Artworks

A Flock of Boogie Limited Edition Archival Pigment Print on 330gsm Fine Art Paper by Chor Boogie Graffiti Street Artist Modern Pop Art. "This was a piece of a 30-foot mural that I did for The LA Art Show back in 2011 at the Ritz Carlton here in Los Angeles. For this print here I've added a few extra Boogie Birds in there, but this was one of the pieces that was at that show, A Flock of Boogie. " - Chor Boogie

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Ain't No Time To Argue! Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Matt Straub, Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 30 Archival Pigment Print Artwork Size 16.51x18 Exploring the Grit of Urban Narratives with Matt Straub's Art "Ain't No Time To Argue!" by Matt Straub is a compelling piece that embodies the essence of street pop art and graffiti artwork. This limited edition archival pigment print on 330gsm fine art paper captures street culture's raw energy and unrestrained spirit. Released in 2016, with a limited edition run of 30, each piece is meticulously signed and numbered by Straub, marking its authenticity and adding to the collectible nature of the work. The artwork, measuring 16.51x18 inches, is a bold statement piece that reflects the stylistic characteristics of modern pop art infused with the rebellious attitude of graffiti. Dynamic Fusion of Street Art Techniques and Pop Art Sensibility Straub's work is renowned for its dynamic fusion of traditional street art techniques with the sensibilities of pop art. "Ain't No Time To Argue!" stands out with its striking depiction of a cowboy, an icon that Straub reinterprets through the lens of contemporary culture. The figure is set against a backdrop of vivid colors and graphic elements reminiscent of pop art. At the same time, the use of spray paint techniques and the overlay of stenciled imagery aligns the work with the raw aesthetics of graffiti. This juxtaposition creates a piece that is both a nod to the past and a commentary on present-day urban life. Matt Straub's Signature Style in Limited Edition Prints The artwork represents Straub's signature style, often including a dialogue between the subject and the viewer through thought-provoking visuals and textual elements. The empty speech bubble emanating from the cowboy's figure in "Ain't No Time To Argue!" invites the audience to engage with the artwork, to fill in the blank with their interpretations or reflections on the character's silence. This interactivity is a hallmark of Straub's approach, encouraging a participatory experience that is both personal and communal. Cultural Implications in Straub's "Ain't No Time To Argue!" "Ain't No Time To Argue!" does more than capture the viewer's attention through its visual impact; it also delves into the cultural implications of the cowboy in American pop culture. By placing this character in a modern context, Straub prompts a reevaluation of the myths and realities of the American West, exploring themes of conflict, dialogue, and the passage of time. The limited edition print becomes a conversation piece, raising questions about the narratives we accept and those we question or challenge. Matt Straub's "Ain't No Time To Argue!" is a testament to the enduring relevance of street pop art and graffiti artwork. Through his adept use of color, form, and cultural symbols, Straub creates art that reflects society's pulse, capturing the zeitgeist in a form that resonates with many audiences. His work continues to influence the dialogue of street art and pop art, bridging communities and generations through a shared visual language.

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Air Chair Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Mare139 Graffiti Street Artist Modern Pop Art. "AirChair is a studio painting on canvas that best illustrates where the B-boy series have been headed since 2013. With this painting I chose to focus on color painting and composition unlike the series of monochromatic paintings I produced in Berlin 2011."The idea came to me when I was watching a street performer hold a similar freeze, his balance and strength impressed me so much I sketched out several variations of him until I found the right interpretation." - Mare139

