African American

11 artworks

  • Many Faces Untitled HPM Archival Print by Abstrk

    Abstrk Many Faces Untitled HPM Archival Print by Abstrk

    Many Faces- Untitled HPM Limited Edition Hand-Embellished HPM Archival Pigment Prints on Fine Art Paper by Urban Graffiti Artist Abstrk. 2022 Signed & Numbered HPM Hand-Embellished Unique Limited Edition of 15 Artwork Size 24x24

    $450.00

  • Bad Brains- Fist & Flag Silkscreen Print by Glen E Friedman x Shepard Fairey- OBEY

    Shepard Fairey- OBEY Bad Brains- Fist & Flag Silkscreen Print by Glen E Friedman x Shepard Fairey- OBEY

    Bad Brains- Fist & Flag 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Glen E Friedman Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered 24 x 18 inches. Screenprint on thick cream Speckletone paper. Original photo by Glen E. Friedman. Signed by Glen E. Friedman, Shepard Fairey, & HR. Numbered edition of 600. Bad Brains are one of my favorite punk/hardcore groups of all time. I’ve been a Bad Brains fan for 30-plus years and am lucky to work with them on a few projects, including prints, a clothing collection, and the cover of their album “Into the Future.” Glen E. Friedman shot many great photos of Bad Brains, and his photo of HR at A7 bar in New York City from 1981 is the reference for this poster illustration. It’s an incredible honor to create art and to be connected to a band that has provided so much inspiration, energy, and sheer pleasure for me over the years. This poster is signed by Glen, me, and HR! Keep that PMA (Positive Mental Attitude)! –Shepard

    $384.00

  • Ascension Worn Wraps Swatch HPM Archival Print by Robert Mars

    Robert Mars Ascension Worn Wraps Swatch HPM Archival Print by Robert Mars

    Ascension- Worn Wraps Swatch Art Archival Pigment Print with Authentic Hand Worn Muhammad Ali Hand Wrap Glove Swatch Artwork by street pop culture artist Robert Mars. Ascension Muhammad Ali archival pigment print with authentic fabric swatch taken from Muhammad Ali's original training-worn hand wraps printed on Hahnemühle 310gsm William Turner matte fine art paper, hand deckled 18 x 24 inches Hand-signed and numbered by artist Robert Mars. Accompanied by a copy of the original signed letter of provenance, April 4, 2012, from Daria Muhammad, daughter of Wali Muhammad, long-time assistant trainer, and cornerman of Ali from by JG Autographs.

    $503.00

  • Steve and Dave Archival Print by Tyree Guyton

    Tyree Guyton Steve and Dave Archival Print by Tyree Guyton

    Steve and Dave Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by Tyree Guyton Graffiti Street Artist Modern Pop Art. "This image is part of my Faces Of God series. I have been working on this series for 25 years now. I’ve been told that sometimes it takes 10 years or so to get a series right. I have transcended “getting it right” to developing my own style, having some fun in the process, and creating some interesting characters. It’s my way of looking at human life and creating magic. I’m very excited for these images to go out into the world. They force me to ask who is God? Why are we created in his image? With this series I’m trying to understand this entity that we call God and at the same time understand life.” - Tyree Guyton

