Building

MSK Taft Building 08 Limited Edition Hand-Embellished HPM 2-Color Silkscreen Print on Wove Paper by Saber Graffiti Street Artist Modern Pop Art. 2008 Signed & Numbered Saber MSK Taft Building 08, 2008 Screenprint in colors with hand-embellishment on wove paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 200 Signed, numbered and dated in pencil along lower edge Published by Poster Child Prints, Los Angeles MSK Taft Building 08 by Saber: A Monument of Graffiti Excellence Saber's "MSK Taft Building 08" is a seminal work of art that stands as a monument to the graffiti movement and its indelible mark on the fabric of urban landscapes. As a limited edition hand-embellished, two-color silkscreen print on woven paper, this piece from 2008 is part of an exclusive edition of 200. Each print is meticulously signed, numbered, and dated by the artist, underscoring the authenticity and collectibility of the work. Published by Poster Child Prints in Los Angeles, the 24 x 18 inches artwork captures the bold and rebellious spirit that Saber and his MSK crew, also known as Mad Society Kings, are renowned for. Saber, born in 1976, has been a pivotal figure in the evolution of Street Pop Art & Graffiti Artwork, pushing the boundaries of what can be achieved with spray paint and beyond. His works are characterized by a mastery of letter forms, a vibrant palette, and an innovative approach to texture and layering. "MSK Taft Building 08" is a powerful representation of Saber's style, showcasing the artist's capacity to transform a traditional print medium into a dynamic reflection of street art culture. Cultural Significance and Impact of Saber's Work The cultural significance and impact of Saber's work cannot be overstated. His contributions to the graffiti art scene have helped elevate the genre to new heights, garnering respect and admiration from the art world and the public. The "MSK Taft Building 08" print embodies the essence of Los Angeles's graffiti art at a time when the medium was experiencing a renaissance, moving from the shadows of illegality to the spotlight of mainstream recognition. With its hand-embellishments, this piece offers a glimpse into the meticulous process and attention to detail that Saber employs in his craft. The hand-finishing touches on each print ensure that no two pieces are identical, granting each work its unique identity. This practice of hand-embellishing is reminiscent of the graffiti artist's touch on city walls, where each spray, line, and mark is a testament to the artist's presence and interaction with the canvas. In essence, Saber's "MSK Taft Building 08" is more than a piece of art; it is a historical document that captures the zeitgeist of a particular era in Los Angeles's street art narrative. It is a testament to the talent and influence of Saber and the MSK crew, who have left an indelible mark on the evolution of graffiti and street pop art. This artwork is not only a prized possession for collectors but also a source of inspiration for aspiring artists and a symbol of the transformative power of street art.

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What A Graffiti Writer Sees Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by LushSux Graffiti Street Artist Modern Pop Art. Signed & Numbered Limited Edition of 40 Artwork Size 16x20 Graffiti Urban Industrial Street Scene Depicting Various Graffiti Throw Ups & Tags in Black & White. Insight into LushSux's "What A Graffiti Writer Sees" LushSux, the notorious graffiti street artist, presents a candid visualization of the urban landscape through the eyes of a graffiti writer with his work "What A Graffiti Writer Sees." This limited edition artwork, produced in a series of 40 archival pigment prints on 310gsm Museum Natural Fine Art Paper, measures 16x20 inches and is a signed and numbered offering from the artist. In black and white, the piece depicts a street scene brimming with various graffiti throw-ups and tags, capturing the raw essence of the graffiti artist's vision. Decoding the Urban Canvas in LushSux's Art The artwork is a monochromatic tribute to the graffiti culture, embodying the visual language and symbols that graffiti writers imbue in the urban environment. In this piece, buildings are not merely structures but potential canvases, bristling with opportunity and awaiting the artist's mark. LushSux translates the three-dimensional world into a flat surface yet retains the depth and complexity of the graffiti artist's perspective. Each element, from the roller tags to the dripping paint, is rendered authentically, highlighting the artist's intimate understanding of this art form. LushSux and the Graffiti Narrative Through "What A Graffiti Writer Sees," LushSux makes a poignant statement about perception and the often overlooked details in our surroundings. The piece transcends a simple depiction of graffiti; it explores the artist's psyche, the subcultural codes, and the often invisible dialogue between graffiti writers. It is a reflective piece, inviting the viewer to step into the shoes of those who see the city as a playground of expression. LushSux, as both a participant and observer in the graffiti scene, uses his artwork to bridge the street and the gallery, merging the visceral experience of street pop art with the contemplative space of fine art viewership. This artwork is not just a representation of a physical space; it is a window into the cultural and social underpinnings of the street art movement, a modern pop art phenomenon that continues to evolve and provoke.

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Supreme Aerial Deck Limited Edition Skateboard deck art by Designer Brand Supreme For week 12 of their Fall/Winter 2020 season, Supreme released this Aerial Skateboard. The Supreme Aerial Skateboard depicts a Supreme banner flying through the sky with the New York skyline in the background, as shown in one of the brand's promotional videos. This skateboard deck was released on November 12th, 2020.

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Car Wash Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2013 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Car Wash Original Dunny Art Toy by Task One Exploring Urban Narratives: Task One's Car Wash Original Dunny Town Art Toy Task One's "Car Wash Original Dunny Town Art Toy" embodies the creative spirit that defines street pop art and graffiti artwork. This 2013 masterpiece integrates the familiar Kidrobot Dunny vinyl form with the tactile, textured medium of painted plaster, resulting in a unique collectible that stands approximately 3x4 inches. Through the medium of this custom Dunny artwork, Task One explores the everyday urban experience, encapsulating it within the playful yet profound form of a car wash. The Car Wash Dunny is more than a mere representation of an ordinary city service; it is a microcosm of urban life, conveying the motion and activity of the streets in a static figure. The art toy features meticulously sculpted details, from the fringed wash curtains to the vibrant, conical traffic barriers, capturing the essence of a bustling car wash in miniature. The top of the Dunny is adorned with a "CAR WASH" sign, crafted in a font that echoes the signage seen in any neighborhood, adding authenticity and a touch of nostalgia to the piece. Task One's Artistic Commentary on Consumer Culture In creating the Car Wash Dunny, Task One delivers a subtle yet impactful commentary on consumer culture and the commodification of urban spaces. The art toy serves as a canvas for this discourse, inviting contemplation on the role of such establishments in our daily lives and their significance in the urban tapestry. The choice of a car wash as the subject reflects a keen observation of the mundane, elevating it to the level of art through the transformative power of Task One's vision. The Car Wash Dunny, as part of the more extensive Dunny Town series, exemplifies Task One's dedication to blending street art's immediacy and relevance with the collectible nature of vinyl toys. This fusion results in a thought-provoking piece that holds a mirror to the city's soul, reflecting the vibrant, ever-changing life of the streets. Collectors and admirers of street pop art are drawn to such works for their aesthetic appeal and their ability to encapsulate a piece of the urban experience. Task One's work, particularly this captivating rendition of a car wash, showcases the potential of art toys to act as vessels for storytelling and cultural reflection. Through his skillful use of materials and his intelligent approach to the subject matter, Task One has contributed a significant chapter to the narrative of street pop art and graffiti artwork, ensuring that the essence of the streets is preserved in the palms of our hands. The Car Wash Original Dunny Town Art Toy by Task One remains a treasured piece for those who value the intersection of art, culture, and the vibrancy of city life.

