Realize HPM Archival Pigment Fine Art Limited Edition Print on Hand Deckled 290gsm Moab Entrada Paper by Artist Reen Barrera, Street Pop Art Graffiti Legend. The artwork I have says "LOLA..." 2022 Edition of 50 Hand-embellished giclee print Each print includes a hand-painted word bubble (in white or black) with an exclusive phrase/message painted on each print by Reen Fine art print on Moab Entrada 290gsm paper Hand deckled edges 24 x 24 inches / 61 x 61 cm Hand-signed and numbered by the artist Printed by Static Medium (Los Angeles) The team at Static Medium photoshopped out the original word bubble in 'Realize' and then we shipped them off to Reen in the Philippines for him to add his personal touch to each and we are thrilled with how they have come out. Reen painted a white or black word/speech bubble onto each print (an example of each is shared above and below). Each bubble was painted in a different shape and Reen then went through and hand-painted a unique phrase onto each print.

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Frida- Lakers Foil 4-Color Hand-Pulled Limited Edition Silkscreen Print on Holographic Foil Fine Art Paper by Brian Ewing Rare Street Art Famous Pop Artwork Artist. 2021 Foil Lakers Edition of 15 Signed and Numbered

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Bad Brains Punk Showcase Rasta AP Artist Proof 5-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musicians Bad Brains. AP Artist Proof 2016 Signed & Marked AP Limited Edition Artwork Size 18x24 Shepard Fairey's "Bad Brains Punk Showcase Rasta AP" is a culturally potent piece within the street pop and graffiti art landscape. As an artist proof of the limited edition series, this 5-color hand-pulled silkscreen print on cream speckle tone paper measures 18x24 inches and was released in 2016. Signed and marked as an artist-proof (AP), it is a collector's piece that delves into the pulsating heart of punk's ethos and reggae's rasta vibrations, manifested through the lens of Fairey's distinct style. This artwork resonates with the energy of Bad Brains, a band that epitomized the hardcore punk scene with its unique blend of punk and reggae, a hybrid that paralleled Fairey's melding of art forms. The print captures the band's spirit with the commanding phrase "Positive Mental Attitude!" a mantra that Bad Brains championed throughout their career. Fairey's work is a visual echo of this ethos, presenting the band members with a backdrop of rasta colors, which not only allude to their music's roots but also serve as a nod to a broader cultural movement. Fairey, known for his influence on street pop art through works like the iconic "OBEY" campaign and the Obama "HOPE" poster, continues his exploration of music's intersection with visual art in this print. The piece is saturated with the motifs of Fairey's "OBEY Propaganda" — the star, the bold lettering, and the stylized imagery. These elements merge, not promote a band, and celebrate an entire cultural movement, reflecting the potency of street pop art in capturing and promoting subcultural movements. The "Bad Brains Punk Showcase Rasta AP" print symbolizes Fairey's engagement with the punk scene and his ability to encapsulate its raw, unfiltered voice within his work. It's a testament to the enduring dialogue between music and visual art, which Fairey has continually fostered through his prints, murals, and street art. This piece doesn't just hang on a wall; it screams with the voice of a movement, echoing from the underground clubs to the sun-soaked streets where street art and graffiti have long found their home.

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Through The Depths AP Silkscreen Print by Dalek- James Marshall Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2023 Signed & AP Marked Limited Edition Run Artwork Size 18x24 Through The Depths AP Silkscreen Print by Dalek – James Marshall “Through The Depths” is a 2023 Artist Proof edition by American contemporary artist Dalek, the alias of James Marshall. Sized at 18x24 inches and printed as a hand-pulled silkscreen on fine art paper, this signed and AP-marked limited edition reflects Dalek’s high-precision craftsmanship and evolving aesthetic vocabulary. Executed in a saturated palette of canary yellow, sky blue, orange, pink, and black, the composition bursts with kinetic intensity, centering on Dalek’s iconic Space Monkey figure whose limbs extend outward in dynamic motion. Space Monkey as Symbol and Structure The central character, the Space Monkey, is rendered with signature Dalek geometry—circular ears, a gridlike face, and exaggerated limbs that radiate with robotic intent. Armed with a pink hammer and seemingly suspended in a cosmic ritual, the figure is frozen in action, surrounded by a barrage of laser-like beams and geometric targets. The composition’s rhythm is tightly engineered yet playful, echoing the patterns of video game graphics, Japanese pop influence, and postmodern design theory. Dalek’s Space Monkey has long served as a vehicle for personal and societal commentary. While visually playful, it conveys narratives of surveillance, anxiety, identity, and conformity. In “Through The Depths,” the monkey appears caught between zones of order and explosion, as if navigating multiple psychic dimensions at once. The meticulously constructed background features layers of concentric circles and hard-edged squares, suggesting portals or conceptual thresholds. The title hints at a metaphysical plunge, as if this creature is pushing through layers of perception or psychological architecture. Technical Discipline in Multi-Layered Silkscreening Dalek’s mastery of silkscreen technique is showcased in the crispness of the lines, the seamless alignment of layers, and the even saturation of bold, high-contrast colors. Each color layer is independently pulled, requiring rigorous planning and precision. The final result feels like both a contemporary artifact and a psychedelic map, executed with razor-sharp control. The use of black outlines and vibrant fill tones roots the work in the traditions of graffiti and comic-based visual language while elevating it to fine art printmaking. The screen print’s surface is flat yet dimensional, built from intersecting fields of color and mathematical composition. The vibrant palette is balanced with structural weight, giving the artwork a formal elegance beneath its cartoonish exuberance. This duality—chaotic in imagery yet composed in execution—is central to the visual impact of Dalek’s Street Pop Art & Graffiti Artwork. Collectibility and Contemporary Resonance As an Artist Proof from a 2023 limited edition silkscreen series, “Through The Depths” holds unique value among collectors of street pop and urban contemporary art. Artist Proofs are often reserved for the artist’s personal archive, making them even more desirable due to their rarity and connection to the creator’s hand. James Marshall’s ability to translate the energy of street culture into a structured, collectible format positions him as a defining voice in the evolution of modern pop-infused abstraction. “Through The Depths” stands as a vivid declaration of Dalek’s continued innovation. It is a compact symphony of form and color, meditating on chaos, depth, and digital-age intensity while maintaining the optimism and graphic clarity that defines his Space Monkey mythos. This is a print that invites interpretation, demands attention, and rewards long-term contemplation.

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Zapata- Teal 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Zapata (Teal) 2020. 18 x 24 inches. Screen print on thick cream Speckletone paper. Signed by Shepard Fairey.

