Artworks

Covid No 19- Rose Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Rose Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Covid No 19- Rouge Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Rouge Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Covid No 19- Sarcelle Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Sarcelle Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Covid No 19- Verte Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Verte Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Crash Test Kalis- 8.38 Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist DGK. 7-ply Maple with Assorted Stain Veneers / Full Graphic Bottom / Top Screen Graphics / Josh Kalis Professional Endorsed Skateboard / 8.38" Width x 32.15" Length / 14.5" Wheelbase

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Crayon Shooter- LA Gold Limited Run Polystone Statue Sculpture Artwork by graffiti street artist modern pop artist Brandalised. 10" Tall Mighty Jaxx Polystone Statue Artist Brandalised 2021 Limited Edition The sad expression on his face underlines the seeming end of his innocence. Why is he wielding a machine gun when he should be doodling with crayons instead? Don't miss your chance to own this incredible art piece. All purchases come with a box of gold ammo crayons.

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Creativity, Equity, Justice Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print "This print is a portrait of Anjel Newmann, Director of Programs and Youth Director of AS220 – a non-profit community arts organization based in downtown Providence with whom I’ve worked since the ’90s. AS220 is important to me because they have cultivated a creative community that continues to have a profoundly transformative impact on the city. I’m inspired by Anjel’s dedication to this organization, where she’s been a member since she was 13 years old, learning from a diverse set of communities and facilitating access to opportunities for young people across the city of Providence. Thank you Anjel and AS220 for all that you do for the people of Rhode Island!⁠" -Shepard Fairey- OBEY In the vibrant intersection where art meets activism, Shepard Fairey’s silkscreen print stands as a testament to the power of creative expression as a tool for social change. Released in 2019, this limited edition piece, signed and numbered with a run of 450, encapsulates Fairey’s longstanding commitment to community engagement through art. The 18x24 artwork, hand-pulled on Cream Speckletone fine art paper, is not only a visual treat but a beacon of inspiration, embodying the themes of creativity, equity, and justice. At the heart of this print is a portrait of Anjel Newmann, a figure who represents the enduring impact of AS220, a non-profit community arts organization in Providence, Rhode Island. Newmann's involvement with AS220 began at the tender age of 13, and her journey to becoming the Director of Programs and Youth Director showcases the nurturing power of such institutions in cultivating artistic talent and leadership among the youth. Fairey, having collaborated with AS220 since the 1990s, celebrates not only the individual journey of Newmann but also the broader ethos of the organization. AS220’s pivotal role in fostering an inclusive arts community and providing a platform for marginalized voices is central to Fairey's narrative. The artwork itself is a visual confluence of Fairey's signature style with poignant messaging. Words like "Creativity," "Equity," and "Justice" are prominently featured, aligning with the larger message that Fairey perpetuates through his work—art as a mechanism for societal upliftment and personal liberation. His use of bold, contrasting colors and geometric patterns draws the eye, compelling the viewer to contemplate the interconnectedness of the artistic elements with the profound themes presented. Fairey’s choice of Anjel Newmann as the subject speaks volumes about the role models that inspire his work. By highlighting Newmann's dedication to AS220, Fairey not only honors her and the organization but also emphasizes the importance of creative communities in driving positive social change. This print transcends its aesthetic appeal, standing as a symbol of hope and a call to action, urging viewers to rise above challenges and contribute to the collective journey towards a just society. It is a celebration of Fairey’s enduring relationship with AS220 and his unwavering belief in art as a catalyst for progress.

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Crystal Bearbrick Art Graphite on Paper Layered Over Gold Leaf on Matboard Artwork by Street Pop Culture Artist MMont. 2021 Signed Original Mixed Media Gold Leaf Graphite Drawing Painting Framed Artwork Size 9x12 Crystal Bearbrick by MMont Graphite on paper, layered over gold leaf on mat board Still life drawing of Baccarat/Bearbrick collaboration 9"x12" framed From: Chicago

