Artworks
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El Pez Catch The Stars Special Edition I PP Serigraph Print by El Pez
Catch The Stars- Special Edition I PP Printer Proof Limited Edition 13-Color Serigraph with UV Coating and Spot-Layer Glitter on 2-Ply Rising Museum Archival Board by Pez Graffiti Street Artist Modern Pop Art. PP Printers Proof Signed & Marked PP 13-Color Serigraph with UV Coating and Spot-Layer Glitter on 2-Ply Rising Museum Archival Board Size: 15 x 21.63 Inches Release: October 15, 2021 El Pez's "Catch The Stars - Special Edition I": A Serigraphic Celebration El Pez's "Catch The Stars - Special Edition I" is an effervescent serigraph that exudes the joy and dynamism synonymous with the artist's signature style. Released as a Printer's Proof (PP) on October 15, 2021, this limited edition piece is a testament to El Pez's mastery over the serigraphic process. This technique allows for vibrant, saturated colors and sharp detail. Comprising 13 colors with UV coating and spot-layer glitter, the artwork is printed on a 2-ply Rising Museum archival board, ensuring its longevity and preserving the brilliance of its hues. The piece measures 15 x 21.63 inches, a size that allows the complexity and energy of the composition to be fully appreciated. This particular work is signed and marked PP by El Pez, denoting its status as a premium proof in the edition. Printer Proofs are traditionally reserved for the artist's collection or as test prints to check the colors and quality before the entire run is produced. This adds exclusivity and collectibility to "Catch The Stars - Special Edition I," making it a coveted item for enthusiasts and collectors of street pop art and graffiti artwork. The Vibrant Lexicon of El Pez's Street Pop Art El Pez, a graffiti street artist who began his artistic journey on the vibrant streets of Barcelona, has been spreading smiles worldwide through his playful and colorful works. His art, often featuring wide-eyed characters and whimsical scenes, encapsulates the essence of street pop art — accessible, visually engaging, and often imbued with a sense of humor and lightheartedness. "Catch The Stars - Special Edition I" is a vivid example of his ability to transform everyday motifs into a fantastical visual language that communicates beyond words. UV coating on this serigraph protects the work from fading and adds a luminous quality to the artwork, making the colors pop and bringing the joyous scenes to life. The spot-layer glitter is a nod to El Pez's street art roots, reminiscent of the sparkle of fresh paint under the city lights. Each element of this serigraph, from the paper's archival quality to the finishing touches, has been carefully considered to create a piece that resonates with the energy and spirit of contemporary urban art. El Pez and the Art of Serigraphic Storytelling El Pez's contribution to modern pop art is significant, merging traditional screen printing techniques with street art's spontaneity and accessibility. "Catch The Stars - Special Edition I" is not only a piece of artwork; it's a slice of urban storytelling, capturing the playful essence of El Pez's worldview. The artwork invites viewers to delve into a personal and universal narrative that celebrates the communal and inclusive spirit of street art culture. In conclusion, "Catch The Stars - Special Edition I" by El Pez is a masterful blend of color, craftsmanship, and street art ethos. As a PP edition, it represents a bridge between the artist's process and the final artworks that adorn the walls of collectors and art lovers. It stands as a testament to the enduring appeal of street pop art and graffiti artwork, showcasing El Pez's role as a pivotal figure in bringing this vibrant art form into galleries and homes worldwide. His work continues to inspire joy and wonder, capturing the hearts of those who encounter his stars and beckoning them to glimpse the world through his imaginative lens.
$845.00
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El Pez Catch The Stars Special Edition I Serigraph Print by El Pez
Catch The Stars- Special Edition I Limited Edition 13-Color Serigraph with UV Coating and Spot-Layer Glitter on 2-Ply Rising Museum Archival Board by Pez Graffiti Street Artist Modern Pop Art. Signed & Numbered 13-Color Serigraph with UV Coating and Spot-Layer Glitter on 2-Ply Rising Museum Archival Board Size: 15 x 21.63 Inches Release: October 15, 2021 Run of 50 Pez's "Catch The Stars" - A Vibrant Fusion of Street Art and Serigraphy "Catch The Stars - Special Edition I" by Pez celebrates color, composition, and the exuberant spirit of street art encapsulated in a modern pop art serigraph. This limited edition artwork is a 13-color serigraph, notable for its use of UV coating and spot-layer glitter, creating a piece that is as dynamic in texture as it is in visual impact. Produced on a 2-ply Rising Museum archival board, a material chosen for its durability and quality, the piece measures 15 x 21.63 inches. Released on October 15, 2021, with a run of only 50, Pez meticulously signed and numbered each serigraph, making each one a sought-after collectible. The artist Pez, known for his distinctive characters and vibrant, joyful aesthetic, translates the energy of street graffiti into a sophisticated print medium. The use of 13 distinct colors in the serigraphy process allows for complexity and depth that mirrors the layered nature of street art. The added UV coating enhances the longevity of the print, ensuring that the colors remain vivid over time, while the spot-layer glitter adds a playful dimension that captures and refracts light, mimicking the fleeting sparkle of sunlight on urban walls. The Artistic Craftsmanship of Pez's Serigraph The craftsmanship of "Catch The Stars" is evident in the precision of the serigraphic process, a printmaking technique known for its ability to produce bright and crisp images. This method, combined with the contemporary use of glitter and UV coating, showcases Pez's commitment to pushing the boundaries of traditional screen printing. The archival board serves as a solid foundation for the work, ensuring that the intricate details and textural elements are preserved, making the piece a visual treat and an archival-quality artwork. Pez's playful imagery, featuring smiling faces and whimsical scenes, is a staple within the street pop art genre, and "Catch The Stars" perfectly represents his oeuvre. His work brings the spontaneity and accessibility of street graffiti into a fine art context, bridging the gap between an art form traditionally seen on the streets and the collectible nature of gallery artwork. Collectibility and Cultural Impact of "Catch The Stars" The limited edition nature of "Catch The Stars" adds to its collectibility; with only 50 pieces available, each becomes a coveted item for art collectors and enthusiasts. The serigraph is not only a piece of artwork but also a representation of the cultural movement that is street pop art. Pez's ability to capture the essence of street culture, with its bold graphics and vivid colors, and translate it into a form that is both accessible and sophisticated speaks to street art's versatility and enduring appeal. In summary, "Catch The Stars - Special Edition I" by Pez is a vibrant testament to the evolution of graffiti street art into the sphere of high art. It embodies the joy and exuberance of Pez's artistic vision while showcasing the meticulous techniques of modern printmaking. As a piece of street pop art, it carries the energy and vitality of graffiti into a durable and display-worthy format, ensuring that the work can be appreciated for generations to come. Pez continues to influence the trajectory of street art, proving that the medium can adapt and thrive beyond the urban walls from which it originated.
