All Artwork

5588 artworks

  • Sale -10% Clingy Companion Blue Shoeuzi 100% Gun Art Sculpture by J-LDN aka Jack London

    J-LDN aka Jack London Clingy Companion Blue Shoeuzi 100% Gun Art Sculpture by J-LDN aka Jack London

    Clingy Companion Blue Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. 2022 Limited Edition, Size 100% Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box

    $596.00 $536.00

  • Hero Queen, She/He has Ruled Giclee Print by Skinner

    Skinner Hero Queen, She/He has Ruled Giclee Print by Skinner

    Hero Queen, She/He has Ruled Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by calculated chaos.

    $224.00

  • Soar LSD Blotter Paper Archival Print by Mad

    Mad Soar LSD Blotter Paper Archival Print by Mad

    Soar LSD Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by MAD pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $352.00

  • Sale -10% Chekers Mixed Media Painting by Sechor

    Sechor Chekers Mixed Media Painting by Sechor

    Chekers Original One of a Kind Mixed-Media Spray Paint Painting Artwork on Wood Panel by Popular Street Graffiti Artist Sechor. 2019 Signed Mix Media on 16x30 on Unstretched Canvas

    $589.00 $530.00

  • Slayer 2112 Print by Sam Chivers

    Sam Chivers Slayer 2112 Print by Sam Chivers

    Slayer 2112 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Sam Chivers. 23.4x33 Giclée print on Hahnemuhle fine art paper. Edition of 100

    $226.00

  • Sale -10% P Zero Peel Out Medium Tire Rug by Scuderia Ferrari x Joshua Vides

    Joshua Vides P Zero Peel Out Medium Tire Rug by Scuderia Ferrari x Joshua Vides

    P Zero Peel Out Medium Tire Rug Object Art by Scuderia Ferrari x Joshua Vides Limited Edition Designer Collectible Pop Artist Carpet Artwork. 2023 Limited Edition Rare P Zero Peel Out Medium Tire Rug Object Art Size 4ftx4ft Black Joshua Vides Stylized P Zero Scuderia Ferrari Tire with White Trim Cotton Backed Carpet. Scuderia Ferrari Design and Artistic Vision The fusion of utility and artistry takes a bold leap forward with the P Zero Peel Out Medium Tire Rug, a collaborative creation by Ferrari and pop artist Joshua Vides. This limited edition piece of the 2023 collection is a prime example of how functional items are reimagined within Street Pop Art and Graffiti Artwork, encapsulating a contemporary aesthetic that bridges everyday objects with highbrow artistic expression. At first glance, the P Zero Peel Out Medium Tire Rug captivates with its striking black and white design, a nod to the iconic Ferrari P Zero tires known for their association with performance and luxury. Joshua Vides' stylization brings an artful twist to the familiar, transforming a symbol of speed and precision into a statement piece. The rug spans 4 feet by 4 feet, offering a substantial canvas that showcases the collaboration's attention to detail and design prowess. The black base of the rug sets a dramatic stage for the white accents that delineate the tire's features. Vides' approach is reminiscent of his signature style, where he often outlines objects in bold lines to create a cartoon-like reality, playing with perceptions and inviting viewers to re-evaluate the mundane. The cotton-backed carpet material further grounds the piece in the realm of the tactile and practical while the artwork elevates it to the collectible. Cultural Resonance In the landscape of pop and street art, collaborations between artists and commercial entities are not uncommon. Still, this piece stands out for its seamless integration of corporate branding with artistic reinterpretation. The tire, an object typically associated with machinery and industry, is transformed through the lens of street pop art, an act that carries a multitude of cultural and social implications. The tire transcends its original purpose in this piece, becoming a canvas reflecting the intersections between high-speed motorsports, luxury branding, and urban art culture. It is a physical manifestation of the dialogue between these worlds, which is increasingly present in today's visual culture. Impact on Art and Design The significance of the P Zero Peel Out Medium Tire Rug extends beyond its aesthetic appeal; it is an emblem of how contemporary artists like Vides can influence and redefine our understanding of product design. The intersection of art and consumer goods has been a hallmark of pop art since its inception, and this piece is a modern continuation of that tradition. Furthermore, the limited edition nature of the rug ensures its status as a collectible item, coveted not only for its artistic value but also for its rarity. In the dynamic world of street pop art, limited edition pieces such as this serve as cultural artifacts that capture a moment in time, a snapshot of current trends, and the evolving tastes of society. The P Zero Peel Out Medium Tire Rug is a testament to the synergistic potential of collaborations between artists and brands. It is a celebration of street pop art's ability to infiltrate and elevate the objects of our daily lives, turning them into art that challenges our perceptions and enriches our environments. This piece is not just a rug but a narrative woven from the threads of innovation, art, and industry, which unfolds with each viewing.

    $524.00 $472.00

  • Sale -10% Never Not Melting Silkscreen Print by Buff Monster

    Buff Monster Never Not Melting Silkscreen Print by Buff Monster

    Never Not Melting Silkscreen Print by Buff Monster Hand-Pulled 8-Color on 290gsm Coventry Rag Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 100 Artwork Size 24x18 Silkscreen Print of 2 Ice Cream Melty Misfits Spray Painting with Skull & Cherry. Never Not Melting: A Pop Culture Fusion Never Not Melting, an exclusive silkscreen print by Buff Monster, is a vibrant and thought-provoking example of Street Pop Art and Graffiti Artwork. Hand-pulled using an intricate 8-color process on 290gsm Coventry Rag fine art paper, this limited edition screenprint boasts an edition size of 100, each signed and numbered by the artist. Measuring 24x18 inches, it features two melting ice cream characters engaged in street art, spray-painting around a skull adorned with dripping colors and a cherry. This piece, crafted in 2024, is an homage to the playful yet deeply symbolic themes that Buff Monster explores through his art. Buff Monster and His Distinct Aesthetic Buff Monster, born in Hawaii and based in New York City, has gained prominence for his bold and vibrant work that merges the playful nature of pop culture with the edginess of street art. His art frequently draws inspiration from Japanese culture, cartoons, and graffiti, creating a unique visual language that captures the viewer's attention. Never Not Melting exemplifies his distinctive aesthetic with its exaggerated characters and eye-popping hues, seamlessly blending whimsy and social commentary. The ice cream motif, a recurring theme in Buff Monster’s work, serves as a metaphor for the fleeting nature of life and the inevitability of change. The Cultural Impact of Never Not Melting This silkscreen print encapsulates the essence of Street Pop Art and Graffiti Artwork, reflecting the genre’s evolution in contemporary art. Street Pop Art thrives on juxtaposing the ephemeral with the enduring, often drawing attention to societal issues or cultural phenomena through humor and satire. The melting ice cream characters in Never Not Melting are not just playful figures but symbols of transience and decay, contrasted against the permanence of the skull. The vibrant colors and dripping forms evoke both nostalgia and an underlying sense of urgency, resonating with audiences who appreciate art that is as thought-provoking as it is visually striking. Technical Mastery and Collectibility The process of creating Never Not Melting demonstrates Buff Monster’s commitment to craftsmanship. Each print is meticulously hand-pulled using an 8-color silkscreen technique, ensuring depth and vibrancy that digital prints cannot replicate. The choice of 290gsm Coventry Rag fine art paper underscores the artist’s dedication to quality and durability. As a signed and numbered edition of only 100, this piece is not only a stunning work of art but also a highly sought-after collectible. For enthusiasts of Street Pop Art and Graffiti Artwork, Never Not Melting represents an intersection of technical mastery, cultural relevance, and artistic innovation.

    $555.00 $500.00

  • Filling Holes Archival Print by Dalek- James Marshall

    Dalek- James Marshall Filling Holes Archival Print by Dalek- James Marshall

    Filling Holes Archival Print by Dalek- James Marshall Limited Edition on 300gsm Somerset Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2019 Signed & Numbered Print Limited Edition of 50 Artwork Size 17.72x23.62 Archival Pigment Fine Art  Filling Holes by Dalek: Precision and Play in Street Pop Art & Graffiti Artwork Filling Holes is a 2019 limited edition archival pigment print by American artist James Marshall, professionally known as Dalek. Created in an edition of 50 and printed on 300gsm Somerset fine art paper, the artwork measures 17.72 x 23.62 inches and is signed and numbered by the artist. Known for his character-driven abstractions and geometric pop constructions, Dalek has been a defining figure in the evolution of Street Pop Art & Graffiti Artwork. His work merges the visual language of cartoons, street tagging, skate graphics, and vector precision into hyper-saturated compositions filled with character, attitude, and formal rigor. Filling Holes features one of Dalek’s signature visual avatars—his Space Monkey—rendered in a dense, mechanical composition filled with surreal movement and playful tension. The central figure appears as a gray robotic organism with a USB symbol on its head, an enormous eye, a snout-like mouth, and shark-like teeth lining its pink inner jaw. Multiple mechanical limbs and sockets protrude from the figure at unexpected angles, while other strange appendages and cartoon-like forms interact with the space. A whimsical pink wormlike creature smiles from the bottom corner, adding a dose of absurdity to the controlled chaos. The print’s layout plays with perspective and layering, creating a depth that mimics both flat graffiti stylization and comic panel storytelling. Dalek’s Space Monkey and the Evolution of Character in Urban Narratives Dalek introduced the Space Monkey in the late 1990s as a stylized avatar for psychological commentary, subversive humor, and personal storytelling. In Filling Holes, the figure takes on a more evolved, robotic form—part sentient machine, part digital toy, part protest symbol. The composition appears surgically constructed, yet its subject matter is playful and filled with coded emotion. This duality is central to Dalek’s practice, where pop culture gloss coexists with complex design logic. The figure’s expressionless eye and mechanical extensions speak to digital overload and identity distortion, while the bold colors and rounded edges ground the piece in accessibility and familiarity. This stylized contradiction fits squarely within the philosophy of Street Pop Art & Graffiti Artwork, where the language of rebellion is often cloaked in polished forms. Dalek’s art challenges viewers to interpret chaos as intentional structure, to see repetition as pattern, and to recognize that humor and anxiety are often drawn from the same place. The title, Filling Holes, may suggest emotional repair, technological interference, or urban fragmentation—all concepts rooted in the lived experience of navigating systems that continuously deconstruct identity. Precision, Geometry, and Contemporary Graffiti Aesthetics Dalek’s background in mathematics, graphic design, and street culture informs the precise geometry of his compositions. Filling Holes exemplifies his ability to balance form and function while drawing from graffiti’s spatial dynamics and pop art’s color theory. His use of black outlines, flat fields of color, and symmetrical structure reflects a deep understanding of mural-scale composition, adapted here for fine art paper. The colors are intentional—muted grays contrast with vibrant pinks and teal greens, creating visual focal points and rhythm within the confined space. Printed on 300gsm Somerset paper, the artwork retains a tactile surface quality that enhances its architectural qualities. The archival pigment printing process ensures color depth and edge clarity, allowing each contour and form to hold its shape and tone. As with all of Dalek’s limited editions, the piece functions as both collectible object and micro-narrative—a piece of a larger, evolving language that speaks to systems, surrealism, and the strange joy of controlled chaos. Filling Holes as Conceptual Artifact and Visual Anthem Filling Holes represents Dalek’s unique synthesis of modern visual culture—an artwork that pulls from childhood cartoons, digital interfaces, industrial design, and graffiti codes. It is not just a composition of shapes and figures; it is a psychological diagram rendered in flat color and clean line. The robotic presence, USB port, and optical repetition suggest a world where identity is constantly plugged in and reprogrammed, and where playfulness masks deeper circuitry of critique. James Marshall’s place within the Street Pop Art & Graffiti Artwork landscape is cemented by his ability to evolve character-based art into formal innovation. Filling Holes is a snapshot of that evolution—an artwork that stands as precise as it is unpredictable, built from the materials of modern life and the vocabulary of visual rebellion. It is pop surrealism sharpened to a vector edge, endlessly repeating in vibrant loops of emotion and control.

