White

2 artworks

  • Heart and Soul Original Pen Drawing by Mark Powell

    Mark Powell Heart and Soul Original Pen Drawing by Mark Powell

    Heart and Soul Original Pen Ink Drawing Art on 320gsm Handmade South Indian Paper by Modern Pop Art Artist Mark Powell. Signed 2021 Ballpoint pen drawing on 320 gsm handmade South Indian paper Size: 62cm x 43cm Unframed Drawing is protected by an archival UV protective matt varnish spray 16.9x24.4 Mark Powell – Heart and Soul in Street Pop Art & Graffiti Artwork Heart and Soul by British artist Mark Powell is a striking original pen-and-ink drawing executed in 2021 on 320gsm handmade South Indian paper. Measuring 62 x 43 cm (16.9 x 24.4 inches), this piece features a meticulously rendered dead hare and pheasant, hung upside down by string in a composition that instantly evokes classical still life yet pulses with contemporary subtext. Drawn entirely with a ballpoint pen and sealed with archival UV-protective varnish, Powell’s rendering elevates this modest medium to a tool of expressive clarity. Though absent of color or overt graffiti marks, the work stands firmly within the lineage of Street Pop Art & Graffiti Artwork through its subversive detail, its interrogation of mortality, and its commitment to technical excellence layered with conceptual weight. Powell is known for using found paper, vintage documents, and aged materials in his broader practice, though in Heart and Soul, he opts for clean, handmade paper—still retaining the rawness of imperfection in texture. The subject matter draws upon the tradition of vanitas and memento mori, while also referencing the vernacular of field sport culture in a way that challenges sentimentality. This visual honesty—showing death with beauty but no spectacle—is a gesture that resonates deeply with the ethos of street and pop-inflected art. It’s a confrontation with finality, with heritage, and with consumption. The Ballpoint Pen as a Tool of Dissent and Precision What separates Powell from traditional fine draftsmen is his unorthodox use of the ballpoint pen—a tool associated more with classroom doodles or blue-collar notebooks than high art. In the context of Street Pop Art & Graffiti Artwork, this choice mirrors the use of spray cans or permanent markers: democratic, accessible, and unpretentious. Every feather, fur strand, and shadow in Heart and Soul is executed with surgical precision using this common tool, elevating it to something sacred. Like a tag scratched into a subway door or a throw-up on a crumbling brick wall, Powell’s marks assert permanence against fragility. The imagery is clean yet jarring—animals that once lived now suspended, motionless. The vertical tension of the ropes holding them reflects themes of control and helplessness, drawing a subtle parallel to how bodies—whether in life or in art—are often manipulated, positioned, and consumed. These symbolic references are aligned with urban artistic movements that seek to expose the hidden systems beneath culture, whether through abstraction, realism, or text-based intervention. Contemporary Still Life in the Street Pop Art Narrative Still life traditionally served as a showcase of abundance, fragility, and temporal beauty. In Powell’s hands, that tradition is disrupted, made raw. The careful rendering of animals is not a romantic homage—it is a meditation on stillness, loss, and what it means to hold onto something after it has passed. By choosing subject matter often glorified in upper-class sporting culture and presenting it without drama or glorification, Powell reclaims the narrative. This reclamation mirrors the objectives of many street artists who challenge dominant visual histories by injecting alternate perspectives. There is a quiet radicalism in Heart and Soul—a refusal to decorate or dilute. The honesty of the composition, the weight of the medium, and the choice of paper all work together to create an artwork that is as much about process and material as it is about meaning. This approach reflects Street Pop Art & Graffiti Artwork’s core value: that beauty, rebellion, and reflection can emerge from the simplest of materials, when handled with vision. Mark Powell’s Position in Modern Pop Draftsmanship Though not a graffiti artist in the traditional sense, Mark Powell’s aesthetic and thematic sensibilities place him in close proximity to the conceptual edge of street art. His commitment to drawing as an act of observation and confrontation, along with his use of humble materials and deadpan subject matter, places his work within the wider umbrella of street-conscious fine art. Heart and Soul does not shout, but it never looks away. It is an elegy rendered in ink—a ballpoint requiem that speaks with the same depth as murals, stencils, and protest posters inked on alley walls.