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D*Dog Grin Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Ron English- POPaganda Popaganda x D*Face Dean Stockton x Made by Monsters. 2019 Signed & Numbered Limited Edition of 250 COA Displayed With Box Artwork Size 6x15 D*Face x Ron English- POPaganda in collaboration with vinyl art sculpture workshop Made by Monsters. Sculpture standing based on DFace's iconic D*Dog with Ron English- POPaganda signature Grin Skull. The DDog Grin Art Toy is a collaborative art piece created by two renowned artists, Ron English- POPaganda and DFace (Dean Stockton). Both artists are well-known for their contributions to the world of street art and designer toys, and this collaboration showcases their unique styles and creative synergy. Ron English- POPaganda is an American contemporary artist who is known for his signature "POPaganda" style, which blends high and low cultural touchstones, often combining recognizable brand imagery and advertising with subversive messages. He has created numerous art toys, sculptures, and paintings throughout his career. D*Face, or Dean Stockton, is a British street artist who has gained international recognition for his visually striking work, characterized by a blend of pop art, graffiti, and graphic design. His creations often feature bold colors, impactful imagery, and strong social commentary. The DDog Grin Art Toy is a fusion of these two artists' styles, resulting in a visually captivating and thought-provoking piece. The art toy features a dog figure with Ron English- POPaganda's signature "grin" aesthetic, while incorporating elements of DFace's distinctive pop art and graffiti influences. This limited edition toy is not only a collectible but also serves as a testament to the artists' abilities to create a cohesive work that showcases their individual talents.

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Da Street Corner Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Angel Gonzalez Graffiti Street Artist Modern Pop Art. Angel Gonzalez's debut silkscreen print, titled 'Da Street Corner' is one color (metallic gold) 18 x 24-inch screenprint. The screens were shot in the sun using a hand-cut rubylith with an edition size of 26.

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Daft Punk- Tron Metallic Gold Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artwork based on the famous music group Daft Punk. Gauntlet Gallery- "Daft Punk Deux" Art Show. The poster contains nods to the band Daft Punk. Within the design are references to Sound systems, mix stations, the pyramid designs from Daft Punk Albums, Digital Data, Energy, and more!

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Dangerous When Wet Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Glossy Flame Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Dangerous When Wet Label Uline S-176 Sticker.  Slap Up In Perfect Condition. Challenging Conventions with Street Pop Art The "Dangerous When Wet Label Uline S-176 Sticker" series, created by the renowned graffiti artist Saber, whose birth name is Ryan Weston Shook, stands as a compelling intersection of street art innovation and cautionary messaging. Saber's 2020 collection of 4x4 marker-tagged artworks embodies the essence of Street Pop Art and Graffiti Artwork, repurposing warning labels meant to signify potential danger into canvases that question and provoke thought about the inherent risks in our daily lives and the nature of perceived threats. Fluidity and Permanence in Saber's Art The warning labels Saber selects are traditionally designed to alert individuals of the immediate physical dangers of substances that react with water. However, by incorporating his signature tag into these labels, Saber invites a dialogue on the fluidity of art and its ability to leave a permanent mark on both the physical and cultural landscapes. Through tagging, these stickers, which once served a single helpful purpose, are now transformed into a statement on the juxtaposition of danger and beauty, impermanence and endurance. This speaks to the heart of graffiti's ethos – creating art that can withstand the elements, much like the substances the original labels warn against. Saber and the Assertion of Artistic Presence Each signed original slap-up graffiti art tag is a declaration of presence, asserting the artist's voice in a reserved space for warnings and prohibitions. The choice of the 'Dangerous When Wet' sticker is especially resonant in the year it was created, a year fraught with global challenges where the metaphorical concept of being 'dangerous when wet' could be extended to the idea of ideas, movements, and expressions that gain momentum and power when combined with the elements of social and political change. In exploring this theme, Saber utilizes the language of Street Pop Art and Graffiti Artwork to navigate the complexities of communication in public spaces. His work demands recognition for its aesthetic appeal and its ability to engage with and transform the messages embedded within our environments. As a respected figure in street art, Saber continues to push the boundaries of how art can interact with and alter the fabric of society. Each piece he creates is not just an artwork; it is a challenge, a question, and a statement rolled into one, symbolic of the power and potential of street art to recontextualize and redefine the symbols surrounding us.

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Dave Minion- Chrome 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Despicable Me Minions Ditto. Everyone's favorite two-eyed minion, Dave gets the chrome treatment from Medicom Toy for this super sleek and shiny Bearbrick Set. Stands at 7cm and 28cm tall.

