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Rowhouse 2 Hand-Pulled 17-Color Oval Silkscreen Print Art on Mohawk Superfine UltraWhite Paper by Pop Street Artist Pose- Jordan Nickel Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x30 Oval Hand Deckled Edge 4 Color Split Fountain "Rowhouse 2" emerges as a compelling reflection of the fusion of pop art, street art, and graffiti, masterfully conceived by the esteemed pop street artist Pose, also known as Jordan Nickel. The artwork vibrantly showcases a 17-color palette, elegantly brought to life through the hand-pulled oval silkscreen printing technique. This precise method ensures that each color pops brilliantly on the Mohawk Superfine UltraWhite Paper, a choice substrate celebrated for its ability to encapsulate rich, intricate details and sustain the depth of the vivid hues. This meticulous selection amplifies the visual resonance of the artwork, offering viewers a captivating experience. Navigating through the vibrant chaos of "Rowhouse 2", one is drawn into a whirlwind of urban motifs, abstract designs, and dynamic patterns. These elements, resonant of urban life and its multifaceted charm, are rendered with a finesse that only Pose could achieve. The artwork's unique oval shape provides a distinct frame, accentuated further by a hand deckled edge that seamlessly complements the 4-color split fountain technique, elevating its aesthetic allure. Revealed to the world in 2022, "Rowhouse 2" is not merely an art piece but a beacon of modern artistic expression. As a limited edition masterpiece, only 75 pieces exist, each distinctly signed and numbered by Pose. With dimensions of 18x30, it offers an immersive experience, drawing viewers into its intricacies. A testimony to the evolution and amalgamation of different art forms, "Rowhouse 2" by Pose is a testament to the enduring allure and transformative power of street and pop art in contemporary times.

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Mad World Artwork Giclee Limited Edition Print on 290GSM Fine Art Paper by Pop Culture Graffiti Artist Josh Keyes. Josh Keyes Mad World Edition of 300 13x16 inches / 33x40.6cm Fine art print on 290gsm paper Signed and numbered by the artist Josh Keyes exists equally in the world of surrealism and realism. No matter how contradictory this may seem, his art manages to balance physiological accuracy and extreme photorealism with an eco-surrealistic scenery and interactions. The theoretical context of his work is connected to mythological and folklore themes –especially the legends and stories of Native Americans- and the imagery that exists between dreams and nightmares in order to express profound existential anxiety and uncertainty.

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Two Coming In PP Printers Proof Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. PP Printers Proof 2018 Signed & Marked PP Artwork Size 16x20

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David with Machine Gun Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2008 Signed by Shepard Fairey & Blek le Rat, Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat David with Machine Gun Silkscreen Print 2008 The 2008 David with Machine Gun silkscreen print is a collaborative edition created by Shepard Fairey, known as OBEY, and French stencil art pioneer Blek le Rat. Hand-pulled on fine art paper and produced in a signed and numbered edition of 100, this 18 x 24 inch print merges the strengths of two iconic street artists across generations. Both signatures on each print elevate it to an important collector’s piece within Street Pop Art & Graffiti Artwork, highlighting not only a striking image but also the historical significance of the collaboration itself. Imagery and Commentary The print features a reinterpretation of Michelangelo’s classical sculpture David, here transformed into a provocative figure holding a machine gun. The juxtaposition of the Renaissance ideal of human beauty and form with the stark brutality of a modern weapon serves as a sharp critique of war, violence, and the distortion of cultural ideals. By placing David in a gritty, graffiti-covered urban environment, the work questions how art and society repurpose historic symbols to address contemporary anxieties. This powerful reimagining reflects both Blek le Rat’s tradition of stencil interventions in public spaces and Shepard Fairey’s skill at repurposing cultural icons into tools for social commentary. Collaborative Significance Blek le Rat, born Xavier Prou in France in 1951, is celebrated as one of the earliest and most influential stencil graffiti artists. Shepard Fairey, born in Charleston, South Carolina in 1970, became internationally known for his OBEY campaign and his later political works, including the Barack Obama Hope poster. Together, they bridge the early roots of European stencil art with the graphic and politically driven evolution of American street pop art. Their joint works, such as David with Machine Gun, serve as cultural dialogues between two eras, reinforcing the continuity of street art as a platform for protest and public discourse. Political Resonance and Collector Value David with Machine Gun functions as a visual protest, reworking an image of purity, youth, and beauty into a statement about the corruption of ideals through militarization and violence. The collaboration underscores both artists’ shared commitment to making politically engaged art accessible to broad audiences. With its limited edition of only 100, dual signatures, and thematic strength, the print has become a significant and sought-after work for collectors. It captures the way Street Pop Art & Graffiti Artwork can take familiar imagery and transform it into a searing critique of the modern world, cementing its role as both cultural artifact and fine art object.

