Artworks

Abe Sapien Sketch Original Marker Drawing Art on Fine Art Paper by graffiti street artist modern pop art Rich Pellegrino. 2013 Signed Original Marker Drawing by Rich Pellegrino Artwork Size 9x12

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Aki Sharks #1 Original Marker Hand Drawing on Canvas by modern trending street art artist Akinori Oishi. 2014 Signed Original Marker Drawing on Unstretched Canvas Artwork Size 11x13.25 Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Aki Sharks #2 Original Marker Hand Drawing on Canvas by modern trending street art artist Akinori Oishi. 2014 Signed Original Marker Drawing on Unstretched Canvas Artwork Size 11x13.25 Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Aki Sharks #3 Original Marker Hand Drawing on Canvas by modern trending street art artist Akinori Oishi. 2014 Signed Original Marker Drawing on Unstretched Canvas Artwork Size 11x13.25 Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Animaniac Original Marker & Pencil Hand Drawing on Bristol Paper by Modern Graffiti Street Art Artist Sechor. 2021 Signed Original Marker Drawing 01/2021 14x17 in, Bristol Paper

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Batman Sketch Original Marker Drawing Art on Fine Art Paper by graffiti street artist modern pop art Rich Pellegrino. 2013 Signed Original Marker Drawing by Rich Pellegrino Artwork Size 9x12

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Beanie Hat Boy Original Permanent Marker Slap-Up Label Drawing Art on Mailing Label by Graffiti Artist DrNuse69 Modern Street Artwork. 2022 Signed Original Slap Up Graffiti Art Tag 4.25x5.5 Marker Tagged on USPS Priority Mailing Label.

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Black Book Graffiti Original Personal Drawing Journal by Stay High 149- Wayne Roberts Modern Street Pop Tag, Doodles, Drawings, Paintings & Thought Artwork. STAYHIGH149 x  2003 Signed Tagged Original Marker, Spray Paint, Acrylic, Sticker, Mixed Media Drawing Graffiti, Black Book Size 8.5x11. Good, Some Wear And Tear And Some Pages Seem To Be Missing. This one-of-a-kind black book once belonged to the legendary STAYHIGH149, a true icon in graffiti history. It's more than just a sketchbook—it's a cultural artifact worthy of a museum collection. Inside, you’ll find over 130 pages filled with raw, authentic tags and pieces not only by STAYHIGH149 but also by his close collaborator Dead Leg and influential figures like TRACY 168, among others. This Black Book is bursting with visual history. The back cover is also adorned, making this a full-spectrum look into the underground art of an era. Historic Black Book from Graffiti Legend STAYHIGH149 This original drawing journal is a profoundly rare and culturally significant piece directly tied to the late Wayne Roberts, better known as STAYHIGH149. A cornerstone figure in the early development of New York City graffiti, STAYHIGH149 left an indelible mark on the movement with his iconic “smoker” tag and elevated letterforms. The black book featured here is not just a collection of pages—it is a museum-worthy artifact that reveals the soul of 1970s and 1980s graffiti culture through the hands of its pioneers. It is signed and marked throughout, and was actively used in the early 2000s, serving as a visual time capsule of creativity, brotherhood, and raw street energy. Hand-Tagged Pages from Graffiti’s Original School The black book, measuring 8.5 by 11 inches, contains over 130 pages of unfiltered tags, throw-ups, characters, and sketches—each one layered with markers, spray paint, stickers, and mixed media. Some pages are crossed out or worn, showing the passage of time and the frequent use by the artist and his close circle. Inside, the presence of Dead Leg, STAYHIGH149’s trusted collaborator, is heavily featured, along with pieces and dedications from other legends such as TRACY 168. These works are not curated—they are raw, spontaneous, and packed with style, making them some of the most authentic surviving street pop art & graffiti artwork on paper. Some pages are fully saturated with color while others feature quick bursts of lettering and iconic character drawings. Physical Condition and Artistic Integrity This one-of-a-kind black book carries the physical evidence of its use: some pages are missing, many have edge wear, and a few feature ghosting from marker bleed. Yet this only enhances its credibility as an active tool and companion for one of graffiti’s most visionary figures. The outside covers are heavily adorned in ink and paint, with the back featuring phrases like “Voice of the Ghetto”—a message that aligns directly with the legacy of Wayne Roberts. Inside, the mixture of bubble letters, classic tags, and stylized drawings represents decades of urban art tradition transferred from subway cars and city walls onto a personal canvas. Legacy Captured in Street Pop Art & Graffiti Artwork This black book isn’t a reproduction or retrospective. It is a living archive of graffiti history, created by the hands of those who built the culture from the ground up. STAYHIGH149 remains a towering figure in the world of graffiti, and this book reflects the camaraderie, influence, and unrelenting drive that defined an entire era. It is a powerful example of how street pop art & graffiti artwork evolved beyond city streets to become a revered form of contemporary expression. This black book is a rare opportunity to witness the underground art world as it was—personal, unfiltered, and immortal.

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Black Book Graffiti Drawing Tg Throw Up Practice Personal Journal by TC5 x Totem x Psycho x ZiNk x Delk x Comet x Kaws Modern Street Pop Tag, Doodles, Drawings, Paintings & Thought Artwork. 1994 Signed Tagged Original Marker, Spray Paint, Acrylic, Sticker, Mixed Media Drawing Graffiti, Black Book Size 8.5x11.  Various Artists Graffiti Blackbook, c. 1994 Hardcover sketchbook with artist's original tags and signatures 11 x 8-1/2 x 1 inches (27.9 x 21.6 x 2.5 cm) A hardcover sketchbook with various artists' original tags and signatures, including Kaws, ZiNk, Psycho Seen TC5and Totem from the TC5 Crew. There are a bunch of fill color drawings, tons of tags & marker art, some personal scraps, old phone numbers, hangout locations, ideas and private info about the crew. 50 Pages & the Cover Full of Drawings (There are also many blank pages). Also Includes IBM, Squad One, Pilot, MPV. Black Book Graffiti Journal by TC5 x Totem x Psycho x ZiNk x Kaws This black book sketch journal from 1994 captures an extraordinary moment in graffiti history, representing a convergence of style, rebellion, and creative experimentation by some of the most influential members of the TC5 graffiti crew. The 8.5 x 11 inch hardcover book is not simply a sketchpad but a deeply personal archive of raw street energy. The journal includes vibrant marker renderings, sticker layering, detailed character illustrations, fill-ins, throw-up drills, personal notes, and signed tags from core members like Totem, Psycho, ZiNk, Delk, Comet, Seen and Kaws. The book also includes aliases and side crews such as IBM, MPV, and Squad One, providing a layered snapshot of interconnected graffiti subgroups active in New York City during the golden age of black book culture. Tag Evolution and Street Pop Art & Graffiti Artwork The entries in this journal reflect the fusion of graffiti’s traditional wildstyle aesthetics with the graphic sensibilities that would come to influence Street Pop Art. Each page reveals a combination of practice and performance: tag outlines sharpened to perfection, psychedelic fill-ins, collaged flyer scraps, and character doodles full of humor and attitude. Artists like ZiNk and Psycho demonstrated their technical prowess in dimensional letterforms while simultaneously layering them with playful characters and surreal backdrops. Kaws’s early lettering tag, found here under FC and TC5, shows the nascent influence of his cartoon-fusion iconography that later became a signature in fine art and commercial crossover platforms. Legacy of the Black Book Format Black books were the heart of graffiti culture long before digital archives. They were traveling galleries, practice arenas, and intimate communication platforms among writers. This particular journal’s inclusion of personal tags, secret locations, phone numbers, and emotional reflections reveals graffiti as more than exterior expression—it was an interior life. Totem’s aggressive handstyle, Delk’s stylized urban iconography, and Comet’s classic wildstyle fragments reflect years of train-line experimentation brought onto paper. MPV and IBM frequently appear scrawled across sticker surfaces and borders, and while IBM's specific meaning in the context is still ambiguous, it consistently appears next to trusted tags and carries the weight of crew respect. Cultural Weight and Collector Significance This journal functions not only as a record of TC5’s peak graffiti years but also as an artifact of a cultural shift toward stylized Street Pop Art & Graffiti Artwork. The high saturation of media—hand-drawn lettering, collaged music flyers, branded pop references like Richie Rich and Nervous Records, and customized stickers—marks this black book as a multidisciplinary cultural object. In today’s art market, such journals are revered for their honesty, rawness, and the insights they offer into the private side of graffiti’s most public artists. The handstyle signatures from Kaws, Psycho, ZiNk, and Totem in particular make this a museum-worthy record of graffiti’s transformation from train to gallery wall.