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The Joker Comic Book Cover #3 Limited Edition 1-Color Watercolor Paint Embellished HPM Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta. 2019 Signed & Numbered Limited Edition of 25 Artwork Size 34x46 Mr. Brainwash is pleased to announce a new addition to the ongoing series of comic book covers, this time featuring one of the most notorious supervillains, the Batman comic book cover featuring The Joker. A one-color screen print on hand-torn archival art paper, hand-finished with watercolor. Each print from the edition will be unique, and colors will vary from print to print. Print Size: 34 x 46 Inches Edition of 25

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Factory Stacks- Endless Power 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Endless Power Silkscreen Print by Shepard Fairey Factory Stacks – Endless Power is a bold 6-color silkscreen print created in 2022 by Shepard Fairey, one of the most influential figures in Street Pop Art & Graffiti Artwork. Measuring 18x24 inches, this signed and numbered limited edition of 350 is printed on thick cream Speckletone paper and embodies Fairey’s hallmark aesthetic: a fusion of propaganda-style composition, socio-political messaging, and graphic design precision. It continues his Factory Stacks series, a visual campaign aimed at confronting environmental and systemic imbalances, particularly those surrounding the fossil fuel industry. Visual Language of Industrial Dominance This piece presents twin smokestacks emerging from a factory, exhaling thick plumes of smoke that bend into geometric arcs against a fractured backdrop. The composition is both imposing and elegant, rendered in Fairey’s signature palette of red, blue, cream, and black with accents of gold and grey. A section in the upper corner features graphic symbols such as currency and uniformed authority figures with the text “Endless Power,” visually connecting fossil fuel dependency to state and corporate control. Below, flames lick at the base of the structure, symbolizing destruction masked as progress. The stylized imagery and bold silhouettes evoke retro political posters, transforming the factory into an icon of unchecked industrial ambition. The title “Endless Power” is a biting irony. It speaks to the illusion of limitless energy consumption enabled by fossil fuels while referencing the political power structure that sustains this destructive system. Fairey uses the visual metaphor of pollution and fire not just as environmental warning signs, but as emblems of capitalism's refusal to pivot toward sustainability. Fine Art Printmaking as Street-Level Protest This edition is hand-pulled and silkscreened, showcasing Fairey’s technical prowess in layering crisp lines and vibrant color fields. The physicality of screenprinting—each layer applied with intention—parallels the artist’s belief in direct action. The Speckletone stock used adds texture and weight, reinforcing the piece’s physical presence and link to protest posters of the past. As a printmaker rooted in the street art tradition, Fairey embraces reproducibility without sacrificing uniqueness. His screenprints are both fine art artifacts and tools of mass communication. Factory Stacks – Endless Power does not rely on abstraction. It forces clarity, making its environmental critique visually immediate and emotionally provocative. Political Commentary Through Graffiti-Inspired Aesthetics Fairey’s work consistently straddles the space between fine art and graffiti, and this piece is no exception. By including symbols of nationalism, money, and smoke stacks, he aligns corporate power and environmental degradation in a single visual language. As part of the OBEY Giant campaign's broader ethos, the artwork invites viewers to question the legitimacy of authority, capitalism, and consumption. In the lower left of the piece, Fairey embeds the edition number and his signature, reinforcing its status as a collectible. Yet unlike conventional gallery art, this piece was made to communicate with the public. A portion of the proceeds from this release was donated to Greenpeace, underscoring the artist’s commitment to activism through art. Factory Stacks – Endless Power is not a lament—it is a visual demand. It reminds viewers that power, both political and industrial, is not endless unless people allow it to be. Through the bold format of Street Pop Art & Graffiti Artwork, Shepard Fairey transforms a grim industrial skyline into a battleground of ideas, urging action before the smoke becomes irreversible.

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The Lonesome Crowded West Tower Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY Marking the 25th anniversary of Modest Mouse's influential album "The Lonesome Crowded West," celebrated street artist Shepard Fairey, known as OBEY, crafted a striking limited edition silkscreen print. This 2022 piece, meticulously hand-pulled and comprising five colors on Cream Speckletone fine art paper, mirrors the layered complexity of the album it honors. The work measures 18x24 inches, a testament to the album's monumental impact on the alternative rock scene and Fairey's own artistic journey. Each of the 825 signed and numbered prints encapsulates Fairey's personal connection with the album, having first encountered its raw and eclectic sound in 1998, a year after its release. He describes the album as "multi-dimensional," resonating through its varied tones from the "aggressive and dissonant" to the "folky, jangly, and intimate." His favorite tracks, "Doin’ the Cockroach" and "Cowboy Dan," evoke contrasting emotions of exhilaration and introspective tension, revealing the dexterity of Modest Mouse's music and the profound lyrical skill of frontman Isaac Brock. In this piece, Fairey channels the essence of the album's themes, depicting an isolated tower amidst a vast, red-streaked landscape, symbolizing the album's exploration of urban isolation and the Western American experience. The contrast between the solitary building and the surrounding expanse eloquently captures the album's title, "The Lonesome Crowded West." This visual representation goes beyond mere album art; it is an intersection of Fairey's iconic style and Modest Mouse's sonic influence, bridging visual and auditory art forms. Fairey's engagement with Modest Mouse extends back to their 2000 "Black Glass" tour, for which he also created a poster. This long-standing relationship emphasizes the mutual respect between the artist and the band, illustrating how music and visual art can coalesce to form powerful cultural statements. His artistic expression is not only a tribute to the music but also an homage to Brock's poetic lyrics, which left an indelible impression on Fairey, prompting him to label Brock a true poet. As an influential figure in street art and pop culture, Fairey’s creation for Modest Mouse cements his position at the forefront of contemporary art. It serves as a visual anchor for the album’s legacy, ensuring that its cultural resonance extends into the visual realm. Collectors and fans of both the band and Fairey find in this print a confluence of two forms of rebellion and expression, solidified on paper but echoing far beyond.

