Low Powers Dept Tour 1997 Domestic Mika Band Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 450 Artwork Size 18.5x31 Silkscreen Print Band Gig Poster by Frank Kozik Frank Kozik Low Powers Dept Tour 1997 Domestic Mika Band Silkscreen Print Frank Kozik, born in Spain in 1962 and later based in the United States until his passing in 2023, was instrumental in redefining the gig poster as collectible Street Pop Art & Graffiti Artwork during the 1990s. The Low Powers Dept Tour 1997 silkscreen print created for Domestic Mika Band exemplifies his sharp political edge and graphic discipline. This hand-pulled silkscreen on fine art paper measures approximately 18.5 x 31 inches and was released as a signed and numbered limited edition of 450. By issuing posters in controlled editions and applying fine art printmaking standards, Kozik elevated music promotion into a serious visual art practice that resonated with collectors and underground culture alike. Propaganda Aesthetics and Political Graphic Language The composition references early twentieth-century propaganda imagery, featuring a stylized figure in a commanding pose set against an industrial skyline. Rendered in bold pink, red, yellow, and black color fields, the image mirrors the visual authority of constructivist poster design while reframing it within the context of contemporary music culture. The slogan The Power of Music Is the Wealth of the Nation anchors the central field, blending political rhetoric with cultural commentary. Kozik’s use of stark silhouettes, factory smokestacks, and raised-arm gestures reflects how Street Pop Art & Graffiti Artwork frequently appropriates historical visual language to critique power structures and mass messaging. The typography is assertive and highly legible, reinforcing the immediacy that defines effective gig poster design. 1990s Gig Poster Culture and Street Pop Art & Graffiti Artwork During the 1990s, Kozik’s posters became synonymous with a movement that fused underground music scenes with high-quality silkscreen production. The Low Powers Dept Tour print demonstrates how bold ideological imagery could coexist with alternative rock promotion, creating a layered cultural artifact rather than disposable advertising. By signing and numbering the edition of 450, Kozik reinforced the permanence and collectibility of the work. Posters such as this stand as historical markers of a time when Street Pop Art & Graffiti Artwork intersected with independent music, industrial iconography, and sharp graphic minimalism, producing enduring works that continue to hold significance within contemporary print culture.

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Macho Man Randy Savage Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. Fine Art Giclee Print 12' in. x 12' in. Edition of 150 Signed/Numbered.

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Dollhouse Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Jolene Lai. 2018 Edition of 40 14x18 inches Fine art print on 290gsm paper Hand signed and numbered

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Untitled Graffiti Future Throw-Up AP Artist Proof Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Saber. AP Artist Proof 2009 Signed & Marked Regular Limited Edition of 100 Artwork Size 24x18 CAN'T REMEMBER THE NAME, 2009 Giclée Print 24 x 18 in (60.96 x 45.7 cm) Limited Edition of 100 Signed by the Artist w/ AP Notation

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Four-Four Biggie AP Silkscreen Print by Mark Drew Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. A.P. Artist Proof 2013 Signed & A.P. Marked Limited Edition Run Artwork Size 11.42.x16.54 The Fusion of Hip-Hop and Comics in Mark Drew's Silkscreen Print The "Four-Four Biggie" silkscreen print by Mark Drew epitomizes the intriguing blend of street culture and pop art sensibilities. This Artist Proof hand-pulled screen print on fine art paper is a striking example of Drew's limited edition work that seamlessly merges iconic images from classic American comics with lyrics from seminal 90s hip-hop tracks. The piece, marked as an Artist Proof from 2013 and signed by Drew, is a highly collectible item within Pop Street Artwork and Graffiti, representing a limited edition run with 11.42 x 16.54 inches. In this artwork, Drew pulls a quote from The Notorious B.I.G.'s "Kick in the Door," juxtaposing it with the innocence of a cartoon character. This stark contrast is symbolic of his style, which often explores the relationship between childhood imagery nostalgia and hip-hop culture's more grown-up themes. The result is a layered piece that speaks to the complexities of memory, cultural identity, and the passage of time. Artistic Significance of Screen Printing in Street Pop Art Screen printing has a storied history within pop, and street art is celebrated for its ability to reproduce vivid colors and crisp graphics. Drew's adoption of this technique for "Four-Four Biggie" allows for the precision and clarity needed to bring together the boldness of hip-hop lyricism with the simplicity of comic strip art. Hand-pulling each print ensures that every piece is unique, adding individuality to the work collectors and admirers of Street Pop Art and Graffiti Artwork often seek. Artist Proofs, like the one Drew has created for "Four-Four Biggie," are traditionally the first prints pulled from a new screen, used to check the quality of the print before the complete edition is run. They are often kept by the artists themselves, making them rarer and highly prized than the edition prints. The A.P. mark on this print indicates its status as proof, and Mark Drew's signature certifies its authenticity, increasing the artwork's value and desirability. Impact of Mark Drew's Work on Contemporary Art Mark Drew's influence on the contemporary art scene is evident in how his work resonates with audiences. His ability to draw from various elements of urban culture and synthesize them into something new and compelling places him among the innovators in the field. The "Four-Four Biggie" print is a testament to his creative vision, where the past and present collide to create a dialogue that is as relevant today as when the song lyrics were first penned. The appeal of Drew's work lies in its accessibility and its depth. The familiar images draw viewers in, and they are challenged to delve deeper into the meaning behind the juxtaposition of text and image. This characteristic of Drew's art aligns with the broader goals of Street Pop Art and Graffiti Artwork: to engage the public in a visual conversation that is both entertaining and thought-provoking. Through pieces like "Four-Four Biggie," Drew continues contributing to this vibrant and ever-evolving art form.

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MC Supersized- Black Light Magic Yellow Grin Limited Edition Vinyl Art Toy McSupersized Collectible Artwork by Artist Ron English- POPaganda Modern Pop Artwork. 2017 New In Box Limited Edition Size 11 1/5 × 9 2/5 × 5 7/10 in

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Chasing Ghosts AP Artist Proof Archival Print by Ben Frost Archival Pigment Fine Art Limited Print on 290gsm Moab Entrada Paper Pop Artist Artwork. AP Artist Proof 2022 Signed & Marked AP Limited Edition of 75 Artwork Size 22x22 Chasing Ghosts AP, an archival print by contemporary artist Ben Frost is a vivid representation that merges the iconography of classic video games with the provocative undertones characteristic of street pop art and graffiti artwork. This piece is an Artist Proof (AP) from a limited edition of 75, each signed and marked by Frost, confirming its exclusivity and collectible status. The artwork, sized at 22x22 inches, is printed on 290gsm Moab Entrada paper, a fine art medium known for its durability and archival quality. This ensures that the vibrant colors and sharp lines of Frost's work will retain their integrity over time. The image itself is a playful yet pointed nod to the arcade era, specifically the Pac-Man game, with a unique twist that is typical of Frost's style, which often includes a juxtaposition of nostalgic elements with modern cultural commentary. In "Chasing Ghosts AP," Frost utilizes a familiar visual language, drawing viewers in with the comfort of nostalgia while confronting them with the unexpected integration of contemporary symbols and themes. This technique is a hallmark of his approach to art, blending pop culture references with more profound social messages. The work captures the essence of street pop art and graffiti by appropriating commercial and popular imagery to create something new and thought-provoking. By recontextualizing these images within fine art, Frost challenges viewers to reconsider the symbols and icons that permeate their everyday lives. As with much of Ben Frost's art, "Chasing Ghosts AP" is not just a visual experience; it's a dialogue with the audience, inviting them to reflect on the impact of pop culture on their perceptions and beliefs. This piece stands as a testament to the ever-evolving genre of street pop art and its intersection with the digital age, reminding us that art can be both a mirror and a window to the world we live in.

