Punching A Hole In The Night Archival Print by Eric Inkala

Artwork Description

Punching A Hole In The Night Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by Eric Inkala Graffiti Street Artist Modern Pop Art.

"I started the backgrounds of these paintings when I broke my right hand and I am right-handed, couldn’t really paint and it was driving me crazy so I just said fuck it and started painting really abstract backgrounds with my left hand. Then they sat to the side for a while and came back to them a while later when my hand was completely healed and started building up the layers. These paintings are very unique within my body of work. The only two from that time period were I was really exploring meshing different aspects of my painting and sketchbook elements. My work is usually very flat. I would say each painting has at least 10 layers with just a little bit of each poking through to the final product." - Eric Inkala

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$195.00 $176.00

    Punching A Hole In The Night Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by Eric... Read more

    • Punching A Hole In The Night Archival Print by Eric Inkala
    • Year: 2016
    • Size: 17x17
    • Artist: Eric Inkala
    • Edition of: 40
    • Archival Pigment Print on 310gsm Museum Natural Fine Art Paper
      • Not Framed
      • Signed:
      • Colors: Red, Rainbow

      Artwork Description

      Punching A Hole In The Night Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by Eric Inkala Graffiti Street Artist Modern Pop Art.

      "I started the backgrounds of these paintings when I broke my right hand and I am right-handed, couldn’t really paint and it was driving me crazy so I just said fuck it and started painting really abstract backgrounds with my left hand. Then they sat to the side for a while and came back to them a while later when my hand was completely healed and started building up the layers. These paintings are very unique within my body of work. The only two from that time period were I was really exploring meshing different aspects of my painting and sketchbook elements. My work is usually very flat. I would say each painting has at least 10 layers with just a little bit of each poking through to the final product." - Eric Inkala

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