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Spirit Guardian Archival Print by Graham Yarrington Limited Edition on Cotton Fine Art Paper, Pop Graffiti Street Artist Modern Artwork. 2020 Signed & Numbered Print Limited Edition of 30 Artwork Size 30x24 Archival Pigment Fine Art Spirit Guardian Archival Print by Graham Yarrington Spirit Guardian is a 2020 signed and numbered archival pigment print by Graham Yarrington, limited to an edition of 30. Printed on high-quality cotton fine art paper, this piece is a vivid representation of Yarrington’s signature approach to Street Pop Art & Graffiti Artwork. The artwork features a monochromatic woodland scene rendered in grayscale tones, inhabited by a surreal black animal with multi-colored streamers wrapped around its limbs and body. A small, stoic figure sits atop the creature, framed by a radiant geometric emblem that radiates neon pink, blue, orange, and yellow. The stark contrast between grayscale surroundings and the bursts of vibrant color establishes a dreamlike tension between stillness and movement, silence and spectacle. Symbolism and the Storytelling Vision of Graham Yarrington Graham Yarrington’s work often traverses mythological terrains, and Spirit Guardian is no exception. The piece creates a portal into an imaginary world that feels timeless, haunted, and simultaneously playful. The geometric symbol in the center is more than ornamental. It functions as an aura, shield, or spiritual compass, guiding the small rider through a mystical forest. The animal acts as both guardian and vessel, a familiar form carrying the unknown into and through the surreal. The grayscale trees, rendered with sharp and angular silhouettes, contrast sharply with the softness and fluidity of the ribbons and the central emblem. This juxtaposition underscores Yarrington’s consistent use of visual dualities—light and dark, motion and stillness, nature and invention—within Street Pop Art & Graffiti Artwork. Use of Form, Color, and Texture in Narrative Composition Yarrington’s command of shape and color in Spirit Guardian exemplifies his graphic storytelling expertise. The controlled layering of textures in grayscale allows the central colors to shine without overwhelming the viewer. The ribbons appear to dance across the page, creating a kinetic flow that draws the eye in every direction before returning to the harmonious balance of the composition. Every detail—each leaf, ribbon, and shadow—feels purposefully placed. The rounded edges of the print further soften the visual language and give the work a more intimate, almost storybook feel while preserving its contemporary street art identity. The balance between illustration precision and conceptual storytelling makes the piece both accessible and profound. A Visionary in the Evolution of Street Pop Art & Graffiti Artwork Graham Yarrington continues to carve a distinctive space within the expanding definition of Street Pop Art & Graffiti Artwork. Spirit Guardian distills his broader artistic themes into a single, transportive visual moment. It is a rare and thoughtful reflection on emotional guidance, subconscious landscapes, and the invisible guardians we carry through difficult or uncertain times. Through symbolic visuals and a high level of compositional clarity, Yarrington constructs a meditative yet charged encounter between viewer and myth. Spirit Guardian is a prime example of modern narrative art rooted in the techniques of printmaking, street culture, and emotional storytelling, solidifying its place in the evolving canon of contemporary art.

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Emotions- Green PP Printers Proof Stencil 2-Color Silkscreen Limited Edition Print Art on Fine Art Paper by Artist Aiko Contemporary Pop Artwork. PP Printers Proof 2020 Signed & Marked PP Hand Stenciled Limited Edition 1/1 Artwork Size 20x24 "Between men and women, we have been arguing about equality for a long time and things are maybe much more comfortable now, plus new generations seem like they are having better ideas. The topic has much changed since our grandparents' time or even before. Yet, women and minorities are still facing obstacles we must help resolve: education, job opportunities, and health. I hope the chance for fair living is given to everyone and everyone can seize the day." - AIKO "Emotions- Green PP Printers Proof" is an avant-garde, 2-color silkscreen limited edition print meticulously crafted on fine art paper by the prodigious artist AIKO. Renowned for her contemporary pop artwork, AIKO masterfully blends traditional stencil techniques with the vibrant energy of street and graffiti art. This particular piece stands out not just for its compelling visual narrative but also for its exclusivity. Marked as a PP (Printers Proof) from 2020, it carries the unique distinction of being a 1/1 edition, measuring an impressive 20x24. Each detail, each stroke, reflects the artist's unparalleled dedication and painstaking precision. Diving deeper into the layers of the artwork, one can discern AIKO's fervent passion for addressing societal themes. The dynamics between men and women, and the continuing discourse on gender equality, are potently expressed. Through her art, AIKO captures the evolving perspectives on gender roles, noting the significant progress from our grandparents' era to the present. However, her work also serves as a poignant reminder of the prevailing challenges. Issues like education disparities, unequal job opportunities, and healthcare discrepancies faced by women and minorities are still pressing concerns. AIKO's hope, as mirrored in her artwork, is for a world where fairness is not just an ideal but a lived reality. "Emotions- Green PP Printers Proof" is more than just a visual feast; it's a clarion call for societal change, urging every individual to seize their day and champion the cause of equality. Through this piece, AIKO magnifies the power of art, not just to depict but to inspire and instigate meaningful dialogue and action.

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Vote Keep Hope & Freedom Alive Black & Gold Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 80 Artwork Size 18x24 Political Democrat Silkscreen Print of Woman on a Horse Holding US Flag. Vote Keep Hope & Freedom Alive Black & Gold Silkscreen Print The Vote Keep Hope & Freedom Alive Black & Gold Silkscreen Print by Cleon Peterson represents a compelling example of Street Pop Art and Graffiti Artwork, merging political activism with striking visual design. Created in 2024, this piece is a limited edition, with only 80 signed and numbered prints, making it a coveted item for collectors. The print measures 18x24 inches and is produced on 290gsm Coventry Rag Fine Art Paper with hand-deckled edges, showcasing exceptional craftsmanship. The gold and black color scheme elevates its bold design, adding a sense of elegance and prominence to the artwork’s powerful message of hope and freedom. The Signature Style of Cleon Peterson Cleon Peterson, born in 1973 in the United States, is an artist known for his stark and impactful visual language. His art explores themes of conflict, resistance, and social power, often depicted through bold compositions and limited palettes. The Vote Keep Hope & Freedom Alive Black & Gold print features a central figure of a woman riding a horse, holding the American flag high, symbolizing resilience and determination. The use of gold in the design represents triumph and glory, while the black provides a grounding, dramatic contrast. This dynamic composition exemplifies Peterson’s ability to merge political commentary with aesthetically striking imagery. The Role of Street Pop Art and Graffiti Artwork in Political Activism Street Pop Art and Graffiti Artwork have historically served as vehicles for political expression, making them highly relevant in today’s cultural and social landscape. This print captures the spirit of democratic engagement, urging viewers to reflect on their roles as active participants in shaping the future. The woman on horseback, a recurring symbol of power and leadership, is rendered with clean lines and minimal details, ensuring the focus remains on the symbolism of action and movement. The gold accents bring an air of celebration, reinforcing the idea that voting is both a privilege and a responsibility. Craftsmanship and Limited Editions The hand-deckled 290gsm Coventry Rag Fine Art Paper adds a tangible sense of quality to the print, underscoring its status as a collector’s item. Limited to only 80 signed and numbered pieces, this artwork carries a sense of exclusivity while amplifying its political message. By blending the aesthetics of fine art with the accessibility of street and pop culture influences, Peterson bridges artistic worlds. His use of silkscreen techniques recalls the traditions of Pop Art while embracing the raw, urban energy associated with graffiti and street art, ensuring this piece resonates with contemporary audiences. This limited edition serves as both a visual statement and a call to action, embodying hope and freedom through the lens of modern art.