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Blackbook Untitled Drawing Original Mixed Media Painting Art on Art Paper by Graffiti Street Artist Modern Pop Artist Sen2. 2005 Signed Sen2 "Untitled" Blackbook Drawing Framed Ink Marker Pencil Graffiti Framed Artwork Size 25.5x19 Blackbook Untitled Drawing by Sen2 This 2005 untitled blackbook drawing by renowned graffiti street artist Sen2 captures a raw and precise moment from the sketchbook practice of one of the most iconic writers to rise from the Bronx. Rendered in ink, marker, and pencil on art paper, the piece exemplifies the artist's geometric energy, color mastery, and dynamic flow. The framed artwork measures 25.5 by 19 inches and delivers the intensity of handstyle illustration and three-dimensional letterplay that defined graffiti's move from the subway to the studio. From Wildstyle to Precision Draftsmanship Sen2, born Sandro Figueroa Garcia in Puerto Rico, became a central figure in New York City's graffiti movement during the 1980s. This blackbook drawing embodies his transition from bombing walls and trains to refining his craft within the structure of studio practice. Each stroke of marker and wash of color in the work is intentional, sharpened by years of experience with aerosol and street surfaces. Sen2's ability to maintain the rebellious spirit of wildstyle while embracing architectural structure and visual clarity sets him apart in the world of Street Pop Art & Graffiti Artwork. Layered Color and Visual Tension The composition bursts with contrast. Soft pastels in blue, yellow, green, and orange interplay against thick black shadows and clean directional lines that suggest movement and spatial depth. These overlapping forms evoke the energy of subway pieces while grounded in the polish of gallery-ready drawing. The arrows, textures, and interlocking angles pull the viewer through layers of intention—each edge refined, each fill pattern calculated yet expressive. The drawing captures not only form but attitude, with a style that suggests motion, control, and continual evolution. Studio Evolution of Graffiti Language Sen2's untitled piece belongs to a larger movement in which blackbooks became not just preparatory tools but finished works in their own right. Street Pop Art & Graffiti Artwork often begins in sketch form, and this piece stands as a definitive artifact of that process. It documents a moment of imagination before execution—where letters transform into weapons of style, and the street’s visual dialect is transcribed into a gallery-safe medium. For collectors, the work offers a window into the raw talent and thought process of one of graffiti's modern pioneers, preserved with care and now framed as art history in motion.

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Catalyst Original Hand Drawn Art Drawing on Framed Hand Deckled Aged Art Paper by Surreal Artist Naoto Hattori. 2012 Signed Original One-of-a-Kind Pencil/Graphite Drawing Framed Artwork Frame Size 8.5x8.5 Image Size 3x5. Custom Framed & Matted By Artist Naoto Hattori's "Catalyst": A Surreal Intersection of Imagery and Emotion "Catalyst," an original hand-drawn art piece by the surreal artist Naoto Hattori, represents a unique convergence of delicate pencil work and emotive surrealism captured on hand-deckled aged art paper. This 2012 one-of-a-kind pencil/graphite drawing is a testament to Hattori's skill in portraying complex, dream-like visions within a compact space. The framed artwork, with an image size of 3x5 inches and a frame size of 8.5x8.5 inches, has been custom framed and matted by the artist, adding a personal touch that complements the intimate scale of the work. This drawing stands apart from conventional urban art's execution and presentation. While street pop art and graffiti artwork are typically associated with large-scale, public displays, Hattori's "Catalyst" invites a more personal interaction. The piece is imbued with the intricacies of fine art while resonating with the accessibility and visceral impact often found in street art. Hattori's work does not scream from the walls; instead, it whispers, drawing the viewer into a one-on-one dialogue with the art. Exploring the Artistic Detail in "Catalyst" The meticulous detail in "Catalyst" showcases Hattori's masterful control of pencil and graphite, revealing an otherworldly creature that seems to emerge from the very fibers of the aged paper. The hand-decked paper highlights the artist's appreciation for the tactile qualities of his materials and his intent to merge the traditional with the surreal. Each stroke and shadow in the drawing contributes to an overall sense of depth and dimension, breathing life into the fantastical subject. The creature depicted combines familiar elements with the enigmatic, challenging the viewer's perception of reality. The intimate size of the image, contrasting with the more substantial frame, emphasizes the artwork's precious nature, akin to a relic or a talisman. This sense of preciousness is often sought in street pop art and graffiti artwork, where the transient nature of the medium contrasts sharply with the desire to create something lasting and impactful. Hattori's "Catalyst," while not a typical street art piece, captures the essence of what many street artists strive for—an enduring connection with the audience. Naoto Hattori's "Catalyst" is a profound piece of art that transcends the boundaries between the various disciplines of pop art, street art, and surrealism. It encapsulates the ethereal, tangible, imagined, and accurate, inviting viewers to ponder the unknown depths of their psyche. The meticulous craftsmanship, coupled with the unique presentation, makes "Catalyst" a valuable addition to contemporary art discourse, highlighting the breadth and diversity within the realm of artistic expression.

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Cave Drawing Original Pen Hand Drawing on Fine Art Paper by modern trending street art artist Deth P Sun. 2014 Signed Original Hand Drawn Pen Drawing by Deth P Sun Artwork Size 8.5x11 Drawing of an adventurer cat exploring a cave.

