Flowering Dignity Colibri Limited Edition 5-Color Hand Letterpress Print on Cotton Fine Art Paper by Urban Pop Artist Ernesto Yerena Montejano (Hecho Con Ganas). 2022 Signed & Numbered Limited Edition of 100 Size 24x18 5 Color Letterpress Print on %100 Cotton Paper Published and Printed by Aardvark Letterpress in Los Angeles, CA Edition of 100 Signed and Numbered This is a very high-quality print made with individual metal plates for each color. Ernesto Yerena Montejano's "Flowering Dignity Colibri" is a distinctive limited edition print that beautifully encapsulates the grace and vibrancy of the natural world, infused with the stirring energy of urban pop art. Released in 2022, this 5-color hand letterpress print on fine cotton paper measures 24x18 inches and is a notable collectible due to its short run of only 100 signed and numbered pieces. Yerena, under his creative banner Hecho Con Ganas, continues to weave his cultural narratives and political sentiments into his art, drawing on his Mexican-American roots to speak to both communal and personal identities. The exquisite quality of this piece is immediately evident, achieved by employing individual metal plates for each color, a traditional and meticulous process that ensures the vibrancy and depth of the print. Aardvark Letterpress in Los Angeles, California, known for its exceptional letterpress work, is the printmaker behind this piece, lending its longstanding craftsmanship to Yerena's contemporary vision. The use of 100% cotton paper not only provides a luxurious texture but also serves as a nod to the artist’s dedication to quality and sustainability. In "Flowering Dignity Colibri," the interplay of color and form is striking. The central motif, a mandala-like floral pattern, is flanked by two hummingbirds, symbolizing agility, vitality, and resilience. These elements are set against geometric shapes and patterns that add a sense of movement and depth to the composition. The warmth of the colors used in the floral pattern contrasts with the cool tones of the background, creating a visual pop that's characteristic of pop art’s attention-grabbing style. This piece sits at the intersection of pop art, street art, and graffiti art, carrying forward the rebellious spirit and the bold aesthetics of these movements. Yet, it remains distinct in its embodiment of the artisanal letterpress technique, demonstrating how traditional methods can converse with contemporary art forms. Yerena Montejano’s "Flowering Dignity Colibri" stands as a piece of resistance and celebrates cultural heritage, inviting viewers to find beauty and strength in its intricate layers and the message it conveys.

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Take Warning Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 12x18 Street Sign This use of intertextuality also serves to offer a comfort or familiarity of sorts to the viewer. Chris’ works frequently reveal everyday musings and people one would pass on the street without looking or thinking about twice.

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No-Longer Bart Archival Print by Alex Pardee Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 24x18 Archival Pigment Fine Art "No-Longer Bart" is an archival print by the artist Alex Pardee, known for his unique, twisted, and darkly humorous illustrations. Alex Pardee's work often incorporates popular culture icons, such as characters from The Simpsons, in bizarre and distorted forms that challenge viewers' perceptions and emotions. The "No-Longer Bart" print features a warped and unsettling rendition of the beloved character Bart Simpson, whose image has been altered to align with Pardee's signature style. Alex Pardee's archival prints are typically produced with high-quality materials to ensure the longevity and preservation of the artwork.

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Video Surveillance 12x18- II Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. This Area is Under 24 Hour Surveillance Sign.  

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Get Home Safely Limited Edition Hand-Embellished Acrylic, Spray Paint and Ink on Wood Panel by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 8 Artwork Size 18x18 I am a self-taught artist from Newport News, VA. I began to pursue art as a child drawing everything from cartoons, comics, action figures and athletes. My inner thoughts and my experiences are captured through layers of bright bold colors and patterns coupled with images from my a childhood that is utilized to express me.

