And Then Things Got Better- Winter Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Winter Variant And Then Things Got Better – Winter Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Winter is a limited edition archival pigment print by Canadian artist Denial, professionally known as Daniel Bombardier. Released in 2021, this edition is one of only 25 signed and numbered prints, measuring 24 x 24 inches and produced on 330gsm museum-grade fine art paper. The Winter variant transforms Denial’s now-iconic pop art composition into a piece of icy emotional clarity. Replacing warm tones with cool grays and electric blues, this version evokes the stillness, isolation, and introspective chill often associated with winter months. The central figure—a comic-styled woman with sharply rendered features—is caught in a moment of frozen reflection, her hair swept across the frame in frosty blue strokes. The caption And Then Things Got Better sits in crisp black lettering against a blue background, both grounding and complicating the emotional atmosphere. Color as Emotional Temperature in the Winter Variant The Winter edition shifts the psychological tone of the original composition through its carefully chosen color palette. The grayscale halftone skin contrasts with icy blues in the hair, lips, and eyes, casting the entire scene in a tone of emotional suspension. Where other variants express fire, bloom, or warmth, Winter delivers stillness. The character’s expression remains subtle, her upward gaze neither fully hopeful nor despairing. It reads instead like the calm acknowledgment that change has arrived, but not without cost. The blue lips and tear-lined eye introduce a cold, resilient strength, suggesting a quiet form of endurance rather than celebration. Denial’s ability to use color as narrative structure allows this edition to function as a metaphor for emotional winter—a time of withdrawal, self-preservation, and stark realization. Denial’s Pop Language and Street Credibility Denial’s work remains rooted in the language of Street Pop Art & Graffiti Artwork, consistently blending commercial aesthetics, pop iconography, and emotional subtext. The And Then Things Got Better series explores the complexities of survival, identity, and transformation using the nostalgic format of mid-century comic book panels. By pairing these familiar visuals with ambiguous emotional content, Denial asks viewers to reconsider the narratives embedded in popular culture. The Winter edition, with its subdued palette and intense contrast, sharpens this question further. It places the viewer in a season of reflection—literal and figurative—and encourages a reassessment of what better truly means. Denial’s consistent use of irony, sincerity, and sharp visual craftsmanship keeps his work relevant both on the street and in the gallery. Material Quality and Collector Appeal Printed on 330gsm fine art paper with archival pigment inks, this edition promises long-lasting vibrancy and detail. The halftone dots and inky black lines are rendered with museum-level precision, giving the work a timeless print quality that honors its pop art lineage. Each piece is hand-signed and individually numbered by Denial, adding a personal layer to the already limited run of 25. The Winter edition stands as a striking chapter in a series that has become one of Denial’s most collected bodies of work. For fans of Street Pop Art & Graffiti Artwork, it offers a moment of calm contemplation in the midst of louder visual narratives. This print captures that rare, cold breath between endings and new beginnings—when things have indeed gotten better, but the thaw has just begun.

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BunnyKitty Dream State- Orange 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dave Persue Modern Pop Artwork Artist. 2021 Orange Variant Edition of 35 Signed and numbered, 6 color screenprint on archival paper Size 18x24 Print hand-pulled in Los Angeles, CA.

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Mutant Vinyl Hardcore 7-Color Hand-Pulled Limited Edition Silkscreen Print on Cream-Colored French Paper by Scarecrowoven Macabre Art Pop Artwork Artist. Printed on cold-press watercolor paper signed and numbered edition of 50. 18x24

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Hand Cut Alphabet Gray Black Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 20 Artwork Size 18x24

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The Lonesome Crowded West Tower Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY Marking the 25th anniversary of Modest Mouse's influential album "The Lonesome Crowded West," celebrated street artist Shepard Fairey, known as OBEY, crafted a striking limited edition silkscreen print. This 2022 piece, meticulously hand-pulled and comprising five colors on Cream Speckletone fine art paper, mirrors the layered complexity of the album it honors. The work measures 18x24 inches, a testament to the album's monumental impact on the alternative rock scene and Fairey's own artistic journey. Each of the 825 signed and numbered prints encapsulates Fairey's personal connection with the album, having first encountered its raw and eclectic sound in 1998, a year after its release. He describes the album as "multi-dimensional," resonating through its varied tones from the "aggressive and dissonant" to the "folky, jangly, and intimate." His favorite tracks, "Doin’ the Cockroach" and "Cowboy Dan," evoke contrasting emotions of exhilaration and introspective tension, revealing the dexterity of Modest Mouse's music and the profound lyrical skill of frontman Isaac Brock. In this piece, Fairey channels the essence of the album's themes, depicting an isolated tower amidst a vast, red-streaked landscape, symbolizing the album's exploration of urban isolation and the Western American experience. The contrast between the solitary building and the surrounding expanse eloquently captures the album's title, "The Lonesome Crowded West." This visual representation goes beyond mere album art; it is an intersection of Fairey's iconic style and Modest Mouse's sonic influence, bridging visual and auditory art forms. Fairey's engagement with Modest Mouse extends back to their 2000 "Black Glass" tour, for which he also created a poster. This long-standing relationship emphasizes the mutual respect between the artist and the band, illustrating how music and visual art can coalesce to form powerful cultural statements. His artistic expression is not only a tribute to the music but also an homage to Brock's poetic lyrics, which left an indelible impression on Fairey, prompting him to label Brock a true poet. As an influential figure in street art and pop culture, Fairey’s creation for Modest Mouse cements his position at the forefront of contemporary art. It serves as a visual anchor for the album’s legacy, ensuring that its cultural resonance extends into the visual realm. Collectors and fans of both the band and Fairey find in this print a confluence of two forms of rebellion and expression, solidified on paper but echoing far beyond.

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1919- Pelican Tombs- Pennsylvania 2009 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Justin Anville. 2019 Signed & Numbered Limited Edition Gig Music Poster Artwork Size 18x24. 919, Pelican Tombs, Music, Event, Theatre of Living Arts, Philadelphia, Pennsylvania, June 3rd 2009, Live Nation The Synthesis of Music and Street Pop Art The convergence of music and visual arts often produces memorabilia that transcends the moment of its creation, embedding itself in the cultural fabric of a time and place. Such is the case with the limited edition gig poster for the event featuring "1919" and "Pelican Tombs" held at the Theatre of Living Arts in Philadelphia, Pennsylvania, on June 3rd, 2009. This striking piece of street pop art and graffiti artwork is a celebration of both the bands and the evocative power of graphic design within the realm of music. This limited edition gig poster is more than just a promotional tool; it is a collectible artwork that reflects the vibrancy and raw energy of the musical acts it represents. Created by the artist Justin Anville, the print is a four-color, hand-pulled silkscreen on fine art paper, a technique that lends the artwork a tactile quality that is both immediate and engaging. The choice of silkscreen printing, a favored method in both street art and pop art for its bold colors and sharp lines, allows the piece to stand out with a visual pop that mirrors the intensity of the live music experience. Visual Elements and Artistic Significance The artwork commands attention with its intricate design and contrasting color palette, which features a dominant red against a backdrop of more subdued tones. At the center, the stylized numerals "1919" are prominently displayed, intertwined with symbolic imagery that suggests a narrative extending beyond the bands' names. This typographic treatment is reminiscent of graffiti art, where letters become an integral part of the visual impact, often carrying meaning in their form as much as in their content. Cultural Imprint of the 2009 Event Poster Limited to a signed and numbered edition, the poster carries with it an aura of exclusivity. Measuring 18x24 inches, it is a sizable piece that was designed to be noticed, to be a talking point, and ultimately, to be remembered. As a piece of memorabilia, it serves as a timestamp, capturing the cultural zeitgeist of the late 2000s Philadelphia music scene, a period marked by a resurgence in indie and alternative genres. The inclusion of the Live Nation brand also signifies the commercial and mainstream acknowledgment of the genres and bands, hinting at their movement from the fringes into the spotlight. The Legacy of Gig Posters in Street Pop Art The significance of gig posters like this one extends beyond the night of the event itself. They are artifacts of cultural history, capturing the essence of musical movements and the artistic styles that accompany them. In the broader context of street pop art and graffiti artwork, gig posters are often the crossroads where music and visual art fans meet, share, and appreciate the interplay between these forms of expression. This particular poster, with its bold aesthetic and connection to a specific time and place, is a perfect illustration of how street art and music can come together to create something enduring. In the ever-evolving dialogue between music and visual arts, the 2009 limited edition gig poster for "1919" and "Pelican Tombs" stands as a testament to the power of this collaboration. It is not just a promotional item; it is a snapshot of a scene, a piece of street pop art, and a collectible that holds within its inks and paper the echoes of a night of music and the spirit of its time.

