Label 907 Vol. IV- Orange Limited Edition 5-Color Split Fountain Hand-Pulled Silkscreen Print on 140lbs Pure White French Art Paper by UFO907 Graffiti Street Artist Modern Pop Art. As an active graffiti writer, UFO 907 is known for its alien ufo motifs throughout New York. Over 20 years, his works have been and still are growing in numbers, attracting fans all over the world. His distinct ufo motifs have evolved and changed throughout the years, from a simple UFO form to a character-like approach with eyes and legs. And still active throughout the world.

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Jane's Addiction- Lollapalooza Chicago 2009 Music Limited Edition Metallic Gold ink Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Max Goldman for Band Jane's Addiction. AP Artist Prioof. Grant Park, Chicago, IL August 09, 2009. This poster was commissioned by Jane's Addiction for their headlining appearance at this year's Lollapalooza Festival at Grant Park in Chicago. The poster was hand-printed in Obey Giant Art's printing facilities in a strict edition of 110 plus a handful of artist proofs. Cream french speckletone paper uncoated black and metallic copper signed and numbered by MFG- Matt Goldman .

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At The Store- 18x24 Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Shishidomia. 2022 Limited Edition of 250 18x24 Japan Print

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Bike Reward Poster! Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jacob Borshard Graffiti Street Artist Modern Pop Art. 2011 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 Pee-wee Herman, Pee-Wee's Playhouse, TV, Movie, Bike, Bicycle, Stolen

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Label 907 Vol. IV- HPM 8 Hand Painted Multiple HPM 3-Color Hand-Pulled Silkscreen Print on 140lbs Pure White French Art Paper by UFO907 Graffiti Street Artist Modern Pop Art. As an active graffiti writer, UFO 907 is known for its alien ufo motifs throughout New York. Over 20 years, his works have been and still are growing in numbers, attracting fans worldwide. His distinct ufo motifs have evolved and changed throughout the years, from a simple UFO form to a character-like approach with eyes and legs. And still active throughout the world.

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Japan x Times Square- 18x24 Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Shishidomia. 2022 Limited Edition of 250 18x24 Japan Print

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Label 907 Vol. IV- Blue Limited Edition 5-Color Split Fountain Hand-Pulled Silkscreen Print on 140lbs Pure White French Art Paper by UFO907 Graffiti Street Artist Modern Pop Art. Large Hand Drawn Image on Reverse. As an active graffiti writer, UFO 907 is known for its alien ufo motifs throughout New York. Over 20 years, his works have been and still are growing in numbers, attracting fans all over the world. His distinct ufo motifs have evolved and changed throughout the years, from a simple UFO form to a character-like approach with eyes and legs. And still active throughout the world.

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Cream & Gold Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. The Lustrous Intersection of Street Pop Art and Activism In the pantheon of contemporary street pop art, Shepard Fairey's Cream & Gold Sedation in Bloom silkscreen print emerges as a piece that is as visually arresting as it is conceptually profound. American artist Frank Shepard Fairey, born on February 15, 1970, in Charleston, South Carolina, stands as a towering figure in this art movement, melding his graphic design expertise with a keen sense of political engagement. The artwork in discussion is among the limited edition Sedation in Bloom series, distinctive for its hand-pulled quality on cream speckle tone fine art paper. Symbolic Resonance in Fairey's Silkscreen Series Shepard Fairey's work often harnesses symbols' power to communicate complex social narratives. The Cream & Gold Sedation in Bloom is no different, with its canvas of 18x24 inches richly adorned with poppies in a striking gold hue against a cream background. This color choice is not merely aesthetic; gold conveys a sense of value and rarity, juxtaposed with the notion of sedation, prompts a deeper contemplation on what society deems precious versus what it uses to escape reality. Each of the 150 pieces in this series carries the unique signature of Shepard Fairey, assuring collectors of its authenticity and the artist's direct involvement. The theme of sedation, reflected in the poppy imagery, is a metaphor for how society becomes anesthetized to pressing social and political issues. Creative Collaboration and Social Critique Through Art The genesis of the poppy pattern art sprang from Fairey's collaboration with British-Chinese artist Gordon Cheung. Their collective efforts sought to comment on the tragic murder of Vincent Chin and confront the enduring use of anti-Asian imagery in Western culture. This backdrop illuminates the Sedation in Bloom prints as more than just decorative art; they are a conversation piece, challenging the viewer to wake up to the undercurrents of cultural complacency and xenophobia that still pulse beneath the surface of contemporary society. The Cream & Gold Sedation in Bloom thus represents a potent dualism inherent in street pop art and graffiti artwork – a vehicle for beauty and a tool for awareness. Shepard Fairey's work stands as an emblem of street art's potential to function as a clarion call for social vigilance, beckoning the public to a state of heightened awareness amidst a cultural landscape often too willing to lull them into passivity with its gilded distractions. Through this print series, Fairey reminds us that the actual gold is found in the collective awakening and the pursuit of truth in the face of societal sedation.