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No Trespassing No Graffiti 12x18- III Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. No Trespassing No Graffiti Surveillance Sign. Challenging Norms with Cope2's Street Pop Art & Graffiti Artwork The piece "No Trespassing No Graffiti 12x18- III" by Cope2 is a provocative work that embodies the rebellious spirit of street pop art and graffiti artwork. The 2020 signed original spray paint painting features bubble letters on a real metal street sign, size 12x18 inches, boldly proclaiming "Graffiti Is A Crime." This artwork is a direct challenge to the legal and societal boundaries that have long been imposed on graffiti artists. Cope2, a name that carries weight in the graffiti world, uses this piece to confront the paradox of graffiti as an art form: its simultaneous existence as a celebrated creation and a criminal act. The medium of the actual metal street sign, an object that typically represents law and control, is subverted and repurposed as a canvas for free artistic expression. This inversion is symbolic of the very nature of street art — a medium that often exists in heavily regulated and surveilled spaces. By choosing this as his canvas, Cope2 does not just create a piece of art; he crafts a statement on the right to public space and the nature of artistic freedom. The Socio-Cultural Commentary of Cope2's Work "No Trespassing No Graffiti" is more than a visually striking piece; it serves as a socio-cultural commentary on the state of street art today. The bright colors and the unmissable bubble letters are quintessential elements of traditional graffiti, yet they stand in stark contrast against the formal, authoritative backdrop of the street sign. This contrast is a visual metaphor for the tension between the artist and the establishment, between creativity and conformity. The artwork captures what Cope2 represents — an artist who has thrived in the face of adversity and legal challenges for over three decades. This mixed media piece shows his dedication to the craft and his ability to adapt and evolve. He showcased his mixed-media the streets to a respected figure in modern pop art while maintaining the edge and authenticity of his street roots. Impact of "No Trespassing No Graffiti" on Street Pop Art & Graffiti Artwork Cope2's "No Trespassing No Graffiti" impact on the perception of street pop art and graffiti artwork cannot be understated. It is an embodiment of the defiance often intrinsic to this genre of art. Yet, it also represents a maturation of the form, a sign that street art has claimed its rightful place in contemporary art discourse. The piece stands as a symbol of resistance against the criminalization of graffiti, urging a reexamination of the laws and cultural perceptions that govern public expression. Through this work, Cope2 asserts the value of street art as a legitimate and powerful form of social and artistic expression. The painting is a direct engagement with the viewer, a call to question and redefine the boundaries of legality and artistry. It is a bold declaration that the presence of graffiti in the public sphere can be both an act of vandalism and a significant cultural artifact. "No Trespassing No Graffiti" is a pivotal piece in the narrative of street pop art and graffiti artwork. It is a testament to Cope2's enduring influence and his commitment to pushing the boundaries of what street art can convey. This artwork is not just a statement against prohibition; it is a proclamation of the transformative power of graffiti, its role in challenging the status quo, and its potential to change how we interact with and understand the urban landscape. It is a piece that encapsulates the complex identity of graffiti, standing as a vibrant example of the dialogue between artist, city, and society.

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City By The Sea XL Hand-Pulled 5-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 24x18

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The Waiting Game Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by Hueman Graffiti Street Artist Modern Pop Art. "All of the pieces in this show were created organically, first by painting a spontaneous, freehand abstract background, then finding faces in the paint, carving them out, and building around them with shapes and lines. This one was no exception. Everything I create moves along an improvised stream of consciousness. The title describes the mood I was in when I painted it and is also the title of a song that I had playing while in my studio. The composition is what makes it unique from the rest of my work. The figure is lying down and looking up, and there is a hand, something that I don’t usually paint that often. The abstract clouds and negative space dominate, and the figure doesn’t stand out but instead melts into this strange cloudy shape." - Hueman