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New Breed Chief- Rook Brand Limited Edition 2-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art. AP Artist Proof

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Black or White Face 92 Original Oil Painting by Peter Keil: One-of-a-kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1992 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work—painting of Black & White Face with Hat. Delving into "Black or White Face '92" by Peter Keil "Black or White Face '92" is an original oil painting on Masonite panel by Peter Keil, known as "The Wild Man of Berlin," a moniker that reflects his fierce and untamed approach to art. This artwork, created in 1992 and signed by the artist, measures 24x24 inches and is emblematic of Keil's bold and expressive style. The painting showcases a face rendered in stark black and white, adorned with a colorful hat that contrasts the composition. Keil's use of thick paint is evident here, a technique that gives the work its rich texture and depth, and over time, has led to some paint flaking, a characteristic that imparts an authentic patina to his pieces. The dichotomy of black and white in the painting resonates with the themes often explored in Street Pop Art and graffiti Artwork, where contrast is used to convey complex messages and evoke strong visual impact. Keil's depiction goes beyond the literal to hint at the dualities present within human nature and society. With its vibrant hues, the hat stands as a symbol of individuality and creativity, central to Keil's artistic philosophy and the spirit of street and pop art movements. Exploring the Significance of Keil's Technique and Medium In "Black or White Face '92," Peter Keil's technique and choice of medium speak volumes about his connection to the raw and immediate qualities associated with street art. His application of oil paint on Masonite panels, often in thick, impasto layers, creates a tactile surface that invites viewers to experience the artwork beyond its visual appeal. This sensory quality bridges the gap between the viewer and the artwork, making it more accessible and engaging, much like graffiti art that adorns urban landscapes. The Masonite panel itself, a departure from traditional canvas, underscores Keil's affinity with the street art genre, which favors unconventional materials and surfaces. The durability and solidity of Masonite also reflect the lasting impact of Keil's work, mirroring the permanence of graffiti art that becomes an integral part of the urban environment. This synergy between medium and message is a hallmark of Keil's art. It is a testament to his role as a pioneer in integrating the essence of street art into acceptable art practices. Keil's Artistic Legacy in Modern Art As exemplified by "Black or White Face '92," Peter Keil's artistic legacy is characterized by a vivid portrayal of human subjects and an unrestrained use of color and form. His works are a testament to the influence of street culture on contemporary art, demonstrating how the spontaneous and unfiltered expressions found in Street Pop Art and graffiti Artwork can be translated into the language of fine art. Keil's paintings are not mere representations but powerful expressions of emotion and identity infused with the artist's experiences and observations. Furthermore, the flaking of paint in Keil's work adds a dimension of time and history to his paintings, suggesting a narrative that extends beyond the moment of creation. This aspect of his work is particularly poignant in the context of street art, where the environment and the passage of time play crucial roles in shaping the artwork's life. Through his bold explorations and authentic expressions, Keil has left an indelible mark on modern art, inspiring artists and art enthusiasts to embrace the unconventional and appreciate the beauty inherent in the imperfections of the artistic process. "Black or White Face '92" is not just a significant piece within Peter Keil's body of work; it is a vibrant chapter in the story of street pop art and graffiti Art. It encapsulates Keil's artistry's energy, diversity, and creativity while reflecting the broader trends and transformations within contemporary art. As this piece continues to captivate viewers with its compelling imagery and rich textures, it serves as a reminder of Keil's enduring impact on the art world and his mastery of bringing the street into the gallery.

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Wave Jumpers- Variant Archival Pigment Fine Art Limited Edition Print on 310gsm Canson Aquarelle Paper by Modern Pop Street Graffiti Artist Kilian Eng. 18 x 24 inches Hand-deckled edges 2021 Printed on Canson Aquarelle 310gsm museum-grade archival paper Limited Edition of 125 Numbered

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Father John Misty- St Louis MO 2013 Music Limited Edition Gig Poster 1-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl. The Firebird Saint Louis Mo with Pure Bathing Culture June 14th 2013

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Revolution Is a Mother Who Eats Its Children Bone Tondo Silkscreen Print by Cleon Peterson on Hand Deckled Circle Cut 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 24x24 Circle Cut Silkscreen Print. Exploring the Circular Narrative: Cleon Peterson's 'Revolution Is a Mother' "Revolution Is a Mother Who Eats Its Children Bone Tondo," a silkscreen print by Cleon Peterson, encapsulates a poignant message through its unique circular format. The 2024 limited edition, with only 100 signed and numbered prints, dramatically portrays the revolution's cyclic and often self-destructive nature. This artwork, sized at 24x24 inches, is meticulously crafted on hand-deckled circle cut 290gsm Coventry Rag fine art paper, highlighting the contrast between the piece's delicate presentation and its powerful content. Symbolism in Cleon Peterson's Tondo The tondo, a round piece of art, has a rich history dating back to the Renaissance and is often used to symbolize perfection or the divine. Peterson's adaptation of this format into street pop art and graffiti artwork is an inventive means of capturing the perpetual motion of conflict and societal upheaval. The circular frame compels the viewer's eye to move continuously around the image, echoing the cyclical and repetitive nature of the struggles depicted within. While bearing the starkness of Peterson's characteristic black-and-white palette, the print gains a new dimension through its shape, emphasizing the never-ending cycle of revolution and its consequences. The figures within the tondo engage in acts of violence and dominance, with no clear beginning or end, a poignant metaphor for the often unending turmoil of societal change. The Cultural Resonance of Peterson's Work Cleon Peterson's work stands at the crossroads of cultural reflection and artistic expression. "Revolution Is a Mother Who Eats Its Children Bone Tondo" is an artistic creation and a commentary on the nature of social movements and the recurring patterns of history. Peterson confronts the viewer with the paradox of revolution: it is both necessary for evolution and destructive by nature. This tondo silkscreen print contributes to the ongoing dialogue about the role of street pop art in modern discourse. Much like the street artists and graffiti artists before him, Peterson utilizes public forms of expression to comment on private pains and societal dilemmas. The limited edition nature of this work, along with the artist's renown, ensures that this piece will hold its place in contemporary art conversation for years to come. Cleon Peterson's "Revolution Is a Mother Who Eats Its Children Bone Tondo" is a compelling portrayal of the perpetual nature of social upheaval. It serves as a stark reminder of revolution's transformative yet often destructive power. This limited edition silkscreen print encapsulates the essence of street pop art and graffiti artwork, melding historical, artistic formats with contemporary themes to provoke thought, encourage reflection, and challenge the viewer's perspective on the cycles of change.

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White Paper Series No.2 Limited Edition 5-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Ben Tour Graffiti Street Artist Modern Pop Art. BLK/MRKT

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Burn Your Wonder Bra- OG Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. Burn Your Wonder Bra- OG, Nude Wonder Woman DC Comics Pop Art. Numbered, Signed, Stamped on Reverse, 2021 Edition of 100, 24x24, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Burn Your Wonder Bra by Denial: A Statement in Street Pop Art Burn Your Wonder Bra, created in 2021 by legendary modern pop culture and street art artist Denial, is a bold and provocative limited edition archival pigment print. This edition of 100 is meticulously produced on 290gsm MOAB fine art paper, measuring 24x24 inches, and is both numbered and signed by the artist with a stamped reverse. Known for his fusion of comic-inspired visuals and socially charged themes, Denial’s work challenges cultural norms while embracing the aesthetics of Street Pop Art and Graffiti Artwork. Burn Your Wonder Bra stands as an audacious representation of empowerment, rebellion, and freedom of expression. Wonder Woman Reimagined: Pop Art and Cultural Commentary Denial’s Burn Your Wonder Bra features a reimagined depiction of Wonder Woman, one of the most iconic symbols in DC Comics and popular culture. The piece combines nostalgia with a provocative twist, portraying the heroine in a daring, liberated pose. Using vibrant reds, blues, and black halftone patterns reminiscent of 1960s comic books, Denial masterfully channels the aesthetic of pop art pioneers while infusing it with the raw energy of graffiti culture. The bold text at the top, Burn Your Wonder Bra, serves as a satirical nod to the feminist movement of the late 1960s and 70s, when women symbolically rejected restrictive societal norms. By reinterpreting Wonder Woman in a nude and unfiltered form, Denial breaks conventional representations of female heroes, encouraging conversations about autonomy, gender expectations, and self-liberation. This combination of social critique and pop iconography demonstrates Denial’s ability to blend powerful messages with visually arresting compositions. Denial: A Leading Voice in Street Pop Art and Graffiti Artwork Canadian artist Denial, whose real name is Daniel Bombardier, is a globally recognized figure in contemporary art, known for his unapologetic and visually compelling works. His pieces often confront themes of consumerism, gender, politics, and pop culture with sharp wit and rebellious undertones. Denial’s work bridges the techniques of graffiti and street art with the polish of fine art, earning him a following among collectors and fans alike. Burn Your Wonder Bra reflects Denial’s unique artistic voice, where the nostalgia of comic book art collides with modern subversive themes. Through his bold use of color, line work, and carefully chosen text, Denial challenges viewers to question societal expectations while celebrating individuality and artistic freedom. A Limited Edition Collectible with Lasting Impact Burn Your Wonder Bra is part of a highly sought-after limited edition of 100 archival pigment prints, showcasing Denial’s commitment to quality and craftsmanship. Produced on 290gsm MOAB fine art paper, the print’s rich texture and color vibrancy elevate it beyond traditional pop art reproductions. Each piece is signed, numbered, and stamped on the reverse, adding to its authenticity and value as a collectible artwork. This piece is a standout example of modern Street Pop Art and Graffiti Artwork, resonating with audiences who appreciate art that challenges norms while remaining visually iconic. Burn Your Wonder Bra captures the intersection of art, culture, and rebellion, solidifying Denial’s status as a leading figure in contemporary street art. It remains a powerful commentary on liberation and expression, embodying the dynamic energy that defines Denial’s work.  

