Woman Female

Nosferatu Limited Edition 1-Color Hand-Pulled Glow-In-The-Dark Silkscreen Print on Fine Art Paper by Pop Artist Jacob Borshard. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Nosferatu is 18×24, Glow-In-The-Dark, hand-printed, and is signed and numbered in an edition of 100.

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Te LoJuro- To Be Fearless Limited Edition Hand-Embellished HPM Spray Paint Archival Pigment Prints on Moab Entrada Rag Bright 290gsm Fine Art Paper by Indie184 Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 15 Artwork Size 13x17 2021 Signed Limited Edition TE LO JURO - TO BE FEARLESS• Autographed archival pigment print • Additional unique paint embellishment on Moab Entrada Rag Bright 290 GSM archival paper • 14 x 17 inches Hand-embellished, signed and numbered by artist Indie184 in a special embellished edition of 15

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Bollywood Sugar In Blue- Mother of Pearl Limited Edition Hand-Pulled Mother of Pearl Screen Print & Archival Pigment Print on 290gsm Moab Fine Art Paper by Handiedan Graffiti Street Artist Modern Pop Art. "The original collage artwork on vintage porcelain ‘Bollywood Sugar in Blue’ was part of Beautiful Bizarre Magazine’s ‘Ephemeral’ group show at Modern Eden in San Francisco in September 2018.The rich color Indigo, the color between violet and blue. the Third Eye. Intuition. Spiritual knowledge. Woman. Bloom. Live. Life. Flower of life. Entwine. Flowing energy. Mother Earth. Particle. Orbit. Universe. Fractal. An endless circle of energy. All is energy." - Handiedan

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Forbidden Forever HPM Acrylic Silkscreen Print by Faile Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2007 Signed & Numbered Acrylic HPM Embellished Limited Edition of 15 Artwork Size 17.9x24 Faile is a Brooklyn-based artistic collaboration between Patrick McNeil (born 1975) and Patrick Miller (born 1976). Initially founded in 1999, the duo is known for their wide-ranging multimedia practice, recognized for its explorations of duality through a fragmented style of appropriation and collage. Working in the vein of popular culture and frequently referencing mass consumerism, Faile's work encompasses a variety of materials and techniques, including painting, silkscreening, stencils, stickers, sculpture, and more. Their art has been exhibited in a wide array of contexts, from city walls and lamp posts to galleries and museums around the world, such as Perry Rubenstein Gallery, New York; Dallas Contemporary, Dallas; and Palais de Tokyo, Paris. The name "Faile" is an anagram of "A life", which signifies the duo's shared philosophy towards their work. They are known to embrace the dichotomies of art and popular culture, acknowledging the fluidity and ubiquity of imagery in the modern world. HPM, or Hand-Painted Multiples, is a term used to describe a specific method of silkscreen printing. In HPM silkscreen printing, each piece of an edition is individually embellished or altered by the artist, thereby making each print within the edition unique. This technique can often be seen in street art and other forms of contemporary art. Silkscreen printing, also known as screen printing, is a process that involves pushing ink through a stenciled mesh screen to create a printed design. It's a popular technique used in a variety of different industries, such as fine art, fashion, and marketing, due to its versatility in adapting to different materials and surfaces. Artists like Faile often utilize HPM silkscreen printing to create limited editions of their work. This method allows them to produce a series of pieces that maintain a consistent theme or image, but with individual variations that make each piece unique. This can range from changes in color, to additional elements, to hand-finishing details. This results in each print being not just a copy, but a unique work of art.

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Ice Queen Jogjakarta Indonesia Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Ice Queen Jogjakarta by Caledonia Curry aka Swoon Ice Queen Jogjakarta Indonesia is a powerful giclee print by Caledonia Curry, the American Street Pop Art & Graffiti Artwork artist internationally recognized under the name Swoon. Created in 2016 as part of her Street Series Print Collection, this work captures a moment of street intervention in Jogjakarta, Indonesia, and preserves it on 19x13 inch heavy fine art rag paper. The print is part of a signed and numbered limited edition of 175 and reflects Swoon’s enduring commitment to documenting ephemeral urban installations through high-quality archival prints that communicate the immediacy of her public work in permanent form. Street Pop Art Expression in Swoon’s Global Installations In Ice Queen Jogjakarta, Swoon presents a portrait of a regal, nature-bound figure pressed against an urban wall layered with graffiti tags and weathered textures. Rendered in her signature woodcut-inspired style, the Ice Queen wears an intricate arrangement of leaves and feathers, projecting strength, poise, and mysticism. The subject appears both delicate and formidable, staring off into the distance as the marks of graffiti culture swirl around her. The print captures the original street piece’s juxtaposition between handmade beauty and the unpredictable conditions of outdoor walls, delivering a dialogue between the natural and constructed. As with much of Swoon’s Street Pop Art & Graffiti Artwork, the work centers human presence in the urban context and makes a visual offering to the local environment. Caledonia Curry’s Practice and Global Footprint Caledonia Curry was born in the United States and emerged from the early 2000s street art movement in New York with her iconic wheatpaste portraits. As her practice evolved, she expanded her work to cities around the world, leaving pieces that speak to local identity, shared humanity, and social history. Ice Queen Jogjakarta is an example of her international reach and cultural sensitivity. The artwork not only documents her physical intervention in Indonesia but also reflects her collaborative and immersive approach to making art in unfamiliar settings. Each figure Curry creates has a presence that speaks beyond nationality, embodying archetypes of resilience and grace amid visual disorder. This piece, like others in her print catalog, is a distilled snapshot of a larger global narrative she continues to build. Preserving Street Ephemera through Fine Art The Ice Queen Jogjakarta giclee print encapsulates Curry’s ability to transform fleeting wheatpaste work into collector-grade fine art without losing its original emotional power. Printed on museum-quality rag paper, this edition respects the raw materiality of the street while elevating the work into the realm of collectible Street Pop Art & Graffiti Artwork. It stands as both an artwork and a historical document, preserving a specific moment in a foreign urban space. The entire Street Series Print Collection honors this dual purpose. For those interested in contemporary street culture and international artistic practice, this print offers a glimpse into the heart of Swoon’s creative mission and her lasting impact on public art.