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SF Fire Escape Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2011 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print  SF Fire Escape by Shepard Fairey - Street Pop Art & Graffiti Artwork in Urban Symbolism Shepard Fairey’s 2011 silkscreen print titled SF Fire Escape captures the architectural and cultural energy of San Francisco through the lens of Street Pop Art & Graffiti Artwork. Printed on cream Speckletone fine art paper in a signed and numbered edition of 450, this 18 by 24 inch hand-pulled silkscreen distills Fairey’s signature use of graphic contrast and political commentary into a dynamic composition of urban geometry. Utilizing his iconic red, black, and cream palette, the work presents a striking fire escape cutting across a modern building facade, marked with the bold face of Fairey’s now-famous Obey Giant icon peering through a window. The structure’s vertical lines intersect with diagonal staircases while an urban billboard pronounces no turns and one way, placing metaphorical emphasis on control, restriction, and the illusion of directional certainty. Architectural Linework and Urban Power Structures Fairey’s SF Fire Escape transforms mundane urban design into charged visual content. The fire escape, typically seen as a symbol of safety or last resort, becomes a jagged line of escape from conformity. Its stark white angles against the rigid grid of the building evoke urgency and possibility. The red and black panels lend a sense of urgency and institutional rigidity, while the silhouetted billboard adds a layer of societal direction or imposed path. Fairey’s placement of the Obey Giant face within the fire escape window interrupts the grid with an unexpected humanized symbol, referencing the artist’s ongoing critique of media saturation, surveillance, and systemic structures. It also acts as a quiet observer embedded in the architecture, watching yet contained. Screenprint as Political Medium in Street Pop Art Silkscreen printing has long served as Fairey’s chosen tool for reproducing messages quickly and accessibly. SF Fire Escape continues this legacy by maintaining the aesthetics of poster-making while functioning as a collectible art object. The choice of cream Speckletone paper, combined with bold silkscreened layers of ink, recalls the DIY ethos of flyposted propaganda art found throughout city streets. Fairey’s refined yet aggressive visual language harnesses the technique of repetition, limited color palette, and contrast to amplify urgency and power. This composition doesn’t merely portray an architectural moment but translates the city’s built environment into a metaphor for cultural lockdown and authoritarian cues masquerading as guidance. Embedded Iconography and Urban Resistance The Obey Giant face is not simply branding or ornament—it operates as a resistance symbol embedded in the built fabric of city life. By placing this face within the context of an urban fire escape, Fairey plays with the idea of surveillance, autonomy, and escape. His use of directional signage adds a layer of irony, questioning whether individuals in modern society are truly free to choose paths or simply navigating a framework of control. SF Fire Escape exemplifies Shepard Fairey’s ongoing role in reshaping contemporary Street Pop Art & Graffiti Artwork into socially reactive and politically charged print-based media, grounded in both the visual language of rebellion and the structure of the everyday.

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Sea Also Rises- Northbound Whale Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 24x36 full-bleed 6 color screenprint. Signed and Numbered edition of 200.

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The Dark Knight Gotham Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 100 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print of Batman Willis Tower City Building From Gotham City in Movie The Dark Knight, Chicago IL. The Dark Knight Gotham Silkscreen Print by Justin Van Genderen The Dark Knight Gotham Silkscreen Print by Justin Van Genderen is a stunning 2013 limited edition artwork that captures the dark and brooding essence of Gotham City. Hand-pulled on fine art paper, this 18x24-inch silkscreen print is part of a signed and numbered edition of 100. The artwork takes inspiration from the modern cinematic depiction of Gotham City, using the imposing silhouette of the Willis Tower in Chicago to stand in for the fictional metropolis. With its stark contrast, high-contrast lighting, and dramatic black-and-white palette, this piece reflects the deep shadows and towering structures that define the world of Batman in The Dark Knight. Chicago as Gotham in The Dark Knight One of the most striking elements of this print is its direct reference to the real-world city that served as the backdrop for The Dark Knight. While Gotham City has often been imagined as a hybrid of New York, Pittsburgh, and other urban centers, the 2008 film firmly established Chicago as the visual foundation for Batman’s world. The Willis Tower, formerly known as the Sears Tower, dominates the print, its upper spires glowing against the dark night sky. The heavy shadows and moody cloud formations add to the print’s noir aesthetic, evoking the danger and intrigue that always loom over Gotham’s skyline. Street Pop Art & Graffiti Artwork often takes inspiration from urban environments, and this piece exemplifies how architecture can play a crucial role in storytelling. The buildings of Gotham are not just structures; they are symbols of power, corruption, and resilience. In The Dark Knight, Batman’s presence is often highlighted by his high vantage points, surveying the city from above. This print echoes that theme, capturing the sheer scale of the Willis Tower in a way that makes it feel both monumental and ominous. Minimalism and Noir Aesthetics in Street Pop Art & Graffiti Artwork The visual style of this silkscreen print is heavily influenced by film noir aesthetics, with deep shadows, high contrast, and minimal detail working together to create a sense of mystery. This approach aligns with the themes of The Dark Knight, where Gotham is portrayed as a city teetering between order and chaos. The print’s near-monochromatic palette enhances the feeling of isolation, with the few illuminated elements standing out dramatically against the darkness. Street Pop Art & Graffiti Artwork thrives on bold, striking imagery, and this piece achieves that through its simplicity. The absence of unnecessary details allows the viewer to focus entirely on the towering structure and the mood it conveys. The use of light and dark is particularly effective, mirroring the moral ambiguity present throughout The Dark Knight. In this way, the print is not just an architectural study—it is a visual representation of the struggle between light and darkness that defines Batman’s story. Reinterpreting Cinema Through Street Pop Art & Graffiti Artwork This piece exemplifies how film can be reimagined through the lens of Street Pop Art & Graffiti Artwork. Instead of recreating a traditional movie poster, Justin Van Genderen distills the essence of The Dark Knight into a single, unforgettable image. The towering presence of the Willis Tower becomes a stand-in for Gotham’s mythology, while the composition evokes the tension and atmosphere of the film without relying on character portraits or action scenes. By stripping the image down to its most essential elements, this print allows viewers to engage with The Dark Knight in a new way. The artwork does not just reference the film—it amplifies its themes, using architecture as a metaphor for the battle between order and chaos. Whether displayed as a tribute to Batman’s world or appreciated as a striking piece of urban-inspired art, this silkscreen print stands as a testament to the power of visual storytelling in modern art.

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Madison Avenue Paper Weight Limited Edition Art Object Collectible Artwork by street graffiti artist Bape. 2021 1G72-182-195 / Clear / F Madison Ave New York City Paper Weight Art Object

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Supreme Banner Deck Limited Edition Skateboard deck art by Designer Brand Supreme FW19 2019 Released as a part of Supreme's Fall/ Winter 2019 Week 1 drop, the Supreme Banner Skateboard shares a graphic deck features the same graphic image, a photograph of Supreme's original store banner. The Supreme Banner Skateboard released on August 22nd, 2019

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Agreed to Descend Limited Edition 1-Color Hand-Pulled Silkscreen Print on 130lb Cougar Natural Paper by Bernie Wrightson Graffiti Street Artist Modern Pop Art. AP Artist Proof 2014 Signed & Marked AP Artwork Size 20x30 Each print measures 20×30 and is signed by the master himself, Bernie Wrightson. These prints are hand-printed silkscreen images on heavy-weight 130lb Cougar Natural stock.

