African American

4 artworks


  • Black or White Face 92 Original Oil Painting by Peter Keil

    Peter Keil Black or White Face 92 Original Oil Painting by Peter Keil

    Black or White Face 92 Original Oil Painting by Peter Keil: One-of-a-kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1992 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work—painting of Black & White Face with Hat. Delving into "Black or White Face '92" by Peter Keil "Black or White Face '92" is an original oil painting on Masonite panel by Peter Keil, known as "The Wild Man of Berlin," a moniker that reflects his fierce and untamed approach to art. This artwork, created in 1992 and signed by the artist, measures 24x24 inches and is emblematic of Keil's bold and expressive style. The painting showcases a face rendered in stark black and white, adorned with a colorful hat that contrasts the composition. Keil's use of thick paint is evident here, a technique that gives the work its rich texture and depth, and over time, has led to some paint flaking, a characteristic that imparts an authentic patina to his pieces. The dichotomy of black and white in the painting resonates with the themes often explored in Street Pop Art and graffiti Artwork, where contrast is used to convey complex messages and evoke strong visual impact. Keil's depiction goes beyond the literal to hint at the dualities present within human nature and society. With its vibrant hues, the hat stands as a symbol of individuality and creativity, central to Keil's artistic philosophy and the spirit of street and pop art movements. Exploring the Significance of Keil's Technique and Medium In "Black or White Face '92," Peter Keil's technique and choice of medium speak volumes about his connection to the raw and immediate qualities associated with street art. His application of oil paint on Masonite panels, often in thick, impasto layers, creates a tactile surface that invites viewers to experience the artwork beyond its visual appeal. This sensory quality bridges the gap between the viewer and the artwork, making it more accessible and engaging, much like graffiti art that adorns urban landscapes. The Masonite panel itself, a departure from traditional canvas, underscores Keil's affinity with the street art genre, which favors unconventional materials and surfaces. The durability and solidity of Masonite also reflect the lasting impact of Keil's work, mirroring the permanence of graffiti art that becomes an integral part of the urban environment. This synergy between medium and message is a hallmark of Keil's art. It is a testament to his role as a pioneer in integrating the essence of street art into acceptable art practices. Keil's Artistic Legacy in Modern Art As exemplified by "Black or White Face '92," Peter Keil's artistic legacy is characterized by a vivid portrayal of human subjects and an unrestrained use of color and form. His works are a testament to the influence of street culture on contemporary art, demonstrating how the spontaneous and unfiltered expressions found in Street Pop Art and graffiti Artwork can be translated into the language of fine art. Keil's paintings are not mere representations but powerful expressions of emotion and identity infused with the artist's experiences and observations. Furthermore, the flaking of paint in Keil's work adds a dimension of time and history to his paintings, suggesting a narrative that extends beyond the moment of creation. This aspect of his work is particularly poignant in the context of street art, where the environment and the passage of time play crucial roles in shaping the artwork's life. Through his bold explorations and authentic expressions, Keil has left an indelible mark on modern art, inspiring artists and art enthusiasts to embrace the unconventional and appreciate the beauty inherent in the imperfections of the artistic process. "Black or White Face '92" is not just a significant piece within Peter Keil's body of work; it is a vibrant chapter in the story of street pop art and graffiti Art. It encapsulates Keil's artistry's energy, diversity, and creativity while reflecting the broader trends and transformations within contemporary art. As this piece continues to captivate viewers with its compelling imagery and rich textures, it serves as a reminder of Keil's enduring impact on the art world and his mastery of bringing the street into the gallery.