    $352.00

  • The Fugees Collaboration B+ Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas The Fugees Collaboration B+ Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    The Fugees Collaboration with B+ Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2021 Signed by Brian Cross (B+) & Ernesto Yerena Montejano & Numbered Limited Edition of 250 Artwork 24x18 Art Print Photo of Wyclef Jean, Lauryn Hill, and Pras Michel of the Rap Music Group The Fugees. The Fugees Collaboration with B+ is a limited edition silkscreen print that encapsulates the intersection of music and visual art through the joint venture of street artist Ernesto Yerena and photographer Brian Cross, known professionally as B+. This 1-color hand-pulled print on fine art paper was crafted in 2021 and is a part of an exclusive collection limited to 250 signed and numbered pieces, each with dimensions of 24x18 inches. This artwork portrays the iconic trio of the rap group The Fugees—Wyclef Jean, Lauryn Hill, and Pras Michel—rendered in a style that merges the raw energy of street art with the sophisticated minimalism of modern pop art. Yerena, known for his works that often explore themes of cultural identity and political commentary, brings his unique stencil-like graphics to the mix, translating B+'s photographic capture into a high-contrast visual statement. B+, an established figure in the music industry through his photographic work, contributes the authenticity of the moment captured, a testament to his intimate relationship with the music scene and his subject matter. This print captures The Fugees in a candid state, seated on a staircase, which might be suggestive of the ascents and descents of their musical journey. The composition's stark lines and sepia-toned color palette highlight the group's unity and distinctive presence within the hip-hop community. The collaboration of Yerena and B+ in creating this print not only pays homage to The Fugees' significant impact on rap music but also immortalizes them within the legacy of pop art and street culture. This artwork is not merely a representation of the artists but a narrative piece that speaks to the broader cultural implications of their work and influence. It showcases how street art can elevate musical icons to a status that transcends their original medium, cementing their images within the public's consciousness through visual art. Each print in this series serves as an homage to the power of collaboration across artistic disciplines and the shared heritage of music and art within urban cultural landscapes.

    $323.00

  • Chuck D Black Steel Large Format Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Chuck D Black Steel Large Format Silkscreen Print by Shepard Fairey- OBEY

    Chuck D Black Steel Large Format Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2018 Signed by Sheppard Fairey Janette Beckman and Chuck D. Numbered Limited Edition of 300 Artwork Size 24x36 Silkscreen Print of Music Rapper Chuck D of Public Enemy & Prophets of Rage. "Chuck D has long been a hero of mine as founder and lead rapper of Public Enemy, as an outspoken social and political voice, as an activist, and now as co-vocalist of Prophets of Rage. I’m always looking for excuses to collaborate with Chuck and celebrate his influence on me and culture in general, so I was very happy to work with him and Janette Beckman, whose hip-hop and punk photography I’ve loved for years. With the 30 year anniversary of Public Enemy’s “It Takes A Nation of Millions To Hold Us Back” coming up on June 28, I decided one of Janette’s photos of Chuck from that time would be great for me to illustrate as a tribute to my favorite MC and my favorite hip-hop album of all time. If you don’t own Public Enemy’s “It Takes A Nation of Millions To Hold Us Back,” learn what music at the pinnacle of it’s sonic, political, and revolutionary potential can be. Proceeds from this print will go to Central Coast Alliance United for a Sustainable Economy (CAUSE). All prints signed by Shepard, Janette Beckman and Chuck D. Thanks for the inspiration Chuck!" -Shepard Fairey- OBEY The intertwining of music and visual art finds a compelling expression in Shepard Fairey's "Chuck D Black Steel Large Format Silkscreen Print," a piece that stands as a testament to the enduring legacy of hip-hop's powerful voices. Released in 2018, this limited edition artwork is a collaboration that features the iconic presence of Chuck D, frontman of the seminal hip-hop group Public Enemy, captured through the lens of renowned photographer Janette Beckman, and reinterpreted by Fairey's distinct graphic style. This particular print celebrates a momentous occasion—the 30th anniversary of Public Enemy's "It Takes A Nation of Millions To Hold Us Back"—heralded as one of hip-hop's most influential albums. Fairey, known for his "OBEY" campaign and his significant role in pop culture and street art, often infuses his work with social and political commentary, echoing the ethos of Chuck D's artistry. His choice of Beckman's photograph for the illustration is deliberate, acknowledging her impact on hip-hop culture through her visual documentation. The collaboration between Fairey, Beckman, and Chuck D in creating this silkscreen print embodies a fusion of talents that pays homage to the past while making a statement in the present. The artwork features a black and white depiction of Chuck D, with a backdrop of words and images that echo the messages conveyed through his music—resistance, empowerment, and the fight against injustice. The print, sized 24x36 inches, was hand-pulled on cream speckletone fine art paper, further enhancing its tactile quality and exclusivity with a limited run of 300 signed and numbered editions. Fairey's decision to direct the proceeds from this print to the Central Coast Alliance United for a Sustainable Economy (CAUSE) aligns with the social advocacy inherent in Chuck D's music. This move not only celebrates hip-hop's cultural significance but also its potential for driving social change. The convergence of music, art, and activism in this silkscreen print underscores hip-hop's position as a vehicle for social commentary, with artists like Chuck D leading the charge and figures like Shepard Fairey amplifying the message through visual mediums. This piece is not just a collectible but serves as a narrative, an intersection where art meets the profound voices of a movement, continuing to inspire and provoke thought in a manner that is emblematic of both pop art and street art sensibilities.