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The Re-Animator- Dynamite #4 Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Francesco Francavilla Graffiti Street Artist Modern Pop Art.

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Hammerhead Liquor Bike 1996 Nyabinghi West Virginia Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed & Numbered Limited Edition of 675 Artwork Size 17.5x22.5 Silkscreen Print Music Gig Poster Art by Frank Kozik Nyabinghi Dance Hall, West Virginia February 2nd 1996 Frank Kozik Hammerhead Liquor Bike 1996 Nyabinghi Dance Hall Silkscreen Frank Kozik, born in Spain in 1962 and raised in the United States, became one of the most influential figures in modern gig poster culture before his passing in 2023. His 1996 Hammerhead Liquor Bike silkscreen print created for a February 2nd performance at Nyabinghi Dance Hall in Morgantown, West Virginia stands as a strong example of his impact on Street Pop Art & Graffiti Artwork. This hand-pulled silkscreen on fine art paper measures approximately 17.5 x 22.5 inches and was issued in a signed and numbered limited edition of 675. During the 1990s, Kozik helped redefine the concert poster as a collectible art object rather than disposable promotion, bringing sharp graphic sensibility, bold color blocking, and underground attitude into mainstream visibility through music-driven visual culture. Comic Book Noir Aesthetics and Graphic Impact The Hammerhead poster features a stern, hard-edged central figure rendered in a comic book noir style, framed by segmented panels depicting a firearm, a stack of cash, and secondary narrative elements that suggest crime pulp storytelling. The composition uses saturated blues, yellows, greens, and reds separated by thick black outlines, reflecting Kozik’s mastery of high-contrast screen printing techniques. The bold HAMMERHEAD headline dominates the upper register in block typography, while the event details anchor the lower portion with clear promotional hierarchy. This structured yet aggressive layout mirrors the raw energy of 1990s alternative and noise rock scenes, aligning music culture with the visual language of Street Pop Art & Graffiti Artwork. Kozik’s approach drew from underground comics, mid-century advertising graphics, and punk zine layouts, synthesizing them into a format that was immediately readable from a distance yet rich in stylistic detail up close. Legacy of the 1990s Gig Poster Movement in Street Pop Art & Graffiti Artwork The 1990s marked a pivotal era when silkscreen gig posters became collectible fine art, and Frank Kozik played a central role in that transformation. By producing limited edition, signed prints for live music events, he elevated ephemeral show advertising into enduring visual artifacts. The Nyabinghi Dance Hall print reflects that transition, capturing a specific date and venue while standing independently as a work of Street Pop Art & Graffiti Artwork. Kozik’s disciplined screen printing process, layered inks, and confident linework established a standard that influenced generations of poster artists who followed. Today, works like Hammerhead Liquor Bike are recognized not simply as memorabilia but as historically significant examples of how underground music scenes and graphic art movements merged to shape contemporary print culture.

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Little Fighters Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Naoshi. 2014 Signed in Verso with Hand-Drawn Face Limited Edition of 100. 11.75x8.5 Based on Sunae Sand Art.

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GPC NIV Bible Art Book by Eric Haze x Good Publishing Company Rare Limited Edition Modern Pop Graffiti Urban Culture Artworks Reference. 2021 Signed Limited Edition Hardcover Book Size 14x17 Don't Be Afraid Dust Cover New in Box. ISBN-10: 1736517805 ISBN-13: 9781736517802 Crafted in collaboration with legendary New York artist Eric Haze, this modern Bible merges timeless scripture with bold, urban creativity. Known for shaping the visual language of a generation—designing album art for The Beastie Boys and campaigns for cultural giants like Nike, Stüssy, and Hurley—Haze brings his unmistakable signature to this limited edition release. Produced by Good Publishing Company with an unwavering focus on sustainability and design integrity, each Bible features a vivid crimson Soft Touch cover that commands presence. Inside, the Old and New Testaments are printed on two distinct shades of ethically sourced, recycled paper—carefully selected from global partners. Hand-pressed end pages, created with bespoke brass tools, give weight to every opening. Dual grosgrain ribbons, custom-dyed in Italy, add both function and elegance. Each volume is housed in a meticulously designed boxing system—and personally hand-signed by Haze in New York City. His signature lettering style graces the pages, making this Bible a collectible fusion of faith, artistry, and streetwise soul. GPC NIV Bible Art Book by Eric Haze x Good Publishing Company The GPC NIV Bible Art Book is a striking collaboration between legendary New York artist Eric Haze and the independent studio Good Publishing Company. Released in 2021 as a signed limited edition, this 14 x 17 inch hardcover merges sacred text with street-rooted visual culture. Known for his prolific contributions to graffiti, graphic design, and fashion, Haze brings a fresh interpretation to one of history’s most printed books. Each edition is personally signed by Haze and reflects his signature graffiti-informed lettering, elevating the work into a unique reference point in Street Pop Art & Graffiti Artwork. The vivid red Soft Touch cover features the gold-stamped words Holy Bible in Haze’s unmistakable typographic voice, while the inside pages preserve the full text of both the Old and New Testaments. Design Meets Devotion in Contemporary Urban Form Crafted with care for both content and form, the GPC NIV Bible Art Book is not just a restyling of scripture—it is a full reimagining. Inside, the paper selection is carefully divided between two tones: one for the Old Testament and another for the New, printed on ethically sourced recycled stock from global partners. Hand-pressed end pages created using brass tools introduce each section with a tactile sense of gravity, while dual grosgrain ribbon bookmarks, dyed in Italy, add a functional yet refined finish. The box design itself unfolds dramatically, revealing the words Don’t Be Afraid printed in stark white. The presentation echoes Haze’s history of bold messaging in public spaces, now brought into a deeply personal, meditative context. Eric Haze and the Influence of Graffiti in Modern Publishing Eric Haze emerged in the 1970s as part of New York’s pioneering graffiti scene. Alongside contemporaries such as Futura 2000 and Keith Haring, Haze pushed graffiti beyond walls and trains into the design world. His visual identity influenced album covers for the Beastie Boys and LL Cool J, branding campaigns for Nike and Stüssy, and logos that became street culture icons. In this Bible project, Haze applies the same graffiti ethos—clarity, gesture, energy—into a sacred format. Each signed copy becomes a piece of living artwork, merging spiritual study with the visual language of the streets. His custom lettering for chapter headers like Matthew is not just design—it’s a continuation of graffiti’s influence across mediums. Collectible Significance in Street Pop Art & Graffiti Artwork This edition sits at the intersection of faith and artistic rebellion, making it one of the most conceptually layered releases in recent Street Pop Art & Graffiti Artwork history. While traditional art books often showcase reproductions, this project transforms the book itself into a complete artwork. With its rare mix of religious content, luxurious materials, and street design legacy, the GPC NIV Bible Art Book commands attention across audiences—from collectors of urban contemporary art to design-forward spiritual readers. It represents a cultural shift where the sacred and the subversive no longer oppose each other, but coexist. This is not just a book—it is a sacred object reimagined through the eyes of a graffiti icon.

