Untitled from Blame Game- #3 Upside Down Face Hand-Pulled 11-Color Silkscreen Print on Saunders Waterford Hi-White Paper by Artist Kaws- Brian Donnelly Street Art Limited Edition Artwork. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 23x35 Framed With Large Custom Frame & Mat. KAWS (b. 1974) Untitled from Blame Game, 2014 Screenprint in colors on Saunders Waterford Hi-White paper 35 x 23 inches (88.9 x 58.4 cm) (sheet) Ed. 100 Signed, numbered, and dated in pencil along the lower edge. Published by Pace Prints, New York Unveiling KAWS' "Untitled from Blame Game - #3 Upside Down Face" In the dynamic intersection of street pop art and graffiti artwork, few names are as resonant as that of KAWS, the pseudonym of American artist Brian Donnelly. Born in 1974, KAWS has become an icon of contemporary art, bridging the worlds of art and mainstream culture. His piece, "Untitled from Blame Game - #3 Upside Down Face," is a compelling demonstration of his prowess in the art form. Created in 2014, this artwork is part of a limited edition of 100 hand-pulled 11-color silkscreen prints on Saunders Waterford Hi-White paper, each bearing the artist's signature, number, and date along the lower edge. Published by Pace Prints, New York, this piece exemplifies the seamless blend of commercial and fine art that KAWS is renowned for. The artwork is a bold expression of KAWS' unique aesthetic, featuring a signature character with an 'X' for each eye, a motif he has become famous for. This print, which is 35 x 23 inches, is framed with a large custom frame and mat, enhancing its visual impact. The 11-color silkscreen printing technique is a testament to KAWS' dedication to craftsmanship and quality, ensuring that each print offers a rich, vibrant palette and meticulous detail. The choice of Saunders Waterford Hi-White paper, known for its high quality, contributes to the artwork's premium feel and longevity. KAWS and the Evolution of Street Pop Art KAWS' journey in the art world is marked by his transition from a graffiti artist in the streets of New York to a towering figure in the global art scene. His work is celebrated for its fluidity in moving between various subcultures, including street art, pop art, and commercial imagery. The "Untitled from Blame Game" series perfectly illustrates how KAWS has transformed street art sensibilities into something that can be appreciated both in the buzzing city alleyways and the hushed galleries of fine art. His characters, though simplistic in form, convey a deep resonance with the viewer, often embodying themes of humanity, vulnerability, and isolation. KAWS' ability to evoke such emotion while maintaining a playful, accessible aesthetic is a hallmark of his work. This duality has endeared him to diverse audiences, from street art lovers to high-brow collectors. The Cultural Significance of KAWS' Artwork Beyond its visual appeal, the work of KAWS is deeply embedded in the cultural zeitgeist. His art captures contemporary life's essence, reflecting its complexities and simplicities. "Untitled from Blame Game - #3 Upside Down Face," like much of his work, is imbued with introspection, challenging the viewer to look beyond the surface. His pieces' recurring themes of deconstruction and recontextualization invite a dialogue about the nature of identity and recognition in a saturated media environment. Moreover, KAWS' influence extends beyond the canvas, impacting the broader design, fashion, and commercial branding landscape. His collaborations with major brands have pushed the boundaries of what is considered art, making his vision accessible to a broader audience and redefining the concept of what street pop art can be. "Untitled from Blame Game - #3 Upside Down Face" is not just a testament to KAWS' technical skill and artistic vision but also a symbol of the evolving narrative of street pop art and graffiti artwork. As a limited edition piece, it holds a special place in the annals of contemporary art, representing a moment in time where the lines between high art and street culture are not just blurred but beautifully intertwined.

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Untitled from Blame Game- #8 Hand on Eye Hand-Pulled 11-Color Silkscreen Print on Saunders Waterford Hi-White Paper by Artist Kaws- Brian Donnelly Street Art Limited Edition Artwork. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 23x35 Framed With Large Custom Frame & Mat. KAWS (b. 1974) Untitled from Blame Game, 2014 Screenprint in colors on Saunders Waterford Hi-White paper 35 x 23 inches (88.9 x 58.4 cm) (sheet) Ed. 100 Signed, numbered, and dated in pencil along the lower edge and published by Pace Prints, New York. KAWS' "Untitled from Blame Game - #8 Hand on Eye": A Symbol in Street Pop Art In the diverse and vibrant world of street pop art, KAWS, the artistic moniker of Brian Donnelly, is a name that resonates with innovation and cultural relevance. His "Untitled from Blame Game - #8 Hand on Eye" is a prime example of his artistry, which merges the realms of graffiti, pop art, and commercial imagery. This piece is a hand-pulled 11-color silkscreen print on Saunders Waterford Hi-White paper and part of a limited edition series released in 2014. Each print from this series is part of an exclusive collection, limited to 100 signed and numbered editions, making it a coveted piece for collectors and enthusiasts alike. The artwork's dimensions, 35 x 23 inches, allow for an immersive viewing experience, with the enormous custom frame and mat serving to accentuate its bold visual impact further. KAWS' signature style is evident in the interplay of colors and the iconic imagery that has become synonymous with his name — particularly the crossed-out eyes, which have become a powerful symbol within the lexicon of contemporary art. This imagery is not just a hallmark of his design but speaks to a more profound commentary on society, identity, and emotional experience. Technique and Cultural Commentary in KAWS' Art The technical proficiency of KAWS is on full display in "Untitled from Blame Game - #8 Hand on Eye," where the precision of the silkscreen process highlights his meticulous attention to detail. The 11-color format reveals a complex layering that adds depth to the image, with each hue selected to contribute to the overall narrative of the piece. The use of Saunders Waterford Hi-White paper is a deliberate choice that ensures the colors' vibrancy and the print's longevity, considerations that reflect the artist's dedication to his craft. More than just visually striking, KAWS' works often convey significant cultural commentary. The recurring themes in his pieces often reflect contemporary life's saturation with media and imagery, offering a critique of how we consume and interact with visual stimuli. His works bridge the gap between high art and popular culture, making bold statements that resonate with a broad audience and ensuring his place as a pivotal figure in the evolution of street pop art. KAWS: Influencing the Trajectory of Street Art and Beyond KAWS' contributions to the art world extend beyond his prints and paintings. His influence permeates various sectors, from mainstream commercial collaborations to high-end fashion and design, challenging traditional boundaries and expanding the scope of street art. The "Untitled from Blame Game" series, specifically "#8 Hand on Eye," exemplifies this crossover, merging street art's aesthetic with fine art's finesse. By signing, numbering, and dating each print along the lower edge, KAWS personalizes each edition published by Pace Prints, New York. This personal touch, combined with the limited availability, adds to the allure and value of the artwork. These elements have solidified KAWS' position in the art world and made his works highly sought after in the market. KAWS's "Untitled from Blame Game - #8 Hand on Eye" is a testament to the artist's ability to elevate street pop art to a form that transcends traditional graffiti artwork. Its production, presentation, and profound cultural resonance underscore KAWS's artistry's transformative power. As street art continues to evolve and influence contemporary culture, KAWS' works, such as this piece, will remain integral in shaping the narrative and appreciation of this dynamic art form.