    $2,188.00

  • Keepers AP Artist Proof Archival Print by Kevin Peterson

    Kevin Peterson Keepers AP Artist Proof Archival Print by Kevin Peterson

    Keepers Archival Pigment Fine Art Limited Edition Print on Hand Deckled 300gsm Signa Smooth Paper by Artist Kevin Peterson, Street Pop Art Graffiti Legend. AP Artist Proof 2021 Signed 24x18 Signed & Marked AP Limited Edition Kevin Peterson’s Keepers: Urban Innocence and Wild Guardians in Street Pop Art Kevin Peterson’s Keepers is a 24 x 18 inch archival pigment print on hand-deckled 300gsm Signa Smooth fine art paper, created in 2021 as a signed Artist Proof. The piece depicts a young Black boy sitting between two life-sized lionesses, positioned in front of a graffitied brick wall in an overgrown urban landscape. A small bird perches gently atop one lioness’s head. The work is a stunning blend of realism and fantasy, balancing emotional weight and visual poetry through the lens of Street Pop Art & Graffiti Artwork. Peterson’s signature approach layers meticulous oil painting technique over scenes marked by decay and spray-painted ephemera. The boy, dressed simply in a blue shirt and sneakers, is calm and observant, caught between the raw strength of the lions and the weathered city backdrop. His placement evokes resilience, curiosity, and alertness, not fear. The lions appear both majestic and protective—symbols of strength standing silently guard. A small crown tag painted on the wall near the child’s head further suggests that the boy is a figure of quiet power, royalty in an environment many would dismiss as ruined. The Coexistence of Vulnerability and Power Peterson’s work consistently explores the tension between innocence and chaos, often through the juxtaposition of children and animals in deteriorating cityscapes. In Keepers, the lions are not exotic intrusions but natural extensions of the boy’s presence. Their positioning and gaze imply protection and mutual trust. The graffiti behind them reinforces the setting as a lived, layered, and expressive space—not abandoned, but alive. Rather than present the street as hostile, Peterson renders it as a cradle for self-discovery and wild imagination. The inclusion of street art within the composition is essential. Tags and throw-ups become not just background detail, but active storytelling elements. The visual language of graffiti in Keepers underscores Peterson’s understanding of the street as a canvas for resistance, identity, and unseen beauty. It functions both as setting and subtext—chaotic but deeply human. The crumbling bricks and peeling paint contrast with the organic stillness of the lions, creating a dialogue between constructed decay and natural presence. Mythic Realism in Street-Informed Fine Art Though not a graffiti artist in the traditional sense, Kevin Peterson’s contribution to Street Pop Art & Graffiti Artwork lies in his mastery of urban allegory. His figures—often children surrounded by wild animals—are both symbolic and deeply grounded. They echo mythologies of guardianship, transformation, and sacred innocence, reframed within modern cityscapes. Keepers is both intimate and monumental, delivering a narrative that is both universal and specific. By placing a child in direct visual symmetry with apex predators, Peterson upends traditional power dynamics. The boy is neither victim nor observer—he is central, calm, and seen. The image resists the usual visual tropes of fear or wonder, opting instead for presence. It’s a portrait of strength without noise, protection without spectacle. Through realism heightened by surreal composition, Keepers offers a vision of urban identity that is fierce, gentle, and imaginatively untamed. It is a meditation on survival, dignity, and the unseen forces that walk with us through concrete jungles.

