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Wicker Park Chicago Silkscreen Print by Ian Ferguson- Hydeon 1-Color Hand-Pulled Limited Edition on Fine Art Paper Rare Street Art Famous Pop Artwork Artist. 2013 Signed & Numbered Limited Edition of 35 Artwork Size 16x20 Neighborhood Art Series by Ian Ferguson. Wicker Park Silkscreen Print by Ian Ferguson – Hydeon The Wicker Park silkscreen print by Ian Ferguson, known artistically as Hydeon, is a striking representation of one of Chicago’s most iconic neighborhoods. This one-color hand-pulled limited edition silkscreen print from 2013, measuring 16x20 inches, captures the architectural and cultural vibrancy of Wicker Park through an intricate and surreal composition. As part of Ferguson’s Neighborhood Art Series, this piece blends detailed urban landscapes with elements of street pop art & graffiti artwork, offering a visually compelling exploration of the city. The Architectural Complexity of Wicker Park Wicker Park has long been known for its historic architecture, diverse creative community, and bustling streets, all of which are intricately depicted in Ferguson’s artwork. His highly detailed line work brings out the ornate features of vintage Chicago buildings, brownstones, and storefronts, creating a layered cityscape that feels alive with history and movement. The elevated Damen Blue Line train plays a central role in the composition, visually cutting through the print and grounding the neighborhood’s well-known connectivity to the broader Chicago landscape. Ferguson’s ability to meld perspective and scale results in an architectural collage that defies traditional linear space. Buildings appear to bend, streets converge at surreal angles, and the typography of “Wicker Park” integrates seamlessly into the structure of the print. This style recalls classic urban etchings, yet Ferguson’s interpretation includes surreal elements that make the neighborhood feel both familiar and dreamlike. Cultural References and Symbolism Beyond its architecture, Wicker Park has a rich cultural identity rooted in its music, art, and street scene, and Ferguson nods to these aspects through various visual motifs. The presence of a bicycle, vintage cars, and classic signage all serve as references to the neighborhood’s history and evolving subcultures. Ferguson’s choice to include the Rainbow Club sign further acknowledges the importance of local businesses in shaping Wicker Park’s creative landscape. The imagery also includes floating clouds, exaggerated depth, and layered urban elements, adding a dreamlike quality to the piece. The decision to use black and white emphasizes the depth of detail and creates a timeless effect, making it feel like an archival document of the neighborhood’s energy. Ferguson’s approach highlights both the reality and mythology of Wicker Park, turning it into a symbolic representation of urban creativity. The Influence of Ian Ferguson in Street Pop Art & Graffiti Artwork Ian Ferguson’s Neighborhood Art Series places him firmly within the street pop art & graffiti artwork movement, using silkscreen techniques to reinterpret the visual landscapes of major urban spaces. Unlike traditional mural-based street art, Ferguson’s work translates these urban narratives into limited-edition fine art prints, allowing collectors to engage with his interpretations on a more intimate scale. His work resonates with fans of both architectural illustration and urban surrealism, as he transforms familiar cityscapes into dynamic compositions filled with movement and storytelling. The Wicker Park silkscreen print serves as both a tribute to the neighborhood and an exploration of how cities evolve, making it a significant piece within Ferguson’s broader artistic practice. This print stands as a visual love letter to one of Chicago’s most iconic areas, preserving its cultural essence through a highly detailed and meticulously crafted artwork.

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Two Coming In PP Printers Proof Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. PP Printers Proof 2018 Signed & Marked PP Artwork Size 16x20

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MSK Taft Building 08 Limited Edition Hand-Embellished HPM 2-Color Silkscreen Print on Wove Paper by Saber Graffiti Street Artist Modern Pop Art. 2008 Signed & Numbered Saber MSK Taft Building 08, 2008 Screenprint in colors with hand-embellishment on wove paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 200 Signed, numbered and dated in pencil along lower edge Published by Poster Child Prints, Los Angeles MSK Taft Building 08 by Saber: A Monument of Graffiti Excellence Saber's "MSK Taft Building 08" is a seminal work of art that stands as a monument to the graffiti movement and its indelible mark on the fabric of urban landscapes. As a limited edition hand-embellished, two-color silkscreen print on woven paper, this piece from 2008 is part of an exclusive edition of 200. Each print is meticulously signed, numbered, and dated by the artist, underscoring the authenticity and collectibility of the work. Published by Poster Child Prints in Los Angeles, the 24 x 18 inches artwork captures the bold and rebellious spirit that Saber and his MSK crew, also known as Mad Society Kings, are renowned for. Saber, born in 1976, has been a pivotal figure in the evolution of Street Pop Art & Graffiti Artwork, pushing the boundaries of what can be achieved with spray paint and beyond. His works are characterized by a mastery of letter forms, a vibrant palette, and an innovative approach to texture and layering. "MSK Taft Building 08" is a powerful representation of Saber's style, showcasing the artist's capacity to transform a traditional print medium into a dynamic reflection of street art culture. Cultural Significance and Impact of Saber's Work The cultural significance and impact of Saber's work cannot be overstated. His contributions to the graffiti art scene have helped elevate the genre to new heights, garnering respect and admiration from the art world and the public. The "MSK Taft Building 08" print embodies the essence of Los Angeles's graffiti art at a time when the medium was experiencing a renaissance, moving from the shadows of illegality to the spotlight of mainstream recognition. With its hand-embellishments, this piece offers a glimpse into the meticulous process and attention to detail that Saber employs in his craft. The hand-finishing touches on each print ensure that no two pieces are identical, granting each work its unique identity. This practice of hand-embellishing is reminiscent of the graffiti artist's touch on city walls, where each spray, line, and mark is a testament to the artist's presence and interaction with the canvas. In essence, Saber's "MSK Taft Building 08" is more than a piece of art; it is a historical document that captures the zeitgeist of a particular era in Los Angeles's street art narrative. It is a testament to the talent and influence of Saber and the MSK crew, who have left an indelible mark on the evolution of graffiti and street pop art. This artwork is not only a prized possession for collectors but also a source of inspiration for aspiring artists and a symbol of the transformative power of street art.

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The Devil Made Me Do It Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do It & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today, we find ourselves at a crossroads; now, more than ever, we must come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We're all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson. Cleon Peterson's Stark Commentary in "The Devil Made Me Do It" In the stark dichotomy of black and red, Cleon Peterson's "The Devil Made Me Do It" delivers a powerful visual commentary on the socio-political climate surrounding the events of January 6th, marked by the infamous U.S. Capitol riots. This hand-pulled 2-color silkscreen print on hand-deckled 290gsm Coventry Rag Paper emerges as a piece of street pop art and a historical marker, capturing a moment of intense national upheaval. Art as a Reflection of Societal Turmoil Peterson's artwork, a limited edition of 300 signed and numbered pieces, transcends the traditional boundaries of pop art. It embodies the artist's response to a fraught political landscape, reacting to the tumultuous events that shook the foundations of American democracy. The imagery of a man seemingly dancing while overshadowed by demonic figures speaks to the "Faustian bargain," suggesting a dance with the devil that echoes the betrayals and manipulations of political figures and the public seduced by their rhetoric. The title, "The Devil Made Me Do It," offers an ironic twist on the age-old excuse for succumbing to temptations and making morally questionable choices. Peterson's choice to release these works as a direct response to political events positions the artwork within a tradition of artists who use their craft to document and critique the times they live in. The visual language used in this piece is reminiscent of street art's often aggressive and provocative style, meant to engage the public in public spaces. The Role of Street Pop Art in Political Discourse Cleon Peterson's work exemplifies the role of street pop art in political discourse. Street art has always had a voice in the political arena, often serving as a raw expression of the people, unfiltered and unmediated. Through his work, Peterson extends this tradition by creating a piece that is both a reaction to and reflection of the political unrest that has characterized recent times. With its bold, unapologetic lines and vibrant colors, silkscreen printing makes "The Devil Made Me Do It" a commanding presence. It is a testament to the artist's ability to distill complex political and social emotions into a single, impactful image. In the tradition of street pop art, which often involves taking art out of the galleries and into the streets, Peterson's piece is designed to resonate with a broad audience, its message clear and accessible to all who encounter it. "The Devil Made Me Do It" is more than just a piece of pop art; it is a visual essay on the state of contemporary politics, a call to action, and a reminder of the power of art to reflect and affect change. It is a bold statement within the discourse of street pop art and graffiti artwork, capturing a moment when the world watched as democracy appeared to hang in the balance. Cleon Peterson's voice, through his art, adds to the chorus of those who advocate for truth and democracy, and his work remains a powerful example of how art can engage with and influence the political landscape.