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Ceci N'est Pas Une Spongebob PP Archival Print by Shark Toof Limited Edition Print on 310gsm Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 24x18 Archival Pigment Fine Art. "Ceci N'est Pas Une Spongebob, This Is Not A Spongebob" Decoding "Ceci N'est Pas Une SpongeBob" by Shark Toof "Ceci N'est Pas Une SpongeBob" is a provocative piece by the renowned street pop artist Shark Toof, challenging the boundaries of pop culture iconography within the context of modern street art. The artwork is a Printer's Proof (PP) archival print from 2019, meticulously signed and marked by the artist, denoting its status as a rare collector's item. Printed on 310gsm Museum Fine Art Paper, this piece exemplifies the high-quality medium Shark Toof employs to ensure durability and depth of color, crucial for the archival pigment fine art that this work represents. A Fusion of Street Art and Pop Culture This piece is a testament to the collision of street pop art and graffiti artwork with mainstream pop culture symbols. Shark Toof takes the universally recognized figure of SpongeBob SquarePants and distorts it, presenting an image that both acknowledges and subverts the original character. The title itself, a nod to René Magritte's "The Treachery of Images," prompts viewers to question the nature of representation and reality in art. Shark Toof's work suggests that the image of SpongeBob we see is not the character itself but a representation skewed by the artist's perspective and the cultural context in which it is viewed. Shark Toof's Artistic Commentary In "Ceci N'est Pas Une SpongeBob," Shark Toof is not simply replicating a beloved character; he is initiating a dialogue about the saturation of media icons in society and the consumption of these images. The distortion and decomposition of SpongeBob's features invite the audience to reflect on how mass media shapes and sometimes distorts our perceptions. This work captures the spirit of street pop art by using graffiti artwork's spontaneous and rebellious essence to comment on and criticize phenomena. The layered textures and vibrant colors reveal the complex relationship between commercial imagery and artistic expression. The art piece explores the tension between street art's ephemeral nature and fine art prints' enduring quality. Shark Toof bridges two seemingly disparate worlds by choosing SpongeBob, an icon from an animated children's show, and placing it in the sophisticated realm of limited edition prints. This juxtaposition challenges the viewer's understanding of what constitutes 'legitimate' art, questioning the hierarchies within the art world. Through "Ceci N'est Pas Une SpongeBob," Shark Toof contributes to the discourse on the value and significance of street pop art and graffiti artwork in contemporary culture. By recontextualizing a figure from the lexicon of popular media, he endows it with new meaning and elevates it within the art canon. This artwork is a visual spectacle with an intellectual engagement, prompting conversations about the nature of art, media's influence, and street art's power to transform and transcend ordinary objects and characters into extraordinary pieces of cultural commentary.

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The Sea Also Rises Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Pop Artist Tim Doyle. 2009 Signed & Numbered Limited Edition of 150 Series VI Artwork Size 18x24

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Mono Print 23- The Last Batch Limited Edition Hand-Embellished HPM 5-Color Silkscreen Print on 300gsm Silver Fine Art Paper by RYCA- Ryan Callanan Pop Art Graffiti Artist. 2020 Signed Original One of a Kind Hand Painted Silkscreen Print of Smiley Face & Marilyn Monroe 5 Layer Silkscreen Print on Silver Paper 45x45cm 18x18" Signed Each Print Is Uniquely Hand Finished Using Oil Based Paint Sticks, Pens, and paint 5 Layer Silkscreen Print on Silver Paper 45x45cm 18x18" Signed Each Print Is Uniquely Hand Finished Using Oil Based Paint Sticks, Pens and Paint Delving into RYCA's Mono Print 23 - The Last Batch Mono Print 23 - The Last Batch by RYCA, Ryan Callanan's pseudonym, is a limited edition piece that encapsulates the essence of street pop art and graffiti artwork, merging iconic imagery with the tactile sensibility of hand embellishments. Created in 2020, this signed original 5-color silkscreen print on 300gsm silver fine art paper represents a convergence of popular culture and fine art, measuring 45x45cm (18x18 inches). Callanan's work stands out for its vibrant aesthetic and the unique hand-finished touch he applies to each print using oil-based paint sticks, pens, and paint. This piece, featuring a hybrid image of a smiley face overlaid with the likeness of Marilyn Monroe, showcases RYCA's ability to blend the immediacy and rawness of street art with the layered complexity of silkscreen printing. The choice of silver paper is particularly striking, providing a metallic sheen that interacts with the overlaying colors, creating a luminous and dynamic effect. This interaction symbolizes how street art often plays with its environment, transforming spaces with color and form. RYCA's Technique and Artistic Vision The process involved in creating Mono Print 23 - The Last Batch is intensive and deeply personal. The five-layer silkscreen process requires precision and patience, with each layer adding depth and detail to the final image. RYCA's hands-on approach in the finishing process ensures that every print in the series is a singular work of art, with individualized embellishments that speak to the artist's momentary inspirations and interventions. The decision to feature iconic imagery, such as the smiley face and Marilyn Monroe, ties back to RYCA's roots in street pop art. This genre often appropriates and recontextualizes well-known visual elements. The smiley face, a symbol of happiness and counterculture, and Marilyn Monroe, an emblem of classic Hollywood glamor, are reimagined through a modern lens, inviting commentary on celebrity, happiness, and their representations in media. The hand-embellished details underscore each piece's uniqueness, bridging the gap between mass-produced imagery and singular artistic expression. Reflections on Street Pop Art Through RYCA's Work In reflecting on street pop art through the lens of RYCA's Mono Print 23 - The Last Batch, one observes a celebration of the visual language that defines this artistic movement. With its roots in the urban graffiti culture, street pop art is known for its engagement with contemporary themes and ability to speak to a broad audience. RYCA's work exemplifies this, presenting familiar symbols in unfamiliar ways, thus igniting a dialogue about the interplay between art and the everyday. RYCA, with his unique approach to silkscreen printing and hand embellishments, contributes to the evolving narrative of street pop art and graffiti artwork. As the art form continues to gain traction and evolve, his work serves as a testament to the limitless possibilities of expression within this space. Mono Print 23 - The Last Batch stands as a beacon of street pop art's potential, demonstrating that even the most familiar symbols can be infused with new life and meaning through the vision and hand of the artist.