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Deadwood 1-Color Hand-Pulled Limited Edition Silkscreen Print on Metallic Gold Fine Art Paper by Raid71 Rare Street Art Famous Pop Artwork Artist. AP Artist Proof. Skull with western-style Colt pistol guns. This skull and guns design is printed Peregrina majestic real gold ( I assume it’s metallic-esque), measures 45cm x 60 cm and is limited to 10 prints.

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Decolonize- Red/Gold Limited Edition Hand Pulled 3-Color Serigraph Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 175 Size 8x10

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Destiny Original Die Cut Vinyl, Oil Paint on Wood Cradled Panel ready to hang by Dan Christofferson- Beeteeth Graffiti Street Artist Modern Pop Art. "Destiny" - 24"x32" Die-cut vinyl on the panel for my "West Was Won" show. -Dan Christofferson

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Digital Colibri- Red/Gold Limited Edition Hand Pulled 3-Color Serigraph Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 175 Artwork Size10x8 Signed limited edition serigraph titled Dignity Colibri, by well-listed American social activist and artist Ernesto Yerena Montejano. The image depicts a stylized red, orange and gold graphic hummingbird raising its beak to a tiny rose against a white and gold backdrop. Print is numbered 38 in an edition of 175 and signed by the artist in pencil to the lower margin. The print is mounted behind gold-tone and white double-mat, under glass in a beveled composite black frame. Yerena’s work is fueled by his cross-national background, having been brought up in the small farm town of El Centro, California, which borders both America and Mexico. He uses his work to bring political concerns to light, creating images of cultural and political icons as well as everyday people. Yerena is the founder and curator of the Alto Arizona Art campaign (2010) as well as a founding member of the We Are Human campaign (2009). He has collaborated with many artists, including Shepard Fairey.

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Does She Look Down Limited Edition 3-Color Hand-Pulled Silkscreen Print on Speckled Cream Paper by Pop Artist Shepard Fairey. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24

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Dome Limited Edition 2-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Dave Kinsey Graffiti Street Artist Modern Pop Art. BLK/MRKT AP Artist Proof. Unlearn Taught Believed Misled Molded Pursued

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Donald T Rich Grin- Gold Limited Edition Vinyl Art Toy Collectible Artwork by Artist Ron English- POPaganda Modern Pop Artwork. 2017 New In Box Limited Edition Artwork Size 12" Tall

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Don't Be a MFR AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2015 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print. Don't Be A Mother Fucker. Don't Be A MOTHER#*X!! R Respect & Justice. The Provocative Appeal of 'Don't Be a MFR' by Shepard Fairey Shepard Fairey's 'Don't Be a MFR AP' is a bold exemplar in street pop art and graffiti artwork. Fairey, an American artist and provocateur born on February 15, 1970, continues to push the boundaries of art and activism. This particular work, part of an artist-proof (AP) series released in 2015, is characteristic of Fairey's approach to engaging with cultural and societal themes through his art. The hand-pulled 5-color silkscreen print on cream speckle tone paper echoes Fairey's distinctive aesthetic while carrying a strong message of respect and justice. Symbolism and Messaging in 'Don't Be a MFR' The artwork's title, 'Don't Be a MFR,' captures the eye with its intentional censoring, a tactic that allows for a broad interpretation and stirs curiosity. Within the limited edition series of 550, each piece sized at 18x24 inches, Fairey's work resonates with the power of command and the gravity of a public service announcement. The print is decorated with the words' Respect & Justice,' a direct call to action central to much of Fairey's oeuvre. Fairey employs symbols like the skull enveloped in a flower, a duality that speaks to the juxtaposition of life and death, growth and decay, reinforcing the message of the consequences of one's actions. The overall design is reminiscent of emblems and seals, often associated with authority and institutions, which Fairey repurposes to deliver his socio-political commentary. The choice of bold, angular graphics, in conjunction with the roundness of the emblematic seal, displays the tension between disruption and order, a recurrent theme in street pop art. Impact on Street Pop Art and Cultural Discourse The 'Don't Be a MFR' series exemplifies the potential of street pop art to serve as a medium for societal reflection and critique. The use of a public vernacular and the direct address to the viewer exemplify Fairey's commitment to making art accessible and demanding attention. Each print in the series, bearing Fairey's signature, is a testament to the belief that art should not shy away from controversy but rather confront and challenge the viewer. This piece, in particular, adds to the rich tapestry of graffiti artwork that has historically been used to communicate messages to a broad audience, often bypassing traditional media and institutional spaces. Fairey's work is a modern-day manifestation of this tradition, utilizing the urban canvas to prompt a public introspection on issues of respect and justice. The artwork serves not just as a visual spectacle but as a catalyst for conversation and, ideally, for action. Shepard Fairey and the Continuum of Artistic Activism Shepard Fairey's 'Don't Be a MFR' continues the artist's enduring legacy in art and activism. Residing in Los Angeles, California, Fairey remains a significant influence, harnessing the vibrancy of street pop art to voice his dissent and mobilize public sentiment. His work is anchored in the belief that art is a powerful change agent capable of inspiring individuals to think critically about the world around them. This particular silkscreen print carries the OBEY logo, an integral aspect of Fairey's brand, which doubles as a command and a critique of authoritarian tendencies. The artwork's appeal lies in its ability to be aggressive and reflective at once, pushing observers to consider their role in maintaining or disrupting social justice. Fairey's dedication to the intersection of art and societal issues solidifies his position as an artist and a significant cultural instigator in contemporary times.

