polished realms of high-end fashion, showing how far the influence of graffiti and street pop art has reached.

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The Collector Limited Resin Sculpture Artwork by Modern Pop Artist Josh Keyes. 2017 Limited Edition Displayed With Box The Collector - is the 3rd sculpture by Josh Keyes from our Signature Series. Once started as a beautiful painting, it has now been turned into a fully detailed sculpture with a classy Matte White finish. Sculpture Size: 18" L x 7" W x 9" H approximately Medium: Resin Josh Keyes' "The Collector" stands as a remarkable manifestation of modern pop art, embodying the fusion of street art sensibilities and acceptable art discipline. This 2017 limited edition resin sculpture is the third in Keyes' acclaimed Signature Series, which captures his work's striking visual narratives and meticulous detail. The Transition from Canvas to Sculpture Originally conceived as a painting, "The Collector" transformed into a fully realized three-dimensional form, retaining its two-dimensional predecessor's intricate detail and profound thematic elements. The transition from painting to sculpture allowed for a new interpretation of Keyes' vision, presenting it in a tangible, touchable medium. The sculpture's matte white finish enhances its sophisticated silhouette, emphasizing the clean lines and the stark contrast between the subject and its environment. The sculpture commands presence with dimensions of approximately 18 inches in length, 7 inches in width, and 9 inches in height. Cast in resin, a medium celebrated for its durability and acceptable detail capacity, "The Collector" is both a robust and delicate piece, a testament to Keyes' ability to navigate the complexities of form and substance. A Statement in Street Pop Art & Graffiti Artwork "The Collector" resonates within street pop art and graffiti artwork through its bold statement and presence. Despite its pristine finish, the piece carries the spirit of street art—challenging the observer, engaging with environmental themes, and commenting on the interaction between the natural world and human-made structures. The rhinoceros, a frequent subject in Keyes' work, is depicted alongside a street light, a juxtaposition that invites viewers to contemplate the intrusion of urban development into natural habitats. In the broader context of Josh Keyes' portfolio, "The Collector" is a signature work that showcases his concern with ecological and post-apocalyptic themes. Keyes' art often features wild animals in urban settings, exploring the boundaries between human civilization and the natural world, a theme that resonates deeply in today's ecologically conscious society. The Cultural Impact of "The Collector" As a piece of art, "The Collector" transcends mere aesthetics to engage in a cultural dialogue. It visually explores the clashes and coexistence between urban life and nature. The sculpture's stark white color serves as a canvas, highlighting the shadows and contours of the piece and allowing the form to become the central narrative. This absence of color suggests a tabula rasa, or a blank slate, inviting many interpretations from the audience. Josh Keyes' work, particularly "The Collector," aligns with the ethos of modern pop art by drawing on recognizable imagery and repurposing it within a new context. In doing so, he creates a discourse that is accessible yet laden with depth, much like the street art and graffiti that adorn the walls of cities worldwide. It is a discourse that speaks to the ubiquity of environmental change and the pervasive impact of human influence on the natural world. In conclusion, Josh Keyes' "The Collector" is a profound piece that captures the essence of contemporary issues through the lens of street pop art and graffiti artwork. Its transformation from a detailed painting to a sculptural form allows it to occupy physical space and engage with audiences directly and tactilely. Through this work, Keyes continues to challenge viewers, prompting them to reflect on the intersection of human and animal domains and the delicate balance that must be maintained between progress and preservation. The sculpture, with its limited availability, not only serves as a piece of art but also as a collectible item that mirrors our society's current ecological and cultural challenges.

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New Old Stock Vans x David Bowie Sk8-Hi Bowie Check Black & White- Size 12 Shoe Rare Shoes Limited Edition Sneaker Artwork Collectible. New In Box. Celebrate a legend and one of the best albums of all time, in the Slip-On 47 V Hunky Dory Skate Shoes from Vans and David Bowie. Part of the Vans and David Bowie Archive collection, the Slip-On 47 V Hunky Dory Skate Shoes feature black, grey, and white checkered faux-fur panels at the vamp and heel, matching the fur jacket that Bowie wears on his 1971 album, "Hunky Dory." Yellow-gold suede panels are added to the collar and sidewall, along with hook and loop fastener straps, for a pop of color. The design is complete with David's name embossed on the top strap, and Hunky Dory embossed at the outsole, for a look that pays homage to a great musical talent.