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Untitled from Blame Game- #10 Hand on Brow Hand-Pulled 11-Color Silkscreen Print on Saunders Waterford Hi-White Paper by Artist Kaws- Brian Donnelly Street Art Limited Edition Artwork. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 23x35 Framed With a Large Custom Frame and Mat, Slight Feather Scuff To Lower Middle White. KAWS (b. 1974) Untitled from Blame Game, 2014 Screenprint in colors on Saunders Waterford Hi-White paper 35 x 23 inches (88.9 x 58.4 cm) (sheet) Ed. 100 Signed, numbered, and dated in pencil along the lower edge. Published by Pace Prints, New York The Expressive Nuance of KAWS' "Untitled from Blame Game - #10 Hand on Brow" The "Untitled from Blame Game - #10 Hand on Brow" stands as a significant piece within the oeuvre of KAWS, the artistic alias of Brian Donnelly. This piece is part of a limited series, a hand-pulled 11-color silkscreen print on Saunders Waterford Hi-White paper, known for its exceptional quality and resilience. The artwork, measuring 35 x 23 inches, is one of a limited edition set of 100, each signed, numbered, and dated by the artist in pencil along the lower edge, showcasing his direct involvement and personal touch in each piece. Released in 2014 and published by Pace Prints in New York, this work is framed within a large custom frame and mat, which elegantly encases the artwork and enhances its display. The "Hand on Brow" motif featured in print indicates KAWS' unique and recognizable visual language, frequently including bold colors, graphic shapes, and the reimagined characters that have become central to his art. The slight feather scuff to the lower middle white of the print may suggest the hands-on process involved in creating these works, emphasizing their handmade nature and the authenticity of the screen printing process. KAWS: Bridging Street Art and the Fine Art Sphere KAWS' journey from a graffiti artist tagging the streets of Jersey City to a global art phenomenon encapsulates the transformative power of street pop art and its ability to permeate the fine art world. His background in graffiti is evident in the freeform and expressive quality of his work, yet there is a sophistication to his approach that aligns with delicate art sensibilities. His "Untitled from Blame Game - #10 Hand on Brow" vividly represents this crossover, presenting a visual dialogue that is accessible yet complex, playful yet profound. Using an 11-color palette in the silkscreen process is particularly noteworthy, allowing KAWS to layer colors with precision and create images with depth and vibrancy. The choice of Saunders Waterford Hi-White paper reflects his commitment to quality, as it is a preferred substrate for fine art prints due to its superior texture and durability. Like many in KAWS' body of work, this piece is a sophisticated confluence of street art's edginess and pop art's mass appeal. Cultural Resonance of KAWS' Limited Edition Prints KAWS' prints, especially those within the "Blame Game" series, resonate culturally due to their commentary on social constructs and individual experience. The recurring themes in his work, including isolation, companionship, and contemplation, are universally relevant, allowing his art to speak to a diverse audience. His "Untitled from Blame Game - #10 Hand on Brow" encapsulates these themes, employing his iconic crossed-out eyes and abstracted figures to invite introspection and emotional response. As a limited edition piece, this artwork occupies a special place in street pop and graffiti art narratives. Collectors and enthusiasts value KAWS' prints for their artistic merit, rarity, and investment potential. The art of KAWS, particularly pieces like "Untitled from Blame Game - #10 Hand on Brow," continues to influence the trajectory of street-inspired art, commanding attention in urban environments and refined gallery spaces. In conclusion, "Untitled from Blame Game - #10 Hand on Brow" is a testament to KAWS' masterful blend of street art's spontaneity with the calculated craft of fine art printmaking. This piece symbolizes the artist's capacity to engage with viewers on multiple levels, offering a visual feast that is as thought-provoking as aesthetically pleasing. As street pop art continues to evolve, the work of KAWS is a pivotal point of reference, blurring the lines between subcultures and mainstream art forms.

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Untitled From Crossroads Giclee Print by Alice Pasquini Artwork Limited Edition Print on 300gsm Baryta Fine Art Paper Graffiti Pop Street Artist. 2019 Signed & Numbered Limited Edition of 100 Artwork Size 13x17.83 The Artistic Essence of "Untitled From Crossroads" Alice Pasquini's "Untitled From Crossroads" is a giclée print that captures the essence of contemporary street pop art and graffiti artwork. As an acclaimed artist, Pasquini brings forward a piece that exemplifies her distinctive approach to art that has been honing the edges of street art and muralism. This limited edition print, with its vibrant figures and abstract forms, is a testament to her ability to communicate compelling narratives through her art. The artwork, a limited edition giclée print on 300gsm Baryta fine art paper, stands out for its textured appearance and depth of color, hallmarks of high-quality prints. The dimensions of the piece, 13x17.83 inches, offer a generous canvas for Pasquini to convey her vision. A limited run of 100 signed and numbered prints indicates this piece's exclusivity and collectible nature. The portrait centers on a female figure, a recurring subject in Pasquini's work, exuding a sense of contemplation and depth. Her gaze is piercing and tender, inviting viewers to ponder the thoughts behind those eyes. Visual Language and Symbolism Pasquini's use of vibrant and contrasting colors against the stark backdrop of the Baryta paper creates a captivating visual dichotomy. The fluidity and apparent spontaneity of the brushstrokes juxtapose with the deliberate intensity of the subject's eyes, creating a powerful focal point. This "Crossroads" collection piece symbolizes the intersection of lives and stories within the urban landscape, a crossroads of human experience. The artist's choice of a graffiti pop style infuses the work with an urban grittiness that is both raw and beautiful. Technical Proficiency and Medium The technique of producing a giclée print of this caliber is a modern marvel, bridging the gap between traditional printmaking and digital technology. The term "giclée," derived from the French verb "gicler," meaning "to spray," refers to the process of making fine art prints from a digital source using inkjet printing. This method reproduces colors and textures with remarkable fidelity to the original artwork. It's a fitting medium for street pop art, where the accessibility of art is a crucial value, enabling the work to reach a wider audience without sacrificing quality. Cultural Impact and Placement in Modern Art "Untitled From Crossroads" is not merely a decorative piece; it is a cultural artifact that encapsulates the mood and ethos of contemporary society. The work's release in 2019 places it within a period of art where boundaries are increasingly blurred between high art and street art and where the voice of the street is as powerful and significant as that of the gallery. Alice Pasquini's contribution to this movement is profound, as she continually challenges and expands the narrative of what street pop art can be. Collectibility and Value The value of a limited edition print like "Untitled From Crossroads" goes beyond its aesthetic appeal. For collectors, the allure lies in the scarcity and the artist's personal touch—each print is signed and numbered, making it unique. Collecting works such as this is not just an investment in art; it is an investment in the legacy of street pop art and graffiti artwork. It represents a chance to own a piece of the movement, a snapshot of the artist's journey, and a fragment of cultural history. Alice Pasquini's "Untitled From Crossroads" giclée print profoundly expresses street pop art and graffiti artwork. Through her signature use of color, expressive portraiture, and the innovative giclée printing technique, Pasquini continues to forge a deep connection with her audience. The limited edition nature of this print, coupled with its evocative portrayal of urban life, underscores the artist's stature as a significant figure in the landscape of contemporary art.

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Upper Face Flip Limited Edition 2-Color Hand Letterpress Print on 250gsm Lenox Art Paper by Gats- Graffiti Against The System pop art graffiti famous artist art. "This piece is part of a series of fourteen 11”x 17” illustrations that all share a similar boarder of text. I then used the same boarded in a 18”x24” illustration and a 60’ x 15’ mural. I’m planning on showing all the originals together at a gallery, but I want to release the prints first. I like using text as cross hatching in my pieces so that from a distance it appears as shading and bolder shapes, but when you look at it close you can decipher more elaborate symbolism. " - Gats- Graffiti Against The System

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Vader Blue Archival Print by Jayson Atienza Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2021 Signed & Numbered Limited Edition of 35 Artwork Size 18x18 Archival Pigment Fine Art May the 4th

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Vader Pink Archival Print by Jayson Atienza Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2021 Signed & Numbered Limited Edition of 35 Artwork Size 18x18 Archival Pigment Fine Art May the 4th

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Vader Purple Archival Print by Jayson Atienza Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2021 Signed & Numbered Limited Edition of 35 Artwork Size 18x18 Archival Pigment Fine Art May the 4th

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Valencia Artist Proof AP Hand-Pulled 5-Color Screen Print on 290gsm Coventry Cotton Paper by Artist Dave Kinsey Limited Edition Pop Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition of 50 Artwork Size 9x11

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Van Gogh Museum Self Portrait 100% & 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures Dutch painter Van Gogh’s Self Portrait with Grey Felt Hat painting came out in 1889. The painting sold for a record-breaking $71.5 million at auction in 1998. Medicom Toy collaborated with the Van Gogh Estate in February 2021 to put the watercolor painting onto its recognizable Bearbrick figure for a retail price of $123. This set features 100% and 400% figures that measure 2.8 and 11 inches respectively. The painting is shown on the legs, arms, waist, torso, and head of the bearbrick figure. The collaboration between Van Gogh and Bearbrick allows a new group of collectors to appreciate the late artist's work.