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Good To See You Henry Rollins 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Fine Art Paperby Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 250 Artwork Size 18x24 Silkscreen Print by Shepard Fairey- OBEY "My good friend Henry Rollins is on his “Good to See You” spoken word tour that kicked off earlier this year. I’ve collaborated with Henry many times. I’m constantly in awe and impressed by him. He is the hardest-working guy I know and stays up on social and political issues. I’m excited that he is on the road again and honored to design his 2022 tour art. The posters are available to purchase on his tour if you see him on the upcoming dates, signed by Henry and me." -Shepard Fairey

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Take Your Time- Printer's Select Limited Edition 4-Color Hand-Pulled Silkscreen Print on 290gsm Coventry Paper by Dr. Dax Graffiti Street Artist Modern Pop Art. Take Your Time and Keep It. "'The value of time depends on how you spend it' is a motto that I had on loop as a direct effect from quarantine and social distancing. I spent most of my time continuing a spiritual journey and developing creatively in my studio. As time seemingly slowed down, I started noticing more than usual the value in time, and how not to waste it. In much reflection during this time, I found inspiration in colors of an era when I was very young, reminiscent of better times." -Dr. Dax

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Angles Of Elevation Limited Edition Archival Pigment Prints on 300gsm Fine Art Paper by Vans The Omega Graffiti Street Artist Modern Pop Art. "‘Angles of Elevation’ was the prize geometric piece of my recent show "Into The Light" and is the amalgamation of the past 7 years of trial and error, research and development painting geometric illusion within my fine artworks both in the studio and on large scale walls. I think this piece represents discovery within and the journey we make during life. The science behind geometry in the healing arts isn’t readily taught but is something I have spent many years studying and being open to on a personal and professional level. My belief and knowledge of the healing power that Art creates is a large goal of my practice in Art, both for others and myself alike. Apart from the piece serving an aesthetic appeal, the greatest aim is to reveal something about yourself while taking in the work. Visually this work came together through a series of visions that I have strived to fulfill. The dimension of this piece was my greatest challenge while giving a mixture of etheric and harder edges to push and pull the eye through space so that harmony is met." - Vans The Omega

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Rise Above Rose Geometric 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered 12 inches by 24 inches Edition of 550 July 21, 2022 "The Rise Above Rose Geometric print contains several recurrent symbols in my work. The rose represents the archetype of an individual or a society who has endured oppression but perseveres to rise above conflict. Rise above also references the song “Rise Above” by Black Flag, one of my favorite punk bands. In creating art that encourages people to rise above adversity, I hope that it also motivates people to fight against injustice even when the fight is difficult." –Shepard Fairey

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Hefe POP Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Pop Artist Clint Wilson. 2013 Signed & Numbered Limited Edition of 100

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Scott Howard Beavers Silkscreen 4-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2013 Signed Limited Edition of 125 Artwork Size 18x24 Teen Wolf Movie

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Island Yachting 84 Sunny Hill Original Oil Painting by Peter Keil One of a Kind Artwork on Masonite Panel by The Wild Man of Berlin, a Famous Contemporary Artist. 1984 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of 3 Sail Boats on a Lake Under a Large Hill with A Bight Sun. Deciphering "Island Yachting '84 Sunny Hill" by Peter Keil "Island Yachting '84 Sunny Hill" is a quintessential piece that encapsulates the vibrant spirit of Peter Keil, also known as 'The Wild Man of Berlin, and his contributions to the world of Street Pop Art and graffiti Artwork. This original oil painting, created in 1984 and signed by the artist, is a one-of-a-kind artwork on a Masonite panel, measuring 24x24 inches. Characteristic of Keil's robust approach, the painting exhibits a generous application of thick paint, which, over the years, may have led to some flaking—a testament to the organic nature of his materials and technique. The composition depicts three sailboats gracefully adorning a lake set beneath a sprawling hill crowned with a radiant sun, a scene that conveys a harmonious blend of nature and leisure. In this piece, Keil's vivid colors and dynamic strokes impart a sense of movement and vitality often associated with graffiti art. The sun, an orb of bright yellow, casts its glow over the scene, infusing the landscape with warmth and life. This natural element is a powerful focal point, imbued with optimism and energy that reflects Keil's signature style. The sailboats, with their red and white sails, appear as part of the lake's rhythm and as vibrant contrasts to the blue water, creating a visual interplay between color and form reminiscent of pop art's attention to bold imagery. Peter Keil's Artistic Language in "Island Yachting '84 Sunny Hill." The artistic language of Peter Keil, as demonstrated in "Island Yachting '84 Sunny Hill", is a fusion of impressionistic techniques with the rawness and accessibility of street art. Keil's unrestrained brushwork captures the essence of his subjects through a personal and universally relatable lens. The simplicity of the scene—a serene lake with sailboats and the calm of a sunny hill—contrasts with the complexity of the emotions conveyed through the painting's expressive lines and shapes. Keil's choice of Masonite panel as his canvas further emphasizes his connection to street art, as it aligns with the movement's innovative use of alternative materials. The durability of Masonite allows for the heavy layers of oil paint, a medium that grants depth and texture to the work. This texture not only adds a tangible quality to the painting but also reflects the physicality of graffiti art, where the environment plays a crucial role in the artwork's character. Legacy of "Island Yachting '84 Sunny Hill" in Contemporary Art The legacy of "Island Yachting '84 Sunny Hill" within contemporary art is significant. It exemplifies Peter Keil's innovative blend of traditional painting techniques with the cultural and aesthetic elements of Street Pop Art and graffiti Artwork. The piece stands as a vibrant narrative that speaks to the joy of simple pleasures and the beauty of nature, universally compelling themes that transcend the boundaries of art movements. Moreover, the artwork reflects Keil's broader impact on the art world. His works, known for their emotional depth and distinctive style, have influenced a new generation of artists who view street art as a legitimate and vital form of artistic expression. "Island Yachting '84 Sunny Hill" is a testament to Keil's role in this ongoing dialogue, showcasing his ability to capture the spirit of street art within the framework of fine art painting. "Island Yachting '84 Sunny Hill" is not just a painting but a piece of art history that continues to resonate with the vibrancy and passion of its creator, Peter Keil. As a work that embodies the ethos of Street Pop Art and graffiti Artwork, it remains a valuable piece within Keil's oeuvre and an inspiration to artists and art lovers alike. The painting captures a moment in time, a sunny day on the water, yet speaks to the enduring power of art to evoke emotion and capture the imagination.