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Black Beard Original One of a Kind Colored Pencil Painting Artwork on Tinted Fine Art Paper by Popular Street Graffiti Artist Brandon Sopinsky. 2013 Color Bomb Original Colored Pencil Drawing by Brandon Sopinsky

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Companion Model Drawing Original Graphite Drawing by Robert Lazzarini on Fine Art Paper Modern Street Pop Artwork. 2010 Signed Original Graphite Pencil Drawing Size 11.5x14.5. Robert Lazzarini (b. 1965) Companion Model Drawing, c. 2010 Graphite on paper 14-1/2 x 11-1/2 inches (36.8 x 29.2 cm) (sheet) Signed in pencil to lower right. Exploring Robert Lazzarini's Companion Model Drawing in the Context of Street Pop and Graffiti Art American contemporary artist Robert Lazzarini was born in 1965 and is renowned for his mind-bending sculptures that manipulate everyday items such as guns, chairs, and skulls. These pieces challenge our understanding of reality, incorporating a mix of computer-aided design and traditional sculpting methods. Lazzarini completed his studies at the School of Visual Arts in New York City, earning his BFA in 1990. His artwork has been showcased in numerous galleries and museums across the globe, with some of his most notable exhibitions being held at the Virginia Museum of Fine Arts, the Hirshhorn Museum, and the Whitney Museum of American Art. Lazzarini's sculptures are famous for their ability to distort and alter our spatial perception. His creations' unconventional shapes and dimensions make the viewer question the objects themselves and the reality they occupy. Lazzarini's artwork challenges us to reconsider our assumptions and preconceptions about the world around us by presenting familiar objects in unfamiliar ways. The art world is an ever-evolving landscape, and within its broad spectrum lies the fusion genre of Street Pop Art, a style that embodies the rebellious spirit of street art with the mass appeal of pop art. It's within this creative milieu that Robert Lazzarini's "Companion Model Drawing," a graphite-on-paper creation, finds its place. This artwork, dating back to circa 2010, represents a significant contribution to the genre, offering a unique blend of street art's grit and pop art's accessible imagery. Born in 1965, Lazzarini has been a prominent figure in the contemporary art scene, known for his distortion of familiar objects and icons, effectively challenging viewers' perceptions and expectations. The "Companion Model Drawing" is a testament to his distinctive approach, as it presents the viewer with a sketch that appears to be simple at first glance but reveals complex undercurrents upon closer inspection. The piece size, 14-1/2 x 11-1/2 inches, is intimate, inviting personal engagement, and the graphite medium gives it a raw, unfinished quality that resonates with the ethos of street art. Interpreting Lazzarini's Artistic Technique and Street Pop Art Aesthetic Lazzarini's work is often characterized by a meticulous technique that belies the chaotic impression it leaves. This is evident in the "Companion Model Drawing," where the lines are deliberate and precise, yet the overall effect is disorientation and altered reality. Though rendered in graphite, this drawing carries the visual weight and immediacy often associated with graffiti artwork. The boldness of the lines and the shading techniques contribute to a three-dimensional effect, making the drawing leap off the fine art paper. While not a traditional example of graffiti art, the artwork embodies the movement's spirit through its engagement with popular culture and subversive elements. The subject of the drawing, which can be described as a deconstructed character, resonates with the iconography typical in street and pop art. Lazzarini's signature in pencil at the bottom right corner adds a personal touch to the piece, anchoring it firmly within the artist's body of work. The Cultural Relevance of Lazzarini's Work in Modern Art Discourse Street Pop Art is not merely an aesthetic; it's a cultural phenomenon that speaks to societal narratives, often acting as a visual language for urban experiences. Lazzarini's "Companion Model Drawing" engages with this dialogue through its subject matter and execution. The choice of a companion model, a figure that could be interpreted as a guide or an alter ego, reflects the personal yet universal themes that street art explores. The artwork blurs the lines between high art and the more democratically accessible street art, embodying the inclusive nature of modern art movements. Moreover, Lazzarini's drawing bridges the immediacy of street art and the enduring nature of fine art. While graffiti is ephemeral, often painted over or washed away, the permanence of graphite on paper allows this piece to become a lasting record of artistic expression. It captures a moment in time within the street pop art movement, preserving it for future generations to appreciate and study. Conclusion: The Impact of Lazzarini's Companion Model Drawing In conclusion, Robert Lazzarini's "Companion Model Drawing" is a significant piece at the intersection of Street Pop Art and Graffiti Artwork. Its execution in graphite on fine art paper transcends the temporary nature of street art, allowing it to be appreciated as a long-lasting artifact. The piece showcases Lazzarini's technical prowess and embodies the essence of street pop art—a blend of subcultural depth and pop culture iconography. As a signed original graphite pencil drawing from 2010, it carries the hallmarks of Lazzarini's style: a thought-provoking distortion of reality that challenges and engages the viewer. This artwork remains a crucial reference point for those interested in the evolution of street-inspired art within contemporary art discourse.

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Contact Study 7 Original Painting/Drawing Acrylic & Colored Pencil on 100lb Bristol Board Paper by Taylor White Graffiti Street Artist Modern Pop Art. "I started studying a form of modern dance called Contact Improvisation, and that study has opened me up to a new set of curiosities which I’ve been able to explore both physically in space, and visually on the page. It became about the point of surrender, of the sacrifice of the ego and all its trappings. To 'dance' on paper has been entirely mind-opening and I’ve tackled it with a renewed spirit. I’ve been playing with the use of fluorescents to give more of a vibrant mood to the images. I had a lot of fun playing around with the blues and reds in this piece, the push and pull of light and shadow and using vibrance and color to direct focus around the planes of the piece." - Taylor White

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Crystal Bearbrick Art Graphite on Paper Layered Over Gold Leaf on Matboard Artwork by Street Pop Culture Artist MMont. 2021 Signed Original Mixed Media Gold Leaf Graphite Drawing Painting Framed Artwork Size 9x12 Crystal Bearbrick by MMont Graphite on paper, layered over gold leaf on mat board Still life drawing of Baccarat/Bearbrick collaboration 9"x12" framed From: Chicago

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Crystal Shield #2 Original Graphic Ink Drawing by Mandy Tsung on Fine Art Paper Modern Street Pop Artwork. 2014 Signed Original Ink & Graphite Pencil Drawing Size 8.25x6 INFO

