Artworks

13 Horror Movie Killer Giclee Print by Dave Pollot Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 55 Artwork Size 23.5x14 13 Horror Movie Killer Giclee Print by Dave Pollot – A Twisted Reimagining of a Classical Icon in Street Pop Art & Graffiti Artwork Dave Pollot’s 2022 limited edition giclee print titled 13 Horror Movie Killer is a provocative reworking of Leonardo da Vinci’s The Last Supper, infused with a dark sense of humor and horror iconography. Measuring 23.5 by 14 inches and printed on fine art paper, this signed and numbered edition of only 55 pieces fuses the sacred with the sinister. Pollot, a New York-based contemporary artist known for inserting pop culture references into classical works, transforms the scene by replacing the apostles with legendary horror villains. The visual tension between the divine center figure and the violent figures surrounding it makes for a disorienting yet captivating reinterpretation that has earned attention in both pop art and street art circles. From Frankenstein to Freddy: Horror Icons in Satirical Congregation The composition includes instantly recognizable horror figures such as Frankenstein’s monster, the Mummy, the Creature from the Black Lagoon, and modern slasher legends like Freddy Krueger, Michael Myers, Jason Voorhees, Leatherface, Ghostface, and Pinhead. Each character is rendered with care, echoing their cinematic presence while still fitting into the worn, aged aesthetic of da Vinci’s backdrop. Pollot’s hand does not merely parody—it curates, combining the weight of religious artwork with the iconography of film to challenge perceptions of cultural veneration and morality. While the viewer may initially laugh at the absurdity of horror villains sharing a sacred meal, closer inspection reveals a striking contrast between fear and faith, pop culture and permanence. Fine Art Meets Cultural Subversion in Street Pop Art & Graffiti Artwork Pollot is widely respected for blurring the line between high and low art by physically painting over or digitally altering thrifted classical-style artworks with characters from video games, movies, and TV. In this case, the digital giclee method allows for rich detail and a textured finish that replicates the painterly quality of the source material. By choosing a limited print run of 55 on fine art paper, Pollot elevates the piece into the realm of collectible Street Pop Art & Graffiti Artwork. The giclee process itself is notable for its ability to capture nuanced color tones and intricate shadows, allowing for every wrinkle, shadow, and blood-streaked detail of these horror legends to be rendered with clarity and depth. Dave Pollot’s Commentary Through Dark Satire and Familiar Icons Dave Pollot, born and working in the United States, is a contemporary street pop artist who brings a distinct sense of irony and observation to his pieces. His work consistently reimagines traditional art forms by inserting them into the absurdity of modern entertainment. In 13 Horror Movie Killer, Pollot offers more than a novelty image—he constructs a narrative of cultural worship, asking whether our societal figures of devotion have shifted from sacred icons to entertainment monsters. As a piece of Street Pop Art & Graffiti Artwork, it fits perfectly into conversations around iconoclasm, nostalgia, and the strange comfort horror continues to provide in modern media. Each killer is a symbol, and their placement at a table of holy significance invites a sharp critique about consumption, fandom, and collective memory in the twenty-first century.

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2017 Han Solo Star Wars $5 Niue PR 70 Deep Cameo DCAM Ultra High Relief FDI | PCGS Graded Silver 5 Dollar Coin New Zealand/Australia Region World Commemorative Authentic Slabbed Rare Currency. This exceptional 2017 Han Solo Star Wars commemorative coin represents a pinnacle of numismatic artistry. Struck in pure silver by Niue, this $5 piece showcases ultra-high relief detailing that captures the iconic character with remarkable precision. Graded PR 70 Deep Cameo by PCGS, it achieves the highest proof standard with exceptional contrast between frosted devices and mirror fields. The FDI (First Day of Issue) designation confirms its status as a premiere release. This world commemorative from the New Zealand/Australia region combines Star Wars collectibility with serious numismatic credentials, making it highly sought by both entertainment and currency enthusiasts. Authentically slabbed and certified, this rare piece represents a significant addition to any collection.

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2017 Spider Man Homecoming Cook Island $5- PF 70 Ultra Cameo | NGC Silver Five Dollar Graded Coin First Release Collectible Authentic Rare Commemorative Red Core Slabbed World Coin Signed by John M Mercanti.  This 2017 Cook Islands Spider-Man Homecoming $5 silver coin showcases exceptional numismatic craftsmanship, graded PF 70 Ultra Cameo by NGC. The proof finish delivers striking contrast between frosted designs and mirror fields, capturing the iconic superhero imagery with remarkable detail. Certified as a First Release issue, this commemorative piece combines pop culture appeal with serious collector value. Encapsulated in an official NGC slab, it guarantees authenticity and long-term preservation. A distinctive offering for those pursuing modern commemorative coins and entertainment-themed numismatic rarities.

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2018 Iron Man Tuvalu Silver Dollar- MS 70 | NGC Marvel Comics Graded Coin Commemorative Authentic Rare Slabbed Red Holder Australian World Currency.  This exceptional 2018 Iron Man Tuvalu Silver Dollar represents a remarkable convergence of numismatic excellence and pop culture collectibility. Graded MS 70 by NGC, this commemorative coin achieves the highest possible certification standard, guaranteeing pristine condition and authenticity. Struck in pure silver and officially minted by Tuvalu, it features iconic Marvel Comics imagery that appeals to both serious coin collectors and superhero enthusiasts. The professional slabbing provides permanent protection and authentication, making this a legitimate investment-grade piece. Scarce in the marketplace, particularly in this elite grade, it stands as a distinctive addition to any world currency or Marvel memorabilia collection.

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3D Death Curses Volume 1 Limited Edition Art Comic Book Zine with Real 3D Art by Scarecrowoven. Includes working 3D glasses and 14 pages of art.

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A Lightsaber in the Stone Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Patrick Connan Graffiti Street Artist Modern Pop Art. AP Artist Proof, Metallic Inks

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Abe Sapien Sketch Original Marker Drawing Art on Fine Art Paper by graffiti street artist modern pop art Rich Pellegrino. 2013 Signed Original Marker Drawing by Rich Pellegrino Artwork Size 9x12

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ABSDUNK Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist ABSTRK, Street Pop Art Graffiti Renown. 2023 Signed & Numbered #23 of 23 Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 24 x 18 Inches Release: February 17, 2022 Edition of: 23

