ZiNk TC5

1 artwork

  • Black Book Graffiti Journal by TC5 x Totem x Psycho x ZiNk x Kaws

    Kaws- Brian Donnelly Black Book Graffiti Journal by TC5 x Totem x Psycho x ZiNk x Kaws

    Black Book Graffiti Drawing Tg Throw Up Practice Personal Journal by TC5 x Totem x Psycho x ZiNk x Delk x Comet x Kaws Modern Street Pop Tag, Doodles, Drawings, Paintings & Thought Artwork. 1994 Signed Tagged Original Marker, Spray Paint, Acrylic, Sticker, Mixed Media Drawing Graffiti, Black Book Size 8.5x11.  Various Artists Graffiti Blackbook, c. 1994 Hardcover sketchbook with artist's original tags and signatures 11 x 8-1/2 x 1 inches (27.9 x 21.6 x 2.5 cm) A hardcover sketchbook with various artists' original tags and signatures, including Kaws, ZiNk, Psycho Seen TC5and Totem from the TC5 Crew. There are a bunch of fill color drawings, tons of tags & marker art, some personal scraps, old phone numbers, hangout locations, ideas and private info about the crew. 50 Pages & the Cover Full of Drawings (There are also many blank pages). Also Includes IBM, Squad One, Pilot, MPV. Black Book Graffiti Journal by TC5 x Totem x Psycho x ZiNk x Kaws This black book sketch journal from 1994 captures an extraordinary moment in graffiti history, representing a convergence of style, rebellion, and creative experimentation by some of the most influential members of the TC5 graffiti crew. The 8.5 x 11 inch hardcover book is not simply a sketchpad but a deeply personal archive of raw street energy. The journal includes vibrant marker renderings, sticker layering, detailed character illustrations, fill-ins, throw-up drills, personal notes, and signed tags from core members like Totem, Psycho, ZiNk, Delk, Comet, Seen and Kaws. The book also includes aliases and side crews such as IBM, MPV, and Squad One, providing a layered snapshot of interconnected graffiti subgroups active in New York City during the golden age of black book culture. Tag Evolution and Street Pop Art & Graffiti Artwork The entries in this journal reflect the fusion of graffiti’s traditional wildstyle aesthetics with the graphic sensibilities that would come to influence Street Pop Art. Each page reveals a combination of practice and performance: tag outlines sharpened to perfection, psychedelic fill-ins, collaged flyer scraps, and character doodles full of humor and attitude. Artists like ZiNk and Psycho demonstrated their technical prowess in dimensional letterforms while simultaneously layering them with playful characters and surreal backdrops. Kaws’s early lettering tag, found here under FC and TC5, shows the nascent influence of his cartoon-fusion iconography that later became a signature in fine art and commercial crossover platforms. Legacy of the Black Book Format Black books were the heart of graffiti culture long before digital archives. They were traveling galleries, practice arenas, and intimate communication platforms among writers. This particular journal’s inclusion of personal tags, secret locations, phone numbers, and emotional reflections reveals graffiti as more than exterior expression—it was an interior life. Totem’s aggressive handstyle, Delk’s stylized urban iconography, and Comet’s classic wildstyle fragments reflect years of train-line experimentation brought onto paper. MPV and IBM frequently appear scrawled across sticker surfaces and borders, and while IBM's specific meaning in the context is still ambiguous, it consistently appears next to trusted tags and carries the weight of crew respect. Cultural Weight and Collector Significance This journal functions not only as a record of TC5’s peak graffiti years but also as an artifact of a cultural shift toward stylized Street Pop Art & Graffiti Artwork. The high saturation of media—hand-drawn lettering, collaged music flyers, branded pop references like Richie Rich and Nervous Records, and customized stickers—marks this black book as a multidisciplinary cultural object. In today’s art market, such journals are revered for their honesty, rawness, and the insights they offer into the private side of graffiti’s most public artists. The handstyle signatures from Kaws, Psycho, ZiNk, and Totem in particular make this a museum-worthy record of graffiti’s transformation from train to gallery wall.

    $25,000.00

ZiNk> Pop Artist Graffiti Street Artworks

ZiNk TC5: A Legacy of Wildstyle and Letter Form Innovation

ZiNk, a central figure in the influential TC5 graffiti crew, stands as a master of letterform composition and wildstyle technique in the Street Pop Art & Graffiti Artwork movement. His name has been painted across walls, trains, and canvases since the golden era of New York subway graffiti. Known for an advanced approach to form and flow, ZiNk’s work evolved from the raw spontaneity of the streets to complex, calculated compositions that balance symmetry, abstraction, and motion. As a member of TC5—The Cool 5, a crew founded in the early days of graffiti culture—ZiNk contributed to the shaping of graffiti into a serious, respected visual language that lives well beyond urban subways. 

Innovator in Letterform and Graffiti Composition

ZiNk’s technical mastery of wildstyle writing positions him among the top tier stylists in graffiti history. His work is marked by a structural discipline often seen in architectural drafting, fused with the expressive spontaneity that defines graffiti's soul. His handstyle and piecework are filled with rhythmic movement, precision, and highly evolved connections between letters that challenge the viewer's eye to decode the message. ZiNk’s attention to negative space and flow breaks conventional structure while never sacrificing the foundational core of graffiti aesthetics. Unlike artists focused on illustrative or figurative work, ZiNk remains a purist whose primary subject is the letter itself—abstracted, morphed, and elevated to visual sculpture.

Part of a Revolutionary Graffiti Crew

TC5 is one of the most historically important crews in graffiti history, having developed many innovators during the late 1970s and early 1980s. Founded by graffiti legend Riff 170 and known for elite letter stylists like Doc TC5, Noc 167, and Chain3, the crew carried the tradition of pushing boundaries in spray-based visual communication. ZiNk, entering the scene as a stylist dedicated to refinement, brought an additional layer of depth and experimentation to the crew’s output. His name became synonymous with clean lines, daring structure, and razor-sharp fills. This high-level execution, combined with his allegiance to the traditions of graffiti as a street-born form, made him a widely respected figure within both old-school and newer waves of artists.

Legacy in Street Pop Art & Graffiti Artwork

ZiNk’s contributions to graffiti are preserved not just in old train photos or blackbooks but in gallery installations, museum shows, and collaborations with other icons of graffiti culture. While he is known primarily within the graffiti community, his influence extends into Street Pop Art through the evolution of lettering into fine art presentation. His consistent refusal to dilute his form for commercial gain speaks to the deep respect he holds for graffiti as a cultural practice. ZiNk’s work exists at the intersection of style and structure, preserving the heart of graffiti while constantly evolving its outward expression. His place in graffiti history is solidified not only by his technical prowess but by his continued relevance in a culture that values both authenticity and innovation.

Footer image

© 2025 Sprayed Paint Art Collection,

    • Amazon
    • American Express
    • Apple Pay
    • Bancontact
    • Diners Club
    • Discover
    • Google Pay
    • iDEAL
    • Mastercard
    • PayPal
    • Shop Pay
    • Visa

    Login

    Forgot your password?

    Don't have an account yet?
    Create account