    $450.00

  • Punk Skunk Tie-Dyed Rainbow Medium Art Toy by Ron English- POPaganda

    Ron English- POPaganda Punk Skunk Tie-Dyed Rainbow Medium Art Toy by Ron English- POPaganda

    Punk Skunk- Tie-Dyed Rainbow- Medium Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Ron English- POPaganda x SFBI Originals. Punk Skunk- Tie-Dyed Rainbow- Medium Figure by SFBI Originals x Ron English- POPaganda PopagandaFigure stands at about 8"- 9" tall

    $390.00

  • Shareef 100% & 400% Be@rbrick

    BE@RBRICK Shareef 100% & 400% Be@rbrick

    Shareef Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Bearbrick Medicom Collectible Size 100% & 400% New In Box

    $354.00

  • Sale -10% Who Fried Roger Rabbit? Seroquel Blotter Paper Archival Print by Ben Frost

    Ben Frost Who Fried Roger Rabbit? Seroquel Blotter Paper Archival Print by Ben Frost

    Who Fried Roger Rabbit? Seroquel Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Cartoon Madness Meets Pharmaceutical Culture Who Fried Roger Rabbit? Seroquel Blotter Paper Print by Ben Frost reimagines the iconic animated character Roger Rabbit within the framework of modern pharmaceutical branding. Released as part of Frost’s 2025 collection, this 7.5 x 7.5 inch limited edition archival pigment print on perforated blotter paper explores the collision of pop culture and medication packaging with satirical precision. Featuring the animated character smiling manically beside a Seroquel XR layout, the print is hand-perforated by Zane Kesey and produced in a signed and numbered edition. This work critiques how society normalizes mental health struggles through branding and questions how animation, nostalgia, and pharmaceuticals can coexist in a single visual message. Satirical Branding and Medicinal Irony Frost fuses Roger Rabbit’s over-the-top personality with Seroquel, a medication used to treat mood disorders, to amplify the surreal effects of overstimulation and sedation. By transforming the clinical appearance of a pharmaceutical box into a playful, chaotic canvas for a cartoon figure, Frost blurs the line between treatment and escapism. His use of quetiapine packaging language is precise, including dosage information and warnings, yet subverted by Roger Rabbit’s erratic demeanor. The underlying message reflects on how medication is commercialized in a culture that commodifies both mental illness and childhood nostalgia. Material Subversion in Blotter Format The blotter paper format is integral to the conceptual thrust of the piece. Traditionally associated with LSD distribution, blotter prints evoke a psychedelic lineage and hint at an altered perception of reality. By placing a cartoon character on a faux-medication backdrop, Frost disrupts the expectation of serious pharmaceutical design with absurdity. The perforation physically fragments the image, echoing the fragmentation of consciousness and emotion in both medicated and animated experiences. This format enables the artwork to comment simultaneously on drug culture, entertainment media, and mental health marketing. Ben Frost’s Visual Provocation Australian artist Ben Frost has made a name for himself by appropriating advertising, pharmaceutical logos, and mass-market cartoons into biting social commentary. His Street Pop Art & Graffiti Artwork unpacks consumer psychology through bold color, recognizable imagery, and pointed juxtapositions. Who Fried Roger Rabbit? is a standout example of this method—merging the aesthetics of childhood with the clinical detachment of adult medicalization. Frost confronts viewers with contradictions they may overlook in daily life, drawing humor and tension from the unsettling marriage of cartoon madness and prescribed stability. It’s not just visual stimulation—it’s a question wrapped in a package we’re told to trust.

    $550.00 $495.00

  • First Class Archival Print by Joshua Horkey

    Joshua Horkey First Class Archival Print by Joshua Horkey

    First Class Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Rag Bright Paper by Graffiti Street Art and Pop Culture Artist Joshua Horkey. Joshua Horkey "First Class" - Archival Print, Limited Edition of 15 - 18 x 24" First Class • Autographed archival pigment print • Moab Entrada Rag Bright 290 GSM archival paper • 18 x 24 inches Hand-signed and numbered by artist Joshua Horkey in a limited edition of 15

    $218.00

  • Sale -10% The Devil Likes Lo/Fi Low Fidelity Music Bear Vinyl Art Toy by Luke Chueh

    Luke Chueh The Devil Likes Lo/Fi Low Fidelity Music Bear Vinyl Art Toy by Luke Chueh

    The Devil Likes Lo/Fi Low Fidelity Music Bear Vinyl Art Toy by Luke Chueh Limited Edition Collectible Sculpture Figure Fine Artwork by Graffiti Pop Street Artist. 2024 Limited Edition of 300 Artwork Size 4x7 New In Box Stamped Vinyl Fine Art Toy Figure Sculpture of Devil Bear in Hoodie and Headphones Chilling. The Devil Likes Lo/Fi by Luke Chueh: A Vinyl Meditation on Mood in Street Pop Art & Graffiti Artwork The Devil Likes Lo/Fi is a 2024 limited edition vinyl art toy by artist Luke Chueh, issued in a run of 300 pieces. Standing 7 inches tall and 4 inches wide, the figure features Chueh’s unmistakable bear character reimagined in fiery red, wearing a black hoodie emblazoned with a devil dog graphic and the word Possessed, paired with oversized headphones. This fine art sculpture arrives boxed in a custom-designed display package that mirrors the figure's brooding silhouette and subdued posture. With hands tucked into his hoodie and a stare that reflects both intensity and introspection, the figure taps into the emotional atmosphere of lo-fi culture while grounding itself within the visual and philosophical framework of Street Pop Art & Graffiti Artwork. Design, Posture, and Attitude in Chueh’s Devil Bear The character in The Devil Likes Lo/Fi is calm yet emotionally heavy, caught in a moment of isolation that feels deeply familiar. The bear’s red vinyl body symbolizes temptation, rebellion, and discomfort, softened by the relaxed shape of the hoodie and the universal symbol of personal space: a pair of headphones. The blend of casual clothing and stark character design echoes themes of disconnection and inner retreat. The simple black-on-red contrast and minimalist sculpting highlight Chueh’s commitment to emotional clarity over complexity. This figure is not about narrative—it is about presence. It radiates the feeling of being alone but not lost, withdrawn but still engaged with the quiet rhythm of low fidelity music and thought. In this sense, the toy embodies the kind of inner-world expression that defines Street Pop Art & Graffiti Artwork, using iconography and stylization to communicate deeper emotional truths. Luke Chueh’s Expanding Universe of Emotional Objects Luke Chueh, based in Los Angeles, continues to be one of the most compelling figures in modern designer toy culture and Street Pop Art & Graffiti Artwork. His ability to distill complex emotional experiences into deceptively simple characters has established him as both a visual storyteller and a sculptor of silence. The Devil Likes Lo/Fi is a continuation of Chueh’s exploration into mood, perception, and the aesthetics of withdrawal. With subtle design cues and an emphasis on posture over expression, this piece joins a long lineage of bears and devils used by Chueh to externalize the internal. His work transforms pop figures into cultural touchstones for psychological reflection, and with this edition, he brings contemporary audio culture into conversation with his ongoing visual language of melancholy and solitude. Collectibility and Conceptual Resonance in Street Pop Art Form As a limited edition of 300, The Devil Likes Lo/Fi functions not only as a collectible but also as a sculptural reflection on modern emotional states. The figure's stillness, the headphone motif, and its choice of color all reinforce its narrative of personal space, lo-fi rhythm, and quiet rebellion. Packaged with precision and conceptually bound by Chueh’s visual language, this figure stands out as a meditation on being present without performance. Its small scale amplifies its message, embodying the idea that meaningful expression often comes not through loudness, but through controlled, crafted subtlety. In the broader context of Street Pop Art & Graffiti Artwork, this sculpture is a physical playlist of emotion—rendered in vinyl, wrapped in symbolism, and waiting to be understood in silence.

