Covid No 19 Orange Archival Print by Denial- Daniel Bombardier

Artwork Description

Purchase Covid No 19- Orange Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial.

Orange Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24"

Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

Artwork form

$390.00

Purchase Covid No 19- Orange Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art... Read more

  • Artwork: Covid No 19 Orange Archival Print by Denial- Daniel Bombardier
  • Denial- Daniel Bombardier
  • Size: 18x24
  • Year: 2021
  • Edition of: 19
    • Archival Pigment Print on 290gsm MOAB Fine Art Paper
    • Not Framed
    • Signed: Yes
    • Colors: Yellow, Gold, Orange

    Artwork Description

    Purchase Covid No 19- Orange Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial.

    Orange Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24"

    Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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