Umphreys McGee Red Rocks 2010 Limited Edition Event Poster 8-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by AJ Masthay. Hand deckled bottom edge. Umphrey's McGee and Galactic at Red Rocks in Morrison, CO in 2010.

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Umphreys McGee Vampire AP Silkscreen Print by Todd Slater Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2008 Signed & AP Marked Limited Edition Run Artwork Size 15.5x21 Metallic Ink Halloween Monster Mash Up The Warfield San Francisco 2008 Umphrey's McGee Vampire AP Silkscreen Print by Todd Slater Todd Slater’s ability to merge music, pop culture, and surreal imagery is exemplified in the Umphrey's McGee Vampire AP Silkscreen Print. Created as a limited artist proof in 2008, this hand-pulled screen print brings together elements of horror, humor, and street pop art aesthetics. Designed for the band's Halloween Monster Mash Up concert at The Warfield in San Francisco, this piece captures the eerie energy of the event while maintaining Slater’s signature bold style. This print features a haunting depiction of a ghoulish vampire mummy leaning over a gravestone, where the band’s name is prominently displayed in dripping typography. The background is layered with classic Halloween treats, including pies and snack cakes, adding an unexpected playful contrast to the eerie scene. The metallic ink further enhances the visual appeal, creating a print that shimmers with texture and depth. Todd Slater's Unique Approach to Street Pop Art Todd Slater has built his reputation through a fusion of street pop art, graffiti artwork, and bold graphic design. His work is known for its intricate details, layered textures, and surreal interpretations of cultural references. This piece is no exception, as it incorporates his signature approach to screen printing, with bold outlines and a highly stylized central figure. The artist’s use of metallic ink and Halloween-inspired color palettes gives this print a dimensionality that makes it stand out among traditional gig posters. The character’s green face and eerie white bandages contrast sharply against the darker tones, while the inclusion of snack cakes in the background adds a whimsical touch that keeps the piece from being purely sinister. The Connection Between Music and Visual Art Umphrey's McGee is a band known for their progressive rock and improvisational performances, making them an ideal subject for a visually striking print. The fusion of horror imagery with music culture is a recurring theme in gig posters, as it allows artists to create collectible memorabilia that extends beyond the concert experience. This print serves as both a promotional piece and a standalone work of art, designed to be displayed and appreciated beyond the event itself. Concert posters have long been an essential part of music history, especially in the street pop art and graffiti artwork movements. These prints often blur the lines between commercial design and fine art, making them highly sought after by collectors. Slater’s approach ensures that his work remains unique, drawing inspiration from the concert’s theme while incorporating his own artistic influences. A Highly Collectible Limited Edition Print With its artist proof designation, this screen print is a rare and highly collectible piece for both music and street pop art enthusiasts. The limited-edition nature ensures that each print remains a valuable artifact, particularly among those who appreciate hand-pulled screen printing techniques. Todd Slater’s ability to infuse his artwork with both visual depth and cultural significance makes this piece a must-have for fans of modern pop art. Its combination of horror aesthetics, music culture, and street art influences solidifies it as a standout example of contemporary gig poster design.

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Unsane Sweet Diesel Lollipop 1996 The Kilowatt San Francisco Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Unsane Sweet Diesel Lollipop The Kilowatt San Francisco Ca March 9, 1996

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Voodoo Child Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Joe King Graffiti Street Artist Modern Pop Art.

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Ween 13- Fort Lauderdale FL 2008 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. 24 x 32 – 3 color silkscreen – S/N edition of 200

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Ween Roach Motel- Vermont 2007 Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. 24 x 32 – 2 color silkscreen – S/N edition of 200 – 2 blends. South Burlington, Vermont November 26 2007 Higher Ground

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Zeni Geva Zen Guerrilla Black Manna 1996 San Francisco California Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. October 13, 1996 Das Kilowatt in San Francisco, California Capturing the raw energy and unbridled spirit of the 1990s San Francisco music scene, Frank Kozik’s silkscreen print for the Zeni Geva, Zen Guerrilla, and Black Manna gig on October 13, 1996, stands as a significant piece of pop and street art. Kozik, well-known for his contribution to the visual side of rock culture, has infused this piece with a compelling blend of political commentary and vivid imagery, hallmark traits of street art and his style. The limited edition print, measuring 17.5x22.5 inches, was meticulously hand-pulled on fine art paper, underscoring the artist's commitment to quality and the traditional methods of printmaking. With only 650 signed and numbered editions, this artwork is a treasure for collectors and enthusiasts. Its depiction of the Statue of Liberty, surrounded by figures wearing gas masks and holding flags, offers a subversive take on American iconography. The use of iconic symbols juxtaposed with elements that suggest upheaval reflects the era's punk and alternative rock ethos, resonating with themes of resistance and independence prevalent in the genres associated with the bands featured. The event, hosted at Das Kilowatt in San Francisco, California, is immortalized in Kozik’s signature style—where the text is as much a part of the art as the images. His choice of vibrant colors and bold lettering reflects the energy and intensity of the bands, making the poster a visual shout that echoes the music it advertises. This piece is more than promotional material; it's a snapshot of when street art began crossing into mainstream consciousness, blurring the lines between commercial art and political statements. Kozik’s work with this print serves not just to announce a concert but to stake a claim in the ongoing dialogue between art and society, where the streets become a canvas for messages that are as likely to provoke thought as they are to promote an event. In the world of street art, such pieces are vital—they challenge, they commemorate, and they often become a part of the history they depict.

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