    $550.00

  • ABSDUNK Archival Print by Abstrk

    Abstrk ABSDUNK Archival Print by Abstrk

    ABSDUNK Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist ABSTRK, Street Pop Art Graffiti Renown. 2023 Signed & Numbered #23 of 23 Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 24 x 18 Inches Release: February 17, 2022 Edition of: 23

    $291.00

  • Scratch on the Wire Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Scratch on the Wire Silkscreen Print by Shepard Fairey- OBEY

    Scratch on the Wire 1-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Paper by Shepard Fairey x Dennis Morris Rare Street Art Famous Pop Artwork Artist. 24 x 24 inches. Silver Metallic Ink Screenprint on thick cream Speckletone paper. Original photo by Dennis Morris. Signed by Shepard Fairey and Dennis Morris. Numbered edition of 600. Max order: 1 per customer/household. "Legendary reggae producer and pioneer of the dub sound, Lee “Scratch” Perry passed away on Aug. 29. I first discovered Lee Perry when I got deep into Bob Marley and the Wailers found out Perry had produced several seminal Wailers tracks. I also loved the Clash song “Police and Thieves” which I learned was a cover of the version by Jamaican artist Junior Murvin which Lee Perry had produced. Perry also co-produced the song “Complete Control” by the Clash." -Dennis Morris

    $384.00

  • Black or White Face 92 Original Oil Painting by Peter Keil

    Peter Keil Black or White Face 92 Original Oil Painting by Peter Keil

    Black or White Face 92 Original Oil Painting by Peter Keil: One-of-a-kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1992 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work—painting of Black & White Face with Hat. Delving into "Black or White Face '92" by Peter Keil "Black or White Face '92" is an original oil painting on Masonite panel by Peter Keil, known as "The Wild Man of Berlin," a moniker that reflects his fierce and untamed approach to art. This artwork, created in 1992 and signed by the artist, measures 24x24 inches and is emblematic of Keil's bold and expressive style. The painting showcases a face rendered in stark black and white, adorned with a colorful hat that contrasts the composition. Keil's use of thick paint is evident here, a technique that gives the work its rich texture and depth, and over time, has led to some paint flaking, a characteristic that imparts an authentic patina to his pieces. The dichotomy of black and white in the painting resonates with the themes often explored in Street Pop Art and graffiti Artwork, where contrast is used to convey complex messages and evoke strong visual impact. Keil's depiction goes beyond the literal to hint at the dualities present within human nature and society. With its vibrant hues, the hat stands as a symbol of individuality and creativity, central to Keil's artistic philosophy and the spirit of street and pop art movements. Exploring the Significance of Keil's Technique and Medium In "Black or White Face '92," Peter Keil's technique and choice of medium speak volumes about his connection to the raw and immediate qualities associated with street art. His application of oil paint on Masonite panels, often in thick, impasto layers, creates a tactile surface that invites viewers to experience the artwork beyond its visual appeal. This sensory quality bridges the gap between the viewer and the artwork, making it more accessible and engaging, much like graffiti art that adorns urban landscapes. The Masonite panel itself, a departure from traditional canvas, underscores Keil's affinity with the street art genre, which favors unconventional materials and surfaces. The durability and solidity of Masonite also reflect the lasting impact of Keil's work, mirroring the permanence of graffiti art that becomes an integral part of the urban environment. This synergy between medium and message is a hallmark of Keil's art. It is a testament to his role as a pioneer in integrating the essence of street art into acceptable art practices. Keil's Artistic Legacy in Modern Art As exemplified by "Black or White Face '92," Peter Keil's artistic legacy is characterized by a vivid portrayal of human subjects and an unrestrained use of color and form. His works are a testament to the influence of street culture on contemporary art, demonstrating how the spontaneous and unfiltered expressions found in Street Pop Art and graffiti Artwork can be translated into the language of fine art. Keil's paintings are not mere representations but powerful expressions of emotion and identity infused with the artist's experiences and observations. Furthermore, the flaking of paint in Keil's work adds a dimension of time and history to his paintings, suggesting a narrative that extends beyond the moment of creation. This aspect of his work is particularly poignant in the context of street art, where the environment and the passage of time play crucial roles in shaping the artwork's life. Through his bold explorations and authentic expressions, Keil has left an indelible mark on modern art, inspiring artists and art enthusiasts to embrace the unconventional and appreciate the beauty inherent in the imperfections of the artistic process. "Black or White Face '92" is not just a significant piece within Peter Keil's body of work; it is a vibrant chapter in the story of street pop art and graffiti Art. It encapsulates Keil's artistry's energy, diversity, and creativity while reflecting the broader trends and transformations within contemporary art. As this piece continues to captivate viewers with its compelling imagery and rich textures, it serves as a reminder of Keil's enduring impact on the art world and his mastery of bringing the street into the gallery.

