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After Dark Archival Print by Jessica Hess Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2024 Signed & Numbered Print Limited Edition of 50 Artwork Size 24x20 Archival Pigment Fine Art  The Allure of Street Pop Art and Graffiti Artwork Street Pop Art and Graffiti Artwork have emerged as vibrant staples in modern art galleries, embodying the pulsating energy and raw expression of urban environments. These forms of artistic expression have transcended their rebellious origins to be celebrated in high-end art markets and esteemed exhibitions. Among the artists who have championed this movement, Jessica Hess stands out with her meticulous renditions of graffiti and urban landscapes. Her works, such as the "After Dark Archival Print," continue to dazzle collectors and enthusiasts with their attention to detail and striking visual narratives. Jessica Hess: A Modern Chronicler of the Urban Canvas Jessica Hess, an American artist, brings the ephemeral nature of street art into a permanent state through her archival prints. The limited-edition "After Dark" print is a testament to her ability to capture the raw essence of street culture. Created on 290gsm Moab Entrada Fine Art Paper, this artwork demonstrates the delicate balance between graffiti's impermanence and fine art's longevity. Born in the United States, Hess is still active in the art scene, contributing to the contemporary narrative of street-inspired artworks. Her skillful hands translate the graffiti-splashed walls into works that command contemplation and admiration. The "After Dark" print is particularly notable for portraying the urban landscape as a canvas of nocturnal beauty. Limited to a series of 50, each piece is signed and numbered by Hess, offering a sense of exclusivity and connection to the artist's vision. The artwork's size, 24x20, provides a substantial window into the scene, allowing viewers to immerse themselves in the detailed interplay of shadows, light, and the vibrant graffiti adoring the city walls. The Intersection of Fine Art and Urban Expression Jessica Hess's "After Dark" print exemplifies the evolution of graffiti from street corners to the white walls of galleries. This shift signifies a broader acceptance and appreciation for street pop art as a legitimate and profound form of fine art. By presenting graffiti in an archival pigment fine art print, Hess not only preserves the fleeting nature of street art but also elevates it to a form that can be reversed over time. The limited edition nature of "After Dark" underscores the fine art world's practice of rarity and collectability, yet the subject matter remains staunchly grounded in the accessible and democratic roots of street art. Hess' approach to capturing these street scenes is more than mere replication; it is an act of homage and preservation. Her fine art prints, including "After Dark," serve as a conduit between the rugged street corners and the polished gallery spaces, enabling a dialogue between two worlds that were once considered opposing forces. This dialogue is essential in the ongoing discourse surrounding the value and impact of street pop and graffiti artwork within the larger art community. In examining "After Dark," one can see a vibrant example of the complex interplay between urban decay and artistic creation. The graffiti is not simply an act of vandalism but a form of self-expression, a voice given to the voiceless, and a color splash against the monochrome fabric of the urban landscape. Hess captures this dynamic through her archival prints, giving it a permanence that street art often lacks. Preservation of the Ephemeral: The Significance of Archival Prints Archival prints like "After Dark" are critical in preserving street art. While the original graffiti may fall victim to weather, city clean-up, or other graffiti artists, Hess' prints offer a way to immortalize the art beyond its physical lifespan. High-quality Moab Entrada Fine Art Paper ensures that the prints resist degradation, allowing the rich colors and intricate details of the original work to endure through the ages. The archival pigment ensures that each print retains the vibrancy and clarity of the original scene, becoming a piece of history itself. The significance of Jessica Hess's work lies in the aesthetic appeal of her prints and in her contribution to documenting and preserving an often transient form of art. "After Dark" and similar works are historical records, capturing a specific moment and place in the ever-changing cityscape. They witness the urban transformations and communication layers etched onto the walls by anonymous artists. The "After Dark Archival Print" by Jessica Hess offers a glimpse into the nuanced world of Street Pop Art and Graffiti Artwork, encapsulating the ephemeral nature of street art within the permanence of fine art. Hess's ability to bridge these two worlds in her archival prints elevates the status of street art within the art hierarchy. It preserves the cultural significance of these urban markings for future generations. As limited edition pieces, each print from Hess is a cherished artifact, a piece of urban history, and a testament to the rich dialogue between the streets and the galleries.

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Tornado Towers of Mankato Minn Silkscreen Print by Dan Black of Landland Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered Limited Edition of 95 Artwork Size 18x24 Silkscreen Print Tornado Towers of Mankato Minn Silkscreen Print by Dan Black of Landland Dan Black of Landland is known for creating immersive, intricate works that depict surreal yet deeply familiar landscapes. The Tornado Towers of Mankato, Minn Silkscreen Print, a hand-pulled, limited edition screenprint, is an example of his masterful approach to architectural illustration within street pop art & graffiti artwork. Released in 2013 as part of a signed and numbered edition of 95, this 18x24-inch screenprint captures a fascinating fictionalized interpretation of the Tornado Towers, a structure that may never have existed in reality but is presented with such meticulous detail that it feels entirely plausible. The composition of this print merges industrial frameworks with trailer homes, stacked and structured into multi-level towers that appear precarious yet methodically arranged. This urban-meets-rural juxtaposition is a recurring theme in Dan Black’s work, where he blurs the line between documentary and speculative architecture. The muted color palette of earthy browns, industrial greys, and faded greens gives the piece a sense of nostalgia, decay, and resilience, reinforcing its conceptual weight. Architectural Exploration in Street Pop Art & Graffiti Artwork Dan Black’s work within street pop art & graffiti artwork often explores the structures, spaces, and forgotten elements of urban environments. Rather than focusing on traditional graffiti-style abstraction or bold color blocks, he meticulously illustrates structures in precise line work, almost resembling blueprints of forgotten places. Tornado Towers of Mankato, Minn embodies this practice by depicting a fantastical but methodically designed urban relic, where trailer homes are elevated into multi-story dwellings, seemingly built to withstand the harsh realities of their environment. His work carries an aesthetic that feels at home in DIY punk culture, zine artwork, and urban exploration, presenting imagined landscapes that reflect real-life tensions between permanence and transience. These stacked trailer towers, held together by steel frameworks and staircases, symbolize adaptation, improvisation, and survival, common themes in graffiti and pop culture street art movements. Traditional Printmaking Techniques and the Handmade Appeal A defining characteristic of this limited edition silkscreen print is its hand-pulled craftsmanship. Unlike mass-produced digital prints, Dan Black and Landland embrace manual printmaking methods, layering colors carefully through silkscreen techniques. This dedication to traditional printmaking brings a textural depth to the piece, ensuring that each print maintains subtle variations, making every copy slightly unique. Hand-pulled silkscreen prints hold a significant place in street pop art & graffiti artwork, as the technique is deeply rooted in DIY culture, underground gig posters, and independent print shops. By using limited color palettes and meticulous layering, artists like Dan Black create works that possess an authenticity not found in digitally produced reproductions. The physicality of the ink, the imperfections in the press, and the labor-intensive process add to the value and collectibility of this print. The Concept of Memory and Place in Landland’s Work A significant aspect of Dan Black’s work is his ability to construct narratives around places that may or may not exist. The Tornado Towers of Mankato, Minn speaks to a mythical architectural anomaly, a structure that feels deeply ingrained in the landscape but also eerily fabricated. His re-imagined geography, often based on midwestern towns, abandoned buildings, and obscure roadside structures, gives his work a dreamlike but documentary quality, making viewers question whether they have encountered these places before. This piece, like many of Landland’s works, exists as a visual echo of forgotten spaces, turning something as ordinary as a trailer park into a multi-leveled, gravity-defying metropolis. It reflects themes of improvisation, human resilience, and how people create homes in the most unexpected ways, making it a fascinating addition to the world of street pop art & graffiti artwork.

