Don't Listen To Them HPM Stencil Wood Print by Denial- Daniel Bombardier

Artwork Description

Don't Listen To Them Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art.

Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. Self-­confessed ‘visual thieves’, both artists have had a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, to create new and pertinent interpretations that are as confronting as they are humorous.

Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

Product form

$2,243.99

    Don't Listen To Them Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist... Read more

    • Don't Listen To Them HPM Stencil Wood Print by Denial- Daniel Bombardier
    • Year: 2013
    • Size: 24x24
    • Artist: Denial- Daniel Bombardier
    • Edition of: 10
    • Spray Paint, Stencil, Acrylic, Black on Wood
    • HPM
    • Wood Cradled
    • Signed:
    • Colors: Tan, Green

    Artwork Description

    Don't Listen To Them Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art.

    Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. Self-­confessed ‘visual thieves’, both artists have had a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, to create new and pertinent interpretations that are as confronting as they are humorous.

    Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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