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Blue & Baby Blue Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. The Visual Language of Vigilance: Shepard Fairey's Blue Hues Shepard Fairey's Blue & Baby Blue Sedation in Bloom silkscreen print encapsulates the spirit of street pop art and graffiti artwork, blending a solid aesthetic appeal with a profound societal commentary. Fairey, an American contemporary street artist, emerged from the skateboarding scene and swiftly rose to prominence, etching his mark on the world with his distinct style and politically charged messages. The Resonance of Poppies in Fairey's Artwork The Sedation in Bloom series, with its vibrant shades of blue, reflects Fairey's deep engagement with the art form and the message it conveys. Each piece in this limited edition of 150 is hand-pulled on cream speckletone fine art paper, ensuring each print's unique quality and textural feel. The artwork's 18x24 inches dimensions offer a canvas generous enough for the intricate details and subtle interplays of color to manifest fully. In this series, the poppy serves as a symbol rich in contradictions. Representing peace, death, sleep, and sedation, these flowers are more than mere decorative elements; they comment on the multifaceted ways society engages with such concepts. Fairey draws viewers in by using floral and ornamental patterns, only to confront them with the artwork's more profound, more unsettling implications. The seductive qualities of the poppies are juxtaposed with the idea that such beauty can distract from pressing social issues, lulling the public into a state of complacency. Fairey's Art as a Reminder to Remain Conscious Fairey's collaboration with Gordon Cheung on this project extends beyond the canvas, delving into the tragic narrative of Vincent Chin's murder and the historical context of anti-Asian sentiment. Poppy pattern art originated from this collaborative effort, further emphasizing the potential of street pop art not only to depict but also to challenge and deconstruct historical and cultural narratives. The Blue & Baby Blue Sedation in Bloom prints are emblematic of Fairey's vision for his art - to serve as both a means of aesthetic escape and a potent reminder to remain alert and aware. Through this work, Fairey affirms his belief that sedation, whether through entertainment, substance abuse, or the allure of consumption, plays a significant role in fostering societal ignorance. In the serene beauty of the blue hues, there lies a call to awaken from the seductive lull and actively engage with the world's more challenging realities. Shepard Fairey's Blue & Baby Blue Sedation in Bloom stands not just as a testament to his artistic prowess but as a vivid illustration of the dual nature of art in street pop culture. It encapsulates the duality of sedation and vigilance, urging an appreciation of beauty while advocating for a conscious and engaged society. Through this series, Fairey continues to demonstrate the influential role of street pop art in sparking dialogue and inspiring a collective awakening to our time's social and political currents.