$503.00
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El Pez Catch The Stars Special Edition II PP Serigraph Print by El Pez
Catch The Stars- Special Edition II PP Printer Proof Limited Edition 13-Color Serigraph with UV Coating and Spot-Layer Glitter on 2-Ply Rising Museum Archival Board by Pez Graffiti Street Artist Modern Pop Art. PP Printers Proof Signed & Marked PP 13-Color Serigraph with UV Coating and Spot-Layer Glitter on 2-Ply Rising Museum Archival Board with AR Compatibility Size: 15 x 21.63 Inches Release: November 16, 2021 El Pez's "Catch The Stars - Special Edition II": A Serigraphic Spectacle "Catch The Stars - Special Edition II" by El Pez is a vibrant testament to the intersection of graffiti, street, and pop art, presented through serigraphy. Released on November 16, 2021, as a Printer's Proof (PP) edition, this limited edition 13-color serigraph celebrates El Pez's artistic vision, rendered with UV coating and spot-layer glitter on a high-quality 2-ply Rising Museum archival board. At 15 x 21.63 inches, the serigraph is a medium-sized work that allows for a detailed appreciation of the intricate layers of color and texture that are the signature of El Pez's style. Each piece in this limited run is personally signed and marked by the artist, indicating its authenticity and exclusivity. The inclusion of augmented reality (AR) compatibility infuses the work with a contemporary edge, allowing collectors to engage with the serigraph beyond its physical presence. This innovation is emblematic of El Pez's embrace of new technologies and his commitment to pushing the boundaries of street pop art. The UV coating applied to the serigraph not only serves to protect the artwork but also to enhance the depth and vibrancy of the colors, ensuring that the work remains as visually striking over time as it was upon release. Technical Brilliance and Expressive Joy in El Pez's Work El Pez's journey as an artist has been marked by his distinctive use of joyful, animated characters that bring a sense of wonder and happiness to the urban landscapes they inhabit. The "Catch The Stars" series encapsulates this ethos, with "Special Edition II" being a particularly expressive iteration, bursting with the energy and vitality that have become hallmarks of his work. The serigraphic process, known for its ability to produce clean and vibrant images, is the perfect medium for El Pez's bold and colorful approach to art-making. The choice of the Rising Museum archival board as a substrate demonstrates El Pez's commitment to quality and longevity. Renowned for its excellent preservation qualities, the board ensures that the serigraph will withstand the test of time. The spot-layer glitter adds a playful and unique element to each print, catching the light and the viewer's eye with every glance. These technical details, combined with El Pez's artistic flair, result in a work that is not just a piece of street pop art but also a collector's item that bridges the gap between high art and the accessible, community-oriented roots of graffiti. El Pez and the Celebration of Street Art's Essence In "Catch The Stars - Special Edition II," El Pez continues to celebrate the essence of street art, with its roots in community engagement and its evolution into a recognized form of modern pop art. His work transcends traditional graffiti, offering a complex and thoughtful examination of the genre's potential. The serigraph stands as a testament to El Pez's role in the evolution of street art, showcasing his ability to adapt the spontaneity and accessibility of street art into a form that resonates with art enthusiasts and collectors alike. El Pez's "Catch The Stars - Special Edition II" is a colorful, engaging piece that reflects the artist's ongoing dialogue with the art world. It captures the spirit of street pop and graffiti artwork, preserving its essence while elevating it through fine art techniques and innovative presentation. As a PP edition, the serigraph represents a significant moment in El Pez's artistic career, encapsulating the joy, playfulness, and technical expertise that define his contribution to contemporary art.
