Punisher Crossing Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal Crosswalk Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Real Reclaimed NYC New York City Crossing Cross Walk Street Sign Painting Original Artwork Size 30x37.5  RD-357: Pioneering Street Pop Art on Urban Canvases RD-357, an artist known for his distinctive contribution to street pop art and graffiti artwork, has manifested his creativity through a unique, striking, and thought-provoking medium. His original piece titled "Punisher Crossing Original Street Sign Painting" encapsulates street art's raw essence while ingeniously infusing pop culture iconography elements. This work is a stellar example of RD-357's inventive use of everyday objects as canvases, transforming a mundane metal crosswalk street sign into a vibrant artwork that commands attention and sparks dialogue. The "Punisher Crossing" is a unique artwork that exudes the rebellious spirit and subversive edge often associated with street pop art. Created in 2012, this mixed media piece employs acrylic and spray paint on a real crossing sign measuring 30x37.5 inches. RD-357's choice to use an actual street sign as the foundation for his artwork not only repurposes the object but also embeds the art piece within the fabric of urban life it seeks to comment on. The sign, once a directive for pedestrians, now carries a powerful visual message, made all the more potent by its placement on an object of regulation and order. The Artistic Language of RD-357's Street Sign Paintings In "Punisher Crossing," RD-357 demonstrates a masterful control over color and composition. The background of the sign is ablaze with a vivid, almost violent splatter of yellow and red spray paint, reminiscent of the chaos and energy of city streets. Against this explosive backdrop, the figure of the Punisher is rendered with precision in acrylic, his stark, menacing presence immediately drawing the eye. The character's hand, outstretched and holding a gun, breaks the boundaries of the sign's frame, suggesting a defiance of constraints and a breaking free from imposed limits. RD-357's work is deeply embedded in the language of street pop art, a genre that combines the gritty, underground aesthetic of street art with the bright, graphic quality of pop art. His paintings, especially this piece, are a dialogue between the artist and the urban landscape, between the fictional characters of pop culture and the reality of the viewer's environment. By bringing the Punisher - a symbol of vigilante justice and anti-heroism - into the context of a crosswalk sign, RD-357 creates a juxtaposition that is at once startling and intriguing. The artwork becomes a statement on control and chaos, power and powerlessness, and the fine line between societal order and individual action. RD-357's Impact on Contemporary Street Art RD-357's contributions to the street art scene have been significant, and his influence can be seen in the way street pop art has evolved over the years. His artworks, particularly those on street signs, are more than mere paintings; they are interventions into the urban environment, which challenge the viewer to reconsider the role and potential of public space. The "Punisher Crossing" sign is emblematic of this approach, seamlessly integrating art into the city's daily liandlso elevating the discourse around street art. By signing his work, the artist claims ownership of a public domain piece, an act that is a form of artistic rebellion. The signature on "Punisher Crossing" is not merely a mark of authenticity; it is a declaration of presence, a proof of the artist's interaction with the world around him. Through works like this, RD-357 has etched his name into the annals of street pop art history, securing his place as a maverick who has expanded the possibilities of graffiti artwork. The "Punisher Crossing Original Street Sign Painting" by RD-357 stands as a testament to the power of street pop art to communicate, provoke, and inspire. By transforming a simple street sign into a complex and compelling work of art, RD-357 challenges perceptions, invites reflection, and continues influencing the ever-evolving narrative of street and graffiti art.

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Reveal Your True Nature Archival Print by Hijack Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 30x22.5 Archival Pigment Fine Art Graffiti Art Hijack is an artist who has made a name for himself in the world of street art. As the son of the well-known street artist Mr. Brainwash, also known as Thierry Guetta, Graffiti Art Hijack has followed in his father's footsteps by creating thought-provoking and eye-catching works of art. Mr. Brainwash rose to fame after being featured in the documentary "Exit Through the Gift Shop," which was directed by the enigmatic British street artist Banksy. Mr. Brainwash has become a prominent figure in the street art world, known for his colorful, pop art-inspired pieces, and often incorporating elements from other famous artists such as Andy Warhol and Keith Haring. Hijack, influenced by his father's work and the vibrant street art scene, has developed his own distinct style. His art is characterized by a combination of graffiti, stencil, and collage techniques. He often addresses social and political issues, aiming to evoke an emotional response and promote discussion among viewers. As the son of Mr. Brainwash, Hijack is part of a new generation of street artists who continue to challenge the boundaries of traditional art forms and make a statement through their creative works. While he is influenced by his father's legacy, Hijack is also carving out his own path in the street art world, gaining recognition and respect from both art enthusiasts and fellow artists.