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Absolute Ali Unique Original HPM Spray Paint Silkscreen Print by Mr. Brainwash- Thierry Guetta Mixed Media Screen Print on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2017 Signed Custom Framed with COA Spray Paint, Acrylic Paint Mixed Media Unique HPM Embellished Original Artwork Size 48.5x35.5. Famous Boxer Muhammad Ali Raising Hands in Boxing Sports Victory with Tons of Colorful Spray Paint & Paint Hand-Embellished. Custom Ornate Gold Frame Size 57x45 Evolution and Impact of Mr. Brainwash's Street Pop and Graffiti Artwork The vibrant and irreverent energy of Street Pop Art and Graffiti Artwork has radically transformed the visual landscape of urban culture. These forms of artistic expression, which have their roots deeply embedded in the subversive countercultures of the past, have now ascended to the pantheon of high art, thanks to the works of visionaries like Thierry Guetta, also known as Mr. Brainwash. His unique approach to art, which combines elements of both street art and pop art, has resulted in creations that are not only visually stunning but also rich in cultural commentary. Mr. Brainwash burst onto the art scene with his innovative blend of street art sensibilities and pop art aesthetics. His work often incorporates iconic figures and familiar motifs, recontextualizing them within street art's urban grit and spontaneous energy. His 2017 "Absolute Ali" piece is a powerful testament to this style. By using silkscreen printing and hand embellishments with spray and acrylic paints, Mr. Brainwash creates a multi-layered texture that echoes the complexity of the cultural icon it depicts: the legendary boxer Muhammad Ali. "Absolute Ali" - A Masterpiece of Mixed Media "Absolute Ali" stands as a stunning example of Mr. Brainwash's artistry. This piece showcases a limited edition, mixed media screen print on fine art paper featuring the heavyweight champion Muhammad Ali. The artwork captures the triumphant moment of Ali raising his hands in victory, immortalizing the emotion and power of the sports legend. Through the application of vibrant and chaotic splashes of color, the artwork is infused with a sense of movement and dynamism characteristic of both Ali's boxing style and Mr. Brainwash's artistic approach. This work is not just a mere portrait but a celebration of triumph, diversity, and the indomitable spirit of the human will, as embodied by Ali. The backdrop of the composition is a veritable collage of imagery and color, with each layer of paint and each silkscreened element building upon the last to create a rich tapestry of visual stimuli. The piece is a feast for the senses, with the hand-embellished splatters of paint not only adding texture but also creating an almost palpable energy that radiates from the canvas. The Role of Street Pop and Graffiti Artwork in Contemporary Art Artworks like "Absolute Ali" are pivotal examples of how Street Pop Art and Graffiti Artwork have shifted the boundaries of traditional art. They reflect the cultural zeitgeist, encapsulating the streets' voices, struggles, and victories. By bringing such work into galleries and the realm of fine art, artists like Mr. Brainwash challenge preconceived notions of what art can be and who it is for. This democratization of art has led to a more inclusive and diverse art world where the line between high art and street culture is increasingly blurred. The limited edition nature of "Absolute Ali," coupled with its hand-embellished features, ensures that each piece is a unique treasure, representing Mr. Brainwash's vision. The artwork's custom ornate gold frame further enhances its allure, juxtaposing the traditionally luxurious connotations of gold and the raw, unrefined essence of street art. For collectors, owning a piece like "Absolute Ali" is not just an investment in art; it is an investment in cultural history, a snapshot of when street art rose to prominence and reshaped the art world. "Absolute Ali" is more than just a work of art. It is a cultural artifact that embodies the essence of Street Pop and Graffiti Artwork. Through the fusion of silkscreen printing and spray paint, Mr. Brainwash has created an artwork that vibrates with life, encapsulating the spirit of Muhammad Ali and the essence of street art. It is a bold statement in the ongoing narrative of art history, highlighting the ever-evolving nature of artistic expression and the power of art to capture the human experience.

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Acid B & V Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Glenn Barr pop culture LSD artwork. Glenn Barr's surreal creatures, specters and tragic characters live in a seedy universe, drenched in the grit and haze of a post-apocalyptic urban dreamscape. His Detroit work has been labeled Pop Surrealism, Pop Pluralism, Lowbrow, Regional, Outsider, Ashcan or as he coins the phrase “B Cultural-ism”.

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All-American Temper Tot Artwork Giclee w/ HPM Airbrush Spray Paint Embleshment Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Ron English- POPaganda. Hand-painted multiple with airbrush spray embellishment around the Hulk-like Temper Tot. Created to celebrate the mural that Ron created on the Houston Bowery Wall in NYC.

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An Act of Faith HPM Acrylic Spray Paint Silkscreen Print by Faile Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2025 Signed & Numbered Spray Paint, Ink & Acrylic Paint HPM Embellished Limited Edition of 24 Artwork Size 25x38 An Act of Faith by Faile An Act of Faith is a hand-painted multiple silkscreen print created by the Street Pop Art collective Faile, executed in 2025 in a limited edition of 24. Each print measures 25 by 38 inches and is individually signed and numbered. The artwork is a hybrid visual tapestry constructed using silkscreen ink, spray paint, and acrylic hand embellishment on fine art paper. Its vivid imagery and comic-inspired text panels present a layered critique of media, gender identity, and the construct of self-perception. This piece continues Faile’s legacy of transforming vintage commercial design into complex visual puzzles that interrogate popular culture. Iconography and Satirical Power An Act of Faith presents an aesthetic rooted in mid-century pulp comics, twisted with modern irony and subversive commentary. The central image features a man gazing into a dressing room mirror, surrounded by fractured reflections of women, a wolf, and disembodied pop culture references. The phrase Who am I? I can’t tell which is the real Faile reinforces the identity distortion that plays across the surface. Each character is stylized with bold outlines, saturated color fields, and meticulous brushwork added post-screening, transforming the uniformity of the silkscreen process into a collection of unique variants. Faile, formed by Patrick McNeil and Patrick Miller, began their collaborative work in the early 2000s in the United States. Their projects often use found iconography, commercial typography, and nostalgic aesthetics to challenge consumerism, masculinity, and mass production. This print extends that method through its satirical reference to mass media with phrases like Art That Respects Your Intelligence and The Most Puzzling Story You’ve Ever Seen. These slogans mimic vintage comic book advertisements but are reappropriated to critique visual culture. Print Process and HPM Technique An Act of Faith is printed using a traditional silkscreen process, a hallmark of Pop Art that channels the commercial reproduction techniques famously employed by artists like Andy Warhol. However, Faile distinguishes their method by employing HPM, or Hand-Painted Multiple techniques. Each piece is enhanced with layers of acrylic and spray paint after printing, resulting in a vibrant and textured finish. This process ensures that no two works are exactly alike, blurring the boundaries between print edition and painting. Cultural Commentary in Street Pop Art & Graffiti Artwork Faile’s work exists at the confluence of fine art, urban decay, and consumer critique. An Act of Faith takes the format of a comic book cover and reconstructs it into a statement about authenticity, perception, and mediated identity. It confronts viewers with the question of who controls the narrative of visual culture—artists, corporations, or consumers. With its blend of nostalgic aesthetics and street art grit, this piece exemplifies the crossover of graffiti’s rebellious roots and pop art’s accessible critique. As part of the 2025 limited series, it reflects the evolution of street pop art into museum-worthy dialogue, maintaining its roots in public disruption and cultural satire.