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Van Gogh Museum Self Portrait 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure. 2021 Van Gogh Self Portrait Grey Felt Hat 1000% Bearbrick Medicom Toy

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Van Ness Limited Edition 4-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Dave Kinsey Graffiti Street Artist Modern Pop Art. BLK/MRKT

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Vegas Bound Canvas Artwork Giclee Limited Edition Print on Canvas by Pop Culture Graffiti Artist Leslie Ditto. 2014 Signed & Numbered Inspired By Fear & Loathing In Las Vegas 27"x18" Limited Edition Canvas Print By Leslie Ditto Edition Size Of 30. Ready to Hang on Stretched Canvas. Leslie Ditto's "Vegas Bound" Canvas Artwork: A Limited Edition Fusion of Street Pop Art and Cinema "Vegas Bound" is a canvas artwork by Leslie Ditto, an artist celebrated for her contributions to the street pop art genre. She is known for infusing her pieces with social commentary and vibrant visuals. This limited edition giclée print on canvas is an evocative homage to the cult classic film, "Fear and Loathing in Las Vegas." Signed and numbered by the artist, the 27"x18" print was released in 2014 with a limited edition size of 30, making it a rare collector's item. Leslie Ditto's work often draws from pop culture, and "Vegas Bound" is no exception. The artwork is meticulously prepared on stretched canvas, ready to hang, and serves as an eye-catching testament to Ditto's unique style. The visual narrative of "Vegas Bound" captures the essence of the hallucinatory experience depicted in "Fear and Loathing in Las Vegas." The central figures, reminiscent of the film's protagonists, are portrayed against a backdrop that is quintessentially Las Vegas, with its flashy and over-the-top energy. Ditto's use of saturated colors and exaggerated features echoes the surreal and chaotic journey into the heart of the American Dream, as experienced by the characters. The detailed rendering of the subjects, the classic convertible, and the iconic Las Vegas sign all work in harmony to transport the viewer into the vivid world of the artwork. Dissecting the Aesthetic Elements of "Vegas Bound" The aesthetic elements of "Vegas Bound" are deeply rooted in street pop art and graffiti artwork traditions. Ditto's technique showcases an intricate balance between realism and exaggeration, a hallmark of pop art's influence. The artwork features hallucinatory creatures and distorted perspectives that symbolize the psychedelic influence on street art, while the meticulous attention to detail reflects the precision of graffiti artwork. The figures in the piece, with their stylized expressions and bold contours that define them, testify to the rebellious spirit underlying street and pop art movements. Leslie Ditto's ability to capture the frenetic energy of the Las Vegas strip and the disjointed reality of the film's narrative is evident in the chaotic composition of the piece. Every element, from the smoke from a cigarette to the manic grin of the anthropomorphic creature in the backseat, contributes to an overwhelming sense of motion and emotion. This piece is not simply a static representation; it actively reimagines a cultural phenomenon, capturing the vibrancy and transience of street pop art. Significance and Impact of Leslie Ditto's "Vegas Bound" in Art and Culture "Vegas Bound" stands as a significant work in the oeuvre of Leslie Ditto and within the broader context of street pop art and graffiti artwork. The limited availability of this print has made it a sought-after piece for collectors and enthusiasts of street pop art. Ditto's interpretation of "Fear and Loathing in Las Vegas" through the lens of street art aesthetics offers a fresh perspective on the themes of excess, escapism, and the search for meaning in a postmodern world. It visually explores the boundaries between high and low art, between the world of fine art galleries and the unabashed expressions found on the streets. Through works like "Vegas Bound," Leslie Ditto contributes to the ongoing conversation about the legitimacy and potential of street pop art as a form of artistic expression. Her work challenges the traditional barriers of the art world, showcasing how the motifs and themes commonly found in graffiti and street art can find a place within the confines of a canvas. "Vegas Bound" is not merely a tribute to a film but a piece that stands on its own as a vibrant, thought-provoking example of how pop culture and art intersect to create something entirely new and deeply resonant. Leslie Ditto's "Vegas Bound" is a powerful piece of street pop art that captures the spirit of an era, the essence of a cinematic journey, and the enduring allure of Las Vegas. Its limited edition status only adds to its mystique, making it a valuable addition to the collections of those who appreciate the intricate dance between cinema, street culture, and visual art.

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Veil Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Joe King Graffiti Street Artist Modern Pop Art.

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Verdant Limited Edition Hand-Embellished Archival Pigment Print with Foil Embellishments on 300gsm Fine Art Paper by Craww Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition HPM of 30 Artwork Size 15x20 Craww's Intricate Mastery in Verdant: A Hand-Embellished Print Craww's "Verdant" is a consummate example of how street pop art & graffiti artwork transcends its urban roots, entering the realm of fine art through sophisticated technique and evocative imagery. Released in 2016 as a hand-embellished archival pigment print, this limited edition piece, signed and numbered with 30 prints, showcases Craww's adeptness at blending various artistic disciplines to create something unique. The artwork size of 15x20 inches provides ample space for the intricacies of Craww's vision to unfold, allowing each element to breathe and interact on the fine art paper, which is a robust 300gsm in weight. The print features foil embellishments that catch the light and draw the eye, creating a dynamic interplay between the piece's material and visual elements. These embellishments are not merely decorative but are integrated into the artwork to enhance the overall composition, emphasizing key aspects of the design. This hand-embellishment process ensures that while each print is part of a series, it also has nuances, making each piece in the edition distinct. The Aesthetic and Symbolism in Craww's Verdant "Verdant" is steeped in symbolism, with its rich tapestry of flora interwoven with the central figure that dominates the composition. The title speaks to the lushness and vitality that Craww infuses into the piece, with the natural world emerging from and enveloping the figure. This harmony between humans and nature is a recurring theme in Craww's work, often serving as a metaphor for growth, decay, and the cycle of life. The monochromatic scheme, punctuated by the gold foil, gives "Verdant" a sense of timelessness, as if the piece could belong to any era yet is unmistakably modern. Craww's fusion of traditional symbolism with contemporary sensibilities creates a dialogue between the past and the present, a hallmark of street pop art & graffiti artwork that seeks to be relevant and resonate across different contexts. Collectibility and Cultural Resonance of Craww's Work Craww's "Verdant" holds a special place in collectible art. The limited edition of hand-embellished prints ensures that each collector gains a segment of exclusivity, a piece of Craww's universe that is theirs alone. Signing and numbering these prints is a ritual that adds a layer of connection between the artist and the collector, imbuing the transaction with a personal touch often absent in mass-produced art. The cultural resonance of "Verdant" lies in its ability to communicate complex emotions and ideas through the visual language of street pop art & graffiti artwork. It is a testament to Craww's ability to create compelling imagery and tell stories that prompt introspection and a deeper appreciation of the intricate relationship between humans and the world they inhabit. "Verdant" by Craww is more than a mere print; it is a piece of art that encapsulates the essence of street pop art & graffiti artwork, marrying technique with symbolism and creating a dialogue with the viewer that extends beyond the visual. Its status as a limited edition hand-embellished print elevates it within the art market, offering collectors a chance to own a piece of Craww's poetic exploration of the human condition.