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Spirit Guardian Archival Print by Graham Yarrington Limited Edition on Cotton Fine Art Paper, Pop Graffiti Street Artist Modern Artwork. 2020 Signed & Numbered Print Limited Edition of 30 Artwork Size 30x24 Archival Pigment Fine Art Spirit Guardian Archival Print by Graham Yarrington Spirit Guardian is a 2020 signed and numbered archival pigment print by Graham Yarrington, limited to an edition of 30. Printed on high-quality cotton fine art paper, this piece is a vivid representation of Yarrington’s signature approach to Street Pop Art & Graffiti Artwork. The artwork features a monochromatic woodland scene rendered in grayscale tones, inhabited by a surreal black animal with multi-colored streamers wrapped around its limbs and body. A small, stoic figure sits atop the creature, framed by a radiant geometric emblem that radiates neon pink, blue, orange, and yellow. The stark contrast between grayscale surroundings and the bursts of vibrant color establishes a dreamlike tension between stillness and movement, silence and spectacle. Symbolism and the Storytelling Vision of Graham Yarrington Graham Yarrington’s work often traverses mythological terrains, and Spirit Guardian is no exception. The piece creates a portal into an imaginary world that feels timeless, haunted, and simultaneously playful. The geometric symbol in the center is more than ornamental. It functions as an aura, shield, or spiritual compass, guiding the small rider through a mystical forest. The animal acts as both guardian and vessel, a familiar form carrying the unknown into and through the surreal. The grayscale trees, rendered with sharp and angular silhouettes, contrast sharply with the softness and fluidity of the ribbons and the central emblem. This juxtaposition underscores Yarrington’s consistent use of visual dualities—light and dark, motion and stillness, nature and invention—within Street Pop Art & Graffiti Artwork. Use of Form, Color, and Texture in Narrative Composition Yarrington’s command of shape and color in Spirit Guardian exemplifies his graphic storytelling expertise. The controlled layering of textures in grayscale allows the central colors to shine without overwhelming the viewer. The ribbons appear to dance across the page, creating a kinetic flow that draws the eye in every direction before returning to the harmonious balance of the composition. Every detail—each leaf, ribbon, and shadow—feels purposefully placed. The rounded edges of the print further soften the visual language and give the work a more intimate, almost storybook feel while preserving its contemporary street art identity. The balance between illustration precision and conceptual storytelling makes the piece both accessible and profound. A Visionary in the Evolution of Street Pop Art & Graffiti Artwork Graham Yarrington continues to carve a distinctive space within the expanding definition of Street Pop Art & Graffiti Artwork. Spirit Guardian distills his broader artistic themes into a single, transportive visual moment. It is a rare and thoughtful reflection on emotional guidance, subconscious landscapes, and the invisible guardians we carry through difficult or uncertain times. Through symbolic visuals and a high level of compositional clarity, Yarrington constructs a meditative yet charged encounter between viewer and myth. Spirit Guardian is a prime example of modern narrative art rooted in the techniques of printmaking, street culture, and emotional storytelling, solidifying its place in the evolving canon of contemporary art.

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No Sleep Till Brooklyn- 72 Yellow Green 4-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. 76 different silkscreen colors and variants in one edition. Signed and numbered, date stamped on back. The name of this print run has a double meaning to me. I decided to release it on August 5th to pay tribute to the Beastie Boys legend MCA (Adam Yauch); his birthday. Growing up, just about every day after school I would grab my basketball and head to the park or Boy's Club for some pickup games. Most of the time it was Beastie Boys on my walkman when I made the walk. They have always been a big influence on me. Also, no sleep till I feel confident with enough artwork for a solo show in Brooklyn. It may be a few years out, but I will keep trying to juggle family life, a regular job, and artwork with many late nights... -Tim Oliveira

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Pop Tart- Yellow Hand-Pulled 7-Color Framed Silkscreen Print on 410gsm Somerset Satin White Paper by Artist D*Face- Dean Stockton Limited Edition Fine Art Artwork. 2007 Signed & Numbered Framed Limited Edition of 125 Artwork Size 30x29 Framed With a Large Custom Frame & Mat. Pop Tart (Yellow), 2007 Screenprint in colors on paper 30 x 29 inches (76.2 x 73.7 cm) (sheet) Ed. 125 Signed and numbered in pencil along the lower edge. Published by Black Rat Press D*Face Dean Stockton Pop Tart Yellow Silkscreen Print 2007 The 2007 Pop Tart Yellow silkscreen print by British artist Dean Stockton, professionally known as D*Face, is a seminal example of his satirical take on Street Pop Art & Graffiti Artwork. Measuring 30 x 29 inches and pulled by hand in seven colors on 410gsm Somerset Satin White paper, this limited edition of 125 was published by Black Rat Press, one of London’s most influential print studios for contemporary street artists. Each piece is signed and numbered by the artist in pencil along the lower edge, affirming its authenticity and collectible status. Iconography and Cultural Critique The imagery in Pop Tart Yellow is unmistakably drawn from Andy Warhol’s famous Marilyn Monroe portraits, yet DFace overlays the glamorous visage with his own irreverent twist. Marilyn’s face is partially transformed into a skull, with hollowed eyes and dripping paint effect that speaks to both the fragility of celebrity and the inevitability of decay. Wing-like cartoon details sprouting from her head add a surreal, satirical touch, a reminder of the way fame often elevates cultural figures to mythical status even as it dehumanizes them. This duality between beauty and mortality is a recurring theme in DFace’s practice, amplifying the critique of idolization and mass media’s manipulation of public perception. Technique and Execution Executed as a seven-color silkscreen, the work combines bold flat colors with the grittier textures of drips and distressed detailing. The canary yellow background heightens the pop art vibrancy while creating sharp contrast with the black skeletal overlay and Marilyn’s bright red lips. D*Face’s choice of Somerset Satin 410gsm paper underscores the print’s status as fine art, marrying street aesthetics with museum-quality execution. This approach reflects his ability to bring graffiti-inspired design into the gallery setting without losing the edge and immediacy that characterizes his outdoor interventions. D*Face’s Role in Contemporary Street Art Dean Stockton, born in London in 1978, has established himself as a central figure in the global street art movement, blending punk-inspired graphics, comic book aesthetics, and pop culture satire. His works often interrogate themes of fame, consumerism, love, and mortality, using recognizable cultural icons as vehicles for commentary. Pop Tart Yellow stands as a key example of his strategy to remix the imagery of Warhol and Monroe, figures who themselves embody the commodification of beauty and celebrity. By injecting darker undertones and irreverent humor, D*Face transforms a pop art classic into a piece that resonates with contemporary audiences while questioning the very foundations of fame-driven culture. This limited edition silkscreen remains one of his most iconic fine art releases, bridging his graffiti roots with the collectible print market.