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And Then Things Got Better Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 And Then Things Got Better by Denial – A Bold Statement of Hope in Street Pop Art & Graffiti Artwork And Then Things Got Better is a striking archival pigment print created by the Canadian street pop artist Denial in 2020. Measuring 24 x 24 inches and printed on 330gsm fine art paper, this work was released in a signed and numbered limited edition of only 25. The piece draws immediate visual comparison to classic comic strip aesthetics but subverts expectations through a modern lens. Featuring a close-up portrait of a woman rendered in high contrast with bold black outlines, vibrant pink lips, vivid green eyes, and Ben-Day dot textures, the print captures the emotional intensity that Denial is known for. The panel’s yellow upper strip carries the titular phrase, printed in an all-caps comic font: And Then Things Got Better. This single line, combined with the woman’s dramatic upward gaze and tear-tracked cheek, encapsulates a surge of conflicted emotion—part relief, part disbelief, part residual pain. The composition is frozen in that precise psychological moment when change begins to arrive but healing is still in motion. Denial’s Subversive Pop Art Language Denial, born Daniel Bombardier in Canada, is an internationally recognized street and gallery artist whose work critiques consumerism, propaganda, and social norms through humor and graphic visual impact. Known for blending techniques from graffiti, signage, and mass media design, Denial’s prints and installations draw heavily from the legacy of pop art while injecting them with urban urgency. In And Then Things Got Better, he uses a format popularized by 1960s pop art pioneers but repurposes it to speak not about romantic melodrama but about resilience and psychological transformation. The woman’s expression is not one of shallow sadness but rather of deep processing, portraying an honest reckoning with personal or collective experience. Through limited text and bold imagery, Denial emphasizes that change, when it comes, is layered and uncertain—but worth embracing. Technical Execution and Print Quality Each print in this limited run is crafted using high-resolution archival pigment printing on 330gsm fine art paper, a museum-quality substrate known for its texture, color accuracy, and longevity. The use of pigment-based inks ensures that the vivid blues, intense blacks, and shocking pinks maintain their vibrancy without fading over time. The paper’s weight provides both tactile richness and physical substance, grounding the emotional weight of the artwork. As each edition is hand-signed and numbered by the artist, the piece becomes not just a reproduction but a personal artifact of Denial’s evolving catalog. The crisp precision of the linework, especially in the hair and lettering, showcases Denial’s control of visual rhythm and contrast. It is a piece that can exist comfortably in both street-influenced interiors and formal gallery settings. And Then Things Got Better as Contemporary Street Pop Art & Graffiti Artwork This artwork exemplifies the spirit of Street Pop Art & Graffiti Artwork through its fusion of pop iconography with modern emotional depth. While many works in the genre embrace irony or satire, Denial’s print finds space for sincerity without losing its graphic punch. It celebrates the ability of contemporary pop artists to use comic tropes and urban aesthetics not just for critique, but for emotional storytelling. The message of the piece is simple, but the context surrounding it—social upheaval, personal growth, psychological distress—makes it resonate profoundly. Denial manages to channel the graphic immediacy of street art with the structured punch of pop, giving voice to the hope that often emerges quietly after storms. And Then Things Got Better is not only a statement—it is a question, a moment of breath, and a visual reminder of survival through art.

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And Then Things Got Better- Autumn Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Autumn Variant  And Then Things Got Better – Autumn Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Autumn is a 2021 limited edition archival pigment print by Canadian artist Denial, created as part of his ongoing series that reinterprets comic book visuals through the lens of contemporary street pop art. Measuring 24 x 24 inches and printed on heavyweight 330gsm fine art paper, this variant is one of only 25 signed and numbered prints, offering collectors a rare and seasonally themed perspective within the collection. The Autumn edition channels the palette and emotional resonance of fall through a warm, earthy color scheme of orange, amber, and golden undertones. The woman at the center of the composition, defined by bold linework and a dramatic swoop of hair, gazes upward with a mix of cautious optimism and post-storm exhaustion. Above her, the now iconic caption And Then Things Got Better is set against a yellow-orange background, simultaneously echoing comic book tradition and seasonal transformation. Seasonal Emotion and Symbolic Colorwork The visual tone of the Autumn edition reflects the emotional qualities often associated with the fall season—reflection, change, and letting go. Deep burnt orange hues replace previous colorways’ cooler tones, adding an emotional warmth that suggests inner strength earned through adversity. The character’s eyes, lips, and hair are saturated in rust-like reds and golden browns, evoking fallen leaves and transitional skies. This color shift alters the mood of the piece without changing its structure, proving Denial’s mastery of emotional modulation through minimalist design. The caption reads as both a statement and a question, challenging viewers to consider whether things truly improved or if the calm is just temporary. The Autumn edition positions itself in the emotional pause before a new cycle begins, harnessing the metaphor of seasonal decay and renewal as a backdrop for internal reflection. Denial’s Voice in Street Pop Art & Graffiti Artwork Daniel Bombardier, working under the name Denial, has long operated at the intersection of public art and commercial critique. His works are recognized for fusing the sharpness of graffiti culture with the accessibility of pop imagery. The And Then Things Got Better series explores psychological nuance using the familiar visual style of comic book heroines. Each edition in the series holds distinct emotional weight through its use of color, and the Autumn variant is one of the most grounded and introspective. Denial’s work continually invites interpretation, and his use of irony, juxtaposition, and nostalgia positions him as one of the defining voices in modern Street Pop Art & Graffiti Artwork. The Autumn edition embraces this balance by offering visual serenity tinged with emotional complexity, allowing the viewer to project their own experience onto the scene. Print Technique and Collectible Value The Autumn variant is produced using archival pigment ink, ensuring the longevity and vibrancy of its autumnal palette. The 330gsm fine art paper adds weight and texture, allowing the halftone shading and sharp contrasts to appear crisp and tactile. Each print is individually signed and numbered by Denial, reinforcing its status as a limited fine art edition. With only 25 prints available, the Autumn edition offers a distinct visual statement within the broader series. It holds unique appeal for collectors of both Denial’s work and fans of Street Pop Art & Graffiti Artwork who appreciate bold commentary wrapped in nostalgic visual form. This edition brings forward the emotional aftermath of struggle, reminding us that even in quiet, uncertain moments, things might actually be getting better.

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And Then Things Got Better- Hate Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Hate Variant And Then Things Got Better – Hate Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Hate is a stark and emotionally charged archival pigment print created in 2021 by Canadian graffiti and pop artist Denial, born Daniel Bombardier. Released as a limited edition of only 25 signed and numbered prints, this artwork measures 24 x 24 inches and is produced on 330gsm museum-grade fine art paper. Known for his confrontational visuals and bold aesthetic rooted in consumer critique, Denial utilizes the visual language of comic art to explore psychological complexity through accessible pop iconography. In this Hate variant, the entire color palette is stripped down to grayscale, replacing the warmth and vibrancy of other versions with chilling neutrality. The caption panel in steel grey sets the emotional tone, while the central female figure—rendered in only black, white, and soft gray—expresses quiet anguish, captured mid-thought or in the wake of emotional turmoil. The Aesthetic and Emotional Distinction of the Hate Variant This version of Denial’s iconic piece is not just a color shift; it is a deliberate recalibration of tone and message. The grayscale palette evokes detachment, coldness, and numbness, suggesting a psychological state that exists after trauma or emotional collapse. The woman’s face, modeled on mid-century pop comic heroines, feels frozen and devoid of warmth—an intentional contrast that communicates emotional suppression rather than catharsis. The caption And Then Things Got Better, when read through the filter of the Hate edition, becomes deeply ironic. It may hint at repression, anger, or resignation masked by a public-facing statement of recovery. The tearless face, the narrowed gaze, and the absence of saturated color transform the image into a statement about the silence and distance that often follow intense personal or societal strain. Denial’s Commentary Through Minimalism in Street Pop Art & Graffiti Artwork Denial has long used mass media aesthetics to speak about propaganda, emotional manipulation, and the illusions behind commercial and cultural messages. In this Hate variant, he strips the image to its essential structure to expose emotional contradiction. The crisp linework, patterned Ben-Day dot textures, and monochromatic shading reinforce the graphic roots of his style, while the stripped-back execution demands viewers focus on tone and posture rather than color. Denial’s participation in Street Pop Art & Graffiti Artwork includes both wall-based interventions and limited edition fine art prints. Each format reflects his core mission: to disrupt perception and provoke thought using visual devices drawn from advertising and pop culture. This piece, though quieter in palette, is one of the loudest in emotional tension. It captures the essence of denial—not just the artist's moniker, but the human behavior—where feelings are buried beneath public declarations. Craftsmanship and Collectibility of the Hate Edition Printed with pigment-based inks on 330gsm acid-free fine art paper, the Hate edition is crafted to maintain both visual integrity and physical longevity. The texture of the paper allows the grayscale tones to achieve subtle variations in shading, while the precision of the print highlights every line and halftone. Each piece is signed and numbered by the artist, affirming its value as a collectible within Denial’s larger body of work. The choice to release this variant in a small edition of 25 enhances its exclusivity and relevance, especially for collectors attuned to the emotional narratives within pop art. As a statement within Street Pop Art & Graffiti Artwork, the Hate variant serves as a reminder that even the boldest images can carry quiet, unresolved messages. It is a visual testament to the moments where the world insists things are better—but the body, and the face, still remember.