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Humboldt Park Chicago Silkscreen Print by Ian Ferguson- Hydeon 1-Color Hand-Pulled Limited Edition on Fine Art Paper Rare Street Art Famous Pop Artwork Artist. 2013 Signed & Numbered Limited Edition of 35 Artwork Size 16x20 Neighborhood Art Series by Ian Ferguson.  Humboldt Park Silkscreen Print by Ian Ferguson – Hydeon The Humboldt Park silkscreen print by Ian Ferguson, also known as Hydeon, is a masterful piece in the Neighborhood Art Series, showcasing the intricate and layered storytelling for which the artist is known. This one-color hand-pulled silkscreen print is a signed and numbered limited edition from 2013, measuring 16x20 inches on fine art paper. It represents a unique vision of Humboldt Park, one of Chicago’s most historically and culturally significant neighborhoods. Ferguson’s work blends architectural precision with surreal urban landscapes, capturing the vibrancy, energy, and layered history of the community through a composition filled with intricate details and symbolic elements. The Architectural and Cultural Essence of Humboldt Park Ferguson’s illustration style is deeply rooted in architectural line work, and this piece is no exception. Humboldt Park’s ornate buildings, historic facades, and bustling street scenes are carefully drawn with a high level of detail, reflecting the neighborhood’s diverse influences. The artwork brings together an array of visual motifs, including classic Chicago brick buildings, vintage automobiles, bicycles, and elements of the urban landscape that define the area’s character. The use of black and white enhances the structural complexity of the illustration, allowing each line to tell a story. Beyond its architectural depth, Humboldt Park is widely recognized for its cultural history, particularly its strong connection to Puerto Rican heritage and Latin American influences. Ferguson pays homage to this identity by incorporating imagery such as a mariachi musician, elements of Puerto Rican symbolism, and nods to the community’s long-standing contributions to Chicago’s street pop art & graffiti artwork. The piece blends these cultural elements with its urban setting, creating an evocative snapshot of a neighborhood filled with life and resilience. Surrealism and Symbolism in the Artwork A defining characteristic of Ferguson’s work is the interplay of realism and surrealism. In this print, seemingly familiar structures are reimagined in dreamlike ways—architecture floats among the clouds, structures merge into one another, and perspectives shift fluidly across the composition. The Humboldt Park lagoon is a focal point, drawn with reflections that add depth and a sense of movement. Meanwhile, griffin-like mythical creatures appear in the sky, reinforcing a sense of mystery and wonder, which is a signature of Ferguson’s work. The print also includes elements that hint at the neighborhood’s present and past—its food truck scene, vintage signage, public parks, and bustling street life. These details provide layers of meaning, allowing the viewer to explore different aspects of Humboldt Park’s identity. Ferguson’s ability to infuse narrative into his illustrations elevates this piece beyond mere documentation; it becomes an experience, a visual representation of a living, breathing urban environment. Hydeon’s Influence on Street Pop Art & Graffiti Artwork Ian Ferguson’s Neighborhood Art Series has established him as a leading figure in street pop art & graffiti artwork, offering an alternative to traditional muralism by using hand-pulled silkscreen techniques to create highly detailed urban narratives. Unlike large-scale street art that often relies on bright colors and broad strokes, Ferguson’s method focuses on intricate line work and layered storytelling. This approach aligns with the historical documentation of urban spaces, much like how early cartographers mapped cityscapes, but with a modern artistic twist. Through this series, Ferguson captures the soul of Chicago’s neighborhoods, transforming them into surreal, poetic compositions that resonate with residents and art collectors alike. The Humboldt Park silkscreen print is a tribute to the area’s resilience, history, and artistic energy, preserving its cultural identity through a limited edition, hand-pulled artwork that continues to inspire admiration within the street pop art & graffiti artwork community.

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Factory Stacks- Endless Power 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Endless Power Silkscreen Print by Shepard Fairey Factory Stacks – Endless Power is a bold 6-color silkscreen print created in 2022 by Shepard Fairey, one of the most influential figures in Street Pop Art & Graffiti Artwork. Measuring 18x24 inches, this signed and numbered limited edition of 350 is printed on thick cream Speckletone paper and embodies Fairey’s hallmark aesthetic: a fusion of propaganda-style composition, socio-political messaging, and graphic design precision. It continues his Factory Stacks series, a visual campaign aimed at confronting environmental and systemic imbalances, particularly those surrounding the fossil fuel industry. Visual Language of Industrial Dominance This piece presents twin smokestacks emerging from a factory, exhaling thick plumes of smoke that bend into geometric arcs against a fractured backdrop. The composition is both imposing and elegant, rendered in Fairey’s signature palette of red, blue, cream, and black with accents of gold and grey. A section in the upper corner features graphic symbols such as currency and uniformed authority figures with the text “Endless Power,” visually connecting fossil fuel dependency to state and corporate control. Below, flames lick at the base of the structure, symbolizing destruction masked as progress. The stylized imagery and bold silhouettes evoke retro political posters, transforming the factory into an icon of unchecked industrial ambition. The title “Endless Power” is a biting irony. It speaks to the illusion of limitless energy consumption enabled by fossil fuels while referencing the political power structure that sustains this destructive system. Fairey uses the visual metaphor of pollution and fire not just as environmental warning signs, but as emblems of capitalism's refusal to pivot toward sustainability. Fine Art Printmaking as Street-Level Protest This edition is hand-pulled and silkscreened, showcasing Fairey’s technical prowess in layering crisp lines and vibrant color fields. The physicality of screenprinting—each layer applied with intention—parallels the artist’s belief in direct action. The Speckletone stock used adds texture and weight, reinforcing the piece’s physical presence and link to protest posters of the past. As a printmaker rooted in the street art tradition, Fairey embraces reproducibility without sacrificing uniqueness. His screenprints are both fine art artifacts and tools of mass communication. Factory Stacks – Endless Power does not rely on abstraction. It forces clarity, making its environmental critique visually immediate and emotionally provocative. Political Commentary Through Graffiti-Inspired Aesthetics Fairey’s work consistently straddles the space between fine art and graffiti, and this piece is no exception. By including symbols of nationalism, money, and smoke stacks, he aligns corporate power and environmental degradation in a single visual language. As part of the OBEY Giant campaign's broader ethos, the artwork invites viewers to question the legitimacy of authority, capitalism, and consumption. In the lower left of the piece, Fairey embeds the edition number and his signature, reinforcing its status as a collectible. Yet unlike conventional gallery art, this piece was made to communicate with the public. A portion of the proceeds from this release was donated to Greenpeace, underscoring the artist’s commitment to activism through art. Factory Stacks – Endless Power is not a lament—it is a visual demand. It reminds viewers that power, both political and industrial, is not endless unless people allow it to be. Through the bold format of Street Pop Art & Graffiti Artwork, Shepard Fairey transforms a grim industrial skyline into a battleground of ideas, urging action before the smoke becomes irreversible.

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World Trade Center II Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! Bobby Hill (b. 1973), is a New York-based visual artist whose career started as an illustrator. He began painting on canvas in 2008 after returning to the US from his first trip overseas,. His recent canvases combine ripped NYC billboard posters with elements of abstract expressionism, pop imagery, and graffiti... to create what he calls “The Bhillboards Collection.”

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Chateau André Pink Letterpress AP Artist Proof Print by Mr André Saraiva Limited Edition 1-Color on 100# Cover Neenah Classic Crest Natural White Fine Art Paper Graffiti Street Pop Artwork. AP Artist Proof 2023 Signed & Numbered Limited Edition of 100 Artwork Size 16x20 Letterpress Print Mr. André Saraiva Chateau André Pink Letterpress AP Artist Proof 2023 The 2023 Chateau André Pink AP Artist Proof by Mr. André Saraiva is a playful, elegant, and quintessential example of his signature approach to Street Pop Art & Graffiti Artwork. Produced as a one-color letterpress print on 100# Neenah Classic Crest Natural White fine art paper, this 16 x 20 inch edition reflects the refined craft of traditional printmaking fused with the spontaneity and charm of André’s graffiti linework. Signed, marked as an Artist Proof, and part of a limited edition of 100, this print carries the heightened desirability associated with AP impressions in the printmaking world. Visual Language and Iconic Motifs Printed entirely in a soft pink ink, the artwork showcases Mr. A — André Saraiva’s globally recognized graffiti character — dancing merrily among bottles, building blocks, and swirling starbursts. The crossed-out eyes, wide grin, and lanky triangular body capture the mischievous spirit that has defined the character since its first appearances on Paris walls in the 1990s. In this composition, Mr. A seems to celebrate with carefree abandon, surrounded by whimsical objects that evoke nightlife, play, and artistic indulgence. The loose, gestural lines and simple shapes demonstrate André’s ability to transform minimal forms into expressive storytelling, staying true to his graffiti roots while elevating them within fine art printing. Chateau Marmont and Cultural Context The print is layered onto the iconic Chateau Marmont letterhead — a nod to the legendary Los Angeles hotel known for its deep connection to Hollywood’s creative history. Since opening in 1929, Chateau Marmont has served as a haven for actors, rock stars, writers, and artists, becoming synonymous with artistic freedom, secrecy, and glamour. André’s playful strike-through of the Marmont name and replacement with his own signature creates a humorous takeover, suggesting his world of Parisian graffiti has temporarily claimed Hollywood’s mythic space. This interplay highlights the global reach of street art and the fluidity between luxury culture and underground creativity. Mr. André Saraiva’s Artistic Presence Born in 1971 and raised in Paris, André Saraiva has been a central figure in international graffiti culture for decades. His recurring character Mr. A has appeared on city walls across Europe, the United States, and Asia, becoming a symbol of irreverence, optimism, and artistic wanderlust. Saraiva’s work seamlessly crosses boundaries between street art, nightlife, fashion, and fine art editions. The Chateau André Pink AP encapsulates his ability to merge charm, humor, and aesthetic refinement, producing a print that feels simultaneously spontaneous and luxurious. As part of his expanding body of Street Pop Art & Graffiti Artwork, this Artist Proof stands as a lively testament to André’s enduring influence and his unique ability to bring joy and elegance to the world of contemporary urban art.