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Black or White Face 92 Original Oil Painting by Peter Keil: One-of-a-kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1992 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work—painting of Black & White Face with Hat. Delving into "Black or White Face '92" by Peter Keil "Black or White Face '92" is an original oil painting on Masonite panel by Peter Keil, known as "The Wild Man of Berlin," a moniker that reflects his fierce and untamed approach to art. This artwork, created in 1992 and signed by the artist, measures 24x24 inches and is emblematic of Keil's bold and expressive style. The painting showcases a face rendered in stark black and white, adorned with a colorful hat that contrasts the composition. Keil's use of thick paint is evident here, a technique that gives the work its rich texture and depth, and over time, has led to some paint flaking, a characteristic that imparts an authentic patina to his pieces. The dichotomy of black and white in the painting resonates with the themes often explored in Street Pop Art and graffiti Artwork, where contrast is used to convey complex messages and evoke strong visual impact. Keil's depiction goes beyond the literal to hint at the dualities present within human nature and society. With its vibrant hues, the hat stands as a symbol of individuality and creativity, central to Keil's artistic philosophy and the spirit of street and pop art movements. Exploring the Significance of Keil's Technique and Medium In "Black or White Face '92," Peter Keil's technique and choice of medium speak volumes about his connection to the raw and immediate qualities associated with street art. His application of oil paint on Masonite panels, often in thick, impasto layers, creates a tactile surface that invites viewers to experience the artwork beyond its visual appeal. This sensory quality bridges the gap between the viewer and the artwork, making it more accessible and engaging, much like graffiti art that adorns urban landscapes. The Masonite panel itself, a departure from traditional canvas, underscores Keil's affinity with the street art genre, which favors unconventional materials and surfaces. The durability and solidity of Masonite also reflect the lasting impact of Keil's work, mirroring the permanence of graffiti art that becomes an integral part of the urban environment. This synergy between medium and message is a hallmark of Keil's art. It is a testament to his role as a pioneer in integrating the essence of street art into acceptable art practices. Keil's Artistic Legacy in Modern Art As exemplified by "Black or White Face '92," Peter Keil's artistic legacy is characterized by a vivid portrayal of human subjects and an unrestrained use of color and form. His works are a testament to the influence of street culture on contemporary art, demonstrating how the spontaneous and unfiltered expressions found in Street Pop Art and graffiti Artwork can be translated into the language of fine art. Keil's paintings are not mere representations but powerful expressions of emotion and identity infused with the artist's experiences and observations. Furthermore, the flaking of paint in Keil's work adds a dimension of time and history to his paintings, suggesting a narrative that extends beyond the moment of creation. This aspect of his work is particularly poignant in the context of street art, where the environment and the passage of time play crucial roles in shaping the artwork's life. Through his bold explorations and authentic expressions, Keil has left an indelible mark on modern art, inspiring artists and art enthusiasts to embrace the unconventional and appreciate the beauty inherent in the imperfections of the artistic process. "Black or White Face '92" is not just a significant piece within Peter Keil's body of work; it is a vibrant chapter in the story of street pop art and graffiti Art. It encapsulates Keil's artistry's energy, diversity, and creativity while reflecting the broader trends and transformations within contemporary art. As this piece continues to captivate viewers with its compelling imagery and rich textures, it serves as a reminder of Keil's enduring impact on the art world and his mastery of bringing the street into the gallery.

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Atomic Lime- Holographic 10-Color Hand-Pulled Limited Edition Silkscreen Print on 10pt Lava Foil Holographic Fine Art Board by Sheefy Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 10-Color Screen Print on 10pt Lava Foil Holographic Fine Art Board Size: 18 x 24 Inches Release: April 28, 2021 Run of: 50

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Sunset Cowboy Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2012 Signed & Numbered Limited Edition of 30 Artwork Size 18x24 Number 30 of 30 Lowbrow Cowboy Drawing Gun At Sunset

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SECHOR roller Original One of a Kind Mixed-Media Spray Paint Painting Artwork on Canvas by Popular Street Graffiti Artist Sechor. 2021 Signed Mix Media on 18x24 on Unstretched Canvas

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Signs Of The Crimes- Blue Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Kaleidopop 7- Pink Yellow 6-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. "Kaleidopop" - Variant Edition Print #7/11 Free Shipping to anywhere in the USA Tribute to actress June Haver Edition size: 11 prints Print size: 24" x 30" All prints in the edition are unique with a different split fountain background and will never be reproduced, signed and numbered.

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And Then Things Got Better Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 And Then Things Got Better by Denial – A Bold Statement of Hope in Street Pop Art & Graffiti Artwork And Then Things Got Better is a striking archival pigment print created by the Canadian street pop artist Denial in 2020. Measuring 24 x 24 inches and printed on 330gsm fine art paper, this work was released in a signed and numbered limited edition of only 25. The piece draws immediate visual comparison to classic comic strip aesthetics but subverts expectations through a modern lens. Featuring a close-up portrait of a woman rendered in high contrast with bold black outlines, vibrant pink lips, vivid green eyes, and Ben-Day dot textures, the print captures the emotional intensity that Denial is known for. The panel’s yellow upper strip carries the titular phrase, printed in an all-caps comic font: And Then Things Got Better. This single line, combined with the woman’s dramatic upward gaze and tear-tracked cheek, encapsulates a surge of conflicted emotion—part relief, part disbelief, part residual pain. The composition is frozen in that precise psychological moment when change begins to arrive but healing is still in motion. Denial’s Subversive Pop Art Language Denial, born Daniel Bombardier in Canada, is an internationally recognized street and gallery artist whose work critiques consumerism, propaganda, and social norms through humor and graphic visual impact. Known for blending techniques from graffiti, signage, and mass media design, Denial’s prints and installations draw heavily from the legacy of pop art while injecting them with urban urgency. In And Then Things Got Better, he uses a format popularized by 1960s pop art pioneers but repurposes it to speak not about romantic melodrama but about resilience and psychological transformation. The woman’s expression is not one of shallow sadness but rather of deep processing, portraying an honest reckoning with personal or collective experience. Through limited text and bold imagery, Denial emphasizes that change, when it comes, is layered and uncertain—but worth embracing. Technical Execution and Print Quality Each print in this limited run is crafted using high-resolution archival pigment printing on 330gsm fine art paper, a museum-quality substrate known for its texture, color accuracy, and longevity. The use of pigment-based inks ensures that the vivid blues, intense blacks, and shocking pinks maintain their vibrancy without fading over time. The paper’s weight provides both tactile richness and physical substance, grounding the emotional weight of the artwork. As each edition is hand-signed and numbered by the artist, the piece becomes not just a reproduction but a personal artifact of Denial’s evolving catalog. The crisp precision of the linework, especially in the hair and lettering, showcases Denial’s control of visual rhythm and contrast. It is a piece that can exist comfortably in both street-influenced interiors and formal gallery settings. And Then Things Got Better as Contemporary Street Pop Art & Graffiti Artwork This artwork exemplifies the spirit of Street Pop Art & Graffiti Artwork through its fusion of pop iconography with modern emotional depth. While many works in the genre embrace irony or satire, Denial’s print finds space for sincerity without losing its graphic punch. It celebrates the ability of contemporary pop artists to use comic tropes and urban aesthetics not just for critique, but for emotional storytelling. The message of the piece is simple, but the context surrounding it—social upheaval, personal growth, psychological distress—makes it resonate profoundly. Denial manages to channel the graphic immediacy of street art with the structured punch of pop, giving voice to the hope that often emerges quietly after storms. And Then Things Got Better is not only a statement—it is a question, a moment of breath, and a visual reminder of survival through art.