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The Man Who Walks Through Walls AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print. Shepard Fairey x Blek le Rat The Man Who Walks Through Walls AP Silkscreen Print 2008 The 2008 The Man Who Walks Through Walls AP Artist Proof silkscreen print is a rare collaboration between Shepard Fairey, internationally recognized as OBEY, and stencil pioneer Blek le Rat. Hand-pulled on fine art paper and measuring 18 x 24 inches, this limited edition Artist Proof was signed by both artists and marked “AP,” distinguishing it from the standard numbered edition of 100. As an Artist Proof, it holds particular value among collectors of Street Pop Art & Graffiti Artwork, symbolizing both artistic experimentation and the direct approval of the creators. Imagery and Urban Context The composition combines stark stencil work with a heavily graffitied wall, embedding the artwork within the raw energy of urban life. At the center, a suited man carries bags labeled with text, positioned alongside a goat, while a police officer passes in the foreground. To the right, a telephone booth punctuates the scene, grounding the work in the everyday architecture of the city. The layering of graffiti tags, political scrawls, and the surreal juxtaposition of figures evoke themes of consumerism, authority, and rebellion. The suited figure in particular hints at urban alienation, while the presence of the goat and booth adds absurdity, making the composition at once humorous and sharply critical. Collaboration Between Shepard Fairey and Blek le Rat Blek le Rat, born Xavier Prou in 1951 in France, is widely credited as the father of stencil graffiti, bringing social commentary directly into the streets of Paris beginning in the 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, built his reputation through his OBEY sticker campaign and politically engaged prints, including the Hope poster of Barack Obama. Their collaborative works, such as The Man Who Walks Through Walls, highlight a shared belief in the role of public art as a platform for protest and dialogue. The merging of Fairey’s graphic sensibilities with Blek’s direct stencil approach emphasizes the continuity between two generations of politically minded street artists. Rarity and Significance of the Artist Proof The Artist Proof edition carries special weight within the print world, typically produced in very small quantities and often retained by the artists. Signed by both Shepard Fairey and Blek le Rat and marked AP, this print holds heightened collectible value and authenticity. Beyond rarity, its imagery and collaborative nature underscore the strength of street art as a vehicle for political and cultural critique. The Man Who Walks Through Walls AP silkscreen print is not just a fine art object but also a vivid statement on urban culture, consumerism, and resistance, making it a defining example within the history of Street Pop Art & Graffiti Artwork.

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Fashion Addict Refill- Versace 2 Limited Edition Archival Pigment Fine Art Print on 330gsm Canon Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2019 Signed Limited Edition of 100 Artwork Size 18x24 Versace 2 Designer Fashion Drug Pill. AP Artist Proof Numbered, Signed, Stamped on Reverse, Normal Edition of 100, 18x24, Archival Pigment Print on 330 GSM Canon Fine Art Paper. Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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Saint of the Living AP Artist Proof Walking Dead Silkscreen Print by Epyon5 Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. AP Artist Proof 2016 Signed & Marked AP Limited Edition Artwork Size 16.5x24 Silkscreen Print Gold Metallic Ink of Daryl Walking Dead TV Show. Saint of the Living AP Artist Proof Walking Dead Silkscreen Print by Epyon5 Saint of the Living is a limited edition silkscreen print by Epyon5, created in 2016 as an AP artist proof edition. This hand-pulled screenprint measures 16.5x24 inches and is signed and marked AP, making it an exclusive variation of the limited edition release. Featuring a striking portrait of Daryl from The Walking Dead TV show, this print utilizes bold contrasts, stencil-based layering, and intricate detailing to capture the intensity of the character. The inclusion of gold metallic ink enhances the visual impact, giving the piece a luminous quality that reflects the fusion of Street Pop Art & Graffiti Artwork with contemporary screen printing techniques. Symbolism and Composition The composition of Saint of the Living presents Daryl as a near-mythological figure, framed within a heraldic-style design that enhances his legendary status within The Walking Dead universe. The portrait is structured with sharp contrasts, utilizing a layered stencil technique that emphasizes depth and expression. His determined gaze, set against the backdrop of ornate filigree and radiating lines, conveys a sense of resilience and survival. The golden halo effect behind his head evokes religious iconography, elevating him to a saint-like figure within the post-apocalyptic narrative. The skull at the bottom of the print reinforces the theme of mortality, survival, and the ever-present threat of death within the series. The textured background, featuring layered elements and distressed patterns, gives the artwork an aged, urban feel, reminiscent of wheatpaste posters and stencil graffiti found in cityscapes. Street Pop Art & Graffiti Artwork Influence Epyon5 is known for his ability to merge traditional printmaking with the raw energy of Street Pop Art & Graffiti Artwork, and Saint of the Living is a perfect example of this stylistic fusion. The sharp-edged stencil work, combined with a controlled use of shading and color blocking, mirrors techniques used in large-scale street murals. The presence of gold metallic ink adds a unique dimension, elevating the print beyond traditional two-tone stencil work while still maintaining the aesthetic of urban-inspired art. The layered elements, including hidden textures and subtle distressing, give the artwork a weathered look, much like street posters that have been layered and peeled over time. The incorporation of pop culture imagery, particularly a character as well-known as Daryl, ties the piece into the broader tradition of street art’s fascination with reinterpreting media figures into bold, symbolic visuals. Collectibility and Cultural Significance As an artist proof edition, this version of Saint of the Living holds a special place within the limited print run, making it a rare and highly collectible piece for fans of Street Pop Art & Graffiti Artwork. The AP marking signifies that it was part of the early production process, often reserved for the artist’s personal collection or small exclusive releases. The use of hand-pulled silkscreen techniques ensures that each print carries a distinct, handcrafted quality, further enhancing its value. Epyon5’s ability to transform well-known characters into high-art pieces that blend elements of religious iconography, street aesthetics, and pop culture symbolism ensures that this print remains a standout example of how contemporary screen printing continues to thrive within the urban art landscape.

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Chinese Soldier 2 TP Test Print Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 1-Color on Thin Art Paper Limited Edition Artwork Obey Pop Culture Artist. TP AP Artist Test Proof Print 2006 Unsigned. Testing Out The Process From Shepard Faireys Then Workshop. Black Mono Print, Unsigned, No Markings. Artwork Size 18x24 Silkscreen Print. TearsBending & Creasing throughout The Margins, Working Artist Copy. Crease Across Lower Right Facing Side. Shepard Fairey's "Chinese Soldier 2 TP Test Print" is a compelling piece that exemplifies the intersection of street art and political commentary, hallmarks of Fairey's work. As an iconic figure in pop and graffiti art, Fairey has long been recognized for his ability to provoke thought and stir public discourse through his art. This particular silkscreen print is a test proof from 2006, emanating from the artist's experimentation with printmaking techniques. Hand-pulled and comprising five colors on thin art paper, this limited edition artwork carries the signature visual style of Fairey's Obey series, which commands attention to the themes of propaganda, control, and societal obedience. The print, depicting a Chinese soldier with a flower protruding from the barrel of his rifle, challenges viewers to question the juxtaposition of military power with peace—a dichotomy often explored in anti-war art and literature. The raw and unrefined nature of this test print adds to its authenticity and makes it a unique collector's piece, especially considering it is a black mono print and is unsigned, with no markings. The lack of signature is particularly notable as it speaks to the essence of street art, where the message often takes precedence over the artist's identity. Measuring 18x24 inches, this print is sizable, allowing for an immersive viewing experience that draws the eye to the stark contrasts and the compelling imagery that has become synonymous with Fairey's work. Fairey's influence on street art extends beyond his visual work; his methods and approach have inspiremanyof artists to see the urban landscape as a canvas for commentary and change. His test prints, such as "Chinese Soldier 2," offer a glimpse into his process and an understanding of the experimentation behind his finished pieces. This artwork, while a test piece, stands alone in its powerful message and aesthetic, encapsulating the energy and defiance of street art culture.

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Freedom/Prosperity At Any Price- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Destroy America- White Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty by themselves, but the lack of reaction to them.