$845.00
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El Pez Catch The Stars Special Edition II Serigraph Print by El Pez
Catch The Stars- Special Edition II Limited Edition 13-Color Serigraph with UV Coating and Spot-Layer Glitter on 2-Ply Rising Museum Archival Board by Pez Graffiti Street Artist Modern Pop Art. Signed & Numbered 13-Color Serigraph with UV Coating and Spot-Layer Glitter on 2-Ply Rising Museum Archival Board with AR Compatibility Size: 15 x 21.63 Inches Release: November 16, 2021 Run of 50 Exploring the Vivid World of Pez's "Catch The Stars - Special Edition II" "Catch The Stars - Special Edition II" by Pez stands as a celebration of street art's infusion into the vivid world of pop art. This limited edition 13-color serigraph, released November 16, 2021, is an electrifying example of how modern graffiti artists blend traditional techniques with contemporary technologies. On a sizeable 15 x 21.63 inches 2-ply Rising Museum archival board, each serigraph in the run of 50 is hand-signed and numbered, signifying the personal touch and exclusivity that Pez brings to his work. The UV coating adds longevity and vibrancy to the already dynamic colors. At the same time, the spot-layer glitter introduces a tactile dimension, giving each piece a unique presence that changes with the viewer's perspective. The "Catch The Stars - Special Edition II" is not just a static artwork; it has AR (Augmented Reality) compatibility, inviting the viewer to interact with the work in a multimedia dimension that bridges the gap between traditional art forms and digital innovation. This level of engagement is a testament to Pez's forward-thinking approach and ability to stay at the cutting edge of street pop art. Pez's Artistic Journey and Serigraphic Mastery The serigraphic process demands precision and patience, and Pez's mastery of this craft is evident in the intricate layering and color separation that defines "Catch The Stars - Special Edition II." The choice of Rising Museum archival board as a substrate speaks to the importance of durability and quality in Pez's work, ensuring that the bright and complex images he creates will endure as long-term fixtures in any collection. UV coating and glitter are a contemporary twist on the traditional serigraph, lending the artwork a playful yet sophisticated finish that is characteristic of Pez's style. Pez's influence in the street pop art scene is significant, with his works being instantly recognizable for their exuberant characters, explosive colors, and a sense of joy that radiates from each piece. His creations often feature whimsical figures with large, expressive eyes, encapsulating the essence of street graffiti's energy and the pop art movement's fascination with the iconography of youth and popular culture. Cultural Significance of "Catch The Stars - Special Edition II" In the cultural landscape of street pop art, "Catch The Stars - Special Edition II" is a vibrant representation of the genre's ability to captivate and communicate. Pez's artwork is a dialogue with the viewer, an invitation to immerse oneself in a world where the boundaries between street art's playful subversion and pop art's calculated aesthetics are blurred. Each serigraph from the limited run is a celebration of the evolution of graffiti from its underground roots to its current status as a significant and respected art form. In conclusion, Pez's "Catch The Stars - Special Edition II" reflects the artist's dedication to expanding the possibilities of street art and its place within the larger context of modern art. Through his innovative use of materials, technology, and serigraphy, Pez continues to push the envelope, crafting works that are visually striking and rich in interaction and experience. As a limited edition piece, it is a coveted artifact within graffiti, street, and pop art, capturing the imagination and inspiring a sense of wonder in all who view it.
$503.00
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Sechor Caution Sechor Required Street Sign Graffiti Painting by Sechor
Caution Sechor Required Original Mixed Media Spray Paint & Acrylic Painting graffiti artist modern pop art on Real Metal Street Sign by Sechor. 2021 Signed Original Acrylic paint on metal. 14x10 in
$323.00
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Supreme Celtic Knot Black Skateboard Art Deck by Supreme
Celtic Knot Deck- Black Limited Edition Silkscreen Skateboard deck art by street pop culture artist Supreme. Supreme kicked off week one of its F/W 2021 season with the newly designed Celtic Knot Skateboard Deck. The black Supreme Celtic Knot Skateboard Deck was one of the most highly sought-after decks of the season. The Skateboard Deck features the Supreme logo written across the deck in white, with a traditional Celtic Knot design shaded black and off-white drapes behind the logo.
$206.00
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Cornbread- Darryl McCray Changed The World Archival Print by Cornbread- Darryl McCray
Changed The World Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Modern Pop Street Graffiti Artist Cornbread- Darryl McCray. 2021 Cornbread The Legend (Blue Yellow) 24" x 12.5" (Inches) Limited Edition Print: Archival Pigment Print Paper: Fine Art Paper Size: 24" x 12.5" (Inches) Edition Size -10 Hand-signed & Numbered by Artist
$217.00
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Futura 2000- Leonard McGurr Characterization Silkscreen Print by Futura 2000- Leonard McGurr
Characterization Hand-Pulled 12-Color Silkscreen Print on 100lb. Cougar Natural Cover Fine Art Paper by Desirable Artist Futura 2000- Leonard McGurr Limited Edition Pop Art Artwork. 2021 Signed Limited Edition Artwork Size 18x24 Futura 2000: Innovator of Street Pop Art "Characterization" is a masterful hand-pulled 12-color silkscreen print on 100lb. Cougar Natural Cover is a fine art paper by the iconic street artist Futura 2000, Leonard McGurr. This 2021 signed limited edition piece, measuring 18x24 inches, encapsulates the essence of street pop art and graffiti artwork, genres that Futura 2000 has helped to define and propel into the contemporary art mainstream. Blending Street Artistry with Fine Art Precision Futura 2000's "Characterization" is a vibrant amalgamation of abstract characters, a signature motif that this artist has refined over his illustrious career. Known for his pioneering work in the early New York graffiti scene, Futura 2000 distinguished himself from his contemporaries with his radical approach to street art. Unlike the prevalent tagging and lettering styles of the time, his work ventured into the abstract and the futuristic, earning him international acclaim and a distinguished place in the annals of street art history. The silkscreen print process utilized for "Characterization" is a meticulous and labor-intensive technique demonstrating Futura 2000's dedication to craftsmanship. Each of the 12 colors is applied layer by layer, a testament to the artist's precision and attention to detail. The result is a high-quality fine art paper imbued with rich, textured colors that leap off the page, engaging the viewer with depth and vibrancy. Interplay of Characters and Color in Futura 2000's Work In "Characterization," each figure is rendered with a minimalist yet expressive line, communicating motion and emotion despite the absence of detailed facial features. The characters are set against bold, flat colors accentuating their forms, creating a sense of individuality within the collective assembly. This juxtaposition reflects the diversity and dynamism of urban life, a recurring theme in Futura 2000's body of work. The limited edition nature of "Characterization" speaks to the exclusivity often associated with fine art while retaining the accessibility and populist roots of street art. Futura 2000 bridges these two worlds, appealing to the discerning art collector and the wider public who encounter his work in cityscapes worldwide. Futura 2000's Legacy in Modern Art Futura 2000's influence on modern art cannot be overstated. His transition from the subways of New York to the world's galleries has paved the way for graffiti artists to be recognized as legitimate and vital contributors to the art world. His work, characterized by its kinetic energy and futuristic vision, has left an indelible mark on the genre of street pop art. "Characterization," as a piece of Futura 2000's artistic journey, encapsulates the evolution of street art from an underground movement to a significant and respected art form. The silkscreen print stands as a vivid representation of the artist's innovative spirit and his capacity to communicate complex themes through simple, powerful imagery. For fans of street pop art and graffiti artwork, "Characterization" is not only a piece of art but a piece of history, capturing the essence of an era and the visionary talent of one of its greatest artists.