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Sea Also Rises- Canals of Midtown Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Title: The Canals of Midtown Poster artist: Tim Doyle Edition: 1st edition hand signed and numbered out of only 100 that were printed Year: 2013 Type: Limited edition screen printed poster Size: 20x30 Location: Nakatomi, Inc. Venue: Sea Also Rises

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Tesla PP Printers Proof Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Scott Listfield, Street Pop Art Graffiti Legend. PP Printers Proof 2018 Signed & Marked PP Artwork Size 12x12

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Silver City Style A XL Day White 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited of 50 Edition Artwork Size 36x24 Silver Metallic Ink City Style A XL Daytime 36x24

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2Vth Revolution Under Construction Artwork Giclee Limited Edition Print on Cotton Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. "Revolution Under Construction" 2018 30.6"x25" Giclée on Cotton Rag Each print is Signed, Numbered & Branded

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Ecto-1 Red Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Part of the 2014 30th anniversary series from gallery 1988 and San Diego Comic Con.

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Sea Also Rises- The Frog Prince Limited Edition Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 2014 Series II Limited Edition of 150 Artwork Size 24x36 "The Sea Also Rises- Incident 28: The Frog Prince Commands His Homunculus." This hand-printed silkscreen poster measures 24x36

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Gojira vs The Smoke Monster- AP Artist Proof Limited Edition 4-Color Hand-Pulled Silkscreen Print on 100lb Cougar Brand Natural Fine Art Paper by Pop Artist Tim Doyle. AP Artist Proof 2013 Signed & Marked AP Artwork Size 18x24 4-color hand-printed silkscreen print. Measures 18x24 inches and is signed by the artist. Printed on 100lb Cougar Brand Natural Fine Art Paper.

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Yoshinoya PP Printer Proof Archival Pigment Fine Art Limited Edition Archival Pigment Print on 290gsm Moab Fine Art Paper by Pop Artist Scott Listfield. PP Printers Proof 2018 Signed & Marked PP Limited Edition Artwork Size 14x18 Release: November 09 Scott Listfield's "Yoshinoya" and Its Place in Contemporary Art Scott Listfield's "Yoshinoya" PP (Printer's Proof) archival pigment print is a profound statement in the landscape of contemporary pop art, street art, and graffiti artwork. The print, released on November 9, 2018, is part of a limited edition, distinctly marked as a Printer's Proof and signed by the artist himself. This signifies an edition that is typically kept aside from the main production run and is often used to verify the quality before the final edition is printed. Collectors and enthusiasts of pop art see PP editions as highly desirable due to their rarity and the intimate involvement of the artist in their creation. Symbolism in "Yoshinoya" by Scott Listfield The artwork, measuring 14x18 inches, is printed on 290gsm Moab fine art paper, known for its premium quality and ability to showcase sharp, saturated colors and fine details. "Yoshinoya" features an astronaut, a recurring character in Listfield's work, symbolizing exploration and isolation in the modern world. The astronaut stands before a contemporary home with a floating advertisement blimp for Yoshinoya in the background against a twilight sky. This image is laden with symbolism, the astronaut seemingly contemplating the juxtaposition between the vastness of space and the commercialized urban environment. Exploration of Pop Art Themes in Listfield's Work The print embodies several themes prevalent in street pop art and graffiti artwork: an exploration of the human condition, a critique of consumer culture, and using familiar imagery to provoke thought. Listfield's astronaut is more than a character; it is an avatar for the viewer, navigating a world where corporate branding reaches as far as the stars. The serene residential setting contrasts with the bold commercial symbol overhead, prompting reflections on the intrusion of marketing into every facet of life. Technique and Cultural Commentary In creating "Yoshinoya," Listfield employs the technique of archival pigment printing, a method that ensures long-lasting image stability and color accuracy. This technique is particularly well-suited to capturing the nuanced tones of the twilight sky and the reflective surfaces of the astronaut's suit. By using fine art paper, Listfield elevates the print, traditionally associated with street art's ephemeral nature, to a level of enduring fine art. Scott Listfield's "Yoshinoya" PP archival pigment print is a critical piece of street pop and graffiti artwork. It encapsulates the essence of pop art through its engagement with commercial and cultural symbols while offering a unique perspective on the role and impact of advertising in modern society. The limited edition nature of the print, alongside its quality and thematic depth, positions it as a significant work for collectors and enthusiasts of contemporary art.

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Sea Also Rises- Exodus of Turtleton Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 2014 Limited Edition of 200 Artwork Size 24x36 1st Print. Artist Tim Doyle was asked to participate in PangeaSeed’s “The Year of Living Dangerously” print suite in 2013

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Whats Comin Will Come an We’ll Meet It When It Does Followed- Night Variant Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. AP Artist Proof. Harry Potter, Movie, Building, Night, Pumpkins, Bird

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Sea Also Rises- Northbound Whale Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 24x36 full-bleed 6 color screenprint. Signed and Numbered edition of 200.

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SF Fire Escape AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2011 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print  SF Fire Escape AP by Shepard Fairey – Artist Proof Silkscreen Street Pop Art & Graffiti Artwork The SF Fire Escape AP Artist Proof silkscreen print by Shepard Fairey, produced in 2011, is a rare and impactful piece of Street Pop Art & Graffiti Artwork. This edition is signed by the artist and marked AP, denoting it as an Artist Proof distinct from the standard numbered run. The 18 by 24 inch screenprint was created on cream Speckletone fine art paper, a preferred medium for Fairey's hand-pulled works that allows for deep saturation and texture while maintaining archival integrity. Rendered in Fairey’s signature color palette of red, black, and off-white, this work reflects both his graphic design roots and his engagement with urban visual language. It presents a sharp architectural composition of a city scene featuring a fire escape, directional signage, and a familiar visage of the Obey Giant—an image that continues to serve as an anchor in Fairey's expansive catalog of visual resistance. Architectural Symbols and Urban Instruction This artwork immerses the viewer in the structured language of a city landscape, where fire escapes, windows, billboards, and building facades form a rigid system of navigation. The vertical and diagonal lines of the fire escape ladder and support beams fragment the space, giving a visual sense of entrapment or escape, depending on interpretation. A one-way sign reads no turns, emphasizing the illusion of freedom in a world filled with constraints. These directional cues play directly into Fairey’s critique of control mechanisms embedded in modern society. Through the use of screenprint layering and flat color fields, the artist isolates the experience of moving through controlled environments and highlights the architecture not as shelter but as signal. Obey Iconography as Watchful Presence The inclusion of the Obey Giant face within the window transforms an anonymous city structure into a subversive billboard. The face is not advertised but embedded, gazing from the inside out. It resists being consumed and instead looks back at the viewer. This silent presence underscores Shepard Fairey’s commentary on surveillance, authority, and cultural branding. Rather than remain outside of the built environment, his iconography has infiltrated the everyday, becoming part of the structure itself. As an Artist Proof, this particular print is a closer representation of Fairey’s intent, often reserved for personal use, exhibition circulation, or early release. It carries a stronger weight in terms of rarity and proximity to the original print development process. Screenprint Technique and Political Form Shepard Fairey’s silkscreen method is deeply connected to the legacy of protest poster art and graffiti stenciling. SF Fire Escape AP does not mimic graffiti—it elevates its ethos by repurposing urban symbols into controlled compositions on paper. Fairey’s repeated use of red and black signals urgency and authority, while the clean lines and grid-like layout suggest modernism stripped of comfort. The technique ensures precision while allowing for a handmade energy that reinforces its position within Street Pop Art & Graffiti Artwork. As an Artist Proof, it offers collectors and scholars insight into Fairey’s design refinement process, often with slight color or alignment differences that make each AP print unique. The work balances raw city experience with formal visual order, making it a compelling artifact of twenty-first century visual protest.  

