Artwork Description
The Kiss 2 Artwork Giclee Limited Edition Print on Photographique Rag Paper by Pop Culture Graffiti Artist Marwan Shahin.
Marwan Shahin's most controversial artwork from the "BANNED" series discussing women’s rights in the Middle East. "The Kiss 2” 2018 19 inches x 25 inches Giclée on Photographique Rag Signed, AP Numbered & Branded
Marwan Shahin – The Kiss 2 and the Weaponization of Intimacy
Marwan Shahin’s The Kiss 2 is a provocative and politically potent work from his BANNED series, confronting social taboos and government censorship surrounding women’s rights and public intimacy in the Middle East. Released in 2018 as a signed and branded artist proof limited edition giclée on photographic rag paper, this 19 by 25 inch artwork uses stark line work, seductive posturing, and regal composition to transform a moment of affection into a revolutionary act. The piece directly challenges entrenched cultural constraints by visually spotlighting same-gender intimacy, a subject often silenced or vilified in conservative societies. With a composition that blurs love and resistance, The Kiss 2 presents two veiled women locked in an intimate embrace. Their sensual connection is heightened by their fashion—lace stockings, high heels, gold bangles—juxtaposed against the monochrome drapery of their black garments. The figures are immersed in a hypnotic, linear background that evokes both depth and entrapment. It is a visual metaphor for the rigid societal structures they are caught within, yet their closeness disrupts the power of those constraints.
BANNED Series and Cultural Subversion Through Street Pop Art
Shahin, a multidisciplinary Egyptian artist, has made a global mark with works that fuse graffiti influences, pop culture references, and political rebellion. The BANNED series, of which The Kiss 2 is a centerpiece, functions as both protest and invitation—demanding visibility for marginalized voices while exposing the mechanisms of repression. His work reflects the duality of danger and desire that characterizes public expressions of identity and sexuality in tightly controlled environments. Within the context of Street Pop Art & Graffiti Artwork, Shahin’s style blends the ornate framing of Islamic decorative arts with the punchy linework and rebellion of street graphics. The result is a contemporary visual dialect that allows his message to transcend borders. Shahin uses the aesthetics of power—bold contrast, symmetry, and luxury—to critique the very systems that wield it. The chains in the frame don’t just reference bondage; they mirror the boundaries imposed on personal freedom by state and society.
Global Street Art with a Middle Eastern Voice
While Shahin’s work has gained significant traction internationally, it remains deeply rooted in his Egyptian identity. His artistic journey began in Alexandria, where he immersed himself in underground street art and graffiti as a form of protest during the Arab Spring. That experience sharpened his belief in art as a revolutionary medium. Unlike many Western pop or graffiti artists who approach the genre with satire or nostalgia, Shahin often embeds real-life risks and socio-political urgency into his practice. The Kiss 2 has become one of his most shared and censored images, igniting conversation around visibility, intimacy, and censorship. It reflects the globalizing force of street culture while maintaining cultural specificity. Shahin’s ability to infuse graffiti’s disruptive energy into refined giclée prints allows him to expand the territory of street art into fine art galleries without losing its insurgent core.
Reclaiming the Forbidden Image
In a world where women’s public behavior is often scrutinized and weaponized, The Kiss 2 flips that gaze. Rather than hiding affection, Shahin immortalizes it in fine detail and saturated symbolism. The kiss becomes more than a moment—it is a declaration. The high-heeled figures are not objectified but empowered, casting shadows of both seduction and solidarity. Through Marwan Shahin’s lens, the forbidden becomes art, and the personal becomes political. His voice joins the chorus of contemporary street and graffiti artists expanding the language of resistance through visual culture. The Kiss 2 is a print, but more than that, it’s a message that asks to be seen, remembered, and echoed.