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And Then Things Got Better Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 And Then Things Got Better by Denial – A Bold Statement of Hope in Street Pop Art & Graffiti Artwork And Then Things Got Better is a striking archival pigment print created by the Canadian street pop artist Denial in 2020. Measuring 24 x 24 inches and printed on 330gsm fine art paper, this work was released in a signed and numbered limited edition of only 25. The piece draws immediate visual comparison to classic comic strip aesthetics but subverts expectations through a modern lens. Featuring a close-up portrait of a woman rendered in high contrast with bold black outlines, vibrant pink lips, vivid green eyes, and Ben-Day dot textures, the print captures the emotional intensity that Denial is known for. The panel’s yellow upper strip carries the titular phrase, printed in an all-caps comic font: And Then Things Got Better. This single line, combined with the woman’s dramatic upward gaze and tear-tracked cheek, encapsulates a surge of conflicted emotion—part relief, part disbelief, part residual pain. The composition is frozen in that precise psychological moment when change begins to arrive but healing is still in motion. Denial’s Subversive Pop Art Language Denial, born Daniel Bombardier in Canada, is an internationally recognized street and gallery artist whose work critiques consumerism, propaganda, and social norms through humor and graphic visual impact. Known for blending techniques from graffiti, signage, and mass media design, Denial’s prints and installations draw heavily from the legacy of pop art while injecting them with urban urgency. In And Then Things Got Better, he uses a format popularized by 1960s pop art pioneers but repurposes it to speak not about romantic melodrama but about resilience and psychological transformation. The woman’s expression is not one of shallow sadness but rather of deep processing, portraying an honest reckoning with personal or collective experience. Through limited text and bold imagery, Denial emphasizes that change, when it comes, is layered and uncertain—but worth embracing. Technical Execution and Print Quality Each print in this limited run is crafted using high-resolution archival pigment printing on 330gsm fine art paper, a museum-quality substrate known for its texture, color accuracy, and longevity. The use of pigment-based inks ensures that the vivid blues, intense blacks, and shocking pinks maintain their vibrancy without fading over time. The paper’s weight provides both tactile richness and physical substance, grounding the emotional weight of the artwork. As each edition is hand-signed and numbered by the artist, the piece becomes not just a reproduction but a personal artifact of Denial’s evolving catalog. The crisp precision of the linework, especially in the hair and lettering, showcases Denial’s control of visual rhythm and contrast. It is a piece that can exist comfortably in both street-influenced interiors and formal gallery settings. And Then Things Got Better as Contemporary Street Pop Art & Graffiti Artwork This artwork exemplifies the spirit of Street Pop Art & Graffiti Artwork through its fusion of pop iconography with modern emotional depth. While many works in the genre embrace irony or satire, Denial’s print finds space for sincerity without losing its graphic punch. It celebrates the ability of contemporary pop artists to use comic tropes and urban aesthetics not just for critique, but for emotional storytelling. The message of the piece is simple, but the context surrounding it—social upheaval, personal growth, psychological distress—makes it resonate profoundly. Denial manages to channel the graphic immediacy of street art with the structured punch of pop, giving voice to the hope that often emerges quietly after storms. And Then Things Got Better is not only a statement—it is a question, a moment of breath, and a visual reminder of survival through art.

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And Then Things Got Better- Autumn Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Autumn Variant  And Then Things Got Better – Autumn Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Autumn is a 2021 limited edition archival pigment print by Canadian artist Denial, created as part of his ongoing series that reinterprets comic book visuals through the lens of contemporary street pop art. Measuring 24 x 24 inches and printed on heavyweight 330gsm fine art paper, this variant is one of only 25 signed and numbered prints, offering collectors a rare and seasonally themed perspective within the collection. The Autumn edition channels the palette and emotional resonance of fall through a warm, earthy color scheme of orange, amber, and golden undertones. The woman at the center of the composition, defined by bold linework and a dramatic swoop of hair, gazes upward with a mix of cautious optimism and post-storm exhaustion. Above her, the now iconic caption And Then Things Got Better is set against a yellow-orange background, simultaneously echoing comic book tradition and seasonal transformation. Seasonal Emotion and Symbolic Colorwork The visual tone of the Autumn edition reflects the emotional qualities often associated with the fall season—reflection, change, and letting go. Deep burnt orange hues replace previous colorways’ cooler tones, adding an emotional warmth that suggests inner strength earned through adversity. The character’s eyes, lips, and hair are saturated in rust-like reds and golden browns, evoking fallen leaves and transitional skies. This color shift alters the mood of the piece without changing its structure, proving Denial’s mastery of emotional modulation through minimalist design. The caption reads as both a statement and a question, challenging viewers to consider whether things truly improved or if the calm is just temporary. The Autumn edition positions itself in the emotional pause before a new cycle begins, harnessing the metaphor of seasonal decay and renewal as a backdrop for internal reflection. Denial’s Voice in Street Pop Art & Graffiti Artwork Daniel Bombardier, working under the name Denial, has long operated at the intersection of public art and commercial critique. His works are recognized for fusing the sharpness of graffiti culture with the accessibility of pop imagery. The And Then Things Got Better series explores psychological nuance using the familiar visual style of comic book heroines. Each edition in the series holds distinct emotional weight through its use of color, and the Autumn variant is one of the most grounded and introspective. Denial’s work continually invites interpretation, and his use of irony, juxtaposition, and nostalgia positions him as one of the defining voices in modern Street Pop Art & Graffiti Artwork. The Autumn edition embraces this balance by offering visual serenity tinged with emotional complexity, allowing the viewer to project their own experience onto the scene. Print Technique and Collectible Value The Autumn variant is produced using archival pigment ink, ensuring the longevity and vibrancy of its autumnal palette. The 330gsm fine art paper adds weight and texture, allowing the halftone shading and sharp contrasts to appear crisp and tactile. Each print is individually signed and numbered by Denial, reinforcing its status as a limited fine art edition. With only 25 prints available, the Autumn edition offers a distinct visual statement within the broader series. It holds unique appeal for collectors of both Denial’s work and fans of Street Pop Art & Graffiti Artwork who appreciate bold commentary wrapped in nostalgic visual form. This edition brings forward the emotional aftermath of struggle, reminding us that even in quiet, uncertain moments, things might actually be getting better.