    $578.00 $520.00

  • Bird on Bike Silkscreen Print by John Vogl

    John Vogl Bird on Bike Silkscreen Print by John Vogl

    Bird on Bike Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. ED 2

    $103.00

  • CamoSplash Green Silkscreen Print by Mr Brainwash- Thierry Guetta

    Mr Brainwash- Thierry Guetta CamoSplash Green Silkscreen Print by Mr Brainwash- Thierry Guetta

    CamoSplash Green Silkscreen Print by Mr Brainwash- Thierry Guetta Hand-Pulled 8-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 38x38 Thumb Print & Date on Back Part of the CamoSplash Series CamoSplash Green Silkscreen Print by Mr Brainwash CamoSplash Green by Mr Brainwash, the artistic pseudonym of Thierry Guetta, is a 2022 hand-pulled silkscreen print that embodies the rebellious and energetic spirit of Street Pop Art & Graffiti Artwork. This piece is part of the exclusive CamoSplash series, with only 50 signed and numbered prints produced. Each print measures a commanding 38 by 38 inches, executed with eight meticulous layers of color on fine art paper and individually authenticated with the artist’s thumbprint and date on the back. It’s a statement piece that explores urban camouflage through an expressive and abstract street-art lens. Deconstructing Camouflage Through Color and Chaos CamoSplash Green distorts the traditional military camouflage aesthetic, recasting it into a layered, vivid, and intentionally disordered visual field. The dominant tones of forest green, charcoal gray, and stark white collide across the surface in an explosive mix of paint splashes, drips, and irregular forms. Rather than conceal, this pattern demands attention, flipping the narrative of camouflage on its head. The chaotic application of pigment gives the appearance of motion, energy, and resistance—central themes in Mr Brainwash’s visual vocabulary, rooted deeply in his street art origins and provocative approach to commercial visual language. Technique and the Material Presence of the Artwork Executed on premium fine art paper, the hand-pulled silkscreen method used in CamoSplash Green enhances its materiality and individuality. Each of the eight color layers contributes to the depth and dynamic texture of the piece, emphasizing the physical presence of the medium. The splatters and drips are not digital overlays but tactile, inked impressions resulting from manual intervention and control over the printmaking process. This balance between spontaneity and craftsmanship results in a piece that is not only visually arresting but also deeply rooted in traditional screen printing heritage, now applied to the vocabulary of street art. The CamoSplash Series as a Conceptual Platform This edition is one installment in the broader CamoSplash series, a project that deconstructs camouflage motifs into pop-infused abstract explosions. By appropriating the camouflage pattern—historically tied to warfare, survival, and suppression—Mr Brainwash reclaims the visual language for a message of artistic freedom, individuality, and rebellion. CamoSplash Green stands out within the series for its earthy palette and raw energy, positioning it as both a critique of uniformity and a celebration of creative expression. The print’s conceptual framework lies in subverting expectation: camouflage that exposes rather than hides, and a format born from discipline now pulsing with anti-establishment vitality. Mr Brainwash continues to challenge artistic boundaries through works like CamoSplash Green, fusing the accessibility of pop imagery with the unrefined power of graffiti aesthetics. This limited edition is a vivid artifact of that fusion—designed to disrupt, provoke, and inspire.

    $2,887.00

  • FL-001 Mini Pointman Pink Vinyl Figure Art Toy by Futura 2000- Leonard McGurr

    Futura 2000- Leonard McGurr FL-001 Mini Pointman Pink Vinyl Figure Art Toy by Futura 2000- Leonard McGurr

    FL-001 Mini Pointman Transparent Pink Vinyl Figure Art Toy by Futura 2000- Leonard McGurr Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2025 Signed Artwork Size 2x6 New In Box Transparent Pink Pointman Figure. Scaled down to a mighty 6 inches, this mini figure commands attention whether displayed proudly on its own or encased in its crystal-clear habitat. Drenched in a vibrant fluorescent pink and edged in deep blue linework, it’s built to mesmerize, surprise, and stand apart from the stars. FL-001 Mini Pointman Pink Vinyl Figure by Futura 2000 – Leonard McGurr The FL-001 Mini Pointman Transparent Pink Vinyl Figure is a striking 2025 limited edition sculpture from American artist Leonard McGurr, known in the Street Pop Art & Graffiti Artwork world as Futura 2000. Known for pioneering abstract graffiti in the 1970s New York scene, Futura’s influence extends far beyond the streets and train cars of his early days. This vinyl figure is a compact but powerful representation of his iconic Pointman character, measuring just 2 x 6 inches and housed in a clear display box. The figure’s vibrant translucent pink shell and fine blue detailing transform a small form into an energetic focal point, radiating the visual dynamism that defines McGurr’s decades-spanning career. The Pointman Legacy in Contemporary Sculpture Pointman first emerged in Futura’s visual language as a futuristic, humanoid figure with elongated limbs, angular motion, and expressive minimalism. It symbolized a departure from traditional graffiti lettering into more conceptual and stylized imagery. This mini version carries the same ethos—lean, fluid, and assertive. The transparent vinyl body gives the figure a spectral presence, while the sharp edges and antenna-like protrusion on the back suggest both technology and alien intelligence. With blue linework drawn like circuitry or armor, the figure seems to hover between character and symbol. Signed by the artist, this edition holds weight both as a collector's piece and as a functional sculptural translation of Futura’s two-dimensional works. Vinyl Art and the Aesthetic of Transparency What sets this figure apart within the category of Street Pop Art & Graffiti Artwork is its transparent construction. The choice of fluorescent pink with subtle opacity creates a play between light and shadow, motion and stillness. It echoes the artist’s history of painting with aerosol in layered bursts of energy and light. Encased in its crystal-clear box packaging, the piece becomes a floating relic—a preservation of McGurr’s radical visual experimentations. Transparency in this context becomes a metaphor for evolution, as the Pointman has continually shifted through murals, canvas, clothing, and now sculptural form. The mini size does not compromise its presence; if anything, it intensifies it, commanding focus through compact density. Collectible Relevance in Street Pop Art & Graffiti Artwork This signed, boxed figure is not just a display object; it is an extension of a legacy that redefined graffiti as a platform for fine art and futurism. Leonard McGurr’s FL-001 Mini Pointman serves as a reminder that Street Pop Art & Graffiti Artwork can be both intimate and monumental. It invites collectors to see beyond surface and scale, and to appreciate the conceptual clarity packed into six inches of vinyl. Whether exhibited in a home, gallery, or store like SprayedPaint.com, the figure reflects a trajectory rooted in rebellion and refined into precision. With its sci-fi silhouette and luminous finish, the FL-001 Mini Pointman becomes a futuristic messenger from one of graffiti’s most influential minds.

    $420.00

  • Star Wars Church Archival Print by Ron English- POPaganda

    Ron English- POPaganda Star Wars Church Archival Print by Ron English- POPaganda

    Star Wars Church Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Ron English- POPaganda Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 12x12 Archival Pigment Print Since the 1980s, Ron English- POPaganda has been regarded as a pioneer in pushing street art beyond its traditional wild-style lettering and towards more sophisticated forms of visual expression. His illegal murals and billboards are renowned for their striking imagery and incisive commentary on politics, consumer culture, and surrealism. Through his art, English has taken over public spaces worldwide, transforming them into thought-provoking artworks that challenge viewers to see the world in new ways.

    $255.00

  • After Burner Archival Print by Ces

    Ces One- Rob Provenzano After Burner Archival Print by Ces

    After Burner Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Ces One- Rob Provenzano , Street Pop Art Graffiti Legend. Signed 2022 archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 11 x 17 inches Hand-signed and numbered by artist CES in a limited edition of 40

    $214.00

  • Sale -10% East 149th St Original Spray Paint Skateboard Deck Art by Cope2- Fernando Carlo

    Cope2- Fernando Carlo East 149th St Original Spray Paint Skateboard Deck Art by Cope2- Fernando Carlo

    East 149th St Deck Fine Art Original One of a Kind Spray Paint Painting on Natural Skateboard Deck by Street Artwork Graffiti Artist Cope2. Paint on Natural Skate Deck Size: 7.25 x 29.375 Inches Release: September 02, 2021 Run of: 1 Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

    $820.00 $738.00

  • Molotov Silkscreen Print by SSUR- Ruslan Karablin

    SSUR- Ruslan Karablin Molotov Silkscreen Print by SSUR- Ruslan Karablin

    Molotov 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by SSUR- Ruslan Karablin Rare Street Art Famous Pop Artwork Artist. Silkscreened print limited to 50 pieces. Signed and numbered with embossed logo on the bottom corner.

    $323.00

  • Animaniac Marker Drawing by Sechor

    Sechor Animaniac Marker Drawing by Sechor

    Animaniac Original Marker & Pencil Hand Drawing on Bristol Paper by Modern Graffiti Street Art Artist Sechor. 2021 Signed Original Marker Drawing 01/2021 14x17 in, Bristol Paper

    $291.00

  • Big Twinkie Ghostbusters Silkscreen Print by Tim Doyle

    Tim Doyle Big Twinkie Ghostbusters Silkscreen Print by Tim Doyle

    Big Twinkie Ghostbusters Silkscreen Print by Tim Doyle Hand-Pulled 8-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 150 Artwork Size18x24 Ghostbusters Movie Tribute, 4th Unreal Estate show

    $229.00

  • Paths We Pave Original Spray Paint Acrylic Painting by Malt

    Malt Paths We Pave Original Spray Paint Acrylic Painting by Malt

    Paths We Pave Original Painting Spray Paint & Acrylic on Cradled Wood by Malt Graffiti Street Artist Modern Pop Art. 2011 Signed Paths We Pave Original Spray Paint Acrylic Painting by Malt Malt is a self-taught artist, living and working in Metro Detroit. Blending graffiti and aerosol techniques with his signature acrylic style, the latest work from Malt takes an abstract spin on traditional landscapes and the characters that inhabit the psychedelic backdrops. The juxtaposition of forest birds, trees, life/death, growth/decay, strength/weakness is what keeps things fresh and habitually interesting in Malt's work.