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Night Lights PP Printers Proof Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. PP Printers Proof 2020 Signed & Marked PP Artwork Size 16x24

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Street Prophet Original One of a Kind Acrylic Paint Painting Artwork on Archival Paper by Popular Street Graffiti Artist KC Ortiz. KC Ortiz "Street Prophet" KC ORTIZ Street Prophet, 2021 Acrylic paint on archival paper 8.66 x . 12.99 inches 22 x . 33 cm 1 of 1.

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Divided We Stand, United We Fall Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of XXX Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do it & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today we find ourselves at a crossroads; now, more than ever, is the time we need to come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We’re all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson The connection of Peterson with street art is also an aspect of his work worth mentioning. Even though he has created numerous murals all over the world, the artist himself does consider himself a street artist: “I don’t think of myself as a street artist or somebody that does work in that vein, but I love the idea of doing large paintings that confront people.”. This is revealing of his motivation to make his art as accessible as possible, as a way to invite the viewers to interact with it and confront the subjects the artist is interested in addressing. This brings up the following questions concerning the art of Peterson: “What is the meaning of it? Does it have a meaning after all? If yes, is this pre-determined by the artist? In order to better understand the way meaning is created in the world of Cleon Peterson, it is essential to, primarily, understand the way he perceives the media as a field of allegations, unbased rumors, suppositions and outright lies. In the world that the artist has created and, in correlation with our own reality, media is a tool of manipulation in the hands of politicians, leaving us helpless and in the mercy of an exploitative authoritarian system.

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LARIVER 2050 AP Artist Proof HPM Giclee Print by Saber Artwork Limited Edition Print on Deckled Fine Art Paper Hand Embellished PrintGraffiti Pop Street Artist. AP Artist Proof 2023 Signed & Marked AP Flat Matte Paint Marker Mixed Media Limited Edition Artwork Size 26x20 HPM Hand Embellished Giclee Print. "This piece was made based on the idea, "I wanted to create that moment of serenity I felt sitting on the banks, deep in the wild concrete of the LA River opposite of my old giant roller piece, watching the city as the sun had set... Yet, this time, the giant roller piece was repainted shortly after 2050. "..... Using flat matte paint markers, I could accentuate the highlights, colors, city lights, and details. I also busted out the reading glasses and hid some tiny tags in each one." -Saber. Reflecting Urban Tranquility: Saber's "LARIVER 2050 AP Artist Proof HPM Giclee Print" The "LARIVER 2050 AP Artist Proof HPM Giclee Print" by Saber stands out as a significant piece within the street pop art and graffiti art landscape, blending the aesthetics of urban graffiti with the serene backdrop of the Los Angeles River. This 2023 signed and marked Artist Proof captures a futuristic vision of the city, presenting a unique juxtaposition of natural tranquility and urban vibrancy. Sized at 26x20 inches on deckled fine art paper, the limited edition artwork showcases Saber's mastery in hand embellishing giclee prints with flat matte paint markers, emphasizing highlights, colors, and intricate city lights. Saber, a prominent figure in the graffiti world, is renowned for his large-scale works on the concrete banks of the LA River. This piece is an homage to the artist's experience of the river, reflecting on a moment of calm as he observed the city's transformation at sunset. The artwork imagines this scene in the year 2050, with the artist's "giant roller piece" from the past re-envisioned in a new form. The use of mixed media adds depth and dimension to the print, creating a dynamic interplay between the textural surface of the paper and the vibrant application of color. In crafting "LARIVER 2050," Saber has embedded minute tags within the artwork, a nod to the graffiti tradition of leaving a signature mark that personalizes and authenticates one's work. These hidden elements invite the viewer to engage with the print closely, discovering new details and layers of meaning. The hand embellishments ensure that each piece within the edition stands as a unique work of art with individualized accents and nuances. The print's portrayal of the LA River, a significant but often overlooked landmark, serves as a metaphor for the city itself—its resilience, constant flux, and hidden pockets of beauty amidst the urban sprawl. Saber's work challenges the notion of graffiti as mere vandalism, instead presenting it as a sophisticated form of street pop art that can capture and convey the complex narratives of city life. "LARIVER 2050" celebrates street art's evolution from its underground beginnings to its current status as a respected and sought-after form of contemporary art. The decision to use giclee printing, a method known for its high-quality reproduction of artworks, indicates the medium's acceptance within the fine art world. Saber's choice to hand-embellish each print further blurs the line between mass-produced art and unique creations, a line that street artists have been navigating and redefining over the past few decades. Saber's "LARIVER 2050 AP Artist Proof HPM Giclee Print" is a testament to the transformative power of street pop art and graffiti artwork. It reflects the artist's deep connection to the urban environment and his ability to capture its essence in a visually striking and emotionally resonant way. As a limited edition piece, it serves as a collector's item and a piece of cultural commentary, encapsulating the spirit of Los Angeles and the ever-evolving narrative of street art.

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SF Fire Escape AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2011 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print  SF Fire Escape AP by Shepard Fairey – Artist Proof Silkscreen Street Pop Art & Graffiti Artwork The SF Fire Escape AP Artist Proof silkscreen print by Shepard Fairey, produced in 2011, is a rare and impactful piece of Street Pop Art & Graffiti Artwork. This edition is signed by the artist and marked AP, denoting it as an Artist Proof distinct from the standard numbered run. The 18 by 24 inch screenprint was created on cream Speckletone fine art paper, a preferred medium for Fairey's hand-pulled works that allows for deep saturation and texture while maintaining archival integrity. Rendered in Fairey’s signature color palette of red, black, and off-white, this work reflects both his graphic design roots and his engagement with urban visual language. It presents a sharp architectural composition of a city scene featuring a fire escape, directional signage, and a familiar visage of the Obey Giant—an image that continues to serve as an anchor in Fairey's expansive catalog of visual resistance. Architectural Symbols and Urban Instruction This artwork immerses the viewer in the structured language of a city landscape, where fire escapes, windows, billboards, and building facades form a rigid system of navigation. The vertical and diagonal lines of the fire escape ladder and support beams fragment the space, giving a visual sense of entrapment or escape, depending on interpretation. A one-way sign reads no turns, emphasizing the illusion of freedom in a world filled with constraints. These directional cues play directly into Fairey’s critique of control mechanisms embedded in modern society. Through the use of screenprint layering and flat color fields, the artist isolates the experience of moving through controlled environments and highlights the architecture not as shelter but as signal. Obey Iconography as Watchful Presence The inclusion of the Obey Giant face within the window transforms an anonymous city structure into a subversive billboard. The face is not advertised but embedded, gazing from the inside out. It resists being consumed and instead looks back at the viewer. This silent presence underscores Shepard Fairey’s commentary on surveillance, authority, and cultural branding. Rather than remain outside of the built environment, his iconography has infiltrated the everyday, becoming part of the structure itself. As an Artist Proof, this particular print is a closer representation of Fairey’s intent, often reserved for personal use, exhibition circulation, or early release. It carries a stronger weight in terms of rarity and proximity to the original print development process. Screenprint Technique and Political Form Shepard Fairey’s silkscreen method is deeply connected to the legacy of protest poster art and graffiti stenciling. SF Fire Escape AP does not mimic graffiti—it elevates its ethos by repurposing urban symbols into controlled compositions on paper. Fairey’s repeated use of red and black signals urgency and authority, while the clean lines and grid-like layout suggest modernism stripped of comfort. The technique ensures precision while allowing for a handmade energy that reinforces its position within Street Pop Art & Graffiti Artwork. As an Artist Proof, it offers collectors and scholars insight into Fairey’s design refinement process, often with slight color or alignment differences that make each AP print unique. The work balances raw city experience with formal visual order, making it a compelling artifact of twenty-first century visual protest.  

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Freedom Tower- Brooklyn Bridge- Kentile Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Agreed to Descend Limited Edition 1-Color Hand-Pulled Silkscreen Print on 130lb Cougar Natural Paper by Bernie Wrightson Graffiti Street Artist Modern Pop Art. AP Artist Proof 2014 Signed & Marked AP Artwork Size 20x30 Each print measures 20×30 and is signed by the master himself, Bernie Wrightson. These prints are hand-printed silkscreen images on heavy-weight 130lb Cougar Natural stock.

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Utopia Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. SOI55 Gold Medal. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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Motel Hotel Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2013 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Motel Hotel Original Dunny Art Toy by Task One Task One's Interpretation of Americana in Motel Hotel Original Dunny Town Art Toy Task One's "Motel Hotel Original Dunny Town Art Toy" from 2013 captures the essence of Americana through the lens of street pop art and graffiti artwork. This piece stands approximately 3x4 inches and is a part of the broader Dunny Town series. The work showcases a classic roadside motel reimagined in the form of a Kidrobot Dunny vinyl figure. Task One's skillful use of painted plaster to craft the piece brings out a textured realism, with the motel's iconic signage, doors, and windows vividly portrayed to evoke the spirit of travel and transient life on the American highway. The art toy is a nostalgic nod to the vintage motels that pepper the United States, each promising rest and respite to weary travelers. The miniature motel is not simply a replication of a building; it's an emblem of the cultural significance of motels in the narrative of American travel. The neon-like "MOTEL" sign, pointing towards the Dunny, is remarkably evocative, mirroring the beckoning lights that have guided countless journeys across the country. Reimagining Urban Spaces in Miniature Form With the "Motel Hotel Original Dunny Town Art Toy," Task One continues his exploration of urban spaces, translating them into miniature forms that resonate with collectors and art enthusiasts alike. The motel, a symbol of mobility and the vast network of travel is recontextualized in a pop art format, preserving its cultural relevance while presenting it through a fresh, artistic perspective. This work blends the accessibility of street art with the collectible nature of vinyl toys, resulting in a piece that is both a tribute to a fading icon of the American road and a commentary on the changing landscape of travel and accommodation. Task One's meticulous attention to the architectural details of the motel, combined with the playful, anthropomorphic Dunny form, exemplifies the potential of art toys to serve as platforms for storytelling. The "Motel Hotel Original Dunny Town Art Toy" is thus a celebration of the crossroads between art, culture, and history, encapsulating the essence of roadside Americana within the compact and collectible dimension of a Dunny. The art toy embodies the ethos of street pop art, where everyday objects and structures are elevated to the status of art through creativity and context. Task One's portrayal of the motel invites contemplation on the themes of travel, the passage of time, and the evolution of the American landscape. This piece continues to hold a place of significance within the Dunny Town series and stands as a testament to Task One's legacy in street pop art and graffiti artwork.