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Sesame Street Uniqlo Plush Toy Box Set Object Art by Kaws- Brian Donnelly Limited Edition Designer Collectible Pop Artist Artwork. 2018 Limited Edition of Unknown Rare Stuffed Animal Plush Object Art Size 12x19.5 ish Each of Cookie Monster, Bert, Ernie, Elmo & Bid Bird in a Kaws Sesame Street Box. Never Displayed, Opened To Verify Contents. Pop art, street art, and graffiti, contemporary artists often venture into unprecedented mediums, shaping dialogues that resonate with the global urban audience. One such mastermind is Brian Donnelly, popularly known as KAWS, whose unique artistic pursuits have consistently challenged the conventional boundaries of these genres. A striking example of his creative genius is the "Sesame Street Uniqlo Plush Toy Box Set," a limited edition masterpiece that intertwines nostalgia with modern artistic flair. Launched in collaboration with Uniqlo in 2018, this collection garnered instant acclaim, not just for its impeccable design but also for the sheer audacity of reinventing children's toys into coveted art pieces. Drawing inspiration from Sesame Street's iconic characters – Cookie Monster, Bert, Ernie, Elmo, and Big Bird – KAWS infused his distinct touch, morphing these symbols of childhood innocence into art objects that spoke of larger cultural contexts. The plushes, roughly 12x19.5 inches each, exude an inimitable charm, nestling within a specially designed Sesame Street box branded with KAWS' signature. Beyond the obvious appeal to Sesame Street fans, KAWS' collection is a testament to pop art's evolving narrative. It encapsulates the artist's penchant for repurposing popular imagery and transcending traditional art mediums. This seamless blend of commercialism and artistic expression, a hallmark of KAWS' oeuvre, reflects the dynamism of contemporary art. The decision to have this collection released globally through Uniqlo stores and its web store further underscores the democratizing spirit of modern-day art, making it accessible and relatable to a broad audience. As collectors and enthusiasts strive to acquire these limited edition plushes, it is evident that KAWS has once again reaffirmed the potency of pop art, sculpting conversations that are as endearing as they are profound.

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Mr Mum Green Giclee Print on Metallic Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 50 Artwork Size 16x20 Metallic Ink

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Dave Minion- Chrome 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Despicable Me Minions Ditto. Everyone's favorite two-eyed minion, Dave gets the chrome treatment from Medicom Toy for this super sleek and shiny Bearbrick Set. Stands at 7cm and 28cm tall.

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Payday 8-Color Hand-Pulled Limited Edition Silkscreen Print on 270gsm Mohawk Superfine Eggshell Stock Paper by Aaron Craig- Pop Mash. 2021 Signed & Numbered Limited Edition of 20 Artwork Size 15.5x19 He-Man x Sponge Bob Skeletor. 8 color hand-pulled screenprint 270gsm Mohawk Superfine Eggshell Stock Paper Hand signed, numbered and blind stamped by Aaron Craig Edition of 50

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Vota! Alto Al Fascismo Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Shepard Fairey Obey x Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. 2020 Signed by Both Artists & Numbered Limited Edition of 450 Artwork Size 18x24 “It’s an honor to once again collaborate with Shepard and NDLON (National Day Laborer Organizing Network) and release this new rendition of the We Are Human poster that we originally made over 10 years ago. This image is titled ‘Vote! Stop Fascism.’ The proceeds will go into printing more posters and also a massive sticker run to be given out in cities all across the country. Let’s ban together to Stop Fascism and make sure that we get Trump out of power! Thanks.” -Ernesto Yerena The realm of contemporary art has often been a platform for political expression, especially in genres like pop art, street art, and graffiti art. One striking example that stands out from recent times is the "Vota! Alto Al Fascismo" artwork, a hand-pulled 4-color silkscreen print on fine art paper. This piece is the brainchild of two phenomenal artists, Shepard Fairey of the Obey fame, and Ernesto Yerena Montejano from Hecho Con Ganas. Both artists are renowned for their bold stances and vibrant portrayals of socio-political issues, and this particular piece showcases their combined brilliance. Released in 2020, the artwork is not just a statement piece but a testament to the urgency and significance of the message it conveys. Limited to an edition of 450, each artwork is meticulously signed by both Shepard and Ernesto, indicating their personal commitment to the cause it represents. The dimensions of 18x24 make it a conspicuous piece, ensuring that the message is both seen and felt. Drawing inspiration from a decade-old "We Are Human" poster, this modern rendition emphasizes the importance of voting and the dire need to halt the rise of fascism. Ernesto's comment further illustrates the core motive behind this collaboration, shedding light on the broader aim of disseminating the message across cities nationwide through posters and stickers. Engaging, evocative, and ever-relevant, the "Vota! Alto Al Fascismo" artwork seamlessly blends the boundaries between art and activism. As pop art and street art evolve, such pieces remain a testament to their profound impact on society, urging viewers to take action and be part of a larger movement.

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Peace Baby Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ron English- POPaganda pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 5.6 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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Solitary Child 3 Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Hikari Shimoda Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 50 Artwork Size 12x12 "Solitary Child is a series of works, focused on my original theme of the inevitability of the Apocalypse. In this series, I am offering a new savior for humankind- she is a magical girl (Solitary Child #1) and a little boy hero (Solitary Child #3). In the world of my paintings, humanity has perished, as seen in the collage background, where there is an expressed chaos throughout. In these images, my saviors have come upon the dying human race. After the death of man, the world has found some relief from the turmoil that he has brought upon it. Meanwhile, mankind selfishly dreams of newfound happiness in his afterlife. In the mythology of my work, as humanity is destroyed, only one figure remains and that is the Messiah represented as a child. The magical girl was the first to be left alone after humanity was destroyed, left to deal with the despair and damage he left behind. Her eyes are shining and sparkling, but her stare is blank. In contrast, my hero’s eyes are closed ever so gently. To him, everything in the world is very chaotic and overwhelming. He feels all of its happiness, despair, hope, sadness, everything… in such a state, even the world’s savior must shut his eyes to it." - Hikari Shimoda Solitary Child 3 Archival Pigment Print by Hikari Shimoda Solitary Child 3 by Hikari Shimoda is a vivid embodiment of emotional symbolism and post-apocalyptic narrative rendered through the lens of Japanese Street Pop Art & Graffiti Artwork. Released in 2016 as a signed and numbered archival pigment print limited to 50 editions, the artwork measures 12x12 inches and is printed on 310gsm fine art paper. This circular piece, like its counterpart Solitary Child 1, presents a child as a spiritual savior in the wake of humanity’s collapse. However, where the magical girl of the first installment gazes outward with shining eyes, Solitary Child 3 closes his eyes to the world, weighed down by its chaos and sorrow. The Child Hero as a Symbol of Emotional Overload The central figure is a young boy depicted with softly closed eyes, a vacant expression, and flushed cheeks. His pale, almost ghostlike complexion contrasts with the electric vibrancy of the chaotic collage behind him. The boy wears a star-laden shirt with the phrase I AM HERO emblazoned across the chest. This phrase is not a declaration of ego but a burden of responsibility in a world shattered by human error. With small black horns rising from his head and a solemn composure, the character straddles the line between innocence and burdened divine messenger. Hikari Shimoda’s universe exists in a fantastical space where childlike visuals are infused with heavy existential themes. The surrounding background in Solitary Child 3 is littered with neon stars, stickers, anime-inspired creatures, and cultural flotsam. The visual chaos symbolizes the overstimulation of modern society and the debris left behind after its collapse. The messianic child stands amid this wreckage, absorbing it all in quiet contemplation. Unlike heroes who fight with swords or powers, this savior’s resistance lies in his inward emotional experience. Aesthetic Tension Between Kawaii and Catastrophe Shimoda blends traditional Japanese pop culture imagery with deeply contemporary anxieties. The work’s aesthetic borrows heavily from kawaii sensibilities—cute characters, colorful motifs, childlike wonder—but it is filtered through a lens of apocalypse, grief, and spiritual ambiguity. The character is not smiling. His closed eyes speak to a need to shut out the pain of the world, even as he must stand as its redeemer. The artist challenges the viewer to question what innocence means when it exists in the shadow of destruction, and what heroism requires when the world has already ended. Pop Iconography Transformed Through Spiritual Narrative Solitary Child 3 situates itself within the new wave of Street Pop Art & Graffiti Artwork by merging painterly techniques, manga aesthetics, and conceptual symbolism. Hikari Shimoda’s work challenges traditional Western ideas of what children represent in visual culture. Here, the child is not naive or oblivious but rather deeply aware, spiritually complex, and emotionally overwhelmed. The use of archival pigment print on heavy fine art paper preserves both the vibrancy and the texture of the original, allowing collectors to experience the intimacy and power of Shimoda’s vision. This print serves as a profound statement within Shimoda’s mythological continuum. It reminds the viewer that amid ruin, the last figure standing is not a politician or warrior, but a child—silent, enduring, and burdened with the sorrow of a fallen world.