    $2,168.00

  • Habibi- Demon HPM Hand-Embellished Giclee Print by Marwan Shahin

    Marwan Shahin Habibi- Demon HPM Hand-Embellished Giclee Print by Marwan Shahin

    Habibi- Demon HPM Pop Street Artwork Limited Edition Giclee Print With Acrylic & Diamond Dust on Photographique Rag Paper by Urban Graffiti Modern Artist Marwan Shahin. 2022 Signed & Numbered Limited Edition of 33 Marwan Shahin's "HABIBI" series an iconic portrait of Lebanese singer Fairuz interpreted throughout different stages of experiencing love, This very limited edition of 33, which each print is intricately arranged with a filigree of Diamond Dust to produce visually intoxicating kaleidoscope-like effects. Habibi: Demon by Marwan Shahin – The Darkest Mirror of Love Habibi: Demon by Marwan Shahin erupts as the most confrontational piece in his HABIBI series—a raw, unflinching portrayal of love at its most distorted and destructive. Signed and numbered in a limited edition of just 33 prints, this 2022 hand-embellished Giclée on Photographique Rag Paper combines acrylic and diamond dust with a violent visual vocabulary that stands apart from the rest of the collection. With sharp chromatic contrast, hallucinatory linework, and surreal horror-inspired iconography, Shahin captures a love that has curdled into obsession, vengeance, or emotional decay. At the center of the artwork, the face of legendary Lebanese singer Fairuz has been transfigured into a blazing red skull—eyes piercing, lips peeled into a skeletal grimace, and crowned with menacing horns. The symbolic use of red and black conjures danger, rage, and forbidden power, while the swirling cyan background draws viewers into a disorienting emotional vortex. This composition demands attention, not just for its aesthetic strength but for its thematic force: the seduction and toxicity of love once it crosses into the realm of self-destruction. Symbolic Violence and Cultural Reverberations Marwan Shahin reconfigures Fairuz—an icon of romantic melancholy and poetic longing—into a demonic muse, embodying how love can take the shape of madness, control, or spiritual fragmentation. The transformation is not arbitrary. In the arc of the HABIBI series, Demon represents the terminal stage of the romantic cycle Shahin has mapped: from yearning to revelation, and finally to emotional collapse. Here, Fairuz’s visage is consumed by inner turmoil, visually echoing the emotional scars hidden behind public personas and cultural expectations. The visual aggression is softened only slightly by the shimmering presence of diamond dust, which adorns the background with hypnotic glints. This layering of glamor over decay echoes the duality present throughout Shahin’s work: beauty masking suffering, intimacy corrupted by ego, and memory crystallized through trauma. Shahin’s use of optical patterns and stylized textures transforms this portrait into a kaleidoscope of chaos—modern love painted with a gothic pulse. A Masterstroke of Street Pop Art and Emotional Brutalism Habibi: Demon is not just a pop culture remix or an experimental graffiti artwork. It is an unfiltered emotional statement rendered through the language of street pop art, executed with exacting technique and deep psychological insight. Shahin’s graphic mastery—a blend of Middle Eastern visual heritage, revolutionary symbolism, and Western pop iconography—makes this print both a compelling piece of visual culture and an emotional weapon. In street pop art, artists often immortalize heroes, satirize leaders, or reframe history. But in this work, Shahin elevates emotional pain itself into the subject. The skeletonized Fairuz isn’t a caricature or villain. She is an archetype—the demon we all face when we confront the shadow side of our own desires, betrayals, and heartbreaks. This piece dares to say what others don’t: that love, when twisted, can become monstrous—and that there is strange, terrifying beauty in that truth. Habibi: Demon is a defiant addition to any serious collection of pop art or graffiti artwork, and a statement on the emotional extremes that define both human relationships and modern iconography.

    $352.00

  • Black Venus Giclee Print by Lady Pink

    Lady Pink Black Venus Giclee Print by Lady Pink

    Black Venus Artwork Giclee Limited Edition Print on Heavy Paper by Pop Culture Graffiti Artist Lady Pink. Giclee print on heavy paper. Size 20” x 16”. Edition size is 50 prints. Hand-signed by Lady Pink 2021.

    $256.00

  • Zooka Groku Archival Print by Marly Mcfly

    Marly Mcfly Zooka Groku Archival Print by Marly Mcfly

    Zooka Groku Archival Pigment Fine Art Limited Edition Print on 308gsm Hahnemuhe Cotton Rag Paper by Marley Mcfly, Street Pop Art Graffiti Artist. 2022 Signed Limited Edition of 50 Artwork Size 18x24 Marley McFly Zooka Groku 2022 Archival Pigment Print Marley McFly is a contemporary Street Pop Art & Graffiti Artwork artist known for blending pop culture references with layered textures and painterly realism. Zooka Groku, released in 2022, is an archival pigment fine art print measuring 18 x 24 inches and produced in a signed limited edition of 50. Printed on 308gsm Hahnemühle cotton rag paper, the work reflects McFly’s signature approach of fusing urban aesthetics, nostalgic character influences, and atmospheric splatter techniques into a cohesive, collectible format. Pop Culture Remix and Urban Texture in Street Pop Art & Graffiti Artwork The composition centers on a stylized character inspired by iconic sci-fi imagery, depicted with softened features and a contemporary edge. The halftone-style surface treatment gives the image a screen-printed illusion, while paint splatters and subtle color shifts add depth and movement. Muted greens, pinks, and shadowed tones create a moody, almost cinematic environment. By reinterpreting familiar cultural symbols through graffiti-influenced textures and fine art printing methods, Marley McFly situates Zooka Groku firmly within the evolving language of Street Pop Art & Graffiti Artwork. Archival Quality and Limited Edition Collectibility Printed using archival pigment inks on heavyweight 308gsm Hahnemühle cotton rag paper, Zooka Groku offers both visual richness and long-term durability. The textured paper enhances tonal gradients and preserves the subtle layering that defines McFly’s aesthetic. As a signed limited edition of only 50, the print represents a rare release that bridges street-inspired imagery with gallery-level production standards. Through this balance of pop reinterpretation and fine art craftsmanship, Marley McFly continues to expand the possibilities of contemporary Street Pop Art & Graffiti Artwork.

    $285.00

  • Drug Free Zone Blotter Paper Archival Print by Stanley Mouse

    Stanley Mouse Drug Free Zone Blotter Paper Archival Print by Stanley Mouse

    Drug Free Zone Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Stanley Mouse pop culture LSD artwork. Stanley Mouse was born in California on October 10, 1940. His father was an animator with Disney Studios who worked on Snow White. Stanley grew up in Detroit where Motown music and the city’s obsession with motor cars combined with his genius at drawing and made Stanleys life path clear at an early age. Quiet and always drawing in class, Stanley earned his pen name, Mouse in the seventh grade. He’d become known for his sketches of monster-driven muscle cars and as soon as he began signing with his pen name, he became instantly famous at thirteen.

    $352.00

  • He-Man & Battle Cat MOTU Art Toy Sculpture by Madsaki

    Madsaki He-Man & Battle Cat MOTU Art Toy Sculpture by Madsaki

    He-Man & Battle Cat Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Madsaki x MOTU. 2020 Madsaki and Mattel Creations teamed up to create these exclusive Madsaki x Masters of the Universe HE-MAN and BATTLE CAT Figures. The sculpture stands 16.75 inches tall. MADSAKI and MATTEL CREATIONS team up to create this exclusive and iconic drop-a scaled down re-creation of the larger-than-life HE-MAN® and BATTLE CAT® sculpture that turned the heads of fans and art critics alike as a centerpiece of MADSAKI'S "1984" solo exhibition at Tokyo's Kaikai Kiki Gallery in 2020. Measuring 17 inches tall and sculpted in an 80's cartoon style with a spray of jaw dropping modern-day street-style graffiti artwork, we proudly présent the most famous hero in all of Eternia", HE-MAN and the ferocious BATTLE CAT® in a manner that truly blurs the lines between toy and art masterpiece. Each sculpture includes a hand-signed certificate of authenticity from MADSAKI as well as white gloves to better care for your art piece. Displayed With Box MADSAKI x MOTU – He-Man & Battle Cat in Street Pop Art & Graffiti Artwork The He-Man & Battle Cat limited edition vinyl sculpture by MADSAKI, produced in collaboration with Mattel Creations in 2020, is a vivid collision of nostalgia, pop culture, and urban rebellion—an unmistakable contribution to the world of Street Pop Art & Graffiti Artwork. Originally unveiled as a centerpiece at MADSAKI’s 1984 solo exhibition at Tokyo’s Kaikai Kiki Gallery, this scaled-down 17-inch version captures the wild energy of its monumental counterpart while delivering a high-octane dose of '80s cartoon absurdity, rendered in riotous color and graffiti-style flair. With fluorescent green, electric pink, and piercing orange as the dominant palette, the piece transforms two of the most iconic characters from the Masters of the Universe franchise—He-Man and Battle Cat—into contemporary street art figures. Far from being a simple homage, MADSAKI’s version reimagines the figures as avatars of pop mythology filtered through a graffiti artist’s eye. The weaponry, armor, and pose remain true to the original animation aesthetics, but the exaggerated colors and chaotic paint styling push this artwork into a new domain where fine art, vinyl collectible, and graffiti sensibility coexist. Nostalgia Weaponized in Urban Neon MADSAKI’s approach is rooted in remix culture, a cornerstone of Street Pop Art. By appropriating the visual language of childhood—He-Man being one of the most recognized animated heroes of the 1980s—and subjecting it to the visual distortion of neon saturation and aggressive outlines, he elevates kitsch into critique. This isn't just about remembering Saturday morning cartoons. It’s about weaponizing those memories and examining how commercial entertainment shaped identity, masculinity, and fantasy in late capitalist culture. Battle Cat, usually a symbol of strength and raw primal energy, becomes a neon-soaked beast of postmodern absurdity, outfitted in shocking pink and radioactive green. MADSAKI transforms him from a beast of war into a graffiti-coded monument of cultural excess. He-Man, still holding his power sword aloft, looks less like a heroic defender and more like a psychedelic gladiator from the subconscious of a street artist raised on VHS and irony. From Canvas to Vinyl: MADSAKI's Street Pop Mutation MADSAKI is no stranger to remixing icons. Known for his drippy-eyed renditions of Western masterpieces and manga figures, he blends Japanese street sensibilities with New York-style graffiti lineage. His transition into vinyl sculpture with Mattel represents the natural evolution of Street Pop Art—where the gallery wall meets the collectible shelf, and where nostalgia is no longer passive but radicalized. This figure blurs lines between sculpture and street installation. The color choices mimic spray can aesthetics, and the glossy surfaces echo the polish of vinyl murals and toy design. Like KAWS, Sket-One, or Ron English, MADSAKI proves that sculptural vinyl can be a medium of confrontation—not just consumption. The figure comes with a hand-signed certificate and gloves for display, reinforcing its identity as both an artwork and a cultural artifact. MADSAKI’s Place in the Graffiti-Pop Canon MADSAKI’s He-Man & Battle Cat is a definitive artifact of modern Street Pop Art & Graffiti Artwork. It combines satire, technical precision, collectible appeal, and cultural critique. Rather than separating art from toy or low from high, MADSAKI merges all categories into one ferocious drop that challenges the viewer’s nostalgia and their assumptions about what constitutes fine art. This sculpture is not simply fan service—it’s subversion. It transforms childhood heroes into fluorescent avatars of postmodern identity, rendered in the chromatic chaos of graffiti language. By injecting the streets into the plastic skin of global pop icons, MADSAKI cements his place among the artists reshaping visual culture one spray, sculpt, and scream at a time.