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Vertigo San Francisco Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2014 Signed & Numbered on Back Limited Edition of 100 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print of Woman San Francisco City Sprial from Movie Vertigo. Vertigo San Francisco Silkscreen Print by Justin Van Genderen Vertigo San Francisco Silkscreen Print by Justin Van Genderen is a 2014 hand-pulled screenprint that merges the atmospheric tension of Alfred Hitchcock’s film Vertigo with the stylized aesthetics of Street Pop Art & Graffiti Artwork. Measuring 18x24 inches and produced in a signed and numbered limited edition of 100, this piece captures the essence of cinematic suspense and the city’s haunting allure. The striking spiral design, the silhouette of a lone woman, and the unmistakable San Francisco skyline create a hypnotic visual experience that echoes the psychological themes of the legendary film. A Cinematic and Graphic Masterpiece This screenprint is a masterclass in composition, using simplicity and contrast to build an unsettling yet mesmerizing scene. The background consists of a bold, spiraling pattern that expands outward from the center, reminiscent of the famous Vertigo effect used in Hitchcock’s film. The spiral dominates the composition, drawing the viewer into its depths while evoking the sensation of movement and disorientation. The central figure, a silhouetted woman walking along a railing, is dwarfed by the overwhelming spiral, reinforcing the film’s themes of obsession, fate, and psychological unease. The warm tones of red and beige give the artwork a vintage yet modern feel, referencing the film’s original poster design while updating it with a minimalist approach. In the lower portion, recognizable elements of San Francisco’s skyline, including the Golden Gate Bridge, provide a subtle yet effective sense of place. This balance between abstraction and realism makes the piece visually engaging, drawing connections between the city, its cinematic history, and its reputation as a space of mystery and allure. Street Pop Art & Graffiti Artwork Influence Justin Van Genderen’s style is deeply rooted in the aesthetics of Street Pop Art & Graffiti Artwork, and this print exemplifies his ability to transform familiar imagery into bold, graphic statements. The use of high-contrast silhouettes, geometric abstraction, and a restrained color palette aligns with techniques seen in street murals, stencil work, and urban poster art. The spiral, while a direct reference to Vertigo, also carries associations with street art motifs—symbols of time, hypnosis, and perception. The halftone-like texture layered throughout the piece mimics the distressed surfaces found in urban art, reinforcing the tactile quality of screenprinting as a medium. The restrained use of typography in the lower portion, with its clean lines and structured layout, further enhances the balance between film poster aesthetics and contemporary urban art influences. The interplay of positive and negative space creates a striking visual rhythm, making this piece stand out as both a tribute to classic cinema and a fresh take on modern design. San Francisco’s Role in Urban Art and Film San Francisco has long been a city that inspires both filmmakers and street artists. Its dramatic landscapes, steep streets, and dense fog create an atmospheric setting that has been immortalized in countless films, including Vertigo. The city’s vibrant street art scene also thrives on these visual contrasts, with murals, wheatpaste posters, and large-scale installations embracing the city’s rich cultural and artistic history. This print encapsulates the dual nature of San Francisco as both a real place and a cinematic dreamscape, where reality and illusion constantly blur. As a limited-edition hand-pulled screenprint, this artwork is highly sought after by collectors of Street Pop Art & Graffiti Artwork as well as film enthusiasts. The combination of bold design, psychological depth, and homage to one of cinema’s most visually striking films makes this print a powerful statement piece. Whether displayed in a gallery or as part of a private collection, this piece captures the essence of both Vertigo and San Francisco itself—a city of beauty, mystery, and endless artistic inspiration.

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Victor Martinez/Beaten Up- Tigers Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Victor Martinez/Beaten Up- Tigers

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Vincent Price Original Graphite Pencil Hand Drawing on Fine Art Paper by modern trending street art artist Joe King. 2010 Signed Original Graphite Drawing Artwork Size 8.x11, Framed in ornate frame with mat.

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Virus Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori. VIRUS 20 x 20 inches (50.8 x 50.8 cm) High-Quality Giclee Print on 100% Cotton Rag Fine Art Paper Signed and Numbered Edition of 100

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Voodou Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Charmaine Olivia. 2014 Signed & Numbered Limited Edition of 350 Artwork Size 8.5x11

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Vote For Miles Skate Deck - White Limited Edition Silkscreen Skateboard deck art by street pop culture artists at Huf. Vote For Miles Skate Deck - White - Huf. Vote For Miles White Skateboard Art Deck by Huf Skateboards

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War 100 Tablets AP HPM Stencil on Board by Ben Frost Hand-Painted Multiple Panel Graffiti Street Artist Modern Pop Art. AP Artist Proof 2023 Signed & Marked AP HPM Spray Paint & Acrylic Print Artwork Size 11x14 (Total Run of 10 + 2AP) Ben Frost's Artistic Commentary The "War 100 Tablets AP HPM Stencil on Board" by Ben Frost is a provocative piece that epitomizes modern pop art's daring and often subversive nature. Created as a hand-painted multiple (HPM) and a part of a limited edition series, this work reflects the artist's critical eye on societal issues, employing a combination of stencil artistry, spray paint, and acrylic techniques to render his vision on an 11x14 inch board. Frost's piece is bold in its aesthetic and message, immediately capturing attention with the stark contrast of the black and white imagery juxtaposed with the striking red accents. The presence of the word "WAR" in capital letters alongside the words "CONTROLLED DRUG" and "KEEP OUT OF REACH OF CHILDREN" suggests a powerful commentary on the nature of conflict and the pharmaceutical industry's role in society. As an Artist Proof (AP) in 2023, it is marked distinct from the total run of 10 with an additional 2 APs, signifying its rarity and the artist's direct involvement in its creation. Techniques and Style Frost is renowned for his street pop art and graffiti artwork, which often utilizes the visual language of advertising and consumerism to explore deeper themes. The "War 100 Tablets" is a clear example of this, as it mimics the look of a medication box, suggesting that war is being 'sold' to the public much like any over-the-counter drug. The stencil technique used by Frost is a hallmark of street art, allowing for sharp, precise lines often associated with mass-produced items, further emphasizing the piece's commentary on commercialism. The artist's use of spray paint and acrylic lends the work a textured, layered look characteristic of graffiti art. This blend of materials and techniques is a deliberate choice by Frost to blur the lines between high art and street art, creating a piece that is accessible yet complex, with a finish that invites closer inspection. Cultural Impact and Collectibility Frost's "War 100 Tablets" is a visually striking piece and a collectible item within the art community. The limited number of panels produced, coupled with the hand-painted aspect, ensures that each piece within the series is unique. The AP designation indicates that the artist kept this piece as proof, marking it as an essential part of the edition's history. Collectors and enthusiasts of street pop art and graffiti artwork are often drawn to such pieces for their cultural relevance, investment potential, and as a means of supporting the arts. Frost's wWithical edge and contemporary style appeal to Frost's work to those looking to own art that speaks to the zeitgeist of the current era. Legacy and Influence Ben Frost's work, including "War 100 Tablets," contributes to the ongoing dialogue about the intersection of art, commerce, and social issues. By bringing the techniques and styles of street art into a fine art context, he challenges preconceived notions about the value and message of graffiti and street pop art. The artist's signature on the piece is a testament to its authenticity and his reputation in the art world, ensuring that it will remain a significant work for years to come. The "War 100 Tablets AP HPM Stencil on Board" by Ben Frost is a poignant critique of modern society, utilizing the visual strategies of street pop art and graffiti artwork to engage with contemporary issues. Its creation as a hand-painted multiple adds to its exclusivity and allure, marking it as a significant piece within the modern pop art movement and a valuable collector's item. Frost's astute blend of accessible art forms with nuanced social commentary ensures his work remains relevant and thought-provoking, inviting viewers to question and contemplate the world around them.

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War and Folly 16x20 Limited Edition Archival Pigment Prints on Fine Art Paper by Pooch Graffiti Street Artist Modern Pop Art.