    $854.00

  • Saint Paul De Vence Original Pen Drawing by Mark Powell

    Mark Powell Saint Paul De Vence Original Pen Drawing by Mark Powell

    Saint Paul De Vence Original Pen Ink Drawing Art on Archival UV Protected Matt Paper by Modern Pop Art Artist Mark Powell. 2021 Signed  Original Ballpoint pen drawing Size: 43cm x 59cm Framed Drawing is protected by an archival UV protective matt varnish spray 16.9x23.2. Hyper Realistic & Photorealistic Image of a Man's Face The Penmanship of Mark Powell: Capturing Essence on Paper Mark Powell, a contemporary artist renowned for his unique approach to modern pop art, brings hyper-realism to the streets that often goes unseen in the typical vibrancy of street pop art and graffiti artwork. His piece "Saint Paul De Vence" is a prime example of his mastery with a simple ballpoint pen, creating depth, texture, and emotion on archival UV-protected matt paper. The artwork, signed and completed in 2021, measures 43cm x 59cm and showcases an intense, hyper-realistic image of a man's face, a testament to the human condition and the stories etched within. Street Realism: The Raw and Intimate in Mark Powell's Art Powell's "Saint Paul De Vence" represents more than just a technical achievement; it is a journey into the soul of its subject. The artwork, framed and safeguarded with an archival UV protective matt varnish spray, presents an individual whose life experiences are mapped out across the canvas of his face. Every line, wrinkle, and expression is rendered with meticulous detail, bringing the subject to life. This level of realism is often associated with high art, yet Powell's choice of materials – ballpoint pen and paper – roots his work in everyday life, making it accessible and relatable. The intimacy of the portrait invites viewers to contemplate the stories behind the eyes of the subject. It is this storytelling aspect that aligns Powell's work with the ethos of street art. The narratives of life, often unseen or overlooked, are brought to the forefront, compelling the audience to acknowledge the unspoken tales that unfold around them daily. Hyper-Realism in Street Pop Art While not commonly associated with street pop art and graffiti, hyper-realism finds a place in Powell's artistic lexicon. His technique challenges the notion that its bold lines and bright colors define street art. Instead, "Saint Paul De Vence" suggests that street art can be a space for subtlety and nuance. Powell's intricate shading and attention to detail pay homage to the very essence of street art: the ability to reflect reality and provoke thought. The emotion captured in the artwork transcends the medium, creating a connection with the viewer that is both immediate and profound. The subject's gaze penetrates beyond the surface, asking questions and evoking empathy. This level of emotional engagement is the hallmark of both street art and Powell's work, serving as a bridge between the viewer and the viewed. Mark Powell's "Saint Paul De Vence" is a remarkable piece within the street pop art and graffiti art world. It showcases the power of traditional techniques applied in new contexts and the ability of art to uncover the depths of human experience. As the painting hangs, protected, and preserved, it continues to speak volumes, reminding us that the stories of the streets are as varied as the people who walk them and that art is a language that can talk about life's intricacies in the stroke of a pen.

    $854.00

White Graffiti Street Pop Artwork

White in the Spectrum of Street Pop Art and Graffiti Artwork

Manifestation of White in Urban Art

White, often perceived as a non-color or a blank canvas, asserts a distinctive power in street pop art and graffiti artwork. In a world where vibrancy and color saturation are prized, the use of white becomes a bold statement. It is the color that encompasses all others within its spectrum, yet it stands apart in its purity and simplicity. In street art, white is used not only to create contrast but also as a defining element that shapes the identity of a piece.

Artistic Techniques Highlighting White

Artists employ white through various techniques that underscore its significance. White can be sprayed, rolled, or brushed onto surfaces to carve out space, bring light, and create definition. It can highlight and accentuate, allowing the colors around it to pop and the darker tones to deepen. The texture of white paint is also crucial; a smooth, unblemished white surface reflects the most light, bringing a luminous quality to artworks, while a textured white can add depth and shadow, subtly altering the viewer's perception.

Symbolic and Cultural Dimensions of White

Symbolically, white is laden with cultural and emotional weight. It can represent peace, silence, nothingness, or everything. In the context of street pop art and graffiti, white often conveys a sense of beginnings, offering a straightforward visual rest amid urban chaos. It is the color of possibility and the backdrop against which the stories of the streets are told. In some cultures, white symbolizes purity and cleanliness, which in the context of street art can be an ironic commentary on the city's cleanliness or the purity of art itself.

White's Role in Composition and Visual Harmony

Compositionally, white acts as a balancer and a breather within artworks. It provides a resting point for the eye, a space for contemplation amidst the often overwhelming stimulus of street imagery. White's use in street pop art and graffiti can create a sense of order and harmony, giving other elements within the artwork the space to be seen and understood. It is the silence between the notes, the unsaid within the dialogue of urban expression.

The Evolving Use of White in Street and Pop Art

The use of white within street pop art and graffiti is continually evolving. As artists explore the boundaries of their medium, white is being reconsidered and recontextualized. It is becoming more than just a background or accent color—it is used to make statements about space, light, and structure within the urban landscape. The future of white in street art is bound to its ability to adapt to serve as a canvas for the new and the experimental. In the rich tapestry of street pop art and graffiti artwork, white is the thread that weaves through unnoticed but essential. It is the color that speaks softly yet carries a multitude of meanings and functions. Its presence is a testament to the artist's understanding of color theory and their ability to manipulate viewer perception through the masterful use of this most fundamental hue. White, in its serenity, remains a powerful force in the visual lexicon of urban art, echoing the ever-present theme of contrast and highlighting the essential nature of all colors within its range.
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