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2Vth Revolution Under Construction Artwork Giclee Limited Edition Print on Cotton Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. "Revolution Under Construction" 2018 30.6"x25" Giclée on Cotton Rag Each print is Signed, Numbered & Branded

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Carga Fragile Mural 18-Color Lithograph Print by Shepard Fairey- OBEY Hand-Pulled Print on 270gsm BFK Rives Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2023 Signed & Numbered Limited Edition of 300 Artwork Size 40x28 Fine Art Large Format Lithograph "Carga Frágil" Mural in São Paulo, Brazil. This 18-color lithograph, measuring 40 by 28 inches, is printed on BFK Rives 270g paper featuring deckled edges. Created at the historic Idem Studio in Paris using a Marinoni press, it is based on an original illustration inspired by a photograph captured by Jon Furlong. The piece is signed by the artist, Shepard Fairey, and is a numbered edition limited to 300 prints. A portion of the proceeds will be donated to Greenpeace USA. Each print is accompanied by a digital certificate of authenticity provided by Versiart and features the Idem publishing chop in the lower left corner. The Idem Studio was established within a 15,000-square-foot, two-story workshop at 49 rue de Montparnasse. Originally built in 1881 by printer Eugene Dufrenoy, the workshop was designed to house his lithographic presses. In its early days, the facility relied on 19th-century flat machines powered by belt-driven propeller shafts and a steam boiler. The space was later occupied by the Michard Printing Company, which specialized in crafting vibrant, special edition maps. In 1976, Fernand Mourlot acquired the workshop and transformed it into a fine art printshop. Throughout its history, the workshop has seen a revival of lithography, with craftsmen collaborating closely with esteemed artists such as Pablo Picasso, Henri Matisse, Alberto Giacometti, Joan Miró, and Marc Chagall. Today, the printshop is dedicated to contemporary artists like Sophie Calle, JR, William Kentridge, David Lynch, Paul McCarthy, and Raymond Pettibon. Lithographs at Idem Studio are created by drawing an image on a flat stone or transferring it onto aluminum plates. The image is then treated with water and an oil-based ink that is rolled across the surface. Paper is placed atop the matrix and run through a press, transferring the ink onto the paper to form the final lithograph. The process results in a rich, dense layer of ink, producing an exceptional final piece. Now known as Idem, the Mourlot company stands as one of the oldest printing houses still utilizing traditional lithography techniques.

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Modern Living- Brown 6-Color Hand-Pulled Hand-Embellished HPM Limited Edition Silkscreen Print on 290gsm Coventry Cotten Rag by Faile Rare Street Art Famous Pop Artwork Artist. Hand-painted Varied Edition of 250 Acrylic & Silkscreen Ink Heavyweight Archival Paper Signed, Stamped & Embossed Size 19.5 x 25 inches (50 x 63.5cm) approx Signed on the front by Faile Numbered on the back the back also contains a large print by Faile Due to the handmade bespoke nature of this artwork, some small creases and bleedthrough can be found throughout.

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Wicker Park Chicago Silkscreen Print by Ian Ferguson- Hydeon 1-Color Hand-Pulled Limited Edition on Fine Art Paper Rare Street Art Famous Pop Artwork Artist. 2013 Signed & Numbered Limited Edition of 35 Artwork Size 16x20 Neighborhood Art Series by Ian Ferguson. Wicker Park Silkscreen Print by Ian Ferguson – Hydeon The Wicker Park silkscreen print by Ian Ferguson, known artistically as Hydeon, is a striking representation of one of Chicago’s most iconic neighborhoods. This one-color hand-pulled limited edition silkscreen print from 2013, measuring 16x20 inches, captures the architectural and cultural vibrancy of Wicker Park through an intricate and surreal composition. As part of Ferguson’s Neighborhood Art Series, this piece blends detailed urban landscapes with elements of street pop art & graffiti artwork, offering a visually compelling exploration of the city. The Architectural Complexity of Wicker Park Wicker Park has long been known for its historic architecture, diverse creative community, and bustling streets, all of which are intricately depicted in Ferguson’s artwork. His highly detailed line work brings out the ornate features of vintage Chicago buildings, brownstones, and storefronts, creating a layered cityscape that feels alive with history and movement. The elevated Damen Blue Line train plays a central role in the composition, visually cutting through the print and grounding the neighborhood’s well-known connectivity to the broader Chicago landscape. Ferguson’s ability to meld perspective and scale results in an architectural collage that defies traditional linear space. Buildings appear to bend, streets converge at surreal angles, and the typography of “Wicker Park” integrates seamlessly into the structure of the print. This style recalls classic urban etchings, yet Ferguson’s interpretation includes surreal elements that make the neighborhood feel both familiar and dreamlike. Cultural References and Symbolism Beyond its architecture, Wicker Park has a rich cultural identity rooted in its music, art, and street scene, and Ferguson nods to these aspects through various visual motifs. The presence of a bicycle, vintage cars, and classic signage all serve as references to the neighborhood’s history and evolving subcultures. Ferguson’s choice to include the Rainbow Club sign further acknowledges the importance of local businesses in shaping Wicker Park’s creative landscape. The imagery also includes floating clouds, exaggerated depth, and layered urban elements, adding a dreamlike quality to the piece. The decision to use black and white emphasizes the depth of detail and creates a timeless effect, making it feel like an archival document of the neighborhood’s energy. Ferguson’s approach highlights both the reality and mythology of Wicker Park, turning it into a symbolic representation of urban creativity. The Influence of Ian Ferguson in Street Pop Art & Graffiti Artwork Ian Ferguson’s Neighborhood Art Series places him firmly within the street pop art & graffiti artwork movement, using silkscreen techniques to reinterpret the visual landscapes of major urban spaces. Unlike traditional mural-based street art, Ferguson’s work translates these urban narratives into limited-edition fine art prints, allowing collectors to engage with his interpretations on a more intimate scale. His work resonates with fans of both architectural illustration and urban surrealism, as he transforms familiar cityscapes into dynamic compositions filled with movement and storytelling. The Wicker Park silkscreen print serves as both a tribute to the neighborhood and an exploration of how cities evolve, making it a significant piece within Ferguson’s broader artistic practice. This print stands as a visual love letter to one of Chicago’s most iconic areas, preserving its cultural essence through a highly detailed and meticulously crafted artwork.

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The Lonesome Crowded West Apt Block Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print Apartment Block Urban City Building Stylized. "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY In the pantheon of street art, few names are as synonymous with the movement's thrust into mainstream culture as Shepard Fairey. His collaboration with the band Modest Mouse for their tour poster celebrates a milestone—the 25th anniversary of their seminal album, "The Lonesome Crowded West." In true Fairey fashion, he interprets the album's ethos with a limited edition silkscreen print, meticulously hand-pulled with five colors on Cream Speckletone fine art paper. This process ensures each of the 825 pieces is imbued with the artist's personal touch. Measuring 18x24 inches, this signed and numbered print presents an apartment block—an urban icon that exemplifies the crowded isolation in the album's title. Fairey's stylized depiction of the apartment block resonates with the band’s exploration of the paradoxical loneliness of urban existence, embodying the spirit of Modest Mouse's music through visual art. His work is not merely an artistic rendition but a narrative of city life's juxtapositions—connectivity and isolation, sound and silence. This collaboration is particularly significant for Fairey, who has been a fan of Modest Mouse since 1998. The album left an indelible mark on him, with its tonal shifts from the raucous "Teeth Like God's Shoeshine" to the more subdued "Trailer Trash." Fairey extols Isaac Brock's songwriting, acknowledging the profound depth and poetic nature of his lyrics, especially considering Brock's youth. The two tracks that stood out to Fairey, "Doin' the Cockroach" and "Cowboy Dan," exemplify the album's range and Brock's lyrical prowess. Fairey's history with Modest Mouse dates back to the 2000 "Black Glass" tour poster, reinforcing his long-standing connection with the band. This print is another chapter in that narrative, solidifying the kinship between his visual art and their musical expression. The artwork is a tangible piece of pop culture history, intertwining the legacy of Fairey's street art with Modest Mouse's contribution to music. Collectors of Fairey’s work and fans of the band alike cherish this print as a symbol of the enduring relevance of "The Lonesome Crowded West" and the power of art to transcend mediums, capturing the essence of an era.

