Wove Fine Art Paper

Queen In Blood Diamonds Negative Silkscreen Print by Jamie Reid Hand-Pulled on Wove Fine Art Paper Limited Edition Artwork. 2020 Signed & Numbered Limited Edition of 250 Artwork Size 17x24.5 Silkscreen Print of Elizabeth II Queen of England In Demonic Style With Words "God Save Great Britain" Art Car Boot Fair Edition "Queen In Blood Diamonds Negative" is a striking silkscreen print by the renowned artist Jamie Reid, a limited edition piece produced with meticulous hand-pulled technique on fine wove art paper. Dated 2020, this exclusive artwork, available in only 250 signed and numbered editions, measures 17x24.5 inches, marking its significance in the realm of contemporary art. Delving into the details, the artwork portrays Elizabeth II, the Queen of England, in a provocative and almost demonic style. This avant-garde representation draws heavily from Reid's previous creations, especially his emblematic work for the Sex Pistols - "God Save The Queen." Notably, in "Queen In Blood Diamonds Negative," the Queen is adorned with the same blood diamond crown that she was pictured wearing for her 1977 Jubilee. This crown, beyond its historical significance, provides a visual linkage between Reid's iconic past work and this contemporary piece. The origins of this piece are rooted in Reid's collaboration for the Scorzayzee record titled 'Great Britain'. The artwork's integration of the phrase "God Save Great Britain" further reinforces its socio-political commentary, a hallmark of Reid's style. The work's debut at the Art Car Boot Fair speaks volumes about its place in modern pop and street art. Its edgy appearance, combined with Reid's historic association with punk aesthetics, ensures that "Queen In Blood Diamonds Negative" stands out as an emblematic representation of the ongoing dialogue between monarchy, pop culture, and societal critique in the realms of street and graffiti art.

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Two Flags 2P Offset Lithograph Print by Madsaki Hand-Pulled Print on Smooth Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2018 Signed & Numbered Limited Edition of 300 Artwork Size 18x26.75 MADSAKI (b. 1974) Two Flags 2P, 2018 Offset lithograph in colors on smooth wove paper 26-3/4 x 18 inches (67.9 x 45.7 cm) (sheet) Ed. 300 Signed, numbered, and dated in ink lower right Published by Kaikai Kiki, Ltd., Tokyo.

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Frederic Chopin Lithograph Print Limited Edition Artwork on Wove Fine Art Paper by Arman, an modern pop street artist. Frederic Chopin, ca. 1980 Color lithograph on wove paper 29 9/10 × 21 9/10 in 76 × 55.5 cm

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Vote For Light Silkscreen Print by Jamie Reid Hand-Pulled on Wove Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Limited Edition of 50 Artwork Size 19.6x24.41 Silkscreen Print of People in Face Masks and the Words "Vote For Light". Small bump to the middle extreme left margin. "Vote For Light" by Jamie Reid is a remarkable embodiment of the zeitgeist captured in the medium of silkscreen print. Hand-pulled on luxurious Wove Fine Art Paper, the piece, created in 2015, is an amalgamation of Reid's perspective and the cultural tides of the moment. Limited in its run, only 50 of these pieces were produced, each signed and numbered by Reid himself, ensuring authenticity and exclusivity. The artwork, measuring 19.6x24.41 inches, showcases an arresting visual of individuals adorned in face masks, an imagery that resonates with the contemporary experiences of the global populace. The indelible phrase "Vote For Light" emblazoned amidst the portrait of the masked figures sends a powerful message, potentially a call to action or a plea for hope amidst times of uncertainty. Silkscreen printing, traditionally associated with pop art, has been masterfully used here to blend the lines between street art, graffiti, and the more conventional gallery artworks. Reid’s decision to utilize this method is a testament to his commitment to maintain the raw and unfiltered aura commonly associated with street and graffiti art. Jamie Reid's "Vote For Light" is more than just a print; it stands as a symbol, a social commentary, and an invitation for discourse. As with most artwork that converges on the realms of pop, street, and graffiti art, this piece not only captures the artist's viewpoint but also challenges its audience to introspect and engage with the world around them. Drawing inspiration from the events and sentiments of its time, the artwork offers a snapshot of history, forever immortalized on fine art paper.