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Icon Collage Bottom- Large Format Limited Edition Hand Pulled 3-Color Silkscreen Print on Cream Speckle Tone Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. Screen Print 30 inches by 38 1/2 inches Edition of 70 October 31, 2016. Large Format Screen Print. 30 inches by 38 1/2 inches. Limited Numbered Edition of 70. 100% cotton archival paper with deckled edges. OBEY publishing chop on bottom left corner. Signed by Shepard Fairey.

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RR Crossing- True Legend Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. Paint on Street Sign Size: 30 x 30 Inches Release: March 24, 2021 Run of: 1 During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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No Sleep Till Brooklyn 64- Yellow Green 4-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. 76 different silkscreen colors and variants in one edition. Signed and numbered, date stamped on back. The name of this print run has a double meaning to me. I decided to release it on August 5th to pay tribute to the Beastie Boys legend MCA (Adam Yauch); his birthday. Growing up, just about every day after school I would grab my basketball and head to the park or Boy's Club for some pickup games. Most of the time it was Beastie Boys on my walkman when I made the walk. They have always been a big influence on me. Also, no sleep till I feel confident with enough artwork for a solo show in Brooklyn. It may be a few years out, but I will keep trying to juggle family life, a regular job, and artwork with many late nights... -Tim Oliveira

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Multi Tags Series 7912 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas. 2022 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size 30x42 Multi Tags Series 7912" is an original graffiti painting by Seen UA, an influential artist. Seen UA, also known as Richard Mirando, is a pioneer in graffiti with a career spanning over four decades. He started in the late 1970s, tagging New York City's subway trains and streets with his iconic, dynamic lettering style. As the name suggests, "Multi Tags Series 7912" is likely part of a series of works featuring multiple graffiti tags in different styles and colors. The series might showcase Seen UA's diverse graffiti techniques and the evolution of his style over the years. UA's work has gained international recognition, and he has transitioned from the streets to the fine art world. His art has been exhibited in galleries and museums globally, earning him a place among history's most respected graffiti artists. Collectors appreciate Seen's work for its vibrant colors, bold lettering, and intricate designs, reflecting the energy and spirit of the urban landscape.

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Graffiti for Sale One of a Kind 1 HPM Painted Silkscreen by Hijack Hand-Pulled 15-Color Screen Print on Fine Art Paper Limited Edition Street Art Artwork. 2022 Signed #1 of One of a Kind Edition of 5 HPM Custom Framed Hand Painted Artwork Size 30x22 Hijack's "Graffiti for Sale" is a distinctive artwork that boldly merges the worlds of commercialism with the unbridled spirit of street art. Created in 2022, this one-of-a-kind hand-pulled 15-color screen print exemplifies the artist's ability to juxtapose societal commentary with vibrant urban aesthetics. Using fine art paper as its canvas, the piece measures an impressive 30x22 inches, large enough to capture the intricate detailing and bold strokes that are trademarks of Hijack's style. As a testament to its exclusivity, "Graffiti for Sale" is signed as #1 in a very limited edition series, an HPM or Hand-Painted Multiple, where only five such pieces exist. Unlike traditional prints where each piece is a replica of the original, an HPM means that while the print may be the same, each artwork has unique hand-painted elements, making each one distinct. This specific artwork, being custom framed, adds an additional layer of sophistication, preserving its vibrancy and ensuring longevity. Delving deeper into the artwork's narrative, one is immediately drawn to the central figure, a poised individual holding a sign that reads "Street Art for Sale." This statement acts as a satirical nod to the commodification of street art, a once underground movement now showcased in galleries and auction houses worldwide. Surrounding the central figure is a whirlwind of colors, shapes, and forms - a chaotic representation of the bustling world of graffiti. Hijack's piece is not just art; it's a conversation, a statement, and a reflection on the ever-evolving world of street and pop art.