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And Then Things Got Better- Love Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Love Variant And Then Things Got Better – Love Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Love is a 2021 archival pigment print by Canadian graffiti and street pop artist Denial, presented as a special variant in his well-known comic-inspired series. This limited edition artwork measures 24 x 24 inches and is printed on 330gsm fine art paper using museum-quality pigment inks. Released as a signed and numbered edition of only 25, the Love variant stands apart through its carefully adjusted palette, which replaces the original’s vibrant primaries with soft, emotionally resonant hues. The striking shift to pinks and purples softens the overall aesthetic while maintaining the sharp, high-contrast linework that defines Denial’s style. The iconic phrase printed in the upper panel—And Then Things Got Better—remains the anchor of the piece, positioned above the tear-streaked face of a woman rendered in bold pop-art fashion. With pale skin and expressive lips, the figure gazes upward, caught in a complex moment between sorrow and optimism. Color, Emotion, and Visual Narrative in the Love Variant In this edition, Denial reinterprets the emotional framework of his original design by utilizing pastel pinks and purples, creating a tone of emotional vulnerability layered over visual strength. The Love variant speaks directly to the experience of heartbreak and healing, where the gentle coloring reflects tenderness and sensitivity. The woman’s hair, now a deep violet, contrasts dramatically with her pale complexion and muted lips. The caption panel—shaded in pink instead of yellow—invokes a romantic softness that reframes the same sentence with deeper personal implications. Where the original shouted a message of survival, this variant whispers it, suggesting a slower, more intimate path toward emotional restoration. The expression on the woman's face remains one of strength under pressure, but this version invites the viewer into a quieter, more personal dialogue with resilience. Denial’s Voice in Modern Street Pop Art & Graffiti Artwork Denial, whose real name is Daniel Bombardier, continues to push the boundaries of Street Pop Art & Graffiti Artwork with projects like the And Then Things Got Better series. His work synthesizes comic book structure, propaganda aesthetics, and satirical language into a unique visual identity rooted in street art culture. While Denial is known for large-scale public installations and high-contrast political commentary, works like this print demonstrate his capacity for emotional nuance. The Love variant specifically shows how pop-influenced compositions can evolve into deeply intimate visual reflections. It holds a mirror to human vulnerability, all while retaining the immediacy and punch of street-based art. Denial’s commitment to craftsmanship, shown through his consistent use of archival-quality materials and limited edition formats, reinforces the collector-worthy status of each piece. Craft and Collectibility of the Love Edition This variant is printed using archival pigment inks on 330gsm acid-free paper, ensuring longevity and vibrant color retention. The dot matrix texture mimics the Ben-Day printing method made famous in mid-20th-century comics, grounding the piece in pop art tradition while giving it contemporary narrative power. Every print is signed and numbered by the artist, marking its authenticity and rarity. With only 25 editions produced, the Love variant becomes a highly sought-after collectible that combines visual nostalgia with emotional depth. Denial’s meticulous attention to both concept and execution ensures that this piece stands as an exemplar of how Street Pop Art & Graffiti Artwork can carry both visual punch and sincere sentiment. This print is not just about how things got better—it is about the vulnerability it takes to believe they can.

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And Then Things Got Better- Pink Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Pink Variant And Then Things Got Better – Pink Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Pink is a 2021 archival pigment print by Canadian artist Denial, created as part of a series that reimagines classic comic book panels through a modern pop art lens. This edition is printed on 330gsm fine art paper using museum-grade pigment inks and measures 24 x 24 inches. Released as a signed and numbered limited edition of 25, the Pink variant showcases Denial’s signature blend of pop culture critique, emotional depth, and bold visual language. The composition captures a close-up of a woman’s face in dramatic profile, with vibrant pinks replacing the traditional comic palette to convey a contemporary mood of confidence and personal transformation. The upper caption panel reads And Then Things Got Better, rendered in soft pink with bold black lettering. The message, ambiguous and potent, hovers above an image rich in stylized tension, caught between vulnerability and reclamation. The Pink Palette as Emotional Architecture Color is central to the emotional tone of the Pink edition. Denial replaces the original comic yellow and blue hues with intense fuchsia tones and a warmer palette that redefines the scene. The deep pink in the woman's lips and hair provides a punch of contemporary energy while maintaining the flat, graphic intensity typical of pop art. Her gaze remains fixed beyond the viewer, carrying with it the weight of introspection, change, and unspoken resolve. The caption feels less ironic here than in other versions, lending the piece a sense of recovery framed through identity and empowerment. Denial often explores duality—conflict and healing, fear and strength—and this print manifests that exploration visually. The woman's poised expression and stylized tears challenge the boundaries between narrative and design, letting the viewer choose whether the message reflects sarcasm, survival, or both. Denial’s Commentary on Pop Culture in Street Pop Art & Graffiti Artwork Daniel Bombardier, known professionally as Denial, is based in Windsor, Ontario, and is internationally recognized for his fusion of graffiti culture and pop art sensibilities. His work often uses parody and appropriation of mass media aesthetics to question political, social, and emotional structures. And Then Things Got Better exemplifies his ability to twist familiar formats into powerful visual commentary. Denial pulls from the lexicon of comic books, advertisements, and signage, reworking these sources to address contemporary issues like emotional suppression, resilience, and personal awakening. Through this Pink edition, Denial continues to redefine how emotion and design operate in Street Pop Art & Graffiti Artwork, treating pop art not only as critique but as a vehicle for personal expression and empowerment. Craftsmanship and Collector Appeal of the Pink Edition This edition is produced using archival pigment printing techniques that ensure vivid color stability and detailed resolution over time. The 330gsm fine art paper provides a rich, tactile surface that complements the intensity of the design. Every print is signed and numbered by the artist, verifying its authenticity and enhancing its appeal to collectors of modern pop and street-influenced art. Limited to only 25 pieces, the Pink edition carries both scarcity and emotional resonance, reflecting Denial’s unique ability to merge bold visuals with conceptual weight. This work sits confidently within the larger canon of Street Pop Art & Graffiti Artwork, demonstrating how humor, drama, and color can coexist in one frame to tell a story that is at once universal and deeply personal. Denial’s Pink variant stands not as a conclusion, but as a vivid and emotional snapshot of transformation in motion.