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Pop Bart- Hand-Painted Variant VI Limited Edition Hand-Embellished HPM Mixed Media Screen Prints on 300 gsm Fabriano Watercolour Paper by Copyright Graffiti Street Artist Modern Pop Art. Mixed Media Screen Prints on 300 gsm Fabriano Watercolour Paper Size: 13.7 x 19.6 Inches (35 cm x 50 cm) Release: October 04, 2021 Run of: 1

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Its Finally Over HPM Stencil Spray Paint Print by Denial- Daniel Bombardier Hand-Painted Multiple on Cradled Wood Ready to Hang Unique Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Edition of 20 HPM Unique Stencil Paint Artwork Size 11x15 on Cradled Wood Ready to Hang.  It’s Finally Over HPM Stencil Spray Paint Print by Denial – Street Pop Art & Graffiti Artwork Denial, also known as Daniel Bombardier, presents It’s Finally Over, a striking hand-painted multiple that merges elements of pop culture, nostalgia, and political commentary. Created in 2020, this signed and numbered edition of 20 features stencil spray paint on cradled wood, measuring 11x15 inches, making it a bold and ready-to-hang statement piece. Known for his fusion of classic pop art aesthetics with street art grit, Denial continues to push boundaries by reinterpreting familiar visual tropes in provocative and thought-provoking ways. The composition features a classic comic book-style female figure, her face contorted in emotion, with tears streaming down her cheek. Rendered in a limited but highly contrasting color palette, she appears lost in despair. The speech bubble above her head reads It’s Finally Over, reinforcing the dramatic sentiment. However, the background disrupts the traditional romantic pop art scene, replacing it with a fiery, chaotic atmosphere featuring a cascade of falling bombs. This visual contrast between personal sorrow and large-scale destruction transforms the piece from a simple comic-inspired work into a layered political and social critique. The Symbolism Behind It’s Finally Over Denial’s ability to repurpose pop art imagery into contemporary critiques is evident in It’s Finally Over. The crying woman, a motif often associated with mid-century comic book romance, is a familiar representation of heartbreak, longing, or personal loss. However, Denial subverts this narrative by placing her against a background of war-like destruction, challenging the viewer’s perception of what is truly being mourned. The phrase It’s Finally Over can be interpreted in multiple ways, adding to the layered complexity of the artwork. It could reference the end of a personal relationship, the collapse of societal ideals, or even the destruction caused by political and military conflicts. The inclusion of falling bombs directly injects the piece with themes of war, violence, and the weight of historical events, making it a powerful visual metaphor for the intersection of personal and global struggles. The bright pinks and reds of the woman's hair and lips contrast sharply with the darker, more ominous elements in the background, creating a visually jarring effect that enhances the emotional intensity of the work. Denial’s use of pop art techniques, such as halftone dots and bold black outlines, further reinforces the visual connection to classic comic illustrations while maintaining the rebellious energy of street art. Denial’s Unique Approach to Street Pop Art & Graffiti Artwork Denial’s work consistently challenges consumer culture, political propaganda, and media narratives. By using familiar comic book aesthetics and repurposing them into contemporary critiques, he forces viewers to engage with themes of manipulation, disillusionment, and social unrest. It’s Finally Over exemplifies his ability to balance humor, nostalgia, and sharp social commentary in a way that is both visually captivating and intellectually engaging. His stencil-based technique allows for precision while still retaining the raw energy of graffiti. The use of spray paint and hand-painted elements ensures that each piece in this edition remains unique, adding to its collectability. The decision to paint on cradled wood rather than canvas or paper adds further depth to the work, making it feel more like an object of urban culture rather than a traditional fine art print. Denial’s combination of pop art’s clean, polished aesthetic with the rebellious nature of street art ensures that his work maintains both accessibility and edge. His ability to manipulate iconic imagery and reframe it within modern contexts is a testament to his skill as both an artist and a cultural critic. The Impact of It’s Finally Over in Contemporary Urban Art It’s Finally Over serves as a reflection of modern anxieties, exploring themes of war, emotional turmoil, and the weight of historical cycles. By taking an image commonly associated with romance and injecting it with a deeper, more sinister narrative, Denial forces the viewer to reconsider the intersection of personal and political despair. The piece challenges the audience to think about what "over" truly means—whether in relationships, political systems, or the broader state of the world. As one of the leading figures in contemporary urban art, Denial continues to create works that resonate on multiple levels. His ability to transform pop culture references into statements of resistance, critique, and introspection solidifies his place within the ever-evolving world of Street Pop Art & Graffiti Artwork. It’s Finally Over stands as a striking example of his artistic vision, ensuring that his message lingers long after the initial viewing, provoking discussion and thought in those who engage with it.