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Doom Alone 1 2-Color Hand-Pulled Limited Edition Silkscreen Print on Wove Fine Art Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. Hand Deckled Doom Alone 1, 2017 Screenprint in colors on wove paper 24 1/10 × 18 1/10 in 61.2 × 46 cm The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty by themselves, but the lack of reaction to them.

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Droids Don't Cry Artwork Giclee Limited Edition Print on Glossy Fine Art Paper by Pop Culture Graffiti Artist Mark Hammermeister.

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Eclipse- Gold Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Year 2017 Class Art Print Status Official Run 150 Technique Screen Print Paper 250gsm Coventry Rag Size 28" x 28" Markings Signed & Numbered The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty by themselves, but the lack of reaction to them.

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Eclipse- White Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Year 2017 Class Art Print Status Official Run 150 Technique Screen Print Paper 250gsm Coventry Rag Size 28" x 28" Markings Signed & Numbered The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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Elegant Universe AR Archival Print by Ramon Maiden x Handiedan AR Augmented Reality Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered AR Augmented Reality Print Limited Edition of 100 Artwork Size 16x20 Archival Pigment Fine Art. AR Augmented Reality Uses the Artivive App. Contemporary Art and Technological Synthesis The "Elegant Universe AR Archival Print" is a captivating fusion of modern artistry and technological innovation, symbolic of the dynamic synergy between street pop art and graffiti artwork. It represents a limited edition series crafted by the collaborative efforts of Ramon Maiden and Handiedan, two contemporary artists who have garnered attention in pop graffiti and street art. This print is more than a static image; it incorporates augmented reality (AR), allowing it to transcend the traditional boundaries of canvas and paper to engage with viewers in a multidimensional space. This limited edition of 100 pieces, each signed and numbered by the artists, underscores the exclusivity and collectible nature of the work. Measuring 16x20 inches, the print is produced on 290gsm Moab Entrada fine art paper, reflecting the importance of quality and longevity in archival artworks. The artists have employed archival pigment in the creation process, which ensures that the colors and details remain vibrant and intact over time, a testament to their dedication to excellence. The artwork is steeped in the aesthetic traditions of street pop art and graffiti, genres known for their vibrant, often provocative, visual language that communicates directly with the public. These art forms typically emerge from urban environments. A rebellious edge characterizes them, constantly pushing against established norms and championing a more democratized cultural expression. By translating this ethos into a limited edition print, Ramon Maiden and Handiedan have bridged the street's spontaneity with the gallery's exclusivity. Augmented Reality as an Artistic Medium What sets the "Elegant Universe AR Archival Print" apart is its integration of AR technology, which activates a layer of digital interaction when viewed through a specific app or device. This immersive experience allows the artwork to exist in physical and virtual realms, offering a contemporary twist to the viewing experience. The AR component adds a dimension of interactivity and aligns with the ever-evolving narrative of street art, which has always been about accessibility and pushing the envelope regarding how and where art can be encountered. Ramon Maiden, known for his intricate designs that often recontextualize historical imagery with modern motifs, has brought his distinctive touch to the collaboration. Handiedan, whose work typically incorporates complex collages with vintage aesthetic elements, complements Maiden's style with her layered compositions. Together, they create a piece rich in detail and symbolism, with each component carefully placed to contribute to a larger, harmonious narrative. Implications for Modern Art Collectors Collectors of modern artwork are drawn to pieces like the "Elegant Universe AR Archival Print," not just for their aesthetic appeal but also for their innovative use of technology and limited availability. As art evolves with technological advancements, works incorporating elements like AR are becoming increasingly significant. They represent a new frontier for collectors interested in the intersection of art, technology, and culture. In summary, the "Elegant Universe AR Archival Print" by Ramon Maiden x Handiedan represents a milestone in fusing traditional artistic techniques with cutting-edge technology. This limited edition print embodies the spirit of street pop art and graffiti artwork. At the same time, its AR feature invites us to explore how art can extend beyond the physical world to offer a multisensory experience. It is a testament to the art world's transformative power of collaboration and innovation.