$649.00
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Frank Kozik Che No Vive Blue Art Toy by Frank Kozik
Che No Vive- Blue Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. 2021 Carded Art Toy Figure Sculptured by George Gaspar Dead Che.
$218.00
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Frank Kozik Che No Vive Green Art Toy by Frank Kozik
Che No Vive- Green Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. 2021 Carded Art Toy Figure Sculptured by George Gaspar Dead Che.
$218.00
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Frank Kozik Che No Vive Orange Art Toy by Frank Kozik
Che No Vive- Orange Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. 2021 Carded Art Toy Figure Sculptured by George Gaspar Dead Che.
$218.00
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Frank Kozik Che No Vive Pink Art Toy by Frank Kozik
Che No Vive- Pink Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. 2021 Carded Art Toy Figure Sculptured by George Gaspar Dead Che.
$218.00
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Frank Kozik Che No Vive Red Art Toy by Frank Kozik
Che No Vive- Red Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. 2021 Carded Art Toy Figure Sculptured by George Gaspar Dead Che.
$218.00
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Frank Kozik Che No Vive Yellow Art Toy by Frank Kozik
Che No Vive- Yellow Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. 2021 Carded Art Toy Figure Sculptured by George Gaspar Dead Che.
$218.00
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Pipsqueak Was Here!!! Check Original Collage Stencil Spray Painting by Pipsqueak Was Here!!!
Check Original Collage Stencil Spray Paint Painting by Pipsqueak Was Here!!! One of a Kind Artwork on Stretched Canvas by Street Art Pop Artist. 2021 Signed Mixed Media Spray Paint Stencil & Collage Painting Original Artwork Size 17.5x17.5 Check by Pipsqueak Was Here!!! – Stenciled Defiance and Found Texture in Street Pop Art & Graffiti Artwork Check is a 2021 original mixed media painting by the Dutch street art duo Pipsqueak Was Here!!!, created using stencil, spray paint, and collage on stretched canvas. Measuring 17.5 x 17.5 inches and signed by the artists, the piece is a striking example of layered urban narrative embedded in raw texture and symbolic juxtaposition. The central focus is a solemn, sharply rendered stencil portrait of a young girl, her gaze direct and almost confrontational. Surrounding her are collaged fragments of vintage advertisements, chemical warning labels, torn print ephemera, and bits of painted abstraction. The work fuses the language of caution, childhood, and consumer memory into a tightly composed field of urban poetics, emblematic of Pipsqueak Was Here!!!’s practice within Street Pop Art & Graffiti Artwork. Portraiture as Conscience and Confrontation The young girl at the center of Check is not passive. Her expression is serious, grounded, and quietly challenging. Rendered through crisp black and flesh-toned stencils, her presence stands in contrast to the chaotic noise of the background, giving the viewer a fixed point of emotional gravity. This figure, like many in the artists’ body of work, carries symbolic weight—youth positioned in a world already marked by danger and contradiction. Behind her, the image of a classic yellow cab ad and a “Miscellaneous Dangerous Goods” warning label creates a tense visual irony. The surrounding collage becomes more than aesthetic—it acts as commentary. Within the larger conversation of Street Pop Art & Graffiti Artwork, this portrait becomes a voice, one that challenges systems with quiet resolve rather than shouted slogans. Collage Construction and Found-Object Composition True to the aesthetic roots of street assemblage, Check incorporates found visual language through its collage layers. There is a fusion of urban memory and forgotten media: weathered typography, faded newspaper headlines, chemically coded symbols, and the layered build-up of spray and stencil. These textures mimic the walls of real cityscapes, where wheatpaste posters and public signage are constantly ripped, painted over, or tagged. The artists use these materials to form a narrative field, a conversation between safety and danger, visibility and erasure. This tactile collage method reinforces the connection between surface and story, ensuring that each component of the piece contributes not just visual interest, but historical resonance. It captures the energy of decay and renewal central to the ethos of Street Pop Art & Graffiti Artwork. Pipsqueak Was Here!!! and the Logic of Visual Protest With Check, Pipsqueak Was Here!!! continues to refine their unique balance of visual elegance and street-level urgency. The work radiates meaning through contrast—childhood innocence in the face of a world saturated with warnings and advertisements. The title itself implies confrontation, verification, or disruption. Every compositional choice speaks to power, placement, and perception. This painting is not just about form or beauty—it is a message embedded in image. As practitioners of Street Pop Art & Graffiti Artwork, the duo remains focused on environmental, social, and human vulnerability, making each artwork a kind of visual protest in the language of collage, spray, and symbol. Check is a potent reminder that art in public or private space has the ability to reveal truths, evoke empathy, and carry resistance through the everyday iconography of our shared environments.
