African American

Fresh 5-Color Hand-Pulled Metallic Ink Limited Edition Silkscreen Print on Fine Art Paper by Jeff Boyes Rare Street Art Famous Pop Artwork Artist. 5-color screenprint with metallic gold 18 x 18 inches numbered, limited edition of 50 inspired by The Fresh Prince of Bel Air

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Nets Limited Edition Archival Pigment Prints on 290gsm Moab Entrada Fine Art Paper by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 82 Artwork Size 18x18 I consider my art a mix of pop and street art. I draw influences from my surroundings and try to incorporate the ever-changing world of pop culture into my artwork. - McFly

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This Is America PP Archival Print by Denial- Daniel Bombardier Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2020 Signed & Marked PP Limited Edition Artwork Size 18x18 Archival Pigment Fine Art The Provocative Narrative of Denial's "This Is America" "This Is America" by Denial, the pseudonym of artist Daniel Bombardier, is a profound example of street pop art's capacity to engage with contemporary social issues. Released as a Printer's Proof (PP) in 2020, this limited edition print on 290gsm Moab Entrada fine art paper utilizes archival pigment to ensure lasting quality. Measuring 18x18 inches, each piece in this series is signed and marked by the artist, signifying its authenticity and exclusivity as part of a limited edition run. The artwork's stark, graphic quality and poignant textual message combine to form a piece that is both a visual statement and a commentary on the nation's state. Denial's work is known for its bold aesthetic that employs pop art and graffiti elements to convey messages about consumerism, politics, and social justice. "This Is America" is no exception, with its graphic depiction that plays on themes of identity, representation, and the American experience. The artwork's title, a question loaded with social and political undertones, invites viewers to ponder the reality of America's promise versus its actuality, especially concerning racial and social dynamics. Denial's Artistic Influence and Technique In the pop art tradition, Denial utilizes bright, arresting colors and stark contrasts to draw the viewer's eye and provoke a reaction. His technique is reminiscent of screen printing pioneers but with a modern twist that often incorporates elements of street art, such as stenciling and spray paint. The use of 290gsm Moab Entrada fine art paper in "This Is America" speaks to Denial's commitment to quality; the paper's substantial weight and smooth texture make it an ideal substrate for the archival pigment, ensuring that the colors and details of the print remain vibrant over time. The Printer's Proof designation of the print is significant within the art collecting community. Traditionally, Printer's Proofs are considered rare and valuable due to their limited number and the artist's direct involvement in the printing process. Denial's decision to sign and mark each print as PP sets it apart from standard editions, creating a deeper connection between the artist and the work and adding to the print's collectability. Street Pop Art and Its Role in Cultural Discourse Street pop art, as a hybrid of pop art's focus on mass culture and street art's raw, public-facing expression, has become an influential force in cultural discourse. Artists like Denial leverage the visibility and accessibility of street art to bring critical social issues to the forefront of public consciousness. "This Is America" serves as a visual catalyst for discussions about race, equality, and the American dream, effectively using the visual language of pop art to engage a broad audience in these conversations. The piece's direct and aggressive style is characteristic of street pop art's ability to challenge perceptions and inspire dialogue. Denial's work, particularly in this print, harnesses the power of graphic representation to address complex societal issues, making it a poignant example of how art can reflect and influence the times. In sum, "This Is America" by Denial is more than just a piece of modern artwork; it is a statement, a question, and a reflection of the times. Its place in the continuum of street pop art and graffiti artwork is solidified by its provocative imagery and the discussions it sparks. As a PP archival print, it stands as a testament to the enduring power of visual art to comment on and engage with the pressing issues of the day.

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Bad Brains- Fist & Flag 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Glen E Friedman Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered 24 x 18 inches. Screenprint on thick cream Speckletone paper. Original photo by Glen E. Friedman. Signed by Glen E. Friedman, Shepard Fairey, & HR. Numbered edition of 600. Bad Brains are one of my favorite punk/hardcore groups of all time. I’ve been a Bad Brains fan for 30-plus years and am lucky to work with them on a few projects, including prints, a clothing collection, and the cover of their album “Into the Future.” Glen E. Friedman shot many great photos of Bad Brains, and his photo of HR at A7 bar in New York City from 1981 is the reference for this poster illustration. It’s an incredible honor to create art and to be connected to a band that has provided so much inspiration, energy, and sheer pleasure for me over the years. This poster is signed by Glen, me, and HR! Keep that PMA (Positive Mental Attitude)! –Shepard