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And Then Things Got Better- Summer Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Summer Variant  And Then Things Got Better – Summer Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Summer is a 2021 archival pigment print created by Canadian artist Denial, also known as Daniel Bombardier. Measuring 24 x 24 inches and printed on 330gsm museum-grade fine art paper, this limited edition artwork was released in a run of only 25 signed and numbered prints. The Summer variant infuses the original pop art-inspired composition with intense seasonal heat through a vivid red and warm earth-tone palette. The composition features a close-up of a comic-style female figure, captured in a moment of dramatic contemplation. Her gaze lifts upward while her hair whips across the frame in sweeping strokes of black and fire red. The caption, printed in dark text over a desaturated red background, reads And Then Things Got Better, a line loaded with layered emotional resonance and open interpretation. Color and Emotion in the Summer Variant This Summer edition is characterized by a palette dominated by deep reds, warm beige tones, and subdued mauves. These colors speak to intensity, transformation, and emotional pressure—the type often associated with personal growth in high-heat moments. The red eyes and lips of the character radiate intensity, matching the fiery highlights in her hair. Where other variants may evoke hope or reflection, Summer burns with unresolved passion, giving the print an emotional temperature that borders on eruption. The woman’s expression, as in the other versions, remains ambiguous—poised between vulnerability and defiance—but here, with the heightened red tones, her presence feels louder, more immediate. The composition suggests the heat of survival, the moment after impact, the quiet following the blaze of emotional confrontation. Denial’s Conceptual Power in Street Pop Art & Graffiti Artwork Daniel Bombardier’s work under the name Denial is grounded in the critical language of Street Pop Art & Graffiti Artwork. His bold use of comic book formats, consumerist aesthetics, and emotionally charged phrases speaks to a cultural environment overwhelmed by noise yet yearning for sincerity. In this series, Denial uses the familiar form of a pop art panel to explore how repeated messages—both personal and political—can lose or gain meaning depending on context. The Summer variant reflects his ability to merge psychological insight with graphic composition, using color not only as decoration but as narrative. The interplay of tension and visual rhythm draws viewers in, inviting them to read not only the figure’s face but the underlying emotional structure behind the statement. Craft, Technique, and Collector Appeal Produced using high-resolution archival pigment inks, this print ensures a depth of color and longevity essential for serious collectors. The 330gsm fine art paper enhances the tactile and visual quality, giving richness to the red tones and contrast to the black linework. Each print is hand-signed and numbered by Denial, further establishing the authenticity and rarity of this Summer edition. With only 25 pieces produced, this variant stands out not just for its design but for its place within a tightly curated collection of emotional studies in pop form. It exemplifies the kind of introspective confrontation that makes Street Pop Art & Graffiti Artwork so compelling—personal, provocative, and powerfully unresolved. And Then Things Got Better – Summer radiates with the truth that sometimes healing arrives not gently, but in flames.

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And Then Things Got Better- Winter Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Winter Variant And Then Things Got Better – Winter Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Winter is a limited edition archival pigment print by Canadian artist Denial, professionally known as Daniel Bombardier. Released in 2021, this edition is one of only 25 signed and numbered prints, measuring 24 x 24 inches and produced on 330gsm museum-grade fine art paper. The Winter variant transforms Denial’s now-iconic pop art composition into a piece of icy emotional clarity. Replacing warm tones with cool grays and electric blues, this version evokes the stillness, isolation, and introspective chill often associated with winter months. The central figure—a comic-styled woman with sharply rendered features—is caught in a moment of frozen reflection, her hair swept across the frame in frosty blue strokes. The caption And Then Things Got Better sits in crisp black lettering against a blue background, both grounding and complicating the emotional atmosphere. Color as Emotional Temperature in the Winter Variant The Winter edition shifts the psychological tone of the original composition through its carefully chosen color palette. The grayscale halftone skin contrasts with icy blues in the hair, lips, and eyes, casting the entire scene in a tone of emotional suspension. Where other variants express fire, bloom, or warmth, Winter delivers stillness. The character’s expression remains subtle, her upward gaze neither fully hopeful nor despairing. It reads instead like the calm acknowledgment that change has arrived, but not without cost. The blue lips and tear-lined eye introduce a cold, resilient strength, suggesting a quiet form of endurance rather than celebration. Denial’s ability to use color as narrative structure allows this edition to function as a metaphor for emotional winter—a time of withdrawal, self-preservation, and stark realization. Denial’s Pop Language and Street Credibility Denial’s work remains rooted in the language of Street Pop Art & Graffiti Artwork, consistently blending commercial aesthetics, pop iconography, and emotional subtext. The And Then Things Got Better series explores the complexities of survival, identity, and transformation using the nostalgic format of mid-century comic book panels. By pairing these familiar visuals with ambiguous emotional content, Denial asks viewers to reconsider the narratives embedded in popular culture. The Winter edition, with its subdued palette and intense contrast, sharpens this question further. It places the viewer in a season of reflection—literal and figurative—and encourages a reassessment of what better truly means. Denial’s consistent use of irony, sincerity, and sharp visual craftsmanship keeps his work relevant both on the street and in the gallery. Material Quality and Collector Appeal Printed on 330gsm fine art paper with archival pigment inks, this edition promises long-lasting vibrancy and detail. The halftone dots and inky black lines are rendered with museum-level precision, giving the work a timeless print quality that honors its pop art lineage. Each piece is hand-signed and individually numbered by Denial, adding a personal layer to the already limited run of 25. The Winter edition stands as a striking chapter in a series that has become one of Denial’s most collected bodies of work. For fans of Street Pop Art & Graffiti Artwork, it offers a moment of calm contemplation in the midst of louder visual narratives. This print captures that rare, cold breath between endings and new beginnings—when things have indeed gotten better, but the thaw has just begun.

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And Then Things Got Better- Spring Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Spring Variant And Then Things Got Better – Spring Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Spring is a 2021 limited edition archival pigment print by Canadian street pop artist Denial, also known as Daniel Bombardier. Printed on 330gsm museum-grade fine art paper and measuring 24 x 24 inches, this piece is part of a signed and numbered edition of just 25. As one of the expressive variants in the And Then Things Got Better series, the Spring edition brings a refreshing energy and emotional shift to a classic comic-inspired format. Denial captures the psychological moment of transition with a female figure drawn in high-contrast linework, framed tightly in a close-up of her face. Her vivid teal hair, eyes, and lips contrast with the cream-toned halftone skin, emphasizing clarity and renewal in contrast to the turmoil depicted in earlier colorways of the same composition. The Role of Color and Message in the Spring Variant The Spring edition revitalizes Denial’s familiar scene of reflection and emotional complexity through its fresh, cool palette. The use of teal throughout the character’s features creates an uplifting atmosphere, mirroring seasonal rebirth and a sense of emotional reset. The caption And Then Things Got Better, rendered in black against a teal panel, shifts in meaning depending on the viewer’s frame of mind. Within this color scheme, the phrase feels less ironic and more quietly triumphant. The character’s upward gaze and slightly parted lips hint at realization and hope rather than crisis or aftermath. Her facial expression remains poised in emotional suspense, a trademark of Denial’s approach to visual narrative. This piece explores the delicate balance between fragility and strength, offering a fresh layer of emotional depth through a minimal yet powerful adjustment in tone. Denial’s Commentary Through Comic Language in Street Pop Art & Graffiti Artwork Denial is one of the most prominent figures in contemporary Street Pop Art & Graffiti Artwork, known for repurposing the visual vocabulary of pop culture, propaganda, and consumer signage into emotionally charged works. The And Then Things Got Better series demonstrates his ability to manipulate familiar imagery in new ways, using subtle variation to explore themes of mental health, societal conditioning, and personal evolution. The Spring edition maintains the precision of Denial’s comic-inspired format—Ben-Day dot textures, thick outlines, and exaggerated features—while allowing the color choices to speak directly to the emotional undercurrent. As with all works in this series, the format recalls mid-century mass media but carries the urgency and intimacy of street culture. The juxtaposition of mass reproducibility with the authenticity of emotion creates a tension that is central to Denial’s impact in the genre. Production Quality and Collector Significance of the Spring Edition This edition is printed using archival pigment inks designed for longevity, preserving the richness of color and detail over time. The 330gsm fine art paper offers both durability and a tactile surface that complements the graphic strength of the image. Each piece is hand-signed and numbered by Denial, affirming its place within a tightly curated edition. The Spring variant’s soft yet bold aesthetic, paired with its scarcity, makes it a highly collectible artifact in the modern pop and street art market. More than just a reimagining of an existing motif, it is a distinct chapter in a visual dialogue about resilience and change. Denial’s Spring edition is a vivid embodiment of Street Pop Art & Graffiti Artwork’s capacity to hold both critical reflection and emotional release in a single, stylized frame.