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Long Distance Reality- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed Limited Edition of 20 Artwork Size 11x11 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Black Dahlia Murder- Red on Blue Free Press Houston Summerfest 2011 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Justin Anville. Ultra Rare Red on blue paper - edition of 2. Created for the Free Press Houston Summerfest. This is a chrome variant, which has different colors from the poster available at the festival. It is an 18" x 24" four-color screenprint on 100lb paper. Black Dahlia Murder Red on Blue Free Press Houston Summerfest, Texas, Houston, June 4th 5th 2011 Eleanor Tinsley Park

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God Save Margaret Thatcher Giclee Print Record CD Box Set by Billy Childish x Jamie Reid Artwork Limited Edition Print With Safety-pin On Distressed Fine Art Paper Graffiti Pop Street Artist. 2013 Signed & Numbered Limited Edition of 200 Artwork Size 27.6x20.5 2013 Thatcher's Children Boxed Record CD & Letter Box Set Plus L-13 Brown Bag The collaborative artwork "God Save Margaret Thatcher" by Billy Childish and Jamie Reid is a sharp and provocative commentary rendered through the lens of street pop art and graffiti artwork. The limited edition giclee print, part of a collection that includes a boxed record CD and letter box set, is a fusion of political narrative and artistic expression that captures the cultural zeitgeist of its time. Political Satire and Artistic Expression The giclee print is a bold statement within the pop art movement, a genre known for blurring the lines between high art and popular culture. Billy Childish and Jamie Reid, known for their aggressive aesthetics, use the iconography associated with Margaret Thatcher, the former Prime Minister of the UK, to create a layered discourse on power, policy, and patriotism. The artwork, sized 27.6x20.5 inches, employs the distressed look typical of street art and the precision of fine art printing techniques, with the addition of a safety pin that punctuates the piece with an emblem of punk culture. The image of Thatcher, presented with a stylized rendition of the Union Jack and the phrase "God Save," evokes the nationalistic fervor and divisive politics of her era. The choice of giclee printing ensures that each piece in the limited edition of 200 retains the vibrancy and detail of the original work, making it not just a political statement but also a collector's item. Reid and Childish's Distinctive Styles Jamie Reid, famously associated with the punk rock band the Sex Pistols, brings his characteristic ransom-note typography to the collaboration, complementing Childish's raw and expressive style. The layered text over Thatcher's image creates a visual cacophony that mirrors the social and political turbulence associated with her tenure as Prime Minister. The aesthetics of the print are reminiscent of Reid's work on album covers, while Childish's influence is evident in the vibrant and unrefined quality of the imagery. This limited edition print, signed and numbered by the artists, is a testament to their shared ethos of challenging authority and convention through art. The use of distressed fine art paper adds a layer of authenticity, emulating the ephemeral nature of street art and graffiti while simultaneously offering the permanence of fine art. Boxed Record CD and Letter Box Set Accompanying the giclee print is the "Thatcher's Children" boxed record CD and letter box set, an extension of the narrative explored in the print. This set, a combination of visual art and music, encapsulates the multifaceted approach to storytelling that both Childish and Reid employ. Including music and the written word with the optical components enriches the dialogue initiated by the print, offering a more immersive experience of the artwork's thematic content. Cultural Packaging: The L-13 Brown Bag The entire collection is presented in an L-13 brown bag, a packaging choice that is both practical and symbolic. The unassuming brown bag, often associated with the bland transportation of goods, is a vessel for transporting powerful artistic and political statements. The L-13 stamp on the bag indicates the involvement of the L-13 Light Industrial Workshop, known for supporting avant-garde and counter-culture artists, further aligning the collection with the spirit of rebellion and dissent. Significance in Modern Art The "God Save Margaret Thatcher" giclee print and accompanying items hold a significant place in the narrative of modern art. They represent a confluence of street art's accessibility, pop art's use of popular imagery, and the personal touch of graffiti art. The collection is not only a reflection of the political climate of the 1980s but also a timeless exploration of the power dynamics and societal structures that continue to shape contemporary discourse. Billy Childish and Jamie Reid's collaborative effort in creating the "God Save Margaret Thatcher" collection is a masterful blend of street pop art and graffiti artwork that resonates with cultural and political relevance. The print's limited edition nature, the giclee medium's quality, and the boxed set's comprehensive nature all contribute to the collection's appeal as a significant piece of art history and a poignant commentary on the social and political landscape.

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My Love Is Vengeance Black 2-Color Limited Edition Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 Signed & Numbered Limited Editon of 50 Hand Deckled Artwork Size 18x24 "My Love Is Vengeance" is a compelling silkscreen print that exemplifies the masterful artistry of Cleon Peterson. Released in 2022, the piece is an evocative blend of pop, street, and graffiti art influences, capturing the dynamic evolution of modern visual narratives. With a powerful dichotomy of black and bone, the artwork explores profound themes of passion, conflict, and resilience, drawing viewers into its rich tapestry of emotion and symbolism. Printed meticulously on the premium 290gsm Coventry Rag paper, the artwork's quality is indisputably top-notch. The paper, known for its rich texture, amplifies the depth of the piece, allowing the intricate details to shine through. The choice of deckled edges adds an air of vintage charm, offering a stark contrast to the modern and contemporary essence of the depicted figures. With dimensions set at 18x24 inches, the expansive canvas becomes a window to a world where love and vengeance dance in an eternal embrace. The intertwined figures, rendered in fluid lines and sharp contrasts, echo tales of love and its multifaceted nature—both tender and fierce. Each curve, shadow, and hue speaks volumes, challenging viewers to introspect and interpret. And adding to the allure is the artwork's exclusivity. With each print being hand-pulled, a unique touch of authenticity is embedded. The signature of Cleon Peterson and the numbered mark further assert its rarity, making it a treasured addition for any art collector. In "My Love Is Vengeance", Cleon Peterson has, yet again, showcased his unparalleled ability to merge diverse artistic genres, creating a timeless piece that resonates deeply with today's art aficionados.

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Rose Bath Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Naoshi. 2014 Signed in Verso with Hand-Drawn Face Limited Edition of 100. 8.25x11.75 Based on Sunae Sand Art.

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Media Press Test Sheet 2011 2-Color Hand-Pulled Limited Edition Letterpress Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. #1/7 This is a rare test print sent to the media for review by Dan Christofferson in 2011 including the artworks I'm Sorry, I'm on Fire, Girl with Greyhound and 2 others.

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Shadow Cat X-Women 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Rockets Are Red Rare Street Art Famous Pop Artwork Artist. Shadow Cat stylized Marvel Comics Superhero Character #168

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Muse #667 Original One of a Kind Watercolor Artwork Painting on Fine Art Watercolor Paper by Popular Street Graffiti Artist Conrad Roset. 2014 Signed Original Unique Watercolor Painting Artwork Size 12x15.7

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Phantom Surfers - Jan. 24th, 1997 at The Trocadero Limited Edition 8-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Coop Graffiti Street Artist Modern Pop Art. Phantom Surfers Jan 24th 1997 The Trocadero Silkscreen Print by Coop Coop, real name Chris Cooper, is a hot rod artist working from Los Angeles. He was born in Tulsa, Oklahoma in 1968, and describes his occupation as "Insensitive Artiste". His work consists primarily of barely clothed Bettie Page-style 1950s soft pornography and/or B-movie monsters, with the female characters often taking the role of "Devil-Women". The image most often associated with his work is however slightly more tame: the face of a grinning devil with a smoking cigar clamped in its teeth.