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Up They Rise 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fabriano Cotton Paper by Jamie Reid Rare Street Art Famous Pop Artwork Artist. PP Printers Proof. Up They Rise, 2007 Screenprint in colors on Fabriano Cotton paper 27-1/2 x 19-3/4 inches (69.9 x 50.2 cm) (sheet) P.P. (aside from an edition of 50) Signed, numbered, and titled in pencil along lower edge

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Big Twinkie Ghostbusters Silkscreen Print by Tim Doyle Hand-Pulled 8-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 150 Artwork Size18x24 Ghostbusters Movie Tribute, 4th Unreal Estate show

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Guerilla One x The Seventh Letter Collaboration 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 450 March 5, 2009 OBEY, Guerilla One, and The Seventh Letter have always had a strong long-lasting friendship and creative relationship with numerous collaborations including the late 90’s Free GKAE print, created by Shepard and Casey Zoltan from The Seventh Letter, to raise funds for GKAE’s legal fees. This current project was created to symbolize both strength in numbers and unity by way of collaboration. The Seventh Letter, Obey Giant, and Guerilla One have all stood individually and collectively as pillars in the graffiti /street art scene both domestically and internationally. Its apparent that the 3 collaborators will continue to support street art by creating new platforms that encourage and inspire many worldwide. “When we started doing graffiti, putting up stickers we had no idea the places it would take us, and no matter where we go from here we will stay loyal to those who have helped us get there.” – Eddie Donaldson, Founder of Guerilla One “I have always rolled with G1 and Shepard through thick and thin and will always have their backs forever on a street and professional level”. – Casey EKLIPS Zoltan, Founder of THE SEVENTH LETTER

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UnReal Estate- Catbus- Glow Followed Limited Edition Glow In The Dark 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Cat, Bus, Car, Animal, House, Balloon, Sky, Stars, Night, Childen, Glow in the Dark, Tree,My Neighbor Totoro, Anime, Asian, Japan, Totoro, UnReal Estate, TV, Building

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Utopia Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. SOI55 Gold Medal. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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Elysian Archival Pigment Fine Art Limited Edition Archival Pigment Print on 290gsm Moab Fine Art Paper by Pop Artist Scott Listfield. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 20x30 Edition of 100 Giclee print on Moab Entrada 290gsm paper 20 x 30 inches / 50.8 x 76.2 cm Signed, numbered and embossed by the artist Printed by Static Medium

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New Yorker- Elevated Trains- Cabs Going Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Motel Hotel Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2013 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Motel Hotel Original Dunny Art Toy by Task One Task One's Interpretation of Americana in Motel Hotel Original Dunny Town Art Toy Task One's "Motel Hotel Original Dunny Town Art Toy" from 2013 captures the essence of Americana through the lens of street pop art and graffiti artwork. This piece stands approximately 3x4 inches and is a part of the broader Dunny Town series. The work showcases a classic roadside motel reimagined in the form of a Kidrobot Dunny vinyl figure. Task One's skillful use of painted plaster to craft the piece brings out a textured realism, with the motel's iconic signage, doors, and windows vividly portrayed to evoke the spirit of travel and transient life on the American highway. The art toy is a nostalgic nod to the vintage motels that pepper the United States, each promising rest and respite to weary travelers. The miniature motel is not simply a replication of a building; it's an emblem of the cultural significance of motels in the narrative of American travel. The neon-like "MOTEL" sign, pointing towards the Dunny, is remarkably evocative, mirroring the beckoning lights that have guided countless journeys across the country. Reimagining Urban Spaces in Miniature Form With the "Motel Hotel Original Dunny Town Art Toy," Task One continues his exploration of urban spaces, translating them into miniature forms that resonate with collectors and art enthusiasts alike. The motel, a symbol of mobility and the vast network of travel is recontextualized in a pop art format, preserving its cultural relevance while presenting it through a fresh, artistic perspective. This work blends the accessibility of street art with the collectible nature of vinyl toys, resulting in a piece that is both a tribute to a fading icon of the American road and a commentary on the changing landscape of travel and accommodation. Task One's meticulous attention to the architectural details of the motel, combined with the playful, anthropomorphic Dunny form, exemplifies the potential of art toys to serve as platforms for storytelling. The "Motel Hotel Original Dunny Town Art Toy" is thus a celebration of the crossroads between art, culture, and history, encapsulating the essence of roadside Americana within the compact and collectible dimension of a Dunny. The art toy embodies the ethos of street pop art, where everyday objects and structures are elevated to the status of art through creativity and context. Task One's portrayal of the motel invites contemplation on the themes of travel, the passage of time, and the evolution of the American landscape. This piece continues to hold a place of significance within the Dunny Town series and stands as a testament to Task One's legacy in street pop art and graffiti artwork.

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Nighttime in the City Hand-Pulled 5-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 150 Artwork Size 11x14

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Nuevos y Usados Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Liz Brizzi. Edition of 30 18 x 22 inches / 45.7 x 55.9 cm Fine art print on 290gsm paper Hand signed and number. New and Used is the title in english.

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Silver City Style A XL Day White 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited of 50 Edition Artwork Size 36x24 Silver Metallic Ink City Style A XL Daytime 36x24

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Clerks- Metallic Silver Followed Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Movie, Clerks, Kevin Smith, Man, Building, Ambulance, City, Jay & Silent Bob

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Sea Also Rises- Exodus of Turtleton Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 2014 Limited Edition of 200 Artwork Size 24x36 1st Print. Artist Tim Doyle was asked to participate in PangeaSeed’s “The Year of Living Dangerously” print suite in 2013

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David with Machine Gun AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print. Shepard Fairey x Blek le Rat David with Machine Gun AP Silkscreen Print 2008 The David with Machine Gun AP Artist Proof silkscreen print from 2008 is a rare collaborative work created by Shepard Fairey, widely known as OBEY, and stencil art pioneer Blek le Rat. Hand-pulled on fine art paper and measuring 18 x 24 inches, this Artist Proof edition is signed by both artists and marked “AP,” distinguishing it from the standard numbered release of 100. Artist Proofs carry additional significance within the art world due to their limited availability and direct association with the artists’ approval process, making this piece especially sought after by collectors of Street Pop Art & Graffiti Artwork. Imagery and Symbolic Tension This print features Michelangelo’s classical David, a symbol of Renaissance ideals of beauty, youth, and heroism, reimagined with a modern twist: he holds a machine gun. The stark juxtaposition between timeless humanist ideals and contemporary instruments of war creates a powerful critique of violence and the ways cultural icons are repurposed to reflect current anxieties. Set against a graffiti-covered urban backdrop, the figure embodies the collision between high art traditions and street-level social commentary. The work challenges viewers to consider how ideals of strength and beauty are corrupted when reframed within the context of militarization. Collaboration Across Generations Blek le Rat, born Xavier Prou in France in 1951, is often credited as the father of stencil graffiti, influencing countless artists with his Paris-based interventions since the 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, rose to prominence through his OBEY campaign and politically resonant prints, later achieving international acclaim with his Hope poster of Barack Obama. Their joint creation of David with Machine Gun demonstrates how two generations of artists from different cultural backgrounds can merge their practices to create a unified message. It serves as both homage to classical art and a critique of the modern world. Rarity and Collectible Importance Artist Proof editions such as this one are rarer than the main run, typically reserved for the artists themselves or for key collaborators. Marked “AP” and carrying the signatures of both Fairey and Blek le Rat, this print embodies both historical and artistic value. Beyond its scarcity, the work is a striking representation of how street artists reinterpret cultural symbols to confront pressing issues like war and societal decay. The David with Machine Gun AP silkscreen stands as a prime example of the fusion of fine art history and modern protest through the visual language of Street Pop Art & Graffiti Artwork.