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La Nascita, Milano Centrale Italie 2024 Archival Print by Atelier JR Jean-René Limited Edition on Fuji Crystal Archive DP II Matt Paper Pop Graffiti Street Artist Modern Artwork. 2024 Signed & Numbered Print Limited Edition of 293 Artwork Size 16.4x12.2 Archival Pigment Fine Art  A Compelling Fusion of Architecture and Artistic Vision La Nascita, Milano Centrale Italie 2024 Archival Print by Atelier JR Jean-René features a striking juxtaposition between historic grandeur and modern creative intervention. The photograph presents the monumental façade of Stazione Milano Centrale, partially obscured by what appears to be a chasm in the building’s center. This rugged, mountain-like formation interrupts the linear symmetry of the station, piquing curiosity about the story behind its construction. In 1906, the establishment of Milano Centrale commenced after vast amounts of alpine rock were excavated to build the Simplon Tunnel linking Italy and Switzerland. The tunnel’s creation laid the foundation for the station, which later incorporated Roman, Art Nouveau, and Art Deco influences. Jean-René’s portrayal of a hollowed mountain in the midst of this imposing architecture offers an homage to history, wrapped in a surreal trompe l’oeil effect. Street Pop Art & Graffiti Artwork Influence Those who appreciate Street Pop Art & Graffiti Artwork will find parallels in the immediacy and boldness of Jean-René’s intervention. Reimagining classical architecture as a fragmented rock landscape echoes the disruptive yet meaningful approach of street-based expression. Layers of time and place intermingle within this piece, which transforms a recognizable European landmark into a stage for reflection on progress, heritage, and the human drive to explore. Urban artists frequently seek to provoke thought by inserting visual statements directly into bustling public spaces. This piece exemplifies that approach, retaining a raw edge while simultaneously showcasing refined photographic craftsmanship. The photograph emphasizes how a daring concept can merge with advanced techniques to create a modern masterpiece that resonates with both casual passersby and committed art collectors. Conceptual Depth and Engaging Dialogue By cloaking the station’s columns, statues, and ornate details with a monumental black-and-white depiction of fractured rock, the artist invites questions about memory, transformation, and human ambition. The viewer senses an echo of the early 1900s, when engineering feats carved new pathways through the Alps, enabling a closer connection between regions and forging fresh possibilities. Placing this installation in a hub of arrivals and departures underscores an ongoing narrative of movement and discovery. Travelers arriving at the station encounter an otherworldly intervention embedded within the building’s formal elegance. This visual dialogue highlights the tension between timeless architecture and fleeting moments, encouraging an awareness that every journey is part of a larger story shared by countless passengers through time. Limited Edition Archival Artwork This piece exists as a signed and numbered print sized at 16.4x12.2 and produced on Fuji Crystal Archive DP II Matt Paper. The archival pigment process ensures lasting vibrancy and preserves the subtle transitions between the stately browns and grays of the station and the sharp monochrome lines of the mountainous facade. Collectors gain access to a unique window on history, both honoring the past and inviting contemplation of the present. By capturing multiple moments throughout the day, Jean-René merges shifting light conditions into a single composition, lending the print an enigmatic sense of time suspended. That quality resonates strongly with the ethos of street-inspired art: layering various contexts into one creative act. This limited edition offers an immersive way to appreciate the evolving narratives woven into urban landscapes, illustrating how an artist’s vision can add a new dimension of wonder to established structures.