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And Then Things Got Better Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 And Then Things Got Better by Denial – A Bold Statement of Hope in Street Pop Art & Graffiti Artwork And Then Things Got Better is a striking archival pigment print created by the Canadian street pop artist Denial in 2020. Measuring 24 x 24 inches and printed on 330gsm fine art paper, this work was released in a signed and numbered limited edition of only 25. The piece draws immediate visual comparison to classic comic strip aesthetics but subverts expectations through a modern lens. Featuring a close-up portrait of a woman rendered in high contrast with bold black outlines, vibrant pink lips, vivid green eyes, and Ben-Day dot textures, the print captures the emotional intensity that Denial is known for. The panel’s yellow upper strip carries the titular phrase, printed in an all-caps comic font: And Then Things Got Better. This single line, combined with the woman’s dramatic upward gaze and tear-tracked cheek, encapsulates a surge of conflicted emotion—part relief, part disbelief, part residual pain. The composition is frozen in that precise psychological moment when change begins to arrive but healing is still in motion. Denial’s Subversive Pop Art Language Denial, born Daniel Bombardier in Canada, is an internationally recognized street and gallery artist whose work critiques consumerism, propaganda, and social norms through humor and graphic visual impact. Known for blending techniques from graffiti, signage, and mass media design, Denial’s prints and installations draw heavily from the legacy of pop art while injecting them with urban urgency. In And Then Things Got Better, he uses a format popularized by 1960s pop art pioneers but repurposes it to speak not about romantic melodrama but about resilience and psychological transformation. The woman’s expression is not one of shallow sadness but rather of deep processing, portraying an honest reckoning with personal or collective experience. Through limited text and bold imagery, Denial emphasizes that change, when it comes, is layered and uncertain—but worth embracing. Technical Execution and Print Quality Each print in this limited run is crafted using high-resolution archival pigment printing on 330gsm fine art paper, a museum-quality substrate known for its texture, color accuracy, and longevity. The use of pigment-based inks ensures that the vivid blues, intense blacks, and shocking pinks maintain their vibrancy without fading over time. The paper’s weight provides both tactile richness and physical substance, grounding the emotional weight of the artwork. As each edition is hand-signed and numbered by the artist, the piece becomes not just a reproduction but a personal artifact of Denial’s evolving catalog. The crisp precision of the linework, especially in the hair and lettering, showcases Denial’s control of visual rhythm and contrast. It is a piece that can exist comfortably in both street-influenced interiors and formal gallery settings. And Then Things Got Better as Contemporary Street Pop Art & Graffiti Artwork This artwork exemplifies the spirit of Street Pop Art & Graffiti Artwork through its fusion of pop iconography with modern emotional depth. While many works in the genre embrace irony or satire, Denial’s print finds space for sincerity without losing its graphic punch. It celebrates the ability of contemporary pop artists to use comic tropes and urban aesthetics not just for critique, but for emotional storytelling. The message of the piece is simple, but the context surrounding it—social upheaval, personal growth, psychological distress—makes it resonate profoundly. Denial manages to channel the graphic immediacy of street art with the structured punch of pop, giving voice to the hope that often emerges quietly after storms. And Then Things Got Better is not only a statement—it is a question, a moment of breath, and a visual reminder of survival through art.

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Obey Conformity Trance- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 350 February 10, 2021 Obey as a pseudo-command in my art has always been a form of reverse psychology. My philosophy is actually “question everything”. Conformity is often more unconscious than conscious… an adaptation to structures we may not agree with and a submission to unseen forces of manipulation… unseen because our eyes and minds are not open wide enough. People come up with conspiracy theories like “the Illuminati” to explain the feelings that they are cogs in someone else’s machine, but the deconstruction of power and control requires nothing more than a conscious and diligent examination of how power and influence upon the government accumulate and concentrate under capitalism. Shepard Fairey

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Drifting Into Darkness- B&W 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Russell Moore Rare Street Art Famous Pop Artwork Artist. Ultra rare limited run of 5 black & white monotone variants featuring Mario Cart players Bowser and Mario.

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Scale Up Archival Print Photo by Vhils- Alexandre Farto x Martha Cooper x 1UP Crew- One United Power x Nika Kramer x MOG Museum of Graffiti Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed by Vhils- Alexandre Farto & Numbered Print Limited Edition of 40 Artwork Size 19.75x24 Archival Pigment Stylized Blown Up Polaroid Picture Taken by Martha Cooper x Nika Kramer Fine Art Published by 1UP Crew x MOG Museum of Graffiti. Intersecting Visions: Vhils and the Fabric of Street Art "Scale Up," an archival print brought to life by the creative confluence of Vhils (Alexandre Farto), Martha Cooper, the 1UP Crew, and Nika Kramer, encapsulates a collaborative spirit that is at the heart of street pop art and graffiti artwork. This limited edition piece, signed by Vhils and numbered out of 40, is a testament to urban art's intricate layers and profound storytelling. Sized at 19.75x24 inches, the work is a fusion of Farto's unique subtractive artistry and the documentary acumen of Cooper and Kramer, presented by the 1UP Crew and the MOG Museum of Graffiti. Each artist's contribution to "Scale Up" forms a distinct thread in the rich tapestry of the print. Vhils' excavation technique is evident, stripping layers to reveal an underlying narrative. Meanwhile, Martha Cooper and Nika Kramer bring their iconic photographic perspectives, immortalizing the essence of the street in a single frame. The 1UP Crew, synonymous with unity and power in street art, bridges these visions, while the MOG offers a platform for their convergence, cementing the work's place in modern art discourse. Alexandre Farto's Artistic Alchemy Alexandre Farto, known as Vhils, has revolutionized the street art scene with his chiseled portraits that delve into the substrata of urban environments. His involvement in "Scale Up" presents a poignant portrayal of the human condition amidst the chaos of city life. Farto's art is a dialogue between creation and destruction, where removing material is as significant as the image revealed. His technique is a metaphor for the human experience—each layer stripped away uncovers stories etched into the walls by time and history. Vhils' approach to street art extends beyond mere aesthetics. It interrogates themes of identity, memory, and the relentless pace of urban development. By signing "Scale Up," Farto imbues the work with his ethos, marrying the transient nature of street art with the permanence of fine art. The piece is a visual feast and a philosophical inquiry into the spaces we occupy and the marks we leave behind. The Collective Pulse of "Scale Up" "Scale Up" is a collaborative heartbeat of the street art community, echoing the sentiments of artists who view the city as canvas and muse. The inclusion of Martha Cooper and Nika Kramer in this project bridges generations, uniting the trailblazing spirit of Cooper's seminal street art photography with Kramer's contemporary cultural lens. Their collective eye frames the raw beauty of street art, capturing its fleeting magic in a lasting medium. The 1UP Crew, through its publication of "Scale Up," reinforces its commitment to collective action in art creation. The Crew's ethos is palpable in print, representing a more extensive, unified narrative of resistance, resilience, and artistic freedom. Supported by the MOG Museum of Graffiti, the print becomes a piece of history. This limited-edition narrative speaks to the enduring power of collaboration in the street art world. In the art community, "Scale Up" is recognized as a convergence of titans, a harmonious blend of individual talents and visions that together tell a story more remarkable than the sum of its parts. As street pop art and graffiti artwork continue to shape the cultural landscape, the contributions of Vhils, Martha Cooper, Nika Kramer, and the 1UP Crew will be celebrated for their ability to capture the zeitgeist of urban art and its unyielding drive to challenge, redefine, and inspire.

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Alternative Facts Hand-Pulled 4-Color Silkscreen Print on Speckletone Fine Art Paper by Artist Shepard Fairey Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of XXX Artwork Size 24x24 " We are at a critical moment for the preservation of democracy and non-partisan access to voting for all citizens of voting age. Between the Supreme Court, partisan gerrymandering shaping state legislatures, and the filibuster as a tool of obstruction in Congress, we are already facing tyranny by the minority. The forces dominating our politics do not reflect the values of most Americans. My print, Alternative Facts, addresses the mass confusion about truth that allows the parties who spread the big lie about the 2020 election (and many other lies) fomented the January 6th insurrection and are engaged in voter suppression and other anti-democracy schemes, to flourish unchecked. A portion of proceeds from Alternative Facts will benefit the ACLU in its legal fights against voter suppression and other attacks on the constitution." -Shepard Fairey Shepard Fairey's work is highly political and social, not only because he is incorporating politicians and slogans in it but more importantly because the artist is primarily interested in approaching as many people as possible, exhibiting his work in the covers of the books, which we read, in the music albums, to which we listen, and on the walls of the streets, where we walk. “If I put art in a daring spot, it’s more moving to the viewer and demonstrates my conviction.”, he says. After all, Fairey, in many cases, directly expresses his views on politics and society, whenever he is given the chance. For example, in the aftermath of the “Hope” poster, he commented the following: “Obama has had a really tough time, but there have been a lot of things that he's compromised on that I never would have expected. I mean, drones and domestic spying are the last things I would have thought [he'd support]”. The political aspect of his work can, also, be seen under the spectrum of Fairey’s activism and humanitarian activity. Many of his works have been created as part of activism campaigns or were sold to support causes relevant to the Arts, animal rights, poverty, medical research, the environment, etc. The artist, however, doesn’t identify himself as an activist: “People ask me if I’m an activist, and my answer is no. I’m an artist with a point of view, but I want to do my part to supplement activist causes I believe in. I feel fortunate to connect with people who find my imagery useful and help spread it.”