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Sea Also Rises- The Frog Prince Limited Edition Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 2014 Series II Limited Edition of 150 Artwork Size 24x36 "The Sea Also Rises- Incident 28: The Frog Prince Commands His Homunculus." This hand-printed silkscreen poster measures 24x36

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Up They Rise 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fabriano Cotton Paper by Jamie Reid Rare Street Art Famous Pop Artwork Artist. PP Printers Proof. Up They Rise, 2007 Screenprint in colors on Fabriano Cotton paper 27-1/2 x 19-3/4 inches (69.9 x 50.2 cm) (sheet) P.P. (aside from an edition of 50) Signed, numbered, and titled in pencil along lower edge

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The Lonesome Crowded West Tower Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY Marking the 25th anniversary of Modest Mouse's influential album "The Lonesome Crowded West," celebrated street artist Shepard Fairey, known as OBEY, crafted a striking limited edition silkscreen print. This 2022 piece, meticulously hand-pulled and comprising five colors on Cream Speckletone fine art paper, mirrors the layered complexity of the album it honors. The work measures 18x24 inches, a testament to the album's monumental impact on the alternative rock scene and Fairey's own artistic journey. Each of the 825 signed and numbered prints encapsulates Fairey's personal connection with the album, having first encountered its raw and eclectic sound in 1998, a year after its release. He describes the album as "multi-dimensional," resonating through its varied tones from the "aggressive and dissonant" to the "folky, jangly, and intimate." His favorite tracks, "Doin’ the Cockroach" and "Cowboy Dan," evoke contrasting emotions of exhilaration and introspective tension, revealing the dexterity of Modest Mouse's music and the profound lyrical skill of frontman Isaac Brock. In this piece, Fairey channels the essence of the album's themes, depicting an isolated tower amidst a vast, red-streaked landscape, symbolizing the album's exploration of urban isolation and the Western American experience. The contrast between the solitary building and the surrounding expanse eloquently captures the album's title, "The Lonesome Crowded West." This visual representation goes beyond mere album art; it is an intersection of Fairey's iconic style and Modest Mouse's sonic influence, bridging visual and auditory art forms. Fairey's engagement with Modest Mouse extends back to their 2000 "Black Glass" tour, for which he also created a poster. This long-standing relationship emphasizes the mutual respect between the artist and the band, illustrating how music and visual art can coalesce to form powerful cultural statements. His artistic expression is not only a tribute to the music but also an homage to Brock's poetic lyrics, which left an indelible impression on Fairey, prompting him to label Brock a true poet. As an influential figure in street art and pop culture, Fairey’s creation for Modest Mouse cements his position at the forefront of contemporary art. It serves as a visual anchor for the album’s legacy, ensuring that its cultural resonance extends into the visual realm. Collectors and fans of both the band and Fairey find in this print a confluence of two forms of rebellion and expression, solidified on paper but echoing far beyond.

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Joey Home 79 Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of Joe Conzo in a Self Portrait by One Way Sign in 1979. Joey Home 79 Photo Print by Joe Conzo Jr The Joey Home 79 photo print by Joe Conzo Jr is a limited edition archival pigment print that captures a defining moment in the context of Street Pop Art and graffiti artwork. Created on 290gsm Moab Entrada Fine Art Paper, this piece offers a striking black-and-white depiction of the artist himself in a self-portrait taken by a one-way street sign in 1979. This 2023 edition, signed and limited to five pieces, brings renewed attention to Joe Conzo Jr's unique style and contribution to modern artwork. Joe Conzo Jr: The Photographer of a Cultural Movement Joe Conzo Jr, an American photographer, is renowned for his role in documenting the early days of hip-hop culture and the vibrant urban scenes of the Bronx in the late 20th century. His lens captured the raw essence of an evolving art movement that melded music, graffiti, and street culture. Conzo's photographs are celebrated for their candid approach, emphasizing the human stories behind street art and its creators. His work, including Joey Home 79, demonstrates a powerful connection between people, urban landscapes, and the social movements of the time. The Joey Home 79 print stands as a testament to the artist's ability to blend personal storytelling with cultural documentation. Taken in the Bronx, the photograph features Conzo himself, his Afro framing his youthful energy. The one-way street signs add a layer of symbolism, suggesting the pathways and directions individuals navigate in the complex urban environment. The gritty texture of the surrounding architecture reinforces the authenticity of the setting. The Role of Street Pop Art and Graffiti in Modern Art Street Pop Art and graffiti artwork have long been rooted in the expression of identity, rebellion, and social commentary. Emerging from the streets of New York City, artists like Conzo played a significant role in bringing urban narratives to life. Joey Home 79 reflects the broader conversation surrounding self-representation and community in street art. The photograph serves as an artistic bridge, connecting the viewer to the cultural vibrancy of the 1970s Bronx. Graffiti and street art during this era were not confined to spray cans and walls. Instead, they manifested in photography, music, and dance, creating a cohesive cultural tapestry. Conzo's work captures the spirit of this interconnectedness, elevating photography to a vital form of street art. The Legacy of Joey Home 79 in Contemporary Art Joey Home 79 exemplifies the timeless appeal of Conzo's work in the landscape of contemporary art. As a limited edition piece, this print gains significance for collectors and enthusiasts of Street Pop Art and graffiti artwork. The 20x16 size amplifies its impact, inviting viewers to explore its fine details and emotive power. Printed on archival-quality Moab Entrada Fine Art Paper, the piece combines durability with aesthetic finesse. The texture of the paper enhances the depth of the photograph, preserving the mood and authenticity of the original shot. The signature by Joe Conzo Jr reinforces its value as a modern artwork, bridging historical cultural significance with present-day appreciation.

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Sea Also Rises- Exodus of Turtleton Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 2014 Limited Edition of 200 Artwork Size 24x36 1st Print. Artist Tim Doyle was asked to participate in PangeaSeed’s “The Year of Living Dangerously” print suite in 2013

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Escape Door #9 Limited Edition Hand-Embellished Archival Pigment Prints on 290gsm Moab Fine Art Paper by OakOak Graffiti Street Artist Modern Pop Art. Custom Framed Ornate Frame. Born in the city of Saint-Etienne, France, he pastes his drawings everywhere he goes so as to bring smiles to passers-by where they least expect it. His approach consists of diverting urban elements, playing with mundane flaws, like a crack on a wall. He adds his own vision, his own references that often stem from the geek culture. His art is a means to poeticize the urban environment.

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It's a Bird! It's a Plane! Dude is he Tagging? Giclee Print by Priest Corp Artwork Limited Edition Print on 290gsm Cold Pressed Cotton Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 23x18 Silkscreen of DC Comic Book Hero Super Man Looking Out Over The Top of the City Skyscrapers as Helicopters Surround Him Flanked By Urban Graffiti Priest Corp Artwork’s limited edition giclee print titled "It's a Bird! It's a Plane! Dude is he Tagging?" stands as a striking testament to the enduring interplay between pop culture and street art. Dated 2023 and released as a limited run of just 50 pieces, this artwork is exquisitely printed on 290gsm cold pressed cotton fine art paper, which not only ensures longevity but also showcases the rich, vibrant hues of the silkscreen in exquisite detail. The visual narrative unfolds atop a cityscape, with DC Comic’s legendary superhero, Superman, positioned as the central figure. He is seen overlooking the vastness of the city's skyscrapers, a sentinel of justice and hope. This iconic imagery of Superman is, however, juxtaposed with elements emblematic of urban life. Helicopters encircle him, creating a dynamic tension in the composition, hinting at an urgency or perhaps an unfolding event. Yet, what truly accentuates the contemporary theme is the surrounding graffiti. This unexpected infusion of street art challenges traditional comic iconography, suggesting a dialogue between the vigilance of superheroes and the voices of urban artists. By merging the iconic imagery of Superman with the raw expressionism of graffiti, Priest Corp Artwork underscores the evolving nature of both pop and street art. It's a reflection on how classic symbols from our popular consciousness can be reimagined and recontextualized within the fabric of urban narratives. This piece not only celebrates the spirit of a classic superhero but also elevates the significance of graffiti as a form of contemporary commentary.