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Bath House Silkscreen by Tim Doyle Hand-Pulled 8-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 Spirited Away Anime Movie Tribute, 4th Unreal Estate show

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Tornado Towers of Mankato Minn Silkscreen Print by Dan Black of Landland Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered Limited Edition of 95 Artwork Size 18x24 Silkscreen Print Tornado Towers of Mankato Minn Silkscreen Print by Dan Black of Landland Dan Black of Landland is known for creating immersive, intricate works that depict surreal yet deeply familiar landscapes. The Tornado Towers of Mankato, Minn Silkscreen Print, a hand-pulled, limited edition screenprint, is an example of his masterful approach to architectural illustration within street pop art & graffiti artwork. Released in 2013 as part of a signed and numbered edition of 95, this 18x24-inch screenprint captures a fascinating fictionalized interpretation of the Tornado Towers, a structure that may never have existed in reality but is presented with such meticulous detail that it feels entirely plausible. The composition of this print merges industrial frameworks with trailer homes, stacked and structured into multi-level towers that appear precarious yet methodically arranged. This urban-meets-rural juxtaposition is a recurring theme in Dan Black’s work, where he blurs the line between documentary and speculative architecture. The muted color palette of earthy browns, industrial greys, and faded greens gives the piece a sense of nostalgia, decay, and resilience, reinforcing its conceptual weight. Architectural Exploration in Street Pop Art & Graffiti Artwork Dan Black’s work within street pop art & graffiti artwork often explores the structures, spaces, and forgotten elements of urban environments. Rather than focusing on traditional graffiti-style abstraction or bold color blocks, he meticulously illustrates structures in precise line work, almost resembling blueprints of forgotten places. Tornado Towers of Mankato, Minn embodies this practice by depicting a fantastical but methodically designed urban relic, where trailer homes are elevated into multi-story dwellings, seemingly built to withstand the harsh realities of their environment. His work carries an aesthetic that feels at home in DIY punk culture, zine artwork, and urban exploration, presenting imagined landscapes that reflect real-life tensions between permanence and transience. These stacked trailer towers, held together by steel frameworks and staircases, symbolize adaptation, improvisation, and survival, common themes in graffiti and pop culture street art movements. Traditional Printmaking Techniques and the Handmade Appeal A defining characteristic of this limited edition silkscreen print is its hand-pulled craftsmanship. Unlike mass-produced digital prints, Dan Black and Landland embrace manual printmaking methods, layering colors carefully through silkscreen techniques. This dedication to traditional printmaking brings a textural depth to the piece, ensuring that each print maintains subtle variations, making every copy slightly unique. Hand-pulled silkscreen prints hold a significant place in street pop art & graffiti artwork, as the technique is deeply rooted in DIY culture, underground gig posters, and independent print shops. By using limited color palettes and meticulous layering, artists like Dan Black create works that possess an authenticity not found in digitally produced reproductions. The physicality of the ink, the imperfections in the press, and the labor-intensive process add to the value and collectibility of this print. The Concept of Memory and Place in Landland’s Work A significant aspect of Dan Black’s work is his ability to construct narratives around places that may or may not exist. The Tornado Towers of Mankato, Minn speaks to a mythical architectural anomaly, a structure that feels deeply ingrained in the landscape but also eerily fabricated. His re-imagined geography, often based on midwestern towns, abandoned buildings, and obscure roadside structures, gives his work a dreamlike but documentary quality, making viewers question whether they have encountered these places before. This piece, like many of Landland’s works, exists as a visual echo of forgotten spaces, turning something as ordinary as a trailer park into a multi-leveled, gravity-defying metropolis. It reflects themes of improvisation, human resilience, and how people create homes in the most unexpected ways, making it a fascinating addition to the world of street pop art & graffiti artwork.

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City By The Sea XL Hand-Pulled 5-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 24x18

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King Kong The Eighth Wonder of the World Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art.

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Red Window Canvas HPM Silkscreen Print by Joshua Vides Screen Print Acrylic & Ink Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Acrylic HPM Embellished Limited Edition of 50 Artwork Size 8x10 Exploration of Form in Vides's Red Window "Red Window Canvas HPM" by Joshua Vides is a unique synthesis of traditional silkscreen print with the tactile dynamism of acrylic and ink, a vibrant embodiment of the hand-painted multiple that has become a significant aspect of Pop Street Art and graffiti Artwork. This 2023 piece, part of a signed and numbered limited edition of 50, measures 8x10 inches and reflects Vides's continued exploration of everyday items through a lens that is at once minimalistic and profound. Joshua Vides has established a distinctive visual language characterized by bold outlines and a restricted color palette that draws from street signage's iconography and pop art's compositional rigor. In "Red Window Canvas HPM," Vides takes the commonplace object of a window and reinterprets it, imbuing it with a new sense of character and presence. The red frame pops against the starkness of the white canvas, creating a piece that challenges the viewer's perception of space and dimension. Craftsmanship and Limited Edition Value The craftsmanship in "Red Window Canvas HPM" is evident in the sharp contrasts and clean lines, hallmarks of Vides's careful handiwork. As an HPM, or hand-painted multiple, each piece in the edition contains slight variations from the artist's direct intervention, making each print a unique work of art. This aspect of the series adds value for collectors, who appreciate the nuanced differences that set each piece apart within the edition. Vides's work resonates culturally as it captures the essence of urban environments and the artistic interventions that define them. His translation of street aesthetics onto canvas celebrates the legacy of graffiti and street art, forms of expression that have long interacted with and commented on the built environment. "Red Window Canvas HPM" is not just a representation of a window but a window into the interplay between art, the urban landscape, and the viewer's engagement with both. Impact on the Contemporary Art Scene Joshua Vides's "Red Window Canvas HPM" stands as a testament to the impact of street art on the contemporary art scene. It clearly indicates how street-inspired works have penetrated the gallery space, retaining their edge while being recontextualized. Vides's pieces, notably this series, show the shift in how art is valued and experienced, blending the spontaneity and accessibility of street art with the exclusivity and deliberation of limited-edition artwork. In sum, "Red Window Canvas HPM" by Joshua Vides is a significant contribution to the narrative of Street Pop Art and graffiti Artwork, a dialogue that Vides continues to advance with each new work. By drawing from the visual strategies of street signage and pop art, Vides creates a body of work that is instantly recognizable, highly sought after, and deeply reflective of the times. This piece is a vibrant example of the power of street-inspired art to transcend its origins and captivate a diverse audience.