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Damaged Bear 72 Original Color Marker Drawing by Jermaine Rogers on Wove Fine Art Paper Modern Street Pop Artwork. 2007 Signed Original Marker Ink Drawing Size 6.5x10. "Something is very wrong with me: I am falling apart...'" Damaged Bear 72 by Jermaine Rogers – Psychological Symbolism in Street Pop Art & Graffiti Artwork Damaged Bear 72 is a 2007 original marker ink drawing by American artist Jermaine Rogers, executed on wove fine art paper and measuring 6.5 x 10 inches. Signed by the artist, the piece is an emotionally raw and visually haunting entry in Rogers’s ongoing exploration of vulnerability, identity, and collapse. The drawing features a wide-eyed bear figure rendered in loose, expressive linework with patches of red that appear as wounds or signs of decay. Numbered 72 on its forehead and accompanied by hand-lettered text reading Something is very wrong with me: I am falling apart, the artwork merges character design with psychological confession. This bear is not a mascot or a toy—it is a vessel for emotional trauma, painted with urgency, humor, and existential dread. The piece exists as a stark and poignant work within the world of Street Pop Art & Graffiti Artwork, where imagery speaks louder than exposition. Visual Language of Inner Collapse The bear figure is a recurring character in Jermaine Rogers’s visual universe, often used to explore themes of innocence broken and identity under pressure. In Damaged Bear 72, the character’s sagging posture and panicked eyes suggest disorientation and surrender. Red ink blots mark its body like open wounds, and its blank, swirling irises indicate an emotional unraveling. The text above the figure reads like a journal entry or whispered confession, turning the drawing into a narrative fragment that blends visual and literary anxiety. Rogers uses minimal color—mostly black, pink, red, and cyan—but every mark contributes to the sense of urgency and internal fragmentation. The simplicity of materials contrasts the complexity of message, a method that aligns with the unfiltered nature of Street Pop Art & Graffiti Artwork. Marker Drawing as Emotional Broadcast Executed entirely in marker on fine art wove paper, the drawing reflects immediacy and tactile presence. The lines are loose, intentional, and flawed in a way that enhances their sincerity. Rogers’s use of bleeding ink and uneven pressure brings a sense of performance to the act of drawing, capturing not just form but emotional atmosphere. The paper holds every smudge and hesitation, turning what could be a sketch into a finished emotional document. The bear’s open expression, numbered forehead, and decaying appearance resonate as symbols of individuality lost in systemic tension. In the context of graffiti and pop character traditions, Rogers’s bear stands apart by leaning into fragility instead of bravado. Jermaine Rogers and the Anatomy of Emotional Resistance Damaged Bear 72 represents Jermaine Rogers at his most exposed, offering a piece that is both a visual statement and a confessional artifact. His work operates where emotion meets iconography, turning cartoonish figures into messengers of truth and despair. In the world of Street Pop Art & Graffiti Artwork, this piece is not about street dominance or design flash—it is about the quiet, painful moments that define human experience. Rogers’s ability to inject philosophical and emotional gravity into character-driven imagery places him among the most nuanced voices in the genre. This bear does not roar—it pleads, stares, and disintegrates in front of the viewer, offering no solutions, only honesty. That honesty is what transforms Damaged Bear 72 from a sketch into a relic of modern anxiety, drawn in lines that refuse to lie.

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Darth Vader Sketch Original Marker Drawing Art on Fine Art Paper by graffiti street artist modern pop art Rich Pellegrino. 2013 Signed Original Marker Drawing by Rich Pellegrino Artwork Size 9x12

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Demon Jellyfish Original Marker Drawing by Buff Monster on Card Stock Paper, Modern Street Pop Artwork. 2007 Signed Original Magic Marker Drawing Size 10x6 of a Flying Demon JellyFish "Demon Jellyfish," a striking piece by Buff Monster, encapsulates the spirited essence of street pop art. Crafted in 2007, this original magic marker drawing on card stock paper bears the dimensions of 10x6 inches and presents an intriguing subject—a flying demon jellyfish. As a signed original, it is a tangible connection to Buff Monster's creative spirit and street art's broader narrative. The artwork features a whimsical creature, a hallmark of Buff Monster's style, which often combines the cute with the grotesque and the playful with the demonic. This juxtaposition is emblematic of street pop art's power to blend disparate elements to provoke thought and evoke emotion. The jellyfish, with its dangling tentacles and angelic wings, invites a dialogue about the nature of duality—sinister yet benign, floating yet directed. Buff Monster's use of stark black ink against the plain background exemplifies the potency of contrast—a technique frequently employed in street art to convey explicit, powerful imagery even from a distance. The decision to represent a demon jellyfish suggests a narrative where mythological creatures and urban legends converge, creating a tapestry of modern folklore. The inclusion of Buff Monster's signature and the year of creation anchors the piece in time, offering authenticity and a snapshot of the artist's evolution. As street pop art continues to gain recognition, works like "Demon Jellyfish" are pivotal in chronicling the movement's history and the diversity of its artistic expressions. In the broader context of street pop art and graffiti, the "Demon Jellyfish" stands as a testament to the unbounded creativity of artists who draw inspiration from their urban environments. Buff Monster's work challenges viewers to find beauty and meaning in unexpected forms, proving that even the most fantastical creatures have a place on the streets and in the hearts of those who encounter them.

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Dissection Of The Letter S Original Painting Mixed Media Framed On Paper by Nychos Graffiti Street Artist Modern Pop Art. 2013 Signed Original Mixed Media Acrylic Spray Paint Painting Artwork Size 40x48.5 “My dad and my grandpa were traditional Austrian hunters, so I think that is where some of my interest in anatomy comes from. Seeing a deer dissected for the first time was very inspiring for me. Seeing all the guts and intestines drop out, it was a bit crazy at first,” Nychos told Hypebeast while painting at the world’s premiere street art festival Pow Wow Hawaii earlier this year. “Using all of this anatomy I think have found something I can stick with and really go crazy on. It’s staying fresh for me because I am always finding new ways to do it.” -Nychos

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Drawing 24 Original Marker Ink Hand Drawing on Watercolor Paper by modern trending street art artist JM Rizzi. 2021 Signed Original Drawing Marker Ink on Watercolor Paper Size: 18 x 24 Inches Release: November 15, 2021

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Fence Piece Original Marker & Pencil Hand Drawing on Bristol Paper by Modern Graffiti Street Art Artist Sechor. 2021 Signed Original Drawing 04/2021 14x17 in, Bristol Paper