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Aquaman: No Sea, No Life- Color 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Meggs Rare Street Art Famous Pop Artwork Artist. Aquaman: No Sea, No Life" by Meggs 18 x 24 Inches Regular (Color):6-color screen print | Signed & numbered limited edition of 35 "I wanted to re-interpret a mix of the classic & contemporary Aquaman in the form of a worn & well-loved comic book cover. " -Meggs

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Aquaman: No Sea, No Life- Gold/Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Meggs Rare Street Art Famous Pop Artwork Artist. Aquaman: No Sea, No Life" by Meggs 18 x 24 Inches R (Gold/Black): 2-color screen print | Signed & numbered limited edition of 25 "I wanted to re-interpret a mix of the classic & contemporary Aquaman in the form of a worn & well-loved comic book cover. " -Meggs

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Archetype Times Table 1- Taos Turquoise Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jacob Borshard Graffiti Street Artist Modern Pop Art. Archetype Times Table 1 ‘Taos Turquoise’ Edition. ‘The Creebobby Comics Archetype Times Table’ is a handy reference guide for school, business or industry. T-Rex Lincoln. Astronaut Zombie. Platypus Monster. This is where they all began! The classic first Times Table is offered in a new edition of 100 artist-pulled signed and numbered prints in dazzling translucent ‘Taos Turquoise’. Measures 18″ by 20″.

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Archie- Baltimore Comic-Con Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Francesco Francavilla Graffiti Street Artist Modern Pop Art.

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Astro Boy Red Original 1st Edition Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2012 Limited Edition of 500 Artwork Size 6.5x15 New In Box Printed Foot Depicting Astro Boy with Companion/Chum Styling Holding Head by Artist Kaws- Brian Donnelly. Exploring KAWS' Astro Boy in the World of Street Pop Art The influence of pop culture icons on contemporary art has become undeniable in the 21st century, particularly within the street pop art and graffiti artwork genres. Few artists have translated this influence into tangible works as effectively as Brian Donnelly, known professionally as KAWS. Among his celebrated works, the Astro Boy Red Original 1st Edition Art Toy is a testament to the synergistic blend of childhood nostalgia and sophisticated artistry. Born in Jersey City, New Jersey, KAWS has risen to prominence by infusing elements of graffiti with a refined art sensibility. His work is characterized by bold colors, graphic lines, and the repeated use of his figures with crossed-out eyes, which has become a signature across his oeuvre. He started as a graffiti artist, refining his skills and iconography on the streets before transitioning to the studio and gallery spaces, where he has since flourished. KAWS bridges personal meaning with universal themes, tapping into the collective conscious with figures that are at once familiar and transformed. The Astro Boy Red Original by KAWS: A Street Pop Phenomenon In 2012, KAWS released the Astro Boy Red Original 1st Edition, an aEditionthat encapsulates the essence of street pop art and honors the nostalgic figure of Astro Boy, a classic character from Japanese animation. This limited edition of 50Editions showcases KAWS' adeptness at reimagining pop culture icons, preserving their original appeal while casting them in a new, provocative, reflective, and contemporary light. The vinyl sculpture stands at 6.5 by 15 inches, both approachable for collectors and significant enough to make a visual impact. Clad in a stark black and red color scheme, the figure captures attention with its simplicity and the juxtaposition of bright, unyielding red against the naturalistic skin tone. The trademark KAWS touch - the crossed eyes and gloved hands - transforms the initially optimistic character of Astro Boy into a poignant commentary on the complexities of the modern age. Collectible Artwork by KAWS: More Than a Toy The artistic dialogue it instigates makes the Astro Boy Red Original art toy more than a mere collectible. With hands cradling its head, the figure emanates a sense of introspection and melancholy, a marked departure from Astro Boy's usual portrayal as a beacon of hope and youthful energy. This duality speaks to the very nature of street pop art, where humor and whimsy meet the gravity of real-world reflections. Each piece is new in its box, complete with printed feet that continue the artwork's narrative. This attention to detail ensures that from unboxing, the collector participates in an art experience that KAWS has meticulously crafted. The ownership of such a piece is not merely an act of acquisition but an entry into the conversation about the relevance and resonance of pop icons in modern-day society. The Astro Boy Red Original 1st Edition standEditionhallmark in KAWS' exploration of human emotion through the lens of animated characters. It reiterates his ability to distill complex themes into instantly recognizable forms. As the art world continues to recognize and absorb street pop art and graffiti artwork into its fold, KAWS remains a defining figure for his bold aesthetic and his sharp cultural critique embedded within seemingly playful forms. Brian Donnelly's work, particularly pieces like the Astro Boy Red Original, reminds us of the transformative power of art. Even as they draw from familiar sources, they elicit new interpretations and emotions, pushing us to question our relationship with the icons of our childhood and our society. Through this and other works, KAWS continues to shape the conversation around street pop art, affirming its place in the pantheon of significant artistic movements. The legacy of his pieces, characterized by their emotional depth and visual appeal, cements his role as a pivotal figure in the evolution of street-inspired art. Astro Boy Red by KAWS: Anime Tribute and Emotional Collapse in Street Pop Art & Graffiti Artwork Astro Boy Red is a limited edition vinyl sculpture released in 2012 by Brian Donnelly, known professionally as KAWS. Measuring 6.5 x 15 inches and produced in an edition of 500, this figure merges the iconic Japanese character Astro Boy with the Companion motif that has become synonymous with the KAWS name. The sculpture features Astro Boy in a moment of vulnerability, his hands covering his face in despair, with signature Companion-style crossed-out eyes and gloved hands. Clad in his classic red boots and black briefs, the figure maintains the original Osamu Tezuka silhouette while transforming it into a melancholic contemporary symbol. This hybrid is central to the narrative language of Street Pop Art & Graffiti Artwork, where legacy characters are reimagined as emotionally complex beings with modern resonance. Anime Heritage Meets Sculptural Intervention The original Astro Boy is a legendary creation of manga pioneer Osamu Tezuka, who designed the robot boy to symbolize human hope, progress, and idealism. KAWS reinterprets that symbolism by injecting Companion’s recognizable features and emotional weight into the figure. The result is an icon that mourns its own legend. Astro Boy’s pose—head in hands—is uncharacteristic of the cheerful robot hero but deeply aligned with the introspective sadness found throughout the KAWS Companion series. The sculpture invites questions about fame, pressure, and identity, converting a childhood hero into a figure of quiet collapse. In the world of Street Pop Art & Graffiti Artwork, such reinterpretations break open the narrative shell of beloved characters to show their psychological interior. Material Construction and Collectible Format Crafted from smooth, high-gloss vinyl, the sculpture is housed in a red collector’s box featuring white line art of the figure and product labeling. Its precision-molded surfaces and clean paint application demonstrate KAWS’s ongoing collaboration with industrial toy manufacturing standards, elevating the collectible into fine art territory. The foot of the sculpture includes printed artist markings, further validating it as part of the artist’s growing body of rare vinyl sculptures. Every aspect of the design, from scale to packaging, enhances the sculpture’s dual identity as both toy and artifact, aligning it with the tactile and accessible ethos of Street Pop Art & Graffiti Artwork while reinforcing the exclusivity of fine art collectibles. Brian Donnelly’s Remix Legacy in Modern Sculpture Brian Donnelly, born in the United States in 1974, rose from graffiti subculture and fashion-based collaborations to become a defining artist of global pop art and vinyl sculpture. His Companion character has appeared in numerous sculptural and digital forms, often expressing alienation, fatigue, and mourning. With Astro Boy Red, Donnelly applies that same emotional vocabulary to a pre-existing character, layering it with cultural commentary on nostalgia, fandom, and performance. The figure reflects on the burdens of legacy and visibility in a media-drenched world, where even heroic identities bend under existential pressure. As part of the canon of Street Pop Art & Graffiti Artwork, Astro Boy Red is a study in reinterpretation—taking the myth of technological innocence and bending it into a posture of human sorrow. It is an object of contrast: heroic yet defeated, iconic yet fractured, perfectly molded yet emotionally unguarded.