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Cacophony Hand-Painted Multiple Archival Pigment Print on 3 Tiers of Laser-Cut Acrylic Panel ready to hang by Eddie Colla Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 25 Laser Cut Acrylic Artwork Size 18x18 "The Goldfish Girl was created almost a decade ago. I often revisit it, and she has been the longest continuing character I've created. I often write backstories for these characters to help me create the pieces, but they are generally never shared with the viewer. The Goldfish Girl was born in mainland China and raised mostly by a single father. Her mother passed away when she was 18 months old from cancer. She was often very ill as a child and was eventually diagnosed with a compromised immune system disorder, although a precise diagnosis was never given. This is the reason for always wearing the mask and gloves. Her father bred Goldfish for a living and taught her that trade as a kid. They worked side by side and rarely had visitors because of her condition. Often being extremely ill and also losing her mother made her childhood difficult. As most children do, she tried to find a reason for her misfortune, a reason for why all this had happened to her and her father. Eventually, she believed that her illness and her mother's cancer were punishment by nature. A curse for toying with nature by breeding goldfish. Eventually, her father passed away as well. Needing to make a living and also to taunt fate she illegally immigrated to Hong Kong. There is a famous goldfish market in Mong Kok on Tung Choi street, but it's commonly called goldfish street. With a compromised immune system the most dangerous thing to her was other people. As a challenge to fate, she moved to one of the most densely populated cities in the world. She got a stall on Tung Choi Street. This is her challenge, to taunt fate and win, becoming the master of her own fate. These images are vignettes of her life in Hong Kong. I've never given the character a name. Sometimes she is pictured with a boombox because music becomes a central companion to her mostly solitary life. In the piece Cacophony I wanted her to literally be surrounded by the city. In some way, I think I tried to create a character that embodied a lot of traits I aspire to. To remind me.” - Eddie Colla

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7-Eleven Store Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2012 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town 7-Eleven Store Original Dunny Art Toy by Task One Task One's 7-Eleven Store Original Dunny Town Art Toy The "7-Eleven Store Original Dunny Town Art Toy" by Task One is a unique intersection of consumer culture and street pop art, encapsulated in a vinyl art toy collectible. This original art by Task One, released in 2012, is a testament to the artist's skill in blending every day with the extraordinary, thus transforming a familiar urban icon into a piece of collectible pop artwork. The work is a part of the Dunny Town series, which is highly regarded in the vinyl art toy community for its innovative representation of miniature urban landscapes. This piece features the recognizable storefront of a 7-Eleven, a convenience store that dots urban landscapes worldwide, reimagined in the stylized form of a Kidrobot Dunny. It's a work that comments on the ubiquity of consumerism and the way brands imprint themselves on the collective consciousness of society. Task One's craftsmanship is evident in the meticulous details of the piece—from the signboard with the 7-Eleven logo to the tiny rendition of the store's entrance and the miniature trash can beside it. Using plaster to create this custom Dunny artwork adds a textural quality that echoes the tactile nature of street art. Reflection of Street Pop Art & Graffiti Artwork in Task One's Dunny The 7-Eleven Dunny by Task One is not just a collectible; it reflects street pop art and graffiti artwork. By selecting a Dunny—a figure that is essentially a blank slate—Task One engages in a dialogue with the pop art tradition of utilizing mass culture and transforming it into high art. With its hand-painted, plaster-modified surface, this piece bridges the gap between the often transient nature of street art and the permanence sought by fine art collectors. The art toy becomes a canvas for social commentary, echoing the voice of graffiti art that often critiques or highlights elements of urban life. Task One's art toy challenges the viewer to reconsider the role and value of commercial objects in art. It's a bold statement on the infiltration of branding in our daily lives, presented through the lens of a street artist. Placing a 7-Eleven on a Dunny characteristically embodies street pop art's playful yet critical spirit, where the mundane is repurposed to serve as a medium for creative expression. In the broader context, the "7-Eleven Store Original Dunny Town Art Toy" exemplifies how artists like Task One redefine the boundaries of art and collectibility. Through the fusion of street art sensibilities with the collectible toy culture, Task One has contributed to the burgeoning art toy movement, which continues to gain momentum and respect within the art community. This piece serves as a poignant piece of Task One's legacy, capturing the essence of his artistic vision and the cultural zeitgeist of the time.

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The Dark Knight Gotham Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 100 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print of Batman Willis Tower City Building From Gotham City in Movie The Dark Knight, Chicago IL. The Dark Knight Gotham Silkscreen Print by Justin Van Genderen The Dark Knight Gotham Silkscreen Print by Justin Van Genderen is a stunning 2013 limited edition artwork that captures the dark and brooding essence of Gotham City. Hand-pulled on fine art paper, this 18x24-inch silkscreen print is part of a signed and numbered edition of 100. The artwork takes inspiration from the modern cinematic depiction of Gotham City, using the imposing silhouette of the Willis Tower in Chicago to stand in for the fictional metropolis. With its stark contrast, high-contrast lighting, and dramatic black-and-white palette, this piece reflects the deep shadows and towering structures that define the world of Batman in The Dark Knight. Chicago as Gotham in The Dark Knight One of the most striking elements of this print is its direct reference to the real-world city that served as the backdrop for The Dark Knight. While Gotham City has often been imagined as a hybrid of New York, Pittsburgh, and other urban centers, the 2008 film firmly established Chicago as the visual foundation for Batman’s world. The Willis Tower, formerly known as the Sears Tower, dominates the print, its upper spires glowing against the dark night sky. The heavy shadows and moody cloud formations add to the print’s noir aesthetic, evoking the danger and intrigue that always loom over Gotham’s skyline. Street Pop Art & Graffiti Artwork often takes inspiration from urban environments, and this piece exemplifies how architecture can play a crucial role in storytelling. The buildings of Gotham are not just structures; they are symbols of power, corruption, and resilience. In The Dark Knight, Batman’s presence is often highlighted by his high vantage points, surveying the city from above. This print echoes that theme, capturing the sheer scale of the Willis Tower in a way that makes it feel both monumental and ominous. Minimalism and Noir Aesthetics in Street Pop Art & Graffiti Artwork The visual style of this silkscreen print is heavily influenced by film noir aesthetics, with deep shadows, high contrast, and minimal detail working together to create a sense of mystery. This approach aligns with the themes of The Dark Knight, where Gotham is portrayed as a city teetering between order and chaos. The print’s near-monochromatic palette enhances the feeling of isolation, with the few illuminated elements standing out dramatically against the darkness. Street Pop Art & Graffiti Artwork thrives on bold, striking imagery, and this piece achieves that through its simplicity. The absence of unnecessary details allows the viewer to focus entirely on the towering structure and the mood it conveys. The use of light and dark is particularly effective, mirroring the moral ambiguity present throughout The Dark Knight. In this way, the print is not just an architectural study—it is a visual representation of the struggle between light and darkness that defines Batman’s story. Reinterpreting Cinema Through Street Pop Art & Graffiti Artwork This piece exemplifies how film can be reimagined through the lens of Street Pop Art & Graffiti Artwork. Instead of recreating a traditional movie poster, Justin Van Genderen distills the essence of The Dark Knight into a single, unforgettable image. The towering presence of the Willis Tower becomes a stand-in for Gotham’s mythology, while the composition evokes the tension and atmosphere of the film without relying on character portraits or action scenes. By stripping the image down to its most essential elements, this print allows viewers to engage with The Dark Knight in a new way. The artwork does not just reference the film—it amplifies its themes, using architecture as a metaphor for the battle between order and chaos. Whether displayed as a tribute to Batman’s world or appreciated as a striking piece of urban-inspired art, this silkscreen print stands as a testament to the power of visual storytelling in modern art.

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Respect the Land Silver Silkscreen by Gats- Graffiti Against The System Hand-Pulled 4-Color Screen Print on Gold Foil Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 24x18 Respect the Land Silver Silkscreen by GATS – A Mystical Symbol of Continuity in Street Pop Art & Graffiti Artwork Respect the Land Silver Silkscreen is a 4-color hand-pulled screen print on radiant gold foil paper, created in 2022 by the anonymous street artist known as GATS, which stands for Graffiti Against The System. This 24x18 inch signed and numbered edition of 100 captures the essence of GATS’ bold iconography and commitment to resistance-based visual storytelling. The work presents a stone temple structure with three arched windows, each containing abstracted eyes, radiant lines, and the central masked figure that is signature to GATS’ visual identity. Rooted in the themes of ancestry, surveillance, spiritual continuity, and resistance to oppression, this piece reflects the artist’s long-standing engagement with sacred motifs and urban decay. The intricate detailing etched into the structure evokes the textures of carved monuments, layered with symbols that challenge the boundaries of mythology, mysticism, and social critique. GATS and the Sacred Mask as a Voice of Resistance GATS, who remains anonymous and active globally, has become an icon in contemporary graffiti art through their use of a unique, stylized mask that appears across alley walls, train cars, and now, fine-art screen prints. In Respect the Land Silver Silkscreen, the central figure wears the mask that viewers associate with silent wisdom, watching over the timeline etched below: Past, Present, Future. This triptych structure functions not just as an aesthetic decision but as a philosophical stance. It invites the viewer to consider the interconnectedness of time and the duty to honor the land not just for its utility but for its sacred and historical value. GATS uses the streets as their original gallery, but works like this print channel the same ethos into limited edition form, preserving the visual impact while inviting deeper reflection. The eyes to either side of the mask do not passively observe—they guard, they record, they witness. They represent a challenge to the colonial erasure of history and displacement of indigenous presence. Symbolism, Gold Foil, and Printmaking Craft The use of gold foil paper elevates the mystical aura of the work, functioning both as a nod to sacred objects and as a material choice that reflects light and meaning. Gold, traditionally used in religious iconography, here becomes a shimmering backdrop to themes of ancient guardianship and future consciousness. The four-color screen printing process brings layered depth, particularly in the texture of the stone facade and the intricate detailing of the eyes and facial features. GATS resists digital reproduction aesthetics by grounding the work in physical craft. Every print contains evidence of hand-pulled imperfection, aligning with the unpredictability and raw energy of graffiti. The cryptic symbols surrounding the structure further emphasize the esoteric nature of the image, inviting a deeper reading of lost languages and obscured histories. The balance of graphic symmetry and weathered texture demonstrates mastery in composition and message alike. Respect the Land as a Statement in Street Pop Art & Graffiti Artwork This artwork holds weight within the canon of Street Pop Art & Graffiti Artwork by refusing to separate spiritual vision from political urgency. Respect the Land is not just a call to environmental awareness—it is a reminder of what has been taken and forgotten. Through this silkscreen edition, GATS continues the mission of using masked figures and eyes as symbols of awakening and accountability. The print does not isolate past injustices but ties them to present awareness and future consequences. GATS has created a timeless piece that speaks from the walls of ancient temples and city blocks alike. With its limited release and hand-crafted production, it becomes both collectible and instructive—a sacred artifact that resists forgetting, illuminating the hidden forces that govern memory, culture, and justice.