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Efflorescence Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Modern Pop Artist Meagan Magpie Rodgers. 2022 Signed & Numbered Limited Edition of 50 Size 22x18

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ABSDUNK Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist ABSTRK, Street Pop Art Graffiti Renown. 2023 Signed & Numbered #23 of 23 Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 24 x 18 Inches Release: February 17, 2022 Edition of: 23

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The Fugees Collaboration with B+ Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2021 Signed by Brian Cross (B+) & Ernesto Yerena Montejano & Numbered Limited Edition of 250 Artwork 24x18 Art Print Photo of Wyclef Jean, Lauryn Hill, and Pras Michel of the Rap Music Group The Fugees. The Fugees Collaboration with B+ is a limited edition silkscreen print that encapsulates the intersection of music and visual art through the joint venture of street artist Ernesto Yerena and photographer Brian Cross, known professionally as B+. This 1-color hand-pulled print on fine art paper was crafted in 2021 and is a part of an exclusive collection limited to 250 signed and numbered pieces, each with dimensions of 24x18 inches. This artwork portrays the iconic trio of the rap group The Fugees—Wyclef Jean, Lauryn Hill, and Pras Michel—rendered in a style that merges the raw energy of street art with the sophisticated minimalism of modern pop art. Yerena, known for his works that often explore themes of cultural identity and political commentary, brings his unique stencil-like graphics to the mix, translating B+'s photographic capture into a high-contrast visual statement. B+, an established figure in the music industry through his photographic work, contributes the authenticity of the moment captured, a testament to his intimate relationship with the music scene and his subject matter. This print captures The Fugees in a candid state, seated on a staircase, which might be suggestive of the ascents and descents of their musical journey. The composition's stark lines and sepia-toned color palette highlight the group's unity and distinctive presence within the hip-hop community. The collaboration of Yerena and B+ in creating this print not only pays homage to The Fugees' significant impact on rap music but also immortalizes them within the legacy of pop art and street culture. This artwork is not merely a representation of the artists but a narrative piece that speaks to the broader cultural implications of their work and influence. It showcases how street art can elevate musical icons to a status that transcends their original medium, cementing their images within the public's consciousness through visual art. Each print in this series serves as an homage to the power of collaboration across artistic disciplines and the shared heritage of music and art within urban cultural landscapes.

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Keepers Archival Pigment Fine Art Limited Edition Print on Hand Deckled 300gsm Signa Smooth Paper by Artist Kevin Peterson, Street Pop Art Graffiti Legend. AP Artist Proof 2021 Signed 24x18 Signed & Marked AP Limited Edition Kevin Peterson’s Keepers: Urban Innocence and Wild Guardians in Street Pop Art Kevin Peterson’s Keepers is a 24 x 18 inch archival pigment print on hand-deckled 300gsm Signa Smooth fine art paper, created in 2021 as a signed Artist Proof. The piece depicts a young Black boy sitting between two life-sized lionesses, positioned in front of a graffitied brick wall in an overgrown urban landscape. A small bird perches gently atop one lioness’s head. The work is a stunning blend of realism and fantasy, balancing emotional weight and visual poetry through the lens of Street Pop Art & Graffiti Artwork. Peterson’s signature approach layers meticulous oil painting technique over scenes marked by decay and spray-painted ephemera. The boy, dressed simply in a blue shirt and sneakers, is calm and observant, caught between the raw strength of the lions and the weathered city backdrop. His placement evokes resilience, curiosity, and alertness, not fear. The lions appear both majestic and protective—symbols of strength standing silently guard. A small crown tag painted on the wall near the child’s head further suggests that the boy is a figure of quiet power, royalty in an environment many would dismiss as ruined. The Coexistence of Vulnerability and Power Peterson’s work consistently explores the tension between innocence and chaos, often through the juxtaposition of children and animals in deteriorating cityscapes. In Keepers, the lions are not exotic intrusions but natural extensions of the boy’s presence. Their positioning and gaze imply protection and mutual trust. The graffiti behind them reinforces the setting as a lived, layered, and expressive space—not abandoned, but alive. Rather than present the street as hostile, Peterson renders it as a cradle for self-discovery and wild imagination. The inclusion of street art within the composition is essential. Tags and throw-ups become not just background detail, but active storytelling elements. The visual language of graffiti in Keepers underscores Peterson’s understanding of the street as a canvas for resistance, identity, and unseen beauty. It functions both as setting and subtext—chaotic but deeply human. The crumbling bricks and peeling paint contrast with the organic stillness of the lions, creating a dialogue between constructed decay and natural presence. Mythic Realism in Street-Informed Fine Art Though not a graffiti artist in the traditional sense, Kevin Peterson’s contribution to Street Pop Art & Graffiti Artwork lies in his mastery of urban allegory. His figures—often children surrounded by wild animals—are both symbolic and deeply grounded. They echo mythologies of guardianship, transformation, and sacred innocence, reframed within modern cityscapes. Keepers is both intimate and monumental, delivering a narrative that is both universal and specific. By placing a child in direct visual symmetry with apex predators, Peterson upends traditional power dynamics. The boy is neither victim nor observer—he is central, calm, and seen. The image resists the usual visual tropes of fear or wonder, opting instead for presence. It’s a portrait of strength without noise, protection without spectacle. Through realism heightened by surreal composition, Keepers offers a vision of urban identity that is fierce, gentle, and imaginatively untamed. It is a meditation on survival, dignity, and the unseen forces that walk with us through concrete jungles.