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ASVP Figure No 10 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist ASVP. Limited edition print based on one of the first designs from our SUPER MATTER series. Embossed, Signed & Numbered on face in pencil Year: 2018 Edition: 100 Size: 18” x 24" Medium: Ultrachrome Inkjet Print Stock: Epson Legacy Etching, 300 gsm, 100% Cotton Rag

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ASVP Figure No 11 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist ASVP. Limited edition print based on one of the first designs from our SUPER MATTER series. Embossed, Signed & Numbered on face in pencil Year: 2018 Edition: 100 Size: 18” x 24" Medium: Ultrachrome Inkjet Print Stock: Epson Legacy Etching, 300 gsm, 100% Cotton Rag

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ASVP Figure No 12 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist ASVP. Limited edition print based on one of the first designs from our SUPER MATTER series. Embossed, Signed & Numbered on face in pencil Year: 2018 Edition: 100 Size: 18” x 24" Medium: Ultrachrome Inkjet Print Stock: Epson Legacy Etching, 300 gsm, 100% Cotton Rag

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ASVP Figure No 14 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist ASVP. Limited edition print based on one of the first designs from our SUPER MATTER series. Embossed, Signed & Numbered on face in pencil Year: 2018 Edition: 100 Size: 18” x 24" Medium: Ultrachrome Inkjet Print Stock: Epson Legacy Etching, 300 gsm, 100% Cotton Rag

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ASVP Figure No 15 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist ASVP. Limited edition print based on one of the first designs from our SUPER MATTER series. Embossed, Signed & Numbered on face in pencil Year: 2018 Edition: 100 Size: 18” x 24" Medium: Ultrachrome Inkjet Print Stock: Epson Legacy Etching, 300 gsm, 100% Cotton Rag

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ASVP Figure No 16 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist ASVP. Limited edition print based on one of the first designs from our SUPER MATTER series. Embossed, Signed & Numbered on face in pencil Year: 2021 Edition: 100 Size: 18” x 24" Medium: Ultrachrome Inkjet Print Stock: Epson Legacy Etching, 300 gsm, 100% Cotton Rag

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ASVP Figure No 18 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist ASVP. Limited edition print based on one of the first designs from our SUPER MATTER series. Embossed, Signed & Numbered on face in pencil Year: 2018 Edition: 100 Size: 18” x 24" Medium: Ultrachrome Inkjet Print Stock: Epson Legacy Etching, 300 gsm, 100% Cotton Rag

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ASVP Figure No 6 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist ASVP. Limited edition print based on one of the first designs from our SUPER MATTER series. Embossed, Signed & Numbered on face in pencil Year: 2018 Edition: 100 Size: 18” x 24" Medium: Ultrachrome Inkjet Print Stock: Epson Legacy Etching, 300 gsm, 100% Cotton Rag

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ASVP Figure No 8 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist ASVP. Limited edition print based on one of the first designs from our SUPER MATTER series. Embossed, Signed & Numbered on face in pencil Year: 2018 Edition: 100 Size: 18” x 24" Medium: Ultrachrome Inkjet Print Stock: Epson Legacy Etching, 300 gsm, 100% Cotton Rag

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Avenge Me Limited Edition Archival Pigment Prints on 310gsm Museum Fine Art Paper by Meggs Graffiti Street Artist Modern Pop Art. "This piece was part of my 2014 solo show ‘Spoiled Rotten.’ It’s part of a series of hand-painted heroes over sourced old-school style target posters, which are then torn and collaged with a combination of found billposters and hand screen printed retro comic collages. All made during my month-long residency with Inner State Gallery in Detroit. The split between traditional ‘bad guy criminal’ & Captain America reflects the classic comic narrative of Hero vs Villain, however, the distressed style & execution of the piece references the fragile nature of moral ideals and social justice in contemporary American society." - Meggs

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Batgirls Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Mimi Yoon. DC Comics Female Villians, 2021 Gicleé on Paper Edition Size: 250 Image Size: 18 1/4" x 23 1/4" Signed by Mimi Yoon “Bad Girls,” created by acclaimed international artist, Mimi Yoon, features her rendition of the DC Comics vixens, Harley, Ivy, Catwoman, and Talia. Known for her sensual portrayal of women, Mimi’s art has been seen in galleries all around the world including Europe, Canada, Australia, and Japan’s MOMA and The National Museum of Modern Art in Kyoto, Japan. Each piece of the edition has been numbered and is signed by Mimi Yoon.

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Badges? Limited Edition Giclee Print on Fine Art Paper by Chet Phillips counter-culture street artist art. Robo Cop x Judge Dredd.

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Bartman x Simpsons 1000% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures

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Batgirls Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Mimi Yoon. 18x25 Series of 100 2021 DC Comics Batgirl by Mimi Yoon

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Batman- Lava Flow Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Joe Ledbetter. Surreal artist Joe Ledbetter has specially designed this designer vinyl DC Comics Superhero Batman Lava Flow Colorway. A unique and artistic viewpoint on Batman through this highly-detailed, limited-edition designer vinyl. Limited to only 500 pieces! The exclusive Batman-Lava Flow vinyl art toy is a creative expression by Joe Ledbetter, a visionary in the arena of street art, whose interpretation of the iconic DC Comics superhero Batman takes on a vivid and surrealist dimension. Known for his distinct style that often incorporates various elements from street and graffiti art, Ledbetter's work on this piece is no exception, bringing forth a version of the Caped Crusader that is as striking as it is unconventional. The dynamic flow and angular lines that characterize Ledbetter’s work are evident in this collectible, offering a sharp contrast to the fluid imagery typically associated with lava. This limited edition collectible, restricted to a run of just 500 pieces, showcases Batman in a ‘Lava Flow’ colorway, suggestive of both the molten intensity of the superhero's resolve and the fiery passion that drives his crusade against crime. Each figure in this series is not merely a toy but a piece of art that encapsulates Ledbetter's artistic prowess and his ability to reinterpret popular culture icons through a graffiti-influenced lens. The intricate design and bold color palette make the Batman-Lava Flow vinyl art toy a coveted item for collectors and fans of both Batman and contemporary art. It stands as a fusion of comic book aesthetics with the raw, energetic vibe of street art, bridging two worlds that might seem disparate but find a harmonious meeting point in Ledbetter's work. As pop art continues to blur the boundaries between 'high' and 'low' culture, limited edition pieces like this become key players in the dialogue, challenging perceptions of what constitutes art and collectibility in the modern age. The Batman-Lava Flow is more than a representation of a beloved character; it is an emblem of how traditional symbols can be transformed through the lens of urban artistic expression.