$1,500.00
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Mark Bode Cheech Wizard Zippo Lighter Art Object by Mark Bode
Cheech Wizard Zippo Lighter Object Art Limited Edition Real Metal Zippo Lighter by Modern Pop Street Graffiti Artist Mark Bode. 2021 Limited Editon of 50 Official Metal Zippo x Mark Bode Lighter Art Object Size 2.4x0.5 Inches Release: July 29, 2021 Mark Bode's Cheech Wizard Zippo Lighter: A Collectible Intersection of Pop Art and Street Culture The Cheech Wizard Zippo Lighter is a limited edition art object that stands at the crossroads of utility and street pop art, encapsulating the essence of modern graffiti artistry. This Zippo lighter, a metal canvas measuring 2.4x0.5 inches, was released on July 29, 2021, in a limited edition of 50 pieces. Created by Mark Bode, the modern pop street graffiti artist, this art object is a homage to the legacy of the Cheech Wizard character, a cult figure in the underground comix scene created by his father, Vaughn Bode. Mark Bode has long been recognized for his contributions to the street art genre, often infusing his works with the vibrant, fantastical elements that his father's creations were known for. The Cheech Wizard Zippo Lighter is no exception. This functional piece of art embodies the rebellious spirit and the countercultural ethos that street pop art and graffiti artwork represent. Each lighter is not just a tool but a piece of collectible art that carries with it the stories and aesthetics of a movement that has shaped the visual language of urban landscapes. Cultural Resonance and Artistic Expression Through Functional Art The production of the Cheech Wizard Zippo Lighter as a limited edition object d'art represents a fascinating trend in the world of street pop art, where everyday items become vessels for artistic expression. By etching the whimsical and irreverent figure of the Cheech Wizard onto the surface of a Zippo lighter—a symbol of durability and Americana—Mark Bode bridges the gap between the subversive undertones of graffiti and the mainstream appreciation of pop art. This art object encapsulates a sense of exclusivity and narrative depth, as each piece is one of only fifty in existence, making it a rare artifact within the collectible community. The release of this Zippo lighter reflects a moment in time within the pop art and street art scene, marking the intersection of art, functionality, and culture. Collectors of these lighters possess not only a utility object but a snapshot of modern art history. For enthusiasts and connoisseurs of street pop art, the Cheech Wizard Zippo Lighter by Mark Bode is a testament to the genre's expansive reach, demonstrating that art can transcend traditional canvases and embed itself in the fabric of daily life. This lighter serves as a reminder of the fluid boundaries of art, where the distinction between an object of use and an object of aesthetic value becomes beautifully blurred. Through this art object, Mark Bode continues to tell the story of the Cheech Wizard, bringing a piece of street art legacy into the hands of those who appreciate the vibrant and ever-evolving world of street-inspired pop art.
$124.00
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Sechor Chekers Mixed Media Painting by Sechor
Chekers Original One of a Kind Mixed-Media Spray Paint Painting Artwork on Wood Panel by Popular Street Graffiti Artist Sechor. 2019 Signed Mix Media on 16x30 on Unstretched Canvas
$589.00
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Nugg Life NY- Ian Ziobrowski Chernobyl Mini Nugs Sculpture by Nugg Life NY- Ian Ziobrowski
Chernobyl Mini Nug Limited Run Handmade & Painted Art Toy Collectible Artwork by pop artists Nugg Life NY- Ian Ziobrowski. Cannabis/Marijuana-themed plant tribute with colorful handmade hand-painted accents. Mini Nug stands about 2.5-3 inches tall and is handmade, painted, and assembled with an NYC delivery container. Limited run of 15 signed and numbered.
$112.00
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Adam Fujita Cheshire Can Blotter Paper Archival Print by Adam Fujita
Cheshire Can Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Adam Fujita pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.
$352.00
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Mark Bode Chillin' In Da Woods Blotter Paper Archival Print by Mark Bode
Chillin' In Da Woods Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Mark Bode pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.
$352.00
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Leon Keer Choking Hazard Giclee Print by Leon Keer
Choking Hazard Artwork Giclee Limited Edition Print on 310gsm Canson Aquarelle Paper by Pop Culture Graffiti Artist Leon Keer. 18 x 24 Inches Fine-art Giclée print on Canson Aquarelle 310gsm museum-grade archival paper Limited Edition of 50 Signed + Numbered
$291.00
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Eric Pagsanjan Chunky Dunky Holographic Silkscreen Print by Eric Pagsanjan
Chunky Dunky- Holographic 13-Color Hand-Pulled Limited Edition Silkscreen Print on 10pt Rainbow Holographic Fine Art Paper by Eric Pagsanjan Rare Street Art Famous Pop Artwork Artist. 13-Color Screen Print on 10pt. Rainbow Holographic Fine Art Paper Size: 18 x 24 Inches Release: May 07, 2021 Run of: 15
$352.00
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Eva Redamonti Ciara Blotter Paper Archival Print by Eva Redamonti
Ciara Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Eva Redamonti pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.
$352.00
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Sket-One Clockwork Orange One Formula 3oz Canbot Canz AP Artist Proof Art Toy by Sket-One x Czee13
Clockwork Orange One Formula 3oz Canbot Canz AP Artist Proof Limited Edition Vinyl Art Toy Collectible Artwork by Urban Artist Czee13 x Sket One. AP Artist Proof 2021 Figure & Box Signed 3oz With Custom Display Stand By Sket- One New In Box Signed Canbot Canz & Signed Box, Platform designed by Czee- Formula series designed by Sket One "3″ Sket One Formula Canbot Canz Artist Proof All will come signed on figure and box also come with an orange acrylic placemat" -Sket One
$168.00
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Sket-One Clockwork Orange One Formula Canbot Canz Art Toy Figure by Sket-One x Czee13
Clockwork Orange One Formula Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by Street Graffiti Artist Czee13 x Sket One. 2021 Box Signed Size 5.5" Limited Edition of 300 Platform designed by Czee- Formula series designed by Sket One
$184.00
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Wayne White Clusterfuck Blotter Paper Archival Print by Wayne White
Clusterfuck Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Wayne White pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 5.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.
