And Then Things Got Better Pink Archival Print by Denial- Daniel Bombardier

Artwork Description

And Then Things Got Better- Pink Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art.

Pink Variant 24x24 Edition of 25 2021

"My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial

In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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$385.00

    And Then Things Got Better- Pink Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street... Read more

    • And Then Things Got Better Pink Archival Print by Denial- Daniel Bombardier
    • Year: 2021
    • Size: 24x24
    • Artist: Denial- Daniel Bombardier
    • Edition of: 25
    • Archival Pigment Print on 330gsm Fine Art Paper
      • Not Framed
      • Signed: Yes
      • Colors: Tan, Pink, Black

      Artwork Description

      And Then Things Got Better- Pink Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art.

      Pink Variant 24x24 Edition of 25 2021

      "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial

      In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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