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Fish Original Hand Drawn Art Drawing on Framed Hand Deckled Aged Art Paper by Surreal Artist Naoto Hattori. 2012 Signed Original One-of-a-Kind Pencil/Graphite Drawing Framed Artwork Frame Size 8.5x8.5 Image Size 3x5 Custom Framed & Matted By Artist, Slight Scuffing To Frame Consistent to Age. The Artistic Journey of Naoto Hattori's Fish Original Drawing Naoto Hattori's unique contribution to the art world often finds a comfortable residence at the intersection of surrealism and street art. The 'Fish Original' hand-drawn art piece on framed hand-deckled aged art paper is a distinct representation of this artistic blend. Crafted in 2012, this original pencil/graphite drawing is a testament to Hattori's intricate style and ability to create depth and narrative within the confines of minimalist subject matter. The artwork, housed within a custom 8.5x8.5 inch frame, showcases an image size of 3x5 inches, offering a glimpse into the artist's surreal perspective through the lens of street pop art and graffiti artwork. This singular piece by Hattori is a signed, original, one-of-a-kind drawing showcasing monochromatic art's subtle yet powerful impact. The decision to create this work on hand-deckled aged art paper indicates Hattori's reverence for the textural qualities that the paper brings to the artwork. The deckled edges add an element of antiquity and an organic feel to the piece, enhancing the visual experience and complementing the simplicity of the subject—a single fish. The drawing, while straightforward in its representation, is imbued with a sense of motion and life, capturing the subject's essence with a delicate realism often associated with Hattori's work. Exploring the Nuances of Hattori's Surrealism in a Street Art Context The 'Fish Original' piece by Naoto Hattori is a subtle nod to the fluidity of street pop art and the evocative nature of graffiti artwork. While Hattori's work is primarily rooted in surrealism, the influences of street art are evident in the way he approaches his subjects. This drawing has a certain rawness and directness, qualities frequently celebrated in street art. The pencil work is precise, yet there is an undercurrent of freedom and spontaneity that aligns with the spirit of graffiti art. Custom framed and matted by the artist, the 'Fish Original' drawing reflects Hattori's hands-on approach to his art from inception to presentation. The slight scuffing on the frame, consistent with its age, adds character to the piece, suggesting a history beyond its visual content. This kind of patina often draws admirers of street art to such pieces, as it provides a rich and personal narrative. The scuffs are not flaws but marks of a journey, much like the weathered walls that serve as canvases in street art.  Street Pop Art, Graffiti Artwork, and the Intimacy of Small-Scale Works The world of street pop art and graffiti artwork is known for its boldness and large-scale visibility. However, pieces like Hattori's 'Fish Original' challenge this convention by bringing the intimacy of small-scale artwork into focus. Through this drawing, Hattori communicates that the essence of street pop art is not confined to size but is found in the authenticity and expressive power of the piece. Hattori's choice of framing and matting further personalizes the artwork, making it a complete piece that offers a narrative, much like street art, which often tells stories in the public domain. The 'Fish Original' by Naoto Hattori bridges the often disparate worlds of fine art and street art, marrying the intricacy of pencil drawing with the accessible, emotive drawing of street pop art. It exemplifies how art can transcend boundaries and speak to a diverse audience. This drawing, with its meticulous craftsmanship and the textured backdrop of aged paper, is a cherished piece in contemporary art, offering a moment of contemplation and connection in the bustling dialogue of street pop art and graffiti artwork. It stands as a beacon of the potential that lies in the fusion of different artistic disciplines, as seen through the visionary eyes of Naoto Hattori.

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Gold Foil Patch Original Marker Drawing by Saber on Antiqued Raw Fine Art Paper Modern Street Pop Artwork. 2023 Signed Original Marker & Gold Foil Drawing Size 5x6  

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Gold Tooth Skull Flower Original Pink Purple Marker Drawing by Tara McPherson on Card Stock Paper, Modern Street Pop Artwork. 2006 Signed Original Magic Marker Drawing Size 9x11.5 of a Skull Flower with Gold Tooth "Gold Tooth Skull Flower," an original marker drawing by Tara McPherson, is a striking example of modern street pop artwork that blends the macabre with the delightful. Created in 2006, this signed piece, measuring 9x11.5 inches, illustrates a skull flower characterized by a single gold tooth—a symbolic feature that offers a glimpse into McPherson's unique artistic universe. Rendered in pink and purple marker on card stock paper, the drawing exemplifies McPherson's approach to her subjects, which often intertwines themes of the surreal with human emotions. The skull, a symbol frequently associated with mortality and the transience of life, is given a new lease on life by transforming it into a flower—a representation of growth, beauty, and renewal. The gold tooth adds a playful twist to the otherwise sad symbol of the skull, injecting humor and lightness into the piece. This juxtaposition is a common thread in McPherson's work, where she seamlessly merges contrasting themes to create artwork that is both thought-provoking and accessible. This work stands out in street pop art for its distinctive style and the engaging way it invites viewers to reinterpret familiar symbols. McPherson's art often graces both the walls of city streets and the halls of galleries, reflecting the growing acceptance and appreciation of street art within the broader art community. In "Gold Tooth Skull Flower," McPherson continues to explore the endless possibilities of simple materials such as magic markers, proving that impactful art is not confined to traditional mediums or methods. Her work remains a celebrated part of the street pop art movement, known for its ability to challenge perceptions and delight audiences with its whimsical take on the everyday.

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Gustav Original Ink Hand Mini Drawing on Fine Art Paper by modern trending street art artist Nicole Gustafsson. 2013 Signed Original Drawing 5x5

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Haru Original Ink Hand Mini Drawing on Fine Art Paper by modern trending street art artist Nicole Gustafsson. 2012 Signed Original Drawing 5x5

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Heart and Soul Original Pen Ink Drawing Art on 320gsm Handmade South Indian Paper by Modern Pop Art Artist Mark Powell. Signed 2021 Ballpoint pen drawing on 320 gsm handmade South Indian paper Size: 62cm x 43cm Unframed Drawing is protected by an archival UV protective matt varnish spray 16.9x24.4 Mark Powell – Heart and Soul in Street Pop Art & Graffiti Artwork Heart and Soul by British artist Mark Powell is a striking original pen-and-ink drawing executed in 2021 on 320gsm handmade South Indian paper. Measuring 62 x 43 cm (16.9 x 24.4 inches), this piece features a meticulously rendered dead hare and pheasant, hung upside down by string in a composition that instantly evokes classical still life yet pulses with contemporary subtext. Drawn entirely with a ballpoint pen and sealed with archival UV-protective varnish, Powell’s rendering elevates this modest medium to a tool of expressive clarity. Though absent of color or overt graffiti marks, the work stands firmly within the lineage of Street Pop Art & Graffiti Artwork through its subversive detail, its interrogation of mortality, and its commitment to technical excellence layered with conceptual weight. Powell is known for using found paper, vintage documents, and aged materials in his broader practice, though in Heart and Soul, he opts for clean, handmade paper—still retaining the rawness of imperfection in texture. The subject matter draws upon the tradition of vanitas and memento mori, while also referencing the vernacular of field sport culture in a way that challenges sentimentality. This visual honesty—showing death with beauty but no spectacle—is a gesture that resonates deeply with the ethos of street and pop-inflected art. It’s a confrontation with finality, with heritage, and with consumption. The Ballpoint Pen as a Tool of Dissent and Precision What separates Powell from traditional fine draftsmen is his unorthodox use of the ballpoint pen—a tool associated more with classroom doodles or blue-collar notebooks than high art. In the context of Street Pop Art & Graffiti Artwork, this choice mirrors the use of spray cans or permanent markers: democratic, accessible, and unpretentious. Every feather, fur strand, and shadow in Heart and Soul is executed with surgical precision using this common tool, elevating it to something sacred. Like a tag scratched into a subway door or a throw-up on a crumbling brick wall, Powell’s marks assert permanence against fragility. The imagery is clean yet jarring—animals that once lived now suspended, motionless. The vertical tension of the ropes holding them reflects themes of control and helplessness, drawing a subtle parallel to how bodies—whether in life or in art—are often manipulated, positioned, and consumed. These symbolic references are aligned with urban artistic movements that seek to expose the hidden systems beneath culture, whether through abstraction, realism, or text-based intervention. Contemporary Still Life in the Street Pop Art Narrative Still life traditionally served as a showcase of abundance, fragility, and temporal beauty. In Powell’s hands, that tradition is disrupted, made raw. The careful rendering of animals is not a romantic homage—it is a meditation on stillness, loss, and what it means to hold onto something after it has passed. By choosing subject matter often glorified in upper-class sporting culture and presenting it without drama or glorification, Powell reclaims the narrative. This reclamation mirrors the objectives of many street artists who challenge dominant visual histories by injecting alternate perspectives. There is a quiet radicalism in Heart and Soul—a refusal to decorate or dilute. The honesty of the composition, the weight of the medium, and the choice of paper all work together to create an artwork that is as much about process and material as it is about meaning. This approach reflects Street Pop Art & Graffiti Artwork’s core value: that beauty, rebellion, and reflection can emerge from the simplest of materials, when handled with vision. Mark Powell’s Position in Modern Pop Draftsmanship Though not a graffiti artist in the traditional sense, Mark Powell’s aesthetic and thematic sensibilities place him in close proximity to the conceptual edge of street art. His commitment to drawing as an act of observation and confrontation, along with his use of humble materials and deadpan subject matter, places his work within the wider umbrella of street-conscious fine art. Heart and Soul does not shout, but it never looks away. It is an elegy rendered in ink—a ballpoint requiem that speaks with the same depth as murals, stencils, and protest posters inked on alley walls.