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Drive Limited Edition Archival Pigment Prints on 290gsm Moab Entrada Fine Art Paper by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 82 Artwork Size 18x18 I consider my art a mix of pop and street art. I draw influences from my surroundings and try to incorporate the ever-changing world of pop culture into my artwork.

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One Third Barack Obama Giclee Print by Serge Gay Jr Archival Pigment Fine Art Limited Edition Print on 12pt C2S Cardstock Paper Pop Artist Modern Artwork.  2012 Signed & Numbered Limited Edition of 50 Artwork Size 12x18 Barak Obama 3 Ways One Third Barack Obama Giclee Print by Serge Gay Jr – Limited Edition Street Pop Art & Graffiti Artwork Serge Gay Jr., an artist known for his intricate and socially conscious compositions, presents One Third Barack Obama, a striking 12x18-inch archival pigment fine art print created in 2012. Released as a signed and numbered limited edition of 50, this piece captures the former U.S. president in a fragmented, multi-dimensional portrait that challenges the viewer’s perception of identity, history, and cultural symbolism. Printed on 12pt C2S cardstock paper, the artwork merges realism with abstraction, layering different facets of visual storytelling in a way that speaks to the complexity of political imagery in Street Pop Art & Graffiti Artwork. The composition is divided into three distinct sections, each portraying a different aspect of Barack Obama’s persona. The first segment features a traditional African mask, evoking deep ancestral roots and the history of cultural heritage. The second reveals a skeletal, almost decayed version of his face, a stark contrast to the refined, public-facing image. The third, painted in hyperrealistic detail, presents Obama as a polished, composed figure—his gaze intense and unshaken. The use of bold color shifts and fragmented framing techniques creates a powerful visual dialogue between identity, perception, and legacy. The Symbolism Behind One Third Barack Obama This piece is a layered exploration of leadership, representation, and the way historical narratives shape public figures. By incorporating an African mask, Serge Gay Jr. acknowledges the deep cultural significance of ancestry and the unspoken narratives tied to Obama’s heritage. The skeletal imagery, often a symbol of mortality and hidden truths, suggests the weight of history, perhaps alluding to the struggles, contradictions, and political challenges faced by leaders in modern society. The final third, the most recognizable, serves as a reminder of the carefully crafted public persona that defines leadership in the contemporary political landscape. Street Pop Art & Graffiti Artwork has often been used as a medium to deconstruct powerful figures, challenging the way they are perceived and interpreted. This artwork dissects the visual iconography of Obama, questioning what lies beneath public admiration, media representation, and personal legacy. The use of fragmented portraiture creates an intentional disruption, forcing viewers to examine not just what is seen, but what is implied. Serge Gay Jr.’s Influence in Street Pop Art & Graffiti Artwork Serge Gay Jr. has established himself as an artist who blends fine art techniques with urban influences, creating visually stunning and socially charged pieces that resonate beyond the gallery space. His work often carries a strong narrative, whether addressing political themes, cultural identity, or the human experience. His attention to texture, contrast, and symbolism allows his pieces to communicate complex themes while maintaining a visually captivating aesthetic. Incorporating both traditional and modern techniques, his style is a fusion of realism and surrealism, often employing sharp contrasts in color and form. His ability to manipulate historical references alongside contemporary themes has made his work stand out in the world of Street Pop Art & Graffiti Artwork. One Third Barack Obama is a testament to this approach, presenting a subject that is instantly recognizable yet layered with deeper, thought-provoking elements. The Impact of One Third Barack Obama in Contemporary Urban Art One Third Barack Obama remains a powerful piece within contemporary Street Pop Art & Graffiti Artwork, reflecting the intersection of culture, politics, and artistic expression. By dissecting a highly recognizable political figure into multiple visual components, the piece challenges the audience to reconsider how identity is shaped by both personal history and public perception. The deliberate use of cultural symbolism, juxtaposed with hyperrealism and abstraction, forces the viewer to engage with the complexity of representation in modern society. The limited edition nature of the print makes it highly collectible, as it encapsulates a moment in time when political discourse, cultural identity, and artistic critique converged in a single image. Serge Gay Jr. continues to push boundaries within urban contemporary art, using his talent to create thought-provoking, visually striking pieces that leave a lasting impact. One Third Barack Obama stands as a bold example of how street art can serve as both a political statement and a deep exploration of identity, ensuring its relevance in the ongoing dialogue between art and society.