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Chateau Paris Black Letterpress Print by Mr André Saraiva Limited Edition 1-Color on 100# Cover Neenah Classic Crest Natural White Fine Art Paper Graffiti Street Pop Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 16x20 Letterpress Print Chateau Marmont, an iconic Los Angeles landmark, has been a beacon of creativity, opulence, and allure since its doors in 1929. This institution has been essential to Hollywood history, hosting numerous celebrities, artists, and influential figures. While it is best known for its role in Tinseltown's culture and history, Chateau Marmont has also impacted the world of graffiti and street art.

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Coffee Shop Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2013 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Coffee Shop Original Dunny Art Toy by Task One Celebrating Urban Culture: Task One's Coffee Shop Original Dunny Town Art Toy The "Coffee Shop Original Dunny Town Art Toy" by Task One is a captivating work that encapsulates the essence of street pop art and graffiti artwork through the innovative medium of Kidrobot vinyl and painted plaster. Released in 2013 as a part of the celebrated Dunny Town series, this piece stands approximately 3x4 inches. It represents a quaint urban coffee shop, a common sight in cityscapes across the globe. This art toy collectible is a testament to Task One's ability to transform the mundane into the extraordinary, spotlighting the role of coffee shops as social hubs within the tapestry of urban life. The art piece showcases Task One's meticulous attention to detail and his commitment to bringing the vibrancy of street culture into the realm of collectible art. The coffee shop, complete with its iconic sign, outdoor umbrella, and a tiny patron, is an homage to the everyday gathering places that serve as neighborhood landmarks. The art toy stands not just as a collectible item but as a miniature homage to the communal spaces that play a crucial role in urban living and culture. Task One's Artistic Vision: Blending Daily Life with Pop Art Task One's "Coffee Shop Original Dunny Town Art Toy" exemplifies the fusion of daily life with the imaginative potential of pop art. This piece, part of a limited edition series, mirrors city life's familiar yet often overlooked corners, presenting them through a whimsical yet reflective lens. The coffee shop, an emblem of urban routine and comfort, is reinterpreted in the distinct shape of a Dunny, merging the playful form with a severe function. This work is particularly significant in street pop art and graffiti artwork, as it captures the spirit of urban storytelling through a tangible form. The coffee shop, a place of respite and conversation, reflects the city's diversity and dynamism; through Task One's artistry, it is celebrated and immortalized in vinyl. The "Coffee Shop Original Dunny Town Art Toy" is thus more than just a representation of a building; it's a piece of urban narrative, inviting collectors and art lovers to appreciate the small yet significant elements of the urban experience. In creating this piece, Task One has reinforced the idea that art can be found daily and that the buildings and spaces we often pass by without a second glance hold stories worth telling. Through art toys, he has made these stories accessible, creating a bridge between the street and the shelf, between the ephemeral and the enduring. The "Coffee Shop Original Dunny Town Art Toy" is a vibrant slice of urban life. This collectible carries the flavor of the streets and the creativity of one of the most innovative artists in street pop art and graffiti artwork.

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Escape Door #9 Limited Edition Hand-Embellished Archival Pigment Prints on 290gsm Moab Fine Art Paper by OakOak Graffiti Street Artist Modern Pop Art. Custom Framed Ornate Frame. Born in the city of Saint-Etienne, France, he pastes his drawings everywhere he goes so as to bring smiles to passers-by where they least expect it. His approach consists of diverting urban elements, playing with mundane flaws, like a crack on a wall. He adds his own vision, his own references that often stem from the geek culture. His art is a means to poeticize the urban environment.