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TITLE Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Jen Collins, Street Pop Art Graffiti Legend. INFO

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Pop Sub Final #5 Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ayejay Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 7x7 Pop Sub Final #5 Silkscreen Print by Ayejay: Crunk Culture in Raw Graphic Form Pop Sub Final #5 by Ayejay is a loud, irreverent piece of Street Pop Art & Graffiti Artwork that celebrates the exaggerated spirit of subcultural identity through bold minimalism. Released in 2014 as a numbered limited edition of 100, this 7x7 inch hand-pulled two-color silkscreen print is a striking piece that fuses humor, rebellion, and a gritty edge into a compact format. The skeletal figure, mid-toast with a branded cup labeled Crunk Juice, is a humorous yet pointed visual that merges late-2000s crunk hip-hop culture with punk and hardcore visual traditions. The phrase Crunk’s Not Dead explodes in jagged blood-red text above the figure, capturing a defiant message in a style that is equal parts parody and allegiance. Ayejay’s Graphic Voice in Street Pop Expression Ayejay, also known as Justin Aversano, is an American artist who channels the aesthetics of zine culture, punk flyers, and underground graphics into clean, impactful compositions. Pop Sub Final #5 showcases Ayejay’s knack for distilling complex cultural commentary into raw, visceral visual language. The black and white skeletal figure, detailed yet exaggerated, leans into grotesque cartooning, while the high-contrast red typography punctuates the piece with an almost anarchic urgency. At only two colors, the print thrives on its simplicity, allowing the energy of the composition to take full control of the viewer’s attention. It plays with the absurd while honoring the visual traditions of street culture, making it both comedic and culturally incisive. Subversive Nostalgia and Street Humor This artwork captures a very specific cultural moment while critiquing the fleeting nature of trends through the permanence of print. The skeletal form holding up a celebratory drink is a sarcastic tribute to crunk as both a musical and cultural phenomenon. Rather than fading away, the spirit of the genre is rendered as undead, satirical, and unrelentingly confident. The use of skeletal imagery ties this work to classic punk motifs and tattoo iconography, while the exaggerated text mimics hardcore record art and DIY poster design. By compressing all this visual and cultural density into a 7x7 inch print, Ayejay emphasizes how small-scale works can still deliver outsized impact when rooted in honest cultural expression. Edition Craftsmanship and Cultural Relevance Printed in a limited run of 100, each piece in this edition carries the hand-pulled quality that is central to Ayejay’s art practice and the ethos of Street Pop Art & Graffiti Artwork. The use of fine art paper and screen printing techniques grounds the work in tradition, but the message and delivery are unmistakably modern. Pop Sub Final #5 stands as a visual artifact of irreverent humor and cultural preservation. It celebrates the endurance of underground voices while mocking the idea that any scene or spirit can ever truly die. Through this print, Ayejay reinforces the notion that bold, satirical art can preserve and mutate cultural memories into permanent, punchy symbols of resistance.

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Woody Original Magic Marker Drawing by Ronnie Cutrone on Card Stock Paper Modern Street Pop Artwork. 1988 Signed Dated Original Magic Marker Drawing Size 5x7 Woody Woodpecker Original Hand Drawing by Ronnie Cutrone. Comes With COA. Ronnie Cutrone, a prominent figure in the contemporary art movement, notably gifted the world with his renditions of popular culture icons. Among these masterpieces is his 1988 original magic marker drawing of Woody Woodpecker, a character synonymous with animated brilliance. Crafted meticulously on card stock paper, this piece vividly captures the essence of Woody with the distinctive style that Cutrone was celebrated for. What makes this drawing exceptionally unique is its origin in the heart of the modern street and pop art scene, where Cutrone's reputation was firmly rooted. Woody Woodpecker, with his iconic laughter and mischievous antics, becomes a perfect muse for Cutrone's exploration into the intersection of popular culture and street art. Measuring at an intimate size of 5x7, every stroke and shade of the marker reflects Cutrone's dedication to detailing and his mastery of expressing dynamism through minimalism. The bold contrasts, the playful aura, and the unmissable signature of Cutrone, dated '88, mark this piece as a testament to the era's artistic evolution. For collectors and art enthusiasts, the inclusion of a Certificate of Authenticity (COA) further elevates the drawing's significance, ensuring its authenticity and value. It's a stark reminder of when pop culture permeated street walls, galleries, and the hearts of many, through the hands of artists like Ronnie Cutrone. This piece, both in its subject and execution, stands as an embodiment of an era where animated characters were not just for entertainment but also a powerful medium of artistic expression.