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Shell PP Printers Proof Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Cey Adams Graffiti Street Artist Modern Pop Art. PP Printers Proof Signed & Marked PP Limited Edition Artwork Size 18x18 Shell Archival Print by Cey Adams "The whole idea behind my Trusted Brands series was that I wanted to revisit many of the iconic logos of my youth to reconnect to familiar things. These pieces are mostly made of handmade fiber papers from India and Nepal. I wanted to do something rivaling my friends who used spray paint and connected with my graffiti roots, but I didn't want to do what everybody else did. I thought it would be interesting to challenge myself to use a medium I have never used before, and collage spoke to me." - Cey Adams. Cey Adams' "Shell" - A Convergence of Branding and Art Cey Adams, a foundational figure in graffiti and street pop art, presents a compelling piece in his "Shell PP Printers Proof Limited Edition." This work is part of Adams' "Trusted Brands" series, where he revisits the emblematic logos that marked his youth. The print, an 18x18 archival pigment on fine art paper, showcases his exploration into collage, setting him apart from his contemporaries who favored spray paint. This piece is a Printer's Proof, signed and marked by Adams, adding a layer of exclusivity and collectibility. Adams' choice to use handmade fiber papers from India and Nepal lends an organic texture that contrasts with the commercial sharpness of the Shell logo. His work is a nod to nostalgia and a dialogue between past and present, consumerism and craftsmanship. The "Shell" piece stands out as a testament to Adams' ability to innovate within his graffiti roots while pushing the boundaries of his artistic expression. In Adams' own words, his college journey was challenging to escape the graffiti norm. His "Trusted Brands" series, including the "Shell" print, reflects this personal and artistic quest to connect with familiar symbols uniquely, embodying the essence of modern pop art within the urban landscape.

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Warrior Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art.

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Norma Jean- Gold 1-Color Hand-Pulled Limited Edition Silkscreen Print on Gold Foil Paper by Paul Jackson Rare Street Art Famous Pop Artwork Artist. 18 inch by 36-inch screenprint on Gold Foil Paper, edition of 100.