    $4,489.00

  • Spacemonkey Gray NYCC Exclusive Art Toy by Dalek

    Dalek- James Marshall Spacemonkey Gray NYCC Exclusive Art Toy by Dalek

    Spacemonkey Gray NYCC Exclusive Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Pop Modern Artist Dalek- James Marshall. 2022 Limited Edition of 100 New In Box Stamped/Printed Artwork Size 6.5

    $268.00

  • I See What You Did There Blotter Paper Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier I See What You Did There Blotter Paper Archival Print by Denial- Daniel Bombardier

    I See What You Did There Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Denial pop culture LSD artwork. 2021 Signed Limited Edition of 50 Artwork Size 7.5x7.5 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

    $385.00

  • Mystical Natural Cosmic Friends Set HPM Silkscreen Print by Dabs Myla

    Dabs Myla Mystical Natural Cosmic Friends Set HPM Silkscreen Print by Dabs Myla

    Mystical Natural Cosmic Friends Hand-Pulled 10-Color Silkscreen Print on 330gsm Black Plike Paper by Pop Artists Dabs Myla Limited Edition Artwork. 2022 Set of 4 Artworks, One Signed & One Numbered Limited Edition of 100 Artwork Size 6x8.5 With Hand-Embellished Envelope

    $330.00

  • Fuzz Fest 2014 Orange Yellow Silkscreen Print by Jeremy Wheeler

    Jeremy Wheeler Fuzz Fest 2014 Orange Yellow Silkscreen Print by Jeremy Wheeler

    Fuzz Fest 2014- Orange Yellow Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler. Orang Yellow Variant, April 10 11 12 2014

    $159.00

  • In Heaven Blotter Paper Archival Print by Richey Beckett

    Richey Beckett In Heaven Blotter Paper Archival Print by Richey Beckett

    In Heaven Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Richey Beckett pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Richey Beckett’s In Heaven Blotter Paper Print and the Evolution of Street Pop Art & Graffiti Artwork In Heaven, released on April 19, 2021, is a limited edition archival pigment print created by Welsh artist Richey Beckett. The artwork is printed on perforated blotter paper, a material historically linked to LSD distribution and countercultural iconography. Measuring 7.5 x 7.5 inches, this edition was signed, numbered, and released with a certificate of authenticity. Zane Kesey, son of author and LSD advocate Ken Kesey, hand-perforated the paper, further rooting this piece in the legacy of psychedelic art and its ties to anti-establishment narratives. By producing fine art on blotter paper, Beckett directly engages with the visual vocabulary of altered consciousness and underground rebellion, core themes in the lineage of Street Pop Art & Graffiti Artwork. This release exemplifies the crossover between traditional illustration and pop culture ephemera. Beckett’s piece does not merely exist as a static image; its medium evokes a specific subculture, inviting associations with the experimental, the taboo, and the liberated. In the same way that graffiti artists claim space in public areas to provoke reaction, blotter art inserts radical imagery into intimate settings, often passed hand to hand. Beckett’s choice to print on this medium reclaims that tactile immediacy, transforming a potentially disposable object into a collectible form of resistance and reflection. Symbolic Imagery and Technique in In Heaven The visual content of In Heaven features Beckett’s signature intricacy, with an image that appears to blend elements of divine ecstasy and personal transcendence. The composition is dominated by flowing forms, sacred geometry, and naturalistic detail. Stylized feathers, ornate jewelry, and celestial motifs flood the image with a sense of ritual and myth. The figure appears both regal and vulnerable, lying in a position that suggests transformation or surrender. The intense use of contrast between rich jewel tones and dark linework reflects Beckett’s mastery in using color to evoke emotion and mystery. These qualities position the piece within the evolving definitions of Street Pop Art & Graffiti Artwork. Where much of the street aesthetic leans toward immediacy and scale, Beckett's work is about intensity and intimacy. Yet it shares the same cultural foundation: artwork meant to resonate on a visceral level, addressing themes of identity, mortality, freedom, and beauty in ways that resist traditional gallery constraints. His use of traditional ink work merged with psychedelic color palettes speaks directly to the contemporary appetite for spiritually infused, richly detailed visual experiences. Psychedelic Legacy and the New Canvas of Street Pop Art Printing on perforated blotter paper is a deliberate artistic choice that carries decades of countercultural history. In the 1960s and 70s, LSD blotters were often printed with iconic pop imagery or abstract symbolism, making them both functional and expressive. Beckett’s decision to produce In Heaven on this same canvas transforms the piece into an artifact that blurs the lines between ritual, memory, and visual protest. This aligns with how graffiti once evolved from tagging to muralism, and how pop art transitioned from satire to social critique. Beckett’s contribution lies in his fusion of classical technique with rebellious format. Just as graffiti transformed neglected walls into sacred spaces for truth-telling, this work transforms psychedelic delivery paper into a platform for artistic elevation. The limited nature of the release—handled entirely by hand and steeped in cultural reference—demands that viewers reconsider the boundaries of what qualifies as fine art. Richey Beckett’s Role in Reimagining Psychedelic Art Forms Richey Beckett continues to innovate within Street Pop Art & Graffiti Artwork by pushing beyond standard materials and formats. With In Heaven, he presents a format historically tied to experiences of awakening, danger, or freedom, and recontextualizes it through precise, sacred visual language. This blend of mythic illustration and tactile culture makes his work accessible while carrying deep spiritual charge. As blotter art regains attention from collectors, Beckett’s contribution is notable not just for its aesthetic depth, but for the cultural conversation it reignites. By collaborating with figures like Zane Kesey and using formats that defy conventional norms, Beckett upholds the core principles of modern street-influenced art: provocation, reinvention, and an unwavering commitment to personal truth rendered in physical form. In Heaven is more than an image—it is a physical, emotional, and symbolic experience framed within one of the most subversive print mediums ever used in art.

    $352.00

  • Gravity Archival Print by Sarah Joncas

    Sarah Joncas Gravity Archival Print by Sarah Joncas

    Gravity Archival Print by Sarah Joncas Limited Edition Print on 290gsm Moab Fine Art Paper Pop Artist Modern Artwork. 2019 Signed & Numbered Limited Edition of 60 Artwork Size 12x15 Archival Pigment Fine Art Sarah Joncas and the 'Gravity' Archival Print "Gravity" is a captivating archival print by Sarah Joncas, a contemporary pop artist whose work is infused with a modern sensibility that resonates with the aesthetics of street pop art and graffiti artwork. This 2019 limited edition piece, signed and numbered with only 60 prints, is rendered on 290gsm Moab fine art paper, known for its superior archival quality. Measuring 12x15 inches, "Gravity" is a powerful example of Joncas' ability to blend classical motifs with a contemporary edge, creating a piece that is both timeless and immediate. Symbolism and Emotional Depth in 'Gravity' The artwork "Gravity" showcases Joncas' skill in creating deeply emotive and symbolic imagery. The central figure, a woman with flowing hair that transitions into ocean waves, expresses reflective calm. At the same time, a tattoo of a jellyfish on her back adds an element of delicate strength. The backdrop of a detailed moon against the starlit sky evokes a sense of cosmic wonder, emphasizing the themes of personal gravity and the natural forces that hold us. Joncas' choice to incorporate the jellyfish, an organism that moves with the ocean's currents, suggests a metaphor for resilience and adaptability. The subject's poised demeanor and tattoo imply a narrative of flowing with life's ebbs and flows while maintaining a sense of control and grace. This interplay of strength and fluidity is a recurrent theme in Joncas' work. It resonates deeply within pop and street art, where adaptability and personal expression are essential. Technique and Craftsmanship The technique employed in "Gravity" is a testament to Joncas' craftsmanship. The archival pigment delicate art print process ensures that each stroke and color is captured with clarity, maintaining the integrity and vibrancy of the original artwork. The careful selection of Moab's fine art paper for the print underscores the artist's commitment to quality and the longevity of her work, ensuring that each piece can be appreciated for generations. The limited edition nature of "Gravity" is significant for its collectible value and representation of Joncas' work within the little release culture prevalent in street art. In this context, the print bridges graffiti's more transient nature and the lasting impact of fine art prints, allowing Joncas to reach a wider audience while maintaining an air of exclusivity. Sarah Joncas' Contribution to Contemporary Art Sarah Joncas's contribution to contemporary art, particularly in pop and street art, is highlighted by her unique visual language that combines traditional portraiture with a graphic novel-like narrative style. Her work in "Gravity" and other pieces reflects a fusion of the personal with the fantastical, inviting viewers to delve into her subjects' layered meanings and emotional undertones. In "Gravity," Joncas captures the viewer's gaze with her compelling imagery and invites a deeper contemplation of the internal and external forces that shape our existence. Her ability to convey profound emotional states through her art places her at the forefront of pop artists redefining the genre for a new era. The limited edition 'Gravity' archival print symbolizes Joncas' artistry and is a significant piece within the broader tapestry of street pop art and graffiti artwork.