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Black & Cream Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. Sedation in Bloom: A Visual Dialogue on Complacency by Shepard Fairey Shepard Fairey, an American contemporary street artist, graphic designer, activist, illustrator, and founder of OBEY Clothing, has long been at the forefront of the street pop art movement. Born on February 15, 1970, Fairey rose to prominence with his "Andre the Giant Has a Posse" sticker campaign, which evolved into the iconic "OBEY" artwork. His work is characterized by its provocative socio-political commentary, rooted deeply in graffiti artwork and public engagement tradition. Fairey remains a living contributor to the art world, based in Los Angeles, California, where he continues to shape the dialogue around street pop art. In 2021, Shepard Fairey introduced the "Sedation in Bloom" silkscreen print series, a limited edition of 150, each piece signed and numbered by the artist himself. This particular artwork is distinguished by its striking black and cream color scheme, pulling viewers into a floral tableau that is aesthetically pleasing and meaningful. The cream speckletone fine art paper provides a delicate backdrop to the bold linework and intricate patterns that define the piece. Measuring 18x24 inches, these prints are a testament to Fairey's craftsmanship in screen printing, a technique he has mastered over decades of practice. The Symbolism Behind Sedation in Bloom "Sedation in Bloom" is more than just a visual indulgence. It carries a profound narrative that Fairey has woven into its fabric, speaking to historical and contemporary issues. The use of poppies in this artwork is particularly significant. Poppies are often associated with remembrance and the aftermath of conflict, but they symbolize sleep, peace, and even death. In Fairey's hands, these flowers represent the dual-edged sword of beauty and distraction, a motif that captures the artist's concerns about societal complacency. His collaboration partly inspired Fairey's work on this print with British-Chinese artist Gordon Cheung. Together, they addressed the murder of Vincent Chin and explored the theme of anti-Asian sentiment in Western culture. By integrating these flowers into his art, Fairey invites onlookers to engage with more than what meets the eye. It's a call to peel back the layers of beauty to reveal underlying societal issues that often go unaddressed due to the sedative effects of entertainment, consumerism, and other forms of distraction that lull societies into passivity. Impact on Street Pop Art and Graffiti Artwork Fairey's impact on street pop art and graffiti artwork is immense. His pieces often bridge the gap between art and activism, challenging viewers to consider their role within a greater socio-political context. "Sedation in Bloom" is a decorative piece that belies a more profound, more turbulent message of awareness and action. It prompts a reflection on how sedation, in its many forms, leads to political complacency and social ignorance. In street art, which thrives on visibility and accessibility, Fairey's work stands out for its ability to command attention and provoke thought in the public domain. This particular print is a testament to the enduring power of street pop art to comment on and influence contemporary culture. The limited-edition nature of the print, along with its hand-pulled creation, adds to its allure, ensuring that each piece is unique and holds its value as both a collectible and a conversation starter. Shepard Fairey's dedication to his craft and message reinforces street art's significance as a platform for dissent, dialogue, and change. "Sedation in Bloom" by Shepard Fairey is a compelling entry into the artist's oeuvre. It encapsulates the essence of Fairey's vision for street pop art and graffiti artwork, which continue to challenge the boundaries between high art and low art, between the gallery and the street. With this piece, Fairey captures the beauty inherent in the world around us and the responsibility we hold to remain conscious and questioning within it. Through his work, Fairey asserts that art is not merely for contemplation but is a tool for awakening.

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$leeping Beauty- 18x18 Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Shishidomia. 2022 Limited Edition of 250 18x18 Japan Print

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Wake Up and Smell the Corruption Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Terry Urban Street Pop Art Graffiti Legend. 2022 Wake Up and Smell the Corruption Signed archival pigment print Moab Entrada Rag Bright 290 GSM archival paper • 18 x 24 inches Hand-signed and numbered by artist Terry Urban in a limited edition of 100

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Modern Hieroglyphics Graffiti Black PP Printers Proof Foil Block Print by Mike Giant Limited Edition 1-Color on Classic Crest Eggshell Neenah Fine Art Paper Solar White Graffiti Street Pop Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 18x24 Black Foil Block Print. Mike Giant's "Modern Hieroglyphics Graffiti Black PP Printers Proof" "Modern Hieroglyphics Graffiti Black PP Printers Proof" by Mike Giant is a striking representation of contemporary visual language within the Street Pop Art and Graffiti Artwork movement. This 2019 limited edition black foil block print, marked as a Printer's Proof and signed by the artist, embodies a lexicon of street culture iconography on Classic Crest Eggshell Neenah Fine Art Paper Solar White. The artwork, sized at 18x24 inches, comprises a 1-color palette that stands in bold relief against the fine art paper, each element meticulously chosen to convey a narrative intrinsic to the street art ethos. The concept of modern hieroglyphics, presented by Mike Giant, is a profound commentary on the universal language of symbols prevalent in urban landscapes. His work distills the essence of graffiti art into a collection of iconic images that resonate with the experiences and aesthetics of street culture. Each symbol, from characters wearing checkered Vans and wielding spray cans to stylized tags and emblems, is a testament to the vibrant subcultures that inform and inspire street art. Crafting a Visual Lexicon: The Art of Mike Giant In crafting this visual lexicon, Mike Giant draws on myriad influences, from tattoo artistry to skate culture, each carefully rendered in his distinctive black line work. This edition's Printer's Proof status adds a layer of exclusivity, denoting a work that precedes the main edition, checked for quality and fidelity to the artist's original vision. Black foil block printing adds a reflective, textural quality to the work, creating a play of light and shadow that brings each symbol to life. The "Modern Hieroglyphics" series by Mike Giant stands as a modern-day codex, a collection of symbols that encapsulate the narratives and identities of those who inhabit the urban environment. His approach is meticulous, each line delivered with precision and intent, mirroring graffiti art's calculated yet free-spirited nature. In this way, Giant's work is both a homage to and a continuation of the rich tradition of street art, a genre that thrives on the immediacy of visual communication. The "Modern Hieroglyphics Graffiti Black PP Printers Proof" celebrates street culture, rendered through the refined technique of foil block printing on fine art paper. Mike Giant's work transcends the boundaries between street art and fine art, asserting the value and complexity of the graffiti aesthetic. His commitment to the iconography of street culture ensures that the narratives of this vibrant art form continue to be shared and appreciated within the broader context of contemporary art. Through his "Modern Hieroglyphics," Mike Giant not only documents the symbols of the street but elevates them, allowing the language of graffiti to speak with clarity and sophistication to audiences both within and beyond the urban landscape.