    $600.00

  • Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis

    Dred66- Tyree Davis Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis

    Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis of a Kind of Artwork on Foam Core Mounted to Acrylic Sheet From Street Art Pop Artist. 2001 Signed Acrylic Painting Original Artwork Size 32x12 Depicting 2 People Sharing a Meal at a Table with Wine Over a Massive Red Carpet. Tagged, Signed, Dated, and titled on the Back. Imperial / Red Carpet / Dred66 / March 2001 Essence of "Red Carpet Imperial" by Tyree Davis "Red Carpet Imperial" stands as a remarkable testament to the artistic prowess of Tyree Davis, known in the street pop art and graffiti artwork community as Dred66. This original oil painting, a one-of-a-kind artwork on foam core mounted to an acrylic sheet, exemplifies the fusion of street art aesthetics with the traditional oil painting medium. Created in 2001, this signed acrylic painting stretches across a sizeable 32x12 canvas, depicting a scene that is both intimate and grandiose — two people sharing a meal at a table with a wine bottle over a massive red carpet. Davis's "Red Carpet Imperial" encapsulates the ethos of street pop art by bringing the personal into the public sphere. The subjects of the painting — two individuals engaged in the simple act of sharing a meal — are universal in their relatability. Yet, they are set against a backdrop that speaks to grandeur and excess. This contrast sketched out in the earthy yet bold tones of the oil paints, evokes a narrative that is both a celebration and a critique of cultural and social dynamics. It's a snapshot of life that is as much about the environment as it is about the individuals within it. Signature Style of Dred66 and Artistic Influence Tyree Davis's signature style is evident in how "Red Carpet Imperial" harmonizes street art's raw energy with a gallery piece's sophistication. The painting carries the hallmarks of graffiti in its background — tagged, signed, and dated by the artist, which is a nod to the graffiti tradition of artists marking their territory and claiming space. This element of the artwork connects the practice of street art with the established conventions of fine art, creating a dialogue between two worlds often seen as disparate. The tactile quality of the foam core gives the painting a three-dimensional feel. At the same time, the mounting on an acrylic sheet provides a modern twist, suggesting the protective glazing found in street art installations. These material choices by Davis reflect a thoughtful consideration of medium and message, ensuring that "Red Carpet Imperial" resonates with the authenticity of street art even as it occupies a different physical and conceptual space. In "Red Carpet Imperial," Davis offers a cultural commentary that is as relevant today as it was at the beginning of the millennium. The work's title, 'Imperial,' hints at a critique of societal structures and the seduction of luxury, a theme deep in street pop art's veins. The painting invites viewers to reflect on the disparities and contradictions that pervade modern life by placing an everyday scene in a context that implies wealth and luxury. Moreover, the painting's year of creation, 2001, situates it at a time when street art began gaining widespread recognition as a legitimate art form. Tyree Davis contributed to this burgeoning recognition through his work, bridging the gap between the street and the gallery and challenging preconceived notions about the value and place of graffiti and street pop art in the art historical canon. Legacy and Continuing Influence Tyree Davis's "Red Carpet Imperial" legacy continues influencing the street art community and the broader art world. It stands as a powerful example of how the aesthetics and themes of street pop art can be translated into different mediums and settings, maintaining their impact and resonance. Davis's work invites ongoing discourse about the intersections between art, culture, and society through its bold visual language and underlying social commentary. This conversation is as vital now as it was two decades ago. "Red Carpet Imperial" is more than just a painting; it is a piece of social fabric, a historical document, and a beacon of street pop art's enduring power to communicate, challenge, and captivate. Tyree Davis, as Dred66, has crafted an artwork that is both a reflection and a critique of the world it inhabits, securing his place in the annals of street pop art history.

    $5,000.00

  • Gameboi Vandul Original Acrylic Painting by Vandul Gameboi Vandul Original Acrylic Painting by Vandul

    Vandul Gameboi Vandul Original Acrylic Painting by Vandul

    Gameboi Vandul Original Acrylic Painting by Vandul One of a Kind Artwork on Round Stretched Canvas by Street Art Pop Artist. 2022 Signed Original Round Acrylic Original Painting Size 12x12 The Artistic Essence of Vandul's "Gameboi Vandul" in Street Pop Art Culture In the vibrant landscape of street pop art, few pieces capture the playful spirit and reflective nostalgia quite like "Gameboi Vandul," an original acrylic painting by the street artist known simply as Vandul. This one-of-a-kind artwork, created in 2022, is a signed original that brings graffiti art's aesthetic and pop culture sensibilities into a harmonious visual experience. Presented on a 12x12 inch round stretched canvas, Vandul's piece is a compact yet powerful expression of street art's influence on modern pop artistry. "Gameboi Vandul" is not just a painting; it's a cultural statement that blends the vintage charm of handheld gaming with the raw edge of street art. The artwork depicts a character engrossed in a game, surrounded by a serene outdoor scene that contrasts with the urban grittiness often associated with graffiti. The choice of a round canvas breaks traditional boundaries, just as street pop art breaks conventional artistic norms. The circular shape adds a dynamic element, guiding the eye inward to the focal point — the character and his gaming device — and reflecting the immersive nature of both art and play. Vandul's Creative Process and Impact on Street Art Vandul's creative process involves a deep understanding of the cultural icons that resonate across generations. "Gameboi Vandul" takes a widely recognized emblem of youth and technology — the Gameboy — and reimagines it through the lens of street pop art. The artist's use of acrylic paints gives the piece a brightness and depth often seen in graffiti artwork, with bold lines and solid colors that pop against the canvas. Vandul's work is known for its ability to evoke a sense of nostalgia while commenting on the present, and this piece is no exception. His commitment to authenticity and originality underscores the impact of Vandul's work on the street art scene. His pieces often feature characters that are both a reflection of himself and the broader human experience. In "Gameboi Vandul," the character's engrossment in the game serves as a metaphor for the escapism in art and gaming. The artwork resonates with viewers who find solace in life's simple pleasures, suggesting a universal connection that street pop art and graffiti artwork excel in portraying. Collectibility and Significance of "Gameboi Vandul" As a collectible, "Gameboi Vandul" is significant in street pop art. Vandul's decision to release the painting as a limited signed original adds to its exclusivity and appeal as a collector's item. The artwork symbolizes the fusion between contemporary street art and pop culture, making it desirable for fans of both genres. Vandul's work, with its distinctive style and thoughtful composition, continues to contribute to the narrative of street pop art as a form of valuable and impactful artistic expression. In an art market where street pop art and graffiti artwork are gaining increasing recognition and value, Vandul's "Gameboi Vandul" stands out as a testament to the enduring allure of street-inspired creations. The painting's presence in the art community serves as a reminder of the expressive power of visual art, the importance of preserving cultural memories, and the unifying aspects of shared experiences, be it through gaming or the appreciation of art. In the more excellent discourse of street pop art, Vandul's "Gameboi Vandul" is a compelling illustration of how artists can bridge the gap between street culture and the refined space of galleries. The artwork captures the playful essence of street art, the connectivity of pop culture, and the artist's personal touch, making it a vibrant addition to the contemporary art scene. Vandul's work exemplifies the potential of street pop art to transcend its origins, creating a dialogue that stretches across time, culture, and the very definition of art itself.

