Artwork Description
Cici N'est Pas Une Mickey Mouse PP Printer Proof Archival Print by Shark Toof Limited Edition Print on 310gsm Fine Art Paper Pop Artist Modern Artwork.
PP Printers Proof 2018 Signed & Marked PP Limited Edition Artwork Size 24x18 Archival Pigment Fine Art. Cici N'est Pas Une Mickey Mouse, or "This is Not a Mickey Mouse"
Exploring "Ceci N'est Pas Une Mickey Mouse" by Shark Toof
"Ceci N'est Pas Une Mickey Mouse" is a Printer's Proof (PP) archival print that illuminates Shark Toof's presence in the contemporary pop art movement. Produced in 2018, this work is an artistic assertion, signed and marked PP, signifying its authenticity and rarity as a limited edition. Printed on 310gsm Fine Art Paper, the artwork employs archival pigment, ensuring that the vibrancy of its colors and the precision of its lines endure. The artwork, with dimensions of 24x18 inches, offers a substantial visual impact, reflecting the artist's intent to blend the world of street pop art with the finesse of fine art.
Street Pop Art and Iconic Imagery
In this piece, Shark Toof takes on the iconic image of Mickey Mouse, transforming it into a work that transcends the boundaries of graffiti and street pop art. Mickey Mouse, created by Walt Disney and Ub Iwerks, symbolizes childhood innocence and American popular culture since 1928. Shark Toof's rendition challenges this benign image, presenting an iteration that compels viewers to confront the layered meanings behind such a globally recognized symbol. By doing so, Shark Toof partakes in the grand tradition of pop art—recontextualizing familiar imagery to provoke thought and dialogue.
Contemporary Reflections in Modern Art
The piece's title, "Ceci N'est Pas Une Mickey Mouse," directly references René Magritte's "The Treachery of Images," a work that challenges observers' perceptions of reality. Similarly, Shark Toof's artwork invites the audience to reconsider the image of Mickey Mouse, asking them to delve deeper into their understanding of pop culture icons and their significance. This piece does not merely represent Mickey Mouse; it is a complex commentary on the character as a cultural product and its ubiquitous presence in the collective consciousness. Shark Toof uses a collage of disparate elements to compose the figure, hinting at the multifaceted nature of Mickey Mouse as a character that has been reinvented and reinterpreted over decades—the sharp teeth and fragmented composition critique childhood's commercialization and consumer culture's predatory nature. Shark Toof's Mickey Mouse symbolizes the loss of innocence in the face of commercial exploitation. Fine art paper and archival pigment position this piece within the discourse of art preservation, juxtaposing the ephemeral nature of street art with the permanence sought by fine artworks. In doing so, Shark Toof elevates the status of street pop art, aligning it with traditional art forms and ensuring its legacy. "Ceci N'est Pas Une Mickey Mouse" is a testament to Shark Toof's ability to navigate the interstices of pop culture, street art, and high art. His work declares that street pop art and graffiti artwork are not just fleeting visuals in the urban landscape but are significant statements with the power to influence, critique, and enrich the art world. Through this piece, Shark Toof contributes to the ongoing conversation about the role and impact of popular culture in art, urging us to reflect on the images we consume and the meanings we ascribe to them.