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Hanging Gardens HPM Stencil Spray Paint Watercolor by Miss Bugs Hand-Painted Unique Painting Mixed Media on Wove Fine Art Paper Graffiti Street Artist Modern Pop Art. 2017 Signed Dated & Numbered Unique Mixed Edition of 5 HPM Hand-Embellished Ink, Pencil, Spray Paint, Watercolor Paint Mixed Media Artwork Size 20.38x35.38. Soft creases around the borders of the top cut-out layer. Layered Complexity of "Hanging Gardens" by Miss Bugs Miss "Bugs, a graffiti" street artist renowned for a unique fusion of modern pop art sensibilities, made a compelling statement in the art world with the "Hanging Gardens" series in 2017. This collection, limited to a mixed edition of just five pieces, showcases the intricate and meticulous craftsmanship that Miss Bugs brings to the canvas, or in this case, to the fine wove art paper. Each piece within the "Hanging Gardens" series is a testament to the artist's commitment to pushing the boundaries of street pop art and graffiti artwork. The "Hanging Gardens" pieces explore texture and form, utilizing a variety of mediums such as stencil, spray paint, hand-embellished ink, pencil, andBugs'rcolor paint. The dimensions of" each artwork, "measuring 20.38x35.38 inches, provide a subsBugs'al canvas for Miss Bugs to delve into a complex narrative told through the language of visual art. These hand-painted unique paintings are a symphony of mixed media, with each layer contributing to the work's overall impact. The series is characterized by its signature Miss Bugs aesthetic, where abstract elements coalesce with figuration to create something simultaneously familiar and otherworldly. Signature Techniques in MissBugs" Artwork Each painting in the "Hanging Gardens" collection is a unique expression of Miss Bugs' vision, utilizing a combination 'f "stencil technique" e for pr "cision and free" and for fluidity and grace. The stencil work provides sharp, defined structure pieces, while the spray paint adds vibrancy and a streetwise edge. The watercolor elements introduce softness and depth, blurring the lines between the stark world of graffiti and the more delicate realm of watercolor painting. This interplay of mediums is a hallmark of Miss Bugs' style and allows for a rich dialogue between the different elements of street art and fine art. In the "Hanging Gardens" series, one can observe a recurring theme of juxtaposition—a halBugs' of Miss Bugs' approach to art. The" series presents" a visual language that speaks to the duality of human nature and the multifaceted world we inhabit. Combining disparate elements within each piece, Miss Bugs challenges the viewer to find coherence and meaning within the chaos. Using bright, pop-art colors against more subdued tones and the intricate stencil patterns against the fluid watercolors creates a dynamic Bugs'on that is thought-provoking and aesthetically pleasing. Limited Eartist'sature of Miss Bugs' Work The exclusive nature of the "Hanging Gardens" series, with its limited edition of five, adds to the desirability" of the works. E" ch piece is signed, dated, and numbered by Miartist, providing a direct connection between the artist and the collector. The hand-embellished aspects of each painting ensure that while the series may be viewed as a collective theme, each piece stands alone as a unique work of art. Collectors of Miss Bugs' work acquire a piece of street pop art and a segment of the artist's "personal narrative," as each stroke, color choice, and compositional element is a deliberate act of creation. Miss Bugs' "Hanging Gardens" series is a brilliant representation of the artist's ability to navigate the realms of street pop art and graffiti artwork, creating visually stunning pieces rich in meaning. The series serves as a bold statement on the versatility and depth that street art can embody, transcending its roots to become a sophisticated and sought-after form of modern pop art; through the "Hanging Gardens," Miss Bugs invites viewers to experience a world where the beauty of the natural world meets the grit of urban life, all while challenging conventional notions of what graffiti art can be.