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Hello There Orange Original Spray Paint Art Can by Atomik Sculpture Drawing Artwork by Iconic Pop Culture Modern Artist.  2025 Signed Original Magic Marker Atomik Orange Smiling Face Reclaimed Spray Paint Can Painting Artwork Size 3x8 Hello There, Orange Original Spray Paint Art Can by Atomik The Hello There Orange Original Spray Paint Art Can by Atomik is a distinct piece of Street Pop Art & Graffiti Artwork that exemplifies the artist’s commitment to transforming ordinary objects into personalized statements of identity and expression. Created in 2025 and signed by the artist, this artwork is drawn directly on a reclaimed spray paint can using a magic marker. The work features the iconic grinning orange face that has become synonymous with Atomik’s visual language. With bold black linework over a used Montana spray can, the piece merges the raw energy of graffiti materials with the intimate immediacy of a hand-drawn illustration. Atomik’s instantly recognizable orange face peeks forward with oversized, cartoonish eyes and a mischievous smile, encapsulating the spirit of his Miami-based street art heritage. Reclaiming the Tools of Expression as Art Objects Spray paint cans are a staple in graffiti and street art culture. They are tools of resistance, freedom, and self-expression. Atomik’s decision to turn a spray can into the canvas itself reflects a deeper ethos in Street Pop Art & Graffiti Artwork. Rather than discarding the medium once emptied, he reclaims it—transforming the functional into the collectible. The resulting artwork stands as both an homage to graffiti’s tactile process and a rebellion against traditional notions of fine art. Every dent, scratch, and warning label on the can becomes part of the finished aesthetic, grounding the orange character in the lived reality of street-level artmaking. This practice not only preserves a piece of graffiti history but recasts it as a standalone object worthy of admiration and discourse. The Smiling Orange and the Miami Identity The smiling orange has its roots in Atomik’s personal response to the demolition of Miami’s beloved Orange Bowl stadium, a landmark of civic pride. Atomik reimagined the orange as a graffiti character that pays tribute while asserting a uniquely Floridian flavor. Over the years, it has appeared on freight trains, abandoned buildings, and murals, becoming one of the most widely recognized characters in contemporary graffiti. On this specific spray paint can, the orange floats in contrast against a sea of fine print, warnings, and hazard symbols. This juxtaposition of regulatory text and unruly character speaks to the tension between control and freedom, legality and expression. It also reflects the artist’s ongoing commentary on reclaiming space and materials for cultural storytelling. Graffiti as Sculpture and Collectible Commentary This hand-drawn reclaimed can is not only a visual piece but a sculptural one. The cylindrical form allows the artwork to live in three dimensions, giving viewers the opportunity to see how street art evolves when it enters a more permanent and collectible format. Unlike traditional canvas or digital prints, the use of the spray can physically and conceptually connects the viewer to the graffiti process. Atomik’s signature on the base further authenticates the piece, anchoring it in his artistic lineage and practice. As Street Pop Art & Graffiti Artwork continues to push boundaries, works like the Hello There Orange Spray Can stand at the forefront, showing that even a once-discarded object can become a celebrated artifact when touched by the right artist’s hand.

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Hula Bunny Original Marker Drawing by Joe Ledbetter on Card Stock Paper, Modern Street Pop Artwork. 2006 Signed Original Magic Marker Drawing Size 6x10 of a Bunny Rabbit Hula Girl. "Hula Bunny," an original marker drawing by Joe Ledbetter, presents a whimsical fusion of street art sensibilities and pop art aesthetics. Created in 2006, this piece features a charming bunny rabbit depicted as a hula girl, a playful subject matter characteristic of Ledbetter's signature style. The 6x10-inch artwork is a testament to the artist's ability to blend cartoon-like figures with a mature, street-influenced art form. Crafted with magic marker on card stock paper, "Hula Bunny" is imbued with spontaneity and fluidity, often found in street pop art. Ledbetter's lines are confident and animated, bringing the character to life with a few simple strokes. The artwork's bold black outlines and the absence of color draw attention to the form and movement suggested by the hula dancer's pose. Signed by the artist, this original piece captures the playful spirit of pop art, with its roots in commercial and popular imagery. Ledbetter often explores themes that resonate with a broad audience, and "Hula Bunny" is no exception. It reflects a joyful and carefree narrative, a departure from the conventional graffiti art associated with urban environments. This original drawing holds its own in modern street pop artwork, showcasing Ledbetter's creative range. His work bridges the gap between street art's raw expressiveness and pop art's accessible imagery. "Hula Bunny" is not just a piece of art; it is a slice of the culture from which it originates, offering a lighthearted take on the artist's surroundings and experiences. Collectors and admirers of Ledbetter's work appreciate his unique take on street pop art, where each piece often serves as a commentary on contemporary life. "Hula Bunny," with its charm and simplicity, continues to captivate viewers, remaining a delightful example of how traditional techniques can produce endearing and enduring art.