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Embrace Limited Edition Hand-Embellished Archival Pigment Print with Foil Embellishments on 300gsm Fine Art Paper by Craww Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition HPM of 25 Artwork Size 12x18 Craww - "Embrace" hand embellished with gold leaf by the artist fine art giclee print signed and numbered edition of 25 12" x 18"

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Endless Power! Limited Edition Hand Pulled 4-Color Serigraph Print on 100% Cotton Rag Archival Paper w/ Deckled Edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. The Provocateurs (Chicago) Event Shepard Fairey Print. 24 x 36-inch Serigraph Signed and Numbered Edition of 200 ART ALLIANCE publishing chop on the bottom left corner. Petrol Unlimited Future with Lung Tonic.

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Evel Fett - Bronze Metallic Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Retro Outlaw. 2020 Evel Fett Bronze Metallic Sculpture Art Toy by Retro Outlaw Displayed With Box Evel Fett - Bronze Metallic Edition. Evel Knievel / Boba Fet. Need a new color way to your collection of The Evel Fett by RETRO OUTLAW x 3DRetro? Galactic Bounty Hunter Stuntman – Evel Fett. This pop culture mash-up of Boba Fett and Evel Knievel stands 12″ tall and has a removable cape and “swagger” stick.

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Ezekiel 25:17 Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Signed & Numbered. Briefcase from Pulp Fiction Cult Classic Movie. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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Faith- Copper Limited Edition Hand-Embellished Acid-Etched Metal Print on Steel by Eddie Colla Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 40 Artwork Size 23.5x11.5 "Each piece in the exhibit was to represent each line of text, 'Faith' being the third line. Oddly enough, 1xRUN and I began production of this edition well before the current state of affairs. The world is funny sometimes. I can't think of a more appropriate time to release a piece about faith." "Faith means a lot of different things to a lot of different people. I personally am not a religious person at all, so this is not about religion. It’s really about the things that we strongly believe in, which guide us in times when the outcome is in no way guaranteed." – Eddie Colla

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Fallen Angel- Gold Limited Edition 2-Color Hand-Pulled Mixed media Silkscreen Print on 300gsm Fabriano Watercolour Paper by Copyright Graffiti Street Artist Modern Pop Art. "This image I first made in 2011, I released 2 colorways of it at the time that sold out. In 2013 I had my 10-year anniversary show where I was able to be nostalgic about my own work, after which I started to reprise old favorites in new ways. I made these and kept them back until the time was right. As my first print release in the USA and as an introduction to my work, it seemed like the perfect time to put them out. Angels are a reoccurring motif for me and most of my pictures draw from a bitter-sweet theme. So the image of a fallen angel is a powerfully symbolic way to portray this. I use symbols and iconography within my paintings to help build a story/narrative, usually small icons or tattoos." - Copyright

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Fashion Addict Refill- Versace 2 Limited Edition Archival Pigment Fine Art Print on 330gsm Canon Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2019 Signed Limited Edition of 100 Artwork Size 18x24 Versace 2 Designer Fashion Drug Pill. AP Artist Proof Numbered, Signed, Stamped on Reverse, Normal Edition of 100, 18x24, Archival Pigment Print on 330 GSM Canon Fine Art Paper. Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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Feeling Sad/Love Archival Pigment Fine Art Limited Edition Print on Gold Foil Paper by Pop Artist Copyright Modern Artwork. 2021 Signed & Numbered Limited Edition of 100 Artwork Size 11.69x16.54 "In Feeling Sad/Love, Copyright challenges the observer to consider how love should feel, and our perception of heartbreak as something beautiful." -Enter Gallery