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Studio Session 611 #54/60 8-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Arches Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. 2016 Studio Session #611, Limited Edition of 8 prints, print #5/8. Print size 22x30. Signed and numbered in pencil, printed on fine art Arches paper, 100% Cotton BFK Rives with two deckled edges and two natural edges.

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AR-15 Lily- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 30x41 In the rich tapestry of modern art, the AR-15 Lily serigraph by Shepard Fairey holds a distinct place. A contemporary masterpiece, this large-format print, sized at an impressive 30x41, is a testament to Fairey's impeccable craftsmanship and profound insight into social issues. A product of the year 2022, the AR-15 Lily, alongside its counterpart, the AK-47 Lotus, reflects Fairey's inspiration from the iconic Vietnam War protesters. These brave souls, in a symbolic gesture of peace, would insert flowers into the gun barrels of the National Guard, who were present to curtail their passionate calls for peace. Shepard Fairey, a renowned graffiti street artist, is known for intertwining pop culture, street art, and pressing social issues in his works, and this piece is no exception. His choice of a 4-color serigraph technique for this limited edition of 100 pieces exudes exclusivity and class. The print, meticulously crafted on Custom Cotton Coventry Rag Paper, evokes feelings of nostalgia and the age-old conflict between violence and peace. Fairey’s perspective, as he expresses, is deeply pacifistic. His work is not just an artistic expression but a call for diplomacy and harmony, both on international terrains and domestic fronts. While he does not challenge the Second Amendment, his emphasis is on reducing unnecessary deaths due to gun violence. In a world where the lines between art and activism often blur, Fairey's commitment to supporting causes shines through. A portion of the proceeds from this artwork, for instance, aids Brady United, an organization dedicated to preventing gun violence. The AR-15 Lily is not just a piece of art; it's a bold statement, a call for reflection, and a testament to Fairey’s unwavering commitment to promoting peace. "The AK-47 Lotus and AR-15 Lily large format serigraphs are inspired by Vietnam War protesters who would put flowers in the gun barrels of the National Guard who were brought in to suppress their protests for peace. I’m a pacifist, whether that means finding diplomatic solutions to prevent and avoid war internationally or finding diplomatic solutions to prevent and avoid gun violence at home. I’m not anti- Second Amendment, so trolls can calm down… I’m not interested in macho blathering, I just want fewer people to die unnecessarily. Brady United is doing good work preventing gun violence so they will receive a portion of proceeds from these two prints. Thanks for caring.⁠" -Shepard Fairey

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Happy Endings Silkscreen Print by OG Slick x The Beautiful Losers Hand-Pulled on 30in Circle Hand Deckled Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 99 Artwork Size 30in Diameter Circle  Silkscreen Print Smiley Face Hands Holding Spray Paint Can Spraying Line Across Faces Eyes. Happy Endings: A Bold Statement in Street Pop Art Happy Endings by OG Slick, created in collaboration with The Beautiful Losers, is a provocative piece of Street Pop Art and Graffiti Artwork. This hand-pulled silkscreen print is meticulously crafted on a 30-inch circular piece of hand-deckled fine art paper, capturing the essence of bold visual storytelling. Released in 2024, this limited edition of 99, signed and numbered by the artist, is a striking representation of OG Slick’s iconic Smiley Face motif. With a spray paint can in hand, the figure disrupts its own face by drawing a single red line across the eyes, offering a sharp commentary on perception, expression, and rebellion. OG Slick and the Subversive Power of Happy Endings OG Slick, a pioneering figure in graffiti and street art, is known for blending urban grit with pop culture motifs. In Happy Endings, his signature Smiley Face evolves into a thought-provoking emblem of modern discontent. The playful yet subversive act of the character spraying a line across its own eyes challenges viewers to reflect on self-censorship, identity, and societal norms. By partnering with The Beautiful Losers, a collective known for elevating street-inspired narratives, OG Slick amplifies the piece’s cultural significance. The work juxtaposes innocence and rebellion, using vibrant colors and bold imagery to make a powerful visual statement. Symbolism and Techniques in Happy Endings Happy Endings embodies the dynamic interplay between simplicity and complexity, a hallmark of Street Pop Art. The vibrant yellow Smiley Face, a universal symbol of joy, is disrupted by a crimson red spray line that bisects its eyes, creating a jarring visual contrast. This act of defacement serves as a metaphor for challenging traditional expectations and questioning the nature of happiness. The use of silkscreen printing enhances the artwork’s depth, allowing the bright colors and clean lines to stand out. The hand-deckled edges of the fine art paper add a tactile quality, grounding the piece in the raw authenticity of street art. Collectibility and Impact of Happy Endings Happy Endings is a testament to OG Slick’s ability to blend pop culture symbolism with the raw energy of graffiti. Each print, meticulously hand-pulled and limited to an edition of 99, is a highly sought-after collector’s item. The collaboration with The Beautiful Losers further solidifies its place in contemporary art history, merging the worlds of high art and street culture. The piece not only celebrates the rebellious spirit of graffiti but also invites viewers to reconsider their perspectives on joy, identity, and artistic expression. Happy Endings stands as a bold and thought-provoking addition to the canon of Street Pop Art and Graffiti Artwork.