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Silver City Style A XL Night Black 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited of 50 Edition Artwork Size 36x24 Silver Metallic Ink City Style A XL Nightime 36x24

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Holiday Mural 2011 Artwork Giclee Limited Edition Print on 300gsm Archival Cotton Rag Paper by Pop Culture Graffiti Artist Dabs Myla. Edition of 50 20x16 inches Fine art print on Moab Entrada 300 gsm Archival Cotton Rag Paper Signed and numbered by DABSMYLA and photographer Carlos Gonzalez Carlos Gonzalez with Dabs Myla 'Holiday Mural 2011' Giclee print on Moab Entrada 300 gsm Archival Cotton Rag Paper 16x20 inches Edition of 50 Signed and numbered by Dabs Myla and Carlos Gonzalez Published by Thinkspace and Branded Arts Printed by Static Medium

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It's a Bird! It's a Plane! Dude is he Tagging? Giclee Print by Priest Corp Artwork Limited Edition Print on 290gsm Cold Pressed Cotton Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 23x18 Silkscreen of DC Comic Book Hero Super Man Looking Out Over The Top of the City Skyscrapers as Helicopters Surround Him Flanked By Urban Graffiti Priest Corp Artwork’s limited edition giclee print titled "It's a Bird! It's a Plane! Dude is he Tagging?" stands as a striking testament to the enduring interplay between pop culture and street art. Dated 2023 and released as a limited run of just 50 pieces, this artwork is exquisitely printed on 290gsm cold pressed cotton fine art paper, which not only ensures longevity but also showcases the rich, vibrant hues of the silkscreen in exquisite detail. The visual narrative unfolds atop a cityscape, with DC Comic’s legendary superhero, Superman, positioned as the central figure. He is seen overlooking the vastness of the city's skyscrapers, a sentinel of justice and hope. This iconic imagery of Superman is, however, juxtaposed with elements emblematic of urban life. Helicopters encircle him, creating a dynamic tension in the composition, hinting at an urgency or perhaps an unfolding event. Yet, what truly accentuates the contemporary theme is the surrounding graffiti. This unexpected infusion of street art challenges traditional comic iconography, suggesting a dialogue between the vigilance of superheroes and the voices of urban artists. By merging the iconic imagery of Superman with the raw expressionism of graffiti, Priest Corp Artwork underscores the evolving nature of both pop and street art. It's a reflection on how classic symbols from our popular consciousness can be reimagined and recontextualized within the fabric of urban narratives. This piece not only celebrates the spirit of a classic superhero but also elevates the significance of graffiti as a form of contemporary commentary.

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Boudica Is Coming to HPM Embellished 6-Color Silkscreen Print by Jamie Reid Hand-Pulled on Distressed 400gsm Reverse Optimum Grey Card Limited Edition Artwork. 2018 Signed By Both Artists HPM Acrylic Hand Embellished Stencil & Numbered Limited Edition of 350 Artwork Size 17x25 Silkscreen Print of Queen Boudica on Horse Chariot Next To Skyscraper Building Art Car Boot Fair Edition Hand Distressed Boudica Is Coming: HPM Embellished Silkscreen Print by Jamie Reid and James Cauty The artwork Boudica Is Coming is an exemplary piece in the fusion of street pop art and graffiti-inspired visuals. Created by renowned British artists Jamie Reid and James Cauty, this work is an homage to rebellious iconography and the modern urban landscape. It is a limited edition of 350, hand-pulled on distressed 400gsm Reverse Optimum Grey Card, giving each piece a distinctive texture. Measuring 17x25 inches, the work captures the essence of street art culture while linking it to historical references, most notably through the imagery of Queen Boudica. The Iconography of Boudica in Street Pop Art Boudica, the ancient warrior queen of the Iceni tribe, is a recurring figure in British rebellious iconography. In this particular piece, Reid and Cauty draw a direct line between the defiant spirit of Boudica and the countercultural movements that define much of contemporary street art. She is depicted riding her iconic horse-drawn chariot, wielding strength and power. The juxtaposition of her figure against the backdrop of a modern skyscraper highlights the tension between history and the relentless progress of urbanization. This contrast is a central theme in street pop art, where historical and cultural symbols are frequently re-contextualized in contemporary urban environments. The use of Boudica in this context transforms her from a historical figure into a symbol of ongoing resistance. By placing her against a looming urban tower block, the artists are making a statement about the enduring relevance of rebellion in modern life. This ties into the broader themes of street pop art, where everyday environments, societal norms, and the tension between authority and individualism are challenged. Distressed Aesthetic and Graffiti Influences The aesthetic choices in Boudica Is Coming reflect the rough and gritty style often associated with graffiti artwork. The silkscreen is printed on distressed grey card stock, adding texture and uniqueness to each print. The distressed elements create a worn, almost decaying look, contrasting with the piece's vibrant neon colors. This distressing technique is particularly effective in replicating the look and feel of urban street walls, where posters and graffiti interact with the elements, slowly eroding into new forms. Jamie ReReid'sackground in graphic design and punk rock visuals plays a vital role in the pipiece'sverall composition. His work with the Sex Pistols and his distinctive collage style, which often includes defaced and altered political symbols, resonates throughout this silkscreen. The stencil-like appearance of Boudica and her chariot is reminiscent of street tagging, a nod to graffiti arart'soots. Meanwhile, James Cauty, known for his work with the KLF and as part of the art collective The Grey Organisation, brings a postmodern, dystopian sensibility to the piece. Combining these two artists creates a visual dialogue between rebellion, decay, and the ever-evolving cityscape. Hand-pulled and Hand-Embellished Elements A vital aspect of this edition is its hand-pulled silkscreen printing process. Each print is not just mechanically reproduced but crafted with care, resulting in slight variations between editions, making each piece unique. The silkscreen process, especially in the hands of Reid and Cauty, imbues the work with a tactile quality that draws the viewer in. The bold, almost fluorescent colors demand attention, creating a dynamic contrast between the monochrome tower block and the vibrancy of the lettering and Queen BoBoudica'silhouette. Further enhancing the print is the hand-embellished acrylic stenciling. Each print has been individually embellished by the artists, adding layers of paint extending beyond traditional prints' flatness. This manual intervention by the artists adds depth and texture, reinforcing the sense of the handmade, a cornerstone of street art and graffiti practices. These embellishments ensure that no two prints are exactly alike, adding to the value and collectability of the piece. Queen Boudica in the Urban Landscape The juxtaposition of Queen Boudica against a towering skyscraper is not merely a visual choice but a statement. It speaks to the encroachment of modernity on history, tradition, and natural landscapes. Skyscrapers, often symbols of corporate power and modernity, stand in stark contrast to the ancient, organic power represented by Boudica and her horse-drawn chariot. In this sense, Boudica Is Coming embodies the tension between the past and present, nature and industry, rebellion and order. The use of bold text in the piece, announcing Boudica Is Coming, adds a sense of immediacy and urgency. It speaks to the viewer in the way street art does, with its direct, almost confrontational messaging. The message itself hints at the idea of resurgence or the return of something powerful and transformative. Boudica becomes a stand-in for any number of modern resistances, whether political, social, or cultural. This is what makes the piece stand out in the world of street pop art and graffiti artwork. It engages the viewer visually and intellectually, prompting them to consider the implications of rebellion in the context of the modern city. It bridges history and contemporary street culture, creating a dialogue between the two. Boudica Is Coming by Jamie Reid and James Cauty is a powerful piece of street pop art that blends historical iconography with contemporary urban landscapes. Through its silkscreen process, hand-embellished elements, and the distressed aesthetic, it captures the raw energy of street art while commenting on the enduring relevance of rebellion and resistance. ItIt'sot just a print, but a visual and cultural statement that resonates within the framework of modern graffiti and pop art movements.