    $676.00

  • LET ME IN Silkscreen Print by Shane Lewis

    Shane Lewis LET ME IN Silkscreen Print by Shane Lewis

    LET ME IN Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shane Lewis Rare Street Art Famous Pop Artwork Artist. 2021 Silkscreen print 24 x 9 inches Limited Edition of 50 Inspired by Eric Andre Unsigned

    $60.00

African American Graffiti Street Pop Artwork

African American Representation in Street Pop Art & Graffiti Artwork

African American culture has had a profound influence on Street Pop Art & Graffiti Artwork, shaping visual narratives that reflect history, identity, and resistance. Artists use murals, installations, prints, and multimedia works to highlight the struggles, triumphs, and contributions of African Americans within urban and contemporary artistic movements. The representation of African American figures, symbols, and themes within these genres speaks to the deep connection between visual storytelling and cultural expression. Through bold colors, striking imagery, and layered symbolism, artists create works that explore themes of empowerment, social justice, and personal identity. Whether depicting historical figures, musical icons, or everyday people from urban communities, the portrayal of African American experiences in art serves as both a celebration and a critique of societal structures. The presence of political messages, poetic text, and cultural references adds depth to these works, ensuring that they resonate with diverse audiences while maintaining a sense of authenticity.

The Influence of African American Culture on Street Pop Art & Graffiti Artwork

African American culture has been a driving force behind many visual and stylistic elements found in Street Pop Art & Graffiti Artwork. The influence of hip-hop, jazz, blues, and spoken word poetry can be seen in the way artists construct their compositions, incorporating rhythm, movement, and lyrical expression into their works. The aesthetic of streetwear, activism, and resistance movements also plays a key role in shaping the themes and subject matter found in urban contemporary art. Many artists incorporate African American historical figures and cultural icons into their works, paying homage to leaders in music, politics, civil rights, and literature. Graffiti murals often feature detailed portraits of influential figures, while pop art-inspired pieces reinterpret these images through vibrant color palettes and mixed-media techniques. The ability to blend past and present allows these artworks to serve as both historical records and contemporary statements on race, identity, and representation.

Symbolism and Identity in African American Street Art

Artists working within Street Pop Art & Graffiti Artwork frequently use symbolism to explore themes related to African American identity. The use of crowns, halos, and celestial imagery often signifies resilience and regality, while abstract forms and collage techniques convey the complexity of lived experiences. Portraits of African American subjects are often painted with exaggerated expressions, intricate patterns, and contrasting textures to emphasize emotion, history, and individuality. Many pieces include text-based elements, such as hand-lettered phrases, quotes from historical speeches, or graffiti-style typography that emphasizes themes of empowerment and resistance. The juxtaposition of urban landscapes with ancestral references, such as African masks and traditional motifs, highlights the fusion of past and present within African American artistic expression. These layers of meaning allow artists to tell stories that are both deeply personal and universally impactful, ensuring that their work resonates beyond the immediate visual experience.

The Role of African American Artists in Shaping Urban Contemporary Art

African American artists have played a crucial role in shaping the evolution of Street Pop Art & Graffiti Artwork, using their creative voices to challenge mainstream narratives and redefine cultural representation. Many artists draw inspiration from personal experiences, using their work to address issues of systemic oppression, police brutality, and social inequality while also celebrating Black excellence, creativity, and resilience. The work of these artists serves as both a form of activism and a visual archive of African American culture. Murals in cities across the world showcase the contributions of African American artists, turning public spaces into galleries that educate, inspire, and provoke thought. The ability of street art to reach broad audiences makes it an important medium for discussing race, history, and social justice in ways that traditional galleries often cannot. As the movement continues to grow, the impact of African American artists within Street Pop Art & Graffiti Artwork will remain vital, ensuring that the voices of the community are heard and remembered through bold, uncompromising visual storytelling.

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