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And Then Things Got Better- Hate Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Hate Variant And Then Things Got Better – Hate Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Hate is a stark and emotionally charged archival pigment print created in 2021 by Canadian graffiti and pop artist Denial, born Daniel Bombardier. Released as a limited edition of only 25 signed and numbered prints, this artwork measures 24 x 24 inches and is produced on 330gsm museum-grade fine art paper. Known for his confrontational visuals and bold aesthetic rooted in consumer critique, Denial utilizes the visual language of comic art to explore psychological complexity through accessible pop iconography. In this Hate variant, the entire color palette is stripped down to grayscale, replacing the warmth and vibrancy of other versions with chilling neutrality. The caption panel in steel grey sets the emotional tone, while the central female figure—rendered in only black, white, and soft gray—expresses quiet anguish, captured mid-thought or in the wake of emotional turmoil. The Aesthetic and Emotional Distinction of the Hate Variant This version of Denial’s iconic piece is not just a color shift; it is a deliberate recalibration of tone and message. The grayscale palette evokes detachment, coldness, and numbness, suggesting a psychological state that exists after trauma or emotional collapse. The woman’s face, modeled on mid-century pop comic heroines, feels frozen and devoid of warmth—an intentional contrast that communicates emotional suppression rather than catharsis. The caption And Then Things Got Better, when read through the filter of the Hate edition, becomes deeply ironic. It may hint at repression, anger, or resignation masked by a public-facing statement of recovery. The tearless face, the narrowed gaze, and the absence of saturated color transform the image into a statement about the silence and distance that often follow intense personal or societal strain. Denial’s Commentary Through Minimalism in Street Pop Art & Graffiti Artwork Denial has long used mass media aesthetics to speak about propaganda, emotional manipulation, and the illusions behind commercial and cultural messages. In this Hate variant, he strips the image to its essential structure to expose emotional contradiction. The crisp linework, patterned Ben-Day dot textures, and monochromatic shading reinforce the graphic roots of his style, while the stripped-back execution demands viewers focus on tone and posture rather than color. Denial’s participation in Street Pop Art & Graffiti Artwork includes both wall-based interventions and limited edition fine art prints. Each format reflects his core mission: to disrupt perception and provoke thought using visual devices drawn from advertising and pop culture. This piece, though quieter in palette, is one of the loudest in emotional tension. It captures the essence of denial—not just the artist's moniker, but the human behavior—where feelings are buried beneath public declarations. Craftsmanship and Collectibility of the Hate Edition Printed with pigment-based inks on 330gsm acid-free fine art paper, the Hate edition is crafted to maintain both visual integrity and physical longevity. The texture of the paper allows the grayscale tones to achieve subtle variations in shading, while the precision of the print highlights every line and halftone. Each piece is signed and numbered by the artist, affirming its value as a collectible within Denial’s larger body of work. The choice to release this variant in a small edition of 25 enhances its exclusivity and relevance, especially for collectors attuned to the emotional narratives within pop art. As a statement within Street Pop Art & Graffiti Artwork, the Hate variant serves as a reminder that even the boldest images can carry quiet, unresolved messages. It is a visual testament to the moments where the world insists things are better—but the body, and the face, still remember.