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The Possessed Triptych Silkscreen Print by Cleon Peterson Hand-Pulled on Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 125 Artwork Size 154x18 (18x18 x 3) Triptych Silkscreen Print. Unveiling The Possessed: A Triptych by Cleon Peterson The Possessed Triptych Silkscreen Print by Cleon Peterson captures a raw, dynamic energy that is both compelling and confrontational, embodying the spirit of street pop art and graffiti artwork. Released in 2024, this limited edition artwork reflects Peterson's stark, narrative-driven style, showcasing his distinctive approach to visual storytelling through bold lines and contrasting colors. Cleon Peterson's Vision in Print With only 125 pieces available, each signed and numbered by the artist, The Possessed Triptych becomes a coveted item for art enthusiasts and collectors. Measuring an impressive 54 inches wide by 18 inches high when displayed side by side, the three 18x18 panels create a striking visual impact. Hand-pulled on deckled 290gsm Coventry Rag fine art paper, the triptych's medium is as refined as its execution, a testament to Peterson's craftsmanship and attention to detail. The choice of Coventry Rag paper underscores the artist's commitment to quality. Known for its durability and exceptional surface, this paper enhances the depth and intensity of the silkscreen print, allowing the stark contrasts and intricate details to resonate with the viewer. Interpreting The Possessed Triptych The Possessed Triptych is an arresting exploration of chaos, power, and human interaction. Peterson's work is often laced with themes of struggle and strife, depicting scenes that challenge the onlooker's perceptions of morality and order. This triptych is no different, presenting a tumultuous narrative that unfolds across the three panels, drawing the viewer into a world of stark dichotomies and raw emotion. Peterson's use of a limited color palette amplifies the drama within each frame, with the stark black and the warmth of gold engaging in a visual dance that is both ancient and contemporary in its expressions. The aggressive forms and the interaction of figures suggest a more profound commentary on societal structures and personal demons, leaving much to interpretation while clearly stating the pervasive nature of the conflict. The Cultural Impact of Peterson's Work Cleon Peterson's art is not created in a vacuum but is a direct response to the world around him. Much like the rest of his oeuvre, the Possessed Triptych is a bold statement within street pop art, a genre that often serves as a public forum for social critique and reflection. His distinctive style has solidified his standing within the contemporary art scene, resonating with the ethos of street art and its roots in graffiti's transgressive nature. As a visual storyteller, Peterson takes on the role of a modern-day chronicler, using silkscreen prints to document and dissect the complexities of the human condition. The limited nature of The Possessed Triptych ensures that each piece is a part of this narrative, an artifact of Peterson's artistic journey, and a snapshot of cultural discourse. Cleon Peterson's The Possessed Triptych is a powerful addition to the canon of street pop art and graffiti artwork, offering a glimpse into the artist's profound engagement with themes of power, chaos, and societal constructs. Through silkscreen printing, Peterson has created a series that captures the eye and also provokes the mind, ensuring that his work remains a subject of discussion and admiration within the art community.

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Dollhouse Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Jolene Lai. 2018 Edition of 40 14x18 inches Fine art print on 290gsm paper Hand signed and numbered

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Jurassic Park- Velociraptor 4-Color Hand-Pulled Limited Edition Silkscreen Print on Silver Curious Metallics Lustre Paper by DKNG Rare Street Art Famous Pop Artwork Artist. "Jurassic Park: Velociraptor" is a 24” x 18” four-color screen print on Curious Metallics Lustre paper with an artist edition of 60 prints.

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Ain't No Time To Argue! Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Matt Straub, Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 30 Archival Pigment Print Artwork Size 16.51x18 Exploring the Grit of Urban Narratives with Matt Straub's Art "Ain't No Time To Argue!" by Matt Straub is a compelling piece that embodies the essence of street pop art and graffiti artwork. This limited edition archival pigment print on 330gsm fine art paper captures street culture's raw energy and unrestrained spirit. Released in 2016, with a limited edition run of 30, each piece is meticulously signed and numbered by Straub, marking its authenticity and adding to the collectible nature of the work. The artwork, measuring 16.51x18 inches, is a bold statement piece that reflects the stylistic characteristics of modern pop art infused with the rebellious attitude of graffiti. Dynamic Fusion of Street Art Techniques and Pop Art Sensibility Straub's work is renowned for its dynamic fusion of traditional street art techniques with the sensibilities of pop art. "Ain't No Time To Argue!" stands out with its striking depiction of a cowboy, an icon that Straub reinterprets through the lens of contemporary culture. The figure is set against a backdrop of vivid colors and graphic elements reminiscent of pop art. At the same time, the use of spray paint techniques and the overlay of stenciled imagery aligns the work with the raw aesthetics of graffiti. This juxtaposition creates a piece that is both a nod to the past and a commentary on present-day urban life. Matt Straub's Signature Style in Limited Edition Prints The artwork represents Straub's signature style, often including a dialogue between the subject and the viewer through thought-provoking visuals and textual elements. The empty speech bubble emanating from the cowboy's figure in "Ain't No Time To Argue!" invites the audience to engage with the artwork, to fill in the blank with their interpretations or reflections on the character's silence. This interactivity is a hallmark of Straub's approach, encouraging a participatory experience that is both personal and communal. Cultural Implications in Straub's "Ain't No Time To Argue!" "Ain't No Time To Argue!" does more than capture the viewer's attention through its visual impact; it also delves into the cultural implications of the cowboy in American pop culture. By placing this character in a modern context, Straub prompts a reevaluation of the myths and realities of the American West, exploring themes of conflict, dialogue, and the passage of time. The limited edition print becomes a conversation piece, raising questions about the narratives we accept and those we question or challenge. Matt Straub's "Ain't No Time To Argue!" is a testament to the enduring relevance of street pop art and graffiti artwork. Through his adept use of color, form, and cultural symbols, Straub creates art that reflects society's pulse, capturing the zeitgeist in a form that resonates with many audiences. His work continues to influence the dialogue of street art and pop art, bridging communities and generations through a shared visual language.