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Curser Original Hand-Painted Multiple (HPM) Aerosol with Clear Coat Finish on Laser Cut Wood ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Aerosol with Clear Coat Finish on Laser Cut Wood Size: 5.5 x 7 x 1 Inches Release: August 14, 2019 Run of 100 "I like to think of myself as an activist in pop art. How I relate with cartoons and graphics is much easier than with photo-realistic stuff. I love referencing things that people are so familiar with. With humor and nostalgia, you can open up communication. I've done that for years and used elements of humor and familiarity to open a dialogue because then you can slide in some real issues and different things you're trying to convey in your work. You have a lot more open stream to the person's consciousness and experience towards how they're taking your art. If you can get them to laugh at it, remember something or relate to some image." -Denial- Daniel Bombardier The Innovative Intersection of Technology and Art in Denial's "Curser" In the dynamic and ever-evolving world of modern pop art, "Curser," a hand-painted multiple (HPM) by the renowned graffiti street artist Denial, stands out as a remarkable piece that encapsulates the spirit of contemporary street pop art and graffiti artwork. Denial, whose real name is Daniel Bombardier, has been a prominent figure in the art world, known for his activist approach and incorporation of pop culture elements into his works. The "Curser" HPM, released on August 14, 2019, is a limited edition series of 100, each piece bearing the artist's unique touch with aerosol paint and a clear coat finish on laser-cut wood. This artwork, measuring 5.5 x 7 x 1 inches, is a visual play on the familiar digital cursor, a ubiquitous digital symbol in the digital age. Denial transforms this everyday icon into a standalone piece of art that challenges viewers to reconsider the symbols that permeate our daily lives—using laser-cut wood as a medium is a nod to the precision and crispness of digital graphics. At the same time, the hand-painted aerosol technique infuses the work with the authenticity and raw appeal of street art. Denial's Artistic Philosophy and Its Reflection in "Curser" Denial's philosophy of using humor and nostalgia to engage audiences is vividly reflected in "Curser." By recontextualizing a digital pointer into a tangible, hand-crafted object, the artist bridges the gap between the virtual and the physical, the ephemeral and the permanent. Denial believes in the power of pop art to initiate dialogue, a belief that is evident in how "Curser" resonates with a broad audience. The familiar shape of the cursor, combined with the unexpected medium and manual intervention, becomes a conversation starter, prompting discussions about the impact of technology on art and society. The clear coat finish on "Curser" gives the artwork a modern sheen, reminiscent of the glossy interfaces of smartphones and computers, thus further blurring the lines between traditional graffiti art and contemporary digital aesthetics. This piece is not merely an artwork but a statement on the convergence of our digital experiences with the physical world. Denial's work exemplifies the evolving nature of street pop art, where traditional techniques merge with modern-day themes to create a new form of cultural expression. Collectibility and Cultural Impact of Denial's "Curser" As a collectible, "Curser" holds a special place in street pop art. Its limited run and the individual hand embellishments by Denial make each piece in the series unique, coveted by collectors who value the intersection of street art sensibilities with pop culture commentary. Denial's work, particularly "Curser," is a testament to the growing appreciation for graffiti art as a medium that can entertain and provoke thought. The cultural impact of "Curser" is amplified by its accessibility and relatability. Denial's approachable art invites viewers to reflect on the interplay between their digital habits and the tangible world, an increasingly relevant theme in our tech-driven society. The artwork serves as a reminder of the pervasive nature of digital symbols in our lives and the importance of questioning and exploring these elements through art. "Curser" is a prime example of how contemporary street artists like Denial push the boundaries of what street pop art and graffiti artwork can represent. The piece embodies the transformative potential of art to adapt and respond to the changing landscape of cultural symbols and societal issues. Denial's ability to infuse his work with wit and a sense of familiarity allows for a deeper engagement with his audience, making "Curser" a visually striking piece and a meaningful commentary on our times.