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Respect the Land Silver Silkscreen by Gats- Graffiti Against The System Hand-Pulled 4-Color Screen Print on Gold Foil Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 24x18 Respect the Land Silver Silkscreen by GATS – A Mystical Symbol of Continuity in Street Pop Art & Graffiti Artwork Respect the Land Silver Silkscreen is a 4-color hand-pulled screen print on radiant gold foil paper, created in 2022 by the anonymous street artist known as GATS, which stands for Graffiti Against The System. This 24x18 inch signed and numbered edition of 100 captures the essence of GATS’ bold iconography and commitment to resistance-based visual storytelling. The work presents a stone temple structure with three arched windows, each containing abstracted eyes, radiant lines, and the central masked figure that is signature to GATS’ visual identity. Rooted in the themes of ancestry, surveillance, spiritual continuity, and resistance to oppression, this piece reflects the artist’s long-standing engagement with sacred motifs and urban decay. The intricate detailing etched into the structure evokes the textures of carved monuments, layered with symbols that challenge the boundaries of mythology, mysticism, and social critique. GATS and the Sacred Mask as a Voice of Resistance GATS, who remains anonymous and active globally, has become an icon in contemporary graffiti art through their use of a unique, stylized mask that appears across alley walls, train cars, and now, fine-art screen prints. In Respect the Land Silver Silkscreen, the central figure wears the mask that viewers associate with silent wisdom, watching over the timeline etched below: Past, Present, Future. This triptych structure functions not just as an aesthetic decision but as a philosophical stance. It invites the viewer to consider the interconnectedness of time and the duty to honor the land not just for its utility but for its sacred and historical value. GATS uses the streets as their original gallery, but works like this print channel the same ethos into limited edition form, preserving the visual impact while inviting deeper reflection. The eyes to either side of the mask do not passively observe—they guard, they record, they witness. They represent a challenge to the colonial erasure of history and displacement of indigenous presence. Symbolism, Gold Foil, and Printmaking Craft The use of gold foil paper elevates the mystical aura of the work, functioning both as a nod to sacred objects and as a material choice that reflects light and meaning. Gold, traditionally used in religious iconography, here becomes a shimmering backdrop to themes of ancient guardianship and future consciousness. The four-color screen printing process brings layered depth, particularly in the texture of the stone facade and the intricate detailing of the eyes and facial features. GATS resists digital reproduction aesthetics by grounding the work in physical craft. Every print contains evidence of hand-pulled imperfection, aligning with the unpredictability and raw energy of graffiti. The cryptic symbols surrounding the structure further emphasize the esoteric nature of the image, inviting a deeper reading of lost languages and obscured histories. The balance of graphic symmetry and weathered texture demonstrates mastery in composition and message alike. Respect the Land as a Statement in Street Pop Art & Graffiti Artwork This artwork holds weight within the canon of Street Pop Art & Graffiti Artwork by refusing to separate spiritual vision from political urgency. Respect the Land is not just a call to environmental awareness—it is a reminder of what has been taken and forgotten. Through this silkscreen edition, GATS continues the mission of using masked figures and eyes as symbols of awakening and accountability. The print does not isolate past injustices but ties them to present awareness and future consequences. GATS has created a timeless piece that speaks from the walls of ancient temples and city blocks alike. With its limited release and hand-crafted production, it becomes both collectible and instructive—a sacred artifact that resists forgetting, illuminating the hidden forces that govern memory, culture, and justice.