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Floral Takeover 2017 Red Black Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. The "Floral Takeover 2017 Red Black Silkscreen Print" by Shepard Fairey encapsulates the interplay of aesthetics within Street Pop Art and graffiti Artwork, signifying a profound narrative through its intricate design and bold color scheme. This piece exemplifies how traditional elements can be transformed into a new cultural vocabulary that challenges and expands the boundaries of fine art. Featuring a rich, vibrant red background overlaid with a contrasting black floral pattern, the artwork is a striking visual statement that captures the viewer's attention. Shepard Fairey, a pivotal figure in the street art movement, often incorporates motifs that reflect social and political activism. His work is known for its ability to decorate and provoke thought and conversation, a characteristic quintessential to the graffiti art movement. Silkscreen printing allows for the precision and consistency necessary for disseminating his message, harkening back to his roots in skateboarding and punk rock culture, where screen-printed designs were a means of rebellion and identity. Silkscreen printing used in this artwork is also a nod to the pop art tradition, a method popularized by artists like Andy Warhol, who sought to erase the boundaries between 'high' art and 'low' cultural imagery. Fairey's "Floral Takeover" is a contemporary continuation of this tradition, seamlessly blending street art's spontaneity and edginess with pop art's mass appeal and commercial aesthetics. The result is a striking work of art that is accessible and deeply layered in meaning. Through this print, Fairey extends the dialogue of street art into the more permanent and collectible domain of fine art prints, allowing for the transitory nature of street graffiti to be preserved and appreciated over time. The artwork becomes an important cultural artifact, representing the ever-evolving landscape of Street Pop Art and graffiti Artwork, embodying the transformative power of art in public spaces and the ongoing conversation between art and society.

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Boys Night Out II 4-Color Hand-Pulled Glow In The Dark Limited Edition Silkscreen Print on Fine Art Paper by Russell Moore Rare Street Art Famous Pop Artwork Artist. GID Artist: Russ Moore Title: Boys Night Out II Medium: 4 Colour Screen Prints w/ G.I.T.D Size: 18 x 24 Inches Edition: 100

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And Then Things Got Better- Summer Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Summer Variant  And Then Things Got Better – Summer Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Summer is a 2021 archival pigment print created by Canadian artist Denial, also known as Daniel Bombardier. Measuring 24 x 24 inches and printed on 330gsm museum-grade fine art paper, this limited edition artwork was released in a run of only 25 signed and numbered prints. The Summer variant infuses the original pop art-inspired composition with intense seasonal heat through a vivid red and warm earth-tone palette. The composition features a close-up of a comic-style female figure, captured in a moment of dramatic contemplation. Her gaze lifts upward while her hair whips across the frame in sweeping strokes of black and fire red. The caption, printed in dark text over a desaturated red background, reads And Then Things Got Better, a line loaded with layered emotional resonance and open interpretation. Color and Emotion in the Summer Variant This Summer edition is characterized by a palette dominated by deep reds, warm beige tones, and subdued mauves. These colors speak to intensity, transformation, and emotional pressure—the type often associated with personal growth in high-heat moments. The red eyes and lips of the character radiate intensity, matching the fiery highlights in her hair. Where other variants may evoke hope or reflection, Summer burns with unresolved passion, giving the print an emotional temperature that borders on eruption. The woman’s expression, as in the other versions, remains ambiguous—poised between vulnerability and defiance—but here, with the heightened red tones, her presence feels louder, more immediate. The composition suggests the heat of survival, the moment after impact, the quiet following the blaze of emotional confrontation. Denial’s Conceptual Power in Street Pop Art & Graffiti Artwork Daniel Bombardier’s work under the name Denial is grounded in the critical language of Street Pop Art & Graffiti Artwork. His bold use of comic book formats, consumerist aesthetics, and emotionally charged phrases speaks to a cultural environment overwhelmed by noise yet yearning for sincerity. In this series, Denial uses the familiar form of a pop art panel to explore how repeated messages—both personal and political—can lose or gain meaning depending on context. The Summer variant reflects his ability to merge psychological insight with graphic composition, using color not only as decoration but as narrative. The interplay of tension and visual rhythm draws viewers in, inviting them to read not only the figure’s face but the underlying emotional structure behind the statement. Craft, Technique, and Collector Appeal Produced using high-resolution archival pigment inks, this print ensures a depth of color and longevity essential for serious collectors. The 330gsm fine art paper enhances the tactile and visual quality, giving richness to the red tones and contrast to the black linework. Each print is hand-signed and numbered by Denial, further establishing the authenticity and rarity of this Summer edition. With only 25 pieces produced, this variant stands out not just for its design but for its place within a tightly curated collection of emotional studies in pop form. It exemplifies the kind of introspective confrontation that makes Street Pop Art & Graffiti Artwork so compelling—personal, provocative, and powerfully unresolved. And Then Things Got Better – Summer radiates with the truth that sometimes healing arrives not gently, but in flames.

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And Then Things Got Better- Hate Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Hate Variant And Then Things Got Better – Hate Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Hate is a stark and emotionally charged archival pigment print created in 2021 by Canadian graffiti and pop artist Denial, born Daniel Bombardier. Released as a limited edition of only 25 signed and numbered prints, this artwork measures 24 x 24 inches and is produced on 330gsm museum-grade fine art paper. Known for his confrontational visuals and bold aesthetic rooted in consumer critique, Denial utilizes the visual language of comic art to explore psychological complexity through accessible pop iconography. In this Hate variant, the entire color palette is stripped down to grayscale, replacing the warmth and vibrancy of other versions with chilling neutrality. The caption panel in steel grey sets the emotional tone, while the central female figure—rendered in only black, white, and soft gray—expresses quiet anguish, captured mid-thought or in the wake of emotional turmoil. The Aesthetic and Emotional Distinction of the Hate Variant This version of Denial’s iconic piece is not just a color shift; it is a deliberate recalibration of tone and message. The grayscale palette evokes detachment, coldness, and numbness, suggesting a psychological state that exists after trauma or emotional collapse. The woman’s face, modeled on mid-century pop comic heroines, feels frozen and devoid of warmth—an intentional contrast that communicates emotional suppression rather than catharsis. The caption And Then Things Got Better, when read through the filter of the Hate edition, becomes deeply ironic. It may hint at repression, anger, or resignation masked by a public-facing statement of recovery. The tearless face, the narrowed gaze, and the absence of saturated color transform the image into a statement about the silence and distance that often follow intense personal or societal strain. Denial’s Commentary Through Minimalism in Street Pop Art & Graffiti Artwork Denial has long used mass media aesthetics to speak about propaganda, emotional manipulation, and the illusions behind commercial and cultural messages. In this Hate variant, he strips the image to its essential structure to expose emotional contradiction. The crisp linework, patterned Ben-Day dot textures, and monochromatic shading reinforce the graphic roots of his style, while the stripped-back execution demands viewers focus on tone and posture rather than color. Denial’s participation in Street Pop Art & Graffiti Artwork includes both wall-based interventions and limited edition fine art prints. Each format reflects his core mission: to disrupt perception and provoke thought using visual devices drawn from advertising and pop culture. This piece, though quieter in palette, is one of the loudest in emotional tension. It captures the essence of denial—not just the artist's moniker, but the human behavior—where feelings are buried beneath public declarations. Craftsmanship and Collectibility of the Hate Edition Printed with pigment-based inks on 330gsm acid-free fine art paper, the Hate edition is crafted to maintain both visual integrity and physical longevity. The texture of the paper allows the grayscale tones to achieve subtle variations in shading, while the precision of the print highlights every line and halftone. Each piece is signed and numbered by the artist, affirming its value as a collectible within Denial’s larger body of work. The choice to release this variant in a small edition of 25 enhances its exclusivity and relevance, especially for collectors attuned to the emotional narratives within pop art. As a statement within Street Pop Art & Graffiti Artwork, the Hate variant serves as a reminder that even the boldest images can carry quiet, unresolved messages. It is a visual testament to the moments where the world insists things are better—but the body, and the face, still remember.

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The Year Of The Super Power Rat Gold Leaf Silkscreen Print by Miss Bugs Hand-Pulled on Hahnemühle Fine Art Paper Limited Edition Artwork. 2008 Signed & Numbered HPM Hand-Embellished Spray Paint Gold Leaf Limited Edition of 30 Artwork Size 19.7x24 Silkscreen Print. Super Girl Minor Handling Creases to Left and Right Bottom & Mid Far Left Margins. Embellishing Street Art with Gold Leaf Miss Bugs, the enigmatic artist whose work straddles street pop art and graffiti, crafted a riveting series 2008 titled "The Year Of The Super Power Rat." This limited edition silkscreen print series is a striking example of the fusion between traditional printmaking techniques and contemporary street art sensibilities. Each piece in this collection is meticulously hand-pulled on Hahnemühle fine art paper, a testament to the artist's dedication to quality and craftsmanship. What sets "The Year Of The Super Power Rat" apart is the lavish use of gold leaf, which brings an element of luxury to the otherwise gritty domain of street art. This hand-embellished, hand-pulled silkscreen print series is limited to thirty pieces, intricately detailed and numbered by the artist. The inclusion of gold leaf in street art is a bold move by Miss Bugs, elevating the work from the brief to the eternal, from the urban to the exquisite. The Fusion of Pop Art Imagery and Graffiti Technique In "The Year Of The Super Power Rat," Miss Bugs delves into the symbolism of power and resilience, traits often associated with the eponymous rodent in cultural lore. The series reflects a year marked by these characteristics, with the superhero motif serving as a metaphor for the extraordinary capabilities within the ordinary. Miss Bugs' choice of materials—spray paint and gold leaf—on Hahnemühle fine art paper, traditionally reserved for more 'refined' art forms, blurs the lines between high art and street art, between the fleeting and the permanent. The exclusivity of the series, with only thirty pieces in existence, is a nod to the collector's desire to own something unique. Each artwork, sized at 19.7x24 inches, is an intimate canvas for Miss Bugs' layered visual storytelling. The limited edition nature of "The Year Of The Super Power Rat" assures that each piece is not just a fragment of street pop art but a collectible artifact that captures a moment in the evolving narrative of contemporary art. Miss Bugs' Contribution to Modern Street Art Miss Bugs' work, notably this series, contributes significantly to the dialogue surrounding modern street art. The artist challenges preconceived notions of what street art can embody by integrating elements like a gold leaf into the traditionally rebellious medium of spray paint and stenciling. "The Year Of The Super Power Rat" is a powerful example of how street pop art can be grand and accessible, both impermanent in its urban roots and lasting in its artistic statement. "The Year Of The Super Power Rat" by Miss Bugs is a profound piece within the spectrum of street pop art and graffiti artwork. Its hand-pulled silkscreen technique adorned with gold leaf on fine art paper stands as a testament to the innovation and artistry of Miss Bugs. This series captures the imagination with its visual splendor and encapsulates the transformative power of art as it moves from the street corners to the hallowed walls of collectors and connoisseurs.