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The Butterfly Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. The Butterfly Art Print was inspired by a poster for Oregon-based experimental music group Blitzen Trapper. It doesn’t light up, dance or make noise. It’s just tranquil and lovely. Isn’t that enough?

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Shrug HPM #3 Limited Edition Hand-Embellished Giclee Print on Fine Art Paper by Phil Lumbang Graffiti Street Artist Modern Pop Art. Hand-Painted Multiple Bear with Hand-Painted WTF Face and Other Elements.

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Shrug HPM #2 Limited Edition Hand-Embellished Giclee Print on Fine Art Paper by Phil Lumbang Graffiti Street Artist Modern Pop Art. Hand-Painted Multiple Bear with Hand-Painted Questioning Face and Other Elements.

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San Francisco Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art.

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Ecto-1 Red Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Part of the 2014 30th anniversary series from gallery 1988 and San Diego Comic Con.

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Shrug Limited Edition Giclee Print on Fine Art Paper by Phil Lumbang Graffiti Street Artist Modern Pop Art.

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The Fugees Collaboration with B+ Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2021 Signed by Brian Cross (B+) & Ernesto Yerena Montejano & Numbered Limited Edition of 250 Artwork 24x18 Art Print Photo of Wyclef Jean, Lauryn Hill, and Pras Michel of the Rap Music Group The Fugees. The Fugees Collaboration with B+ is a limited edition silkscreen print that encapsulates the intersection of music and visual art through the joint venture of street artist Ernesto Yerena and photographer Brian Cross, known professionally as B+. This 1-color hand-pulled print on fine art paper was crafted in 2021 and is a part of an exclusive collection limited to 250 signed and numbered pieces, each with dimensions of 24x18 inches. This artwork portrays the iconic trio of the rap group The Fugees—Wyclef Jean, Lauryn Hill, and Pras Michel—rendered in a style that merges the raw energy of street art with the sophisticated minimalism of modern pop art. Yerena, known for his works that often explore themes of cultural identity and political commentary, brings his unique stencil-like graphics to the mix, translating B+'s photographic capture into a high-contrast visual statement. B+, an established figure in the music industry through his photographic work, contributes the authenticity of the moment captured, a testament to his intimate relationship with the music scene and his subject matter. This print captures The Fugees in a candid state, seated on a staircase, which might be suggestive of the ascents and descents of their musical journey. The composition's stark lines and sepia-toned color palette highlight the group's unity and distinctive presence within the hip-hop community. The collaboration of Yerena and B+ in creating this print not only pays homage to The Fugees' significant impact on rap music but also immortalizes them within the legacy of pop art and street culture. This artwork is not merely a representation of the artists but a narrative piece that speaks to the broader cultural implications of their work and influence. It showcases how street art can elevate musical icons to a status that transcends their original medium, cementing their images within the public's consciousness through visual art. Each print in this series serves as an homage to the power of collaboration across artistic disciplines and the shared heritage of music and art within urban cultural landscapes.