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Break Free 29 Limited Edition Hand-Embellished HPM Archival Pigment Prints on 290gsm Moab Fine Art Paper by Jessica Hess Graffiti Street Artist Modern Pop Art. Hand-Embellished Archival Pigment Print on 290gsm Moab Fine Art Paper Size: 24 x 20 Inches Release: July 26, 2019 “Break Free” is part of a new series of paintings focusing on the strange abstraction of manmade structures through disuse, decay, and demolition in contrast with the beauty of their reclamation by nature. All will return to the Earth one day." - Jessica Hess Jessica Hess’s Break Free 29: The Architecture of Decay and the Language of Graffiti Jessica Hess’s Break Free 29 is a hand-embellished archival pigment print measuring 24 x 20 inches, released in 2019 as part of a series that documents abandoned urban architecture overtaken by graffiti and natural elements. Printed on 290gsm Moab fine art paper, this limited edition exemplifies Hess’s mastery in photorealistic painting and her ability to transform urban ruin into visual poetry. The image captures a collapsed interior space—possibly a warehouse or industrial relic—where nature begins to reclaim its territory, and every visible surface is layered in tags, murals, and weathered pigment. The work is not a simple celebration of street art. It is a nuanced meditation on impermanence, resilience, and transformation. Hess does not stylize or exaggerate the graffiti; she paints it faithfully, respecting it as an honest record of human mark-making. The decaying beams, broken floorboards, and skeletal remains of the roof add to the visual complexity. Everything in the composition is in flux. The structure is failing, yet the surfaces breathe with new life. Green plants push through the cracks. Bright sprays of color resist silence. The collapse is not an end, but an evolution. Photorealism as Preservation of Street Pop Ephemera Jessica Hess’s work functions as a form of visual preservation. By painstakingly recreating graffiti-covered ruins in photorealistic detail, she immortalizes temporary art in the face of time, destruction, and erasure. In Break Free 29, no surface is left untouched—pillars, window frames, pipes, and debris are covered in overlapping layers of aerosol marks, stickers, and paint drips. Each tag is an anonymous voice, part of a larger visual conversation layered over time. Hess does not edit or curate these voices. She captures them in all their raw complexity. The technique of hand-embellishment in each print adds to the authenticity of the piece. It reinforces the physical nature of graffiti itself—built through layers, retouches, and repetition. The painted elements do not merely replicate; they reactivate the image. Hess’s use of high-fidelity realism and handwork bridges the worlds of graffiti and fine art without compromising either. It reflects her deep respect for the spaces and the artists who have left their imprint there. Entropy, Memory, and the Rewilding of Urban Space Break Free 29 contributes to the ongoing dialogue within Street Pop Art & Graffiti Artwork about the meaning of space, decay, and authorship. Hess doesn’t paint the act of graffiti in motion—she paints its aftermath, its documentation. The structure she depicts is no longer defined by its original function. It is a new environment shaped by collapse, intervention, and neglect. The architecture becomes an accidental canvas, and nature slowly encroaches as a silent collaborator. There is no central human figure in the scene, but human presence is everywhere—in the spray lines, in the tags, in the layers of messages written across time. The graffiti doesn’t just decorate the ruins; it gives them meaning in their disuse. Hess’s framing of this space reveals an alternate kind of beauty—one not built on design, but on decomposition and reoccupation. Plants grow through concrete. Sunlight filters through the broken roof. The manmade yields, and the earth begins to rewrite the structure’s story. Through Break Free 29, Jessica Hess presents ruin not as loss but as transformation. It’s a portrait of impermanence painted with care and precision, reminding us that nothing is truly static—not cities, not art, not nature. Everything is in motion, and everything eventually breaks free.

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Continental Motors Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Stephanie Buer, Street Pop Art Graffiti Legend. Signed & Numbered 2019 Archival Pigment Print on 290gsm Moab Fine Art Paper Size: 24 x 12 Inches Release: November 30, 2019 Run of: 50 "This painting is a portrait of the Continental Motors Factory in East Detroit. I have been exploring Detroit for 17 years and this was the very first time I had visited this factory. I love that there are always new places to discover and explore in this city. Continental Motors is the largest painting I have ever made, the original is 5’ long. The building and the snow were so stunning, I really wanted to make an image that captured everything." - Stephanie Buer

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Guerilla One x The Seventh Letter Collaboration 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 450 March 5, 2009 OBEY, Guerilla One, and The Seventh Letter have always had a strong long-lasting friendship and creative relationship with numerous collaborations including the late 90’s Free GKAE print, created by Shepard and Casey Zoltan from The Seventh Letter, to raise funds for GKAE’s legal fees. This current project was created to symbolize both strength in numbers and unity by way of collaboration. The Seventh Letter, Obey Giant, and Guerilla One have all stood individually and collectively as pillars in the graffiti /street art scene both domestically and internationally. Its apparent that the 3 collaborators will continue to support street art by creating new platforms that encourage and inspire many worldwide. “When we started doing graffiti, putting up stickers we had no idea the places it would take us, and no matter where we go from here we will stay loyal to those who have helped us get there.” – Eddie Donaldson, Founder of Guerilla One “I have always rolled with G1 and Shepard through thick and thin and will always have their backs forever on a street and professional level”. – Casey EKLIPS Zoltan, Founder of THE SEVENTH LETTER