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Covid No 19- Mauve Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Mauve Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Pixel Icons Silkscreen Print by Buff Monster Artist Proof Hand-Pulled Screen Print on 250gsm Cotton Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. 2023 Signed & Numbered Limited Edition of 80 Artwork Size 18x24 of the Classic Melty Misfit One Eyed Ice Cream Drippy Monster in Pixel Style. Pixel Icons Silkscreen Print by Buff Monster – Limited Edition Pop Street Artwork & Graffiti Buff Monster, an influential figure in Street Pop Art & Graffiti Artwork, continues to push creative boundaries with Pixel Icons, a hand-pulled silkscreen print that reimagines his signature Melty Misfit aesthetic through a pixelated lens. This limited-edition artwork, printed on 250gsm cotton fine art paper, is a signed and numbered series of only 80 pieces, making it a highly coveted collector’s item. The 18x24-inch print features Buff Monster’s classic one-eyed drippy monster, but instead of fluid, organic lines, the composition is rendered in a retro 8-bit pixelated style. The transformation of his melting ice cream-like character into a digital-inspired format reflects Buff Monster’s ability to merge nostalgia with contemporary Street Pop Art & Graffiti Artwork. The use of pastel green, pink, and turquoise creates a striking visual contrast, reinforcing the playful and surreal nature of the piece. The hand-pulled screen printing technique ensures that each print retains a level of texture and vibrancy that digital reproductions cannot replicate. Buff Monster and His Influence on Street Pop Art & Graffiti Artwork Born in Hawaii and now based in New York, Buff Monster has established himself as a leading artist in Street Pop Art & Graffiti Artwork. His work is known for its bright color palette, cartoonish characters, and heavy influences from Japanese culture, heavy metal, and vintage video games. His rise to prominence began with graffiti and wheat-pasting in the early 2000s, where he quickly gained attention for his eye-catching, candy-colored murals and posters. Over the years, Buff Monster has expanded his artistic reach beyond the streets, entering galleries, collaborating with major brands, and producing collectible art pieces. Despite these shifts, he maintains the rebellious energy and DIY ethos that defined his early career. His work bridges graffiti culture, fine art, and commercial design, proving that Street Pop Art & Graffiti Artwork can thrive across multiple platforms without losing its authenticity. Pixel Icons – The Fusion of Classic Video Game Aesthetics and Street Art Pixel Icons takes Buff Monster’s signature Melty Misfit character and reimagines it through the visual language of early video game graphics. The sharp edges and pixelated drips create a unique juxtaposition between organic melting forms and rigid digital aesthetics. This reinterpretation not only showcases Buff Monster’s adaptability as an artist but also highlights the enduring influence of retro gaming culture in modern Street Pop Art & Graffiti Artwork. The print’s vibrant pastel tones, thick outlines, and pixelated textures give it a distinctive, almost glitch-like quality. This aesthetic choice reinforces themes of nostalgia and transformation, drawing parallels between the evolution of digital media and the ever-changing landscape of graffiti and street art. The limited-edition nature of this piece makes it not only a striking visual statement but also a valuable artifact in contemporary art collecting. The Cultural Impact of Buff Monster’s Work Buff Monster’s art continues to shape and inspire the modern landscape of Street Pop Art & Graffiti Artwork. His ability to blend elements from pop culture, graffiti, and fine art has solidified his reputation as a pioneering force in the scene. His commitment to hand-crafted, screen-printed editions ensures that each piece carries a tangible, tactile quality that digital reproductions often lack. Pixel Icons exemplifies his innovative approach, bringing together street art techniques, pop surrealism, and retro gaming influences into a single, cohesive composition. The print serves as a reminder that Street Pop Art & Graffiti Artwork is constantly evolving, embracing new forms while staying true to its rebellious and playful origins. Whether displayed in a gallery, private collection, or urban space, Buff Monster’s work continues to challenge perceptions and celebrate the vibrancy of contemporary art.

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Many Mao Green Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 75 Artwork Size 18x24

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Blank Canvas #132 WPRR Serigraph Print by Tim Conlon Limited Edition Hand Pulled Artwork on 285gsm Stardream Lagoon Fine Art Paper Modern Street Graffiti Pop Artist. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 24x24 Hand Deckled Serigraph In the confluence of street graffiti and pop art, few works encapsulate the spirit as vividly as Tim Conlon's 'Blank Canvas #132 WPRR Serigraph Print'. Born from his extensive 'Blank Canvas' series, this particular piece is a harmonious blend of spray paint, typography, and painterly abstraction. The tromp l'oeil technique, a style that uses realistic imagery to create an optical illusion, adds a layer of depth, immersing the viewer into the world of freight train painting art and culture. What sets this artwork apart is its medium and material. It is a serigraph, a refined hand-pulled print, on a meticulously chosen 285gsm Stardream Lagoon Fine Art Paper. This paper's unique texture and hue accentuate the artwork's vibrant colors. The hand deckled edges enhance its tactile experience, making it not just a visual treat but a masterpiece to feel. Sized at 24x24 inches, it strikes a balance, making it perfect for various display settings. Limited to just 75 pieces, each artwork is signed and numbered by Tim Conlon himself, attesting to its authenticity and exclusivity. Moreover, the embossment by BEYOND THE STREETS stamps its significance in the contemporary art scene. Conlon's work offers an unparalleled insight into the ever-evolving world of graffiti, melding the rebellious spirit of street art with the aesthetics of pop art. For enthusiasts and collectors alike, 'Blank Canvas #132 WPRR Serigraph Print' is not merely an artwork; it's a statement, a testament to the beauty and complexity of urban art culture.