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Hungry Eyes Original Pen Pencil Paint Drawing by Atomik Modern Street Pop Artwork. 2025 Signed Original Ink Paint Pencil Graphite on Paper Drawing Size 5x8 of the Famous Miami Florida Atomik Orange. Hungry Eyes Original Drawing by Atomik: A Raw Expression of Graffiti Culture in Street Pop Art The 2025 piece titled Hungry Eyes by Miami-based graffiti artist Atomik is a potent example of raw Street Pop Art & Graffiti Artwork captured in traditional media. Known globally for his animated orange character, Atomik channels his origins from the streets of Florida into this expressive 5x8 inch work executed in pen, pencil, ink, and white paint on paper. The drawing preserves the energetic curves, exaggerated facial features, and strong iconography that define his visual language, yet it diverges by focusing on depth, texture, and mood rather than public wall space or train cars. This signed original holds particular weight because it brings Atomik’s explosive style into a more intimate and tactile dimension, highlighting the same mischievous gaze and stylized emotion that viewers typically encounter on a city wall or boxcar. The Miami Influence and the Evolution of Atomik’s Orange Atomik, born and based in Miami, Florida, has been a key figure in the visual evolution of graffiti across the southeastern United States. His signature orange character was born out of a tribute to a lost local landmark—the Miami Orange Bowl—and has since morphed into a universal symbol of urban rebellion, humor, and resilience. Hungry Eyes strips down that icon into its most fundamental parts. Drawn with ballpoint pen, graphite, and accented with sharp white strokes, this piece introduces nuance and technique often overlooked in outdoor works. Swirls and crosshatch marks surround and define the facial contours, merging classical drawing skills with street sensibility. The background of kraft-tone paper gives the composition a raw, unpolished energy, consistent with the artist’s handstyle and sense of immediacy. Even in this format, the image demands attention as if it were wheatpasted across a city block. Street Pop Art Translated to Fine Drawing While Atomik’s graffiti legacy is built upon bright enamel hues and fatcap spray lines across highly visible surfaces, Hungry Eyes functions as an alternate lens into the graffiti psyche—quiet, detailed, and full of coded visual emotion. The angular ink strokes channel years of tagging and can control, while the whimsical circular gradients embedded in the eyes mimic bubble letters and aerosol flares. The use of hand-drawn highlights instead of reflective gloss draws from a comic-book aesthetic while simultaneously staying grounded in graffiti's DIY tradition. This drawing proves that Street Pop Art & Graffiti Artwork can exist with just as much presence and weight on paper as it does on steel or concrete. Signature and Collectibility in Contemporary Street Art The reverse of the artwork is inscribed in pencil with the artist’s signature, a stylized flourish of the name Atomik and the date 25. This mark authenticates the piece not only in terms of authorship but also as a deliberate object within the continuum of street artist editions and originals. Collectors and fans of graffiti culture recognize works like Hungry Eyes as evidence that street artists are not limited to spray paint and murals. Atomik’s ability to transfer his identity onto fine art media makes this piece a collector-worthy addition for any serious archive of modern graffiti or pop-inspired street visuals. The drawing stands as a reminder that graffiti is not only about location or defiance—it is about mark-making, identity, and the ability to repurpose commercial and personal symbols into resonant visual statements.

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Icky Mouse Original One of a Kind Colored Pencil Painting Artwork on Reclaimed Paper by Popular Street Graffiti Artist Brandon Sopinsky. 2013 Icky Mouse Original Colored Pencil Drawing by Brandon Sopinsky

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Katsu Hand Tagged & Signed Silver Chrome Spray Paint Can Artwork by Montana MTN Limited Edition Crossover. 2023 Signed Katsu Silver Chrome Spray Paint Can Signed Box Limited Edition of ??? Out of 500 Artwork Size 3x8 Can. Both can and wooden boxes are hand-signed, tagged, and drawn on with spray paint. The Katsu Hand Tagged & Signed Silver Chrome Spray Paint Can is a collectible piece that melds the rebellious spirit of graffiti with the exclusivity of limited edition art. Presented in a partnership with Montana MTN, a brand synonymous with high-quality spray paint favored by street artists worldwide, this 2023 release encapsulates the essence of urban art in a tangible form. Encased within a wooden box, each spray paint can measure 3x8 inches and comes hand-signed by the artist Katsu, a pseudonymous figure revered in the underground art community. The signing of the can and the box not only authenticates each piece but also incorporates Katsu's signature style directly onto the objects, making every edition unique. This series, limited to an undisclosed number out of 500, stands as a coveted item for collectors and enthusiasts of street culture. The iconic Katsu tag, typically seen in public spaces as an act of reclaiming territory and self-expression, is recontextualized here as a collectible art form. This crossover between street and collectible art challenges traditional perceptions of graffiti as mere vandalism, elevating it to a form of pop art that can be admired and owned. The chrome finish on the cans reflects the quintessential look of graffiti art as it glistens on city walls, capturing the fleeting nature of such works, which often disappear as quickly as they appear. Each can and box, adorned with spray paint, carries the gritty textures and raw aesthetic found on the streets, offering a piece of the urban landscape to be appreciated within the sanctity of personal spaces. It's a dialogue between the artist and the collector, a signed contract that art is not confined to galleries and museums but is all around us, in the alleys and on the boulevards, alive in the places we pass every day. This series by Katsu and Montana MTN immortalizes the transient art of tagging, granting permanence to what is typically ephemeral and providing a narrative of contemporary art's evolution.

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Keith Original Pen Ink Drawing Art on Archival UV Protected Matt Paper by Modern Pop Art Artist Mark Powell. Signed 2021 Ballpoint pen sketch A2 Unframed Drawing is protected by a UV matt varnish protective spray 16.5x23.25

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King Squid Face Original One of a Kind Ink Pen Drawing Artwork on Thick Paper by Urban Street Artist Nikola Milosevic- Ghost. 2022 Signed by Tag Original Ink Drawing Size 12.5x10.5

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Lady Shiva Original One of a Kind Mixed Media Paint & Markers Drawing Artwork on Hand Deckled Handmade Art Paper by Popular Street Graffiti Artist Lady Pink. 2019 Signed & Dated Original Drawing Illustration Paint Markers, on Handmade Deckled Paper. 6 x 18 inches in size. Lady Pink’s Lady Shiva: Mythology Meets Resistance in Street Pop Art Lady Pink’s Lady Shiva, created in 2019 with mixed media and marker on hand-deckled handmade art paper, fuses Aztec-influenced mythology with graffiti symbolism and social resistance. Measuring 6 x 18 inches, this one-of-a-kind work exemplifies her ongoing commitment to female empowerment and cultural reclamation within the language of Street Pop Art & Graffiti Artwork. The central figure is a vibrant, deity-like woman with six arms, adorned with skulls, peace symbols, and bold facial markings. She holds spray cans and chains, a direct reference to the tools and struggles of the graffiti movement. The composition blends traditional iconography with cartoonish energy, channeling both Mesoamerican art and contemporary visual rebellion. The central goddess figure references the Hindu deity Shiva, a powerful symbol of destruction and transformation, but here she is reimagined through the lens of street culture. Her expression is fierce, defiant, and jubilant. Surrounding her are serpents, birds, and ornamental symbols drawn in a palette of saturated pinks, purples, and greens—an aesthetic choice that reflects Lady Pink’s history of challenging male-dominated narratives in graffiti by owning her space with unapologetic color and form. Visual Allegory of Power, Culture, and Resistance The narrative unfolds with sharp contrasts and rich symbolism. On one end, a grotesque pig-faced police officer stands handcuffed to the goddess, gripping a spray can as if confiscated or misunderstood. On the other, mythic figures—complete with skull necklaces and serpents—align themselves with the goddess’s cause. The character design is playful, but the message is pointed. Lady Pink uses humor and caricature to expose cycles of surveillance, cultural erasure, and systemic control. The shackles and clenched fists transform the piece into an allegory of empowerment—where art, identity, and heritage become instruments of resistance. This is not a passive depiction of rebellion—it is active, kinetic, and celebratory. The goddess wields graffiti like a weapon of reimagination. Her eyes are lined with thick lashes, crying stylized teardrops that recall both sorrow and power. Her smile, full of sharp teeth, confronts the viewer directly. This emotional hybridity—fierceness paired with joy—is central to Lady Pink’s style. She constructs a visual mythology where cultural memory and contemporary rebellion meet at the intersection of gender, history, and paint. Graffiti Iconography Reframed Through Feminist Vision Lady Pink, born Sandra Fabara in Ecuador and raised in New York, has been a pioneering voice in graffiti since the 1980s. Her work consistently merges street energy with personal and political storytelling, especially from a feminist perspective. Lady Shiva stands as a testament to her role in shaping graffiti into a space of inclusion and cultural critique. Rather than adhering to hyper-masculine conventions of tagging and bombing, she incorporates ancient motifs, character illustration, and symbolism to narrate deeper social commentary. In Lady Shiva, the combination of handmade paper, thick marker strokes, and mythological subject matter aligns with the tactile and ephemeral nature of graffiti. The unpolished edges, visible brush textures, and bright marker fills evoke the immediacy of street walls and sketchbooks. This physicality speaks to the roots of the medium—accessible, unfiltered, and deeply personal. The piece refuses polish in favor of presence, giving the goddess a raw, living quality. Through Lady Shiva, Lady Pink doesn’t just create a goddess—she creates a narrative weapon. The work becomes a mural-sized declaration in miniature form, bridging spiritual power, ancestral art, and the lived resistance of women artists claiming space in public view. It is a visual spell cast in spray paint and marker, summoning transformation in the language of Street Pop Art & Graffiti Artwork.