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Sanctuary Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by J.A.W. Cooper Graffiti Street Artist Modern Pop Art. "Sanctuary was created in 2013 as part of my solo show "Laid Bare" which explored vulnerability as both a source of strength and discomfort. The setting for the piece is of personal significance, a verdant cave at the top of a waterfall in Big Sur. This cave is full of stacked rocks left by previous visitors though in all of my visits I never encountered anyone inside, and so it has the air of a place of significance for many people traveling along parallel lines but not intersecting. The purpose of a "sanctuary" is to provide asylum in a time of stress or danger and this cave gave me peace at a time when I was letting go of one facet of my life and fostering the growth of a new one; the severed stag head and the fawn." - J.A.W. Cooper

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Prowess Artwork Giclee Limited Edition Print on 300gsm Fine Art Paper by Pop Culture Graffiti Artist Casey Weldon. "Each of the pieces was created using acrylic on a 16x16” piece of birch. Back in 2008, I did about 9 tiny headdress pieces, each featuring strange objects in an ornamental and ceremonial fashion. I liked the idea of using the craft of the headdress to display the objects and ideas we worship in modern society. After abandoning the idea for many years I came back to it last year with the intention of developing the original though in a more intricate, yet ambiguous fashion. Pun intended. These pieces were made in November of 2012 for the Prisma Collective’s group show “Second Sight” at Trifecta Gallery in Las Vegas." - Casey Weldon

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Pretending to Be In Love- Purple 5-Color Hand-Pulled Limited Edition Silkscreen Print Artwork on Archival Cougar Paper by Greg Gossel Rare Street Art Pop Artist. 2015 Signed & Numbered Limited Edition of 150 Artwork Size 19x25 19 x 25" 5 color print on acid-free, archival Cougar white paper

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Playbot 1 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Mimi Yoon. Signed limited run for Sneaker Con 2021

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Vertigo San Francisco Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2014 Signed & Numbered on Back Limited Edition of 100 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print of Woman San Francisco City Sprial from Movie Vertigo. Vertigo San Francisco Silkscreen Print by Justin Van Genderen Vertigo San Francisco Silkscreen Print by Justin Van Genderen is a 2014 hand-pulled screenprint that merges the atmospheric tension of Alfred Hitchcock’s film Vertigo with the stylized aesthetics of Street Pop Art & Graffiti Artwork. Measuring 18x24 inches and produced in a signed and numbered limited edition of 100, this piece captures the essence of cinematic suspense and the city’s haunting allure. The striking spiral design, the silhouette of a lone woman, and the unmistakable San Francisco skyline create a hypnotic visual experience that echoes the psychological themes of the legendary film. A Cinematic and Graphic Masterpiece This screenprint is a masterclass in composition, using simplicity and contrast to build an unsettling yet mesmerizing scene. The background consists of a bold, spiraling pattern that expands outward from the center, reminiscent of the famous Vertigo effect used in Hitchcock’s film. The spiral dominates the composition, drawing the viewer into its depths while evoking the sensation of movement and disorientation. The central figure, a silhouetted woman walking along a railing, is dwarfed by the overwhelming spiral, reinforcing the film’s themes of obsession, fate, and psychological unease. The warm tones of red and beige give the artwork a vintage yet modern feel, referencing the film’s original poster design while updating it with a minimalist approach. In the lower portion, recognizable elements of San Francisco’s skyline, including the Golden Gate Bridge, provide a subtle yet effective sense of place. This balance between abstraction and realism makes the piece visually engaging, drawing connections between the city, its cinematic history, and its reputation as a space of mystery and allure. Street Pop Art & Graffiti Artwork Influence Justin Van Genderen’s style is deeply rooted in the aesthetics of Street Pop Art & Graffiti Artwork, and this print exemplifies his ability to transform familiar imagery into bold, graphic statements. The use of high-contrast silhouettes, geometric abstraction, and a restrained color palette aligns with techniques seen in street murals, stencil work, and urban poster art. The spiral, while a direct reference to Vertigo, also carries associations with street art motifs—symbols of time, hypnosis, and perception. The halftone-like texture layered throughout the piece mimics the distressed surfaces found in urban art, reinforcing the tactile quality of screenprinting as a medium. The restrained use of typography in the lower portion, with its clean lines and structured layout, further enhances the balance between film poster aesthetics and contemporary urban art influences. The interplay of positive and negative space creates a striking visual rhythm, making this piece stand out as both a tribute to classic cinema and a fresh take on modern design. San Francisco’s Role in Urban Art and Film San Francisco has long been a city that inspires both filmmakers and street artists. Its dramatic landscapes, steep streets, and dense fog create an atmospheric setting that has been immortalized in countless films, including Vertigo. The city’s vibrant street art scene also thrives on these visual contrasts, with murals, wheatpaste posters, and large-scale installations embracing the city’s rich cultural and artistic history. This print encapsulates the dual nature of San Francisco as both a real place and a cinematic dreamscape, where reality and illusion constantly blur. As a limited-edition hand-pulled screenprint, this artwork is highly sought after by collectors of Street Pop Art & Graffiti Artwork as well as film enthusiasts. The combination of bold design, psychological depth, and homage to one of cinema’s most visually striking films makes this print a powerful statement piece. Whether displayed in a gallery or as part of a private collection, this piece captures the essence of both Vertigo and San Francisco itself—a city of beauty, mystery, and endless artistic inspiration.

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Long Live The People Silkscreen Print by Edward Nachtrieb x Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2020 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Oct 1 is the 70th anniversary of Communist Party rule in China and the Chinese government is planning an extravaganza of choreographed contentment in the mainland while the people of Hong Kong will hit the streets in an effort to secure their rights. I’ve long believed that protests in the streets are an essential tool for meaningful change because the passion, courage, and visceral force of the participants in a mass protest send a powerful message that they are fully committed to their cause! Ed Nachtrieb photographed many incredible moments of the 1989 Tiananmen Square protests. I’m honored to collaborate with Ed on a set of two images based on his documentation 30 years ago, especially because pro-democracy and human-rights protesters are in the streets of Hong Kong right now! This image “Long Live The People” will be released as a print soon… more details to come. Check out Ed Nachtrieb’s thoughts on the 1989 Tiananmen Square protests." -Shepard Fairey- OBEY "After the People’s Liberation Army was sent in to suppress what is now called the “pro-democracy movement” on June 4, 1989, there was a liberalization of economic rules and policies. China then experienced a remarkable economic transformation. The idea: if people could get rich, they wouldn’t care so much about their freedoms. I think that’s a miscalculation. In Hong Kong today, ideas championed in 1989 have reappeared in a “Revolution of Our Time” in spite of the campaign to erase such “counter-revolutionary” thoughts from history. My images used in these prints are from energetic and optimistic moments of the pro-democracy movement. Victory was in the air. Progress seemed inevitable to those with arms outstretched and smiles beaming from their faces. Shepard’s work reflects their hopes and aspirations. The same ones that fortified those protesters in 1989 are now fuel for the passionate idealists on the streets today." -Edward Nachtrieb The "Long Live The People" silkscreen print is a collaborative work between Edward Nachtrieb and Shepard Fairey, capturing the essence of protest and the enduring spirit of the people. Hand-pulled with five colors on cream speckletone fine art paper, this limited edition artwork stands as a cultural commentary and a historical reflection on the power of mass protest. The print commemorates the 70th anniversary of Communist Party rule in China, juxtaposing the government's celebration with the civil unrest and pro-democracy protests in Hong Kong. Nachtrieb's photographs from the 1989 Tiananmen Square protests provide a poignant visual foundation for the artwork. Fairey's adaptation into the print medium amplifies the message of resilience and the quest for human rights. This intersection of street pop art and graffiti artwork embodies the artists' shared belief in the impact of collective action and the pursuit of freedom, resonating with contemporary movements for democracy and social justice.