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ASVP Figure No 8 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist ASVP. Limited edition print based on one of the first designs from our SUPER MATTER series. Embossed, Signed & Numbered on face in pencil Year: 2018 Edition: 100 Size: 18” x 24" Medium: Ultrachrome Inkjet Print Stock: Epson Legacy Etching, 300 gsm, 100% Cotton Rag

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Flower Power Blue AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2021 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Blue Lotus Flower &Electric Power Lines. "These Flower Power prints are a symbolic urge for a concerted effort to transition off of fossil fuels and to sustainable energy sources. Life, as we know it on Earth, will depend on this transition happening with the support of citizens, government, and corporations. Read "This Changes Everything" by Naomi Klein if you'd like a strong analysis of the severity of the climate crisis and the urgency to transition off of fossil fuels. Proceeds from these prints will benefit 350.org to support their work around the climate emergency. Thanks for caring." -Shepard Fairey Shepard Fairey, the mind behind the iconic OBEY imagery, once again channels his signature blend of street and pop art in the "Flower Power Blue AP" silkscreen print. An emblem of countercultural movement, Fairey's piece presents a striking juxtaposition of the serene blue lotus flower against the industrial backdrop of electric power lines. Cast on Speckletone Fine Art Paper, this hand-pulled screen print not only exemplifies the artist's meticulous craftsmanship but also carries a poignant and timely message. The "Flower Power" series, which this print is a part of, stands as a clarion call for humanity's pivot from environmentally harmful fossil fuels to more sustainable energy sources. This transition, as Fairey suggests, is not just a matter of technological or economic feasibility; it is an imperative for the continuity of life as we understand it. The reference to Naomi Klein's "This Changes Everything" underscores the severity of the looming climate crisis, offering readers a comprehensive analysis of our current ecological predicament and the urgency with which we must act. Beyond its aesthetic appeal and socio-political commentary, the artwork demonstrates Fairey's commitment to environmental advocacy. Proceeds from the sale of these prints are directed to 350.org, an organization at the forefront of the global movement to address climate change. Such initiatives are emblematic of Fairey's approach to art — one that is not just visually stimulating but also deeply rooted in activism and the broader call to collective action. Through this masterful piece, Shepard Fairey once again reiterates the power of art in shaping conversations, influencing change, and fostering a more conscious global community.

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Total reBart Artwork Giclee Limited Edition Print on Photographique Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. "Total Rebart” 2015 20 inches x 24 inches Giclée on Photographique Rag Signed, AP Numbered & Branded

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Marching Into Oblivion Green Pink AP 12-Color Silkscreen Print by Dalek- James Marshall Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2023 Signed & AP Marked Limited Edition Run Artwork Size 18x24 Marching Into Oblivion Green Pink AP Silkscreen Print by Dalek – James Marshall Dalek, the creative alias of American artist James Marshall, continues to define a distinct voice within Street Pop Art & Graffiti Artwork through his bold visual vocabulary and evolving abstractions. The 2023 artist proof edition of “Marching Into Oblivion” presents a masterclass in color and chaos, combining Marshall’s signature Space Monkey character with a 12-color hand-pulled silkscreen technique. This AP edition print, sized 18x24 inches, showcases a saturated electric pink background contrasted by vibrant greens, yellows, and deep blacks to create a visual rhythm that feels both mechanical and organic. Every line is tightly rendered, while the palette pulses with cartoon surrealism and calculated energy. From Iconic Form to Emotional Abstraction Dalek’s work is often anchored in the evolution of the Space Monkey figure, a character originally born from his exploration of cultural disaffection and emotional detachment. In “Marching Into Oblivion,” the character takes on exaggerated motion, appearing multiplied and caught mid-march with arms raised, mouths agape, and eyes wild. The visual tempo created by repetition and movement invokes both celebration and disorder. This print is less about a literal narrative and more about symbolic propulsion—a march into overstimulation, into synthetic joy, into noise. With vibrant, almost synthetic precision, Dalek uses form to confront modern anxiety through hyperactive repetition and blinding optimism. Street Pop Energy Rendered in Pure Color Printed with archival pigment on fine art paper, each AP in the series carries the artist’s signature and the AP mark, denoting its rarity and place within the studio’s private production. The decision to use 12 individual silkscreen layers to construct the image shows Dalek’s commitment to traditional printmaking and craft. The richness of the ink, coupled with the mechanical consistency of the forms, creates an artwork that feels digitally native yet physically hand-wrought. The graphic explosiveness of this print is unmistakable—its aesthetic draws from video game glitch, graffiti boldness, urban decay, and punk flyers. Every circle, shadow, and color is strategically placed, lending the work a level of sophistication that transcends surface-level pop. Marching Toward the Inevitable Dalek’s work often blurs the line between playfulness and existential critique, and this piece continues that thread. While the colors may shout with confidence and energy, the title “Marching Into Oblivion” hints at a deeper commentary. There is a sense of automation, of characters driven forward without control, perhaps reflecting the cultural malaise of routine consumerism or the emptiness behind the facade of progress. The work exists in a liminal zone between celebration and collapse, between Street Pop Art’s commercial slickness and graffiti’s chaotic truth. It is this duality that gives Dalek’s prints their power—bright and loud, yet full of tension and coded meaning. This limited edition AP offers a vibrant, thought-provoking artifact of contemporary visual language.

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Flower Power Red AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2021 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Red Lotus Flower & Electric Power Lines. "These Flower Power prints are a symbolic urge for a concerted effort to transition off of fossil fuels and to sustainable energy sources. Life, as we know it on Earth, will depend on this transition happening with the support of citizens, government, and corporations. Read "This Changes Everything" by Naomi Klein if you'd like a strong analysis of the severity of the climate crisis and the urgency to transition off of fossil fuels. Proceeds from these prints will benefit 350.org to support their work around the climate emergency. Thanks for caring." -Shepard Fairey Shepard Fairey, the mind behind the iconic OBEY imagery, once again channels his signature blend of street and pop art in the "Flower Power Red AP" silkscreen print. An emblem of countercultural movement, Fairey's piece presents a striking juxtaposition of the serene blue lotus flower against the industrial backdrop of electric power lines. Cast on Speckletone Fine Art Paper, this hand-pulled screen print not only exemplifies the artist's meticulous craftsmanship but also carries a poignant and timely message. The "Flower Power" series, which this print is a part of, stands as a clarion call for humanity's pivot from environmentally harmful fossil fuels to more sustainable energy sources. This transition, as Fairey suggests, is not just a matter of technological or economic feasibility; it is an imperative for the continuity of life as we understand it. The reference to Naomi Klein's "This Changes Everything" underscores the severity of the looming climate crisis, offering readers a comprehensive analysis of our current ecological predicament and the urgency with which we must act. Beyond its aesthetic appeal and socio-political commentary, the artwork demonstrates Fairey's commitment to environmental advocacy. Proceeds from the sale of these prints are directed to 350.org, an organization at the forefront of the global movement to address climate change. Such initiatives are emblematic of Fairey's approach to art — one that is not just visually stimulating but also deeply rooted in activism and the broader call to collective action. Through this masterful piece, Shepard Fairey once again reiterates the power of art in shaping conversations, influencing change, and fostering a more conscious global community.