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Supreme Aerial Deck Limited Edition Skateboard deck art by Designer Brand Supreme For week 12 of their Fall/Winter 2020 season, Supreme released this Aerial Skateboard. The Supreme Aerial Skateboard depicts a Supreme banner flying through the sky with the New York skyline in the background, as shown in one of the brand's promotional videos. This skateboard deck was released on November 12th, 2020.

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Dodger Stadium- Deluxe Artwork Giclee Limited Edition Print on Signa Smooth 300gsm Paper by Pop Culture Graffiti Artist Scott Listfield. Deluxe Edition of 50 23 x 30 inches / 58.4 x 76.2 cm Fine art print on Signa Smooth 300gsm paper Hand signed and numbered by the artist

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Wasted Youth- Your Eyes Here Cac Malaga Edition 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x D*Face Rare Street Art OBEY Pop Artwork Artist. Signed By F*Face & Shepard Fairey, Numbered Screen Print “WASTED YOUTH / YOUR EYES HERE” (CAC MALAGA EDITION) Screen Print 18 x 24 inches Edition of 400 July 16, 2015 D*Face and I enjoy collaborating and we both agreed that it would be great to do a print to celebrate our simultaneous shows at the CAC Málaga. We used very different color palettes in our murals there so we decided that since we both liked black, red, and silver – that we could put our chromatic differences aside and join forces on those three colors for the print. I’d still recommend seeing the murals in person if you have the opportunity, but this print is an avatar I can be proud of. All of the prints are signed by me and D*Face so you know that meant they had to travel to Spain and back – luckily, they’re all in good shape. Thanks to the CAC Málaga for facilitating such a great show for both of us! -Shepard

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David with Machine Gun AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print. Shepard Fairey x Blek le Rat David with Machine Gun AP Silkscreen Print 2008 The David with Machine Gun AP Artist Proof silkscreen print from 2008 is a rare collaborative work created by Shepard Fairey, widely known as OBEY, and stencil art pioneer Blek le Rat. Hand-pulled on fine art paper and measuring 18 x 24 inches, this Artist Proof edition is signed by both artists and marked “AP,” distinguishing it from the standard numbered release of 100. Artist Proofs carry additional significance within the art world due to their limited availability and direct association with the artists’ approval process, making this piece especially sought after by collectors of Street Pop Art & Graffiti Artwork. Imagery and Symbolic Tension This print features Michelangelo’s classical David, a symbol of Renaissance ideals of beauty, youth, and heroism, reimagined with a modern twist: he holds a machine gun. The stark juxtaposition between timeless humanist ideals and contemporary instruments of war creates a powerful critique of violence and the ways cultural icons are repurposed to reflect current anxieties. Set against a graffiti-covered urban backdrop, the figure embodies the collision between high art traditions and street-level social commentary. The work challenges viewers to consider how ideals of strength and beauty are corrupted when reframed within the context of militarization. Collaboration Across Generations Blek le Rat, born Xavier Prou in France in 1951, is often credited as the father of stencil graffiti, influencing countless artists with his Paris-based interventions since the 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, rose to prominence through his OBEY campaign and politically resonant prints, later achieving international acclaim with his Hope poster of Barack Obama. Their joint creation of David with Machine Gun demonstrates how two generations of artists from different cultural backgrounds can merge their practices to create a unified message. It serves as both homage to classical art and a critique of the modern world. Rarity and Collectible Importance Artist Proof editions such as this one are rarer than the main run, typically reserved for the artists themselves or for key collaborators. Marked “AP” and carrying the signatures of both Fairey and Blek le Rat, this print embodies both historical and artistic value. Beyond its scarcity, the work is a striking representation of how street artists reinterpret cultural symbols to confront pressing issues like war and societal decay. The David with Machine Gun AP silkscreen stands as a prime example of the fusion of fine art history and modern protest through the visual language of Street Pop Art & Graffiti Artwork.

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Wire Webs Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Logan Hicks. Logan Hicks is an American stencil artist, currently living and working in Los Angeles, California. His hand-cut stencil process involves cutting a separate stencil for each color, then layering each color upon the next until the final piece emerges, often hundreds of hours later, as a hyper-realistic masterpiece. Originally a screen printer, Logan sold off his equipment to finance his migration from the East Coast to the West Coast, turning to stenciling to re-invigorate his printing.

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Break Free 29 Limited Edition Hand-Embellished HPM Archival Pigment Prints on 290gsm Moab Fine Art Paper by Jessica Hess Graffiti Street Artist Modern Pop Art. Hand-Embellished Archival Pigment Print on 290gsm Moab Fine Art Paper Size: 24 x 20 Inches Release: July 26, 2019 “Break Free” is part of a new series of paintings focusing on the strange abstraction of manmade structures through disuse, decay, and demolition in contrast with the beauty of their reclamation by nature. All will return to the Earth one day." - Jessica Hess Jessica Hess’s Break Free 29: The Architecture of Decay and the Language of Graffiti Jessica Hess’s Break Free 29 is a hand-embellished archival pigment print measuring 24 x 20 inches, released in 2019 as part of a series that documents abandoned urban architecture overtaken by graffiti and natural elements. Printed on 290gsm Moab fine art paper, this limited edition exemplifies Hess’s mastery in photorealistic painting and her ability to transform urban ruin into visual poetry. The image captures a collapsed interior space—possibly a warehouse or industrial relic—where nature begins to reclaim its territory, and every visible surface is layered in tags, murals, and weathered pigment. The work is not a simple celebration of street art. It is a nuanced meditation on impermanence, resilience, and transformation. Hess does not stylize or exaggerate the graffiti; she paints it faithfully, respecting it as an honest record of human mark-making. The decaying beams, broken floorboards, and skeletal remains of the roof add to the visual complexity. Everything in the composition is in flux. The structure is failing, yet the surfaces breathe with new life. Green plants push through the cracks. Bright sprays of color resist silence. The collapse is not an end, but an evolution. Photorealism as Preservation of Street Pop Ephemera Jessica Hess’s work functions as a form of visual preservation. By painstakingly recreating graffiti-covered ruins in photorealistic detail, she immortalizes temporary art in the face of time, destruction, and erasure. In Break Free 29, no surface is left untouched—pillars, window frames, pipes, and debris are covered in overlapping layers of aerosol marks, stickers, and paint drips. Each tag is an anonymous voice, part of a larger visual conversation layered over time. Hess does not edit or curate these voices. She captures them in all their raw complexity. The technique of hand-embellishment in each print adds to the authenticity of the piece. It reinforces the physical nature of graffiti itself—built through layers, retouches, and repetition. The painted elements do not merely replicate; they reactivate the image. Hess’s use of high-fidelity realism and handwork bridges the worlds of graffiti and fine art without compromising either. It reflects her deep respect for the spaces and the artists who have left their imprint there. Entropy, Memory, and the Rewilding of Urban Space Break Free 29 contributes to the ongoing dialogue within Street Pop Art & Graffiti Artwork about the meaning of space, decay, and authorship. Hess doesn’t paint the act of graffiti in motion—she paints its aftermath, its documentation. The structure she depicts is no longer defined by its original function. It is a new environment shaped by collapse, intervention, and neglect. The architecture becomes an accidental canvas, and nature slowly encroaches as a silent collaborator. There is no central human figure in the scene, but human presence is everywhere—in the spray lines, in the tags, in the layers of messages written across time. The graffiti doesn’t just decorate the ruins; it gives them meaning in their disuse. Hess’s framing of this space reveals an alternate kind of beauty—one not built on design, but on decomposition and reoccupation. Plants grow through concrete. Sunlight filters through the broken roof. The manmade yields, and the earth begins to rewrite the structure’s story. Through Break Free 29, Jessica Hess presents ruin not as loss but as transformation. It’s a portrait of impermanence painted with care and precision, reminding us that nothing is truly static—not cities, not art, not nature. Everything is in motion, and everything eventually breaks free.