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Junkyard Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Rag Bright Paper by Modern Pop Street Graffiti Artist Stephanie Buer. 2021 Junkyard • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 12 x 12 inches Hand-signed and numbered by artist Stephanie Buer in a limited edition of 20

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Fenway Archival Print by Scott Listfield Limited Edition Print on 290gsm Moab Entrada Rag Bright Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 Archival Pigment Fine Art "Fenway Archival Print" by Scott Listfield is an art piece by the artist Scott Listfield, who is known for his distinct style of painting astronauts exploring landscapes filled with elements of pop culture and contemporary society. The title "Fenway Archival Print" is set in Fenway Park, the iconic baseball stadium in Boston, Massachusetts, home to the Boston Red Sox. Listfield has incorporated Fenway Park, the surrounding neighborhood, or some other related elements into the artwork, combined with his signature astronaut figure. Since this is an "archival print," the artwork is a high-quality reproduction of the original painting, using archival inks and paper to ensure long-lasting color and quality. These prints are often signed and numbered by the artist, making them valuable collector's items.

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The Lonesome Crowded West Tower Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY Marking the 25th anniversary of Modest Mouse's influential album "The Lonesome Crowded West," celebrated street artist Shepard Fairey, known as OBEY, crafted a striking limited edition silkscreen print. This 2022 piece, meticulously hand-pulled and comprising five colors on Cream Speckletone fine art paper, mirrors the layered complexity of the album it honors. The work measures 18x24 inches, a testament to the album's monumental impact on the alternative rock scene and Fairey's own artistic journey. Each of the 825 signed and numbered prints encapsulates Fairey's personal connection with the album, having first encountered its raw and eclectic sound in 1998, a year after its release. He describes the album as "multi-dimensional," resonating through its varied tones from the "aggressive and dissonant" to the "folky, jangly, and intimate." His favorite tracks, "Doin’ the Cockroach" and "Cowboy Dan," evoke contrasting emotions of exhilaration and introspective tension, revealing the dexterity of Modest Mouse's music and the profound lyrical skill of frontman Isaac Brock. In this piece, Fairey channels the essence of the album's themes, depicting an isolated tower amidst a vast, red-streaked landscape, symbolizing the album's exploration of urban isolation and the Western American experience. The contrast between the solitary building and the surrounding expanse eloquently captures the album's title, "The Lonesome Crowded West." This visual representation goes beyond mere album art; it is an intersection of Fairey's iconic style and Modest Mouse's sonic influence, bridging visual and auditory art forms. Fairey's engagement with Modest Mouse extends back to their 2000 "Black Glass" tour, for which he also created a poster. This long-standing relationship emphasizes the mutual respect between the artist and the band, illustrating how music and visual art can coalesce to form powerful cultural statements. His artistic expression is not only a tribute to the music but also an homage to Brock's poetic lyrics, which left an indelible impression on Fairey, prompting him to label Brock a true poet. As an influential figure in street art and pop culture, Fairey’s creation for Modest Mouse cements his position at the forefront of contemporary art. It serves as a visual anchor for the album’s legacy, ensuring that its cultural resonance extends into the visual realm. Collectors and fans of both the band and Fairey find in this print a confluence of two forms of rebellion and expression, solidified on paper but echoing far beyond.

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King Kong The Eighth Wonder of the World Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art.

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Florence Aubenas Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2008 Signed by Shepard Fairey & Blek le Rat, Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat Florence Aubenas Silkscreen Print 2008 The 2008 Florence Aubenas silkscreen print represents a rare collaboration between American street artist Shepard Fairey, known as OBEY, and French stencil pioneer Blek le Rat. Measuring 18 x 24 inches, this hand-pulled silkscreen was produced in a signed and numbered limited edition of only 100. Each print bears the signatures of both artists, cementing its importance as a cross-generational dialogue within Street Pop Art & Graffiti Artwork. The subject, French journalist Florence Aubenas, was abducted and held hostage in Iraq in 2005, making the work a powerful symbol of resilience and the role of art in amplifying human rights issues. Imagery and Symbolism The print merges Shepard Fairey’s graphic, politically charged style with Blek le Rat’s classic stencil approach. Set against the backdrop of Place Saint-Michel in Paris, the work integrates photography and stencil to create a layered street-inspired composition. Aubenas is portrayed standing calmly, her figure rendered in stark black stencil against the stone wall, evoking Blek le Rat’s street interventions. This contrasts with the detailed urban surroundings captured in Fairey’s silkscreen process, creating a tension between the permanence of historical architecture and the urgency of contemporary political struggle. The placement of the figure beneath the street sign grounds the work firmly in Paris, while also symbolizing the global reach of her story. Collaboration Between Icons Blek le Rat, born Xavier Prou in France in 1951, is regarded as one of the founders of stencil graffiti, influencing generations of street artists worldwide, including Banksy. Shepard Fairey, born in Charleston, South Carolina in 1970, rose to prominence through his OBEY campaign and politically charged works such as the Hope poster of Barack Obama. Their collaboration on Florence Aubenas brought together two distinct but complementary approaches: Blek’s commitment to the power of direct stencil imagery in public space and Fairey’s graphic design-driven activism. The result is a work that resonates both as a political statement and as a landmark in the history of street art. Political Resonance and Artistic Legacy This silkscreen print underscores how art can become a tool of awareness and advocacy. By immortalizing Florence Aubenas in their visual language, Fairey and Blek le Rat highlight the risks faced by journalists working in conflict zones and the importance of freedom of expression. With its limited edition size, dual signatures, and thematic depth, the Florence Aubenas print is considered a significant collector’s piece, not only for fans of Shepard Fairey and Blek le Rat but also for those who recognize the importance of socially engaged art. It remains a striking example of how Street Pop Art & Graffiti Artwork can transcend aesthetics to confront urgent political realities.

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Packard Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Rag Bright Paper by Modern Pop Street Graffiti Artist Stephanie Buer. Packard • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 16 x 20 inches Hand-signed and numbered by artist Stephanie Buer in a limited edition of 20 Misprint on COA "Parkard"

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Car Wash Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2013 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Car Wash Original Dunny Art Toy by Task One Exploring Urban Narratives: Task One's Car Wash Original Dunny Town Art Toy Task One's "Car Wash Original Dunny Town Art Toy" embodies the creative spirit that defines street pop art and graffiti artwork. This 2013 masterpiece integrates the familiar Kidrobot Dunny vinyl form with the tactile, textured medium of painted plaster, resulting in a unique collectible that stands approximately 3x4 inches. Through the medium of this custom Dunny artwork, Task One explores the everyday urban experience, encapsulating it within the playful yet profound form of a car wash. The Car Wash Dunny is more than a mere representation of an ordinary city service; it is a microcosm of urban life, conveying the motion and activity of the streets in a static figure. The art toy features meticulously sculpted details, from the fringed wash curtains to the vibrant, conical traffic barriers, capturing the essence of a bustling car wash in miniature. The top of the Dunny is adorned with a "CAR WASH" sign, crafted in a font that echoes the signage seen in any neighborhood, adding authenticity and a touch of nostalgia to the piece. Task One's Artistic Commentary on Consumer Culture In creating the Car Wash Dunny, Task One delivers a subtle yet impactful commentary on consumer culture and the commodification of urban spaces. The art toy serves as a canvas for this discourse, inviting contemplation on the role of such establishments in our daily lives and their significance in the urban tapestry. The choice of a car wash as the subject reflects a keen observation of the mundane, elevating it to the level of art through the transformative power of Task One's vision. The Car Wash Dunny, as part of the more extensive Dunny Town series, exemplifies Task One's dedication to blending street art's immediacy and relevance with the collectible nature of vinyl toys. This fusion results in a thought-provoking piece that holds a mirror to the city's soul, reflecting the vibrant, ever-changing life of the streets. Collectors and admirers of street pop art are drawn to such works for their aesthetic appeal and their ability to encapsulate a piece of the urban experience. Task One's work, particularly this captivating rendition of a car wash, showcases the potential of art toys to act as vessels for storytelling and cultural reflection. Through his skillful use of materials and his intelligent approach to the subject matter, Task One has contributed a significant chapter to the narrative of street pop art and graffiti artwork, ensuring that the essence of the streets is preserved in the palms of our hands. The Car Wash Original Dunny Town Art Toy by Task One remains a treasured piece for those who value the intersection of art, culture, and the vibrancy of city life.