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Obsidian 00- Blastoline 3-Color Limited Edition Stereograph Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. Obsidian 00 - 'Blastoline': During the last twenty years, there has been very difficult times for Daphne’s family, and one of the hardest moments was the loss of her fathers classic one-off automobile during the bankruptcy. Rebuilding her father’s company with supreme dedication, here she sits as a testament to his legacy with the very car that belonged to him, restored to pristine condition minus a small fortune. 3 color Serigraph - 16 x 20 inch - on smooth white stock Regular colorway in a limited edition of: 75 (w/ hand-painted detail) Signed and numbered by the artist

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Bardot Original Painting Spray Paint Watercolor Mixed Media on Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed Original Mixed Media Spray Paint Watercolor Artwork Size 15x22

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In Heaven Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Richey Beckett pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Richey Beckett’s In Heaven Blotter Paper Print and the Evolution of Street Pop Art & Graffiti Artwork In Heaven, released on April 19, 2021, is a limited edition archival pigment print created by Welsh artist Richey Beckett. The artwork is printed on perforated blotter paper, a material historically linked to LSD distribution and countercultural iconography. Measuring 7.5 x 7.5 inches, this edition was signed, numbered, and released with a certificate of authenticity. Zane Kesey, son of author and LSD advocate Ken Kesey, hand-perforated the paper, further rooting this piece in the legacy of psychedelic art and its ties to anti-establishment narratives. By producing fine art on blotter paper, Beckett directly engages with the visual vocabulary of altered consciousness and underground rebellion, core themes in the lineage of Street Pop Art & Graffiti Artwork. This release exemplifies the crossover between traditional illustration and pop culture ephemera. Beckett’s piece does not merely exist as a static image; its medium evokes a specific subculture, inviting associations with the experimental, the taboo, and the liberated. In the same way that graffiti artists claim space in public areas to provoke reaction, blotter art inserts radical imagery into intimate settings, often passed hand to hand. Beckett’s choice to print on this medium reclaims that tactile immediacy, transforming a potentially disposable object into a collectible form of resistance and reflection. Symbolic Imagery and Technique in In Heaven The visual content of In Heaven features Beckett’s signature intricacy, with an image that appears to blend elements of divine ecstasy and personal transcendence. The composition is dominated by flowing forms, sacred geometry, and naturalistic detail. Stylized feathers, ornate jewelry, and celestial motifs flood the image with a sense of ritual and myth. The figure appears both regal and vulnerable, lying in a position that suggests transformation or surrender. The intense use of contrast between rich jewel tones and dark linework reflects Beckett’s mastery in using color to evoke emotion and mystery. These qualities position the piece within the evolving definitions of Street Pop Art & Graffiti Artwork. Where much of the street aesthetic leans toward immediacy and scale, Beckett's work is about intensity and intimacy. Yet it shares the same cultural foundation: artwork meant to resonate on a visceral level, addressing themes of identity, mortality, freedom, and beauty in ways that resist traditional gallery constraints. His use of traditional ink work merged with psychedelic color palettes speaks directly to the contemporary appetite for spiritually infused, richly detailed visual experiences. Psychedelic Legacy and the New Canvas of Street Pop Art Printing on perforated blotter paper is a deliberate artistic choice that carries decades of countercultural history. In the 1960s and 70s, LSD blotters were often printed with iconic pop imagery or abstract symbolism, making them both functional and expressive. Beckett’s decision to produce In Heaven on this same canvas transforms the piece into an artifact that blurs the lines between ritual, memory, and visual protest. This aligns with how graffiti once evolved from tagging to muralism, and how pop art transitioned from satire to social critique. Beckett’s contribution lies in his fusion of classical technique with rebellious format. Just as graffiti transformed neglected walls into sacred spaces for truth-telling, this work transforms psychedelic delivery paper into a platform for artistic elevation. The limited nature of the release—handled entirely by hand and steeped in cultural reference—demands that viewers reconsider the boundaries of what qualifies as fine art. Richey Beckett’s Role in Reimagining Psychedelic Art Forms Richey Beckett continues to innovate within Street Pop Art & Graffiti Artwork by pushing beyond standard materials and formats. With In Heaven, he presents a format historically tied to experiences of awakening, danger, or freedom, and recontextualizes it through precise, sacred visual language. This blend of mythic illustration and tactile culture makes his work accessible while carrying deep spiritual charge. As blotter art regains attention from collectors, Beckett’s contribution is notable not just for its aesthetic depth, but for the cultural conversation it reignites. By collaborating with figures like Zane Kesey and using formats that defy conventional norms, Beckett upholds the core principles of modern street-influenced art: provocation, reinvention, and an unwavering commitment to personal truth rendered in physical form. In Heaven is more than an image—it is a physical, emotional, and symbolic experience framed within one of the most subversive print mediums ever used in art.