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Skrillex NY Takeover 2- 2012 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Archival Bright White Paper by MFG- Matt Goldman Max Goldman for Music Artist Skrillex . Lineup Features Skrillex, Zedd and Sazon Booya at Pacha Poster features "KR" of Skrillex's name. In 2012, Skrillex did a 5-night takeover of NYC with a series of highly sought-after parties and underplays. While the shows happened, the posters were never released. Together, the posters spell out Skrillex's name in a collage of lighting, cosmos, and terrain, in an attempt to capture the intensity of seeing Skrillex live. 18 x 24 inches Spot Color Offset Print Fluorescent Yellow, Fluorescent Green, Black Archival Bright White Paper Limited Edition of 200 Signed by MFG- Matt Goldman Printed in 2012

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Guerilla One x The Seventh Letter Collaboration 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 450 March 5, 2009 OBEY, Guerilla One, and The Seventh Letter have always had a strong long-lasting friendship and creative relationship with numerous collaborations including the late 90’s Free GKAE print, created by Shepard and Casey Zoltan from The Seventh Letter, to raise funds for GKAE’s legal fees. This current project was created to symbolize both strength in numbers and unity by way of collaboration. The Seventh Letter, Obey Giant, and Guerilla One have all stood individually and collectively as pillars in the graffiti /street art scene both domestically and internationally. Its apparent that the 3 collaborators will continue to support street art by creating new platforms that encourage and inspire many worldwide. “When we started doing graffiti, putting up stickers we had no idea the places it would take us, and no matter where we go from here we will stay loyal to those who have helped us get there.” – Eddie Donaldson, Founder of Guerilla One “I have always rolled with G1 and Shepard through thick and thin and will always have their backs forever on a street and professional level”. – Casey EKLIPS Zoltan, Founder of THE SEVENTH LETTER

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Liberty Prime- Red Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Inspired by the cult classic video game Fallout 4 sci-fi robot. 2 color 9″ x 24″ screen-printed posters.

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Figment- Green On Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on 335gsm Coventry Rag Paper by Ron English- POPaganda Rare Pop Art Famous Pop Artwork Artist. Signed 2013 Screenprint in colors on 335 gsm Coventry Rag paper 24 × 24 in 61 × 61 cm Edition of 10. English | Figment: Green on Black Two-colour screenprint on Coventry Rag 335gsm paper Edition of 10 signed and numbered by Ron English- POPaganda

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Moonage Daydream 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey OBEY. 2022 Shepard Fairey Numbered Limited Edition of TBD 18x24 inches. Screenprint on thick cream Speckletone paper. "David Bowie is one of my favorite musicians not only because so many of his songs possess magic, but also because he was creatively fearless and perpetually collaborative. I first discovered David Bowie in 1983 when his Let’s Dance album came out, and its hits like “Let’s Dance,” “China Girl,” and “Modern Love” were getting radio play. I became a die-hard Bowie fan once I picked up Ziggy Stardust and the Spiders From Mars at a flea market a few years later. Ziggy Stardust is one of my favorite albums ever. It makes sense that it was Bowie’s breakthrough album, not just because his newly adopted androgynous glam image was provocative and mesmerizing, but because the songs on the album are incredible! At first, my favorites were obvious rockers like “Suffragette City” and “Ziggy Stardust,” but over the years, folkier songs like “Soul Love” and “Starman” really grew on me. It’s almost impossible to pick a favorite Bowie song from Ziggy Stardust and the Spiders From Mars, much less Bowie’s entire catalog, but if I had to, I’d pick “Moonage Daydream.” It has Mick Ronson’s rocking guitar and also features unexpected instrumentation, including piano, strings, sax, and flute, which makes it both tough and pretty. I love the lyric, “don’t fake it baby… lay the real thing on me,” and all the lyrics have a sci-fi hipster coolness to them. “Moonage Daydream” is powerful, beautiful, hypnotic, hip, and a great indication of Bowie’s vision to push boundaries with his art. For this “Moonage Daydream” print image, I was able to reference outtakes from the Ziggy cover shoot, one of which I thought, with a few artistic liberties taken, could become a great portrait illustration. Bowie was incredibly photogenic, which yielded so many glorious images of him, and makes it a challenge to create a new visage that stands with the rest of his most iconic portraits. It is very meaningful for me to have the opportunity to craft my articulation of one of my favorite artists ever, from possibly the era of his peak creative genius. It is an honor to contribute in a small way to David Bowie’s visual legacy. –Shepard is one of my favorite musicians not only because so many of his songs possess magic, but also because he was creatively fearless and perpetually collaborative. I first discovered David Bowie in 1983 when his Let’s Dance album came out, and its hits like “Let’s Dance,” “China Girl,” and “Modern Love” were getting radio play. I became a die-hard Bowie fan once I picked up Ziggy Stardust and the Spiders From Mars at a flea market a few years later. Ziggy Stardust is one of my favorite albums ever. It makes sense that it was Bowie’s breakthrough album, not just because his newly adopted androgynous glam image was provocative and mesmerizing, but because the songs on the album are incredible! At first, my favorites were obvious rockers like “Suffragette City” and “Ziggy Stardust,” but over the years, folkier songs like “Soul Love” and “Starman” really grew on me. It’s almost impossible to pick a favorite Bowie song from Ziggy Stardust and the Spiders From Mars, much less Bowie’s entire catalog, but if I had to, I’d pick “Moonage Daydream.” It has Mick Ronson’s rocking guitar and also features unexpected instrumentation, including piano, strings, sax, and flute, which makes it both tough and pretty. I love the lyric, “don’t fake it baby… lay the real thing on me,” and all the lyrics have a sci-fi hipster coolness to them. “Moonage Daydream” is powerful, beautiful, hypnotic, hip, and a great indication of Bowie’s vision to push boundaries with his art. For this “Moonage Daydream” print image, I was able to reference outtakes from the Ziggy cover shoot, one of which I thought, with a few artistic liberties taken, could become a great portrait illustration. Bowie was incredibly photogenic, which yielded so many glorious images of him, and makes it a challenge to create a new visage that stands with the rest of his most iconic portraits. It is very meaningful for me to have the opportunity to craft my articulation of one of my favorite artists ever, from possibly the era of his peak creative genius. It is an honor to contribute in a small way to David Bowie’s visual legacy." –Shepard

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Fashion Addict Refill- Supreme Limited Edition Archival Pigment Fine Art Print on 330gsm Canon Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2019 Signed Limited Edition of 100 Artwork Size 18x24 Supreme Designer Fashion Drug Pill. AP Artist Proof Numbered, Signed, Stamped on Reverse, Normal Edition of 100, 18x24, Archival Pigment Print on 330 GSM Canon Fine Art Paper. Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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Sterling Spoon Janes Addiction Calavera AP Artist Proof Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas. AP Artist Proof 2016 Signed & Marked Limited Edition Artwork Size 18x24 Sterling Spoon Janes Addiction Calavera AP Artist Proof stands as a testament to the convergence of pop art and street art, epitomized in the modern art scene. Produced in 2016, this silkscreen print, crafted meticulously on fine art paper, is the brainchild of the acclaimed Latino artist, Ernesto Yerena Montejano, who is widely recognized under the banner "Hecho Con Ganas." Montejano's artistry is renowned for weaving cultural narratives and themes, particularly from his Latino heritage, into contemporary artistic expressions that resonate across a global audience. Diving deeper into the artwork, one cannot overlook its size – an impressive 18x24 inches – that commands attention and ensures that the details and nuances are not lost on the viewer. The choice of the Calavera, or skull, as a motif is not arbitrary. It embodies themes of mortality, celebration, and remembrance, often associated with the Day of the Dead celebrations in Latin cultures. This ties the work to a deep-rooted tradition while presenting it through the lens of modern-day pop and street art. What sets this piece apart, even more, is its exclusivity. As an Artist Proof, it is not just a mere representation of Montejano's vision but also offers a closer, more personal glimpse into his creative process. Marked with the artist’s signature, this limited edition piece serves as a bridge between the urban streets from where street art draws its inspiration and the polished galleries that pop art often finds its home. Such a piece not only speaks of its inherent artistic value but also stands as a chronicle of the times, cultures, and emotions that birthed it.