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Chateau Paris Pink Letterpress AP Artist Proof Print by Mr André Saraiva Limited Edition 1-Color on 100# Cover Neenah Classic Crest Natural White Fine Art Paper Graffiti Street Pop Artwork. AP Artist Proof 2023 Signed & Marked PP Limited Edition Artwork Size 16x20 Letterpress Print Mr. André Saraiva Chateau Paris Pink Letterpress AP Artist Proof 2023 The 2023 Chateau Paris Pink AP Artist Proof by Mr. André Saraiva captures the whimsical energy and romantic mischief that define his place within Street Pop Art & Graffiti Artwork. Produced as a one-color letterpress print on 100# Neenah Classic Crest Natural White fine art paper, this 16 x 20 inch edition was signed and marked as an AP, denoting its status outside the standard numbered run. Artist Proofs hold particular importance in printmaking as they reflect the earliest impressions pulled for the artist’s review, making them especially desirable to collectors who seek artworks with a direct connection to the creative process. Visual Style and Iconic Characters This print features Saraiva’s instantly recognizable stick-figure characters dancing across the page in soft pink linework. Their wide, toothy grins, crossed-out eyes, and loose, jubilant movements express the carefree, flirtatious spirit that has defined his signature character, Mr. A, since his early graffiti appearances in Paris during the 1990s. The top-hatted figure paired with a flowing-haired partner reinforces the playful narrative of nightlife, celebration, and romantic spontaneity. Scattered stars, hearts, and motion lines energize the composition, giving the print a lively rhythm reminiscent of Saraiva’s street-based origins, where quick, expressive lines communicated joy in public spaces. Chateau Marmont and Cultural Connection Incorporating the iconic Chateau Marmont letterhead at the top, the print interlaces Hollywood mythology with Parisian graffiti culture. Located on Sunset Boulevard in Los Angeles, Chateau Marmont has long been a sanctuary for actors, writers, musicians, and artists since opening in 1929. Its storied history of creativity and indulgence makes it a fitting backdrop for Saraiva’s exuberant characters. The handwritten “Paris” at the bottom serves as a bridge between two creative capitals — one steeped in American cinematic glamour, the other in European street culture — emphasizing Saraiva’s globe-spanning artistic identity. Mr. André Saraiva’s Influence in Contemporary Street Pop Art Born in Sweden in 1971 and raised in Paris, André Saraiva emerged from the city’s graffiti scene as one of its most prominent voices. His character Mr. A became a symbol of the joie de vivre that permeates his work, later expanding into galleries, editorial projects, murals, and luxury collaborations. The Chateau Paris Pink AP exemplifies his ability to merge elegance with spontaneity, bringing the carefree energy of graffiti into refined fine art contexts through meticulous letterpress technique. This Artist Proof stands as a vibrant testament to Saraiva’s playful approach and his lasting influence on Street Pop Art & Graffiti Artwork, celebrating both the intimacy of hand-drawn lines and the cultural interplay between Paris and Hollywood.

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Bath House Silkscreen by Tim Doyle Hand-Pulled 8-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 Spirited Away Anime Movie Tribute, 4th Unreal Estate show

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Fenway Archival Print by Scott Listfield Limited Edition Print on 290gsm Moab Entrada Rag Bright Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 Archival Pigment Fine Art "Fenway Archival Print" by Scott Listfield is an art piece by the artist Scott Listfield, who is known for his distinct style of painting astronauts exploring landscapes filled with elements of pop culture and contemporary society. The title "Fenway Archival Print" is set in Fenway Park, the iconic baseball stadium in Boston, Massachusetts, home to the Boston Red Sox. Listfield has incorporated Fenway Park, the surrounding neighborhood, or some other related elements into the artwork, combined with his signature astronaut figure. Since this is an "archival print," the artwork is a high-quality reproduction of the original painting, using archival inks and paper to ensure long-lasting color and quality. These prints are often signed and numbered by the artist, making them valuable collector's items.

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The Beauty of Liberty & Equality Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. 2020 Signed by Shepard Fairey & Sandra Chevrier & Numbered Limited Edition of 500 Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality Austin Mural Print Shepard Fairey x Sandra Chevrier x Jon Furlong. "This historic centennial offers an unparalleled opportunity to commemorate a milestone of democracy and to explore its relevance to the issues of equal rights today. The Women's Vote Centennial Initiative, a collaboration of women-centered institutions, organizations, and scholars from across the US, works to ensure that this anniversary and the 72-year fight to achieve it are commemorated and celebrated throughout the United States." -Shepard Fairey Shepard Fairey and Sandra Chevrier's Commemorative Vision: "The Beauty of Liberty & Equality" Mural "The Beauty of Liberty & Equality" mural in Austin, captured in an offset lithograph print by Jon Furlong, represents a powerful synergy between urban graffiti, pop street art, and political activism. This limited edition artwork, created in 2020 by renowned artists Shepard Fairey and Sandra Chevrier, is part of a series signed and numbered 500. The print dimensions of 18x24 inches serve as a testament to the mural's grandeur and the message it conveys. Shepard Fairey's statement contextualizes the piece within the historical framework of the Women's Vote Centennial Initiative, linking the struggle for democratic rights to contemporary equality issues. Fairey, an artist known for his provocative and socially charged work, joins forces with Sandra Chevrier, whose art often explores the limitations imposed on women, to create a mural that celebrates progress and a call to action. The mural's vibrant imagery and compelling iconography draw on the visual language of street pop art and graffiti. At the same time, the lithograph print extends the mural's reach from the streets of Austin to the global art community. Intersecting Art and Activism in Public Spaces The intersection of art and activism is vividly presented in "The Beauty of Liberty & Equality" mural. Fairey and Chevrier harness the visual potency of street pop art to communicate and inspire dialogue around the centennial of the women's suffrage movement. Their collaboration is a visual narrative commemorating the historical fight for women's voting rights and reflecting on its significance in today's ongoing struggle for gender equality. The mural becomes more than just an art piece; it is a historical marker and a reflective mirror of society's progress and the remaining challenges. This Austin mural and its corresponding lithograph print embody the core values of street pop art and graffiti artwork by merging aesthetics with a message that resonates on a societal level. The artists utilize their platforms to amplify voices and themes that are often marginalized, demonstrating the power of public art to spark change and provoke thought. "The Beauty of Liberty & Equality" mural by Shepard Fairey and Sandra Chevrier, captured in print by Jon Furlong, is an iconic piece of street pop art that transcends its medium to become a beacon of historical awareness and social commentary. The limited edition lithograph print is a collectible item and a piece of cultural heritage that continues to disseminate the ideals of liberty and equality through the universal language of art.

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Man on Wire NYC World Trade Center Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 50 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print New York City World Trade Center with Tight Rope Walker NYC World Trade Center Silkscreen Print by Justin Van Genderen NYC World Trade Center Silkscreen Print by Justin Van Genderen is a 2013 hand-pulled screenprint that captures a striking moment in history through the lens of Street Pop Art & Graffiti Artwork. Measuring 18x24 inches and produced in a limited edition of 50, this signed and numbered print presents the World Trade Center from a surreal, almost dreamlike perspective. The composition draws attention to the architectural presence of the Twin Towers while highlighting the legendary tightrope walk that took place in 1974, blending history, urban culture, and artistic abstraction into a single breathtaking image. The Power of Composition and Perspective This silkscreen print uses perspective in a way that immediately immerses the viewer. The World Trade Center towers rise at an angle, pulling the eye upward toward the sky where a large white circle looms like a full moon. The gradient sky shifts from turquoise to white, creating a cosmic atmosphere that amplifies the feeling of height and space. Birds fly freely around the towers, adding movement and reinforcing the feeling of openness despite the massive structures dominating the scene. At the center of the composition, the famous 1974 tightrope walk performed by Philippe Petit is subtly depicted. A thin, almost invisible line stretches between the towers, with the silhouette of a figure walking across. This delicate yet daring moment contrasts with the enormity of the buildings, creating a visual and emotional tension that captures both awe and fragility. The print pays tribute to the act of defying gravity, an idea that resonates deeply with both the history of New York City and the artistic culture of Street Pop Art & Graffiti Artwork. Street Pop Art & Graffiti Artwork Influence Justin Van Genderen’s work carries strong elements of Street Pop Art & Graffiti Artwork, blending bold graphic techniques with urban storytelling. The stylized halftone shading on the towers gives them a textured, print-like quality, reminiscent of old newspaper photographs or comic book panels. The limited color palette—dominated by shades of blue, white, and black—enhances the print’s clean, modern aesthetic while maintaining a raw, urban energy. The composition feels cinematic, almost as if the viewer is looking up from the streets of Manhattan, capturing both the grandeur and the intimacy of the moment. Many street artists incorporate architectural landmarks into their work, but Van Genderen’s approach strips the scene down to its essential elements, making it feel timeless and universal. The use of high-contrast shading and simplified forms aligns with the stencil techniques used in graffiti, while the screenprinted medium itself is a hallmark of pop and street-inspired artwork. The combination of precision, abstraction, and minimalism makes this piece a striking example of how urban spaces can be reinterpreted through contemporary visual language. The Lasting Impact of the Image The NYC World Trade Center Silkscreen Print by Justin Van Genderen does more than capture a historical event; it transforms it into a symbol of artistic expression, human ambition, and the way cities shape cultural memory. The Twin Towers remain an enduring icon in New York’s skyline, and their representation in Street Pop Art & Graffiti Artwork continues to evolve as artists find new ways to pay tribute to their legacy. The tightrope walker’s inclusion in this piece serves as a metaphor for balance, risk, and the beauty of movement within the rigid lines of architecture. Collectors of Street Pop Art & Graffiti Artwork will find this print to be a unique and compelling addition to any collection. As a limited-edition hand-pulled silkscreen, it holds a level of craftsmanship that reflects the tactile, authentic nature of street-inspired art. Whether appreciated for its historical significance, its bold design, or its thought-provoking imagery, this print stands as a testament to the ways in which art can transform the past into something visually powerful and deeply moving.