$279.00
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Dragon76 Complexcon Mad Spraycan Mutant Art Toy by Dragon76 x Jeremy MadL x Martian Toys
Complexcon Dragon76 Mad Spraycan Mutant Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Dragon76 x Jeremy MadL x Martian Toys. Complexcon 2021 Vinyl Figure Designed by Dragon76 @dragon76art 8” Tall 6 points of articulation 2 sets of shoes, Eraser and Vans Really RATTLES!! Ed. of 150
$218.00
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Takashi Murakami TM/KK ComplexCon x Mutated Skateboard Deck Set by Takashi Murakami TM/KK
ComplexCon x Mutated Deck Set Fine Art Limited Edition Archival Pigment Print Transfer on Natural Skateboard Deck by Street Artwork Graffiti Artist Takashi Murakami TM/KK. 2019 Printed Limited Edition Skateboard Art Deck Artwork Set of 3 ComplexCon x Mutated Deck Set by Takashi Murakami: Chromatic Mutation in Street Pop Art & Graffiti Artwork The ComplexCon x Mutated Deck Set by Takashi Murakami, released in 2019, is a limited edition fine art archival pigment print transferred onto a set of three 8 x 31 inch natural wood skateboard decks. Produced under Murakami’s TM/KK imprint and debuted during the cultural phenomenon of ComplexCon, this triptych exemplifies Murakami’s command over hyper-saturated pop imagery, symbology, and mutated character design. The composition features a chaotic, joyfully monstrous creature surrounded by eyes, psychedelic flora, and smiling flowers, delivering a visual explosion that merges Japanese pop surrealism with the raw attitude of Street Pop Art & Graffiti Artwork. The decks form a single connected image when displayed together, centered on a large mutated bear-like figure with jagged, color-bar teeth, spiraled eyes, and pawed limbs that stretch across the lower panel. Murakami’s signature smiling flowers and multicolor mushrooms, along with amorphous side characters, crowd the frame. Each character is rendered in thick outlines with neon gradients and surreal detailing, evoking a sensory overload reminiscent of animated psychedelia. The image is whimsical, aggressive, and haunting all at once. Murakami’s visual language here is not soft or cute—it is wild, carnivalesque, and purposefully destabilizing. The figures pulse with the emotional contradictions at the heart of Murakami’s mutated worlds. Takashi Murakami’s ComplexCon Contributions and Skateboard as Canvas ComplexCon has emerged as a global cultural platform that celebrates the fusion of art, fashion, design, and street identity. Murakami’s presence at the 2019 event was marked by the release of this deck set, offering attendees a limited-edition collectible that doubles as a museum-grade art object. Skate decks, often used by artists in the Street Pop Art & Graffiti Artwork movement, provide a dynamic and culturally loaded format. Their historical role as subcultural canvases aligns with Murakami’s mission to make art both democratic and immersive. By choosing this medium, Murakami continues his practice of challenging distinctions between consumer goods and fine art. The Mutated Deck Set, while printed and collectable, still retains its status as a street-ready object—a symbol of movement, youth rebellion, and visual storytelling. This format allows his work to live not just on gallery walls, but in the hands and homes of people who see culture as fluid and multi-layered. The high-definition printing on natural wood offers vibrant fidelity while keeping the authenticity of material intact. Symbolic Mutation and Emotional Saturation in Contemporary Visual Language Murakami’s use of mutated characters in this piece reflects his fascination with postmodern transformation and emotional overload. The main figure is an amalgamation of innocence and chaos, surrounded by fungal life forms and anthropomorphic flowers. These characters mirror feelings of overstimulation, digital addiction, and pop culture fragmentation. The chaotic layering of elements reflects the graffiti ethos—fill the surface, dominate space, leave a mark that resists being ignored. The work thrives in the tradition of Street Pop Art & Graffiti Artwork by weaponizing cuteness, twisting it into something primal. The flowers are not gentle—they watch. The colors do not soothe—they shout. This emotional tension becomes a form of cultural resistance, a declaration that art can be dazzling and unsettling at the same time. Murakami’s use of mutation as a recurring theme places his work in direct conversation with street art’s obsession with metamorphosis, identity play, and distortion. Murakami’s Cultural Synthesis and the Evolution of Street Pop Surrealism Takashi Murakami, born in Japan in 1962, continues to influence global visual culture through his multi-disciplinary projects that unify commercial production and philosophical depth. The ComplexCon x Mutated Deck Set is a vivid example of this ongoing work, presenting not only a composition filled with color and chaos but a conceptual artifact that speaks to art’s ability to mutate, like its subject matter. His work brings Japanese folklore, postwar trauma, contemporary media, and urban aesthetics into dialogue through characters that look playful but contain multitudes. This deck set serves as both archive and activation—transforming street materials into collectible visions, uniting fine art clarity with the street's emotional voltage. Murakami’s mutated forms are not deviations—they are evolutions. They represent where Street Pop Art & Graffiti Artwork is heading: into layered, playful, yet brutally honest expressions of culture’s surreal and saturated now.
$1,500.00
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Guggimon Conceal N Bury Fashion EDC SuperGuggi Art Toy Guggimon x SuperPlastic
Conceal N Bury- Fashion EDC SuperGuggi Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure by Artist Guggimon. Limited Run Made In 2021 8' Tall. With iconic guggi mask, ax, and a bag full of lavender-scented lye, this 8” psycho is the perfect accomplice to any crime of fashion
$256.00
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Shepard Fairey- OBEY Confrontation Letterpress Print by Shepard Fairey- OBEY x Dennis Morris
Confrontation- Bob Marley 1-Color Hand-Pulled Limited Edition Letterpress Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 16 inches by 19.5 inches Edition of 450 May 19, 2021 This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley’s passing. The series represents the amazing breadth of Marley’s character… the philosopher, the confrontational warrior for justice, and the evangelist for love and connection. Bob
$384.00
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Raws Confusion Blotter Paper Archival Print by Raws
Confusion Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Raws pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.
$352.00
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El Pez Connected Crew- Black on White Silkscreen Print by El Pez
Connected Crew- Black on White 1-Color Hand-Pulled Limited Edition Silkscreen Print on 270gsm Royal Sundance Paper by Pez Rare Street Art Famous Pop Artwork Artist. 2021 Edition of 20 Screenprint on Royal Sundance 270gsm paper 19.7 x 19.7 inches / 50 x 50 cm Signed and numbered by Pez.
$275.00
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El Pez Connected Crew- White on Black Silkscreen Print by El Pez
Connected Crew- White on Black 1-Color Hand-Pulled Limited Edition Silkscreen Print on 270gsm Royal Sundance Paper by Pez Rare Street Art Famous Pop Artwork Artist. 2021 Edition of 20 Screenprint on Royal Sundance 270gsm paper 19.7 x 19.7 inches / 50 x 50 cm Signed and numbered by Pez.
$275.00
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Maria Smith Connexions Blotter Paper Archival Print by Maria Smith
Connexions Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Maria Smith pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.
