African American

5 artworks


  • Eyes On The King Verdict Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Eyes On The King Verdict Silkscreen Print by Shepard Fairey- OBEY

    Eyes On The King Verdict 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Ted Soqui Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Ted Soqui, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 600. "I based this “Eyes on the King Verdict” print on photos taken by Ted Soqui during the LA riots of spring 1992. Ted has a long history of photographing activists and protests, which began after the “not guilty” verdicts on April 29, 1992, for the four officers who severely beat Rodney King. I especially love the central pic of a young woman protester in a Malcolm X hat contemplating the scene. I think it is important to consider the symbolic weight of the Rodney King verdict and the emotional impact on communities of color seeking justice and accountability. At the time, 30 years ago, I remember feeling enraged that such a blatant act of police brutality was going unpunished when it was captured on video. It is heartbreaking how frequently similar acts of violence and abuse of power by law enforcement have gone unpunished, even when caught on camera. I don’t ever condone violence or looting, but I understand why LA erupted in riots and protests after the King verdict. When people feel that the American system has failed them repeatedly, things can reach a boiling point. The urge to protest injustice and the right to do so are legitimate, even if looting is not legitimate. The LA riots were a tragic mixture. However, beware of those who try to conflate protest with “criminal agitation” or “inciting a riot.” When the system fails the people, it is nothing short of patriotic for the people to protest for a solution. Ted Soqui and I both signed the “Eyes on the King Verdict” print.” – Shepard

    $421.00

  • Voting Rights- Large Format Serigraph Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Voting Rights- Large Format Serigraph Print by Shepard Fairey- OBEY

    Voting Rights- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photograph of Fannie Lee Chaney captures the day she found out her son, James Chaney, and two of his friends died at the hands of the Ku Klux Klan for registering African Americans to vote.

    $4,583.00

  • By Any Means Necessary Archival Print by Robert Mars

    Robert Mars By Any Means Necessary Archival Print by Robert Mars

    By Any Means Necessary Limited Edition Archival Pigment Fine Art Prints on 310gsm Hahnemühle William Turner Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. By Any Means Necessary Malcom X archival pigment print on Hahnemühle William Turner Matte Fine Art Paper, 310 GSM Hand-varnished 18 x 24 inches Hand-signed and numbered by artist Robert Mars 2019

    $283.00

  • Barney X Silkscreen Print by Frank Kozik

    Frank Kozik Barney X Silkscreen Print by Frank Kozik

    Barney X 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Frank Kozik Rare Street Art Famous Pop Artwork Artist. Barney Malcolm X crossover from the 2014 riots/protests. Barney X Burn Baby Burn ! ! 18″ x 23 14/16″ Designed & Signed by Frank Kozik Limited Edition of 50

    $349.00

  • I Am A Man Archival Print by Robert Mars I Am A Man Archival Print by Robert Mars

    Robert Mars I Am A Man Archival Print by Robert Mars

    I Am A Man Limited Edition Archival Pigment Fine Art Prints on 310gsm Hahnemühle William Turner Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. I Am A Man MLK Martin Luther King Jr archival pigment print on Hahnemühle William Turner Matte Fine Art Paper, 310 GSM Hand-varnished 18 x 24 inches Hand-signed and numbered by artist Robert Mars 2019 Mild Yellowing Discoloration To Top White Margin, Does Not Affect Image. See Photos.

    $331.00

African American

African American culture and identity. In graffiti art, African Americans are often depicted as powerful and heroic figures, while in pop art they are portrayed in a more humorous and ironic way. In graffiti art, African American culture is often celebrated through the use of bold colors and imagery. Graffiti artists have used their art to promote social justice and racial equality, often depicting African American leaders like Martin Luther King Jr. and Malcolm X as symbols of strength and resilience. Additionally, graffiti art has been used to highlight the challenges faced by African Americans, such as police brutality and systemic racism. Many graffiti artists use their art to draw attention to these issues and call for change. In pop art, African Americans are often portrayed in a more satirical and humorous way. Pop artists like Andy Warhol and Roy Lichtenstein used African American cultural references, such as images of black athletes and musicians, as a way to comment on popular culture and consumerism. However, some pop artists also used their art to critique the ways in which African Americans were portrayed in mainstream media, challenging negative stereotypes and promoting positive images of black culture. In addition to celebrating African American culture and identity, graffiti art has also been used to address social issues that disproportionately affect the black community. For example, some graffiti artists have used their art to call attention to the school-to-prison pipeline, which refers to the practice of funneling students, particularly students of color, out of the public school system and into the criminal justice system. Graffiti art has also been used to address issues such as gentrification, poverty, and access to healthcare. Pop art has also been used to address social issues affecting the black community. Pop artists like Keith Haring and Jean-Michel Basquiat used their art to critique the racial inequality and social injustice they saw around them. Basquiat, in particular, used his art to highlight the ways in which black culture had been appropriated by white artists and popular culture. Both graffiti art and pop art have also been used as a way for African American artists to claim their place in the art world. Historically, black artists have faced barriers to entry in the art world, with many struggling to find representation and recognition for their work. Graffiti art and pop art have provided alternative avenues for African American artists to express themselves and gain visibility. In recent years, African American artists have continued to use graffiti art and pop art as a way to explore and express their identities and experiences. This has led to a vibrant and diverse body of work that continues to challenge and inspire audiences around the world.

© 2024 Sprayed Paint Art Collection,

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