    $142.00

  • God Is Great Script Woodblock Print by Unknown

    Other Artists God Is Great Script Woodblock Print by Unknown

    God Is Great Script Woodblock Print by Unknown Hand-Pulled on Textured Fine Art Paper Limited Edition Artwork. 2008 Limited Edition Woodblock Woodcut Block Print Artwork Size 12x17 of Black & White Fictional Script Words from a St Louis Artist I Forgot the Name of. The Eloquent Silence of "God Is Great" Woodblock Print In visual art, few mediums speak as poignantly to the union of the ancient and the avant-garde as woodblock printing. The "God Is Great" woodblock print, a limited edition piece crafted in 2008, exemplifies the enduring relevance of this time-honored technique in modern artistic discourse. Although the creator from St. Louis remains unnamed, the artwork itself—a stark interplay of black and white fictional script on a textured fine art paper, size 12x17 inches—communicates a universal message that transcends the need for authorial identity. Woodblock Printing: A Dialogue Across Time Woodblock printing, one of the oldest methods of printmaking, has a storied history that stretches from ancient East Asia to contemporary art studios around the globe. The method involves carving an image into the surface of a block of wood, inking the surface, and then pressing it onto paper or fabric to create an impression. With its bold script and abstract composition, this particular piece reflects the technique's robust potential for precision and expression. The black and white color scheme of "God Is Great" reinforces the timeless nature of the print. At the same time, the enigmatic script suggests a language beyond words, an attempt to capture the inexpressible. With its minimalistic yet profound impact, this aesthetic finds echoes in the visual strategies of street pop art and graffiti, where the message is often condensed into symbols or stylized text that resonates with viewers on an instinctual level. Cultural Resonance in Contemporary Art "God Is Great" stands as an artifact of cultural resonance, embodying the essence of what many street artists and pop art practitioners aim to achieve—a piece that is accessible yet profound, immediate yet enduring. It prompts viewers to ponder the power of language, the act of communication, and the possibility of divine presence in the mundane. Despite the anonymity of its creator, the print carries a weight that speaks to the shared human quest for understanding and connection. This woodblock print's presence within pop art, street art, and graffiti is a testament to the fluid boundaries of art forms and the shared visual language that unites disparate genres. While the origin of "God Is Great" may be shrouded in mystery, the work becomes a vessel for contemplation and dialogue, inviting interpretation and engagement from those who encounter it. The "God Is Great" woodblock print, even without the renown of a known artist's signature, is a compelling testament to the power of traditional printmaking techniques in the contemporary artistic landscape. It reminds us that art, in its purest form, is a dialogue that spans history, transcends barriers, and continues to evolve, inviting each viewer to partake in its ongoing narrative.

    $109.00

  • Wire Webs Giclee Print by Logan Hicks

    Logan Hicks Wire Webs Giclee Print by Logan Hicks

    Wire Webs Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Logan Hicks. Logan Hicks is an American stencil artist, currently living and working in Los Angeles, California. His hand-cut stencil process involves cutting a separate stencil for each color, then layering each color upon the next until the final piece emerges, often hundreds of hours later, as a hyper-realistic masterpiece. Originally a screen printer, Logan sold off his equipment to finance his migration from the East Coast to the West Coast, turning to stenciling to re-invigorate his printing.

    $256.00

  • Sale -10% Looking Forward Gray Pink HPM Unique Round Silkscreen by Buff Monster

    Buff Monster Looking Forward Gray Pink HPM Unique Round Silkscreen by Buff Monster

    Looking Forward Gray Pink HPM Unique Round Silkscreen by Buff Monster Embleshed Hand-Pulled 3-Color Screen Print on Circle Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered HPM Hand Embellished Painted Limited Edition of 100 Artwork Size 12 Round "This edition features a happy melty head looking up; a characteristically optimistic character with a signature color scheme. In this case, the spray paint splatter in the background is pixilated." -Buff Monster

    $917.00 $825.00

  • Sale -10% Goonie 040 Original Watercolor Painting by Naoto Hattori

    Naoto Hattori Goonie 040 Original Watercolor Painting by Naoto Hattori

    Goonie 040 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3. Custom Framed & Matted By Artist Naoto Hattori's Miniature Mastery in "Goonie 040" Naoto Hattori's "Goonie 040" is a singular gem in surreal art, a miniature watercolor painting that captures a vast imagination within a diminutive space. Signed and crafted in 2013 by Hattori, this original one-of-a-kind piece is framed and matted personally by the artist, underscoring the intimate connection between the creator and his creation. The artwork, measuring just 3x3 inches and encased in an 8.5x8.5-inch frame, is an exquisite example of Hattori's meticulous technique and fascination with the surreal. While Hattori's art diverges from the typical urban sprawl of street pop art and graffiti artwork, it shares a kindred spirit with the transformative power of these art forms. "Goonie 040" conveys a deep sense of introspection and wonder, inviting the viewer to delve into a realm where the boundaries of reality are fluid and subjective. Like much of Hattori's work, this piece suggests a world where the fantastical becomes possible and the lines between the conscious and subconscious are blurred.  The Deep Symbolism in "Goonie 040" In "Goonie 040," the depicted subject is more than a mere figment of fantasy. It is a vessel for the exploration of deeper psychological and existential themes. Hattori's choice to present this watercolor painting within a custom frame speaks to the artwork's preciousness, akin to a relic or artifact meant to be pondered and treasured. The image's size draws the viewer closer, demanding a personal engagement that more significant works might not command. The framing and matting by the artist himself further exemplify the craftsmanship and care that goes into each of Hattori's pieces. In the broader art world context, "Goonie 040" is a testament to the enduring appeal of handcrafted art in an age increasingly dominated by digital creation and mass production. It is a beacon of individuality and the unique touch of the human hand. Naoto Hattori's "Goonie 040" is a masterful intersection of technical skill and boundless creativity, an artwork that holds its own in the discourse of contemporary surrealism and beyond. It showcases a small-scale piece's profound impact, inviting viewers to engage with art on a personal level and find meaning within the layers of paint and paper. Through works like "Goonie 040," Hattori continues to enchant and engage audiences, contributing to the rich tapestry of modern art.

    $669.00 $602.00

  • Sharktoof Cigarette Pack Art Toy Object by Shark Toof

    Shark Toof Sharktoof Cigarette Pack Art Toy Object by Shark Toof

    Sharktoof Cigarette Pack Limited Resin Sculpture Artwork by graffiti street artist modern pop artist Sharktoof. 2016 Limited Edition of 100 Fine Art Toy Object Artwork Size 10.75x13.5. Sharktoof Cigarette Pack Street Pop Art & Graffiti Artwork Sharktoof is a prominent figure in the contemporary urban art scene, known for his iconic shark imagery, which has become a staple in the lexicon of street and pop art. This piece, the "Sharktoof- Cigarette Pack Pink Limited Resin Sculpture," is a testament to his distinctive style, combining graffiti, street art, and modern pop sensibilities. The "Sharktoof- Cigarette Pack Pink Limited Resin Sculpture" is a powerful expression of street pop art and graffiti artwork. Created in 2016, this limited edition piece stands out for its striking visual appeal and commentary on consumerism and the concept of guilty pleasures. With only 100 pieces made, this delicate art toy became a sought-after collectible among art enthusiasts and collectors. Each four-sided sculpture measures 13.5" x 10.75" x 5.5" and is presented in a gift box with a die-cut foam form that securely cradles the artwork. The dimensions of the sculpture itself, at 10.75x13.5 inches, provide a substantial canvas for Sharktoof's artistry. Hand-painted with attention to detail, both sculptures are different. The unique gradients and the artist's logo on each piece ensure that every collector gets a one-of-a-kind work of art. The Symbolism of the Cigarette Pack The sculpture takes the shape of an opened cigarette pack, a universally recognized image loaded with cultural significance. The cigarette as an object represents many ideas, including controversy, rebellion, big business, and a form of rugged toughness. Through this artwork, Sharktoof aims to provoke public discourse on guilty pleasures—those we indulge in despite societal pressures to feel shame for them. Sharktoof's reflections on the subject matter are embedded within the sculpture. His approach to the silhouette of the cigarette pack is intended to be graphic and unmistakable, a visual cue that triggers a deeper reflection on personal indulgences and the associated societal implications. A Reflection on Guilty Pleasures In his own words, Sharktoof has expressed a fascination with the idea of guilty pleasures and the shame often linked to them. The sculpture serves as a visual challenge, prompting viewers to confront their vices and the emotions they elicit. It's a bold statement on how such pleasures are perceived and the inner conflict they can create. The stark contrast of the pink against the dark background of the sculpture is more than just an aesthetic choice; it represents the juxtaposition between pleasure and guilt, the vibrant and the forbidden. The shark imagery within the pack adds another layer of meaning, as sharks are often associated with danger and fear, much like the risks associated with the very act of smoking. Sharktoof's Legacy in Modern Pop Art Sharktoof's work has always pushed the boundaries of street pop art and graffiti artwork. His bold lines, vivid colors, and incorporation of emblematic symbols speak to a generation that is deeply attuned to the visual language of pop culture and social commentary. The "Sharktoof- Cigarette Pack Pink Limited Resin Sculpture" is a manifestation of this ethos, blending art with a message and packaging it in a form that is both familiar and thought-provoking. As a piece of art, it stands as a marker of its time, encapsulating the ethos of street art's ability to comment on and reflect societal norms and deviations. Collectors and admirers of Sharktoof's work are not just acquiring a piece of art; they are embracing a piece of cultural dialogue that challenges perceptions and invites introspection. The "Sharktoof- Cigarette Pack Pink Limited Resin Sculpture" is more than an object of visual appeal. It is a conversation starter, a statement piece, and a reflection of the artist's deeper narrative on societal behaviors and personal choices. Through this work, Sharktoof has cemented his place in the contemporary art world as an artist who dares to address the uncomfortable, controversial, and often unspoken, making his mark with each brush stroke and idea he sculpts into reality.

    $362.00

  • Blueberry Yum Yum Mini Nugs Sculpture by Nugg Life NY- Ian Ziobrowski

    Nugg Life NY- Ian Ziobrowski Blueberry Yum Yum Mini Nugs Sculpture by Nugg Life NY- Ian Ziobrowski

    Blueberry Yum Yum Mini Nugs Limited Run Handmade & Painted Art Toy Collectible Artwork by Pop Artists Nugg Life NY- Ian Ziobrowski. 2022 Each Mini Nug stands between 2.5-3 inches tall and is handmade from scratch. Come’s in the classic NYC delivery service container. Limited run of 20 signed and numbered.