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World Trade Center II Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! Bobby Hill (b. 1973), is a New York-based visual artist whose career started as an illustrator. He began painting on canvas in 2008 after returning to the US from his first trip overseas,. His recent canvases combine ripped NYC billboard posters with elements of abstract expressionism, pop imagery, and graffiti... to create what he calls “The Bhillboards Collection.”

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Factory Stacks- Endless Power 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Endless Power Silkscreen Print by Shepard Fairey Factory Stacks – Endless Power is a bold 6-color silkscreen print created in 2022 by Shepard Fairey, one of the most influential figures in Street Pop Art & Graffiti Artwork. Measuring 18x24 inches, this signed and numbered limited edition of 350 is printed on thick cream Speckletone paper and embodies Fairey’s hallmark aesthetic: a fusion of propaganda-style composition, socio-political messaging, and graphic design precision. It continues his Factory Stacks series, a visual campaign aimed at confronting environmental and systemic imbalances, particularly those surrounding the fossil fuel industry. Visual Language of Industrial Dominance This piece presents twin smokestacks emerging from a factory, exhaling thick plumes of smoke that bend into geometric arcs against a fractured backdrop. The composition is both imposing and elegant, rendered in Fairey’s signature palette of red, blue, cream, and black with accents of gold and grey. A section in the upper corner features graphic symbols such as currency and uniformed authority figures with the text “Endless Power,” visually connecting fossil fuel dependency to state and corporate control. Below, flames lick at the base of the structure, symbolizing destruction masked as progress. The stylized imagery and bold silhouettes evoke retro political posters, transforming the factory into an icon of unchecked industrial ambition. The title “Endless Power” is a biting irony. It speaks to the illusion of limitless energy consumption enabled by fossil fuels while referencing the political power structure that sustains this destructive system. Fairey uses the visual metaphor of pollution and fire not just as environmental warning signs, but as emblems of capitalism's refusal to pivot toward sustainability. Fine Art Printmaking as Street-Level Protest This edition is hand-pulled and silkscreened, showcasing Fairey’s technical prowess in layering crisp lines and vibrant color fields. The physicality of screenprinting—each layer applied with intention—parallels the artist’s belief in direct action. The Speckletone stock used adds texture and weight, reinforcing the piece’s physical presence and link to protest posters of the past. As a printmaker rooted in the street art tradition, Fairey embraces reproducibility without sacrificing uniqueness. His screenprints are both fine art artifacts and tools of mass communication. Factory Stacks – Endless Power does not rely on abstraction. It forces clarity, making its environmental critique visually immediate and emotionally provocative. Political Commentary Through Graffiti-Inspired Aesthetics Fairey’s work consistently straddles the space between fine art and graffiti, and this piece is no exception. By including symbols of nationalism, money, and smoke stacks, he aligns corporate power and environmental degradation in a single visual language. As part of the OBEY Giant campaign's broader ethos, the artwork invites viewers to question the legitimacy of authority, capitalism, and consumption. In the lower left of the piece, Fairey embeds the edition number and his signature, reinforcing its status as a collectible. Yet unlike conventional gallery art, this piece was made to communicate with the public. A portion of the proceeds from this release was donated to Greenpeace, underscoring the artist’s commitment to activism through art. Factory Stacks – Endless Power is not a lament—it is a visual demand. It reminds viewers that power, both political and industrial, is not endless unless people allow it to be. Through the bold format of Street Pop Art & Graffiti Artwork, Shepard Fairey transforms a grim industrial skyline into a battleground of ideas, urging action before the smoke becomes irreversible.

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Florence Aubenas AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat Florence Aubenas AP Silkscreen Print 2008 The Florence Aubenas AP Artist Proof silkscreen print from 2008 is a powerful collaborative work by Shepard Fairey, known globally as OBEY, and French stencil art pioneer Blek le Rat. Measuring 18 x 24 inches, this hand-pulled silkscreen on fine art paper exists in an extremely rare Artist Proof edition, each marked “AP” and signed by both artists. Beyond its rarity, the subject matter and dual authorship make it one of the most politically and historically significant works within Street Pop Art & Graffiti Artwork. Subject and Symbolism The work features a portrait of Florence Aubenas, the French journalist abducted in Iraq in 2005 and later released after months in captivity. She is depicted standing calmly against the wall of Place Saint-Michel in Paris, her figure stenciled in stark black and white, contrasting with the detailed urban setting. This juxtaposition symbolizes both her resilience and the precarious realities faced by journalists in war zones. By situating her image in a familiar Parisian context, the print speaks to both the local and international dimensions of her story, grounding a global political issue in a recognizable urban landscape. Collaboration Between Generations Blek le Rat, born Xavier Prou in France in 1951, is widely acknowledged as one of the founders of stencil graffiti, with a career that began in the streets of Paris in the early 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, rose to prominence through his OBEY campaign and later works addressing political and social justice issues. Their joint creation of Florence Aubenas bridges the gap between the origins of stencil graffiti in Europe and the evolution of politically driven street art in the United States. The collaboration highlights a shared commitment to using art as a form of activism and public awareness. Artist Proof Rarity and Legacy Artist Proofs, typically reserved for artists and collaborators outside of the standard numbered edition, carry heightened value due to their scarcity and direct connection to the creators. With dual signatures and the AP designation, this edition of Florence Aubenas stands apart as a rare collector’s item. More than a collectible, however, the print underscores how street art can amplify pressing social issues, using public imagery and fine art techniques to spark dialogue. The Florence Aubenas AP silkscreen remains a landmark example of Street Pop Art & Graffiti Artwork where artistic expression, political urgency, and historical moment converge.

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The Lonesome Crowded West Apt Block Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print Apartment Block Urban City Building Stylized. "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY In the pantheon of street art, few names are as synonymous with the movement's thrust into mainstream culture as Shepard Fairey. His collaboration with the band Modest Mouse for their tour poster celebrates a milestone—the 25th anniversary of their seminal album, "The Lonesome Crowded West." In true Fairey fashion, he interprets the album's ethos with a limited edition silkscreen print, meticulously hand-pulled with five colors on Cream Speckletone fine art paper. This process ensures each of the 825 pieces is imbued with the artist's personal touch. Measuring 18x24 inches, this signed and numbered print presents an apartment block—an urban icon that exemplifies the crowded isolation in the album's title. Fairey's stylized depiction of the apartment block resonates with the band’s exploration of the paradoxical loneliness of urban existence, embodying the spirit of Modest Mouse's music through visual art. His work is not merely an artistic rendition but a narrative of city life's juxtapositions—connectivity and isolation, sound and silence. This collaboration is particularly significant for Fairey, who has been a fan of Modest Mouse since 1998. The album left an indelible mark on him, with its tonal shifts from the raucous "Teeth Like God's Shoeshine" to the more subdued "Trailer Trash." Fairey extols Isaac Brock's songwriting, acknowledging the profound depth and poetic nature of his lyrics, especially considering Brock's youth. The two tracks that stood out to Fairey, "Doin' the Cockroach" and "Cowboy Dan," exemplify the album's range and Brock's lyrical prowess. Fairey's history with Modest Mouse dates back to the 2000 "Black Glass" tour poster, reinforcing his long-standing connection with the band. This print is another chapter in that narrative, solidifying the kinship between his visual art and their musical expression. The artwork is a tangible piece of pop culture history, intertwining the legacy of Fairey's street art with Modest Mouse's contribution to music. Collectors of Fairey’s work and fans of the band alike cherish this print as a symbol of the enduring relevance of "The Lonesome Crowded West" and the power of art to transcend mediums, capturing the essence of an era.