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Happiness Overdose Azul Mariano_P Offset Lithograph Print by Madsaki Print on Wove Fine Art Paper Limited Edition Hand-Pulled Street Pop Artwork Graffiti. 2020 Signed & Numbered Limited Edition of 100 Offset Lithograph Artwork Print Size 19.75x19.75 Smiley Face With Bloody Nose in Blue. Kaikai Kiki Co. Ltd, Tokyo. Unconventional Aesthetics of Madsaki's Artwork Madsaki's artwork, characterized by its distinctive use of color and form, critiques modern society's obsession with happiness and the often ironic underpinnings of this pursuit. The "Happiness Overdose Azul Mariano_P" print showcases a smiley face—a universally recognized symbol of joy—juxtaposed with a bloody nose, suggesting an overdose of happiness to the point of harm. This striking imagery, rendered in bold blue on fine art paper, invites viewers to question the true nature of joy and the cost of its excess. The resurgence of pop art in the contemporary art scene is epitomized by the creative convergence of street art and graffiti, with artists like Madsaki at the forefront. "Happiness Overdose Azul Mariano_P," a limited edition offset lithograph print by Madsaki, exemplifies this trend, blending the rebellious spirit of street art with the vibrant aesthetics of pop art. Madsaki's artwork, characterized by its distinctive use of color and form, critiques modern society's obsession with happiness and the often ironic underpinnings of this pursuit. The "Happiness Overdose Azul Mariano_P" print showcases a smiley face—a universally recognized symbol of joy—juxtaposed with a bloody nose, suggesting an overdose of happiness to the point of harm. This striking imagery, rendered in bold blue on fine art paper, invites viewers to question the true nature of joy and the cost of its excess. The Cultural Significance of Offset Lithograph Prints Offset lithography, a common technique for fine art reproduction, allows artists like Madsaki to reach a wider audience by creating multiple copies of original works. This print's size of 19.75x19.75 inches is substantial yet accessible, fitting the urban environments that often inspire street pop art. Hand-pulling each print ensures that every piece retains a touch of the artist's hand despite being part of a limited edition series. The choice of woven fine art paper as the medium further signifies a blend of street art's immediacy and fine art's enduring quality. In the context of street pop culture, limited edition artworks such as "Happiness Overdose Azul Mariano_P" reflect the exclusivity and collectibility that street art has gained in the art market. The limited edition of 100 pieces, each signed and numbered by Madsaki, speaks to the artist's personalized connection with his work and collectors. It represents a shift from the transient nature of traditional graffiti to a more permanent, revered form of artistic expression. Integration of Street Art into Mainstream Art Galleries Madsaki's collaboration with Kaikai Kiki Co. Ltd, Tokyo, a company known for its role in promoting contemporary artists, underscores the increasing integration of street pop art into mainstream art galleries and the broader art world. This partnership illustrates the potential for street-inspired artworks to be celebrated alongside more traditional acceptable art forms, signaling a shift in cultural perceptions and the breaking down of barriers between high art and popular culture. The impact of "Happiness Overdose Azul Mariano_P" extends beyond its visual composition; it encapsulates the evolution of street art into a form that is both a critical commentary on society and a coveted acceptable art commodity. Through his work, Madsaki challenges viewers to reassess their understanding of happiness, consumerism, and the role of art in modern culture. His street pop art & graffiti artwork continue to resonate with audiences around the globe, bridging the gap between underground art movements and the polished white walls of galleries.

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Johann Sebastian Bach Lithograph Print Limited Edition Artwork on Wove Fine Art Paper by Arman, an modern pop street artist. Johann Sebastian Bach, ca. 1980 Color lithograph on wove paper 29 9/10 × 21 9/10 in 76 × 55.5 cm

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Double Metamorphosis Hand-Pulled Silkscreen Print on Wove Fine Art Paper by Jewish Contemporary Art Artist Yaacov Agam Rare Limited Edition Artwork. 1980 Signed & Numbered Framed Limited Edition of 99 Artwork Size 14x10 Mild light and time staining. Not examined out of frame. Matted and framed under acrylic. Framed Dimensions 20 X 24 Inches