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Big Slick Aloha Silkscreen Print by OG Slick x The Beautiful Losers Hand-Pulled on 30in Circle Hand Deckled Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 99 Artwork Size 30in Diameter Circle  Silkscreen Print Smiley Face Hands Holding Spray Paint Can Spraying Hawaiian Flower. Big Slick Aloha: A Vibrant Celebration of Hawaiian Street Pop Art Big Slick Aloha, created by OG Slick in collaboration with The Beautiful Losers, is a striking example of Street Pop Art and Graffiti Artwork that captures the essence of Hawaiian culture infused with urban artistry. This 2024 hand-pulled silkscreen print is crafted on a 30-inch circular piece of hand-deckled fine art paper, offering a unique tactile and visual experience. Limited to a signed and numbered edition of 99, this work combines OG Slick’s signature Smiley Face motif with a playful yet meaningful Hawaiian twist, featuring hands holding a spray paint can, creating a vibrant hibiscus flower and rainbow. OG Slick and the Cultural Context of Big Slick Aloha OG Slick, an artist hailing from Hawaii, is renowned for blending graffiti culture with the rich heritage of the islands. Big Slick Aloha exemplifies his ability to merge traditional Hawaiian symbols with contemporary street art techniques. The hibiscus flower, a key element of the piece, is a symbol of Hawaiian beauty and identity, while the rainbow evokes the natural wonder of the islands. Slick’s use of his iconic Smiley Face motif brings a universal sense of joy and unity, connecting local culture with global urban art traditions. By collaborating with The Beautiful Losers, known for their focus on street-inspired narratives, this artwork stands as a testament to the enduring influence of Hawaiian culture in contemporary art. Visual Elements and Symbolism in Big Slick Aloha The composition of Big Slick Aloha is both bold and inviting, featuring a vibrant yellow backdrop that radiates energy and positivity. The central Smiley Face, adorned with expressive hands holding a spray paint can, captures the playful yet rebellious spirit of graffiti art. The spray can releases a delicate red hibiscus flower, symbolizing Hawaiian pride and natural beauty, while a rainbow arcs across the piece, representing hope and connection. The surrounding clouds add depth and movement, creating a harmonious blend of natural and urban imagery. The circular design emphasizes unity and inclusivity, making the artwork universally appealing while staying true to its Hawaiian roots. Craftsmanship and Limited Edition Appeal Big Slick Aloha is a masterclass in silkscreen printing, showcasing OG Slick’s dedication to craftsmanship and detail. The hand-pulled technique ensures the vibrancy and precision of each layer, while the hand-deckled edges of the fine art paper add a unique, tactile dimension. With only 99 editions available, each signed and numbered, this artwork is highly coveted by collectors and enthusiasts of Street Pop Art and Graffiti Artwork. Big Slick Aloha is not only a celebration of Hawaiian culture but also a reminder of the universal power of art to bring joy, reflect identity, and inspire creativity.

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Cat Goddess Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Jeff Soto Graffiti Street Artist Modern Pop Art. "The "Cat Goddess" is part of a series of paintings looking at the life cycle of living things. I would say I'm "spiritual" but not very religious. We talked about it in my family, we talked about Jesus and God, but we did not practice a religion. I'm always questioning why we're here, and what it's all about, and the answers are never clear to me. I do like to think we have spirits or energy, and I wonder where that energy goes when we pass? I feel that, if humans possess this energy, then all living things must possess it as well. The Cat Goddess is some sort of passageway or portal to somewhere else. I envision the mouth opening and taking the soul to a beautiful and safe place. Maybe Heaven?" - Jeff Soto