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Two Coming In Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield.

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Clowns Lithograph Print by Gary Taxali Hand-Pulled Print on Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2014 Signed & Numbered Limited Edition of 80 Artwork Size 19x22 Visual Narrative in Taxali's "Clowns" "Clowns" is a striking lithograph print by Gary Taxali, showcasing his exceptional talent blending street art, pop art, and traditional printmaking. This hand-pulled print on fine art paper is a limited edition from 2014, signed and numbered, with only 80 prints made, each measuring 19x22 inches. It encapsulates the whimsical and often satirical essence of Taxali's style, deeply rooted in the aesthetics of vintage comics and advertising. Taxali's "Clowns" depicts a tumbling tower of caricatured clowns in a playful yet chaotic descent between urban buildings. This imagery is a quintessential example of Taxali's ability to convey complex narratives through simple compositions. The clowns, often associated with humor and folly, are presented in a moment of uncontrolled fall, perhaps a metaphor for life's often tumultuous and unpredictable nature. This scene, set against the stark lines of city architecture, evokes a sense of movement and a clash between the animate and the inanimate, a theme commonly explored in Street Pop Art and graffiti Artwork. Technique and Limited Edition Appeal The lithography technique allows Taxali to bring a textural and nuanced quality to the print, reflecting the hands-on approach of street art. Each print in the edition is unique due to the nature of hand-pulling, creating a connection between the artist and each work that resonates with the authenticity sought in both the pop art and graffiti art communities. The limited edition of "Clowns" adds a collectible appeal, merging the democratic nature of street art with the exclusivity of the art world. In the context of modern art, "Clowns" by Gary Taxali stands as a vibrant example of how artists can bridge different artistic disciplines to create works that are both accessible and complex. This print reflects the ongoing narrative of pop art's influence on street art and vice versa, illustrating how the two can merge to form a distinct and compelling genre that resonates with a broad audience. Taxali's work continues to challenge and delight viewers, making a statement both a nod to the past and a commentary on the present state of art and society.

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Nighttime in the City Hand-Pulled 5-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 150 Artwork Size 11x14

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Lackawanna Hoboken NJ Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Remnants 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Santora Rare Street Art Famous Pop Artwork Artist. AP Artist Proof Remnants AP Silkscreen Print by Justin Santora

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Supreme Banner Deck Limited Edition Skateboard deck art by Designer Brand Supreme FW19 2019 Released as a part of Supreme's Fall/ Winter 2019 Week 1 drop, the Supreme Banner Skateboard shares a graphic deck features the same graphic image, a photograph of Supreme's original store banner. The Supreme Banner Skateboard released on August 22nd, 2019

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Joey Home 79 Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of Joe Conzo in a Self Portrait by One Way Sign in 1979. Joey Home 79 Photo Print by Joe Conzo Jr The Joey Home 79 photo print by Joe Conzo Jr is a limited edition archival pigment print that captures a defining moment in the context of Street Pop Art and graffiti artwork. Created on 290gsm Moab Entrada Fine Art Paper, this piece offers a striking black-and-white depiction of the artist himself in a self-portrait taken by a one-way street sign in 1979. This 2023 edition, signed and limited to five pieces, brings renewed attention to Joe Conzo Jr's unique style and contribution to modern artwork. Joe Conzo Jr: The Photographer of a Cultural Movement Joe Conzo Jr, an American photographer, is renowned for his role in documenting the early days of hip-hop culture and the vibrant urban scenes of the Bronx in the late 20th century. His lens captured the raw essence of an evolving art movement that melded music, graffiti, and street culture. Conzo's photographs are celebrated for their candid approach, emphasizing the human stories behind street art and its creators. His work, including Joey Home 79, demonstrates a powerful connection between people, urban landscapes, and the social movements of the time. The Joey Home 79 print stands as a testament to the artist's ability to blend personal storytelling with cultural documentation. Taken in the Bronx, the photograph features Conzo himself, his Afro framing his youthful energy. The one-way street signs add a layer of symbolism, suggesting the pathways and directions individuals navigate in the complex urban environment. The gritty texture of the surrounding architecture reinforces the authenticity of the setting. The Role of Street Pop Art and Graffiti in Modern Art Street Pop Art and graffiti artwork have long been rooted in the expression of identity, rebellion, and social commentary. Emerging from the streets of New York City, artists like Conzo played a significant role in bringing urban narratives to life. Joey Home 79 reflects the broader conversation surrounding self-representation and community in street art. The photograph serves as an artistic bridge, connecting the viewer to the cultural vibrancy of the 1970s Bronx. Graffiti and street art during this era were not confined to spray cans and walls. Instead, they manifested in photography, music, and dance, creating a cohesive cultural tapestry. Conzo's work captures the spirit of this interconnectedness, elevating photography to a vital form of street art. The Legacy of Joey Home 79 in Contemporary Art Joey Home 79 exemplifies the timeless appeal of Conzo's work in the landscape of contemporary art. As a limited edition piece, this print gains significance for collectors and enthusiasts of Street Pop Art and graffiti artwork. The 20x16 size amplifies its impact, inviting viewers to explore its fine details and emotive power. Printed on archival-quality Moab Entrada Fine Art Paper, the piece combines durability with aesthetic finesse. The texture of the paper enhances the depth of the photograph, preserving the mood and authenticity of the original shot. The signature by Joe Conzo Jr reinforces its value as a modern artwork, bridging historical cultural significance with present-day appreciation.

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Green Window Canvas HPM Silkscreen Print by Joshua Vides Screen Print Acrylic & Ink Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Acrylic HPM Embellished Limited Edition of 50 Artwork Size 11x14 Joshua Vides and the Art of Simplification "Green Window Canvas HPM" by Joshua Vides is a distinctive piece that captures the intersection of screen printing and hand-painted detail, symbolic of the innovative spirit of Pop Street Art and graffiti Artwork. This 2023 signed and numbered acrylic HPM (hand-painted multiple) embellished limited edition of 50 stands out for its simplistic yet bold interpretation of everyday objects. This sizeable 11x14 artwork plays with perception and the essence of street-influenced pop art. Vides has carved a niche with his unique aesthetic that distills complex subjects to their most basic elements. The "Green Window Canvas HPM" is a testament to his ability to transform the mundane into the extraordinary. Using stark lines and contrasting colors, Vides reimagines the standard window, a subject often overlooked, into a captivating work of art. The green and yellow hues set against the flat blue pane exemplify his signature style, one that resonates with street art's graphic quality and pop art's boldness. Cultural Relevance of Hand-Embellished Works The "Green Window Canvas HPM" technique reflects a meticulous blend of silkscreen printing with acrylic and ink applications. Each piece in this limited series is a hand-embellished work that blurs the line between printmaking and painting, offering a unique texture and depth not commonly found in multiples. The result is a series of works where each piece, while part of a larger edition, holds its own as a singular expression of Vides's artistic vision. Hand-embellished works such as "Green Window Canvas HPM" occupy an essential space in the dialogue surrounding Street Pop Art and graffiti Artwork. They challenge the notion of art as a solitary original, instead celebrating the variations that come with the artist's hand revisiting each piece. This practice nods to the heritage of street art, where each rendering is subject to the environmental canvas and conditions upon which it is placed. Collectibility and Impact in Modern Art As a limited edition series, "Green Window Canvas HPM" holds significant collectibility, appealing to street and pop art enthusiasts. The limited run, signature, and numbering ensure the authenticity and exclusivity collectors desire. Moreover, the artwork's pop art influence and graffiti art roots speak to a contemporary audience, capturing the essence of modern visual culture. "Green Window Canvas HPM" by Joshua Vides exemplifies the ongoing evolution of street art into the finer realms of pop art, maintaining the authenticity of its origins while embracing the sophistication of contemporary art practices. This piece is not just a representation of an object but an exploration of form, color, and the concept of what constitutes art in the public and private spheres. It's a celebration of the unexpected beauty found in the everyday, reimagined through a street artist's perspective.