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Batman Sketch Original Marker Drawing Art on Fine Art Paper by graffiti street artist modern pop art Rich Pellegrino. 2013 Signed Original Marker Drawing by Rich Pellegrino Artwork Size 9x12

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Batman Skull Limited Edition 1-Color Hand-Pulled HE Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art.

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Virgil Abloh x Battle Cat Art Toy by Off White Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2023 Limited Edition Artwork Size 14x7 New In Box Printed. Virgil Abloh x MOTU Battle Cat Figure | "ARMS" Stands 14 inches long 30 points of articulation Comes with helmet and armor Includes a comic book and art print designed by Reggieknow Comes in monochromatic premium packaging. Virgil Abloh leaves his mark on Eternia. In shades of monochromatic nude, our iconic characters from Masters of the Universe are reimagined by the legendary artist (and long-time MOTU fan). Choose from He-Man, Skeletor, Battle Cat, and Skele-god. Each figure has accessories like swappable hands and battle weapons for epic displays. Also included is a comic book and art print illustrated by Reggieknow. The Intersection of Street Pop Art and Iconic Nostalgia: Virgil Abloh's MOTU Battle Cat In the dynamic world of Street Pop Art and Graffiti Artwork, a new collaboration has emerged that encapsulates the spirit of contemporary design while paying homage to the nostalgic characters of a cherished saga. The "Virgil Abloh x Battle Cat Art Toy" represents a fusion of the celebrated stylistic approach of Virgil Abloh, the founder of Off-White, and the enduring legacy of the "Masters of the Universe" (MOTU) series. This limited edition vinyl sculpture is not merely a collectible but a statement piece that stands at the crossroads of art, design, and popular culture. This artwork is a tangible celebration of the impact of figures like He-Man and Battle Cat on generations. Crafted with precision, the collectible spans an impressive 14 inches, a scale that fully allows each detail to be appreciated. With 30 points of articulation, this figure transcends the static nature of traditional sculptures, inviting collectors to engage with the artwork on a kinesthetic level. The intricate design of the helmet and armor, which accompany the figure, highlight Abloh's attention to detail and his commitment to storytelling through design. Virgil Abloh's Artistic Vision Meets Masters of the Universe Virgil Abloh's influence on the aesthetic of the artwork is unmistakable. Known for his groundbreaking work that often incorporates monochromatic themes, Abloh applies this signature style to reimagine the vibrant world of Eternia. He presents the Battle Cat in shades of monochromatic nude, stripping the character of its traditional color palette to reveal the raw, sculptural beauty beneath. This design choice not only recontextualizes the character within the realm of high art but also challenges the observer to view the familiar through a transformed lens. Including a comic book and art print, designed by Reggieknow, further enhances the collectible's value, weaving a narrative that celebrates and expands upon the MOTU lore. These additional elements are not mere afterthoughts but integral components of the artwork, offering a deeper dive into the universe that Abloh has visually redefined. Exclusive Packaging and Presentation: A Tribute to Collectors Recognizing the importance of presentation in the world of collectibles, Abloh ensures that the experience begins when one looks at the packaging. The premium monochromatic box protects the artwork and serves as an extension of the piece itself. It is a prelude to the craftsmanship that awaits inside, promising an unboxing experience that is as curated and thoughtful as the artwork it encases. Collectors of Street Pop Art and Graffiti Artwork often seek pieces that offer versatility and a story. The Virgil Abloh x MOTU Battle Cat figure delivers on both fronts. With swappable hands and battle weapons, the figure allows for an array of epic display options. Each accessory has been designed with the same level of care and precision as the central figure, ensuring that the aesthetic integrity of the piece is maintained regardless of its configuration. Legacy and Influence: Virgil Abloh's Mark on Pop Culture Virgil Abloh's foray into the world of MOTU with this Battle Cat art toy is a testament to his versatility and influence as an artist. His ability to navigate between the worlds of high fashion, streetwear, and now collectible art toys demonstrates a fluidity emblematic of Street Pop Art itself. Abloh's work with the MOTU characters is a vibrant reminder that art is not confined to galleries or museums; it thrives in the spaces we live, on the streets we traverse, and in the memories of the stories we've grown up with. The collaboration between Virgil Abloh and Masters of the Universe is a significant moment in the timeline of Street Pop Art and Graffiti Artwork. It encapsulates a constantly evolving movement, yet firmly rooted in the cultural touchstones of our past. This limited edition artwork is not only a collector's item but a piece of pop culture history, a narrative captured in vinyl, and a celebration of the enduring power of design.

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The Beauty of Liberty & Equality PP Printers Proof Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. AP Artist Proof 2020 Signed by Shepard Fairey & Sandra Chevrier & Marked AP Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality PP Austin Mural Print by Shepard Fairey x Sandra Chevrier x Jon Furlong. Shepard Fairey, Sandra Chevrier, and the Artistic Synergy in Urban Landscapes Street pop art and graffiti artwork are vibrant chronicles of contemporary culture, often encapsulating the socio-political zeitgeist within their vivid tableaux. The "Beauty of Liberty & Equality" mural in Austin, meticulously captured in print by Jon Furlong, is a commanding representation of this genre. This piece, a collaboration between Shepard Fairey and Sandra Chevrier, is a lithograph print that encapsulates the essence of pop art's interaction with urban landscapes. Initially crafted in the bustling milieu of Austin, the mural serves as a public art installation and a dialogue with its onlookers, beckoning them to reflect on the thematic elements of liberty and equality. Shepard Fairey, renowned for his "OBEY" campaign and his iconic Obama "HOPE" poster, brings his distinct stencil-based design and politically charged ethos to the piece. Sandra Chevrier, on the other hand, is celebrated for her "Cages" series, where she often depicts women's faces obscured by comic book imagery, exploring the "cages" society builds around individuals. The artwork size, at 18x24 inches, is substantial enough to command attention yet sized for intimate reflection. The "Beauty of Liberty & Equality" is marked as an Artist Proof (AP) 2020, signed by Fairey and Chevrier. This denotes a personal touch from the artists, a direct connection to the creators that is often sought after by collectors and fans of street art. Legacy and Collectibility of Limited Edition Street Pop Art Prints Street pop art, inherently linked with graffiti artwork, thrives on accessibility and public engagement. This mural print, conceived in this spirit, transforms an urban wall into a canvas that speaks to societal ideals and the ongoing quest for equality. It is this interplay between art and ideology, powerfully rendered by Fairey and Chevrier's distinct styles, that imbues the piece with its profound resonance. As a limited edition artwork on fine art paper, the "Beauty of Liberty & Equality" print is not only a piece of visual discourse but also an artifact of cultural significance. Limited editions often enhance the value of street art, which is, by nature, ephemeral. Through the medium of the offset lithograph, the transient becomes permanent, and the once fleeting moment of artistic expression is preserved for posterity. In the domain of street pop art and graffiti, this print stands as a testament to the enduring power of visual art to challenge, celebrate, and contemplate the grand ideals of liberty and equality. The collaboration between Shepard Fairey, Sandra Chevrier, and Jon Furlong in capturing and sharing this moment contributes a significant chapter to the narrative of contemporary street art.

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