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Happy OG San F30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. Happy OG San F30 by OG Slick: Sticker Bomb Rebellion in Street Pop Art & Graffiti Artwork Happy OG San F30 is a 2025 hand-embellished giclee print by West Coast graffiti innovator OG Slick. Released in an extremely limited edition of only 25, this 30x30 inch print is executed on 310gsm deckled fine art paper and enhanced individually by hand with spray paint, splatter, and stencil work. Each version is signed, numbered, and uniquely altered, turning every piece into a one-of-one collectible. The imagery is anchored by OG Slick’s instantly recognizable happy face character with an eyepatch, surrounded by a wall of bombed stickers—layered logos, graffiti tags, and Japanese script overlaid in chaotic repetition. The background pulses with energy and contradiction, channeling the language of street saturation into the framework of gallery presentation, firmly anchoring this work within the domain of Street Pop Art & Graffiti Artwork. Graffiti Identity and Urban Overload At the center of Happy OG San F30 is a three-dimensional illusion of Slick’s mascot-style smiley face, set against a cluttered backdrop of stickers and branding. The character’s face is mischievous and iconic—bright yellow, eyepatched, and grinning—set deep into a surface of repeated OG Slick tags, gloved hands, Japanese type, and portrait-style graphics. These elements, often seen wheatpasted across real city walls, are turned into a visual mosaic of cultural imprint. Each piece from the edition features variations in embellishment—some drenched in white-out buffing drips, others slashed with graffiti textures and flares of color. This intentional randomness echoes the street’s unpredictability and the performative nature of tagging, remixing, and rewriting public space. In Street Pop Art & Graffiti Artwork, identity is layered and questioned, and this piece captures that through repetition and distortion of self-referential branding. OG Slick’s Signature Blend of Humor and Rebellion OG Slick, based in Los Angeles with roots in Hawaii, has spent decades merging graffiti technique with pop culture critique. His work has long balanced playful iconography—like his recurring glove and smiley face figures—with gritty rebellion. In Happy OG San F30, Slick tackles the commercialization of graffiti itself, packaging it as fine art without compromising the aggressive messiness that gives it power. The sticker-bomb aesthetic recalls DIY zine culture, punk graphics, and urban tagging. It creates a claustrophobic yet rhythmic canvas that mimics actual urban surfaces layered over time. The eyepatch on the smiley face injects attitude and defiance into what might otherwise feel nostalgic or naïve. It’s a declaration: this is not just happiness, it’s earned chaos. Limited Edition Print as Urban Object and Subversive Gesture Printed with high-resolution giclee techniques and hand-embellished with spray and buff, each copy of Happy OG San F30 serves as a tactile collision between fine art and unsanctioned creativity. The deckled edges and archival-quality paper elevate the print’s object status, while the embellishments make every piece unstable, immediate, and alive. The randomness of spray, layering, and buffing across the edition mirrors the real-world ephemerality of graffiti—where no wall stays the same, and no tag is sacred. OG Slick invites collectors into a moment of street chaos preserved on paper, where symbols of rebellion are recast as aesthetic icons. As a component of Street Pop Art & Graffiti Artwork, this print acts as both artifact and intervention—marking where subculture meets spotlight and turning visual overload into something permanent, beautiful, and defiant.

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AK-47 Lotus- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 30x41 In the rich tapestry of modern art, the AR-15 Lily serigraph by Shepard Fairey holds a distinct place. A contemporary masterpiece, this large-format print, sized at an impressive 30x41, is a testament to Fairey's impeccable craftsmanship and profound insight into social issues. A product of the year 2022, the AR-15 Lily, alongside its counterpart, the AK-47 Lotus, reflects Fairey's inspiration from the iconic Vietnam War protesters. These brave souls, in a symbolic gesture of peace, would insert flowers into the gun barrels of the National Guard, who were present to curtail their passionate calls for peace. Shepard Fairey, a renowned graffiti street artist, is known for intertwining pop culture, street art, and pressing social issues in his works, and this piece is no exception. His choice of a 4-color serigraph technique for this limited edition of 100 pieces exudes exclusivity and class. The print, meticulously crafted on Custom Cotton Coventry Rag Paper, evokes feelings of nostalgia and the age-old conflict between violence and peace. Fairey’s perspective, as he expresses, is deeply pacifistic. His work is not just an artistic expression but a call for diplomacy and harmony, both on international terrains and domestic fronts. While he does not challenge the Second Amendment, his emphasis is on reducing unnecessary deaths due to gun violence. In a world where the lines between art and activism often blur, Fairey's commitment to supporting causes shines through. A portion of the proceeds from this artwork, for instance, aids Brady United, an organization dedicated to preventing gun violence. The AR-15 Lily is not just a piece of art; it's a bold statement, a call for reflection, and a testament to Fairey’s unwavering commitment to promoting peace. "The AK-47 Lotus and AR-15 Lily large format serigraphs are inspired by Vietnam War protesters who would put flowers in the gun barrels of the National Guard who were brought in to suppress their protests for peace. I’m a pacifist, whether that means finding diplomatic solutions to prevent and avoid war internationally or finding diplomatic solutions to prevent and avoid gun violence at home. I’m not anti- Second Amendment, so trolls can calm down… I’m not interested in macho blathering, I just want fewer people to die unnecessarily. Brady United is doing good work preventing gun violence so they will receive a portion of proceeds from these two prints. Thanks for caring.⁠" -Shepard Fairey

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Road to Sanctuary- Gold Variant 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. Gold Variant 30″ x 24″ 5-color Screenprint on 100lb cougar white, and it is signed out of an edition of 10

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Kaleidopop 7- Pink Yellow 6-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. "Kaleidopop" - Variant Edition Print #7/11 Free Shipping to anywhere in the USA Tribute to actress June Haver Edition size: 11 prints Print size: 24" x 30" All prints in the edition are unique with a different split fountain background and will never be reproduced, signed and numbered.