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And Then Things Got Better- Love Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Love Variant And Then Things Got Better – Love Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Love is a 2021 archival pigment print by Canadian graffiti and street pop artist Denial, presented as a special variant in his well-known comic-inspired series. This limited edition artwork measures 24 x 24 inches and is printed on 330gsm fine art paper using museum-quality pigment inks. Released as a signed and numbered edition of only 25, the Love variant stands apart through its carefully adjusted palette, which replaces the original’s vibrant primaries with soft, emotionally resonant hues. The striking shift to pinks and purples softens the overall aesthetic while maintaining the sharp, high-contrast linework that defines Denial’s style. The iconic phrase printed in the upper panel—And Then Things Got Better—remains the anchor of the piece, positioned above the tear-streaked face of a woman rendered in bold pop-art fashion. With pale skin and expressive lips, the figure gazes upward, caught in a complex moment between sorrow and optimism. Color, Emotion, and Visual Narrative in the Love Variant In this edition, Denial reinterprets the emotional framework of his original design by utilizing pastel pinks and purples, creating a tone of emotional vulnerability layered over visual strength. The Love variant speaks directly to the experience of heartbreak and healing, where the gentle coloring reflects tenderness and sensitivity. The woman’s hair, now a deep violet, contrasts dramatically with her pale complexion and muted lips. The caption panel—shaded in pink instead of yellow—invokes a romantic softness that reframes the same sentence with deeper personal implications. Where the original shouted a message of survival, this variant whispers it, suggesting a slower, more intimate path toward emotional restoration. The expression on the woman's face remains one of strength under pressure, but this version invites the viewer into a quieter, more personal dialogue with resilience. Denial’s Voice in Modern Street Pop Art & Graffiti Artwork Denial, whose real name is Daniel Bombardier, continues to push the boundaries of Street Pop Art & Graffiti Artwork with projects like the And Then Things Got Better series. His work synthesizes comic book structure, propaganda aesthetics, and satirical language into a unique visual identity rooted in street art culture. While Denial is known for large-scale public installations and high-contrast political commentary, works like this print demonstrate his capacity for emotional nuance. The Love variant specifically shows how pop-influenced compositions can evolve into deeply intimate visual reflections. It holds a mirror to human vulnerability, all while retaining the immediacy and punch of street-based art. Denial’s commitment to craftsmanship, shown through his consistent use of archival-quality materials and limited edition formats, reinforces the collector-worthy status of each piece. Craft and Collectibility of the Love Edition This variant is printed using archival pigment inks on 330gsm acid-free paper, ensuring longevity and vibrant color retention. The dot matrix texture mimics the Ben-Day printing method made famous in mid-20th-century comics, grounding the piece in pop art tradition while giving it contemporary narrative power. Every print is signed and numbered by the artist, marking its authenticity and rarity. With only 25 editions produced, the Love variant becomes a highly sought-after collectible that combines visual nostalgia with emotional depth. Denial’s meticulous attention to both concept and execution ensures that this piece stands as an exemplar of how Street Pop Art & Graffiti Artwork can carry both visual punch and sincere sentiment. This print is not just about how things got better—it is about the vulnerability it takes to believe they can.