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Happiness Overdose Azul Mariano_P Offset Lithograph Print by Madsaki Print on Wove Fine Art Paper Limited Edition Hand-Pulled Street Pop Artwork Graffiti. 2020 Signed & Numbered Limited Edition of 100 Offset Lithograph Artwork Print Size 19.75x19.75 Smiley Face With Bloody Nose in Blue. Kaikai Kiki Co. Ltd, Tokyo. Blending Iconography with Contemporary Critique "Happiness Overdose Azul Mariano_P" is a captivating example of Madsaki's work, exemplifying the essence of Street Pop Art and graffiti Artwork through its graphic simplicity and poignant symbolism. This 2020 offset lithograph print on wove fine art paper, signed and numbered as a limited edition of only 100, showcases a unique blend of street art's rawness with the mass appeal of pop art. The artwork, measuring 19.75x19.75 inches, presents a stylized smiley face with a blue hue and a notable addition: a bloody nose. This visual twist plays with the universally recognized symbol of happiness, the smiley face, subverting it to convey a more profound, more complex message. Madsaki's choice to depict the smiley with a bloody nose might be interpreted as a commentary on the excesses of contemporary society, where the pursuit of happiness can sometimes lead to self-destructive behaviors. The use of a singular bold color, Azul Mariano, lends the piece a striking visual presence, with the blue acting as both a backdrop and a critical element of the artwork. The color choice may invoke various emotional responses, from calmness to melancholy, further enriching the artwork's interpretive layers. Artistic Expression in Street Pop Art & Graffiti Artwork Madsaki's "Happiness Overdose Azul Mariano_P" is a testament to the power of Street Pop Art and graffiti Artwork to communicate complex ideas through seemingly simple imagery. The expressive capacity of the work is amplified by its minimalist approach, where the absence of intricate details forces the viewer to confront the unsettling juxtaposition of the smiley's cheerful connotations with the graphic indication of distress. As with much of Street Pop Art and graffiti Artwork, there's an inherent accessibility in Madsaki's lithograph. The smiley face, a pervasive icon of modern digital communication, becomes a canvas for social commentary, allowing the artwork to resonate with a diverse audience. The limited-edition nature of "Happiness Overdose Azul Mariano_P" elevates it from a piece of street art to a sought-after collectible, bridging the gap between graffiti's ephemeral nature and fine art's permanence. In conclusion, the piece serves as a work of art and a cultural critique, encapsulating the dualities in pursuing happiness in the modern age. The choice to produce a limited run of prints ensures that each piece remains a unique and valuable addition to contemporary art discourse. Madsaki's "Happiness Overdose Azul Mariano_P" stands as a compelling intersection of pop iconography and street art sensibility, a visual exploration of the highs and lows of the human condition.

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Doom Alone 1 2-Color Hand-Pulled Limited Edition Silkscreen Print on Wove Fine Art Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. Hand Deckled Doom Alone 1, 2017 Screenprint in colors on wove paper 24 1/10 × 18 1/10 in 61.2 × 46 cm The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty by themselves, but the lack of reaction to them.

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Tender Forever 1986 Silkscreen Print by Faile Hand-Pulled 25-Color Screen Relief Print on 300gsm Somerset Satin Paper Limited Edition Pop Street Art Artwork. 2008 Signed & Numbered Limited Edition of 315 Artwork Size 32x28.25 FAILE (b. 1975) Tender Forever 1986, 2008 Screenprint in colors on wove paper 28-1/4 x 32 inches (71.8 x 81.3 cm) (sheet) Ed. 315 Signed and annotated in pencil along lower edge, numbered and dated in ink verso Mild light and time staining verso. Sheet is loose. Tender Forever 1986 is a silkscreen print by the artist collective Faile. Faile is a Brooklyn-based collaboration between two artists, Patrick McNeil and Patrick Miller. They started working together in the late 1990s and are known for their contemporary street art, which combines graphic design, painting, and printmaking techniques. Their work often incorporates elements of popular culture, religious iconography, and vintage advertisements. The Tender Forever 1986 silkscreen print is an example of Faile's unique style, using a combination of vibrant colors and intricate patterns to create a visually engaging piece. The image contains multiple layers, featuring fragmented images and texts that evoke a sense of nostalgia like Native Americans, urban decay corporate brand logos, and the passage of time. Faile's works, including Tender Forever 1986, have been exhibited in galleries and museums worldwide, and their street art can be found on walls and buildings in major cities like New York, London, and Berlin. Collectors and fans of contemporary art appreciate Faile's innovative approach and their ability to blur the lines between high art and street culture.