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Venus Diffuser White Plaster Sculpture by Takeru Amano Limited Edition Pop Artwork Street Artist Fine Art. 2021 Limited Edition of 500 Sculpture Statue Artwork Size 3x7x2 Venus Diffuser by Takeru Amano – Sculptural Minimalism in Street Pop Art & Graffiti Artwork The Venus Diffuser white plaster sculpture by Japanese artist Takeru Amano, released in 2021 as a limited edition of 500, merges classical iconography with the softened minimalism of contemporary Street Pop Art & Graffiti Artwork. Measuring 3 x 7 x 2 inches, this small-format sculpture is crafted from matte white plaster and features Amano’s signature stylized female form encased in an angular block. The figure is inspired by classical representations of Venus, the goddess of love and beauty, but reimagined through Amano’s lens of stylized reduction and cultural refinement. The figure’s simplified facial features, flowing hair, and soft curves are enveloped in a jagged stone motif that suggests emergence, tension, and transformation. It is both sculpture and scent diffuser, connecting the sensuality of material with the invisible atmosphere it disperses. Takeru Amano and the Transformation of Venus in Contemporary Aesthetics Born in Tokyo in 1977, Takeru Amano is known for blending the restrained elegance of Japanese tradition with the bold, graphic language of modern pop culture. His reinterpretation of Venus is less about mythology and more about iconography—stripped of overt narrative but full of implication. The Venus Diffuser reframes classical sculpture through a lens that respects symmetry and serenity while emphasizing abstraction and emotional neutrality. Unlike the expressive gestures found in historical depictions, Amano’s Venus is calm, introspective, and silent. This restraint positions the piece within a new context of Street Pop Art & Graffiti Artwork where objects are no longer decorative or monumental, but conceptually loaded, context-aware, and minimalist in execution. Material, Form, and the Intimacy of Scale Crafted in white plaster, the Venus Diffuser achieves a matte surface that enhances its tactile and visual purity. The material reflects Amano’s preference for minimal color interference, allowing the form itself to dominate the viewer’s experience. The sculpture’s modest dimensions add to its impact—it is not meant to overwhelm but to invite proximity and contemplation. The visual break of jagged geometry across the base and sides contrasts the flowing curves of the figure, suggesting a metaphorical excavation of beauty from constraint. Signed and produced in a closed edition of 500, the piece stands as a collectible that bridges collectible sculpture with domestic intimacy, reflecting how Street Pop Art & Graffiti Artwork now moves beyond walls and canvases into lived spaces. Street Pop Sculpture as Object and Aura The Venus Diffuser is not only visual but functional, intended to hold and emit scent as part of a collaboration with the Either Scent of Art project. This fusion of fine art and utility reinforces the evolving direction of Street Pop Art & Graffiti Artwork toward experiential and sensory engagement. By transforming Venus into a multidimensional object—part goddess, part design, part atmosphere—Amano demonstrates how pop art has matured beyond mere reproduction and into forms that suggest permanence, ritual, and contemplation. The signature and branded packaging elevate the piece further into the sphere of contemporary art collectibles, yet it remains accessible in its symbolism and approachable in size. Takeru Amano’s Venus Diffuser stands as a distilled form of modern elegance, where mythology, sculpture, and scent converge in one poetic and precise object.

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Pearls Artwork Giclee Limited Edition Print on 80lb White Cougar Cover Stock Fine Art Paper by Pop Culture Graffiti Artist Neal Russler. 2013 Signed & Numbered Limited Edition of 10 Giclee Print Artwork Size 7x7 in Basic Small Black Frame Size 8x8 Number 10/10 The Artistic Narrative of "Pearls" by Neal Russler "Pearls," a compelling artwork by Neal Russler, is a striking example of how contemporary issues and classical beauty can be interwoven to create thought-provoking pieces within the genres of street pop art and graffiti artwork. This intricate giclée print, meticulously crafted in 2013, is part of a limited edition series signed and numbered by Russler, reflecting his dedication to both the accessibility of street art and the exclusivity of fine art. The print, presented on high-quality paper, captures the complex interplay between the allure of adornment and the stark realities of human and environmental interactions. In "Pearls," the viewer is confronted with juxtaposing a woman's visage and the rich textures of a mass of tentacles adorned with pearls. The detailed stippling technique employed by Russler creates a tangible sense of depth and movement, inviting the observer to ponder the relationship between the luxury suggested by pearls and the potential darkness they can represent. The artwork challenges the viewer to consider the cost of beauty and luxury, invoking themes of exploitation and the often unseen consequences of desire. Exploring Symbolism and Technique in Russler's Work Russler's choice of symbolism in "Pearls" is multifaceted, with the pearls themselves serving as a classical emblem of elegance and the tentacles perhaps hinting at the entanglement of nature with human consumption. The pearls, traditionally associated with purity and wealth, are presented here in a context that suggests a more complicated narrative that may comment on the tension between natural beauty and human appropriation of natural resources. The technique Russler employs in this piece is critical to its impact. The monochromatic palette focuses on the textural contrasts and the intricate linework that defines Russler's artistic signature. Each dot and line is deliberately placed, contributing to a delicate and haunting overall effect. The stark black and white tones of the giclée print underscore the duality in the artwork, emphasizing the dramatic interplay between light and shadow, softness and strength. "Pearls" by Neal Russler significantly contributes to the contemporary dialogue of street pop art and graffiti artwork. Through this print, Russler offers a narrative rich in allegory and technique, evoking a range of responses from its audience. As with much street-inspired art, the piece is rooted in accessibility but is elevated by its execution and the thoughtfulness of its thematic content. "Pearls" is not just a visual experience; it is an invitation to delve into a deeper exploration of the values and implications of the beauty we seek and the objects we treasure.