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And Then Things Got Better- Pink Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Pink Variant And Then Things Got Better – Pink Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Pink is a 2021 archival pigment print by Canadian artist Denial, created as part of a series that reimagines classic comic book panels through a modern pop art lens. This edition is printed on 330gsm fine art paper using museum-grade pigment inks and measures 24 x 24 inches. Released as a signed and numbered limited edition of 25, the Pink variant showcases Denial’s signature blend of pop culture critique, emotional depth, and bold visual language. The composition captures a close-up of a woman’s face in dramatic profile, with vibrant pinks replacing the traditional comic palette to convey a contemporary mood of confidence and personal transformation. The upper caption panel reads And Then Things Got Better, rendered in soft pink with bold black lettering. The message, ambiguous and potent, hovers above an image rich in stylized tension, caught between vulnerability and reclamation. The Pink Palette as Emotional Architecture Color is central to the emotional tone of the Pink edition. Denial replaces the original comic yellow and blue hues with intense fuchsia tones and a warmer palette that redefines the scene. The deep pink in the woman's lips and hair provides a punch of contemporary energy while maintaining the flat, graphic intensity typical of pop art. Her gaze remains fixed beyond the viewer, carrying with it the weight of introspection, change, and unspoken resolve. The caption feels less ironic here than in other versions, lending the piece a sense of recovery framed through identity and empowerment. Denial often explores duality—conflict and healing, fear and strength—and this print manifests that exploration visually. The woman's poised expression and stylized tears challenge the boundaries between narrative and design, letting the viewer choose whether the message reflects sarcasm, survival, or both. Denial’s Commentary on Pop Culture in Street Pop Art & Graffiti Artwork Daniel Bombardier, known professionally as Denial, is based in Windsor, Ontario, and is internationally recognized for his fusion of graffiti culture and pop art sensibilities. His work often uses parody and appropriation of mass media aesthetics to question political, social, and emotional structures. And Then Things Got Better exemplifies his ability to twist familiar formats into powerful visual commentary. Denial pulls from the lexicon of comic books, advertisements, and signage, reworking these sources to address contemporary issues like emotional suppression, resilience, and personal awakening. Through this Pink edition, Denial continues to redefine how emotion and design operate in Street Pop Art & Graffiti Artwork, treating pop art not only as critique but as a vehicle for personal expression and empowerment. Craftsmanship and Collector Appeal of the Pink Edition This edition is produced using archival pigment printing techniques that ensure vivid color stability and detailed resolution over time. The 330gsm fine art paper provides a rich, tactile surface that complements the intensity of the design. Every print is signed and numbered by the artist, verifying its authenticity and enhancing its appeal to collectors of modern pop and street-influenced art. Limited to only 25 pieces, the Pink edition carries both scarcity and emotional resonance, reflecting Denial’s unique ability to merge bold visuals with conceptual weight. This work sits confidently within the larger canon of Street Pop Art & Graffiti Artwork, demonstrating how humor, drama, and color can coexist in one frame to tell a story that is at once universal and deeply personal. Denial’s Pink variant stands not as a conclusion, but as a vivid and emotional snapshot of transformation in motion.