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Sorry Is Not Enough PP Archival Print by Denial- Daniel Bombardier Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2020 Signed & Marked PP Limited Edition Artwork Size 18x18 Archival Pigment Fine Art Denial's "Sorry Is Not Enough": A Striking Statement in Street Pop Art "Sorry Is Not Enough," a potent piece by the artist Denial, whose real name is Daniel Bombardier, encapsulates a powerful socio-political message within the framework of street pop art and graffiti artwork. This limited edition archival print is set on a 290gsm Moab Entrada fine art paper—a medium chosen for its durability and ability to hold vibrant pigments. As a Printer's Proof (PP) from 2020, it has a special place in the artist's portfolio, denoting a limited run personally overseen and marked by Denial himself. The piece's dimensions, an impactful 18x18 inches, provide a square canvas that compels the observer to confront the message head-on. The artwork is notable not only for its technical specifications but for its thematic boldness. It features a stylized depiction typical of Denial's work, with solid and contrasting colors and an iconic and enigmatic central figure. The text "Sorry Is Not Enough" boldly underscores the visual, serving as both a caption and a statement that amplifies the emotional resonance of the image. In street pop art, such directness is not uncommon; it's a genre that often seeks to communicate messages succinctly and powerfully, cutting through the noise to reach its audience. The Role of Printer's Proofs in Contemporary Street Art Printer's Proofs are traditionally part of an edition outside the regular numbered series, typically reserved for the artist's personal use. Their rarity and the artist's direct involvement in their creation often make them more valuable and sought after by collectors. Denial's "Sorry Is Not Enough" PP joins this tradition, allowing collectors to own a piece that comes directly from the artist's hand. The PP mark and Denial's signature confirm its authenticity and the print's status as a genuine piece of his oeuvre. In "Sorry Is Not Enough," Denial employs archival pigment in creating the fine art print, ensuring the longevity of the piece and the stability of its vibrant colors over time. Archival pigments are resistant to the fading and deterioration that often plague art materials, making them a favored choice for works meant to stand the test of time. This attention to longevity is a testament to the merging of street art's immediacy and the enduring nature of fine art. Street Pop Art as a Conduit for Social Commentary Denial's work, particularly this print, exemplifies street pop art's unique ability to serve as a conduit for social commentary. By leveraging the visual language of pop art—bold graphics, explicit imagery, and stark text—artists can communicate complex messages quickly and effectively. This piece, with its evocative facial expression and the simplicity of its accompanying text, invites reflection on the current societal discourse, encouraging the viewer to ponder the depth and sincerity behind apologies and the actions that necessitate them. "Sorry Is Not Enough" is a visual dialogue on accountability and the need for substantial action beyond mere words. This message is particularly resonant in an era where public figures and institutions are often called upon to address their wrongdoings. Denial's print captures this zeitgeist, challenging the viewer to consider what meaningful reparation might look like. In conclusion, "Sorry Is Not Enough" by Denial is a compelling example of how street pop art and graffiti artwork can encapsulate and communicate powerful sentiments. This piece not only reflects Denial's skill as an artist but also embodies the potential of street pop art to engage with and influence public discourse. Through his work, Denial continues to contribute to the rich tapestry of contemporary art, using his platform to provoke thought and inspire change.

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The Shot Limited Edition Archival Pigment Prints on 290gsm Moab Entrada Fine Art Paper by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 82 Artwork Size 18x18 I consider my art a mix of pop and street art. I draw influences from my surroundings and try to incorporate the ever-changing world of pop culture into my artwork. - McFly

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