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Paint Mug With Brushes Original Ceramic Hand Painted Sculpture by Joshua Vides Shattered Dreams Series Artwork by Graffiti Street Artist. 2023 Signed Original Hand-Made Sculpture One of A Kind Ceramic & Acrylic Paint Artwork Size 4x7 Matte Black & White Mug With Magic Marker Pencil & Pen Statue. Paint Mug With Brushes by Joshua Vides: Sculptural Illusion in Street Pop Art & Graffiti Artwork Paint Mug With Brushes is a 2023 original hand-painted ceramic sculpture by graffiti artist and visual innovator Joshua Vides. Created as part of his Shattered Dreams series, this one-of-a-kind artwork measures 4 x 7 inches and is composed of ceramic and acrylic paint. The piece depicts a white coffee mug rendered in Vides’ signature graphic black-and-white cartoon style, filled with hyper-stylized tools of creation: a yellow pencil, a magic marker, and a black pen. The sculpture captures a studio scene in physical form, using handcrafted materials to simulate objects that are typically disposable, immediate, and overlooked. What makes this piece stand out is not only its visual precision but its conceptual subversion—turning something utilitarian into a sculptural emblem of artistic practice and cultural parody within the context of Street Pop Art & Graffiti Artwork. The mug is marked by a bold comic-style halftone pattern and a speech bubble reading MATTE BLACK, stylized in block lettering that references print-era pop art and advertising aesthetics. The black drips along the rim of the mug are meticulously painted to resemble real ink overflow, but they are frozen in glaze. Each tool within the mug is permanently affixed, not removable, turning everyday drawing instruments into elements of a crafted illusion. The surfaces are covered with splatters and wear marks, evoking the raw energy of a working studio while being entirely sculpted and sealed in ceramic. Vides plays with texture, contrast, and cultural association, creating a sculpture that is both playful and disruptive. Material Transformation and Static Gesture Joshua Vides is best known for transforming real-world objects and environments into bold black-and-white renderings that mimic sketches or early animation cels. Paint Mug With Brushes continues this practice, but in a compact and highly intimate scale. The mug and its contents simulate the artifacts of creative labor, yet they are recontextualized as permanent objects. This transformation from ephemeral to collectible underscores the tension between process and presentation, central themes in Vides’ sculptural work. The halftone pattern and comic elements nod to pop art traditions while being reinterpreted through a graffiti-informed lens. The tools inside the mug are exaggerated in size and form, creating a slight distortion that brings humor and stylization to the piece. While each item appears familiar, the collective presentation turns them into a visual statement about repetition, effort, and value in the creative process. Joshua Vides and the Language of Urban Object Culture Vides has become a leading figure in the dialogue between fine art, fashion, and graffiti culture, known for his crisp aesthetic and thematic consistency. His Shattered Dreams series extends his exploration of artistic labor and commercial identity, embedding critique within deceptively simple forms. Paint Mug With Brushes brings this inquiry to a domestic and personal scale. The ceramic surface, usually associated with functional craft, is retooled here as a sculptural medium for visual metaphor. This sculpture is not about function—it is about meaning, about what it means to create and the tools we use to do it. The speech bubble containing the phrase MATTE BLACK also functions as a cultural code—referring to both the literal aesthetic of the sculpture and the contemporary obsession with branding and limited-edition polish. In Vides’ hands, the cup is not just a vessel but a commentary on taste, trend, and artistic voice. It reflects a blend of comic book irony, street practice, and pop conceptualism that defines Street Pop Art & Graffiti Artwork at its sharpest. Paint Mug With Brushes as Icon of Process and Personal Symbol This sculpture is more than an object—it is a symbol of the artist's internal and external world, where tools become trophies and marks of use become style elements. Paint Mug With Brushes is a visual celebration of imperfection, process, and persistence. It captures a quiet, familiar scene—the artist’s cup of pens—and renders it permanent, elevated, and infused with satire. Joshua Vides transforms the mundane into iconography, pulling from the same instinct that fuels street art: mark your tools, leave a trace, tell a story in bold lines. Within the broader world of Street Pop Art & Graffiti Artwork, Paint Mug With Brushes operates as a miniature altar to creativity itself. It is clean yet messy, playful yet loaded, sculpted yet sketched. In freezing the moment when art begins—the reach for the pen, the dip of the brush—Vides delivers a static performance of creative energy. It is both studio relic and cultural artifact, and its message is simple but powerful: even the smallest tools can carry the loudest voice.

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