    $539.00

  • Nasty Nas Cut The Record Original Spray Paint Painting by Tavar Zawacki- Above Nasty Nas Cut The Record Original Spray Paint Painting by Tavar Zawacki- Above

    Tavar Zawacki- Above Nasty Nas Cut The Record Original Spray Paint Painting by Tavar Zawacki- Above

    Nasty Nas- Cut The Record Original One of a Kind Mixed Media on Laser Cut Wood Panel With Industrial Resin Painting Artwork by Popular Street Graffiti Artist Tavar Zawacki (Above). Mixed Media on Laser Cut Wood Panel With Industrial Resin Size: 22 x 22 Inches (56 x 56 cm) Release: May 06, 2016. Cut the Record (Nas), 2014 Mixed media on laser cut wood panel with industrial resin 22 inches (55.9 cm) diameter Ed. 1/1 Signed to reverse. "The 'Cut The Record' series was made solely for this release and was part of my most recent exhibition Remix. This was a very personal series for me, as I selected 10 of my favorite musicians to portray and Remix. All of the 10 musicians I selected to make for this series are personal favorites of mine. Music I actually listen to on a day-to-day basis. For my exhibition, I kinda tweaked the meaning of Remix to fit the swapping and sampling of different, but similar pieces of woodcuts I had made on the pieces. With the 10 musicians, I selected for the 'Cut The Record' series each has either had their music remixed and or remixed music themselves. Since Illmatic Album in 1994, I don’t think a week has gone by since I’ve listened to that album. One of my favorite albums." - Above

    $1,545.00

African American

African American culture and identity. In graffiti art, African Americans are often depicted as powerful and heroic figures, while in pop art they are portrayed in a more humorous and ironic way. In graffiti art, African American culture is often celebrated through the use of bold colors and imagery. Graffiti artists have used their art to promote social justice and racial equality, often depicting African American leaders like Martin Luther King Jr. and Malcolm X as symbols of strength and resilience. Additionally, graffiti art has been used to highlight the challenges faced by African Americans, such as police brutality and systemic racism. Many graffiti artists use their art to draw attention to these issues and call for change. In pop art, African Americans are often portrayed in a more satirical and humorous way. Pop artists like Andy Warhol and Roy Lichtenstein used African American cultural references, such as images of black athletes and musicians, as a way to comment on popular culture and consumerism. However, some pop artists also used their art to critique the ways in which African Americans were portrayed in mainstream media, challenging negative stereotypes and promoting positive images of black culture. In addition to celebrating African American culture and identity, graffiti art has also been used to address social issues that disproportionately affect the black community. For example, some graffiti artists have used their art to call attention to the school-to-prison pipeline, which refers to the practice of funneling students, particularly students of color, out of the public school system and into the criminal justice system. Graffiti art has also been used to address issues such as gentrification, poverty, and access to healthcare. Pop art has also been used to address social issues affecting the black community. Pop artists like Keith Haring and Jean-Michel Basquiat used their art to critique the racial inequality and social injustice they saw around them. Basquiat, in particular, used his art to highlight the ways in which black culture had been appropriated by white artists and popular culture. Both graffiti art and pop art have also been used as a way for African American artists to claim their place in the art world. Historically, black artists have faced barriers to entry in the art world, with many struggling to find representation and recognition for their work. Graffiti art and pop art have provided alternative avenues for African American artists to express themselves and gain visibility. In recent years, African American artists have continued to use graffiti art and pop art as a way to explore and express their identities and experiences. This has led to a vibrant and diverse body of work that continues to challenge and inspire audiences around the world.

© 2024 Sprayed Paint Art Collection,

    Login

    Forgot your password?

    Don't have an account yet?
    Create account