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Covid No 19- Rouge Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Rouge Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Euphoria Pink Error Silkscreen Print by Buff Monster, a hand-painted on Fine Art Paper Limited Edition Artwork. 2021 Stamped As Error Unique Artwork Size 18x24 Silkscreen Print of Melty Misfit Icecream Stylized Melting. This Was Considered a Error During the Printing Process by Artist Due To Backround Color Changes. Unsigned. An Unexpected Twist on a Candy-Colored World Euphoria Pink Error Silkscreen Print by Buff Monster arrives from 2021 in a rare variation that highlights the artist’s passion for vibrant hues and whimsical motifs. Stamped as an error due to background color changes, this unique 18x24 piece stands apart from typical editions. Despite remaining unsigned, it possesses an authentic stamp acknowledging its accidental creation. This twist lends the artwork a special aura, prompting collectors to seek it out for both its visual appeal and its spontaneous backstory. Buff Monster’s signature melty misfit creatures appear front and center, oozing across the composition in shades of orange and green, accented by pink drips. The entire scene feels like an otherworldly candy meltdown, enhanced by the bright interplay of cheerful tones. The melting ice cream shapes, cyclopean characters, and bold cherry accents represent key hallmarks of Buff Monster’s style. The vividly colored figures often signify a playful approach to art that embraces comedic and childlike qualities without relinquishing an edgier, street-inspired side. Here, the swirl of colors merges with a background that inadvertently shifted tone, creating a visually striking collage of fun chaos. While printing errors can sometimes diminish the perceived value of an edition, this mishap elevates the piece’s desirability among fans who appreciate the unforeseen moments that give Street Pop Art & Graffiti Artwork its spark of authenticity. Capturing the Spirit of Street Pop Art & Graffiti Artwork Buff Monster’s work resonates with an urban flair, echoing the aesthetic of large-scale murals and rapid-fire graffiti tags. Vibrant color blocks clash and drip, recalling the allure of spray paint on concrete walls. Euphoria Pink Error Silkscreen Print exudes these impulses by displaying a cast of melting monsters that appear to dance across the paper. This style is consistent with the energy found in Street Pop Art & Graffiti Artwork, where bold outlines and layered pigments transform otherwise ordinary surfaces. The pink splotches on the top edge, for instance, could be remnants of a paint drip that just happened to come out differently than intended. The print thus captures the spontaneity that often characterizes street-based artistic processes. From Happy Accident to Coveted Variation The background shift that defines this print alters the environment in which Buff Monster’s creatures exist. In some areas, the pink is softer than usual, while in others, it appears saturated and intense. These discrepancies underscore how hand-pulled silkscreens can yield unexpected outcomes. Rather than discarding this variation, Buff Monster chose to document its uniqueness by stamping it as an error. Collectors with an eye for novelty prize these sorts of artistic anomalies, which reflect the freewheeling nature of contemporary urban expression. That sense of anything can happen not only aligns with the spirit of Buff Monster’s playful cast of characters, but it also captures the ethos of printmaking itself. Undeniable Character in Every Drip Even though Euphoria Pink Error Silkscreen Print remains unsigned, it features intricate details that link it unmistakably to Buff Monster’s broader repertoire. Viewers can spot hints of halftone textures and bold lines, elements that recur throughout his other forays into rainbow-splashed designs. The swirling meltdown effect leaves behind layers of color that appear to dissolve into one another, adding dimension and fueling the sense of sweet chaos. Cherry icons, goopy eyes, and lumpy shapes jostle together, bringing the piece to life in a swirl of pink and yellow. The result is an artwork that transcends a mere printing mishap, standing instead as an emblem of the charm and spontaneity that define Street Pop Art & Graffiti Artwork. This error edition, in all its bright and messy glory, provides a rare opportunity to glimpse Buff Monster’s willingness to embrace creative accidents and transform them into something fresh and irresistible.

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True Detective Limited Edition 1-Color Hand-Pulled Glow in the Dark Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art.

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Friend Face 84 Original Oil Painting by Peter Keil , a Kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1984 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Face of Blad Man in Red & Yellow. Exploring "Friend Face '84" by Peter Keil "Friend Face '84" by Peter Keil, the distinguished artist also known as "The Wild Man of Berlin," is an original oil painting that encapsulates the vibrant energy and raw emotion that define his body of work. Signed and dated in 1984, this piece represents Keil's fearless approach to color and form, embodied on a 24x24-inch Masonite panel. The painting explores facial expression, depicted through a bold juxtaposition of red and yellow. In line with Keil's signature style, the paint is applied in thick layers, contributing to the tactile experience of the artwork. Over time, these layers may have developed some flaking, a natural testament to the work's age and the organic nature of the materials used. The subject, a bald man's face, is portrayed in a fragmented style that reflects the visual language of Street Pop Art and graffiti Artwork. The use of contrasting colors not only delineates the features of the face but also communicates a deeper psychological landscape, characteristic of Keil's approach to portraiture. The artwork conveys a sense of intimacy and familiarity, suggesting that the subject may be a personal acquaintance of the artist, captured through the dynamic lens of Keil's artistic vision. Artistic Merits of Keil's Technique in "Friend Face '84" In "Friend Face '84," the merits of Keil's technique are evident in the lively interplay of color and the expressive contours that define the composition. The choice of Masonite as a substrate is a testament to Keil's preference for sturdy materials that can endure the weight of his heavy impasto technique. Like much of his work, this painting goes beyond the visual narrative, engaging the viewer through a rich palette and the palpable energy of the brushstrokes. The flaking paint, indicative of the piece's history, adds an element of temporal beauty, echoing the urban decay often celebrated in graffiti art. Keil's work embraces the beauty found in the imperfections and the passage of time, much like the ethos of street art, which often finds poignancy in the ephemeral nature of its creations. "Friend Face '84," therefore, is a visual feast and a historical artifact that carries the marks of its existence. The Legacy of "Friend Face '84" Within Pop and Street Art The legacy of "Friend Face '84" is significant within the context of pop and street art. It represents Keil's contribution to the evolving dialogue between established art forms and the burgeoning street art movement of the time. The painting manifests Keil's ability to translate the spontaneity and authenticity of street art into the permanence of oil on Masonite. This piece exemplifies how traditional artistic mediums can be infused with the spirit and energy of contemporary movements, bridging the gap between disparate creative worlds. Keil's "Friend Face '84" is a powerful reflection of the artist's influence on modern art, particularly in how it challenges and expands the boundaries of how art is perceived and experienced. The painting is a vibrant example of Keil's innovative style, which inspires new generations of artists to explore and embrace the rawness and immediacy of street-inspired art within their practice. "Friend Face '84" is a significant work that captures the essence of Peter Keil's approach to art, characterized by a bold use of color, an embrace of the textural possibilities of paint, and a celebration of the imperfect and the transient. The painting serves as a poignant reminder of the enduring nature of Keil's work and his status as an influential figure in contemporary art. As this piece continues to engage and resonate with audiences, it secures Keil's place in the narrative of art history as an artist who masterfully combines the sensibilities of Street Pop Art and graffiti Artwork with the depth and complexity of traditional painting techniques.