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Nuevos y Usados Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Liz Brizzi. Edition of 30 18 x 22 inches / 45.7 x 55.9 cm Fine art print on 290gsm paper Hand signed and number. New and Used is the title in english.

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Octopus Bike Squid Bicycle 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2009 Signed Limited Edition of 60 Artwork Size 20x16

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Bureau of Public Works Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2004 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 Shepard Fairey is a renowned contemporary street artist, graphic designer, and activist known for his thought-provoking and often politically charged artwork. Born Frank Shepard Fairey in 1970, he first gained notoriety in the late 1980s with his "Andre the Giant Has a Posse" sticker campaign, which later evolved into the OBEY Giant phenomenon. Fairey is also known for creating the iconic "HOPE" poster for Barack Obama's 2008 presidential campaign. The Bureau of Public Works Silkscreen Print is a piece of artwork by Shepard Fairey that likely showcases his signature style, which includes bold colors, impactful typography, and propaganda-inspired imagery. In his work, Fairey frequently combines elements from different cultural and artistic movements, such as constructivism, pop art, and graffiti, to create visually striking pieces that also deliver a strong social or political message. It is important to note that Fairey's silkscreen prints are typically produced in limited editions, making them highly sought-after collectibles. Owning a print like the Bureau of Public Works Silkscreen Print by Shepard Fairey - OBEY means owning a piece of contemporary art history, as well as supporting the work of an influential artist who uses his platform to raise awareness about important issues. As a collector or an enthusiast, it's essential to verify the authenticity of the print before purchasing, as forgeries have been known to appear in the market. When acquiring a Shepard Fairey print, look for an artist's signature, edition number, and any accompanying documentation that verifies its provenance.

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Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey x Jamie Reid Limited Edition Pop Art Artwork. 2016 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Be Reasonable Urban Pressure Set Suburban Pressure Press Building Burning Sex Pistols Music Tribute "The Sex Pistols changed my life. When I was a 14-year-old skateboarder, a friend played me “Never Mind the Bollocks, Here’s the Sex Pistols,” and that moment marked a turning point for me. The Sex Pistols provided the adrenaline-inducing soundtrack for my rebellion. If the Sex Pistols provided the soundtrack, the artist behind their imagery, Jamie Reid, provided the visuals for the revolution. Jamie Reid did the iconic art for the Sex Pistols like the “God Save the Queen” sleeve, the “Pretty Vacant” sleeve, and the cover for the album “Never Mind the Bollocks, Here’s the Sex Pistols.” Jamie deserves the majority of credit for the daring aesthetics of Punk Rock. If you’ve ever seen a photocopied, ransom note style, cut & paste punk graphic, then you’ve seen Jamie Reid’s influence. Jamie has been one of my biggest creative inspirations both visually and philosophically, because his work is bold, provocative, irreverent, and political. Jamie Reid also turned me on to Situationism, a movement dedicated to disrupting the conformist trance through pranks and spectacles. I’m honored that I have been able to work with Jamie on some collaborative images and to present a special collection through Obey Clothing in his honor, as well as two limited edition screen-prints. Jamie and I have mutual interest in shaking things up and addressing the problems of corruption, environmental destruction, and wealth inequality, so it is very energizing and meaningful to do a project with him. Enjoy and embrace the chaos!" -Shepard Fairey a piece of punk rock history with the Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by renowned artists Shepard Fairey and Jamie Reid. This limited edition artwork, released in 2016, holds significant value for fans of the Sex Pistols and enthusiasts of pop art, street art, and graffiti art. The collaboration between Shepard Fairey and Jamie Reid celebrates the influential punk rock band, the Sex Pistols, and their lasting impact on culture. As a skateboarder at the age of 14, Fairey's life was forever changed when he heard the album "Never Mind the Bollocks, Here's the Sex Pistols." The band's music became the adrenaline-inducing soundtrack for his rebellion, while Jamie Reid's iconic artwork provided the visuals for the revolution. Jamie Reid's artistic contributions to the Sex Pistols cannot be overstated, as he designed iconic artworks such as the "God Save the Queen" sleeve, the "Pretty Vacant" sleeve, and the album cover for "Never Mind the Bollocks, Here's the Sex Pistols." His daring and provocative aesthetics played a crucial role in shaping the punk rock movement. The influence of Reid's cut-and-paste punk graphics, resembling photocopied ransom notes, can be observed in numerous punk art pieces. The collaboration between Shepard Fairey and Jamie Reid goes beyond admiration for the punk rock era; they both share a mutual interest in addressing societal issues. The duo seeks to disrupt the conformist trance through their art and address problems like corruption, environmental destruction, and wealth inequality. For Fairey, working with Reid has been an honor and a source of creative inspiration, both visually and philosophically. The Suburban Pressure print, a signed and numbered limited edition of 375, captures the essence of punk rock and Jamie Reid's bold and political artistic style. Measuring 18x24, this artwork showcases the rebellious spirit that defined the punk rock era. The collaboration also extends to a special collection presented through Obey Clothing, further honoring Jamie Reid's impact on the art world. If you're a fan of pop art, street art, or graffiti art, owning the Suburban Pressure print is an opportunity to own a piece of history. Embrace the chaos and appreciate the powerful messages behind this iconic artwork by Shepard Fairey and Jamie Reid.

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Carga Fragile Mural 18-Color Lithograph Print by Shepard Fairey- OBEY Hand-Pulled Print on 270gsm BFK Rives Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2023 Signed & Numbered Limited Edition of 300 Artwork Size 40x28 Fine Art Large Format Lithograph "Carga Frágil" Mural in São Paulo, Brazil. This 18-color lithograph, measuring 40 by 28 inches, is printed on BFK Rives 270g paper featuring deckled edges. Created at the historic Idem Studio in Paris using a Marinoni press, it is based on an original illustration inspired by a photograph captured by Jon Furlong. The piece is signed by the artist, Shepard Fairey, and is a numbered edition limited to 300 prints. A portion of the proceeds will be donated to Greenpeace USA. Each print is accompanied by a digital certificate of authenticity provided by Versiart and features the Idem publishing chop in the lower left corner. The Idem Studio was established within a 15,000-square-foot, two-story workshop at 49 rue de Montparnasse. Originally built in 1881 by printer Eugene Dufrenoy, the workshop was designed to house his lithographic presses. In its early days, the facility relied on 19th-century flat machines powered by belt-driven propeller shafts and a steam boiler. The space was later occupied by the Michard Printing Company, which specialized in crafting vibrant, special edition maps. In 1976, Fernand Mourlot acquired the workshop and transformed it into a fine art printshop. Throughout its history, the workshop has seen a revival of lithography, with craftsmen collaborating closely with esteemed artists such as Pablo Picasso, Henri Matisse, Alberto Giacometti, Joan Miró, and Marc Chagall. Today, the printshop is dedicated to contemporary artists like Sophie Calle, JR, William Kentridge, David Lynch, Paul McCarthy, and Raymond Pettibon. Lithographs at Idem Studio are created by drawing an image on a flat stone or transferring it onto aluminum plates. The image is then treated with water and an oil-based ink that is rolled across the surface. Paper is placed atop the matrix and run through a press, transferring the ink onto the paper to form the final lithograph. The process results in a rich, dense layer of ink, producing an exceptional final piece. Now known as Idem, the Mourlot company stands as one of the oldest printing houses still utilizing traditional lithography techniques.