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Warhol 02 Red Purple Original Oil Painting by Peter Keil One of a Kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 2002 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Andy Warhol Friend Face Pruple Red & White. Intense Expressionism in Peter Keil's Warhol 02 Red Purple The "Warhol 02 Red Purple Original Oil Painting" by Peter Keil, also known as The Wild Man of Berlin, is a captivating exploration of form and color through the lens of Neo-Expressionism. This one-of-a-kind artwork on a Masonite panel embodies the spirited energy of the artist, a famous contemporary figure known for his daring use of colors and profound representation of faces. The 2002 piece, signed and stamped with the year by Keil, is a square of emotion measuring 24x24 inches, where the thick application of paint forms an image of Andy Warhol, revealing the profound influence of pop art on Keil's work. Keil's artistic method is defined by a bold, impasto technique where the paint is layered on thickly, giving the artwork a three-dimensional texture that is both seen and felt. This technique results in some degree of flaking over time, which is considered an inherent characteristic of Keil's work, adding to its authenticity and historical value. The "Warhol 02 Red Purple" painting is a testament to this style, with its vibrant reds and deep purples merging to form the iconic visage of Warhol, set against a stark white background. Peter Keil's Contribution to Contemporary Art Peter Keil's contribution to street pop art and graffiti artwork is substantial, as he brings street art's raw, untamed essence into the gallery. His work eschews the conventional polish and restraint often associated with fine art, instead embracing a wild abandon more commonly found on the streets and in the alleys where graffiti thrives. The "Warhol 02 Red Purple" vividly illustrates this philosophy, with the painting's subject – a pop art pioneer – being depicted in Keil's uninhibited style, creating a bridge between the two artistic worlds. Each of Keil's paintings is an original narrative, a story told in the visual language of colors and shapes. Collectors and enthusiasts of Keil's work are attracted to his paintings' intense emotion and distinctive style. In the case of "Warhol 02 Red Purple," the allure is enhanced by the subject matter – the legendary Andy Warhol – which positions the painting at the intersection of pop art heritage and contemporary artistic innovation. Owning a piece by Peter Keil is more than an acquisition of art; it is an immersion into the vibrant life story of the painting itself. The flaking paint, the bold strokes, and the striking contrasts create an experience that is as evocative and complex as the artist himself. The "Warhol 02 Red Purple" is a vibrant symbol of Keil's enduring artistic vision and impact on the art world. The "Warhol 02 Red Purple Original Oil Painting" by Peter Keil is a visual feast and an essential piece of contemporary art history. This work encapsulates the essence of street pop art and graffiti through the lens of a master painter whose unorthodox approach to art has captured the attention of the global art community. Keil's painting celebrates expressive freedom and the power of art to convey profound human emotion and thought.

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Warrior Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art.

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We Are the Jocular Clan Offset Lithograph Print by Takashi Murakami TM/KK Print on Smooth Wove Fine Art Paper Limited Edition Hand-Pulled Street Pop Artwork Graffiti. 2018 Signed & Numbered Limited Edition of 300 Offset Lithograph Artwork Print Size 19.63x19.63 Kaikai Kiki Co. Ltd., Tokyo. Decoding the Visual Symphony of Takashi Murakami's "We Are the Jocular Clan" The fusion of contemporary art and street culture is magnificently encapsulated in Takashi Murakami's offset lithograph print, "We Are the Jocular Clan." This limited edition piece, hand-pulled on smooth-wove fine art paper, is a quintessential example of street pop and graffiti artwork. Murakami, a stalwart in the post-modern art scene, is renowned for blurring the boundaries between high and low culture, a theme that resonates deeply in this 2018 creation. The artwork, signed and numbered, comprises a limited series of 300 prints, each sized at 19.63x19.63 inches, and presents a visual narrative that is both playful and profound. Takashi Murakami's Artistic Legacy and Street Pop Artistry Murakami's aesthetic, often categorized under the Superflat movement, indicates his deep engagement with the historical and contemporary visual language. "We Are the Jocular Clan" showcases Murakami's iconic design elements, such as the smiling flowers and whimsical eyes, that have become synonymous with his name. These motifs are not just recurring visual themes but are also imbued with cultural significance, drawing from Japanese art traditions and the global impact of anime and manga. The juxtaposition of traditional Japanese art with the anarchic energy of street art and graffiti forms a complex, layered tapestry of meanings that challenge the viewer's perception of art, culture, and society. Materiality and Craftsmanship in Murakami's Printmaking The craftsmanship in producing "We Are the Jocular Clan" is a testament to the meticulous processes behind fine art printmaking. The decision to use offset lithography is a nod to the democratization of art, a principle often celebrated in street pop art. This method allows for a wider dissemination of Murakami's work, making it accessible to a broader audience and not just the echelons of art collectors. The smooth-wove fine art paper is a canvas that captures the original artwork's vibrant colors and intricate details, ensuring that each piece, though part of a series, retains a sense of uniqueness and individuality. Cultural Dialogue Through Murakami's Visual Language "We Are the Jocular Clan" is not merely an object of visual delight but a cultural dialogue articulated through Murakami's distinct visual language. The piece embodies the essence of street pop art — it is accessible yet complex, severe yet playful, and individual yet universal. Murakami's work bridges the street and the gallery, inviting interpretations across diverse cultural and social contexts. It reflects the artist's philosophical inquiries into the nature of joy, the constructs of clan-like communities, and the role of art as a communal experience. In contemporary art, Murakami's work has consistently pushed the boundaries of what is considered art, just as graffiti once pushed against the boundaries of legality and acceptance in public spaces. "We Are the Jocular Clan" holds within its vibrant composition the revolutionary spirit of street art, the aesthetic pleasures of pop art, and the conceptual depth of contemporary art practices. Much like Murakami's oeuvre, this artwork catalyzes the ongoing discourse about the intersections and divergences within art forms and the evolving narrative of street pop art and graffiti artwork.

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We Need To Talk Silkscreen Print by Gary Taxali Hand-Pulled 5-Color on Cover White Arches Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Limited Edition of 50 Artwork Size 25x31 Silkscreen Print Decoding Gary Taxali's "We Need To Talk" Silkscreen Print Gary Taxali's "We Need To Talk" is a silkscreen print encapsulating the essence of Street Pop Art and Graffiti Artwork. Released as a limited edition in 2015, this print demonstrates Taxali's distinctive art style that merges the old with the new, the classic with the contemporary. The artwork is a substantial 25x31 inches, making it a statement piece for any collector. This hand-pulled 5-color print on Cover White Arches fine art paper is a testament to Taxali's craftsmanship and attention to the finer details of printmaking. The choice of Arches paper, known for its texture and durability, speaks to the quality and longevity of the print. Each piece in the limited edition of 50 is signed and numbered by Taxali, highlighting the exclusivity and authenticity of the work. "We Need To Talk" features a central monkey-like figure surrounded by graphic elements and text, all interplaying to create a narrative open to interpretation. The monkey's direct gaze and the surrounding dialogue bubbles and text snippets such as "GUM DROP," "SHUCKS," and "DEAR BOB" suggest a conversation that is both playful and poignant. The use of bold colors and sharp contrasts, along with Taxali's signature illustrative style, creates a visual language that draws the viewer in and encourages them to explore the deeper meanings behind the art. Taxali's work is often reflective of societal commentary and personal expression. In "We Need To Talk," one could argue that the juxtaposition of text and image invites the viewer to consider the complexities of communication in the modern age. The phrases interspersed throughout the artwork resonate with the cacophony of messages and information that bombard us daily. At the same time, the central figure's emotive expression serves as a focal point amidst the noise. Taxali's print stands out for its engagement with the viewer in the broader context of Street Pop Art and Graffiti Artwork. Street art is known for its public accessibility and often aggressive nature. While Taxali's work is housed within the more private confines of a gallery or collection, it retains the spirit of street art through its bold messaging and visual impact. Given its limited-edition nature, the artwork is a visual treat and a collector's item. Numbering and signing each print creates a direct connection between the artist and the collector, a hallmark of acceptable art practices. Taxali's integration of high art techniques with street art's approachability exemplifies these art forms' evolving nature and increasing overlap. "We Need To Talk" by Gary Taxali is a powerful piece of art that combines the artist's unique visual style with the interactive and message-driven qualities of Street Pop Art and Graffiti Artwork. This print is a reflection of Taxali's skill as an artist and his ability to communicate complex themes through the medium of silkscreen printing. For collectors and admirers of contemporary art, this work is not just an aesthetic addition but a conversation starter, a narrative piece that invites interpretation and contemplation. As Taxali continues to influence the art world, works like "We Need To Talk" are significant milestones in his artistic journey, capturing the zeitgeist of our times through the lens of pop and street art.