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Brooklyn Rainbows Pop Artwork Limited Edition Giclee Print on Fine Art Paper by Modern Artist Natalia Fabia. Signed 2012 Limited Edition Fine Art Giclee Print 20 x 20 “ - 18 x 18’ image size with 2 “ border Signed and numbered

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Obsidian 1- 45- Pink Variant 4-Color Full Bleed HPM Embellished Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. Obsidian 01 - '45': Adorning the helmet in preparation for the rehearsal, Evelyn is slightly regretful for accepting the role of the lead villain. As soon as the armored helm and trained vulture are upon her, she revels in how easily she slips into the sinister role. 4 color serigraph - 16 x 20 inch - on smooth natural stock. Pink Variant colorway in a limited edition of: 20 (w/ hand-painted detail) Signed and numbered by the artist

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Convergence Of Alternate Realities- HPM Hand Embellished Limited Archival Pigment Fine Art Prints on 300gsm Museum Bright White Fine Art Paper by Pop Culture Artist Ana Bagayan. Number 35 of 35, Hand-Embellished Archival Print on 300gsm Museum Bright White Fine Art Paper Size: 17 x 22 Inches Release: May 06, 2016 Run of: 35 "I created the piece partially in inversion so that the E.T. figure feels like a familiar dream. I wanted to recreate what it feels like to wake up from an exciting dream but to only grasp incoherent bits and pieces of it because the conscious mind is unable to decipher the nonlinear distorted timeline of events. The concept formed organically from a rough sketch to the finish. I didn't know exactly what this dream was going to be about until the image started to form in color. It went through many changes during the painting stage, as the story unfolded. While I think the relationship between the characters in the piece is all open to interpretation, the idea is that this is a place that exists in one's subconscious where they can access and experience multiple parallel dimensions at once. I named this particular place Germia, a word that my mind repeated during the construction of the piece." - Ana Bagayan

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Playtoy Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Bei Badgirl. Gallery quality archival luxury giclee print on Canson Infinity Rag Photographique 210gsm, with artist's signature. Large: 16" x 22.5" (41 x 56.5cm)

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Ready for the World Gameface Giclee Print by Puma x Max Sansing Artwork Limited Edition Print Framed on Wove Fine Art Paper Graffiti Pop Street Artist. 2021 Signed & Numbered Limited Edition of 50 Artwork Size 24x24 Puma Clothing Company Sports Print. Framed, Crease to upper left corner; mild creasing along left edge of sheet. Ready for the World Gameface by Puma x Max Sansing – Athletic Identity in Street Pop Art & Graffiti Artwork Ready for the World Gameface is a 2021 limited edition giclee print created as a collaboration between global sportswear brand Puma and American artist Max Sansing. Produced in a signed and numbered edition of 50, this artwork is printed on wove fine art paper and framed at 24 x 24 inches. Known for blending fine art portraiture with vibrant street sensibilities, Max Sansing brings a narrative of empowerment, focus, and transformation to this composition. The circular design centers on a dynamic hybrid image of a human face intersected with the form of a black panther—an emblem of power, vigilance, and grace. Surrounding the visual is the phrase Ready for the World and Game Face, establishing the piece as a symbolic preparation for challenge, resilience, and presence. The striking color palette, layered transitions, and textured gradients reflect Sansing’s background in both muralism and traditional painting techniques. Visual Armor and Emotional Poise Through Color and Form The central motif—a figure masked by and fused with the panther—evokes themes of duality and psychological preparation. Sansing uses sharply contoured color fields, vivid neons, and high-contrast shadowing to illustrate the mental and spiritual readiness of an individual confronting the external world. The subject’s eyes gaze forward beneath the protective shell of the panther’s face, suggesting a merging of internal clarity and external strength. Each layer of color works like armor, building toward a visual representation of personal evolution. The piece speaks directly to the culture of sport, street identity, and mental perseverance, making it an ideal narrative vessel within the world of Street Pop Art & Graffiti Artwork. It connects the urban language of murals to the wearable messages of branded apparel. Surface Integrity, Framing, and Printed Precision Printed using high-fidelity giclee methods, the work retains all the vibrancy and painterly nuance of Sansing’s original design. The wove fine art paper supports rich ink saturation and allows for crisp transitions between color fields. Framed and preserved, the print carries slight creasing to the upper left corner and mild edge marks, but these do not diminish the visual impact of the composition. Instead, the imperfections enhance its physicality, grounding it in the tactile reality of printed art as both collectible and artifact. The circular design format allows the viewer’s gaze to rotate within the work, mirroring the internal repetition of mental preparation—the ritual of putting on a game face both literally and metaphorically. Max Sansing and the Energetics of Resilience in Contemporary Urban Iconography Max Sansing continues to assert himself as a key figure in the world of Street Pop Art & Graffiti Artwork, blending fine art technique with urban philosophy and social insight. His ability to convey emotional complexity through bold color choices and cultural symbolism sets his work apart from purely decorative or illustrative art. Ready for the World Gameface is more than a sports branding piece—it is a manifesto on visual identity, personal focus, and the discipline of facing public life with inner readiness. Through this collaboration with Puma, Sansing brings the language of the street into direct conversation with athletic culture, creating a piece that resonates with strength, intention, and style. The print functions not only as visual inspiration but as a representation of the fusion between personal narrative and public expression in contemporary art.

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Patricia Silver Hand Cut HPM Spray Paint Giclee Print by Kevin Stanton Artwork Limited Edition Print on Layered Glitter Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2013 Signed & Numbered Spray Paint Glitter Paper Hand Cut Embellished Limited Edition of 4 Artwork Size 11.75x15.75 HPM Giclee Print. Silver Paper Collage of a Woman Anjelica Huston Stylized from the Movie The Darjeeling Limited. Kevin Stanton's "Patricia Silver": A Tribute in Hand-Cut Precision The artwork "Patricia Silver" by Kevin Stanton is a limited edition print that showcases the artist's deft hand at combining traditional cut-paper artistry with modern techniques like spray painting, creating pieces firmly rooted in Street Pop Art and Graffiti Artwork. The 2013 piece, signed and numbered, is a rare collection with only four editions, each sized at 11.75x15.75 inches and meticulously crafted on layered glitter fine art paper. This hand-embellished HPM (hand-painted multiple) Giclee print presents a silver paper collage of a woman, offering a stylized depiction inspired by Anjelica Huston's character from Wes Anderson's film "The Darjeeling Limited." Artistic Fusion: Street Aesthetics and Cinematic Influence Stanton's work in "Patricia Silver" captures the essence of character and narrative through the interplay of light, shadow, and texture. The piece resonates with the ethos of street art, where everyday visuals are transformed into striking, memorable icons. The likeness to Anjelica Huston is symbolic and evocative of the character's depth, mirroring how street art often encapsulates complex stories within simple yet powerful imagery. The choice of silver paper invokes a sense of the ethereal, contrasting with the bold solidity of spray paint—two mediums that evoke the duality often found in street art between the fleeting and the permanent. Stanton's meticulous hand-cutting technique further adds a layer of complexity, demonstrating the same care and attention to detail that street artists apply to their large-scale murals. Celebrating Character: An Intersection of Art Forms The confluence of street art sensibilities and cinematic inspiration in "Patricia Silver" represents a broader trend in contemporary art where cross-medium influences are increasingly prevalent. Stanton's translation of a film character into a hand-cut artwork speaks to the permeability of artistic disciplines. It celebrates character and personality, much like graffiti artwork, often as an homage or a socio-political statement within the public space. In this artwork, the character of Patricia from "The Darjeeling Limited" is not just commemorated but reimagined through Stanton's unique artistic lens. The depiction is a testament to the artist's ability to distill the essence of a subject into a visual form that is both accessible and profound, similar to how iconic figures are rendered in pop culture murals and street art installations. Kevin Stanton: A Contemporary Visionary of Cut-Paper Art Kevin Stanton stands as a visionary in the modern art world, where traditional techniques are revived through a contemporary lens. "Patricia Silver" is a testament to his innovative approach to art-making, where the old and the new are seamlessly woven into a singular, cohesive narrative. His limited edition prints are not just artworks; they are stories told through paper and paint, meant to engage and resonate with an audience as powerfully as any street-side masterpiece. "Patricia Silver" remains an integral part of Stanton's artistic journey, exemplifying his dedication to craft and ability to communicate visually. In the same way that street art has evolved to become a respected and critical part of the art dialogue, Stanton's work continues to challenge and redefine what is possible within the traditional scope of cut-paper artistry, bridging it with the vibrant spirit of Street Pop Art and Graffiti Artwork.

