Bear

Dissected Bear Head- GID Kickstarter Limited Edition Vinyl Art Toy Collectible Glow in the Dark Artwork by street graffiti Luke Chueh. 2015 Limited Edition Luke Chueh's iconic bear head design with a quarter cut exposed, showing the human skull within. Produced in Glow in the Dark vinyl. No Box

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Protect What You Love Limited Edition Polyresin Sculpture Artwork by Legendary Fine Art Artist Dulk- Antonio Segura Donat. 2022 "PROTECT WHAT YOU LOVE" 8" /6" (H/W) 20 cm /15 cm (H/W) Limited Edition of 50 Polyresin COA numbered &signed by Dulk- Antonio Segura Donat Packaged in a wooden box. Protect What You Love, the latest member by Antonio Segura Donat (Dulk- Antonio Segura Donat). Box is sealed & never opened, use caution when opening it as the artwork is delicate. Protect What You Love by Dulk: Sculptural Allegory in Street Pop Art & Graffiti Artwork Protect What You Love is a limited edition polyresin sculpture released in 2022 by Spanish street artist and fine art visionary Antonio Segura Donat, known as Dulk. Measuring 8 inches high and 6 inches wide (20 cm x 15 cm), this collectible edition of 50 pieces is hand-signed and numbered, sealed in a wooden presentation box with a certificate of authenticity. The sculpture is a highly detailed, fantastical representation of one of Dulk’s most enduring visual themes—our relationship with the environment, the fragility of nature, and the sacred duty of guardianship. It captures the spirit of Street Pop Art & Graffiti Artwork through bold symbolism, surreal storytelling, and vibrant sculptural form. The centerpiece of the sculpture is an arctic bear outfitted like a nomadic carrier, its fur melting as though made of wax, standing firmly on a base shaped like translucent ice. Atop its back is a fantastical array of objects: a large twisted tree sprouting from a painted ceramic pot, a red phoenix-like bird in mid-perch, woven fabrics, and trinkets such as hourglasses and horns. Dulk blends natural and fabricated elements with ritualistic precision. The bear wears ornamental straps adorned with patterns echoing indigenous textile motifs, and its antler-like horns and candle flame atop its head serve as beacons of sentience and sacred duty. Each component appears intentionally placed, functioning as a metaphor for stewardship, culture, and biodiversity. Symbolism and Environmental Urgency in Dulk’s Sculptural Work Protect What You Love embodies Dulk’s unique fusion of environmental advocacy and imaginative form. The bear, typically a symbol of strength and endurance, is presented as both burdened and purposeful. It carries a microcosm of a world—trees, objects, and animals—on its back, suggesting the interconnectedness of life and the responsibility to protect fragile ecosystems. The title of the work is not merely decorative but serves as the central thesis of the composition. The visual language Dulk employs translates directly from his large-scale street murals into this intimate, tactile format, demonstrating the adaptability of his narrative-driven style within Street Pop Art & Graffiti Artwork. The melting bear references the reality of climate change and habitat erosion, while the detailed accessories function as cultural and ecological totems. Dulk is known for using allegory to provoke emotional connection, and this piece continues that tradition. The detailed layers reward close inspection, much like the dense storytelling in urban mural art. What might first appear whimsical quickly reveals itself to be urgent and emotive, a hallmark of Dulk’s approach. Art Object as Conservation Narrative and Urban Myth The polyresin medium allows for remarkable fidelity in sculptural detail, from the texture of the bear’s fur to the etched patterns of the ceramic pot and fabric fringe. Every element carries symbolic weight, converging in a sculpture that reads like a mobile shrine to nature’s resilience. By incorporating surreal forms and traditional decorative patterns, Dulk aligns this work with the philosophy of Street Pop Art & Graffiti Artwork—where symbols evolve into cultural artifacts and commentary is embedded in style. Packaged carefully in a wooden box, this edition reinforces its status as both collectible artwork and spiritual offering. The instruction to open the box with caution is not only about the physical fragility of the sculpture but also a poetic acknowledgment of its thematic fragility—the world it represents is real, delicate, and in need of attention. The use of carefully chosen color, structure, and composition ensures the sculpture functions not just as a decorative piece, but as a narrative vessel. Dulk’s Expanding Influence in Contemporary Street Pop Storytelling Antonio Segura Donat continues to bridge ecological awareness and visual poetry through his multifaceted artistic output. From large-scale murals across Europe and North America to fine art sculptures like Protect What You Love, his work always centers nature as a subject of reverence and defense. This piece encapsulates the balance of reverie and realism that defines his visual storytelling. In the language of Street Pop Art & Graffiti Artwork, this sculpture becomes a mobile monument, carrying meaning beyond its dimensions. Protect What You Love stands as a sculptural reminder of interdependence, sacred responsibility, and the quiet power of visual myth. Dulk transforms fantasy into function, inviting audiences to care not just with thought, but with presence, collection, and contemplation. This is not only art—it is a call to act through admiration.