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The Devil Made Me Do It Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do It & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today, we find ourselves at a crossroads; now, more than ever, we must come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We're all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson. Cleon Peterson's Stark Commentary in "The Devil Made Me Do It" In the stark dichotomy of black and red, Cleon Peterson's "The Devil Made Me Do It" delivers a powerful visual commentary on the socio-political climate surrounding the events of January 6th, marked by the infamous U.S. Capitol riots. This hand-pulled 2-color silkscreen print on hand-deckled 290gsm Coventry Rag Paper emerges as a piece of street pop art and a historical marker, capturing a moment of intense national upheaval. Art as a Reflection of Societal Turmoil Peterson's artwork, a limited edition of 300 signed and numbered pieces, transcends the traditional boundaries of pop art. It embodies the artist's response to a fraught political landscape, reacting to the tumultuous events that shook the foundations of American democracy. The imagery of a man seemingly dancing while overshadowed by demonic figures speaks to the "Faustian bargain," suggesting a dance with the devil that echoes the betrayals and manipulations of political figures and the public seduced by their rhetoric. The title, "The Devil Made Me Do It," offers an ironic twist on the age-old excuse for succumbing to temptations and making morally questionable choices. Peterson's choice to release these works as a direct response to political events positions the artwork within a tradition of artists who use their craft to document and critique the times they live in. The visual language used in this piece is reminiscent of street art's often aggressive and provocative style, meant to engage the public in public spaces. The Role of Street Pop Art in Political Discourse Cleon Peterson's work exemplifies the role of street pop art in political discourse. Street art has always had a voice in the political arena, often serving as a raw expression of the people, unfiltered and unmediated. Through his work, Peterson extends this tradition by creating a piece that is both a reaction to and reflection of the political unrest that has characterized recent times. With its bold, unapologetic lines and vibrant colors, silkscreen printing makes "The Devil Made Me Do It" a commanding presence. It is a testament to the artist's ability to distill complex political and social emotions into a single, impactful image. In the tradition of street pop art, which often involves taking art out of the galleries and into the streets, Peterson's piece is designed to resonate with a broad audience, its message clear and accessible to all who encounter it. "The Devil Made Me Do It" is more than just a piece of pop art; it is a visual essay on the state of contemporary politics, a call to action, and a reminder of the power of art to reflect and affect change. It is a bold statement within the discourse of street pop art and graffiti artwork, capturing a moment when the world watched as democracy appeared to hang in the balance. Cleon Peterson's voice, through his art, adds to the chorus of those who advocate for truth and democracy, and his work remains a powerful example of how art can engage with and influence the political landscape.

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Street Prophet Original One of a Kind Acrylic Paint Painting Artwork on Archival Paper by Popular Street Graffiti Artist KC Ortiz. KC Ortiz "Street Prophet" KC ORTIZ Street Prophet, 2021 Acrylic paint on archival paper 8.66 x . 12.99 inches 22 x . 33 cm 1 of 1.

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Chase Bank Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2013 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Chase Bank Original Dunny Art Toy by Task One Task One's Chase Bank Original Dunny Town Art Toy Task One's "Chase Bank Original Dunny Town Art Toy" represents a striking commentary on the omnipresent financial institutions in urban landscapes. Crafted in 2013, this piece combines the medium of Kidrobot's vinyl with the textural depth of painted plaster, embodying the distinctive essence of street pop art and graffiti artwork. The collectible stands at an approximate size of 3x4 inches, a miniature yet powerful representation of a Chase Bank branch, reinterpreted through the imaginative lens of Task One. This particular work is part of Task One's broader Dunny Town series, which showcases a variety of urban structures and establishments, each reimagined as a Dunny, the iconic art toy figure. The Chase Bank Dunny, with its detailed brickwork facade and the recognizable blue "CHASE" signage, invites reflection on the pervasive influence of corporate entities in daily life. It's a creative exploration of common themes in street art: capitalism, consumerism, and their interplay within the public space. Reflecting the Urban Experience through Art Toys By selecting an institution as ubiquitous as a bank and presenting it through the playful form of a Dunny, Task One elevates street art's engagement with socio-economic themes. This art toy serves as a microcosm of the city, encapsulating the essence of a corporate entity within the palm-sized dimensions of a collectible figure. It's a visual narrative that resonates with the observer, prompting thoughts on the role of such institutions in shaping the urban environment and the lives of its inhabitants. The Chase Bank Dunny is a reflection of Task One's artistic vision and a part of the growing movement that blurs the lines between street art and tangible collectibles. The meticulous attention to detail, from the ATMs to the miniature windows and doors, underscores the artist's commitment to quality and authenticity. As a result, the piece stands as a testament to the potential of vinyl art toys to serve as sophisticated mediums for cultural expression and critique. Task One's artistry in the "Chase Bank Original Dunny Town Art Toy" speaks to the heart of street pop art, where everyday scenes are transformed into thought-provoking artworks. Once a simple toy, the Dunny becomes a canvas for critical reflection. This characteristic has endeared Task One's work to collectors and enthusiasts of street pop art and graffiti artwork. Through his contributions, Task One has left an indelible mark on urban art's landscape, merging the streets' irreverent spirit with the collectibility and craftsmanship of art toys.

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Midnight Manor- AP Artist Proof Pop Artwork Limited Edition 5-Color Silkscreen Print on Fine Art Paper by Modern Artist Nate Duval. AP Artist Proof 2014 Signed & Marked AP Limited Edition Artwork Size 12x18

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City At Night Blue Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2010 Signed & Numbered Limited Edition of 12 Artwork Size 18x24

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The New Standard Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 20. Signed and numbered. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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Chateau Marmont Black Letterpress Print by Mr André Saraiva Limited Edition 1-Color on 100# Cover Neenah Classic Crest Natural White Fine Art Paper Graffiti Street Pop Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 16x20 Letterpress Print Move Fast Move Smooth Chateau Marmont, an iconic Los Angeles landmark, has been a beacon of creativity, opulence, and allure since its doors in 1929. This institution has been essential to Hollywood history, hosting numerous celebrities, artists, and influential figures. While it is best known for its role in Tinseltown's culture and history, Chateau Marmont has also impacted the world of graffiti and street art.

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