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Silver City Style A XL Night Black 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited of 50 Edition Artwork Size 36x24 Silver Metallic Ink City Style A XL Nightime 36x24

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The Man Who Walks Through Walls AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print. Shepard Fairey x Blek le Rat The Man Who Walks Through Walls AP Silkscreen Print 2008 The 2008 The Man Who Walks Through Walls AP Artist Proof silkscreen print is a rare collaboration between Shepard Fairey, internationally recognized as OBEY, and stencil pioneer Blek le Rat. Hand-pulled on fine art paper and measuring 18 x 24 inches, this limited edition Artist Proof was signed by both artists and marked “AP,” distinguishing it from the standard numbered edition of 100. As an Artist Proof, it holds particular value among collectors of Street Pop Art & Graffiti Artwork, symbolizing both artistic experimentation and the direct approval of the creators. Imagery and Urban Context The composition combines stark stencil work with a heavily graffitied wall, embedding the artwork within the raw energy of urban life. At the center, a suited man carries bags labeled with text, positioned alongside a goat, while a police officer passes in the foreground. To the right, a telephone booth punctuates the scene, grounding the work in the everyday architecture of the city. The layering of graffiti tags, political scrawls, and the surreal juxtaposition of figures evoke themes of consumerism, authority, and rebellion. The suited figure in particular hints at urban alienation, while the presence of the goat and booth adds absurdity, making the composition at once humorous and sharply critical. Collaboration Between Shepard Fairey and Blek le Rat Blek le Rat, born Xavier Prou in 1951 in France, is widely credited as the father of stencil graffiti, bringing social commentary directly into the streets of Paris beginning in the 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, built his reputation through his OBEY sticker campaign and politically engaged prints, including the Hope poster of Barack Obama. Their collaborative works, such as The Man Who Walks Through Walls, highlight a shared belief in the role of public art as a platform for protest and dialogue. The merging of Fairey’s graphic sensibilities with Blek’s direct stencil approach emphasizes the continuity between two generations of politically minded street artists. Rarity and Significance of the Artist Proof The Artist Proof edition carries special weight within the print world, typically produced in very small quantities and often retained by the artists. Signed by both Shepard Fairey and Blek le Rat and marked AP, this print holds heightened collectible value and authenticity. Beyond rarity, its imagery and collaborative nature underscore the strength of street art as a vehicle for political and cultural critique. The Man Who Walks Through Walls AP silkscreen print is not just a fine art object but also a vivid statement on urban culture, consumerism, and resistance, making it a defining example within the history of Street Pop Art & Graffiti Artwork.

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JungleCity Giclee Print by Rosy One Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2024 Signed & Numbered Limited Edition of 100 Artwork Size 19.69x27.56 Rosy One JungleCity Giclee Print Limited Edition Street Pop Artwork The 2024 JungleCity Giclee Print by Rosy One is a dynamic explosion of color and cartoon-inspired street storytelling. Printed as a limited edition of just 100 pieces on fine art paper and sized at 19.69 by 27.56 inches, this work showcases Rosy One's unique position at the crossroads of graffiti culture, underground comics, and Street Pop Art & Graffiti Artwork. With signature precision and humor, she transforms an urban landscape into a chaotic, character-filled fantasy world where vibrant figures animate the streets and surreal city scenes unfold with each glance. The detail-rich composition acts like a still frame from an animated feature, full of references to hip-hop, street art history, and raw city life. Rosy One's Role in Contemporary Graffiti Pop Culture Rosy One, a Swiss graffiti artist born in Lausanne, has long been recognized for her powerful and whimsical fusion of classic graffiti techniques with comic book aesthetics and cultural satire. Her work often features cartoon characters, bubble letters, and bold linework that blends storytelling with street energy. As one of the prominent female figures in graffiti since the 1990s, she has consistently celebrated hip-hop culture through her visual language, while also challenging stereotypes in a male-dominated genre. JungleCity is a continuation of her playful yet sharp social commentary, packed with satirical details and urban iconography that invite viewers to examine themes of community, chaos, and character. Visual Breakdown of JungleCity's Street Pop Art Composition JungleCity bursts with personality, layering buildings, subway cars, signage, characters, and colorful ooze into a rich tapestry of graffiti-influenced design. Divided into upper and lower city levels, the print cleverly juxtaposes above-ground vibrancy with underground rawness. The upper city is filled with quirky inhabitants and anthropomorphic creatures, all engaged in expressive acts like tagging, rapping, or lounging in surreal scenarios. Meanwhile, the underground reveals a gritty MTA-style train labeled with graffiti tags and a subway tunnel morphing into dripping jungle roots. Skulls, rats, and signage like Jungle Street and Tuff City embed coded references to hip-hop’s birthplaces and graffiti’s rebel roots. Every inch is meticulously detailed, drawing the eye in countless directions, yet maintaining cohesion through Rosy One’s sharp black outlines and neon palette. JungleCity as a Statement in Street Pop Art & Graffiti Artwork This giclee print not only captures Rosy One’s distinctive voice but also encapsulates the enduring energy of graffiti as a living cultural force. Her approach to Street Pop Art & Graffiti Artwork fuses comic absurdity with graffiti realism, allowing the work to function both as visual entertainment and sociocultural critique. JungleCity is more than an aesthetic statement; it is a celebration of urban survival, creative freedom, and the interconnection between the visual languages of the street and printmaking. As both an art object and narrative map, the piece exemplifies how street culture continues to evolve and inspire.

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Elysian Archival Pigment Fine Art Limited Edition Archival Pigment Print on 290gsm Moab Fine Art Paper by Pop Artist Scott Listfield. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 20x30 Edition of 100 Giclee print on Moab Entrada 290gsm paper 20 x 30 inches / 50.8 x 76.2 cm Signed, numbered and embossed by the artist Printed by Static Medium

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Respect the Land Light Pink Silkscreen by Gats- Graffiti Against The System Hand-Pulled 4-Color Screen Print on Gold Foil Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 30 Artwork Size 24x18 "Respect the Land Light Pink Silkscreen" by Gats- Graffiti Against The Systemby is a compelling limited edition artwork that melds the rebellious spirit of street art with the finesse of pop art. The hand-pulled 4-color screen print on gold foil paper stands as a cultural artifact within the 2022 art scene, reflecting Gats- Graffiti Against The Systemby's distinctive style and his commentary on societal issues through visual art. Each of the limited edition pieces, sized 24x18 inches, is meticulously signed and numbered, marking its place in a finite set of 30. This deliberate choice underlines the artwork's exclusivity and the artist's engagement with each print. The light pink hues in this silkscreen offer a soft contrast to the golden background. This combination may be a metaphor for the delicate balance between urban development and the natural environment. The gold foil, often associated with luxury and value, is a stark reminder of the intrinsic worth of our natural landscapes, which are often overlooked or undervalued in the face of industrial expansion and urban sprawl. This piece showcases Gats- Graffiti Against The Systemby's iconic use of symbolic imagery, including eyes and cryptic scripts, which have become a hallmark of his work. The eyes, often interpreted as windows to the soul, here serve as a motif that challenges the viewer to look beyond the surface and consider more profound implications of human impact on the environment. The stylized, almost runic script that borders the artwork adds an element of mystery, compelling the observer to decode its message and reflect on the past, present, and future — themes recurrent in Gats- Graffiti Against The Systemby's body of work. As a prominent figure in pop and street art, Gats- Graffiti Against The Systemby's "Respect the Land Light Pink Silkscreen" encapsulates the convergence of artistic disciplines that define the modern art landscape. The work is not just an aesthetic accomplishment but also a socio-political statement, encouraging a dialogue about the stewardship of the earth. This piece stands out in Gats- Graffiti Against The Systemby's portfolio as a testament to his skill in screen printing and his dedication to using art to provoke thought and inspire change regarding environmental respect and conservation.