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Late At Night Original Graphic Acrylic Drawing by Mandy Tsung on Fine Art Paper Modern Street Pop Artwork. 2014 Signed Original Ink & Graphite Pencil Drawing Size 3.25x4

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Late Night Study II Original Ink Hand Drawing on Fine Art Paper by modern trending street art artist Sheefy McFly. 2020 Signed Original Marker Drawing Artwork Size 18x24 Framed Late Night Study II, 2020 Ink on paper 24 x 18 inches (61 x 45.7 cm) (sheet) Signed and dated along right edge. Framed Dimensions 27.5 X 21.5 Inches

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Leppard Shirt Original Mixed Media Drawing by RAE BK on Cardstock Paper Modern Street Pop Artwork. 2022 Signed Original Markers & Permanent Markers, Graphite & Colored Pencils, Ink, Mixed Media Drawing Size 5x8 Leppard Shirt by RAE BK – Fragmented Form and Emotional Texture in Street Pop Art & Graffiti Artwork Leppard Shirt is a 2022 original mixed media drawing by Brooklyn-based artist RAE BK, executed on 5 x 8 inch cardstock using markers, permanent markers, graphite, colored pencils, and ink, along with additional collage-like material accents. This one-of-a-kind piece showcases RAE BK’s spontaneous, layered, and emotionally coded visual language. Dominated by a bold abstract figure drawn in thick black linework with uneven features, the composition plays with portraiture in an intentionally fractured and expressive way. Facial elements are repeated, distorted, or echoed, while the shirt’s spotted pattern—a nod to the title—is rendered in blotched marks that drift between representation and symbolic texture. This work exists as both a drawing and an artifact, operating in the aesthetic chaos that defines Street Pop Art & Graffiti Artwork. Expressionist Energy in Character and Surface RAE BK’s figures are never clean or symmetrical—they are built from scratch, corrected in real-time, and imbued with raw, unfiltered emotion. In Leppard Shirt, the central face feels unstable, yet confident in its presence. The oversized nose, simplified eyes, and curved mouth are layered over washes of smudged material, creating a portrait that feels emotional rather than literal. The repetition of the face motif in miniature—like echoes or iterations—suggests memory or commentary. The artwork does not offer a resolved figure but rather a psychological imprint, drawn with urgency and spontaneity. This sense of emotional immediacy is what places RAE BK’s character work firmly within the tradition of Street Pop Art & Graffiti Artwork, where lines are as much about rhythm and response as they are about control. Collage Elements and Material Disruption The presence of mixed materials—including glitter, adhered objects, and what appears to be a barcode label—transforms the surface into a textural conversation between image and object. The artist uses the tools of the street—found fragments, improvised layers, raw media—and compresses them into a work on paper that feels sculptural and alive. These tactile additions don’t just decorate the page—they rupture it. They serve as interruption, symbol, and critique all at once. Glitter becomes a distortion. Tape becomes a gesture. The result is a drawing that functions like a wall paste-up or found tag—a message delivered in parts, open to interpretation but packed with presence. The layering and mark-making fuse into a visual field of controlled chaos, echoing the layered reality of urban experience and artistic survival. RAE BK and the Language of Urban Artifact RAE BK’s Leppard Shirt is a miniature yet complete embodiment of his larger practice—an intuitive blend of emotional abstraction, coded symbols, and reclaimed visual language. The piece doesn’t ask to be understood in a linear way. It exists as a document of feeling, a collision of internal narrative and found reality. His approach embraces imperfection, trusting the materials and their placement to speak louder than polished composition. As part of Street Pop Art & Graffiti Artwork, this drawing is a reminder that small-scale work can carry the same intensity and commentary as a mural or installation. RAE BK continues to create not from a need for explanation but from a place of urgency, rhythm, and resistance—giving paper, like city walls, the power to carry voices that refuse to be ignored.

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Letter E Alphabet Original Pen Hand Drawing on Fine Art Paper by modern trending street art artist Deth P Sun. 2014 Signed Original Hand Drawn Pen Drawing by Deth P Sun Artwork Size 8.5x11 Hand Drawn Items That Pertain To The Letter E.

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Letter F Alphabet Original Pen Hand Drawing on Fine Art Paper by modern trending street art artist Deth P Sun. 2014 Signed Original Hand Drawn Pen Drawing by Deth P Sun Artwork Size 8.5x11 Hand Drawn Items That Pertain To The Letter F.

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Letter U Alphabet Original Pen Hand Drawing on Fine Art Paper by modern trending street art artist Deth P Sun. 2014 Signed Original Hand Drawn Pen Drawing by Deth P Sun Artwork Size 8.5x11 Hand Drawn Items That Pertain To The Letter U.

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Lil Creep #15 Original Colored Pencil Hand Drawing on Fine Art Paper by modern graffiti street art artist Burrito Breath. 2015 Signed Lil Creep #15 Original Colored Pencil Drawing by Burrito Breath

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Lines In The Slipstream #14 Original One of a Kind Marker Ink Drawing Artwork on Watercolor Fine Art Paper by Popular Street Art Pop Culture Artist JM Rizzi. 2022 Signed Original Marker Ink Painting Size 18x24 “Ours are tense times. Eyes closed, I surrender to the slipstream, skate the wake of an energetic flow that never stops. This series of works on paper marks a more sophisticated experiment with abstract motifs. The aluminum of an airplane and regal gold all ripple and tangle like eddies punctuated by crimson. The final act—amalgamating metallic hues with wiry black lines that interrogate the delineation between positive and negative space. Visually interpreting the tacit sensation of human history’s everlasting propulsion.” –JM Rizzi

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