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Unsinkable Consumption AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2015 Signed & Marked AP Artwork Size 18x24 Silkscreen Print. Sinking Titanic Style Cruise Liner Ship Sinking Cause of "Oil." Shepard Fairey's "Unsinkable Consumption AP" is a thought-provoking silkscreen print that resonates with contemporary environmental and socio-political issues. This artist proof, created in 2015, is part of a limited edition, hand-pulled with five colors on Cream Speckletone fine art paper, a testament to Fairey’s commitment to high-quality craftsmanship in his work. At 18x24 inches, the artwork captures the viewer's attention with its stark imagery and powerful message. The print portrays a sinking ship reminiscent of the Titanic, a vessel historically synonymous with human arrogance and the disastrous consequences of overestimating human engineering over nature’s forces. In Fairey’s rendition, the liner is juxtaposed with an oil rig symbol within a red warning circle, stark against the cream background. The word "CONSUME" looms above, a bold indictment of society's relentless exploitation of natural resources. This image resonates deeply with themes of ecological disaster and unsustainable practices, encapsulating the idea that, like the "unsinkable" Titanic, our consumption habits may lead to our downfall. Fairey's work often encompasses a blend of street art's accessibility and pop art's use of recognizable imagery to engage with the audience on critical issues. The sinking ship is a metaphor for the potential catastrophe of unchecked consumption, while the oil rig emblem represents the specific threat of fossil fuels. Signed and marked as an artist-proof, this piece holds a special place in Fairey's oeuvre, signaling its status as a significant work directly from the artist's hands. As a prominent figure in pop, street, and graffiti art, Fairey has continually used his platform to advocate for political and environmental awareness. "Unsinkable Consumption AP" exemplifies his approach to art as a means of provocation and dialogue. This piece not only stands out for its aesthetic appeal but also for its capacity to engage the public in critical reflection on urgent global issues. Through this print, Fairey underscores the vital role of art in sparking conversation and potentially inspiring action.

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Assassination Blue Silkscreen Print by Dave Kinsey Hand-Pulled 4-Color on Off White Archival Fine Art Paper Limited Edition Pop Street Art Artwork. 2007 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 Silkscreen Print by Dave Kinsey based on Auguste Rodin's The Thinker "I created this piece in 2007, which is a commentary on the slow degradation of the education system in the United States—an assassination of the educational nourishment of the people and our society. This piece references Rodin’s “The Thinker” sculpture whose pose is based on deep thought and contemplation. Our schools, universities, and so forth are catalysts to greater change and progress and we as humans need to protect this at all costs." -Dave Kinsey, Two Thousand & Twenty-Three Dave Kinsey is a contemporary artist known for his mixed media work that often blends urban street art influences with fine art practices. His work often explores themes of the human condition, society, and the environment. Kinsey often utilizes silkscreen printing in his work, which is a process that involves pushing ink through a mesh screen to create an image. This technique allows for the production of multiple copies of a design, with each print being an original piece of art. Kinsey's artwork varies in subject matter, and he has created a wide array of prints, paintings, and installations. The Thinker is a bronze sculpture by the French artist Auguste Rodin, which was first cast in 1902. The sculpture depicts a nude male figure, hunched over with his chin resting on one hand and his other hand resting on his knee, deep in thought. Dave Kinseys version, The Thinker has a bullet hole in his head. The pose of the figure is meant to evoke the idea of a man contemplating the meaning of life, and it has become an iconic symbol of philosophy and intellectualism. Rodin originally created The Thinker as part of a larger commission for a set of bronze doors for a museum in Paris. The doors were to depict scenes from Dante's Divine Comedy, and The Thinker was originally conceived as a representation of Dante himself, contemplating the depths of hell. However, the sculpture became so popular that Rodin eventually decided to make it a standalone piece, and he created multiple versions of The Thinker in various sizes and materials. Today, The Thinker is one of the most recognizable sculptures in the world, and it has been widely reproduced and referenced in popular culture. It is also considered a masterpiece of the modern era, and it continues to inspire artists and thinkers around the world.

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Shadowplay Hand-Pulled 2-Color Silkscreen Print on Mohawk Superfine UltraWhite Paper by Pop Graffiti Artist Baghead Rare Street Art Limited Edition Artwork. 2019 Signed & Numbered Limited Edition of 50 Size 20x24

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Revolution Is a Mother Who Eats Its Children Black Tondo Silkscreen Print by Cleon Peterson on Hand Deckled Circle Cut 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 24x24 Circle Cut Silkscreen Print. Cleon Peterson's Tondo: A Visceral Exploration of Revolution Cleon Peterson's "Revolution Is a Mother Who Eats Its Children Black Tondo" captures the essence of revolution — its transformative fury and cannibalistic backlash. This 2024 limited edition silkscreen print is a stark embodiment of the cyclic violence inherent in societal upheaval. With his signature high-contrast aesthetic, Peterson compels contemplation of the tumult that accompanies systemic change. Artistic Merits of Peterson's Black Tondo Limited to a series of 100, each piece is meticulously signed and numbered, accentuating the exclusivity of this thought-provoking artwork. The tondo — a circular artwork — measures 24x24 inches, a format that historically suggests wholeness and infinity but represents the never-ending loop of revolutionary fervor in Peterson's hands. The hand-deckled edges of the circle cut 290gsm Coventry Rag fine art paper enhance the tactile quality of the piece, adding to its visceral impact. The choice of the circle is deliberate, disrupting the traditional rectangular canvas to create a more immersive and contemplative experience. This shape allows the violence within to spill out in all directions, mirroring the all-consuming nature of the theme. Peterson's work does not simply hang on a wall; it confronts and envelops the viewer in its narrative. Cultural Commentary through Peterson's Silkscreen In "Revolution Is a Mother Who Eats Its Children Black Tondo," Peterson lays bare the paradoxes of revolt. His use of black — associated with the unknown and often with death — serves as a void into which the figures emerge and are consumed. The artwork is an allegory of the cyclical nature of history, where each act of uprising carries the seeds of its destruction within it. The stark black-and-white hues strip the scene of any romanticism, exposing the raw power struggle. It speaks to the heart of street pop art and graffiti artwork, which often deal in objective truths and lay claim to public spaces as forums for dialogue. Peterson's work takes this further, encapsulating the raw, uncensored voice of the street in a fine art context. The "Revolution Is a Mother Who Eats Its Children Black Tondo" is a poignant reminder of the perpetual dance between order and chaos. It is a piece that encapsulates the essence of Cleon Peterson's approach to street pop art, rendering visible the often uncomfortable realities that underpin human societies. Through his work, Peterson challenges the viewer, compelling a deeper engagement with the undercurrents of cultural and political change.

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Cylon Glow in the Dark Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Inspired by the TV show Battlestar Galactica. 3 color, metallic silver and glow in the dark, 9″ x 24″ screen-printed posters.

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Daft Punk- Tron Metallic Gold Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artwork based on the famous music group Daft Punk. Gauntlet Gallery- "Daft Punk Deux" Art Show. The poster contains nods to the band Daft Punk. Within the design are references to Sound systems, mix stations, the pyramid designs from Daft Punk Albums, Digital Data, Energy, and more!

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Lowbrow- And Still The Loser Artwork Limited Edition Giclee Print on 290gsm Moab Entrada Paper by Modern Artist Luke Chueh. 2011 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 "Lowbrow - And Still The Loser" by Luke Chueh is a distinctive piece within the pop art genre, where every day is imbued with layers of deeper meaning. This artwork, a giclee print on 290gsm Moab Entrada paper, holds its own in the discourse of street art and graffiti art through its evocative representation of common sentiments. Created in 2011, the piece was offered as a signed and numbered limited edition, with only 50 prints available, each measuring 18x24 inches, signifying its exclusivity and collectibility. The artwork features Chueh's trademark character, a bear, depicted in monochrome against a stark background. The figure's action is central to the artwork's narrative: a loser's salute, which, in the context of Chueh's oeuvre, could be interpreted as a commentary on self-acceptance in the face of defeat or societal judgment. The term "lowbrow" boldly interrupts the visual, acting as a self-referential nod to the lowbrow art movement and an ironic statement about the bear's self-deprecation. This print continues Luke Chueh's exploration of the juxtaposition between the innocence of cartoon characters and the complexity of human emotions, a theme prevalent in street art's storytelling. Chueh's work is often recognized for its emotional rawness, encapsulated within the accessible form of animated figures. "Lowbrow - And Still The Loser" is particularly resonant in its straightforwardness, reflecting the artist's capacity to communicate profound experiences through simple, relatable imagery. The choice of Moab Entrada paper, known for its archival quality, suggests a purposeful intention to preserve the depth of the black and white tones, ensuring that each collector receives a piece that remains true to the visual impact of the original artwork. The limited edition nature of this print elevates its value among collectors and enthusiasts, who view Chueh's work as a bridge between the often disparate worlds of pop art and street art. Here, the emotional language of graffiti, the visual punch of pop art, and the introspection of the lowbrow movement merge to form a statement piece that challenges viewers to find meaning in the guise of simplicity.