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Just Like Us AP Modok Marvel Limited Edition Giclee Print on Fine Art Paper by Mike Mitchell counter-culture street artist art. Artist Proof 2014 Signed & Marked AP Artwork Size 8x10 Modok Flying Ninja Kick From Mondo x Marvel Giclee Print by Mike Mitchell Just Like Us AP Modok Marvel in Street Pop Art & Graffiti Artwork Just Like Us AP Modok Marvel by Mike Mitchell is a vibrant and humorous take on one of Marvel’s most bizarre villains. Released as an artist proof in 2014, this limited edition giclee print is a part of Mitchell’s Just Like Us series, where he reimagines pop culture characters with a satirical twist. The 8x10-inch print captures Modok in an exaggerated, cartoonish style, blending the aesthetics of street pop art and graffiti artwork with Mitchell’s signature wit. The Playful Depiction of Modok Modok, originally created by Marvel Comics, is known for his oversized head, cybernetic enhancements, and menacing presence as a villain. However, in this rendition, Mitchell strips away the character’s intimidation and replaces it with an almost comedic charm. With his exaggerated scowl, tiny limbs flailing, and jet thrusters propelling him forward, Modok appears more like a frustrated child than a super-intelligent conqueror. Mitchell’s work thrives on taking characters out of their usual contexts and presenting them in everyday or absurd scenarios. By portraying Modok in a moment of exaggerated movement, he transforms the typically sinister character into something amusing and relatable. The smooth, bold outlines and flat color application echo the aesthetics of classic comic books, reinforcing the nostalgic appeal that is a common theme in street pop art and graffiti artwork. Stylistic Influence and Cultural Commentary Just Like Us AP Modok Marvel is a testament to how street pop art reinterprets cultural icons. The piece follows a visual style that is reminiscent of vintage cartoons, merging elements of comic book art with modern design sensibilities. The warm, sepia-toned background enhances the retro feel, making the character stand out while grounding the piece in a nostalgic atmosphere. Mitchell’s ability to distill a character to its essential traits while injecting humor speaks to the nature of pop art and its relationship with consumer culture. Street pop art often challenges the way people perceive familiar imagery by presenting it in unexpected ways. In this case, Modok’s usual air of power is undercut by his goofy expression and frantic movements, making him appear more human than machine. This transformation not only adds comedic value but also invites the audience to rethink their relationship with pop culture figures. The Just Like Us Series and Its Impact The Just Like Us series by Mike Mitchell is widely regarded for its playful reinterpretations of beloved characters. The collection features numerous icons from movies, comics, and television, each depicted in a way that makes them seem more relatable or absurdly mundane. By placing extraordinary characters in humorous or everyday situations, Mitchell strips them of their larger-than-life personas and reminds viewers of the inherent absurdity in many fictional narratives. In the world of street pop art and graffiti artwork, where parody and satire are common tools, Mitchell’s approach resonates with both collectors and casual fans. His work captures the joy of fandom while simultaneously poking fun at the exaggerated traits that define these characters. Just Like Us AP Modok Marvel fits seamlessly into this artistic ethos, proving that even the most powerful supervillains can be reduced to amusing caricatures. Why Just Like Us AP Modok Marvel Stands Out This limited-edition print continues to be sought after by fans of both street pop art and Marvel Comics. The combination of crisp digital illustration, bold color choices, and a humorous reimagining of a classic villain ensures that the piece remains an engaging and conversation-starting addition to any collection. Mitchell’s ability to bring out the absurdity in well-known characters while maintaining a high level of artistic craftsmanship is what makes this work so compelling. It bridges the gap between comic book culture and the fine art world, demonstrating how street pop art can be both fun and thought-provoking. Just Like Us AP Modok Marvel exemplifies how artists like Mike Mitchell continue to redefine the boundaries of contemporary art by transforming pop culture into something fresh, unexpected, and undeniably entertaining.

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Chinatown Market Generals Archival Pigment Fine Art Limited Edition Print on #80 Cover Stock Paper by Artist Peter Van Flores, Street Pop Art Graffiti Legend. 2022 Signed Edition of 20

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XXXRAY Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Denial. 2020 Signed COA Limited Edition of 50 Artwork Size 8x31.875 Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: July 20, 2020 Run of: 50 Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Flowers Skateboard Art Deck by Vans x Takashi Murakami TM/KK Limited Edition Archival Print on Wood Skateboard Deck by Street Artwork Graffiti Artist. 2015 Limited Edition Skateboard Art Deck Takashi Murakami, a prolific contemporary Japanese artist, has consistently blurred the lines between high art and commercial aesthetics, becoming a monumental figure in the world of pop art, street art, and graffiti art. His signature "Superflat" style, a term he coined himself, draws from the artistic traditions of manga and anime, echoing the flattened imagery of Japanese artistic history and commenting on post-war Japanese culture. In one of his celebrated series, Murakami presents the iconic "Flower Skateboard Deck Art." The series displays an amalgamation of two seemingly disparate worlds: the vibrant and expressive culture of skateboarding, and the elegantly simplistic form of traditional Japanese flower motifs. These skateboard decks are transformed into canvases, brimming with Murakami's signature smiling flowers, depicting a jubilant explosion of color and life. His aesthetic juxtapositions turn these functional objects into engaging and thought-provoking pieces of art. This series reflects the democratizing impulse of pop art and street art, bringing so-called "high art" into the public and popular realm, and offering a new perspective on everyday objects. With the Flower Skateboard Deck Art, Murakami pays homage to the street culture that has significantly influenced contemporary art and design, bridging the gap between street art, commercial design, and fine art. This intersection results in a vibrant display that encapsulates Murakami's distinctive vision while continuing to challenge and redefine artistic boundaries. The Flower Skateboard Deck Art, with its playful exploration of pop culture and traditional Japanese art, serves as an excellent representation of Murakami's complex artistic dialogue. In essence, Murakami uses the skateboard as a symbol, an embodiment of street culture, painting it with his iconic flowers to create a unique artifact that sits comfortably at the crossroads of pop art, graffiti art, and street art. These decks, emblazoned with his unmistakable style, embody Murakami's artistic philosophy, remaining testament to his ongoing contribution to contemporary art.

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Owl Egg Earth Original One of a Kind Acrylic Painting Artwork on Canvas Board by Popular Art Pop Culture Artist Nate Duval. 2014 Signed Original Painting Size 11x14

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Lost Fables- Gold Archival Pigment Fine Art Limited Edition Print on Gold Foil Paper by Pop Artist Copyright Modern Artwork. 2021 Signed & Numbered Limited Edition of 5 Artwork Size 27.56x19.67 "Lost Fables, Gold combines the stencil and tattoo-imagery that defines Copyright’s oeuvre." -Enter Gallery

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Trouble !! Ice Cube Silkscreen by Mark Drew Hand-Pulled 4-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 1425 Artwork Size 18x18 Snoopy Playing Basketball Sport in a Fade Thinking "Get Me On The Court An Im Trouble" The artwork "Trouble !! Ice Cube Silkscreen" by Mark Drew captures a playful and nostalgic sentiment through its striking visual language. This hand-pulled 4-color screen print on fine art paper is a testament to Drew's ability to blend pop culture with the tactile charm of street art. The limited edition piece, signed and numbered by the artist, presents a unique juxtaposition of Snoopy, the beloved canine from Charles Schulz's "Peanuts" comic strip, engaging in a game of basketball. The image of Snoopy poised to play, paired with the thought "Get Me On The Court An' I'm Trouble," offers a whimsical take on athletic prowess and determination. Crafted in 2022, the artwork measures 18x18 inches, showcasing Drew's skill in utilizing a bold and vibrant color palette that stands out in pop and street art. The screen printing process used by Drew allows each layer of color to be applied with precision, creating a crisp, clean image that is both modern and evocative of the classic street art style. The limited edition nature of this piece adds to its exclusivity and collectibility, making it a coveted item for enthusiasts of pop art, street art, and those who appreciate the crossovers between popular culture and fine art. Drew's work often explores themes of nostalgia, blending childhood icons with contemporary elements, and this piece is no exception. The playful energy of Snoopy as an athlete, combined with the urban aesthetic of graffiti art, reflects a cultural narrative that spans generations. It's a visual commentary on the influence of popular media on our collective consciousness, a celebration of how characters like Snoopy have shaped and been reshaped by artistic movements like pop art and street art. In the broader context of Mark Drew's portfolio, "Trouble !! Ice Cube Silkscreen" is a reflective and innovative creation. It embodies the fusion of various artistic expressions, from the simplicity and charm of comic strips to the raw vitality of street art. This artwork is not just a character representation; it is a cultural statement that resonates with a wide audience, capturing the spirit of a character well-loved for his adventures and now for his unexpected prowess on the basketball court.