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And Then Things Got Better- Summer Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Summer Variant  And Then Things Got Better – Summer Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Summer is a 2021 archival pigment print created by Canadian artist Denial, also known as Daniel Bombardier. Measuring 24 x 24 inches and printed on 330gsm museum-grade fine art paper, this limited edition artwork was released in a run of only 25 signed and numbered prints. The Summer variant infuses the original pop art-inspired composition with intense seasonal heat through a vivid red and warm earth-tone palette. The composition features a close-up of a comic-style female figure, captured in a moment of dramatic contemplation. Her gaze lifts upward while her hair whips across the frame in sweeping strokes of black and fire red. The caption, printed in dark text over a desaturated red background, reads And Then Things Got Better, a line loaded with layered emotional resonance and open interpretation. Color and Emotion in the Summer Variant This Summer edition is characterized by a palette dominated by deep reds, warm beige tones, and subdued mauves. These colors speak to intensity, transformation, and emotional pressure—the type often associated with personal growth in high-heat moments. The red eyes and lips of the character radiate intensity, matching the fiery highlights in her hair. Where other variants may evoke hope or reflection, Summer burns with unresolved passion, giving the print an emotional temperature that borders on eruption. The woman’s expression, as in the other versions, remains ambiguous—poised between vulnerability and defiance—but here, with the heightened red tones, her presence feels louder, more immediate. The composition suggests the heat of survival, the moment after impact, the quiet following the blaze of emotional confrontation. Denial’s Conceptual Power in Street Pop Art & Graffiti Artwork Daniel Bombardier’s work under the name Denial is grounded in the critical language of Street Pop Art & Graffiti Artwork. His bold use of comic book formats, consumerist aesthetics, and emotionally charged phrases speaks to a cultural environment overwhelmed by noise yet yearning for sincerity. In this series, Denial uses the familiar form of a pop art panel to explore how repeated messages—both personal and political—can lose or gain meaning depending on context. The Summer variant reflects his ability to merge psychological insight with graphic composition, using color not only as decoration but as narrative. The interplay of tension and visual rhythm draws viewers in, inviting them to read not only the figure’s face but the underlying emotional structure behind the statement. Craft, Technique, and Collector Appeal Produced using high-resolution archival pigment inks, this print ensures a depth of color and longevity essential for serious collectors. The 330gsm fine art paper enhances the tactile and visual quality, giving richness to the red tones and contrast to the black linework. Each print is hand-signed and numbered by Denial, further establishing the authenticity and rarity of this Summer edition. With only 25 pieces produced, this variant stands out not just for its design but for its place within a tightly curated collection of emotional studies in pop form. It exemplifies the kind of introspective confrontation that makes Street Pop Art & Graffiti Artwork so compelling—personal, provocative, and powerfully unresolved. And Then Things Got Better – Summer radiates with the truth that sometimes healing arrives not gently, but in flames.

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And Then Things Got Better- Winter Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Winter Variant And Then Things Got Better – Winter Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Winter is a limited edition archival pigment print by Canadian artist Denial, professionally known as Daniel Bombardier. Released in 2021, this edition is one of only 25 signed and numbered prints, measuring 24 x 24 inches and produced on 330gsm museum-grade fine art paper. The Winter variant transforms Denial’s now-iconic pop art composition into a piece of icy emotional clarity. Replacing warm tones with cool grays and electric blues, this version evokes the stillness, isolation, and introspective chill often associated with winter months. The central figure—a comic-styled woman with sharply rendered features—is caught in a moment of frozen reflection, her hair swept across the frame in frosty blue strokes. The caption And Then Things Got Better sits in crisp black lettering against a blue background, both grounding and complicating the emotional atmosphere. Color as Emotional Temperature in the Winter Variant The Winter edition shifts the psychological tone of the original composition through its carefully chosen color palette. The grayscale halftone skin contrasts with icy blues in the hair, lips, and eyes, casting the entire scene in a tone of emotional suspension. Where other variants express fire, bloom, or warmth, Winter delivers stillness. The character’s expression remains subtle, her upward gaze neither fully hopeful nor despairing. It reads instead like the calm acknowledgment that change has arrived, but not without cost. The blue lips and tear-lined eye introduce a cold, resilient strength, suggesting a quiet form of endurance rather than celebration. Denial’s ability to use color as narrative structure allows this edition to function as a metaphor for emotional winter—a time of withdrawal, self-preservation, and stark realization. Denial’s Pop Language and Street Credibility Denial’s work remains rooted in the language of Street Pop Art & Graffiti Artwork, consistently blending commercial aesthetics, pop iconography, and emotional subtext. The And Then Things Got Better series explores the complexities of survival, identity, and transformation using the nostalgic format of mid-century comic book panels. By pairing these familiar visuals with ambiguous emotional content, Denial asks viewers to reconsider the narratives embedded in popular culture. The Winter edition, with its subdued palette and intense contrast, sharpens this question further. It places the viewer in a season of reflection—literal and figurative—and encourages a reassessment of what better truly means. Denial’s consistent use of irony, sincerity, and sharp visual craftsmanship keeps his work relevant both on the street and in the gallery. Material Quality and Collector Appeal Printed on 330gsm fine art paper with archival pigment inks, this edition promises long-lasting vibrancy and detail. The halftone dots and inky black lines are rendered with museum-level precision, giving the work a timeless print quality that honors its pop art lineage. Each piece is hand-signed and individually numbered by Denial, adding a personal layer to the already limited run of 25. The Winter edition stands as a striking chapter in a series that has become one of Denial’s most collected bodies of work. For fans of Street Pop Art & Graffiti Artwork, it offers a moment of calm contemplation in the midst of louder visual narratives. This print captures that rare, cold breath between endings and new beginnings—when things have indeed gotten better, but the thaw has just begun.