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Wearing Your Dreams- Duo Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Modern Artist Alex Garant. 2022 Signed 12x18 Limited Edition of 25 Matte Finish & Embossed Duo Variant The Essence of "Wearing Your Dreams" in Contemporary Street Pop Art & Graffiti Artwork "Wearing Your Dreams" emerges as a significant piece within the realm of street pop art and graffiti artwork, masterfully created by modern artist Alex Garant. This 2022 limited edition giclee print on fine art paper celebrates the artist's visionary approach to art that dissolves the barriers between the street and the gallery. Sized at 12x18 inches and limited to just 25 copies, each signed by Garant, the artwork embodies rarity and the unique charm of exclusivity that fine art enthusiasts seek. Garant, celebrated for her distinct style that often features doubled eyes and faces, blurs the lines of reality and surrealism in "Wearing Your Dreams." This duo variant is particularly notable for its matte finish and embossed texture, accentuating the tactile experience of viewing the artwork. The embossing technique, traditionally not associated with street art, exemplifies how Garant is pushing the boundaries of street pop art, adding a physical dimension to the visual narrative. Intersecting Worlds: The Limited Edition Impact and Its Place in Art Collecting The concept of limited edition works such as "Wearing Your Dreams" profoundly impacts the perception and value of street pop art and graffiti artwork. By limiting the print run to 25, Garant ensures the piece's collectability and highlights its importance as a tangible snapshot of the artist's creative journey. Signing each print further infuses the artwork with a direct connection to the creator, an aspect deeply appreciated in the art community. In street art, using fine art paper as a substrate is a deliberate choice, bridging the divide between an ephemeral art form often seen on public walls and the lasting nature sought by collectors. This choice showcases Garant's respect for street art traditions while elevating the work to a collector's item. The matte finish, in contrast to the often glossy street art prints, invites viewers to focus on the depth of the artwork without the distraction of reflection, allowing the embossed details to stand out, further defining its uniqueness. The Narrative of "Wearing Your Dreams" and Its Cultural Resonance "Wearing Your Dreams" is more than its physical attributes; it is an artistic narrative that speaks to the core of street pop art and graffiti artwork. The piece is a metaphor for how we present ourselves to the world, the dreams we wear like garments, and the dualities we embody. The duo variant suggests a duality within the subject, a common theme in Garant's work, where the visible self and the inner self are in dialogue, a concept that resonates with the authenticity and raw expression found in street art. In the larger tapestry of street pop art, Garant's "Wearing Your Dreams" contributes to the conversation about the evolving identity of this art form. While street art has its roots in the provocative, often clandestine acts of creativity on public surfaces, it has grown to embrace more nuanced, introspective explorations of self and society. With its contemplative expression and depth of gaze, this artwork invites the audience to pause and reflect—a quiet yet powerful rebellion against the fleeting consumption of images in the digital age. Legacy and Future: "Wearing Your Dreams" within the Artistic Canon As street pop art and graffiti artwork continue to evolve, "Wearing Your Dreams" will undoubtedly hold a place in the progression of this artistic movement. Its limited nature, signature by the artist, and the tactile quality of its embossing set a precedent for what modern street art can be—intimate, collectible, and rich with meaning. Garant's work, especially this piece, will be remembered for its ability to straddle the line between accessibility and exclusivity, a quality that is becoming increasingly significant in a world where art is omnipresent yet often ephemeral. In sum, Alex Garant's "Wearing Your Dreams" captures the essence of street pop art's transformative power. It represents a moment in time where the artist's vision and the cultural context converge to create a piece that is both a personal statement and a universal conversation starter. For collectors, owning one of the 25 prints is not just an investment in art; it is an embrace of a narrative that is ever-unfolding, a dialogue between the streets and the sanctified halls of fine art, a dream made tangible through the medium of street pop art and graffiti artwork.

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Ween 13- Fort Lauderdale FL 2008 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. 24 x 32 – 3 color silkscreen – S/N edition of 200

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Weeping Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Hsiao Ron Cheng. Hsiao Ron Cheng, an amazing artist from Taipei, Taiwan, and part of the Prisma Artist Collective.

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Wetland Powers Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "This Wetland Powers print examines the repercussions of a Supreme Court largely in the pockets of big oil. The government is supposed to create the greatest good for the greatest number of people. Still, the conservative justices in the current Supreme Court have put the agendas of big oil and wealthy property owners ahead of safe and clean water for the citizenry. The concept of "common assets"… no one owns resources like air and water and needs to be protected for the benefit of all, seems lost on many people in business and government. It is up to us as voters to elect representatives who put the needs of the citizens first. The Supreme Court makeup is always important to consider when voting for our president since the sitting president selects appointees for Supreme Court justices." -Shepard Fairey- OBEY Shepard Fairey's "Wetland Powers": A Statement in Street Pop Art In street pop art, Shepard Fairey stands as a figure of monumental influence; his work is often intertwined with solid socio-political messages. The "Wetland Powers" silkscreen print by Shepard Fairey, also known as OBEY, is a striking example of his commitment to merging art with activism. Released in 2023, this limited edition piece, hand-pulled on cream speckletone fine art paper, is more than a visually arresting image; it's a conduit for a critical conversation about environmental justice and governance. Dissecting "Wetland Powers" by Shepard Fairey The artwork, sized at 18x24 inches, is part of a limited edition of 550 signed and numbered prints. In typical Fairey fashion, the piece combines a bold aesthetic with a message that challenges viewers to consider the impact of political decisions on the environment. The imagery features a female figure with elements that suggest a connection to nature and its defense. Fairey's work is known for its layered visual language; every element serves a symbolic purpose, and "Wetland Powers" is no exception. Environmental Advocacy through Art In "Wetland Powers," Fairey addresses the contentious issue of land rights versus environmental protection, particularly highlighting the Supreme Court's role in shaping the fate of U.S. wetlands. The print serves as a commentary on the court's decisions that Fairey perceives as favoring corporate interests over public environmental health. Through this piece, Fairey expresses his belief in safeguarding common assets — air, water, and land — for the collective good. The Cultural Resonance of Fairey's Work Shepard Fairey's art has always resonated with a broad audience, and his Obey campaign has become a cultural phenomenon. With "Wetland Powers," Fairey continues to tap into the collective consciousness, using his art as a platform to advocate for ecological and social responsibility. The work underscores the power of street pop art to transcend the canvas and become a vehicle for change, urging citizens to reflect on their role as voters and to elect leaders who prioritize the welfare of all. "Wetland Powers" is a testament to Shepard Fairey's enduring role as an artist at the forefront of street pop and graffiti artwork. His ability to address pressing global issues through compelling imagery cements his status as an artist dedicated to the intersection of art and advocacy. As a limited edition print, "Wetland Powers" represents Fairey's artistic prowess and embodies the spirit of street art as a form of engaged public discourse.