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The Beauty of Liberty & Equality PP Printers Proof Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. PP Printers Proof 2020 Signed by Shepard Fairey & Sandra Chevrier & Marked AP Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality PP Austin Mural Print by Shepard Fairey x Sandra Chevrier x Jon Furlong. "This historic centennial offers an unparalleled opportunity to commemorate a milestone of democracy and to explore its relevance to the issues of equal rights today. The Women's Vote Centennial Initiative, a collaboration of women-centered institutions, organizations, and scholars from across the US, works to ensure that this anniversary and the 72-year fight to achieve it are commemorated and celebrated throughout the United States." -Shepard Fairey Shepard Fairey and Sandra Chevrier's "The Beauty of Liberty & Equality": A Mural of Democratic Milestones "The Beauty of Liberty & Equality" PP (Printer's Proof) is an evocative offset lithograph print by Jon Furlong that captures the essence of a mural by Shepard Fairey and Sandra Chevrier, two luminaries in the world of urban graffiti pop street art. This print, part of a limited edition run of 500 signed and numbered pieces released in 2020, measures 18x24 inches and stands as a testament to a significant moment in the history of democracy—the Women's Vote Centennial. Shepard Fairey's statement underscores the artwork's connection to the broader initiative commemorating women's suffrage and its ongoing relevance to current equal rights issues. Fairey, an artist renowned for his politically charged work, and Chevrier, known for her striking visual narratives that often delve into gender politics, have collaborated to create a mural that is both a celebration of historical achievements and reminds of the struggles that persist. As a Printer's Proof, the lithograph print holds a special status, often reserved for checking the final quality before printing the entire run. Collectors and enthusiasts of street pop and graffiti artwork prize such proofs for their closeness to the artists' original intent and the rarity they represent within a print series. Artistic Fusion in "The Beauty of Liberty & Equality" The mural, and by extension the lithograph print, is a vibrant fusion of Fairey's bold, graphic style and Chevrier's poignant portraiture, enveloped in a palette that commands attention and provokes thought. The artwork's layered composition—a hallmark of Fairey's and Chevrier's approach—blends text, imagery, and symbolism to convey a complex narrative about the journey toward equality and liberty. In line with the ethos of street pop art, the piece is anchored in its accessibility and capacity to communicate powerful messages through the visual lexicon of graffiti art. In bringing this piece to life, Fairey and Chevrier have created an artwork that celebrates a centennial and crafted a message that resonates with the present-day discourse on rights and representation. "The Beauty of Liberty & Equality" is a visual dialogue about the ongoing journey of democracy and the role of art in reflecting and shaping public consciousness. "The Beauty of Liberty & Equality" PP Austin Mural Print by Jon Furlong, Shepard Fairey, and Sandra Chevrier is a significant addition to the narrative of pop street art and its intersection with social activism. This Printer's Proof is a collectible piece that not only enhances the aesthetic milieu of its holders but also serves as a poignant reminder of the power of art to commemorate, educate, and inspire continual progress toward equality. Through this lithograph, the mural's message transcends the boundaries of Austin, reaching an international audience and solidifying its place in the annals of street pop art and graffiti artwork.