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Dino Girl Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist Faile. 2019, 7-Ply Maple Wood Skate Deck Edition of 150, 9.5 x 39 in 24.13 x 99.06 cm

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Heavy is the Head Artwork Giclee Limited Edition Print on Etching Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. Number 1 of 28 Signed 32x32 2019 From the new Modern-day Pharaohs series comes "Heavy is the Head" artwork made for and inspired by the poetry work of Rob J. Naylor's book with the same title releasing sooon. "HEAVY IS THE HEAD” 2019 Giclée on Etching Rag Each print is Signed, Numbered & Branded comes with a Certificate of Authenticity.

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Nighttime in the City XL Hand-Pulled 5-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 XL Version

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Sea Also Rises- Canals of Midtown Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Title: The Canals of Midtown Poster artist: Tim Doyle Edition: 1st edition hand signed and numbered out of only 100 that were printed Year: 2013 Type: Limited edition screen printed poster Size: 20x30 Location: Nakatomi, Inc. Venue: Sea Also Rises

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Wicker Park Chicago 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ian Ferguson- Hydeon Rare Street Art Famous Pop Artwork Artist. AP Artist Proof 2013 Signed & Marked AP Limited Edition Wicker Park by Ian Ferguson 1-Color Screen Print Size: 16" x 20" Wicker Park, Chicago, Illinios. Wicker Park AP Silkscreen Print by Ian Ferguson. Neighborhood Art Series Wicker Park Silkscreen Print by Ian Ferguson – Hydeon Wicker Park is a striking one-color hand-pulled silkscreen print by Ian Ferguson, also known as Hydeon, a renowned figure in street pop art & graffiti artwork. This signed and marked artist proof from 2013 is a rare and highly sought-after limited edition piece that captures the energy and architectural character of Wicker Park, a vibrant neighborhood in Chicago, Illinois. Measuring 16x20 inches, this intricate composition highlights Ferguson’s signature illustrative style, blending urban storytelling with meticulous line work and detailed cityscapes. This piece embodies Hydeon’s ability to merge historical, architectural, and surreal elements into a cohesive visual experience. The print showcases elements of Wicker Park’s well-known streets, vintage signage, historic buildings, and the iconic elevated train, all woven together in an elaborate and layered perspective. The black-and-white aesthetic further emphasizes the intricate craftsmanship and adds a timeless quality to the piece, making it both a tribute to the neighborhood and an outstanding example of contemporary urban art. The Architectural Complexity of Wicker Park Ian Ferguson’s fascination with urban architecture is evident in the detailed structures and layered composition of Wicker Park. This print brings together a variety of elements that define the neighborhood, including vintage storefronts, historic residential buildings, and the elevated transit system that runs through the heart of the area. His approach to architectural illustration is far from conventional; rather than rigidly replicating the scene, he reconstructs it in an imaginative, almost dreamlike arrangement that encapsulates the essence of the location. The depth and perspective in this piece create a visual journey through Wicker Park, guiding the viewer’s eye from the bustling streets to the elevated train tracks above. The warped and exaggerated structures give the impression of movement, as if the city itself is alive and shifting. This dynamic rendering is a hallmark of Hydeon’s style, transforming static buildings into vibrant and expressive components of the urban landscape. Symbolism and Everyday Urban Life Beyond its architectural focus, Wicker Park also incorporates symbolic imagery that reflects everyday life in the neighborhood. A bicycle, a common mode of transportation in Chicago’s creative communities, is prominently featured in the foreground, reinforcing the area’s reputation as a hub for artists, musicians, and independent thinkers. An ice cream cone adds a playful element, suggesting a sense of nostalgia and local culture. These details help personalize the scene, capturing both the physical and cultural identity of Wicker Park. By integrating elements of daily life into the piece, Ferguson creates a work that feels immersive and relatable. The inclusion of street signs, cars, and scattered urban textures further enhances the authenticity of the scene. The choice to render these details in a single color keeps the focus on the composition and line work, allowing the viewer to appreciate the craftsmanship without distraction. Hydeon’s Artistic Influence in Street Pop Art & Graffiti Artwork Ian Ferguson’s work under the Hydeon moniker stands out in the street pop art & graffiti artwork landscape due to his commitment to intricate hand-drawn compositions and narrative-driven urban scenes. Wicker Park exemplifies his talent for capturing the soul of a location while maintaining a unique and artistic perspective. Unlike traditional graffiti, which often prioritizes bold color and speed, his work takes a more meticulous approach, reminiscent of historical engravings and architectural sketches. Hydeon’s work continues to push the boundaries of what street pop art & graffiti artwork can achieve, blending classical illustration techniques with contemporary urban themes. Wicker Park is not just a representation of a neighborhood; it is a celebration of its culture, history, and artistic spirit. This print remains a standout example of how detailed illustration and urban storytelling can merge, creating a lasting impression in the ever-evolving world of street art.

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Ready to Believe You Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Litimed Edition of 200 Artwork Size 12x24 Ready to Believe You Silkscreen Print by Tim Doyle Tim Doyle’s Ready to Believe You is a striking piece of street pop art and graffiti artwork that pays homage to an iconic moment in cinematic history. Released in 2014 as a four-color hand-pulled silkscreen print on fine art paper, this work captures the atmospheric energy of a legendary firehouse from film culture. With a signed and numbered limited edition of 200, the artwork stands at 12x24 inches, creating an elongated, vertical perspective that draws the viewer into the scene. The combination of deep blues, stark reds, and dramatic lighting enhances the intensity of the moment, reflecting Doyle’s ability to merge pop culture nostalgia with modern artistic techniques. The Cinematic Influence and Urban Aesthetic The print instantly transports viewers to a familiar setting, referencing one of the most beloved supernatural comedy films of all time. The building depicted is unmistakable, standing tall with its grand arched entrance, large upper windows, and historic brickwork. The moment captured in the artwork is filled with movement—the firehouse doors are flung open, and a recognizable vehicle bursts forth, headlights beaming, while papers scatter across the pavement. This rush of activity is further amplified by the strong contrast between the night sky’s ominous red glow and the brilliant artificial light pouring from within. Doyle’s use of perspective intensifies the drama, angling the scene to make the building appear imposing and larger than life. This technique, reminiscent of classic comic book illustration, creates a dynamic composition that feels almost animated. The precise architectural details, paired with a street-level view, bring an urban realism that resonates with both street pop art and graffiti artwork enthusiasts. The integration of scattered papers and small street elements grounds the piece in a lived-in city environment, reinforcing Doyle’s mastery of storytelling through visual art. The Signature Style of Tim Doyle Tim Doyle is widely recognized for his ability to reinterpret pop culture imagery through bold, hand-drawn linework and silkscreen printing. His work often explores well-known locations and characters, infusing them with a gritty, neon-soaked energy that feels both nostalgic and fresh. In Ready to Believe You, Doyle employs his signature high-contrast shading, creating deep shadows that add to the sense of mystery and excitement. The selective use of color, particularly the glowing blues and harsh reds, provides a cinematic quality reminiscent of classic film posters. The four-color silkscreen process enhances the print’s richness, with each layer of ink carefully applied to build depth and texture. The final result is a piece that feels tangible, capturing the essence of the setting in a way that digital reproductions cannot replicate. This method aligns perfectly with the principles of street pop art, where traditional printing techniques meet contemporary subject matter to create highly collectible, visually striking works. The Cultural Impact and Legacy of the Artwork As part of Doyle’s ongoing series exploring iconic locations from pop culture, Ready to Believe You serves as both a tribute and a reimagining of a legendary film setting. Its impact extends beyond nostalgia, offering a fresh perspective on a widely recognized structure while maintaining the energy and rebellious spirit associated with street pop art and graffiti artwork. The detailed craftsmanship and vibrant color palette ensure that this piece stands out as a statement of artistic innovation and cultural appreciation. For collectors and fans of both film history and contemporary printmaking, Ready to Believe You represents a perfect fusion of both worlds. It not only immortalizes a classic moment but does so with an artistic approach that elevates the subject matter beyond simple replication. Through this print, Doyle continues to demonstrate why his work is celebrated among those who appreciate the intersections of pop culture, fine art, and urban visual storytelling.

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UnReal Estate- Catbus- Glow Followed Limited Edition Glow In The Dark 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Cat, Bus, Car, Animal, House, Balloon, Sky, Stars, Night, Childen, Glow in the Dark, Tree,My Neighbor Totoro, Anime, Asian, Japan, Totoro, UnReal Estate, TV, Building

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Junkyard Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Rag Bright Paper by Modern Pop Street Graffiti Artist Stephanie Buer. 2021 Junkyard • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 12 x 12 inches Hand-signed and numbered by artist Stephanie Buer in a limited edition of 20

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Night Lights Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. 2020 Signed & Numbered Limited Edition of 50 Artwork Size 16x24

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