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KONG Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Scott Listfield, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 Artist: Scott Listfield Title: "KONG" Medium: Archival Pigment Print Edition: 50 Markings: Signed and Numbered by the Artist Dimensions: 18" x 24"

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It's a Bird! It's a Plane! Dude is he Tagging? Giclee Print by Priest Corp Artwork Limited Edition Print on 290gsm Cold Pressed Cotton Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 23x18 Silkscreen of DC Comic Book Hero Super Man Looking Out Over The Top of the City Skyscrapers as Helicopters Surround Him Flanked By Urban Graffiti Priest Corp Artwork’s limited edition giclee print titled "It's a Bird! It's a Plane! Dude is he Tagging?" stands as a striking testament to the enduring interplay between pop culture and street art. Dated 2023 and released as a limited run of just 50 pieces, this artwork is exquisitely printed on 290gsm cold pressed cotton fine art paper, which not only ensures longevity but also showcases the rich, vibrant hues of the silkscreen in exquisite detail. The visual narrative unfolds atop a cityscape, with DC Comic’s legendary superhero, Superman, positioned as the central figure. He is seen overlooking the vastness of the city's skyscrapers, a sentinel of justice and hope. This iconic imagery of Superman is, however, juxtaposed with elements emblematic of urban life. Helicopters encircle him, creating a dynamic tension in the composition, hinting at an urgency or perhaps an unfolding event. Yet, what truly accentuates the contemporary theme is the surrounding graffiti. This unexpected infusion of street art challenges traditional comic iconography, suggesting a dialogue between the vigilance of superheroes and the voices of urban artists. By merging the iconic imagery of Superman with the raw expressionism of graffiti, Priest Corp Artwork underscores the evolving nature of both pop and street art. It's a reflection on how classic symbols from our popular consciousness can be reimagined and recontextualized within the fabric of urban narratives. This piece not only celebrates the spirit of a classic superhero but also elevates the significance of graffiti as a form of contemporary commentary.

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Shell Gas Station Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2013 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Shell Gas Station Original Dunny Art Toy by Task One Task One's Commentary on Consumerism: Shell Gas Station Original Dunny Town Art Toy Task One's "Shell Gas Station Original Dunny Town Art Toy" is a remarkable piece within the Kidrobot Dunny Town series, revealing the artist's intricate craftsmanship and keen social commentary. Created in 2013, this particular art toy fuses vinyl with painted plaster to meticulously recreate a Shell gas station with the brand's iconic logo and colors. Measuring approximately 3x4 inches, the work encapsulates the ubiquitous nature of global consumer brands and their imprint on the urban landscape, interpreted through the unique aesthetic of street pop art and graffiti artwork. The miniature gas station symbolizes the global economy, energy consumption, and the environmental impact of fossil fuels. Task One's choice to embed such a potent symbol into the playful form of a Dunny is a powerful statement on how deeply corporate symbols are ingrained in our daily lives. It provokes thought on our reliance on such establishments, not just for fuel but as fixtures of the modern world that represent a complex network of commerce and industry. The Intersection of Urban Iconography and Artistic Expression With the "Shell Gas Station Original Dunny Town Art Toy," Task One continues his exploration of urban iconography, transforming a familiar city element into a piece of collectible art. The juxtaposition of Dunny's cartoonish form with the realistic details of the gas station creates a striking contrast characteristic of pop art's approach to blending high and low cultural imagery. This piece contributes to the dialogue of street pop art and graffiti artwork, where the line between commercial branding and artistic expression becomes blurred. The work is a microcosm of the streets, a tangible manifestation of the sights and symbols that define the contemporary urban experience. Collectors and enthusiasts of Task One's work are not only drawn to the visual appeal of his creations but also to the layered meanings and cultural critiques embedded within them. The "Shell Gas Station Original Dunny Town Art Toy" is a prime example of how art toys can transcend their initial perception as mere objects of play and become conduits to reflect broader societal themes. In the narrative of street pop art, Task One's Shell Gas Station Dunny stands as a testament to the power of art to encapsulate and critique the world around us. It is a collectible that captures the zeitgeist of the early 21st century, a time when questions about sustainability, consumer culture, and environmental responsibility are at the forefront of public discourse. Through this work, Task One affirms the relevance and potential of street pop art and graffiti artwork to challenge, provoke, and engage audiences in a conversation about the world they inhabit.

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Clerks- Metallic Silver Followed Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Movie, Clerks, Kevin Smith, Man, Building, Ambulance, City, Jay & Silent Bob

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Humboldt Park Chicago Silkscreen Print by Ian Ferguson- Hydeon 1-Color Hand-Pulled Limited Edition on Fine Art Paper Rare Street Art Famous Pop Artwork Artist. 2013 Signed & Numbered Limited Edition of 35 Artwork Size 16x20 Neighborhood Art Series by Ian Ferguson.  Humboldt Park Silkscreen Print by Ian Ferguson – Hydeon The Humboldt Park silkscreen print by Ian Ferguson, also known as Hydeon, is a masterful piece in the Neighborhood Art Series, showcasing the intricate and layered storytelling for which the artist is known. This one-color hand-pulled silkscreen print is a signed and numbered limited edition from 2013, measuring 16x20 inches on fine art paper. It represents a unique vision of Humboldt Park, one of Chicago’s most historically and culturally significant neighborhoods. Ferguson’s work blends architectural precision with surreal urban landscapes, capturing the vibrancy, energy, and layered history of the community through a composition filled with intricate details and symbolic elements. The Architectural and Cultural Essence of Humboldt Park Ferguson’s illustration style is deeply rooted in architectural line work, and this piece is no exception. Humboldt Park’s ornate buildings, historic facades, and bustling street scenes are carefully drawn with a high level of detail, reflecting the neighborhood’s diverse influences. The artwork brings together an array of visual motifs, including classic Chicago brick buildings, vintage automobiles, bicycles, and elements of the urban landscape that define the area’s character. The use of black and white enhances the structural complexity of the illustration, allowing each line to tell a story. Beyond its architectural depth, Humboldt Park is widely recognized for its cultural history, particularly its strong connection to Puerto Rican heritage and Latin American influences. Ferguson pays homage to this identity by incorporating imagery such as a mariachi musician, elements of Puerto Rican symbolism, and nods to the community’s long-standing contributions to Chicago’s street pop art & graffiti artwork. The piece blends these cultural elements with its urban setting, creating an evocative snapshot of a neighborhood filled with life and resilience. Surrealism and Symbolism in the Artwork A defining characteristic of Ferguson’s work is the interplay of realism and surrealism. In this print, seemingly familiar structures are reimagined in dreamlike ways—architecture floats among the clouds, structures merge into one another, and perspectives shift fluidly across the composition. The Humboldt Park lagoon is a focal point, drawn with reflections that add depth and a sense of movement. Meanwhile, griffin-like mythical creatures appear in the sky, reinforcing a sense of mystery and wonder, which is a signature of Ferguson’s work. The print also includes elements that hint at the neighborhood’s present and past—its food truck scene, vintage signage, public parks, and bustling street life. These details provide layers of meaning, allowing the viewer to explore different aspects of Humboldt Park’s identity. Ferguson’s ability to infuse narrative into his illustrations elevates this piece beyond mere documentation; it becomes an experience, a visual representation of a living, breathing urban environment. Hydeon’s Influence on Street Pop Art & Graffiti Artwork Ian Ferguson’s Neighborhood Art Series has established him as a leading figure in street pop art & graffiti artwork, offering an alternative to traditional muralism by using hand-pulled silkscreen techniques to create highly detailed urban narratives. Unlike large-scale street art that often relies on bright colors and broad strokes, Ferguson’s method focuses on intricate line work and layered storytelling. This approach aligns with the historical documentation of urban spaces, much like how early cartographers mapped cityscapes, but with a modern artistic twist. Through this series, Ferguson captures the soul of Chicago’s neighborhoods, transforming them into surreal, poetic compositions that resonate with residents and art collectors alike. The Humboldt Park silkscreen print is a tribute to the area’s resilience, history, and artistic energy, preserving its cultural identity through a limited edition, hand-pulled artwork that continues to inspire admiration within the street pop art & graffiti artwork community.

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