$352.00
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Cornbread- Darryl McCray Cornbread The Legend Blue Yellow Archival Print by Cornbread- Darryl McCray
Cornbread The Legend- Blue Yellow Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Modern Pop Street Graffiti Artist Cornbread- Darryl McCray. 2021 Cornbread The Legend (Blue Yellow) 20" x 16.5" (Inches) Limited Edition Print: Archival Pigment Print Paper: Fine Art Paper Size: 20" x 16.5" (Inches) Edition Size -7 Hand-signed & Numbered by Artist
$217.00
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DKG Cornerstore Marquise Henry Reddi Wip 8.25 Skateboard Art Deck by DKG
Cornerstore Marquise Henry Reddi Wip 8.25 Skateboard Art Deck by DKG Limited Edition Print From Artist on Wood Pop Street Graffiti Sports Object Artwork. 2021 Limited Edition Sports Artwork Skateboard Size 8x31 Skateboard Art Deck Printed Art Object Skate Pro Marquise Henry x DGK Reddi Wip Whipped Cream Stylized Board. Cornerstore Marquise Henry Reddi Wip Skateboard Deck by DGK: A Statement in Street Pop Art & Graffiti Artwork The Cornerstore Marquise Henry Reddi Wip Skateboard Deck by DGK, released in 2021, is a powerful fusion of sports culture and visual art. Created as part of DGK’s Cornerstore series, this limited edition deck brings together the raw, unfiltered energy of street skating with the visual punch of Street Pop Art & Graffiti Artwork. Sized at 8.25 inches wide by 32 inches long, with a 14.25-inch wheelbase, medium concave, and steep kick, the deck is made in Mexico using high-quality wood that caters to both collectors and skaters alike. The artwork features a stylized whipped cream can design, a parody of the iconic Reddi Wip can, with a twist of satire and cultural commentary that DGK is known for. Centered on the phrase Quise’s Whip, the design nods to professional skater Marquise Henry while cleverly referencing themes of indulgence, hustle, and the pursuit of cash in urban skate life. Visual Identity and Cultural Messaging in the Deck Design The design of the Reddi Wip deck functions as more than a simple branding homage. It operates on the language of Street Pop Art & Graffiti Artwork, borrowing from consumer culture to comment on the commodification of identity and skateboarding itself. With whipped cream rendered with googly eyes and piles of dollar bills beneath it, the message is both playful and sharp. The can is emblazoned with catchphrases like All Day and Always on Top, which serve as tongue-in-cheek affirmations rooted in skate hustle culture. Marquise Henry’s presence on the board grounds the product in authenticity, reflecting his real influence on street skating and urban fashion. The exaggerated parody of a grocery store product becomes a powerful symbol when placed in the context of the street, transforming everyday visual references into cultural signals that challenge and engage the viewer. Skateboard as a Canvas for Street Pop Art & Graffiti Artwork The use of skate decks as platforms for fine art has gained prominence within both contemporary street culture and the art world. This DGK board embraces that movement, turning a functional sports object into a collectible art piece. Printed on wood, the graphic utilizes bold colors, satirical typography, and character-driven elements to elevate the work beyond traditional branding. Skateboards like the Reddi Wip edition represent a fusion of physical performance and cultural expression, where the streets serve as both gallery and testing ground. DGK, founded by Stevie Williams, has consistently pushed these boundaries, offering products that reflect not only aesthetic tastes but also the values and struggles of the communities they represent. Limited Edition Object and Relevance in Modern Art As a limited edition 2021 print, this skateboard deck captures a moment in modern street art and skate history. With its unique design and connection to pro skater Marquise Henry, the Reddi Wip deck is more than just equipment. It becomes a curated art object, collectible and expressive of a lifestyle rooted in rebellion, perseverance, and style. Made with precision and integrity, the deck bridges skate functionality with the spirit of urban art commentary. The use of parody and consumer reference aligns it closely with the ethos of Street Pop Art & Graffiti Artwork, transforming a commercial parody into a powerful statement piece that stands tall in the overlapping worlds of art, design, and skateboarding culture.
$199.00
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Vexta Cosmic Owl Blotter Paper Archival Print by Vexta
Cosmic Owl Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Vexta pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.
$352.00
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Bunnie Reiss Cosmic Vacation Blotter Paper Archival Print by Bunnie Reiss
Cosmic Vacation Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bunnie Reiss pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.
$352.00
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Denial- Daniel Bombardier Covid No 19 Bleue Archival Print by Denial- Daniel Bombardier
Covid No 19- Bleue Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Bleue Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.
$313.00
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Denial- Daniel Bombardier Covid No 19 Juane Archival Print by Denial- Daniel Bombardier
Covid No 19- Juane Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Juane Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.
$313.00
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Denial- Daniel Bombardier Covid No 19 Mauve Archival Print by Denial- Daniel Bombardier
Covid No 19- Mauve Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Mauve Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.