    $118.00

  • Sale -10% Sorrow Black Silkscreen Print by Cleon Peterson

    Cleon Peterson Sorrow Black Silkscreen Print by Cleon Peterson

    Sorrow Black Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color Screen Print on 290gsm Coventry Rag Paper Hand DeckledLimited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 "Sorrow Black" is a silkscreen print by contemporary American artist Cleon Peterson. Known for his provocative and often violent imagery, Peterson's work explores themes of power dynamics, chaos, and brutality in society. The "Sorrow Black" silkscreen print features a striking monochromatic color palette, with black and gold imagery that showcases the artist's signature style. The piece depict a figure engaged in challenging and confrontational thought. Cleon Peterson's work has been exhibited in galleries and museums around the world, and he has gained recognition for his distinct, often unsettling approach to art. The "Sorrow Black" print is a prime example of his work, embodying the dark, confrontational themes that define his artistic vision.

    $759.00 $683.00

  • Duality II Silkscreen Print by Dave Kinsey

    Dave Kinsey Duality II Silkscreen Print by Dave Kinsey

    Duality II Hand-Pulled 6-Color Silkscreen Print on Cotton Rag Paper by Artist Dave Kinsey Limited Edition Pop Art Artwork. 2009 Signed & Numbered Limited Edition of 100 Artwork Size 19x21.75 Published by BLK/MRKT Editions Duality II is a silkscreen print created by American contemporary artist Dave Kinsey. Known for his unique style that blends urban street art, graphic design, and fine art, Kinsey's works are often characterized by bold colors, strong lines, and thought-provoking imagery. "Duality II" is a prime example of Kinsey's distinct approach, as it showcases the contrast between two opposing elements or ideas. This duality can be seen in both the color palette and the subject matter of the print. The artwork typically features a striking interplay between light and dark, often with a vibrant and energetic color scheme, which creates a sense of tension and balance. In addition to the visual elements, Kinsey's work often addresses themes related to society, politics, and the human condition. "Duality II" might explore the notion of the dual nature of humanity or the inherent contradictions within society. As a silkscreen print, "Duality II" is produced using a printmaking technique where ink is forced through a mesh screen onto a substrate, such as paper or canvas. This method allows for the creation of multiple identical prints, known as an edition, with each print being considered an original work of art. Dave Kinsey's "Duality II" silkscreen print, like many of his works, is highly sought after by collectors and enthusiasts of contemporary art.

    $495.00

  • Hiatus Kaiyote Feral Feelings Blotter Paper Archival Print by Lauren YS

    Lauren YS Hiatus Kaiyote Feral Feelings Blotter Paper Archival Print by Lauren YS

    Hiatus Kaiyote Feral Feelings Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Lauren YS pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Hiatus Kaiyote Feral Feelings by Lauren YS: Wild Psychedelia in Street Pop Art & Graffiti Artwork Hiatus Kaiyote Feral Feelings is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper created by American visual artist Lauren YS. Released on April 19, 2021, this limited edition was signed, numbered, and issued with a certificate of authenticity. Each sheet was hand-perforated by Zane Kesey, continuing the cultural tradition of using blotter paper not just as a medium for LSD but as a unique canvas for radical visual expression. With its vibrant color palette, exaggerated features, and chaotic emotional energy, Feral Feelings stands as a high-intensity contribution to the canon of Street Pop Art & Graffiti Artwork, channeling music, myth, and modern psychedelia through explosive design. At the center of the piece is a creature that merges human, animal, and alien features into a snarling, wildly expressive face. This character is framed by bold lettering that spells Hiatus Kaiyote, paying tribute to the experimental Australian music group known for genre-defying sounds and raw vocal presence. The character’s bulging eyes, forked tongue, and feral grin radiate untamed emotion and energy, while its teal and magenta skin tones clash and swirl against the trippy lime-yellow backdrop. The overall visual effect is an intentional overload — a full-spectrum flood of personality, power, and surreal transformation. Lauren YS and the Psychedelic Mutation of Identity Lauren YS is known for creating surreal characters that explore hybridity, gender play, and personal mythology. In Feral Feelings, they transform the human face into a multidimensional being that feels pulled from dreamspace and folklore. This creature seems to scream and laugh at once, with hands clutching its face in a pose that blurs ecstasy with instability. The styling reflects a visual language rooted in comic books, tattoo culture, and psych art, but refracted through a lens of queer symbolism and contemporary rebellion. The blotter format adds physical intimacy to the piece, encouraging tactile interaction and inviting contemplation of its connection to expanded perception and psychedelic experience. Feral Feelings captures a raw emotional state that aligns with the sonic aesthetic of Hiatus Kaiyote — urgent, layered, and genreless. Lauren YS translates that sound into form, using distortion and color not only for style but for psychological impact. The high-contrast design mimics the visual effects of hallucinogens, making the print feel alive in its chaotic motion. Every element — from the extended fangs to the hypnotic background — serves to amplify the creature’s volatility, creating a representation of unfiltered inner states. Blotter Paper as Medium and Message in Contemporary Psychedelic Art The choice of perforated blotter paper is foundational to the print’s conceptual depth. Historically used as the primary method for distributing LSD, blotter paper became an underground icon for free expression, spiritual risk, and visual experimentation. By using this format for an archival pigment print, Lauren YS taps into a lineage of rebellious creativity and spiritual inquiry. Zane Kesey’s hand-perforation of the sheets connects the piece to a direct family legacy of countercultural innovation, bridging generational movements through shared materials and symbolic intent. Feral Feelings does not imitate vintage blotter art — it redefines it. It embodies the spirit of Street Pop Art & Graffiti Artwork through aggressive color, mutant portraiture, and mythic typography. It belongs to walls and personal shrines alike. The idea that a traditionally disposable material can house high art further disrupts distinctions between commercial, spiritual, and fine art domains. That sense of disruption and transformation is central to both street art and psychedelic traditions. The Emotional Core of Mutation in Street Pop Art & Graffiti Artwork At its core, Feral Feelings is about emotional mutation. It visualizes that exact moment when internal intensity explodes into external reality. Through the use of hybrid characters, bold linework, and color saturation, Lauren YS gives form to instinctual emotion and psychic disarray. This theme runs deep in both graffiti and pop surrealism, where the human body and psyche are often bent, stretched, or mutated into new symbolic forms. The snarling face in Feral Feelings is not a monster, but a mirror — exaggerated to express what words cannot. Lauren YS’s work continues to reshape the boundaries of psychedelic street pop culture by reinterpreting traditional formats with fearless creativity and cultural fluency. Feral Feelings stands as a beacon of that energy — unfiltered, loud, irreverent, and transcendent. It represents what happens when sound, identity, and visual intensity collide on a sheet of perforated paper and erupt into full color.

    $352.00

  • Anarchy Symbol Glow in the Dark Art Toy by Frank Kozik

    Frank Kozik Anarchy Symbol Glow in the Dark Art Toy by Frank Kozik

    Anarchy Symbol- Glow in the Dark Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. GID Jumango

    $229.00

  • Sale -10% Another New York Classic PP Print by Tats Cru x BIO- Wilfredo Feliciano

    Tats Cru Another New York Classic PP Print by Tats Cru x BIO- Wilfredo Feliciano

    Another New York Classic PP Printer Proof Archival Print by Tats Cru x BIO- Wilfredo Feliciano Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2021 Signed & Marked PP Limited Edition Artwork Size 17x17 Archival Pigment Fine Art "Another New York Classic" by Tats Cru x BIO: A Tapestry of Urban Artistry "Another New York Classic" by Tats Cru and BIO, also known as Wilfredo Feliciano, is a Printer's Proof (PP) archival print that captures the essence of New York's graffiti heritage, remastered through the lens of modern pop art. Released in 2021, this limited edition artwork is a signature piece that showcases the intricate and bold style that has become synonymous with Tats Cru, a pioneer graffiti collective born on the streets of the Bronx. The 17x17 inch print is crafted on 290gsm Moab Entrada fine art paper, chosen for its ability to hold the dense archival pigment, ensuring that each line, curve, and hue retains its intended vibrancy and detail. Signed and marked as a PP by BIO, this print is part of a limited edition series that has been created with the discerning collector in mind. Each piece is a celebration of the rich graffiti culture that Tats Cru has been instrumental in shaping. As street artists who have transitioned from the transient surfaces of city walls to the permanence of fine art paper, Tats Cru and BIO have redefined the boundaries between street art and gallery art, infusing their work with a level of sophistication without losing the raw energy that defines the genre. Tats Cru and BIO: Guardians of Graffiti's Legacy In "Another New York Classic," the complexity of graffiti art is distilled into a single frame. The work is emblematic of Tats Cru's role as both guardians of graffiti's legacy and innovators within the art form. BIO's contribution as a founding member of Tats Cru is evident in the mastery over line and form, bringing a dynamism to the piece that is both nostalgic and forward-thinking. The print is not just a representation of street pop art; it's a dialogue with the history of graffiti art, a statement piece that speaks to the evolution of urban expression. The use of archival pigment in the creation of this print ensures that the artwork stands the test of time, a quality that is particularly significant in the context of graffiti art, which is often ephemeral. The decision to create a PP edition reflects a dedication to excellence and exclusivity, with each print serving as a testament to Tats Cru's and BIO's commitment to their craft. Cultural Significance and Collectibility of "Another New York Classic" "Another New York Classic" is more than a fine art print; it's a cultural artifact that embodies the spirit of New York City's street art movement. It is a piece that resonates with those who have witnessed the transformation of graffiti from underground phenomenon to a respected artistic practice. For collectors, owning a PP edition of this work means engaging with a piece of history, a narrative of street art's journey as told by some of its most influential figures. "Another New York Classic" PP archival print by Tats Cru and BIO stands as a monument to the impact of street art on modern pop culture. It is a testament to the power of graffiti as a form of artistic expression and its enduring influence on the landscape of contemporary art. Through their work, Tats Cru and BIO continue to inspire a new generation of artists and art lovers, bridging the gap between the streets and the fine art world, and ensuring that the legacy of street pop art and graffiti artwork continues to thrive.