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Gold Leaf Awesome Bear Hug Life One of a Kind Hand Made Signed Vinyl Art Toy Collectible Artwork by street graffiti artist Philip Lumbang. 2013 Hand Laid Gold Leaf Over Awesome Bear Hug Life Vinyl Toy Signed With Box. 6 inches tall sculpted by Walter "Chauskoskis" Jacott and produced by Dragatomi. There are a few pinpoint areas missing gold leaf, the artist intended this.  

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Train Hanshin Jet 5700 100%- Silver BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures. 'Be@rbrick Train: Hanshin Jet-Silver 7500' by Be@rbrick x Medicom Toy, 2019 2.8 Inches (100% figure) 7.75 Inches (train) 5.8 x 4.9 x 1.5 Inches (package) Collectible painted vinyl figure + toy train in carded blister-pack.

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Stealth Bomber Qee Black 8 in Sub Version One Vinyl Art Toy by Shepard Fairey- OBEY x Toy2RLimited Edition Collectible Sculpture Figure Fine Artwork by Graffiti Pop Street Artist. 2003 Limited Edition Artwork Size 6x8 Printed on Foot Vinyl Fine Art Toy Figure Sculpture. Displayed with Box. Shepard Fairey OBEY Stealth Bomber Qee Vinyl Art Toy The 2003 Stealth Bomber Qee by Shepard Fairey stands as a highly significant collectible in the evolution of designer vinyl art and graffiti-infused pop culture. Produced in collaboration with the influential Hong Kong-based toy label Toy2R, this Sub-Version One 8-inch vinyl figure is a limited-edition art toy that reflects the convergence of Street Pop Art & Graffiti Artwork with collectible design objects. The figure encapsulates Fairey's early 2000s aesthetic, where propaganda-style design met global street activism and urban visual language. Its minimalist color scheme of black and gray, along with bold red OBEY branding, makes it an unmistakable icon of Fairey's visual signature. With a sleek vinyl construction and the instantly recognizable stylized Andre the Giant–inspired face on its chest and packaging, the figure is both an artwork and a political statement. Design Collaboration and Toy2R Legacy Toy2R’s Qee platform has served as a canvas for many of the world’s top graffiti and pop artists, but the inclusion of Shepard Fairey brought a different cultural weight to the toy scene. The Stealth Bomber Qee is not just a toy; it’s a form of urban sculpture born out of an era when collectible vinyl became a new art format. The collaboration with Toy2R allowed Fairey to extend the influence of his street campaign beyond posters, walls, and wheatpastes into a durable three-dimensional object. Each piece from this edition features Fairey’s hallmark star logo on the back, a powerful graphic that has served as a recurring motif in his political and artistic work. It’s not merely decoration—it is a visual extension of the artist’s commentary on power, control, and social obedience. Street Pop Art Object and Collectible Sculpture This collectible stands 8 inches tall and comes boxed in original packaging branded with OBEY insignia and signature Fairey graphics. It functions both as a toy and as a sculptural artwork, representative of the hybrid culture that Street Pop Art & Graffiti Artwork has fostered. Each figure is printed with identifiers on the foot that clearly denote its place within the early designer toy movement: the bold OBEY logo, 2003 production stamp, and the Toy2R licensing mark. Its limited-edition nature and affiliation with a globally renowned artist have turned this piece into a rare artifact from a formative time in both the street art world and vinyl art toy production. Shepard Fairey’s Cultural Influence Shepard Fairey, born in the United States in 1970, is among the most impactful artists to emerge from street art into mainstream cultural critique. His work with the OBEY brand and the now-famous HOPE poster during the 2008 U.S. presidential election made him a household name, but it is his deep foundation in punk rock aesthetics, skate culture, and graffiti that truly shaped his style. The Stealth Bomber Qee is part of that lineage—an object that retains the DIY spirit and visual urgency of the street while being refined for display and collection. It remains one of the earliest examples of how street culture began to command the art world’s attention through limited-edition sculpture, merging accessibility and exclusivity in a single object.