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What Goes Up Original Spray Paint Acrylic Painting by Meggs One of a Kind Artwork on Canvas with Custom Reclaimed Wood Frame by Street Art Pop Artist. 2014 Signed Acrylic & Spray Paint Painting Original Canvas in Artist Hand Made Reclaimed Wood Frame Artwork Size 49x49. From Spoiled Rotten Show. Exploring the Dynamic Essence of Meggs' "What Goes Up" "What Goes Up" is an original acrylic and spray paint painting by the acclaimed street pop artist Meggs that encapsulates the dynamism and energy of his work. Created in 2014, this artwork reflects Meggs' signature style, which harmoniously blends street art's rawness with pop art's vividness. This one-of-a-kind artwork is a statement piece and a storytelling canvas that explores themes prevalent in Meggs' oeuvre, such as the constant struggle between opposing forces and the transient nature of success and failure. The painting measures 46x46 inches and is housed in a custom reclaimed wood frame handcrafted by the artist. Reclaimed wood adds an eco-conscious dimension to the artwork, reinforcing Meggs' interest in sustainability and the repurposing of materials. This choice of framing also accentuates the urban and gritty feel of the painting, resonating with the street art tradition of using found objects and spaces. Artistic Techniques and Visual Impact in "What Goes Up" Meggs employs acrylic and spray paint in "What Goes Up," showcasing his adeptness at using traditional and non-traditional media. The acrylic provides depth and texture, while the spray paint offers a sense of immediacy and spontaneity intrinsic to graffiti artwork. The painting is a cacophony of colors, bursting forth from a central point, suggesting an explosion of energy and creativity. The colors are not just randomly splashed across the canvas; they are meticulously layered to create a visual impact that is both chaotic and controlled. The artwork features a skull motif, a recurring element in Meggs' art, which often symbolizes the transient nature of human existence and the cyclical nature of life. However, in "What Goes Up," the skull is juxtaposed with vibrant colors and comic-style exclamations, which could be interpreted as a commentary on the superficiality of popular culture and the fleeting nature of fame and success. The skull seems to be disintegrating or exploding into an array of colors and shapes, a powerful visual metaphor for the inevitable downfall that follows a rise to the top. Cultural Commentary and the Essence of Street Pop Art The painting's title, "What Goes Up," hints at the adage "what goes up must come down," suggesting a narrative of ascent and descent. Meggs often infuses his Street Pop Art and graffiti Artwork with philosophical musings and critical observations of society. The work symbolizes the cyclical patterns of life and can be seen as a reflection of the transient nature of success or the hubris that often precedes a fall. The artist's use of text in the painting, rendered in a comic book style, adds a layer of communication with the viewer, inviting them to ponder the deeper meanings behind the vibrant facade. The piece is a testament to the artist's ability to navigate the space between gallery and street art, making it accessible to a diverse audience. The inclusivity of street art is evident in Meggs' work, where the public space becomes a canvas for dialogue, and the art becomes a part of the everyday urban landscape. "What Goes Up" is not just a visual spectacle but also a piece of cultural commentary, encapsulating the ethos of street art and its role in contemporary discourse. "What Goes Up" is a prime example of Meggs' impact on the field of street art and his contribution to the broader pop art movement. The painting manifests the artist's dedication to craft, concept, and commentary. Through the integration of various artistic techniques and the strategic use of reclaimed materials, Meggs has created an artwork that is both a visual feast and a conceptual powerhouse. The significance of Meggs' work lies in its ability to resonate with viewers on multiple levels. This work can be appreciated for its aesthetic qualities and ability to evoke emotion and provoke thought. As a piece of Street Pop Art and graffiti Artwork, "What Goes Up" embodies the spirit of this genre, which continues to push the boundaries of art and its place in society. It remains a poignant piece within Meggs' body of work and within the larger conversation of contemporary art.

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What Party 7- Yellow Hand-Pulled 3-Color Silkscreen Print on Saunders Waterford Hi-White Paper by Pop Graffiti Artist Kaws Rare Street Art Limited Edition Artwork. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 22x22 Framed With Large Custom Frame & Mat. KAWS (b. 1974) What Party (Yellow), 2020 Screenprint in colors on Saunders Waterford HP Hi-White paper 22 x 22 inches (55.9 x 55.9 cm) (sheet) Ed. 41/100 Signed, numbered, and dated in pencil along the lower edge. Published by the artist KAWS' What Party 7- Yellow: A Masterpiece in Street Pop Art & Graffiti Artwork KAWS, born Brian Donnelly in 1974, has become a symbolic figure in the intersection of high art and popular culture, blending elements of street art, graffiti, and pop art into his dynamic oeuvre. One of his standout creations is "What Party 7- Yellow," a hand-pulled, 3-color silkscreen print showcasing his distinctive art-making approach. Produced in 2020, this piece is rendered on Saunders Waterford Hi-White paper, a high-quality paper known for its durability and exceptional surface, which allows for the vibrant application of inks and intricate details for which KAWS is renowned. Craftsmanship and Exclusivity of What Party 7- Yellow The "What Party 7- Yellow" artwork is a testament to the meticulous craftsmanship of silkscreen printing, which requires precision and patience. The layering of three colors to create the final image is a complex task that reflects the artist's dedication to his craft. This print, a limited edition of only 100, is a rarity and exemplifies the exclusivity that KAWS pieces command. Each print is signed, numbered, and dated along the lower edge, confirming its authenticity and the artist's direct involvement in its creation. The Visual Language of KAWS in What Party 7- Yellow The visual language of KAWS is instantly recognizable in "What Party 7- Yellow" with its bold, graphic lines and the use of his iconic characters that convey a range of emotions despite their simplistic facial expressions. Yellow in this piece is striking, creating a sense of energy and vitality often associated with the color. The size of the artwork, 22x22 inches, offers a generous canvas for KAWS to convey his vision, striking a balance between accessibility and grandeur. The Framing of What Party 7- Yellow The presentation of "What Party 7- Yellow" is enhanced by the large custom frame and matting accompanying the print. The choice of framing is critical to how the artwork is perceived and experienced. It not only protects the piece but also serves to highlight the artwork's features and reinforce its thematic elements. The frame and matting choices are integral to the overall aesthetic and are often considered by collectors as part of the artwork itself. The Impact of What Party 7- Yellow on Street Pop Art "What Party 7- Yellow" is a compelling example of Street Pop Art and graffiti Artwork. KAWS manages to transcend the traditional boundaries of street art and graffiti, situating his work within a broader art historical context while maintaining the energy and authenticity that characterize street culture. Like much of his work, this piece bridges the gap between the subversive and the mainstream, introducing elements of street art into the refined art gallery space and challenging preconceived notions about the value and potential of graffiti art. In summary, KAWS' "What Party 7- Yellow" is a luminous example of Street Pop Art and graffiti Artwork. Its hand-pulled, silkscreen technique, limited edition nature, signature by the artist, and distinctive framing all contribute to its significance as a work of art. As a collectible, it represents a pivotal moment in the evolution of street art, serving as a bridge between underground art movements and the polished world of fine art galleries. For enthusiasts and collectors alike, "What Party 7- Yellow" is not merely a piece to be owned; it is an artifact of cultural significance that embodies the spirit and transformation of contemporary art.

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What's the Code? Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Eva Redamonti pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 What's the Code? Blotter Paper Archival Print by Eva Redamonti Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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While Supplies Last Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 45x26 Hand Deckled In the vibrant sphere of pop art, street art, and graffiti art, Shepard Fairey stands as a towering figure, renowned for his thought-provoking pieces that often transcend the canvas to make poignant societal statements. His creation, "While Supplies Last," is a testament to his artistic prowess and dedication to global causes. This large format artwork, meticulously crafted as a hand-pulled 4-color serigraph print, exemplifies the precise attention to detail and the depth of thought behind Fairey's creations. Crafted on custom cotton Coventry rag paper, the artwork exudes a tactile richness. The dimensions, 45x26, give the art piece a commanding presence, ensuring that its message is not just seen but felt. The edges, hand deckled, add to its authentic appeal. But what truly makes this piece resonate is its potent imagery: bold patterns, captivating floral motifs juxtaposed against a hauntingly beautiful face, and the unmistakable "WHILE SUPPLIES LAST!" emblem - all working in tandem to highlight the urgency of environmental concerns. Originating in 2023, the artwork's exclusivity is marked by its limited run of only 100 pieces, each of which is signed and numbered by Shepard Fairey himself. Adding to its authenticity, the Obey publishing chop is discreetly placed in the artwork's lower left corner. Importantly, Fairey's commitment to environmental conservation shines through, as proceeds from this masterpiece are dedicated to Greenpeace, ensuring that the art not only stirs the soul but also contributes tangibly to pressing global issues. In an era where art and activism intertwine, "While Supplies Last" stands as a beacon of hope and a call to action.