    $563.00 $507.00

  • Head In The Clouds Blotter Paper Archival Print by Maria Smith

    Maria Smith Head In The Clouds Blotter Paper Archival Print by Maria Smith

    Head In The Clouds Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Maria Smith pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

    $352.00

  • Marchers White Silkscreen Print by Cleon Peterson

    Cleon Peterson Marchers White Silkscreen Print by Cleon Peterson

    Marchers White Silkscreen Print by Cleon Peterson 2 Color Hand-Pulled on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2016 Signed & Numbered Limited Edition of 125 Artwork Size 13x34 Silkscreen Print of Tribal Men Carrying Bloody Swords Marching In Line. Marchers White by Cleon Peterson – Limited Edition Silkscreen in Street Pop Art & Graffiti Artwork Marchers White is a 2016 hand-pulled 2-color silkscreen print by American artist Cleon Peterson. This signed and numbered limited edition of 125 was printed on deckled fine art paper and measures 13 x 34 inches. It features a procession of six stylized, muscular figures in a uniform line, each carrying a blood-streaked sword draped across their shoulders. The artwork is a graphic portrayal of conformity and violence, rendered in Peterson’s iconic flattened silhouette style. With clean lines and bold simplicity, the figures march in lockstep across a stark white background, forming a visual rhythm that mimics propaganda friezes and ancient relief carvings. The use of gold and red ink intensifies the contrast between elegance and brutality, a hallmark of Peterson’s visual language. Symbolism of Power, Violence, and Uniformity In Marchers White, Peterson explores the mechanization of power and the erosion of individuality within systems of control. Each figure appears identical, stripped of personal identity and locked in a hypnotic march. The red-tipped blades suggest recent violence or continuous bloodshed, reinforcing the idea that aggression has become routine, even ceremonial. The figures’ nudity, stylized musculature, and emotionless posture evoke primal force restrained within a ritual of obedience. The repeated form not only recalls ancient military parades or mythic processions, but also comments on contemporary structures of state, surveillance, and oppression. The absence of background or contextual setting forces viewers to focus entirely on the figures and their choreography, placing the act of violence and conformity at the center of the narrative. Cleon Peterson’s Allegorical Voice in Street Pop Art & Graffiti Artwork Cleon Peterson is known internationally for creating visual allegories that depict lawlessness, domination, and moral inversion. His works pull from classical art history, political propaganda, and modern editorial illustration to construct a world in collapse—where traditional boundaries between good and evil are blurred. Marchers White reflects Peterson’s ongoing examination of systemic violence and institutional complicity. While minimal in execution, the work functions as a complex statement on the banality of authoritarianism. It belongs squarely within the lineage of Street Pop Art & Graffiti Artwork, as it utilizes bold, graphic style to engage in socio-political critique. Peterson does not romanticize rebellion or glorify power—instead, he presents viewers with unfiltered snapshots of a dystopian order wrapped in seductive aesthetics. Printmaking Technique and Collector Value The Marchers White edition is crafted with the precision and attention to detail that characterizes Cleon Peterson’s fine art practice. Printed using a 2-color silkscreen method on heavyweight deckled fine art paper, the physical quality of the piece matches its conceptual weight. The crisp edges of the figures and the subtle texture of the ink application reflect a high standard of printmaking. Each print is individually signed and numbered, securing its authenticity and positioning it as a significant work within Peterson’s catalog. For collectors of Street Pop Art & Graffiti Artwork, Marchers White stands as a poignant artifact of modern discontent—a visually arresting and politically charged piece that underscores the silent march of violence accepted as structure.

    $1,139.00

  • Huff, Huff, Pass Blotter Paper Archival Print by Skel

    Skel Huff, Huff, Pass Blotter Paper Archival Print by Skel

    Huff, Huff, Pass Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Skel. 2022 Signed & Numbered Limited Edition of 50 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

    $352.00

All Graffiti & Street Art Artwork

Street Art Pop Art & Graffiti Art

Today, graffiti is undergoing extreme institutionalization and commercialization, and the previously used "writer" tends to be replaced by the term "street artist." No matter these differences, though, one of the elements that have remained intact since the 1960s is the motivation of the artists to reach as many people as possible, whether this is realized on the streets or through museum exhibitions. From this aspect, street art is thriving more vigorously than ever and has gained the public's and critics' respect, who no longer treat it as outsider art. At the same time, the artist has gained recognition, and their art is worth millions of dollars. In other words, whether one focuses on commercializing street art as proof of degeneration and decay or as a revolutionary art still progressing and spreading social emancipation and activism is up for debate. Whatever opinion one has, in the end, graffiti is a vivid part of our culture, and it continues to be present not only in the art we consume but also in the advertisements we see, the clothes we wear, and, still, the streets we walk. Graffiti street art involves creating visual expressions or messages on public surfaces, such as walls, sidewalks, and buildings, using various mediums like spray paint, markers, and stencils. This art form has gained popularity over the years and has become a means for artists to express themselves and convey messages to the public. Graffiti street art can be seen as a form of rebellion against the norm, as it challenges the traditional idea of what art is supposed to be and where it belongs. Graffiti artists are often self-taught and use their unique style to create artwork. This style can range from abstract designs to intricate portraits and can be done in various colors and mediums. Many graffiti artists use their artwork to express political or social messages, often drawing attention to poverty, inequality, and racism. This art form has been used to promote societal awareness and change, often serving as a voice for the marginalized and underrepresented. However, graffiti street art is only sometimes embraced by society. Some view it as vandalism and destruction of property, leading to legal consequences for the artists. Graffiti artists often face criticism for their work, and some argue that it can contribute to urban blight and decrease property values. Despite the controversies surrounding graffiti street art, its popularity has continued to grow. Many cities have designated areas where graffiti artists can legally create their artwork, often as part of an effort to promote public art and beautify public spaces. Additionally, many galleries and museums now showcase graffiti street art, recognizing it as a legitimate art form. In conclusion, graffiti street art is a unique form of public art that has gained popularity for artists to express themselves and convey important messages. While it may face criticism from some, it has also been recognized and celebrated as a legitimate art form by many.

The Evolution of Graffiti Art and Prints in the Art Market

The trajectory of graffiti art and prints within the art market is a narrative of burgeoning acceptance and rising prestige. Once relegated to the fringes of the art world, the value and demand for works within the graffiti and street pop art sphere have seen a dramatic shift. The journey from the clandestine corners of urban landscapes to the polished floors of high-end galleries and auction houses is a testament to the changing perceptions and appetite for this once-underground art form. Graffiti art, rooted in the subversive countercultures of the 1960s and 70s, was initially viewed through a lens of illegality and vandalism. Artists like Jean-Michel Basquiat, who started as SAMO© tagging buildings in New York, laid the groundwork for graffiti's entry into the art market. His evolution from a street artist to a darling of the art world in the 1980s marked a significant turning point. His work's raw, unfiltered energy captured the era's zeitgeist, leading to a growing collector base and setting the stage for future artists to break through the market. As the 90s and early 2000s approached, graffiti began to gain traction as a legitimate form of artistic expression. Galleries started to notice, and the first wave of collectors began to see beyond the art's controversial origins. Graffiti prints, easily distributable and collectible, became a means for artists to monetize their work without compromising their street-level ethos. This period saw a gradual shift in mindset, with graffiti art and prints becoming coveted items for contemporary art collectors.

The Current Market: A Flourishing Scene for Street Pop Art and Graffiti

The current market for street pop art and graffiti is vibrant and diverse. Once hesitant to engage with graffiti artists, auction houses like Sotheby's and Christie's now regularly feature their works, recognizing their cultural significance and investment potential. The proliferation of online platforms and social media has also democratized access to graffiti art, enabling artists to reach global audiences and sell their prints directly to enthusiasts and collectors. Today's market is characterized by its inclusivity, with collectors ranging from seasoned art investors to young fans eager to own a piece of the urban zeitgeist. Notably, the emergence of art fairs dedicated to street art and graffiti has played a crucial role in cementing the status of these artworks. Events such as the Beyond the Streets exhibition have showcased the historical significance and breadth of talent within the graffiti art community, further validating its place in the art market. The future graffiti art and print market appears robust, with indicators pointing to continued growth and innovation. Integrating digital technology, such as non-fungible tokens (NFTs), opens new avenues for graffiti artists to explore and monetize their work. As the digital art market expands, graffiti art is poised to benefit from its inherently graphic and translatable nature, allowing it to move seamlessly between physical and digital spaces. Furthermore, the narrative of graffiti art is expanding to include social and political commentary, elevating its role from an aesthetic disruptor to a poignant voice in societal discourse. This evolution ensures that graffiti art remains relevant and reflects contemporary issues, which fuels its desirability and market value. The graffiti art and print market has come far from its underground beginnings. It now stands as a dynamic and integral part of the contemporary art world, with a bright and promising future. As long as cities have walls and artists have the drive to create, the legacy and economy of graffiti art will continue to thrive and push the boundaries of what is possible in the art world.

Graffiti Art: A Vibrant Aspect of Street Pop Art

Graffiti Art, often synonymous with Street Pop Art, represents a dynamic and vibrant artistic expression that has evolved significantly over the years. Initially perceived as vandalism, graffiti has transcended its controversial beginnings to become a respected and influential aspect of contemporary art. Graffiti artists use city walls, subways, and public spaces as their canvases, bringing color and social commentary to urban landscapes. This art form is characterized by its bold and striking imagery, often featuring stylized lettering and graphic illustrations. The raw, spontaneous nature of graffiti art reflects the artists' desire for self-expression and connection to the streets, making it an authentic representation of urban life. Graffiti Art Prints: Bringing Street Art Indoors As graffiti art gained recognition, the demand for graffiti art prints surged, allowing this outdoor art form to be appreciated in indoor spaces. Graffiti art prints are high-quality reproductions of original street art, often created by photographing the artwork and then printing it on various materials like canvas, paper, or metal. These prints enable art enthusiasts to own a piece of street culture without altering or damaging the original works. Graffiti art prints are popular among collectors and serve as an accessible way for the general public to engage with street art. They capture the essence of the original graffiti while offering versatility and the convenience of being displayed in personal or professional spaces. Graffiti Original Art: Authentic Expressions of Urban Culture Graffiti original art is the work created directly by the artists, typically on public surfaces. These original pieces are considered more valuable due to their authenticity and the artist's direct involvement. Graffiti original art often carries significant cultural and social messages, reflecting the artists' thoughts, aspirations, frustrations, and communities they represent. These works' spontaneous and impermanent nature adds to their appeal, as many are eventually painted over or destroyed, making existing pieces rare and sought-after. Collecting original graffiti art is not only about owning a unique piece of art; it's also about preserving a moment in the ever-changing landscape of urban culture. Pop Art Sculptures: A 3D Extension of Street Pop Art

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