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And Then Things Got Better- Spring Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Spring Variant And Then Things Got Better – Spring Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Spring is a 2021 limited edition archival pigment print by Canadian street pop artist Denial, also known as Daniel Bombardier. Printed on 330gsm museum-grade fine art paper and measuring 24 x 24 inches, this piece is part of a signed and numbered edition of just 25. As one of the expressive variants in the And Then Things Got Better series, the Spring edition brings a refreshing energy and emotional shift to a classic comic-inspired format. Denial captures the psychological moment of transition with a female figure drawn in high-contrast linework, framed tightly in a close-up of her face. Her vivid teal hair, eyes, and lips contrast with the cream-toned halftone skin, emphasizing clarity and renewal in contrast to the turmoil depicted in earlier colorways of the same composition. The Role of Color and Message in the Spring Variant The Spring edition revitalizes Denial’s familiar scene of reflection and emotional complexity through its fresh, cool palette. The use of teal throughout the character’s features creates an uplifting atmosphere, mirroring seasonal rebirth and a sense of emotional reset. The caption And Then Things Got Better, rendered in black against a teal panel, shifts in meaning depending on the viewer’s frame of mind. Within this color scheme, the phrase feels less ironic and more quietly triumphant. The character’s upward gaze and slightly parted lips hint at realization and hope rather than crisis or aftermath. Her facial expression remains poised in emotional suspense, a trademark of Denial’s approach to visual narrative. This piece explores the delicate balance between fragility and strength, offering a fresh layer of emotional depth through a minimal yet powerful adjustment in tone. Denial’s Commentary Through Comic Language in Street Pop Art & Graffiti Artwork Denial is one of the most prominent figures in contemporary Street Pop Art & Graffiti Artwork, known for repurposing the visual vocabulary of pop culture, propaganda, and consumer signage into emotionally charged works. The And Then Things Got Better series demonstrates his ability to manipulate familiar imagery in new ways, using subtle variation to explore themes of mental health, societal conditioning, and personal evolution. The Spring edition maintains the precision of Denial’s comic-inspired format—Ben-Day dot textures, thick outlines, and exaggerated features—while allowing the color choices to speak directly to the emotional undercurrent. As with all works in this series, the format recalls mid-century mass media but carries the urgency and intimacy of street culture. The juxtaposition of mass reproducibility with the authenticity of emotion creates a tension that is central to Denial’s impact in the genre. Production Quality and Collector Significance of the Spring Edition This edition is printed using archival pigment inks designed for longevity, preserving the richness of color and detail over time. The 330gsm fine art paper offers both durability and a tactile surface that complements the graphic strength of the image. Each piece is hand-signed and numbered by Denial, affirming its place within a tightly curated edition. The Spring variant’s soft yet bold aesthetic, paired with its scarcity, makes it a highly collectible artifact in the modern pop and street art market. More than just a reimagining of an existing motif, it is a distinct chapter in a visual dialogue about resilience and change. Denial’s Spring edition is a vivid embodiment of Street Pop Art & Graffiti Artwork’s capacity to hold both critical reflection and emotional release in a single, stylized frame.

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Black Jack Limited Edition Archival Pigment Print on 330gsm Fine Art Paper by Heidi Taillefer Graffiti Street Artist Modern Pop Art. "Black Jack was painted as a commercial project in conjunction with Formula One racing. It bears the trademark hybridization of technology combined with the organic for which Heidi Taillefer is known, in a domain where technology is pushed to its maximum continually. It is the power of a race horse combined with the power of F1 racing technology."" - Heiidi Taillefer

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El Camino De La Creacion Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Luis Toledo Graffiti Street Artist Modern Pop Art. "In the context of Hinduism, Shiva is one of the gods of the Tri-murti ('three-ways', the Hindu Trinity), which plays the role of destroyer god, along with Brahma (the creator god) and Vishnu (preserver god). For this piece I wanted to mix in the same work the Hindu religion with space and form a new cosmogony. " - Luis Toledo