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C/S I 9-Color Hand-Pulled Limited Edition Distressed Pearl White Finish Silkscreen Print on 250gsm Stonehenge White Fine Art Paper by OG Slick x Chaz Bojorquez Rare Street Art Famous Pop Artwork Artist. 2016 Signed by OG Slick x Chaz Bojorquez & Numbered Limited Edition of 150 P1  Exploring the Intricacies of C/S I by OG Slick and Chaz Bojorquez The collaboration between OG Slick and Chaz Bojorquez has given rise to C/S I, a 9-color hand-pulled limited edition silkscreen print that showcases the nuanced synergy between street pop art and graffiti artwork. Crafted in 2016, this work is part of a limited series, each piece bearing the artist's signature and numbered P1 out of 150, marking its exclusivity and importance as a collector's item. The collaboration between these two stalwarts of the street art scene synthesizes their distinct artistic voices into a unified visual statement that resonates with the energy and ethos of the urban landscape from which it draws inspiration. OG Slick, whose roots are firmly planted in the street culture of Los Angeles, brings his iconic imagery to the collaboration. His contributions to the C/S I print are characterized by the cartoon-like gloves that gesture towards the viewer, a direct and impactful use of imagery that has become a signature of his work. This graphical element starkly contrasts the intricate background, inviting a dialogue about the interaction between pop culture and the subversive nature of graffiti art. Signature Elements and Cultural Commentary in C/S I Chaz Bojorquez's influence within the C/S I print is unmistakable. His signature calligraphic style, derived from the Cholo writing of East Los Angeles, provides a rich textual backdrop to Slick's bold graphical elements. The layers of text in print are reminiscent of the palimpsest nature of street art, where messages are layered upon one another, creating a complex tapestry that speaks to the community's pulse. Bojorquez's artistry with letters goes beyond mere aesthetics, delving into the identity politics and social narratives that have always been at the heart of his work. The distressed pearl white finish on the print adds a dimension of age and texture, suggesting a weathered quality often found in street art exposed to the elements. This choice of finish not only enhances the visual depth of the piece but also bridges the gap between the transient nature of street art and the permanence sought by fine art pieces. The Stonehenge White Fine Art Paper, known for its quality and durability, reinforces the intention to preserve the fleeting beauty of street art in a form that stands the test of time. The Limited Edition Nature of C/S I and Its Collectibility The limited edition nature of the C/S I print underscores its value within street pop art and graffiti artwork. The fact that only 150 of these prints exist, each signed by the artists OG Slick and Chaz Bojorquez, elevates the work from mere reproduction to a coveted art piece. Collectors and enthusiasts of street art are drawn to the visual appeal of the work and the cultural capital that such a limited series represents. Owning a piece of this series is akin to holding a fragment of street art history, a snapshot of the moment when two renowned artists converged to leave an indelible mark on the art world. Impact of C/S I on the Perception of Street Art The impact of C/S I goes beyond the boundaries of traditional graffiti and street art. By situating the work within the context of pop art, OG Slick and Chaz Bojorquez challenge the viewer to reconsider the distinctions between high art and urban art forms. The collaboration speaks to the versatility and adaptability of street art, its ability to comment on and absorb influences from various artistic movements, and its persistent quest to gain legitimacy and respect within the art hierarchy. The print's visual elements reflect a sophisticated understanding of cultural symbols, iconography, and the power of the written word, all staples in street pop art and graffiti artwork. The collaboration between OG Slick and Chaz Bojorquez on C/S I is symbolic of a movement that refuses to be categorized simplistically, instead insisting on a complex identity as fluid and vibrant as the streets from which it originates. Through their artistic fusion, these artists contribute to the ongoing narrative of street art as a form that constantly evolves yet remains true to its roots in the urban tapestry.

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Flowering Dignity 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano (Hecho Con Ganas) Famous Mexican American Pop Artwork Artist. 2019 Signed & Numbered Limited Edition of 200 Size 18x24 "Flowering Dignity" stands as a testament to the vibrant confluence of cultural expression and political commentary, elements often inherent in the works of Ernesto Yerena Montejano, an artist whose roots extend into Mexican and American soils. His creation, a 4-color hand-pulled limited edition silkscreen print on fine art paper, embodies the ethos of Pop Art with its bold colors and graphic clarity. Yet, it also carries the raw, unfiltered voice found in street and graffiti art. Created in 2019, this artwork is not just a visual statement but a piece of cultural dialogue that resonates with themes of identity, dignity, and the flowering of the human spirit under the weight of societal challenges. Ernesto Yerena Montejano, operating under his studio name, Hecho Con Ganas, has etched his name in the annals of Chicano and Pop Art through his consistent output of visually compelling and thought-provoking artworks. His "Flowering Dignity" print, part of a limited edition of 200, is particularly significant. Measuring 18x24 inches, each piece is meticulously signed and numbered by the artist, underscoring the personal connection and authenticity that Montejano brings to his work. It is this authenticity that allows the artwork to resonate deeply with its audience, providing a unique aesthetic experience steeped in cultural significance. Montejano's work is characterized by a fusion of traditional motifs with contemporary issues, a visual commentary that mirrors the dual heritage many Mexican Americans navigate. In "Flowering Dignity," the central motif—a stylized flower—bursts with energy, its petals unfurling in a display of resilience and beauty. This imagery, juxtaposed against a backdrop of radiating lines, suggests an awakening, a burst of life and dignity against a structured, perhaps restrictive background. As a piece of Pop Art, it transcends mere decoration, symbolizing shared experience and solidarity within the community. As street art, it carries the spirit of rebellion and the voice of the underrepresented, speaking volumes from the walls it adorns to the galleries it graces.

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