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Filthy Limited Edition 2-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Dave Kinsey Graffiti Street Artist Modern Pop Art. BLK/MRKT

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Finger Lickin'- Gold Limited Edition Hand Deckled 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 5 Artwork Size 17.5x23.5 #4/5

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Follow Your Dreams Chrome Gold Painted Resin Sculpture by Mr. Brainwash- Thierry Guetta Limited Edition Pop Artwork Street Artist Fine Art. 2023 Signed & Numbered Sculpture Limited Edition of 18 Artwork Size 11x7.25x1.5 with Box Reading "Follow Your Dreams" in Chrome Gold Yellow Colorway. Thierry Guetta's Sculptural Incarnation of Aspiration "Follow Your Dreams," a chrome gold painted resin sculpture by Thierry Guetta, operating under the moniker Mr. Brainwash, is a gleaming representation of the aspirations Street Pop Art and Graffiti Artwork embody. One of only 18, this limited edition piece is imbued with the spirit of encouragement and individual pursuit. Each sculpture is signed and numbered, indicative of its unique status, and measures 11x7.25x1.5 inches. It comes with a box that carries the artwork's message and mirrors its chrome gold-yellow colorway, creating a holistic aesthetic and thematic experience. The sculpture's message, "Follow Your Dreams," is a directive that resonates with the fundamental human pursuit of purpose and passion. Guetta's bold and luxurious gold finish elevates the phrase from a simple suggestion to a commanding exhortation. This use of gold not only attracts attention due to its brilliance but also due to its historical connotations of value and prestige. By utilizing this color in his Street Pop Art sculpture, Guetta connects the traditionally rebellious nature of graffiti with a message that is both timeless and uplifting. The Significance of Material in Guetta's Artistic Expression The use of resin in "Follow Your Dreams" allows for the precise and clean lines that define the lettering of the sculpture, a testament to Guetta's attention to detail and dedication to quality. The material's properties also ensure that the piece is both lightweight and enduring, ideal for a work of art meant to be displayed and appreciated over time. The chrome gold paint applied to the resin enhances the sculpture's three-dimensional quality, allowing it to interact with light and space in a dynamic and ever-changing manner. Guetta's expertise in creating such work speaks to the evolution of street art from its early, ephemeral forms to the lasting and collectible pieces that now populate galleries and private collections. The limited edition nature of "Follow Your Dreams" further underlines its exclusivity and importance as a piece of fine art while still embracing the accessibility and populist roots of Street Pop Art. The Role of Mr. Brainwash in the Contemporary Art Scene Mr. Brainwash, or Thierry Guetta, has been a polarizing figure in the art world, with a career that blurs the lines between art, branding, and celebrity. His sculptures, including "Follow Your Dreams," reflect his larger-than-life persona and his ability to capture the public's imagination. Guetta's work often carries motivational messages; this piece is no exception. The encouraging words and the striking visual presentation have become a signature aspect of his artistic output. This sculpture exemplifies the cross-pollination of street art's visual language with the sensibilities of pop art—accessible, engaging, and designed to communicate directly with a broad audience. Through his works, Guetta has contributed to the elevation of street art to the status of fine art while maintaining its core ethos of being an art form for the people. "Follow Your Dreams" is a physical manifestation of this ethos, serving as both inspiration and a reminder of the transformative power of art.

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Frenzy- Untitled Hand-Pulled 1-Color Silkscreen Print on Black Fine Art Paper by Graffiti Artist Saber Rare Street Limited Edition Artwork. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 20x24

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Fresh 5-Color Hand-Pulled Metallic Ink Limited Edition Silkscreen Print on Fine Art Paper by Jeff Boyes Rare Street Art Famous Pop Artwork Artist. 5-color screenprint with metallic gold 18 x 18 inches numbered, limited edition of 50 inspired by The Fresh Prince of Bel Air

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Friendship and Support- Gold 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2011 Signed & Numbered Screen Print Friendship and Support (Gold), 2011 Screenprint in colors on speckled cream paper 18x24 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles Due to the enormous popular demand for “Friendship & Support” released last week, we are excited to announce a second colorway at the request of the Harrison Foundation! “Friendship and Support – Gold” supporting UNICEF!

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Ganas Dignity & Love- Red/Gold Limited Edition Hand Pulled 3-Color Serigraph Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 175 Artwork 8x10

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