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In Transit Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Ces One- Rob Provenzano Graffiti Street Artist Modern Pop Art. "This piece was created for the Detroit Beautification Project in 2012. The original is painted on a New York City MTA vinyl train letterline from the 1980s. A friend of mine works for the Metropolitan Transit Authority (MTA) and was able to remove the train line letters before they sent the old trains out to be dumped into the ocean to create coral reef. The original is a true one of a kind and so are the prints, each piece will be hand-embellished by me, making each completely unique. " - CES

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Iron Man 3- Box Office Limited Edition Archival Pigment Print on 330gsm Fine Art Paper by Bask street artist modern pop art. "Last June, a friend called me saying that Robert Downey Jr. and the production team wanted to use one of my paintings, When It Rains It Pours, in the next Iron Man film. So I created it to their size specification of 5ft wide and 13ft tall and the piece was put into Iron Man Tony Starks' home in the film. Then they asked me if I’d be interested in doing more work for the Mandarin’s lair a few months later when they were shooting in Miami. I of course said yes, and ended up doing 13 more massive paintings and some set design for them along with the Iron Man mask you see here. They asked me to create a design for the wrap of the film last year. They made shirts and postcards for the set department with that image. So while this doesn't appear in the film it was definitely a big part of the project." - BASK

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Own Your Power Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Indie184 Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 15 Artwork Size 13x17 "Both of these pieces were originally created for my first solo exhibit "Go Hard" in LA. The title and theme of the show came about from an epiphany I had and a motto that I live by. In my life, I have many roles and at the end of the day, no one is going to show me or tell me how to do it. My success all depends on how hard I want to go. I am my own artist. All the pieces are worlds of personal declarations; they are constant reminders to help me stay empowered. Basically, lots of self-motivation, fear conquering, and an undeniable twist of feminism in most of my work. The female icons I used not only for the purpose of their stunning beauty but also their story of how they came, conquered, and rocked the world. "Don't Get It Twisted" with Maria Montes, Queen of Technicolor, and "Own Your Power" with Marquita Rivera- Queen of Latin Rhythm. I loved how they were small-town girls, pursued their dreams, broke barriers, and made it to worldwide legendary status, thinking BIG. I like that badass female touch to the pieces. " - Indie

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Purgatory Limited Edition Archival Pigment Print on 330gsm Fine Art Paper by Chor Boogie Graffiti Street Artist Modern Pop Art. Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. "Company of Thieves" at Inner State Gallery in Detroit with special guest DJ Qbert. These self-confessed ‘visual thieves have a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, creating new and pertinent interpretations that are as confronting as they are humorous. This collaboration with DJ Qbert carries on with this theme as all 3 artists join together as a Company of Thieves, sampling and remixing to create something entirely new.

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Quetzal Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Stinkfish Graffiti Street Artist Modern Pop Art. "The piece is based on a photo that I took in a gypsy neighborhood "Zorroza" at the city of Bilbao (Spain) last year in May. The following year I was painting a wall with my friend Malk, when a lot of kids come to us to ask about the wall and play around. At the end the whole family was around us, one of the members of the family was this little girl with these powerful eyes and a really special and strange energy." - Stinkfish

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Shark & Three Girls Show Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 40 Artwork Size 18x19 "This piece is significant in the journey towards my solo show in October titled "Ping Pong Show." Two Girls And Three Tigers illuminates the contemplation of nature, culture, predator vs. prey, and recent travels to Thailand and the middle east.The idea is a culmination of seduction, animal spirit, philosophy of culture and its roll in the idea of predator vs. prey. 1 square inch could take 1 - 5 days depending on how it's working with the painting as a whole. My process can be masochistic. It's a chess match. My roots as an illustrator is that everything is planned out. I'm going against the grain in more of a fine art direction by allowing the painting to guide me, to ask me questions. There are very small to very large details to this piece from color, to shape, and form. These details were in large part not preplanned and a manifestation of content. " - Shark Toof

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