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Sleeping Horse Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Mike Stilkey Graffiti Street Artist Modern Pop Art. BLK/MRKT

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Terry Hall Tribute Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 1-Color on Pure White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 325 Artwork Size 18x24 Silkscreen Print "Terry Hall, singer of the Specials, one of my favorite bands, died of pancreatic cancer a little less than a year ago. This past Saturday, Musack did an amazing tribute to Terry with a bonkers lineup, including Horace Panter and Lynval Golding of the Specials, Jane Wiedlin of the Go-Go’s, Fishbone, No Doubt (except Gwen), Tom Morello, Tim Armstrong and Jesse Michaels of Operation Ivy, Donita Sparks of L7, and others! I fell in love with the Specials in the summer of 1989, around the time I started listening to Operation Ivy and Fishbone, so to have members of all those bands celebrating Terry was incredible! I was also able to do the poster for the event based on a beautiful photo by Chalkie Davies. There are two versions of the print, one with the event lineup included and another that is a simpler tribute to Terry. The black and white print are editions of 325, but the show lineup print is a smaller quantity (edition of 300) because many were sold at the event, and all proceeds from those benefit Musack, an excellent music charity for kids. On a personal note, Terry came by my studio a couple of times, and we talked for hours. He was kind, thoughtful, and very open about life’s ups and downs. We talked about kids, mental health, insecurity, relationships, the therapeutic benefits of creativity, and many other heavy topics. He was a kindred spirit who I thought I’d be friends with for many years. This print was done with love… thanks for the tunes Terry!" -Shepard Fairey- OBEY The realm of street art, pop culture, and graffiti has witnessed countless legendary figures whose artistry has both challenged and changed perceptions. One such luminary is Shepard Fairey, the renowned artist behind the OBEY campaign, who has consistently melded activism and artistry in his works. A notable tribute by Fairey is the silkscreen print dedicated to Terry Hall, the iconic lead singer of the Specials. Terry Hall's influence in the world of music was significant, and his tragic passing due to pancreatic cancer was a tremendous loss to the music community. This sentiment was palpable when Musack hosted an astounding tribute to Hall, graced by stalwarts like Horace Panter, Lynval Golding, Jane Wiedlin, Fishbone, members of No Doubt, and numerous other eminent artists. This tribute not only celebrated Hall's legacy but also underscored the bond shared by these artists, many of whom were influenced by the Specials during their formative years. The silkscreen print crafted by Fairey serves as a testament to Hall's enduring impact on him and the broader music fraternity. The artwork, pulled by hand on fine art paper, epitomizes the meticulousness synonymous with Fairey's creations. Limited to an edition of 325, the monochromatic rendition of Hall draws inspiration from a poignant photograph by Chalkie Davies. An alternative version features the event lineup, limited to an edition of 300, with a significant portion having been sold during the event. The proceeds from this version were dedicated to Musack, a laudable charity aimed at empowering kids through music. Fairey's connection with Hall went beyond mere admiration. Their conversations, which delved deep into topics like mental health, creativity, and life's intricacies, highlighted the profound respect and mutual understanding they shared. The artist's tribute to Hall is more than just a print; it's a heartfelt homage to a kindred spirit. Through this artwork, Fairey offers the world a glimpse into their shared moments, while simultaneously emphasizing Terry Hall's undying influence in the realms of music and culture.

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Dirty South Dance Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey Rare Street Art Limited Edition Artwork. 2007 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 A few faint scratches to black areas. Shepard Fairey (b. 1970) Dirty South Dance, 2007 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 300 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles Dirty South Dance Silkscreen Print is a piece of artwork created by Shepard Fairey, the American contemporary street artist, graphic designer, and activist best known for his "OBEY Giant" and Barack Obama "HOPE" campaigns. Fairey's artwork is often characterized by its bold and thought-provoking imagery, combining elements of graffiti, pop art, and political activism. The Dirty South Dance Silkscreen Print is part of Fairey's OBEY series, which is derived from the "OBEY Giant" sticker campaign he started in 1989. The series aims to promote critical thinking and question societal norms, government control, and the influence of media and advertising on our lives. The Dirty South Dance print may feature Fairey's signature style, including bold colors, striking design elements, and a mix of typography and imagery. The piece may focus on the "Dirty South" music scene, which refers to a subgenre of hip-hop that originated in the southern United States, particularly in cities like Atlanta, Houston, and New Orleans. The artwork may attempt to capture the spirit of the music, its artists, and the culture surrounding it while also incorporating Fairey's sociopolitical messages. As a silkscreen print, the Dirty South Dance artwork would have been created using a stencil-based printmaking technique in which ink is pushed through a mesh screen to transfer the design onto paper or canvas. This process allows for the production of multiple copies, each considered an original print, and is a popular method for creating street art and posters. Collectors and fans of Shepard Fairey's work may be interested in acquiring the Dirty South Dance Silkscreen Print for its unique design and strong cultural commentary.

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Just Future Rising 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2021 Signed & Numbered, Just Future Rising 18 inches by 24 inches Edition of 450 June 23, 2021 "I created for the Time “VOTE” cover just before the 2020 election. At the time, I wanted to address the very unique situation we were in as a country as we faced the Covid-19 pandemic, unrest around police brutality and racial discrimination, voter suppression, and intense political division. We are still facing all of those things, though the development of Covid vaccines has significantly improved public safety and benefitted the fight to end the pandemic. In this illustration, the usually clear-cut rebel symbol of a bandana covering a face takes on a different meaning during Covid, becoming an emblem of safety, respect for one’s fellow citizens, and a sign that the wearer believes in science." -Shepard Fairey The "Just Future Rising" is a striking silkscreen print by Shepard Fairey, an artist renowned for his profound impact on street and pop art through the OBEY series. This limited edition artwork, measuring 18 by 24 inches, was released on June 23, 2021, in a numbered series of 450 pieces. Each print is hand-pulled, utilizing four colors on fine speckle tone paper, highlighting Fairey's signature style that merges art with social commentary. This piece is an extension of his engagement with contemporary issues, as it initially accompanied the Time magazine “VOTE” cover crafted in the lead-up to the 2020 election. Fairey's work consistently echoes themes of political activism and cultural critique, and "Just Future Rising" is a vivid representation of that ethos. The image reflects the turbulent climate of its creation: a nation grappling with the COVID-19 pandemic, societal upheaval stemming from racial injustice, the challenges to democracy through voter suppression, and deep-seated political polarization. In this print, the image of a woman with a bandana covering her face symbolizes a multifaceted narrative—transforming a traditional sign of rebellion into a symbol of safety and solidarity in the face of a public health crisis. The bandana, adorned with intricate patterns, carries a badge that reads "The Future is Unwritten," reinforcing the message that change is possible and the future is in the hands of the people. Fairey's choice to depict the bandana, a classic rebel icon, as a protective mask denotes a profound shift in cultural symbols due to the pandemic. It reflects a respect for science and an acknowledgment of the collective effort required to navigate the crisis. The artwork transcends mere aesthetics, embodying the message that caring for one's community and being considerate of public health are now acts of rebellion in their own right. This resonates deeply with the artist's long-standing commitment to using his craft to support social and political change. In the portfolio of Shepard Fairey's creations, "Just Future Rising" is not just a piece of pop artwork; it is a cultural artifact born out of an era defined by upheaval and a call to action. It stands as a reminder of the power of art to influence discourse, inspire action, and reflect the complexities of the human experience in times of adversity.

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Hello My Name Is Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Screen Print on Cream Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2019 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print of Andre the Giant Hello My Name is Name Tag & Graffiti Introducing the iconic "Hello My Name Is" silkscreen print by renowned artist Shepard Fairey, a pioneering figure in the worlds of pop art, street art, and graffiti. This hand-pulled screen print on Cream Speckletone Fine Art Paper showcases Fairey's distinct style that has captured the hearts of art enthusiasts worldwide. As an OBEY limited edition artwork, it holds a unique position in the realm of contemporary art. Created in 2019, this signed and numbered limited edition comprises only 450 prints, making it a highly sought-after collectible. Each piece is numbered, adding an exclusive touch that speaks to its rarity and value in the art market. With an artwork size of 18x24 inches, the print commands attention and stands as a striking representation of Fairey's artistic vision. At the heart of this piece lies Fairey's famous "Andre the Giant" motif, an iconic symbol that originated from his street art campaign. Inspired by the ubiquitous "Hello My Name is" name tags and graffiti culture, Fairey ingeniously merged this concept with the legendary figure of Andre the Giant, resulting in a bold and thought-provoking work of art. This silkscreen print serves as a prime example of the fusion of pop culture, street aesthetics, and graffiti elements that define Fairey's contribution to the contemporary art movement. His ability to challenge conventional norms and provoke dialogue through art has made him a significant figure in the modern art scene. As an artist who emerged from the streets and subcultures, Shepard Fairey has been instrumental in bridging the gap between street art and the mainstream art world. His artworks, including this "Hello My Name Is" print, continue to captivate audiences and contribute to the ongoing evolution of pop art, street art, and graffiti as legitimate and influential forms of artistic expression.

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