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Zombie Hand Tag Original Street Sign Painting by RD-357 Real Deal Spray Paint Mixed Media One of a Kind of Artwork on New York City No Parking Notice Sign Pop Graffiti Street Art Artwork. 2014 Signed Spray Painting Original Artwork on Real NYC Reclaimed No Parking Metal Urban City Street Sign Size 18x12 of a Decapitated Zombie Hand Grasping & Spraying a Can of Krylon Spray Paint with the RD Tag in Purple. RD-357's Vivid Depiction of Urban Rebellion: The Zombie Hand Tag The 'Zombie Hand Tag' original street sign painting by RD-357, also known as Real Deal, is a provocative piece of street pop art and graffiti that embodies the rebellious spirit of urban street culture. Completed in 2014, this artwork uses a New York City 'No Parking' metal sign as its canvas, transforming a mundane object of urban regulation into a striking visual statement. The depiction of a decapitated zombie hand grasping and actively using a can of Krylon spray paint infuses the piece with a sense of post-apocalyptic creativity and survival. Interpreting the Symbolism in RD-357's Art This piece is rich with symbolism that resonates with the ethos of graffiti and street pop art. The zombie hand, often a symbol of horror and the macabre, is presented here as a vessel of artistic creation, subverting its usual connotations of death and decay. By wielding a can of Krylon, the hand breathes life into an art form that thrives on the fringes of society. The RD tag in purple spray paint marks the artist's signature and serves as an act of claiming territory, a fundamental aspect of graffiti culture. The choice of a 'No Parking' sign as the medium is deliberate and insightful. It represents the restrictions and boundaries imposed by society, which street art often aims to transgress. The act of a zombie hand, a symbol of defiance against mortality, spraying over such a sign is a metaphor for the resilience of street art. It refuses to be confined or controlled, much like the undead refusing to remain in the grave. The Aesthetics and Technique in RD-357's Zombie Hand Tag RD-357's technique in creating this piece highlights street art's raw and unapologetic beauty. The artwork, measuring 18x12 inches, showcases the artist's skill in manipulating spray paint, a medium often dismissed by the traditional art world but revered in street culture. The dripping paint from the Krylon can, the textured portrayal of the zombie flesh, and the striking contrast between the hand and the sterile sign it occupies all contribute to a composition that is as much a visual triumph as a statement piece. The use of mixed media, incorporating both the physical sign and the spray paint, reflects the layered nature of street art. It is both an object and a message, a tangible piece of the city's fabric and a commentary. The artwork challenges viewers to see beyond the surface to understand the depth and complexity of the messages conveyed through this unique artistic expression. Conclusion: The Cultural Impact of RD-357's Work The 'Zombie Hand Tag' is a potent example of how street pop art and graffiti can alter perceptions and engage with viewers on a visceral level. RD-357's work demonstrates street art's transformative power, which can turn a simple traffic sign into a thought-provoking piece that questions authority and celebrates the irrepressible nature of human creativity, even in the face of societal collapse. RD-357, whose real name and country of origin remain unknown, much like the enigmatic nature of street art itself, has created a piece that stands as a testament to the enduring spirit of street pop art and graffiti. The 'Zombie Hand Tag' is a visual spectacle and a narrative of resistance, a declaration that even in a world overrun by the metaphorical zombies of conformity and control, the artist's spirit remains unvanquished.

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Male Extractor Limited Edition 4-Color Hand-Pulled Silkscreen Print on 290gsm Coventry Rag Fine Art Paper by Hygienic Dress League Graffiti Street Artist Modern Pop Art. Dorota (b. 1978, Poland) and Steve Coy (b. 1978, USA) are husband and wife conceptual and visual artist duo based in Detroit. Their current project, Hygienic Dress League (HDL, HDL, Corp.), is a conceptual art project that uses a legally registered corporation as a new and original form of art. Their large-scale public interventions and immersive environments use a variety of mediums including the “found object” and often leverage technology in ways that produce unique experiences. Their work is often epistemological in nature and explores aspects of the human condition and contemporary society while challenging reality, truth, and belief systems. Projects are often speculative in nature and are influenced by various aspects of other art movements, notably conceptual art, relational aesthetics, surrealism, and street art. The symbolic imagery creates a paradox of image and concept resulting in an aesthetic that has been described as “Dystopian Glamour.”

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