Wood Panel Laser Cut & Cradled

Psychedelic Fusion- 03 Original Hand-Painted Multiple Spray Paint, Ink Mixed Media on Laser Cut Wood Panel ready to hang by Tavar Zawacki (Above) Graffiti Street Artist Modern Pop Art. "The Psychedelic series were made in conjunction with my recent solo exhibition Remix. All of the Psychedelic series was designed with an emphasis on a sharp visual contrast. It's similar to 'Op-art' (Optical Art) which makes your eyes trip out. It's an effect that alters your perception as if you were on Psychedelic drugs. Some of the Psychedelic designs I made were featured in Remix, and some of them I created specifically for this series. This particular 'Sunset Strip' design I made with more complexity for my solo exhibition Remix. The Remix exhibition was about interchanging and swapping different cut patterns of the same design, in different colors to achieve the final piece. The Psychedelic series achieves a similar effect but in a more basic style of blocking out colors and allowing the negative space to reveal itself." - Above

Read more less

Psychedelic Spiral- 01 Original Hand-Painted Multiple Spray Paint, Ink Mixed Media on Laser Cut Wood Panel ready to hang by Tavar Zawacki (Above) Graffiti Street Artist Modern Pop Art. "The Psychedelic series were made in conjunction with my recent solo exhibition Remix. All of the Psychedelic series was designed with an emphasis on a sharp visual contrast. It's similar to 'Op-art' (Optical Art) which makes your eyes trip out. It's an effect that alters your perception as if you were on Psychedelic drugs. Some of the Psychedelic designs I made were featured in Remix, and some of them I created specifically for this series. This particular 'Sunset Strip' design I made with more complexity for my solo exhibition Remix. The Remix exhibition was about interchanging and swapping different cut patterns of the same design, in different colors to achieve the final piece. The Psychedelic series achieves a similar effect but in a more basic style of blocking out colors and allowing the negative space to reveal itself." - Above

Read more less

Chekers Original One of a Kind Mixed-Media Spray Paint Painting Artwork on Wood Panel by Popular Street Graffiti Artist Sechor. 2019 Signed Mix Media on 16x30 on Unstretched Canvas

Read more less

The Divine Smile Original Mixed Media Painting by Phil Simpson One of a Kind Artwork on Wood by Street Art Pop Artist. 2021 Signed Spray Paint Mixed Media Acrylic Painting Original Artwork Wood Craddled Size 16x16 The Divine Smile by Phil Simpson – Emotional Simplicity in Street Pop Art & Graffiti Artwork The Divine Smile is a 2021 original mixed media painting by American artist Phil Simpson, executed on a 16 x 16 inch cradled wood panel. Using a combination of spray paint and acrylic, Simpson presents his iconic smiling face motif rendered in bold color blocks, thick black outlines, and a radiant gradient backdrop. This one-of-a-kind piece captures the artist’s signature style—simple, saturated, emotionally direct, and universally approachable. Simpson’s aesthetic lives in the space where graffiti sensibility meets the graphic clarity of pop design, offering a symbol of joy that functions both as visual affirmation and cultural commentary. With its crisp lines and expressive facial geometry, the artwork becomes a statement of emotional presence through formal restraint, aligned perfectly within the evolving language of Street Pop Art & Graffiti Artwork. Symbolism of the Smile as Visual Healing Phil Simpson’s smiling face is more than a repeated motif—it is a philosophy embedded in form. In The Divine Smile, the expression is wide, symmetrical, and balanced by blush-like dots on both cheeks and oversized eyes that reflect light with cartoon purity. The simplicity of the face contrasts with the complexity of its emotional impact. The smile radiates calm, reassurance, and sincerity, reminding the viewer of the power of optimism in an urban world often defined by cynicism and noise. The use of vibrant purples, electric blues, and sharp white further amplifies this positivity. The smile does not mock or hide—it invites. Within the context of Street Pop Art & Graffiti Artwork, the smile becomes both a tag and a message, a symbol placed across walls, canvases, and communities with consistent visual and emotional clarity. Medium, Surface, and Street Precision on Wood Panel The use of wood as a surface provides a textured, stable base that enhances the contrast of spray paint gradients and acrylic detail. The edges of the piece are crisp, but the transitions in background color suggest the mist of aerosol—soft clouds of purple that glow behind the character’s blue face. Simpson’s linework is thick and assertive, shaped to define rather than complicate. The work’s 16 x 16 inch square format reinforces its graphic symmetry, creating a sense of intentional balance that resonates with the theme of emotional equilibrium. Every mark is placed with confidence, transforming minimal components into a maximal visual experience. The Divine Smile’s execution speaks to Simpson’s roots in street-based art practices while also elevating the work into a fine art object with permanence and intimacy. Phil Simpson and the Joy of Repetition as Resistance Phil Simpson’s work exists as a visual meditation on happiness, rendered again and again with sincerity and clarity. His practice does not rely on shock or irony but instead leans into joy, repetition, and design logic to offer a different kind of power. In The Divine Smile, Simpson does not create a portrait—he creates an emotional icon, one that speaks across language, age, and geography. As part of Street Pop Art & Graffiti Artwork, this piece reflects a belief in accessibility, honesty, and the possibility of shared connection through form. The smile becomes not just a face but a flag—a symbol for optimism painted loudly enough to be heard in a world that often forgets to look up. Through his work, Simpson builds a universe where positivity is visual, repetition is radical, and the message is always simple: the smile is the art, and the art is alive.

