Drifting Giclee Print by Logan Hicks

Artwork Description

Drifting Artwork Giclee Limited Edition Print on Fine Art Rag Paper by Pop Culture Graffiti Artist Logan Hicks.

Giclee Print Paper dimensions 21x27.5 inches Art dimensions 18x24 inches Signed Numbered 320 GSM, 100% rag paper This giclee is an edition of 35. This print was originally released at the "Thin Veils and Heavy Anchors" exhibit in Los Angeles on March 8th, 2013. The print was released during the opening and then opened to the public afterwards.

Logan Hicks is an American stencil artist, currently living and working in Los Angeles, California. His hand-cut stencil process involves cutting a separate stencil for each color, then layering each color upon the next until the final piece emerges, often hundreds of hours later, as a hyper-realistic masterpiece. Originally a screen printer, Logan sold off his equipment to finance his migration from the East Coast to the West Coast, turning to stenciling to re-invigorate his printing.

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$340.00 $306.00

    Drifting Artwork Giclee Limited Edition Print on Fine Art Rag Paper by Pop Culture Graffiti Artist Logan Hicks. Giclee Print... Read more

    • Drifting Giclee Print by Logan Hicks
    • Year: 2013
    • Size: 21x27.5
    • Artist: Logan Hicks
    • Edition of: 30
    • Giclee on Fine Art Rag Paper
      • Not Framed
      • Signed: Yes
      • Colors: Black, Gray

      Artwork Description

      Drifting Artwork Giclee Limited Edition Print on Fine Art Rag Paper by Pop Culture Graffiti Artist Logan Hicks.

      Giclee Print Paper dimensions 21x27.5 inches Art dimensions 18x24 inches Signed Numbered 320 GSM, 100% rag paper This giclee is an edition of 35. This print was originally released at the "Thin Veils and Heavy Anchors" exhibit in Los Angeles on March 8th, 2013. The print was released during the opening and then opened to the public afterwards.

      Logan Hicks is an American stencil artist, currently living and working in Los Angeles, California. His hand-cut stencil process involves cutting a separate stencil for each color, then layering each color upon the next until the final piece emerges, often hundreds of hours later, as a hyper-realistic masterpiece. Originally a screen printer, Logan sold off his equipment to finance his migration from the East Coast to the West Coast, turning to stenciling to re-invigorate his printing.

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