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West Mash U30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. West Mash U30 by OG Slick: Hand Embellished Giclee Print as Street Pop Art & Graffiti Artwork West Mash U30 is a 2025 hand-embellished giclee print by renowned graffiti and street pop artist OG Slick. This limited edition artwork is released in a run of only 25 prints, each individually signed, numbered, and uniquely customized by the artist. Printed on 310gsm fine art deckled-edge paper and sized at 30 by 30 inches, this edition merges precision printing with raw artistic energy. The base giclee print is enhanced with hand-applied spray paint, splatter marks, brush strokes, and custom paint embellishments, ensuring that no two pieces are identical. Each variant showcases OG Slick’s signature blend of cartoon iconography, graffiti heritage, and layered cultural reference, reinforcing the work’s place within the language of Street Pop Art & Graffiti Artwork. Iconography, Layering, and Visual Tension The focal image of West Mash U30 is OG Slick’s stylized gloved hand, an emblematic reinterpretation of classic animation infused with West Coast attitude. The hand is presented in a bold graphic pose, popping out from a chaos of yellow and black wheatpaste-style backgrounds filled with repeat tags, stickers, and pop motifs. Slick’s name is woven throughout the collage in repetition, surrounded by screen-style illustrations of his iconic hand gesture and cartoon references. This layered backdrop creates both motion and noise, resembling a graffiti wall caked with years of tags and posters. The white hand in the center, outlined in bold black, emerges from this field with a controlled clarity that contrasts with the rawness of the embellishments. The addition of unique paint splatter, drips, and stroke work transforms each print into a singular artifact, reinforcing the handmade authenticity expected in Street Pop Art & Graffiti Artwork. OG Slick’s Cultural and Artistic Significance OG Slick, born in Hawaii and based in Los Angeles, is a pivotal figure in graffiti and street pop art culture. His work explores identity, rebellion, and cultural symbolism using a visual language built from animation history and West Coast graffiti traditions. The gloved hand motif, reimagined countless times in his oeuvre, serves as a stand-in for presence, power, and cultural commentary. With West Mash U30, OG Slick continues his tradition of remixing visual archetypes and layering them with satire and edge. His use of HPM—hand-painted multiples—blurs the lines between fine art print and street-marked original. The graffiti ethos of improvisation and raw visual spontaneity is alive in every embellishment, giving each collector a completely unique piece. Limited Edition Printmaking as Street Art Expression Each copy of West Mash U30 is printed using high-fidelity giclee technology, preserving the sharpness and color integrity of OG Slick’s original design. However, the real power of this edition lies in the embellishments. The hand-painted splatters and custom markings give every piece its own visual rhythm and attitude. The deckled edges add a tactile element, invoking traditional fine art printmaking, while the visual language remains grounded in contemporary urban aesthetics. The limited run of only 25 ensures rarity, and the fact that each HPM is assigned at random adds an element of surprise and authenticity. In the context of Street Pop Art & Graffiti Artwork, this print is not only a collector's item—it is a living extension of the artist’s wall-based practice, adapted for the gallery and personal collection with no loss of spontaneity or street-born energy.

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Graffiti Happy V30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. Graffiti Happy V30 by OG Slick: A Subversive Emblem in Street Pop Art & Graffiti Artwork Graffiti Happy V30 is a 2025 hand-embellished HPM giclee print created by acclaimed graffiti and street pop artist OG Slick. Limited to just 25 signed and numbered pieces, each 30x30 inch print is executed on 310gsm fine art paper with deckled edges and customized with spray paint splashes, brush strokes, and unique markings. While the giclee base maintains the integrity of the original image, each embellishment transforms it into a one-of-a-kind statement piece. At the heart of the work is a mutated version of the iconic yellow smiley face—a symbol long associated with innocence, peace, and pop culture—now visually sabotaged with graffiti expression. This artwork, with its glossy yellow surface and overlaid visual noise, becomes an artifact of commentary, mood, and contradiction within the language of Street Pop Art & Graffiti Artwork. Visual Strategy and Cultural Subversion The central image in Graffiti Happy V30 is OG Slick’s rendition of a yellow smiley face, instantly recognizable and historically tied to commercial branding, rave culture, and feel-good iconography. Here, the smile is intentionally distorted, painted across a vivid yellow canvas, with asymmetry and aggressive linework interrupting the synthetic cheer. The face's cheerful eyes are disrupted by scrawled black lines and harsh green sprays—tags that cut across the familiar and inject raw spontaneity into the polished symbol. Slick’s embellishment with dripping paint, overspray, and stenciled geometry fractures the illusion of perfection. The result is not a destruction of joy but a reframing of it, challenging viewers to question the simplicity of happiness in a chaotic, commercialized world. In Street Pop Art & Graffiti Artwork, this type of visual intervention forces public symbols to engage with personal expression, decay, and rebellion. OG Slick’s Technique and Street-Born Aesthetic OG Slick is a legendary figure in the Los Angeles graffiti movement whose career has been built on visual appropriation and redefinition. Known for inserting street sensibilities into polished imagery, Slick’s work navigates the space between satire and sincerity. In Graffiti Happy V30, he uses the giclee medium to maintain visual clarity while applying real-world graffiti techniques—splatter, masking, and drip work—directly onto each print. The HPM format ensures every copy is a standalone piece, marked with personal visual decisions made in-studio. Slick’s choice to work with the smiley face further deepens his dialogue with pop iconography, questioning its ubiquity and forced cheer. The print’s embellishments challenge the artificiality of corporate happiness and suggest an alternate narrative where happiness is imperfect, unpredictable, and at times aggressively painted over. Limited HPM Print as Urban Commentary Graffiti Happy V30 is a limited edition object that merges the high-end collectible world with the street’s unsanctioned urgency. Each print in the series is delivered with unpredictable markings—layers of paint splatters, harsh angle strokes, and incidental drips—that bring the chaos of outdoor walls into the structure of a fine art frame. The hand embellishment process ensures authenticity and visual energy, with each piece chosen at random to highlight uniqueness. The deckled paper adds a tactile edge to the piece, enhancing its position as both print and sculpture. Within the broader context of Street Pop Art & Graffiti Artwork, this edition operates not just as a visual remix but as a provocation—forcing its viewers to reassess joy, branding, and the mask of civility under the raw filter of urban commentary. OG Slick’s print does not simply depict a smile; it questions whether that smile has been earned, or painted on.