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Picnic Limited Edition Hand-Embellished Hand-Painted Stencil on Prolux 300gsm Base Paper by MAD Graffiti Street Artist Modern Pop Art. Picnic Unique HPM Stencil Print by Mad He has presented his unique works on walls and art galleries of numerous countries around the world including Iran, US, Netherlands, UK, Norway, and Turkey.

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Senorita Lockheart 16x20 Limited Edition Archival Pigment Prints on Fine Art Paper by Pooch Graffiti Street Artist Modern Pop Art.

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Caught Fire Yellow Pink B-Side Silkscreen Print by Faile HPM 4-Color Hand-Pulled With Stencil on 310 gsm Coventry Rag. 2022 Signed & Numbered Limited Edition of 22 HPM Artwork Size 31x39 Caught Fire: Yellow/Pink 31 x 39 Inches / Edition of 22 Acrylic and Silkscreen Ink on Archival Paper Signed, Stamped and Embossed FAILE 20222022 Holiday release. A new image and edition that's been waiting to find its way into the world. These are heavy multi-layered prints from the studio. Each a little different given the handprinted qualities and a fun B-Side print as well.

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Innocent Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori.

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Monk Artwork Giclee Limited Edition Print on Cold-Press Italian Watercolor Paper by Pop Culture Graffiti Artist Caia Koopman. "I really enjoyed the opportunity to express my concern for rapidly disappearing and critically endangered species in my painting "Monk" for PangeaSeed. My painting portrays the critically endangered Hawaiian Monk seal while the female character symbolizes the souls of a shrinking population and seals past. I believe strongly that we humans, all living things, and even the planet itself are intrinsically connected." -Caia Koopman Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Girl With A Pearl Earring Giclee Print by Adam Lister Artwork Limited Edition Print on 300gsm Hot Press Matte Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 8x10 "Girl with a Pearl Earring" is a renowned painting by Dutch artist Johannes Vermeer, created in the 17th century. Often referred to as the "Mona Lisa of the North," this enigmatic portrait depicts a young girl wearing a turban and an exquisite pearl earring, gazing at the viewer with a captivating expression. Contemporary artist Adam Lister has reinterpreted this iconic work in his signature pixelated, 8-bit style with a giclee print titled "Girl with a Pearl Earring." Lister's artwork pays homage to the original masterpiece while showcasing his own artistic perspective. The print features the familiar portrait of the girl, but with her face, clothing, and earring rendered in simplified geometric forms, characteristic of Lister's style. A giclee print is a high-quality reproduction of an original artwork, created using a specialized inkjet printer. The process involves spraying microscopic dots of pigment-based ink onto archival-quality paper resulting in a long-lasting, vibrant, and highly detailed print. This method allows art enthusiasts to appreciate and collect Adam Lister's reinterpretation of "Girl with a Pearl Earring" at a more accessible price point than an original painting.

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Goddess In Us Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Handiedan. 2020 Signed & Numbered Limited edition of 55 giclée signed and numbered print by the artist. "Creating these multi-layered mixed media collages gives me the opportunity to explore the complex layers of life and energy. I always hope for a beautiful interaction with the viewer's eye and heart." -Handiedan

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Its Finally Over HPM Stencil Spray Paint Print by Denial- Daniel Bombardier Hand-Painted Multiple on Cradled Wood Ready to Hang Unique Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Edition of 20 HPM Unique Stencil Paint Artwork Size 11x15 on Cradled Wood Ready to Hang.  It’s Finally Over HPM Stencil Spray Paint Print by Denial – Street Pop Art & Graffiti Artwork Denial, also known as Daniel Bombardier, presents It’s Finally Over, a striking hand-painted multiple that merges elements of pop culture, nostalgia, and political commentary. Created in 2020, this signed and numbered edition of 20 features stencil spray paint on cradled wood, measuring 11x15 inches, making it a bold and ready-to-hang statement piece. Known for his fusion of classic pop art aesthetics with street art grit, Denial continues to push boundaries by reinterpreting familiar visual tropes in provocative and thought-provoking ways. The composition features a classic comic book-style female figure, her face contorted in emotion, with tears streaming down her cheek. Rendered in a limited but highly contrasting color palette, she appears lost in despair. The speech bubble above her head reads It’s Finally Over, reinforcing the dramatic sentiment. However, the background disrupts the traditional romantic pop art scene, replacing it with a fiery, chaotic atmosphere featuring a cascade of falling bombs. This visual contrast between personal sorrow and large-scale destruction transforms the piece from a simple comic-inspired work into a layered political and social critique. The Symbolism Behind It’s Finally Over Denial’s ability to repurpose pop art imagery into contemporary critiques is evident in It’s Finally Over. The crying woman, a motif often associated with mid-century comic book romance, is a familiar representation of heartbreak, longing, or personal loss. However, Denial subverts this narrative by placing her against a background of war-like destruction, challenging the viewer’s perception of what is truly being mourned. The phrase It’s Finally Over can be interpreted in multiple ways, adding to the layered complexity of the artwork. It could reference the end of a personal relationship, the collapse of societal ideals, or even the destruction caused by political and military conflicts. The inclusion of falling bombs directly injects the piece with themes of war, violence, and the weight of historical events, making it a powerful visual metaphor for the intersection of personal and global struggles. The bright pinks and reds of the woman's hair and lips contrast sharply with the darker, more ominous elements in the background, creating a visually jarring effect that enhances the emotional intensity of the work. Denial’s use of pop art techniques, such as halftone dots and bold black outlines, further reinforces the visual connection to classic comic illustrations while maintaining the rebellious energy of street art. Denial’s Unique Approach to Street Pop Art & Graffiti Artwork Denial’s work consistently challenges consumer culture, political propaganda, and media narratives. By using familiar comic book aesthetics and repurposing them into contemporary critiques, he forces viewers to engage with themes of manipulation, disillusionment, and social unrest. It’s Finally Over exemplifies his ability to balance humor, nostalgia, and sharp social commentary in a way that is both visually captivating and intellectually engaging. His stencil-based technique allows for precision while still retaining the raw energy of graffiti. The use of spray paint and hand-painted elements ensures that each piece in this edition remains unique, adding to its collectability. The decision to paint on cradled wood rather than canvas or paper adds further depth to the work, making it feel more like an object of urban culture rather than a traditional fine art print. Denial’s combination of pop art’s clean, polished aesthetic with the rebellious nature of street art ensures that his work maintains both accessibility and edge. His ability to manipulate iconic imagery and reframe it within modern contexts is a testament to his skill as both an artist and a cultural critic. The Impact of It’s Finally Over in Contemporary Urban Art It’s Finally Over serves as a reflection of modern anxieties, exploring themes of war, emotional turmoil, and the weight of historical cycles. By taking an image commonly associated with romance and injecting it with a deeper, more sinister narrative, Denial forces the viewer to reconsider the intersection of personal and political despair. The piece challenges the audience to think about what "over" truly means—whether in relationships, political systems, or the broader state of the world. As one of the leading figures in contemporary urban art, Denial continues to create works that resonate on multiple levels. His ability to transform pop culture references into statements of resistance, critique, and introspection solidifies his place within the ever-evolving world of Street Pop Art & Graffiti Artwork. It’s Finally Over stands as a striking example of his artistic vision, ensuring that his message lingers long after the initial viewing, provoking discussion and thought in those who engage with it.