$313.00
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Denial- Daniel Bombardier Covid No 19 Orange Archival Print by Denial- Daniel Bombardier
Covid No 19- Orange Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Orange Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19 Orange: Consumerism, Fear, and Satire in Street Pop Art Denial’s COVID No. 19 Orange exemplifies the collision of public crisis and luxury branding through the lens of Street Pop Art & Graffiti Artwork. Created in 2021 during the height of global pandemic anxiety, this 18 x 24 inch archival pigment print was produced on 290gsm MOAB fine art paper in a limited edition of 19. Each piece is hand-signed, numbered, and stamped on the reverse, reinforcing its exclusivity. At the center of the composition is a reimagined Chanel No. 5 perfume bottle, transformed into a hand sanitizer labeled COVID No. 19. Set against a bright orange background, the image invites immediate visual engagement while delivering sharp cultural critique. The bottle’s glassy elegance, chrome pump top, and minimalist white label echo the design cues of high-end fashion advertisements. Yet the label’s altered wording—replacing perfume with sanitizer, Paris with pandemic—twists the luxurious into the absurd. The reference to Chanel speaks to aspirations of sophistication and wealth, but Denial weaponizes that symbolism to comment on the commodification of fear. In this world, even a deadly virus is repackaged as a designer product. The hand sanitizer becomes a fashion accessory, fetishized through design while ignoring the broader human cost beneath its surface. Graffiti Logic Meets Capitalist Irony Denial, a Canadian street artist known for appropriating advertising language and luxury branding, uses graphic clarity and humor as a tool for subversion. His work often draws from corporate visual codes—clean typography, product rendering, billboard color schemes—but repurposes them with anti-capitalist intent. In COVID No. 19 Orange, the weapon of critique is the illusion of desirability. The orange backdrop evokes urgency and alertness, much like a hazard sign or emergency broadcast screen, while also standing in contrast to the cool minimalism of the bottle. The effect is both playful and jarring. This kind of satire aligns with graffiti’s traditional role as anti-establishment communication. While the piece itself is produced with fine art materials and gallery-grade printing methods, its message functions as cultural graffiti—tagging corporate aesthetics with disruptive truths. The slickness of the image mimics the very systems it critiques, blurring the line between participation and protest. Viewers are pulled into the illusion of glamour before recognizing its underlying emptiness. Street Pop Art as Pandemic-Era Social Commentary The use of the term COVID No. 19 instead of No. 5 cleverly mimics both pharmaceutical naming conventions and fashion industry branding. This linguistic mirroring is central to the piece’s impact, reinforcing how marketing language infiltrates even the most tragic aspects of public life. The pandemic is not just a health crisis—it’s rebranded, resold, and reimagined through consumer lenses. The art object, in this case, doubles as a time capsule for an era defined by both panic and product. COVID No. 19 Orange encapsulates the essence of Street Pop Art & Graffiti Artwork by leveraging familiar cultural symbols to confront uncomfortable realities. Denial does not paint the virus as a biological enemy but as a commodified spectacle. The artist’s reinterpretation of Chanel’s perfume bottle is more than parody—it is a declaration that even catastrophe can be co-opted into a luxury good. The work serves as both a critique of consumer culture and a mirror to the audience that consumes it, asking not just what we’re buying, but what’s being sold
$313.00
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Denial- Daniel Bombardier Covid No 19 Rose Archival Print by Denial- Daniel Bombardier
Covid No 19- Rose Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Rose Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.
$313.00
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Denial- Daniel Bombardier Covid No 19 Rouge Archival Print by Denial- Daniel Bombardier
Covid No 19- Rouge Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Rouge Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.
$313.00
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Denial- Daniel Bombardier Covid No 19 Sarcelle Archival Print by Denial- Daniel Bombardier
Covid No 19- Sarcelle Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Sarcelle Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.
$313.00
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Denial- Daniel Bombardier Covid No 19 Verte Archival Print by Denial- Daniel Bombardier
Covid No 19- Verte Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Verte Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.
$313.00
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Crash- John Matos Crash Archival Archival Print by Crash- John Matos
Crash Archival Print Archival Pigment Fine Art Limited Edition Print on Cotton Fine Art Paper by Artist Crash- John Matos, Street Pop Art Graffiti Legend. 2021 Signed Limited Edition Of 50 Each Print os on 17 Inch By 22 Inch Archival Cotton Paper. From An Edition of 50, These Prints Are Extremely Limited. All Prints Come Signed And Numbered By The Artist. Crash's Pioneering Journey in Street Pop Art The world of street pop art and graffiti has been dramatically influenced by the vibrant works of John Matos, better known as Crash. Emerging from the 70s and 80s graffiti boom, Crash has solidified his place as a legend within the art community. His works, characterized by bright colors, bold lines, and a dynamic sense of movement, bridge the gap between the streets' raw energy and fine art galleries' sophistication. In 2021, Crash released a series of archival pigment fine art limited edition prints on cotton paper, further cementing his legacy in the art world. Crash's journey in the art world began on the subway cars of New York City, where he translated his Bronx upbringing into explosive works of visual art. His graffiti was not simply an act of rebellion but a statement of existence, a declaration of a vibrant subculture. As he transitioned from subway walls to canvas, Crash brought the immediacy and authenticity of street art into a more enduring form. His 2021 limited edition prints culminate this transition, allowing collectors to own a piece of street art history. The archival prints by Crash are not just reproductions; they are artworks in their own right. Measuring 17 by 22 inches and printed on archival cotton paper, these prints exhibit the artist's signature style with the same intensity and energy as his original large-scale works. The limited edition of 50 prints ensures exclusivity, making each piece a treasured artifact of Crash's artistic prowess. The fact that Crash signed and numbered each print adds a personal touch that connects the collector directly to the artist's hand. Crash's Contribution to the Popularity of Street Art Crash has been pivotal in recognizing graffiti as a legitimate art form. By introducing the raw visual language of the streets to the fine art world, he has opened the door for other street artists to be appreciated by a broader audience. His archival prints bridge the transient nature of street art and the permanence desired by fine art collectors. They encapsulate the essence of street pop art: accessible yet sophisticated, popular yet personal. Crash's 2021 series of archival prints represents a significant moment in the artist's career. They reflect his evolution from a street artist to a celebrated figure in the global art scene. Each print is a testament to street art's power to convey complex emotions and narratives through simple yet impactful visuals. For enthusiasts and collectors, owning one of these prints is not just an investment in art but an investment in an era's cultural heritage. In street art and pop graffiti, Crash continues to inspire and influence aspiring artists and seasoned collectors. His limited edition archival prints are not merely canvases of color and form; they are storied pieces that carry the weight of the artist's history, the evolution of street art, and the ongoing dialogue between urban expression and fine art appreciation. Crash invites all to experience the unique energy and spirit that only street art can offer through these prints.
$450.00
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Brandalism & Brandalised Crayon Shooter LA Gold Polystone Sculpture by Brandalised
Crayon Shooter- LA Gold Limited Run Polystone Statue Sculpture Artwork by graffiti street artist modern pop artist Brandalised. 10" Tall Mighty Jaxx Polystone Statue Artist Brandalised 2021 Limited Edition The sad expression on his face underlines the seeming end of his innocence. Why is he wielding a machine gun when he should be doodling with crayons instead? Don't miss your chance to own this incredible art piece. All purchases come with a box of gold ammo crayons.
$533.00