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Studio Session 611 #31 8-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Arches Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. 2016 Studio Session #611, Limited Edition of 60 prints, print #31. Print size 22x30. Signed and numbered in pencil, printed on fine art Arches paper, 100% Cotton BFK Rives with deckled edges.

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Studio Session 611 #15/60 8-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Arches Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. 2016 Studio Session #611, Limited Edition of 8 prints, print #5/8. Print size 22x30. Signed and numbered in pencil, printed on fine art Arches paper, 100% Cotton BFK Rives with two deckled edges and two natural edges.

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The LA Fill Silkscreen Print by OG Slick x The Beautiful Losers Hand-Pulled on 30in Circle Hand Deckled Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 99 Artwork Size 30in Diameter Circle  Silkscreen Print Smiley Face LA Hands. The LA Fill: A Bold Collaboration in Street Pop Art The LA Fill by OG Slick in collaboration with The Beautiful Losers is a striking silkscreen print that captures the bold energy of Street Pop Art and Graffiti Artwork. Created as a 30-inch circular print on hand-deckled fine art paper, this 2024 release is a signed and numbered limited edition of 99. The artwork showcases OG Slick’s iconic Smiley Face LA Hands design, blending bold graphic elements with vibrant yellow and black tones. This hand-pulled silkscreen print stands as a testament to the enduring appeal of graffiti aesthetics merged with pop culture symbolism. OG Slick and the Influence of Graffiti Culture OG Slick, a renowned artist originally from Hawaii, now based in Los Angeles, is known for his contributions to graffiti culture and his unique ability to infuse street aesthetics with pop art motifs. His Smiley Face LA Hands motif has become an iconic symbol of Los Angeles, representing a playful yet powerful nod to the city’s culture and history. In The LA Fill, Slick collaborates with The Beautiful Losers, a collective celebrated for its focus on street-inspired art and urban narratives, amplifying the cultural resonance of the piece. The juxtaposition of the smiling face and hand gestures encapsulates the essence of graffiti art as a medium for bold self-expression. Symbolism and Design in The LA Fill The circular design of The LA Fill reflects the cohesive nature of the piece, drawing viewers into its vibrant and dynamic composition. The smiling face, a universal symbol of positivity, is reimagined with OG Slick’s signature LA Hands, which spell out the letters L and A in a graffiti-style gesture. This dual symbolism celebrates both Los Angeles as a cultural hub and the universality of street art’s playful rebellion. The surrounding graphic elements, including bold lettering and contrasting black and white details, create a layered effect that invites deeper engagement with the artwork. The vibrant yellow backdrop adds an element of joy and energy, reinforcing the optimistic tone of the piece. Hand-Pulled Craftsmanship and Collectibility The LA Fill exemplifies the meticulous craftsmanship that goes into high-quality Street Pop Art. Each print is hand-pulled using a silkscreen process, ensuring rich colors and sharp details that cannot be replicated digitally. The use of hand-deckled fine art paper adds a tactile quality, enhancing the artwork’s authenticity and appeal. Limited to only 99 editions, each signed and numbered by OG Slick, this piece holds significant value for collectors and enthusiasts of graffiti and pop art. As a collaborative effort with The Beautiful Losers, The LA Fill is both a celebration of urban culture and a testament to the enduring impact of graffiti-inspired art in contemporary society.

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Kaleidopop 8- Variant 6-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. "Kaleidopop" - Variant Edition Print #7/11 Free Shipping to anywhere in the USA Tribute to actress June Haver Edition size: 11 prints Print size: 24" x 30" All prints in the edition are unique with a different split fountain background and will never be reproduced, signed and numbered.

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