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Whispers I Limited Edition Hand Pulled 6-Color Serigraph Print on Fine Art Paper by Lee White modern pop artist. Limited Edition Original Hand Signed Serigraph By Lee White Titled “whispers I”. Numbered From An Edition Size Of 350. Paper Size: 21" X 21" Medium Is Serigraph On Paper Light dirt smudging on margins out of image constant with age.

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White Paper Series No.2 Limited Edition 5-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Ben Tour Graffiti Street Artist Modern Pop Art. BLK/MRKT

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White Zombie Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Elvisdead Graffiti Street Artist Modern Pop Art. Screenprint. Hand-numbered.

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Winter breeAnne We the Future Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2018 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print Winter BreeAnne represents a new generation of leadership and activism, embodied in the "We the Future" campaign, which is artfully captured in a limited edition silkscreen print by a renowned pop culture artist. Launched in 2018, this signed and numbered artwork is more than a visual piece; it’s a statement of empowerment and a beckoning for social participation. The artwork, pulled by hand on Cream Speckletone fine art paper, stands at an impressive 18x24 inches, making its presence as bold and thought-provoking as the message it carries. This limited edition print, with only 450 copies in existence, brings together the aesthetics of street art and the cultural influence of pop art. The artist's decision to use the hand-pulling technique, a time-honored method in screen printing, adds a layer of authenticity and craftsmanship to the work, honoring traditional practices in a modern context. The image of Winter BreeAnne is a vivid iconography, symbolizing the tireless efforts of youth activists who are not just speaking out but are leading the charge toward real change. As an element of pop and street art, this piece carries the undercurrents of rebellion and transformation. The term "Future Voter" emblazoned across BreeAnne's shirt is not merely a designation but a declaration of the coming influence of a generation ready to assert its power through civic engagement. The call to “Power to the Polls” amplifies this, pushing the narrative that every individual has a role in shaping the future. This sentiment is at the heart of pop art’s core ethos – a reflection of contemporary issues and a mirror to society’s values, hopes, and dreams. The artist behind this print is celebrated for their ability to capture the zeitgeist in their work, combining elements of propaganda, portraiture, and political messaging to create art that transcends the canvas and becomes a part of the public discourse. The use of vibrant colors, bold lines, and striking poses echoes the energy of street art murals, which often serve as beacons of community expression and are a testament to the power of public art to inspire and mobilize. The "We the Future" print is more than a decorative item; it's a cultural artifact that captures the essence of a movement, solidifying the voice of youth and the importance of participation in the democratic process. It’s an inspiration to the onlooker, serving as a reminder of the influence of the younger generation and the continuous, pulsating drumbeat of progress they bring to the political landscape.

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Withering Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Hsiao Ron Cheng. Hsiao Ron Cheng, an amazing artist from Taipei, Taiwan, and part of the Prisma Artist Collective.

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WK / Shepard Portrait Silkscreen Print by WK Interact x Shepard Fairey- OBEY Hand-Pulled on French Speckletone True White Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 450 Artwork Size 36x24 Silkscreen Print WK Interact and Shepard Fairey are luminaries in pop art, street art, and graffiti art, showcasing creativity that blurs the line between counterculture and mainstream artistry. Each has carved its distinct identity in the ever-evolving art scene, bridging the gap between street aesthetics and fine art. Their contribution to this art form has not only inspired a generation of artists but also brought street art into the global limelight. WK Interact, a French artist based in New York City, is renowned for his kinetic, motion-based black-and-white street art. His works often depict figures in motion, creating a sense of velocity and dynamism that is emblematic of urban life. The artistry goes beyond traditional graffiti as his murals often interact with the architecture and environment they are placed in, reflecting a deep connection with the urban landscape. A key concept behind his work is to capture the energy and pace of city life, turning mundane structures into a living art spectacle. "I’ve known WK for almost 25 years, but I admired his art for many years before that. When I started putting art up on the streets of NY in the early 90s, WK had some of the best murals around lower Manhattan. We’ve collaborated a few times over the years, and when I was in NYC in December, WK shot some portraits of me as part of an artist homage series. Usually, I’m uncomfortable being the subject of art pieces, but I love what he did with the final art because it merges our aesthetics very harmoniously… and my face is less of the focus!" -Shepard Fairey "In 2009, I was invited by Shepard Fairey to have a solo show at the Subliminal Project Gallery in Los Angeles. 14 years later, I have the pleasure of visiting Subliminal Projects once again… to sign a new limited edition print, on which we collaborated. I met Shepard long ago… I’ve joined him on many adventures around the world, from Berlin, Japan, NYC, Los Angeles, Miami, Chicago, to Paris. Early on, I realized as we were hitting the streets with paste ups, that we shared something in common and that was the constant desire to work. Shepard was the first person to contact me and extend an invitation to participate in the game. I admire how sharp he is… he forgets nothing. I’m grateful that he let me paint his portrait, but I’m mostly honored to call him my friend." –WK Interact

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WODH Poster #3 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Celeste Byers. WODH, World Oceans Day Hawaii 2015 Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans. PangeaSeed's second annual summer series of the groundbreaking Sea Walls: Murals for Oceans festival July 17-26 2015 in Cozumel, Mexico. Sea Walls: Murals for Oceans is the first movement of its kind helping to save our seas via public art and activism (ARTivism). PangeaSeed's second annual summer festival will feature over 25 renowned contemporary artists from across the globe collaborating to shine a greatly needed spotlight on pressing ocean environmental issues - while helping to educate and inspire individuals and communities to protect the planet's most important ecosystem: the ocean.

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Woman 84 Green Orange Original Oil Painting by Peter Keil One of a Kind Artwork on Framed Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1984 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 16.5x24.5. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Green & Orange Long-Haired Stylistic Women Head Bust. Embracing the Vivid Essence of Peter Keil's Portraiture "Woman 84 Green Orange" is an original oil painting by Peter Keil, an artist famed for his energetic and dynamic style, often referred to as The Wild Man of Berlin. His 1984 creation is unique on a framed Masonite panel, showcasing his signature expressionist strokes. The artwork measures 16.5x24.5 inches and is a vibrant depiction of a woman's head bust, characterized by a vivid interplay of green and orange hues. Keil's signature and the date are prominently displayed, confirming the authenticity and period of this one-of-a-kind work. Peter Keil's artwork is renowned for its bold use of color and the impasto technique, where thick paint is applied to create a textured surface rich in depth and intensity. This particular painting, with its striking color contrasts and stylized representation, is a testament to Keil's ability to capture more than the physical likeness of his subjects. Instead, he conveys a sense of the subject's inner life, evoking emotion and narrative through the abstracted form. The Dynamic Influence of Street Pop Art and Graffiti on Keil's Work The influence of street pop art and graffiti artwork is evident in how Keil's "Woman 84 Green Orange" painting communicates directly and powerfully. The artwork is imbued with a sense of immediacy often found in street art, where the viewer is confronted with bold imagery in public spaces. Like much street art, Keil's painting is a visual spectacle and an interactive experience that invites the viewer to engage with the piece on a deeper level. As with many of Keil's works, the thick layers of paint have resulted in some flaking over the years, which adds to the character and story of the piece. This natural aging process is a reminder of the work's journey through time and is akin to the weathering of outdoor murals and graffiti, which often change and degrade as part of their life cycle. "Woman 84 Green Orange" by Peter Keil is a powerful embodiment of his artistic vision, merging street art's raw expression with the sophistication of oil painting. With its distinctive style and emotional resonance, Keil's work continues to captivate collectors and art lovers, securing his place as a notable figure in contemporary art.

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Woman Feather Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art.

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Wonka Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Rich Pellegrino. 2012 Signed & Numbered Limited Edition of 25 by Rich Pellegrino Artwork Size 16x20

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