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Jackpot- Yellow Limited Edition 4-Color Hand-Pulled Silkscreen Print on Die-Cut 290gsm Coventry Rag Fine Art Paper by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 16x16 I am a self-taught artist from Newport News, VA. I began to pursue art as a child drawing everything from cartoons, comics, action figures and athletes. My inner thoughts and my experiences are captured through layers of bright bold colors and patterns coupled with images from my childhood which are utilized to express myself.

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The Duke of Iris 5-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 200 Artwork Size 16x20 Metallic Ink

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Molotov 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by SSUR- Ruslan Karablin Rare Street Art Famous Pop Artwork Artist. Silkscreened print limited to 50 pieces. Signed and numbered with embossed logo on the bottom corner.

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Iron Maiden- Piece of Mind Limited Edition Silkscreen Skateboard deck art by street pop culture artists ZERO x Iron Maiden.

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Bloom- AP Artist Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. AP Artist 2019 Signed & Marked Limited Edition Artwork Size 18x24 "Bloom" stands as a testament to the expressive prowess of contemporary Latino artist Ernesto Yerena Montejano, who has managed to craft a harmonious fusion between pop art and street art aesthetics. The hand-pulled silkscreen print showcases his meticulous attention to detail and commitment to the art of printmaking. With "Bloom", the artist has chosen fine art paper as his canvas, lending an additional layer of sophistication to the artwork. Ernesto Yerena Montejano's work emerges from his brand "Hecho Con Ganas", which translates to "Made with Passion", and it's evident in every stroke and color choice of the print. This AP Artist proof from 2019 stands apart, not just as a representation of Montejano's artistic skills but as a testament to his identity and values. Signed and marked, this limited edition artwork measures 18x24 inches, ensuring it remains exclusive to a select group of art enthusiasts. One can sense the strong influences of street art or graffiti art, characterized by vibrant colors and bold lines. Yet, Montejano manages to infuse this with the more commercial and recognizable elements typical of pop art. The result is a captivating blend that draws viewers into its narrative, urging them to question, interpret, and engage with the piece. Ernesto Yerena Montejano's "Bloom" isn't merely a piece of art—it is a narrative, a cultural statement, and a reflection of the artist's deep-rooted passion for both his craft and his heritage. The work resonates deeply, a bridge between the modern urban landscapes of street art and the ever-evolving realm of pop art.

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Pop Tart- Yellow Hand-Pulled 7-Color Framed Silkscreen Print on 410gsm Somerset Satin White Paper by Artist D*Face- Dean Stockton Limited Edition Fine Art Artwork. 2007 Signed & Numbered Framed Limited Edition of 125 Artwork Size 30x29 Framed With a Large Custom Frame & Mat. Pop Tart (Yellow), 2007 Screenprint in colors on paper 30 x 29 inches (76.2 x 73.7 cm) (sheet) Ed. 125 Signed and numbered in pencil along the lower edge. Published by Black Rat Press D*Face Dean Stockton Pop Tart Yellow Silkscreen Print 2007 The 2007 Pop Tart Yellow silkscreen print by British artist Dean Stockton, professionally known as D*Face, is a seminal example of his satirical take on Street Pop Art & Graffiti Artwork. Measuring 30 x 29 inches and pulled by hand in seven colors on 410gsm Somerset Satin White paper, this limited edition of 125 was published by Black Rat Press, one of London’s most influential print studios for contemporary street artists. Each piece is signed and numbered by the artist in pencil along the lower edge, affirming its authenticity and collectible status. Iconography and Cultural Critique The imagery in Pop Tart Yellow is unmistakably drawn from Andy Warhol’s famous Marilyn Monroe portraits, yet DFace overlays the glamorous visage with his own irreverent twist. Marilyn’s face is partially transformed into a skull, with hollowed eyes and dripping paint effect that speaks to both the fragility of celebrity and the inevitability of decay. Wing-like cartoon details sprouting from her head add a surreal, satirical touch, a reminder of the way fame often elevates cultural figures to mythical status even as it dehumanizes them. This duality between beauty and mortality is a recurring theme in DFace’s practice, amplifying the critique of idolization and mass media’s manipulation of public perception. Technique and Execution Executed as a seven-color silkscreen, the work combines bold flat colors with the grittier textures of drips and distressed detailing. The canary yellow background heightens the pop art vibrancy while creating sharp contrast with the black skeletal overlay and Marilyn’s bright red lips. D*Face’s choice of Somerset Satin 410gsm paper underscores the print’s status as fine art, marrying street aesthetics with museum-quality execution. This approach reflects his ability to bring graffiti-inspired design into the gallery setting without losing the edge and immediacy that characterizes his outdoor interventions. D*Face’s Role in Contemporary Street Art Dean Stockton, born in London in 1978, has established himself as a central figure in the global street art movement, blending punk-inspired graphics, comic book aesthetics, and pop culture satire. His works often interrogate themes of fame, consumerism, love, and mortality, using recognizable cultural icons as vehicles for commentary. Pop Tart Yellow stands as a key example of his strategy to remix the imagery of Warhol and Monroe, figures who themselves embody the commodification of beauty and celebrity. By injecting darker undertones and irreverent humor, D*Face transforms a pop art classic into a piece that resonates with contemporary audiences while questioning the very foundations of fame-driven culture. This limited edition silkscreen remains one of his most iconic fine art releases, bridging his graffiti roots with the collectible print market.