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Nemeta II Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Rodrigo Rod Luff. 2016 Signed & Numbered Limited edition of 30 Giclee Artwork Size 24x16 Rodrigo Luff's "Nemeta II" is a giclée print on fine art paper, symbolic of his ability to weave the fantastical elements of pop culture with the aesthetic precision of fine art. Signed and numbered in a limited edition of 30, this 2016 artwork, sized at 24x16 inches, encapsulates Luff's signature style. The piece's limited edition status enhances its value among collectors and admirers of Luff's work, which often explores the dreamlike interplay between humans and nature. "Nemeta II" stands as a testament to Luff's artistic vision, merging the accessibility and expressive power of street pop art with the refined techniques of traditional printmaking.

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Rise Limited Edition Archival Pigment Prints on Museum Natural Fine Art Paper by J.A.W. Cooper Graffiti Street Artist Modern Pop Art. "Rise was part of a five-piece mini-series about the stages of dealing with pain, within a larger solo show in 2013. This painting was the final stage; the triumphant rise after a crisis. The cicadas are significant, representing rebirth and metamorphosis as some species can stay dormant underground for up to 17 years until conditions are perfect and then emerge together in one epic synchronized event. True healing is not to harden externally, but to remain vulnerable and open while drawing strength from within." - J.A.W. Cooper

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Summer of Love- Full Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bob Masse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 4.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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La Cage Entre L'ombre et la Lumière Turquoise Silkscreen Print by Sandra Chevrier Hand-Pulled 25-Color Brass White Gold Leaf on MEDIUM Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 30 Artwork Size 27.5x27.5 25 Colour Screen Print On 330 Somerset paper bronze, white gold leaf & 24ct gold leaf added. Edition of 30 Signed By The Artist 70 x 70 cm 2022 La Cage Entre L'ombre et la Lumière (Turquoise), 2022 Screenprint in colors on somerset satin paper 27-1/2 x 27-1/2 inches (69.9 x 69.9 cm) (sheet) Ed. 30 Signed and numbered in pencil along lower edge Published by Graffiti Prints, UK La Cage Entre L'ombre et la Lumière Turquoise is a silkscreen print by contemporary Canadian artist Sandra Chevrier. Sandra is well-known for her mixed-media art, which often combines painting and collage techniques to create striking, large-scale portraits of women. In her "Cages" series, she explores the concept of societal expectations placed upon women, symbolically portraying them as being trapped within cages. The cages are typically represented by superhero comic book imagery, illustrating how women are often expected to be strong and perfect in every aspect of their lives. By incorporating these comic book elements, Chevrier highlights the unrealistic and unattainable expectations that many women face daily. "La Cage Entre L'ombre et la Lumière Turquoise" is part of this series and features a portrait of a woman with a superhero mask and comic book elements overlaid onto her face. The title translates to "The Cage Between the Shadow and the Turquoise Light," emphasizing the juxtaposition between the darker aspects of societal expectations and the light of personal freedom and expression. As a silkscreen print, this piece is created using a stencil-based printmaking technique. In this method, a stencil (often made of a fine mesh) is used to selectively apply ink onto a surface. The result is a highly detailed, vibrant, and visually striking piece of art that showcases Chevrier's unique artistic style and powerful social commentary.

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Sea Breeze Chan Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Takashi Murakami TM/KK Rare Street Art Famous Pop Artwork Artist. SP State Artist Proof Signed 2020 Edition of 25 Rare Takashi Murakami TM/KK Ms. Mr Blue Teal Flower Silkscreen Print Artwork 19.68x19.68in 50x50cm Sea Breeze Chan by Takashi Murakami: Floral Iconography in Street Pop Art & Graffiti Artwork Sea Breeze Chan is a 2020 signed artist proof silkscreen print by Japanese contemporary artist Takashi Murakami, measuring 19.68 x 19.68 inches (50 x 50 cm). Produced in a rare edition of 25, this hand-pulled screen print features Murakami’s iconic smiling flower motif in a soft blue and white petal arrangement with a cheerful yellow face and bright red mouth. The print is executed on fine art paper with sharp black linework, even color fill, and meticulous print quality, aligning it with Murakami’s high production standards. The character, part of his extended Ms. Mr. Flower universe, radiates positivity and polished simplicity while functioning as a deeper symbol of Murakami’s engagement with emotion, cultural identity, and consumer-facing art. Within the world of Street Pop Art & Graffiti Artwork, Sea Breeze Chan stands as a distilled expression of controlled happiness and aesthetic perfection. Surface Clarity and Symbolic Subversion The character featured in Sea Breeze Chan is rendered with perfect symmetry and digital flatness, creating an illusion of emotional transparency. However, beneath its bright expression lies a commentary on the overload of joy in pop media and the visual language of consumerism. Murakami’s flower characters are often misread as decorative symbols, but their repetition and consistency echo the pressures of artificial happiness and the exhaustion of mass production. The use of limited palette—alternating blue and white petals—establishes rhythm and calm, while the bright red mouth and teardrop eyes evoke contrasting energy. In Street Pop Art & Graffiti Artwork, this kind of visual juxtaposition is critical, where familiar symbols are reprogrammed to expose the contradictions of public emotion and private reaction. Edition Format and Collectible Rarity This artist proof from the 2020 edition of 25 is marked by its SP state, signed and stamped by Takashi Murakami and released through TM/KK. Each print in this series was hand-pulled, maintaining the tactile integrity of traditional silkscreen technique while preserving the precision that defines Murakami’s Superflat ethos. The crisp lines and vibrant color are preserved on fine art paper designed to hold saturation and prevent warping, making the work suitable for high-end display. The square format reinforces balance, placing the flower dead center as an emblem of compositional control. Framing this work enhances its minimal visual power and situates it within the realm of collectible Street Pop Art & Graffiti Artwork that bridges gallery presence and popular cultural accessibility. Takashi Murakami’s Flower Legacy and Visual Language Takashi Murakami, born in Japan in 1962, is globally regarded as a key figure in contemporary art and Street Pop Art & Graffiti Artwork. His work is characterized by the Superflat concept—a collapsing of high and low culture, commercialism, and fine art. Murakami’s smiling flower has become a universal symbol, appearing on everything from Louis Vuitton collaborations to global exhibitions, but it always circles back to themes of loss, illusion, repetition, and longing. Sea Breeze Chan offers a serene, palette-specific variation that strips away excess and focuses on calm expression. It speaks in the visual language of perfection, but resonates with the emotional complexity of image culture. It is both a product and a portal—inviting delight on the surface while provoking reflection underneath. The piece captures Murakami’s ability to encode critique in the most joyous of visual packages, making Sea Breeze Chan an essential component of his flower series and an enduring figure in Street Pop Art & Graffiti Artwork.