Read more less

Cold Tenderness Stencil Original Gold Leaf Laser Cut Cardstock by Snik One of a Kind Framed Artwork by Street Art Pop Artist. 2019 Signed Gold Leaf on Laser Cut Cardstock Original Artwork Size 13.75x20 Framed 16x23  Cold Tenderness by Snik – Fragility in Precision with Gold Leaf in Street Pop Art & Graffiti Artwork Cold Tenderness is a 2019 original artwork by the UK-based stencil duo Snik, meticulously created using gold leaf on laser-cut black cardstock. Measuring 13.75 x 20 inches and framed at 16 x 23 inches, this one-of-a-kind piece exemplifies the artists’ signature balance of control and emotion, craft and atmosphere. The portrait of a woman, rendered through countless fine diagonal incisions, shimmers with subtlety and quiet elegance. As the light catches the metallic surface, her gaze emerges and recedes, revealing the tension between permanence and disappearance. In the broader scope of Street Pop Art & Graffiti Artwork, Cold Tenderness stands as a poetic experiment in surface fragility, using luxury material and industrial process to interrogate vulnerability, memory, and identity. Laser Cut Craft and Gold Leaf Emotion What distinguishes this work is the precision of its construction. Snik has employed laser cutting technology to produce a complex network of stencil lines, each stroke carefully engineered to deliver tonal variation and shadow depth. Onto this grid, sheets of gold leaf have been applied, resulting in a surface that shifts with light and viewer position. The technique transforms the cardstock into a reflective screen where the portrait flickers between image and abstraction. While street art is typically fast, raw, and transient, this work is methodical, deliberate, and archival. The gold leaf adds both opulence and decay—fragile to the touch, always on the edge of deterioration. This paradox enhances the emotional undertone of Cold Tenderness, making it a landmark contribution to Street Pop Art & Graffiti Artwork. The Face and the Void At the core of the composition is the female figure, her face turning softly into shadow. There is no background. The field of solid black functions as both silence and space, creating a void that frames the figure’s introspective stare. Every cut line and gold trace carries weight; the face is not painted or sketched but etched through absence. The subject appears not as a performer but as a witness—watching without explanation, present without certainty. This stripped-down approach to portraiture places emphasis not on narrative but on presence. In the language of Street Pop Art & Graffiti Artwork, this reduction magnifies meaning, allowing small gestures and subtle shifts to become the emotional core. Snik and the Alchemy of Stillness Cold Tenderness is emblematic of Snik’s evolution as artists who have redefined the stencil as a tool of quiet revolt and poetic assertion. By fusing handcraft with digital accuracy, industrial methods with organic subjects, they continuously explore the liminal space between design and emotion. The choice of gold leaf in this piece is not decorative—it’s symbolic. It speaks to value, erosion, time, and the way light can both reveal and conceal. This artwork is not loud, but it is profound. It demands close looking, slow reflection, and patient engagement. In Street Pop Art & Graffiti Artwork, few pieces communicate fragility and discipline with this level of care. Cold Tenderness offers no easy answers—only the glow of presence and the sharp truth that beauty, like memory, can be both solid and vanishing.

Read more less