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Kamayura Oaxaca 2013 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Kamayura Oaxaca 2013 Giclee Print by Swoon A Visual Archive of Human Dignity in Urban Space The Kamayura Oaxaca 2013 Giclee Print by Caledonia Curry, known globally as Swoon, is a powerful example of Street Pop Art & Graffiti Artwork translated onto fine art paper. Created as part of Swoon’s Street Series Print Collection, the image captures one of her original wheatpaste street installations from Oaxaca, Mexico, depicting a striking female figure blending human and mythological attributes. This signed and numbered giclee print, released in 2016 in a limited edition of 175, measures 19 by 13 inches and is printed on heavy fine art rag paper. The artwork not only documents Swoon’s presence on walls across Latin America but also speaks to the symbolic relationship between community identity, resistance, and the ephemeral nature of street-based intervention. Stylistic Complexity and Symbolic Composition Kamayura Oaxaca 2013 reflects the intricate cut-paper aesthetics and humanitarian storytelling that define Swoon’s visual language. The figure in the image—part warrior, part mermaid—clutches twin crocodiles as scaled armor drapes over her legs. Radiating lines extend from her back like a halo, while beneath her figure is a tangled collage of snakes, architecture, and flora, all executed in precise linework. These motifs merge indigenous symbolism with modern urban decay, evoking themes of transformation, resilience, and the interconnectedness of natural and built environments. The bright yellow and deep red stucco wall behind the wheatpaste creates a dynamic color contrast, anchoring the image in its original street context while enhancing the mythic presence of the central figure. Caledonia Curry’s Global Street Narratives Swoon, born Caledonia Curry in the United States, has long been celebrated for her ability to blend classical printmaking techniques with the accessibility of street placement. Her work often features portraits of women, community figures, and allegorical representations that touch on social justice, environmental healing, and cultural storytelling. The Kamayura Oaxaca print aligns with her extensive practice of placing intricate paper cutouts directly onto decaying urban surfaces across the globe—from the walls of Brooklyn to the alleys of Haiti and Latin America. In Mexico, her work speaks directly to indigenous voices and post-colonial memory, reinforcing the role of graffiti as both an act of public beautification and political expression. The Importance of the Street Series Print Collection The Kamayura Oaxaca 2013 edition is part of the Street Series Print Collection, which serves as a tangible archive of Swoon’s ephemeral installations. Each print in the series offers collectors and admirers the opportunity to experience the artist’s street-based work in a preserved, gallery-worthy format. By transferring temporary outdoor works onto archival paper, the collection maintains the immediacy and raw power of street art while allowing it to endure beyond the natural wear of weather and urban development. This series also illustrates how Street Pop Art & Graffiti Artwork can transcend its original environment without losing its impact, narrative depth, or visual intensity.

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Pretending to Be In Love- Purple 5-Color Hand-Pulled Limited Edition Silkscreen Print Artwork on Archival Cougar Paper by Greg Gossel Rare Street Art Pop Artist. 2015 Signed & Numbered Limited Edition of 150 Artwork Size 19x25 19 x 25" 5 color print on acid-free, archival Cougar white paper

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Dalma Archival Pigment Fine Art Limited Edition Print on Hand Deckled 290gsm Moab Entrada Paper by Artist Melissa A Mitchell, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Hand-Deckled 290gsm Moab Entrada Fine Art Paper Artwork Size 12x12 "Dalma," a limited edition print by artist Melissa A. Mitchell, embodies the energetic vibrancy and rebellious spirit characteristic of street pop and graffiti art. With only 35 signed and numbered editions, this exclusive artwork captures the essence of pop art's influence on contemporary street aesthetics. The piece, measuring 12x12 inches, is printed using archival pigment on hand-deckled 290gsm Moab Entrada fine art paper, a medium praised for its premium quality and durability, which ensures the longevity of the artwork. The art of Melissa A. Mitchell is recognized for its riotous color and pattern. This visual feast pulls the observer into a world where traditional boundaries between art forms blur. In "Dalma," one can witness the harmonious chaos typical of street art, with its sharp geometric shapes intersecting with organic patterns, creating a dynamic tension that is both visually striking and thought-provoking. The bold use of color, a hallmark of Mitchell's style, amplifies the artwork's impact, making it a compelling piece that stands out in any collection. This piece does not just hang on the wall; it leaps out, demanding attention and dialogue. It's a celebration of street art's journey from the fringes of urban landscapes to the polished walls of galleries and private collections. The hand-deckled edges of the print serve as a subtle nod to the raw, often improvised nature of graffiti, yet the meticulous process of its creation speaks to the evolved craftsmanship that street art now embodies. Collectors of Mitchell's "Dalma" are not just acquiring a print; they are holding a piece of the narrative that maps the evolution of street art. Each print is a vibrant echo of the pulse of the streets, a statement piece that reflects the energy and ethos of a movement that has shaped and been shaped by the collective cultural consciousness. Through works like "Dalma," Melissa A. Mitchell continues to cement her legacy as a vibrant force in the art world, blurring the lines between the ephemeral nature of street art and the permanence of fine art.

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Cornetto Trilogy- Hot Fuzz Lithograph Print Limited Edition Artwork on GF Smith 250gsm Absolute Naturalis Matt Paper by Patrick Connan, an urban graffiti pop street artist. Lithograph print on GF Smith 250gsm Absolute Naturalis Matt paper with archival inks. Edition of 20 A2 (420 mm x 594 mm/ 16.5 x 23.4 inches) Signed / Numbered & Stamped

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Pez Dispenser Giclee Print by Adam Lister Artwork Limited Edition Print on 300gsm Hot Press Matte Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 8x10 The "Pez Dispenser (Jean-Michel Basquiat)" giclee print by Adam Lister is a contemporary art piece inspired by the iconic American artist Jean-Michel Basquiat. Basquiat was known for his bold and expressive style, which often incorporated text and imagery from popular culture and street art. The print features Basquiat's signature crown motif and the familiar shape of a T-Rex. The use of pixelated blocks of color gives the print a modern and digital feel, while still referencing Basquiat's raw and emotive style. Giclee printing is a high-quality reproduction technique that uses fine art printers to produce prints with exceptional color accuracy and detail. The resulting print is a vibrant and durable work of art that captures the energy and spirit of the original painting. Overall, the "Pez Dispenser (Jean-Michel Basquiat)" giclee print is a unique and engaging tribute to one of the most influential artists of the 20th century, and a great addition to any contemporary art collection.

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Fashion Accident Def Beat SuperJanky SuperPlastic Art Toy Limited Edition Janky Vinyl Art Toy Collectible Artwork by Modern Design Artist. 2023 Limited Run SuperJanky Janky Superplastic Vinyl Art Toy Artwork Size 6x8 New In Box The "Fashion Accident Def Beat SuperJanky" is a limited-edition collectible art toy created by the popular designer toy company, Superplastic. This particular figure is a part of their well-known SuperJanky series, which features bold and unique designs created by various artists from around the world. The Fashion Accident Def Beat SuperJanky features an urban streetwear-inspired aesthetic, showcasing the character in a stylish outfit complete with trendy accessories. The figure embodies the essence of the street culture and music scene, while also referencing various fashion trends and art styles. Superplastic is known for collaborating with talented artists and designers to create high-quality vinyl art toys that are both visually striking and sought after by collectors. Their SuperJanky series has gained a cult following due to its distinctive designs and limited availability, making each release a must-have for dedicated fans. As with all Superplastic toys, the Fashion Accident Def Beat SuperJanky is produced in limited quantities, adding to its collectible appeal.

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Multi Tags Series 8465 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas. 2023 Signed on Back Original Multi Tags Series Acrylic & Spray Paint Painting Size 52x34 Original canvas from SEEN, Multi Tags Series, 2023. The actual painting size is 34" x 52" (86,3 x 132 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 30" x 48" (61 x 122 cm) // UN- stretched size is 34" x 52" (86,3 x 132 cm). Multi Tags Series 8465 is an original graffiti painting by legendary street artist Seen UA, whose real name is Richard "Richie" Mirando. A pivotal figure in the graffiti and street art movement, Seen UA rose to prominence in the 1970s and 1980s. Originally from the Bronx, New York, Seen UA began his artistic career by tagging subway trains and quickly gained recognition for his unique style and skillful lettering. In the Multi Tags Series, Seen UA showcases a variety of graffiti styles, techniques, and forms, creating a visually captivating composition. As the title suggests, the painting features multiple tags, a signature element of graffiti art. These tags often represent the artist's street name or the name of their crew. The work showcases Seen UA's distinct talent for incorporating bold, vibrant colors and intricate designs, blending them harmoniously in a dynamic and energetic composition. Through this piece, the artist continues to push the boundaries of graffiti art, demonstrating its legitimacy as a powerful form of artistic expression. UA's artwork has been exhibited in galleries and museums worldwide, and his influence on the graffiti and street art scene is undeniable. Collectors and enthusiasts alike appreciate the cultural and historical significance of his works, as they represent the origins and development of this vibrant art movement.