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Summer of Love LSD Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bob Masse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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The Future Is Equal AP Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist Proof. AP Artist Proof 2022 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print "I grew up at a time when women’s rights were on the rise and it was accepted that the ERA was destined to pass. With 38 states having ratified the ERA, it is time for our leaders to step-up and enact the will of the people by ensuring that the ERA is adopted. It is overdue that gender equality becomes the law of the land. This project resonated with me because the fight for gender equality has always been rooted in social-justice activism and there is still work to be done." -Shepard Fairey The Future Is Equal AP Silkscreen Print by Shepard Fairey The Future Is Equal AP Silkscreen Print by Shepard Fairey is a powerful visual statement in the world of Street Pop Art & Graffiti Artwork. Created in 2022 as a hand-pulled silkscreen on cream Speckletone fine art paper, this 18x24-inch artist proof edition is signed and marked AP by Fairey. The print embodies a direct message about gender equity and civil rights through a striking composition that combines historical references, contemporary visual cues, and a politically engaged aesthetic. The female figure at the center wears a red and black cap adorned with the symbol for feminism, her confident gaze set against a backdrop of legal and activist iconography. Her jacket bears the words ERA NOW, a clear call for the ratification of the Equal Rights Amendment. A public notice referencing the 1972 general election is also printed below, reinforcing the legal and historical dimension of the piece. Visual Symbolism and Stylistic Elements Fairey's visual language is rooted in propaganda poster design, and this work uses bold red, black, and blue tones to evoke urgency and clarity. The composition is organized like a page from a revolutionary newspaper, echoing historical civil rights publications. To the left, a figure representing Lady Justice appears, reinforcing the balance of law and equity. A banner at the top announces The Future Is Equal, styled like a newspaper headline, referencing The Daily Times and proclaiming the approval of the Equal Rights Amendment. In the lower right corner, demonstrators raise fists and signs, with slogans such as Power Women Free, tying the artwork directly to protest culture and ongoing feminist movements. These combined motifs reflect Shepard Fairey’s continued commitment to Street Pop Art & Graffiti Artwork that is both accessible and subversive. Social Justice Activism in Contemporary Art Shepard Fairey, born in the United States in 1970, has long used his work to highlight themes of justice, power, and equality. As a pop culture artist with roots in the street art movement, he brings social commentary into spaces both sanctioned and unsanctioned, often using silkscreen as a medium for its reproducibility and historical weight. This print connects directly with Fairey’s ongoing efforts to leverage visual art for political advocacy, including previous works supporting climate change awareness, anti-war efforts, and racial justice. The Future Is Equal AP stands as part of this lineage, using the visual tools of street propaganda to demand legislative change and public awareness of gender rights issues. Political Printmaking in the Street Pop Tradition This artwork reflects a broader tradition in graffiti and street pop movements of using printmaking and public imagery to amplify voices calling for systemic change. Fairey’s AP edition adds rarity and collector significance, while still embodying the core ethos of accessibility and activism. The image challenges viewers to recognize unfinished work around gender equity, invoking both the legacy of earlier activists and the responsibility of contemporary generations. The combination of scale, texture, and visual urgency captures the essence of what Street Pop Art & Graffiti Artwork can accomplish when fused with purpose and historical consciousness.  

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Obsidian 01- 45 4-Color Full Bleed Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. Obsidian 01 - '45': Adorning the helmet in preparation for the rehearsal, Evelyn is slightly regretful for accepting the role of the lead villain. As soon as the armored helm and trained vulture are upon her, she revels in how easily she slips into the sinister role. 4 color serigraph - 16 x 20 inch - on smooth natural stock Regular colorway in a limited edition of: 75 Signed and numbered by the artist

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Monroe POPfolio- Photo Tear Hand-Pulled 11-Color Silkscreen Print on Archival Paper by Pop Modern Artist Mr Brainwash- Thierry Guetta Rare Marilyn Monroe Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 24x24 Straight Edges 11 Color ScreenPrint Signed and thumb-printed by the Artist.

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This Is America Artwork Giclee Limited Edition Print on 300gsm Museum Natural Fine Art Paper by Pop Culture Graffiti Artist Adam Caldwell. AP Artist Proof 2015 Signed & Marked AP Limited Edition Artwork Size 17x14 "I've waited my whole life to create artwork that incorporated my grandfather Erskine Caldwell's work. The show at White Walls was the perfect chance. He was the bestselling author of over 50 books including “Tobacco Road” and “God’s Little Acre”. The show was about my grandfather's work as a writer and my step-grandmother Margaret Bourke-White’s photography. This was the centerpiece of the show and was used for the postcard as well as advertisement for the show. While I was painting a series based on the novels written by my grandfather I was looking at the lurid pulp cover depictions of seductive southern women on his paperback editions, and the photography of his second wife Margaret Bourke-White. I was interested in his critically acclaimed, socially conscious portrayals of the economic and social conditions of southern sharecroppers, and how his publishers marketed his paperback books as softcore semi-pornography detailing the sex lives of their characters. Margaret Bourke-White’s photos also display an intense interest in race, class, and social problems." - Adam Caldwell

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Primer I Limited Edition Archival Pigment Fine Art Prints on 315gsm Matte Velvet Rag Paper by Graffiti Street Art and Pop Culture Artist Dave Pollot. Edition of 100 Measures 24 x 34.3" including 2" margin Printed on matte velvet rag paper, 315 gsm Signed and numbered by Artist

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