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Air Yeezy 2- Red October Original One of a Kind Acrylic Paint Painting Artwork on Stretched Canvas Panel by Popular Street Graffiti Artist Eric Pagsanjan. 2019 Signed Acrylic on Stretched Canvas Panel Size: 24" x 18" x 0.75" Nike Air Jordan x Adidas Yeezy "I hold respect and admiration for artists that create their own apparel. I’m a huge sneaker fan, and my personal collection is ever-growing. Combining my love for sneakers, the designers who make them, and comic-book style superheroes, I created a series of portraits dedicated to the designers that I consider to be incredible. To me, they are superheroes. They are ‘SneakerHeroes.’" -Eric Pagsanjan

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Credit Limit- Bank of Ugh-Merica Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. Credit Limit- Bank of Ugh-Merica Credit Card Themed Money Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Okkervil Baltimore MD 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by DKNG Rare Street Art Famous Pop Artwork Artist. Poster DKNG created for Okkervil River's recent show in Baltimore, Maryland. The 24"x18" three color screen print has an edition of 100

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Paranoia- Yellow 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. Tribute to actress Anita Ekberg Edition Size: 16 prints Print Size: 18" x 22.75" Limited edition silkscreen print, signed and numbered in pencil. All 16 prints in this edition are the same and are numbered 1 to 16.

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Railroad in the Sky Original Spray Paint Acrylic Painting by Lyric One Artwork on Cradled Wood Panel by Street Art Pop Artist. 2022 Signed Spray Paint & Acrylic Original Painting Size 18x18

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Trippy Bike Silkscreen Print by Nate Duval on Fine Art Paper Limited Edition Pop Art Artwork. 2010 Signed & Numbered Limited Edition of 80 Artwork Size 24x18

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Grace- Euphrosyne 12-Color Glitter Embellished Hand-Pulled Limited Edition Serigraph Print on Thick Fine Art Paper by Romero Britto Rare Famous Pop Artwork Artist. 2006 Signed & Numbered Limited Edition of 180 Glitter Artwork Size 18x18 Small Bump Nic To Right Facing Eye Inner Outline Woman, hand glittered edition of 180, 2006 printed at Published by Britto Central Inc, Image 14" Circle

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Tesla & Farnsworth Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Cristiano Suarez Graffiti Street Artist Modern Pop Art. AP Artist Proof

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Rainbow Pulse Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Above- Tavar Zawacki, Street Pop Art Graffiti Legend. Archival Pigment Print on 290gsm Moab Rag Fine Art Paper Size: 18 x 18 Inches Release: March 22, 2019

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Mushroom Queen Pop Artwork Limited Edition Giclee Print on Fine Art Paper by Modern Artist Nate Duval. 2014 Signed & Numbered Limited Edition of 75 Artwork Size 11.5x18

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Untitled Graffiti Future Throw-Up AP Artist Proof Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Saber. AP Artist Proof 2009 Signed & Marked Regular Limited Edition of 100 Artwork Size 24x18 CAN'T REMEMBER THE NAME, 2009 Giclée Print 24 x 18 in (60.96 x 45.7 cm) Limited Edition of 100 Signed by the Artist w/ AP Notation

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The Crossover- Green 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Naturel Rare Street Art Famous Pop Artwork Artist.

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Money and Power- Yellow Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson

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Money and Power- Black Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson

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Moon Over Biloxi 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. Signed & Numbered Moon Over Biloxi Screen Print 18 x 24 inches Edition of 400 July 27, 2010. "The title of this print “Moon Over Biloxi” is a tribute to the Dead Kennedy’s song “Moon Over Marin”. In 1984 I picked up maybe my 4th punk record which was the 2nd Dead Kennedy’s album “Plastic Surgery Disasters”. The album is a great listen all the way through and includes some blistering tunes like “Riot” and “Bleed For Me” laced with social commentary. The surprise song though is “Moon Over Marin”… detractors have called it the Dead Kennedy’s “U2” song, but I disagree. “Moon Over Marin” is more melodic than most DK, but juxtaposed with the darkness of the lyrics, the song evokes a powerful sense of existential melancholy. I think the concept that struck me, and stuck with me, is that our disrespect of each other and the planet may doom us, but things will continue without us. I think it is healthy to recognize impermanence, but also to appreciate the value of the ephemeral. Moonlight, real or electric, will probably be around, but what it will be casting light on is the real question. There will always be a moon over Biloxi." -Shepard

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