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Oily Gold Mirror Silkscreen Print by Marwan Shahin Hand-Pulled on Aluminum Metal Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition Artwork Size 14x36 Layered Ink on Contour Cut Gold Chrome Aluminum Mirror Oil Barrel Dripping Oil Marwan Shahin's "Oily Gold Mirror": A Gilded Statement in Street Pop Art In the dynamic sphere of street pop art & graffiti artwork, Marwan Shahin's "Oily Gold Mirror" emerges as a profound narrative crafted in the radiant hues of gold. This limited edition silkscreen print, hand-pulled on aluminum metal, showcases Shahin's dedication to the intersection of high art and urban culture. Released in 2023, each piece in this series is signed and numbered, underscoring its exclusivity in contemporary art. The artwork, sizable at 14x36 inches, exemplifies the artist's skill in manipulating layered ink on a contour-cut gold chrome aluminum mirror. This particular work, featuring an oil barrel with oil dripping down its side, is a striking commentary on the oil industry's grip on global economies and the environment. The choice of gold chrome for the barrel's surface is deliberate, symbolizing the wealth generated by oil, while the black ink used for the oil illustrates the often grim consequences of its use. Shahin's work is a visual dichotomy, juxtaposing the allure of gold with the danger and destruction associated with oil spills and industrial accidents. The Provocative Brilliance of Shahin's Artistic Craft Marwan Shahin is renowned for his ability to capture the essence of street pop art & graffiti artwork through mediums that speak volumes about the current social and political climate. "Oily Gold Mirror" is a testament to his artistic prowess, where every detail is meticulously planned and executed to reflect deeper societal issues. The reflective quality of the aluminum engages the viewer directly, forcing a confrontation with the depicted themes and sparking a contemplation of their role in the narrative. The limited edition nature of "Oily Gold Mirror" adds to its allure, creating a sense of urgency and desirability amongst collectors and art lovers. Shahin's choice of the medium, aluminum, traditionally associated with industrial use, elevates the conversation on art and its potential for impact. The screen print technique imbues the piece with a textural depth that is tactile and visually arresting, demanding attention and dialogue. Through this artwork, Shahin continues challenging the boundaries of street art, moving it from the alleys and walls into the galleries and homes of those seeking to own a piece of the conversation. His work is not merely to be viewed but to be experienced, to resonate with the onlooker personally, bridging the gap between the artist's intent and the public's perception. In the world of street pop art & graffiti artwork, Marwan Shahin's "Oily Gold Mirror" is an addition and a significant milestone that encapsulates the zeitgeist of our times. Through this piece, Shahin invites us to witness the grandeur of gold and the gravity of oil while reflecting upon the duality of prosperity and peril. His work transcends traditional street art, becoming a pivotal voice in the ongoing discourse on art's role in societal reflection and critique.

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Hense Matte White Spray Paint Can Artwork by Montana MTN  Limited Edition Artist Paint Crossover Graffiti Street Object Art. 2024 Matte White Color Limited Edition of 500 Spray Paint Can with Custom Wood Box Object Artwork Size 3x8 Montana MTN Filled with Paint. Hense Matte White Spray Paint Can Artwork by Montana MTN The Hense Matte White Spray Paint Can is a 2024 limited edition release produced by Montana Colors in collaboration with the American contemporary artist Alex Brewer, known professionally as Hense. Known for his large-scale abstract murals and distinctive visual language, Hense combines techniques rooted in graffiti with the sensibilities of abstract painting. His work spans decades, evolving from Atlanta train yards to galleries and city walls around the world. This collaboration with Montana MTN brings his style into the format of collectible object art, capturing the bridge between functional aerosol paint and fine art presentation in Street Pop Art & Graffiti Artwork. Street Pop Art Meets Collectible Spray Can Sculpture This limited edition release showcases Hense's vibrant and abstract sensibilities through a composition that blends organic shapes and pastel-toned geometry. Featuring a balanced layout of reds, pinks, and blues layered with rounded fields of color, the spray can turns a utilitarian object into a sculptural piece of art. Montana MTN's premium Matte White color spray paint fills the can, while the exterior becomes a canvas for Hense’s approach to contemporary graffiti abstraction. The edition is sealed with Hense’s printed signature and securely housed in a custom wood box that reflects the hybrid nature of graffiti, street culture, and art object collectability. Art Object Edition and Technical Specifications Each can in this 2024 limited run is individually produced and numbered, limited to 500 pieces globally. The design is printed directly onto a 400ml low-pressure Montana Colors can, maintaining the functionality of the paint while enhancing its artistic presentation. The can includes a color-matched plastic cap and collector-friendly packaging, featuring a display-ready natural wood case laser-engraved with the Montana logo and Hense’s tag. The artwork is officially distributed under the Montana MTN Limited Edition series, which has been renowned for highlighting celebrated Street Pop Art & Graffiti Artwork contributors from around the world. Legacy in Graffiti and Modern Abstraction Alex Brewer was born and raised in Atlanta, Georgia, where he began painting under the name Hense during the early 1990s. He gained notoriety through traditional graffiti writing and later transitioned into large-scale abstract works that span entire buildings and public walls. His approach often utilizes spray paint, rollers, and brushes to create dynamic, layered compositions that blur the lines between fine art and graffiti. The Hense Matte White Spray Paint Can encapsulates that evolution, serving as both a collector’s piece and a symbol of how street art has entered galleries, museums, and the broader design world. This Montana Colors edition captures the artist’s impact and serves as a tangible representation of the movement’s continued growth through object-based artworks.

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Gross Rider Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by calculated chaos.

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Killing It Hampton Coliseum 2013 Music Limited Edition Gig Poster 8-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by AJ Masthay. Hand deckled bottom edge.

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Fuzz Fest 2014- Orange Yellow Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler. Orang Yellow Variant, April 10 11 12 2014

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Mala Influencia- Printer's Select 2 Limited Edition Hand-Embellished 2-Color Screen Print on 290gsm Coventry Rag Paper by Ciler Graffiti Street Artist Modern Pop Art. 2015 SIgned & Numbered HPM Limited Edition Hand Embellished Edition of 2 Artwork Size 16x20 "This piece is basically trying to talk about the bad influence families can generate on us. Most of my work is developed in that way, a social-critique-like way, a joke about the life we live nowadays.I found the photograph in a LIFE magazine from the '70s, and I did an intervention over it with black ink and acrylic paint. For the serigraphy version, the image was scanned and retouched in order to make the print. In Mexico, the majority of crooks and cartel members are brought up by the predeceasing generations. I thought it was important to touch that subject in my show, and not just talk about the folkloric side of my country, because we live deadly chaos so vivid, we can easily catch a deceased body waking up in your corner." - Ciler

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The Kite Runners Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 50. Signed and numbered. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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Ughhhmerica- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Denial. 2020 Signed & Numbered HPM Limited Edition of 100 Artwork Size 4x8 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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