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Feels So Good Original Silkscreen Etching Print by D*Face- Dean Stockton Hand-Pulled on Wove Fine Art Paper Limited Edition Pop Street Art Artwork. 2009 Signed & Numbered Limited Edition of 1 Original Artwork Size 33x54 Silkscreen Etching Print Custom Framed D*Face (b. 1978) Feels So Good, c. 2009 Etching and screenprint in colors on wove paper 54 x 33 inches (137.2 x 83.8 cm) (sheet) Ed. 1/1 Signed and numbered in pencil along the lower edge. No apparent condition issues. Floated and framed under acrylic. Framed Dimensions 59 X 37.5 Inches

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Chinese New Year HPM Spray Paint Silkscreen Print by Kelsey Brookes Screen Print on Wove Fine Art Paper Limited Edition Pop Street Art Artwork. 2006 Signed & Numbered Spray Paint Mixed Media HPM Embellished Limited Edition of 50 Artwork Size 20x20 Unraveling the Vibrancy of Kelsey Brookes' "Chinese New Year HPM" Kelsey Brookes' "Chinese New Year HPM" is a compelling artwork that is a vivid testament to the cross-pollination of pop art and street art sensibilities. This limited edition piece, created in 2006, is a fusion of spray paint and silkscreen print techniques on woven fine art paper. The artwork, measuring 20x20 inches, is part of an embellished series limited to 50 signed and numbered pieces. It is a significant collector's item that captures a specific moment in Brookes' artistic exploration. The work is characterized by Brookes' distinctive approach to street pop art and graffiti artwork, employing a visual language deeply rooted in the scientific structures he studied as a biochemist. The "Chinese New Year HPM" showcases his transition from the microscopic patterns of molecules to the macroscopic complexity of visual art. His pieces are not just explorations of color and form; they delve into the realms of spirituality and consciousness, resonating with the vibrational patterns of life itself. The Artistic Synthesis in Brookes' "Chinese New Year HPM" Brookes' "Chinese New Year HPM" is an artistic synthesis that captures the essence of celebration, reflection, and the start of a new cycle as denoted by the Chinese New Year. The artwork is imbued with a sense of rhythm and energy, using a palette that is at once exuberant and harmonious. The spray paint adds a textural dimension that echoes the spontaneity of street art. At the same time, the silkscreen technique provides precision and replicability that ties it back to pop art traditions. The layered imagery in the print, featuring a collage of fierce animal visages, speaks to the power and dynamism often associated with the new year in Chinese culture. The animals, possibly evoking the spirit of the Chinese zodiac, are depicted with a raw intensity that captures the viewer's attention. Each print in the edition is embellished by hand, ensuring that while each piece remains a part of the series, it also stands as a unique work of art. Cultural Resonance of "Chinese New Year HPM" "Chinese New Year HPM" resonates with cultural symbolism and the celebration of new beginnings, universally understood and appreciated themes. Brookes' ability to weave these elements into his work while maintaining a distinctive style indicates his position within the contemporary art scene. The limited edition nature of the print and its careful hand embellishments suggest a personal touch from the artist, adding depth to the collective value of the series. The artwork is a visual feast that engages the viewer on multiple levels. On the surface, it is a bold and colorful expression that captures the eye. Still, on a deeper level, it is a sophisticated interplay of traditional cultural symbols and modern artistic techniques. Kelsey Brookes has created a piece that reflects his unique artistic vision and speaks to a broader narrative of cultural celebration and reflection. Legacy of Kelsey Brookes' "Chinese New Year HPM" The legacy of Kelsey Brookes' "Chinese New Year HPM" is symbolic of the impact that modern artists can have when they blend traditional techniques with contemporary themes. The limited edition print series is a testament to the artist's commitment to his craft and ability to engage with his audience through visually arresting and thematically rich works. Brookes' work, including "Chinese New Year HPM," continues to challenge and expand the definitions of street pop art and graffiti artwork. By incorporating elements of his scientific background into his art, Brookes forges a connection between the analytical and the creative, providing a fresh perspective on the possibilities within the art world. Each piece in this limited series is a celebration of the artist's unique approach to creation, offering a story that is both personal and universal, a story that continues to captivate and inspire.

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