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Woebot Japanese Water Color Sketch Original Drawing by Woes Martin on Fine Art Paper Modern Street Pop Artwork. 2023 Signed Original Watercolor Paint and Pen Drawing Size 6x8 Woebot: Japanese Watercolor Sketch by Woes Martin Woebot, a 2023 original watercolor and pen drawing by Woes Martin, captures the distinct blending of modern street pop art and graffiti culture with a traditional fine art approach. The piece, measuring 6x8 inches, is rendered on fine art paper, giving it both an intimate scale and an elegant presentation. Known for his stylized, bear-like characters often referred to as "Woebots," Woes Martin has established himself as a significant figure in the street art world, particularly for his ability to blend graffiti techniques with a softer, more traditional artistic aesthetic. The Evolution of Woes Martin's Woebot in Street Pop Art Woes Martin, an American-born artist with deep ties to both Hawaiian and global street art culture, has been developing his iconic Woebot characters for many years. These characters, often depicted as large, lumbering bear-like creatures, evoke a range of emotions, from fierce aggression to deep melancholy. In Woebot, the watercolor sketch offers a softer, more contemplative side to the character, highlighting Woes Martin’s versatility as an artist. The Woebot is a staple in Woes’ body of work, acting as a bridge between the emotional rawness often associated with street art and the accessibility of pop culture. In this particular sketch, the Woebot is drawn with minimal line work, using soft brushstrokes and delicate shading. The watercolor medium gives the piece a loose, fluid quality, allowing the Woebot to appear both detailed and abstract at the same time. This approach is characteristic of Woes Martin’s ability to play with different forms of media and create art that feels simultaneously ephemeral and bold. In the world of street pop art and graffiti artwork, the repetition of characters like Woebot holds significance. Similar to how iconic graffiti tags become synonymous with an artist’s identity, Woes’ characters serve as a personal mark, leaving an impression that goes beyond the canvas or wall. The Woebot character is a reflection of both the artist’s emotional state and the larger emotional palette of human experience, depicted through the lens of street art aesthetics. Japanese Watercolor and Pen: A Unique Medium for Street Art While Woes Martin is often associated with bold graffiti murals and street art, the use of Japanese watercolor and pen in Woebot demonstrates the artist’s range and adaptability. Watercolor, traditionally seen as a delicate and refined medium, contrasts with the gritty, urban connotations of graffiti. Yet, in this piece, Woes expertly marries the two, using the fluidity of watercolor to create a sense of movement and depth within the Woebot figure, while the pen adds a crispness and definition to the sketch. The subtlety of the watercolor medium in this work allows Woes Martin to explore the more tender, vulnerable aspects of his characters. While his larger murals often depict Woebots in powerful, aggressive poses, this small-scale watercolor sketch presents the character in a more introspective light. The soft washes of color give the Woebot an almost ghostly appearance, as if it is emerging from or disappearing into the paper. The minimalistic approach of the piece reinforces the emotional weight that the Woebot carries, making the viewer focus on the expressions and posture of the character, rather than the elaborate details often found in larger street art pieces. Street Pop Art Meets Fine Art Paper One of the most striking aspects of Woebot is the use of fine art paper as the medium’s surface. Fine art paper, often associated with classical painting and drawing, contrasts with the urban, raw surfaces typically used in street pop art and graffiti. By choosing fine art paper for this work, Woes Martin brings the world of graffiti into the domain of traditional fine art. This creates a juxtaposition between the refined and the rebellious, the formal and the informal. The choice of paper also enhances the texture of the piece, as watercolor tends to interact with fine art paper in unique ways. The way the paint soaks into the paper, leaving behind soft, organic edges, contrasts with the sharp, deliberate pen strokes. This creates a tension between precision and spontaneity, which is central to much of Woes Martin’s work. As in graffiti, where speed and improvisation are key, this sketch demonstrates Woes’ ability to work quickly while still maintaining control over the final image. In the context of street pop art, the choice of fine art materials like watercolor and paper elevates the form, suggesting that the aesthetic value of graffiti and street art should be considered on par with more traditional art forms. By using these materials, Woes Martin challenges the boundaries between high art and street culture, inviting the viewer to reconsider what constitutes “fine art” and how street culture can be represented in such a space. Emotional Depth and Character in Graffiti Artwork The emotional depth of Woes Martin’s work is what sets him apart in the world of graffiti and street pop art. While many graffiti artists focus on tags or abstract forms, Woes’ focus on character design allows him to explore more complex emotional narratives. The Woebot character, in its various forms, acts as a surrogate for the artist’s emotions, as well as a reflection of the viewer’s own emotional experiences. In this 2023 sketch, the Woebot’s expression and body language suggest feelings of contemplation or sadness, contrasting with the aggressive energy often associated with street art. The composition of the piece also speaks to Woes Martin’s mastery of form and space. Despite the small size of the sketch, the Woebot figure dominates the page, its large, rounded shapes taking up most of the space. This gives the character a sense of weight and presence, despite the minimalist nature of the drawing. The viewer is drawn into the Woebot’s world, invited to empathize with its quiet, reflective mood. Ultimately, Woebot is a powerful example of how street pop art can convey deep emotional truths through simple, yet effective, imagery. Woes Martin’s combination of graffiti-inspired line work, Japanese watercolor techniques, and fine art materials creates a unique visual language that speaks to the evolving nature of street art. As the boundaries between street art and fine art continue to blur, artists like Woes Martin are at the forefront of pushing these genres forward, showing that street pop art can be as emotionally resonant and technically skilled as any traditional form of art. In conclusion, Woebot is a testament to Woes Martin’s ability to bring the raw energy of street pop art into the more refined realm of fine art, while maintaining the emotional depth and character-driven focus that has made him a standout in the graffiti world.

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