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Logan Square Chicago Silkscreen Print by Ian Ferguson- Hydeon 1-Color Hand-Pulled Limited Edition on Fine Art Paper Rare Street Art Famous Pop Artwork Artist. 2013 Signed & Numbered Limited Edition of 35 Artwork Size 16x20 Neighborhood Art Series by Ian Ferguson. Logan Square Chicago Silkscreen Print by Ian Ferguson – Hydeon The Logan Square Chicago silkscreen print by Ian Ferguson, also known as Hydeon, is a stunning black-and-white hand-pulled, limited-edition print capturing the essence of one of Chicago’s most beloved neighborhoods. Created in 2013, this 16x20-inch silkscreen print is part of Ferguson’s Neighborhood Art Series, a collection that intricately showcases Chicago’s urban fabric through street pop art & graffiti artwork influences. As a signed and numbered limited edition of 35, this artwork highlights Ferguson’s talent in architectural illustration, surreal urban landscapes, and a deep appreciation for community spaces. Architectural and Natural Elements of Logan Square Logan Square is known for its historic greystones, boulevards, and cultural landmarks, all of which are woven into Ferguson’s print with exceptional attention to detail. The composition layers Victorian-style houses, churches, and apartment buildings, creating a dense and immersive cityscape. A defining feature is the Illinois Centennial Monument, a prominent obelisk in Logan Square’s center, which Ferguson has included among the layered urban imagery, emphasizing the neighborhood’s historical importance. Beyond its built environment, Logan Square is home to tree-lined streets, green spaces, and an active cycling culture, all of which find their way into Ferguson’s print. The inclusion of a bicycle, natural landscapes, and native birds adds a poetic contrast to the structured cityscape, reinforcing Logan Square’s balance between urban density and nature. Ferguson’s high-contrast, black-and-white illustration style amplifies the depth and complexity of the neighborhood’s visual identity. Symbolism and Surreal Elements in the Artwork While the print is deeply rooted in architectural realism, Ferguson’s approach includes surreal elements that push the piece beyond straightforward documentation. The gigantic owl, perched among the buildings, a majestic eagle, and a stylized cat add layers of narrative, making the cityscape feel alive. The inclusion of Chicago’s L train, vintage cars, and iconic signage connects Logan Square’s present-day identity to its rich past, reinforcing the historical evolution of the neighborhood. Ferguson’s use of floating typography spelling out "Logan Square" merges seamlessly into the built environment, making it an integral part of the composition rather than a separate textual element. This technique adds to the dynamic movement of the print, reflecting the energy of Logan Square’s ever-changing artistic and cultural scene. Ian Ferguson’s Contribution to Street Pop Art & Graffiti Artwork Ian Ferguson, working under the name Hydeon, has developed a distinctive monochromatic, highly detailed aesthetic that places him at the intersection of fine art, street pop art, and graffiti artwork. His Neighborhood Art Series, including prints of Wicker Park, Pilsen, and Humboldt Park, reflects a deep engagement with the architectural and cultural landscapes of urban environments. His ability to merge realism with a dreamlike quality makes his work both nostalgic and forward-looking. This Logan Square silkscreen print is a testament to Ferguson’s hand-drawn, print-based approach, preserving Chicago’s visual heritage in a way that is both deeply personal and widely accessible. His work resonates with collectors who appreciate urban storytelling, historic preservation, and artistic craftsmanship, solidifying his place within the contemporary street pop art & graffiti artwork movement.

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The Devil Made Me Do It Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do It & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today, we find ourselves at a crossroads; now, more than ever, we must come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We're all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson. Cleon Peterson's Stark Commentary in "The Devil Made Me Do It" In the stark dichotomy of black and red, Cleon Peterson's "The Devil Made Me Do It" delivers a powerful visual commentary on the socio-political climate surrounding the events of January 6th, marked by the infamous U.S. Capitol riots. This hand-pulled 2-color silkscreen print on hand-deckled 290gsm Coventry Rag Paper emerges as a piece of street pop art and a historical marker, capturing a moment of intense national upheaval. Art as a Reflection of Societal Turmoil Peterson's artwork, a limited edition of 300 signed and numbered pieces, transcends the traditional boundaries of pop art. It embodies the artist's response to a fraught political landscape, reacting to the tumultuous events that shook the foundations of American democracy. The imagery of a man seemingly dancing while overshadowed by demonic figures speaks to the "Faustian bargain," suggesting a dance with the devil that echoes the betrayals and manipulations of political figures and the public seduced by their rhetoric. The title, "The Devil Made Me Do It," offers an ironic twist on the age-old excuse for succumbing to temptations and making morally questionable choices. Peterson's choice to release these works as a direct response to political events positions the artwork within a tradition of artists who use their craft to document and critique the times they live in. The visual language used in this piece is reminiscent of street art's often aggressive and provocative style, meant to engage the public in public spaces. The Role of Street Pop Art in Political Discourse Cleon Peterson's work exemplifies the role of street pop art in political discourse. Street art has always had a voice in the political arena, often serving as a raw expression of the people, unfiltered and unmediated. Through his work, Peterson extends this tradition by creating a piece that is both a reaction to and reflection of the political unrest that has characterized recent times. With its bold, unapologetic lines and vibrant colors, silkscreen printing makes "The Devil Made Me Do It" a commanding presence. It is a testament to the artist's ability to distill complex political and social emotions into a single, impactful image. In the tradition of street pop art, which often involves taking art out of the galleries and into the streets, Peterson's piece is designed to resonate with a broad audience, its message clear and accessible to all who encounter it. "The Devil Made Me Do It" is more than just a piece of pop art; it is a visual essay on the state of contemporary politics, a call to action, and a reminder of the power of art to reflect and affect change. It is a bold statement within the discourse of street pop art and graffiti artwork, capturing a moment when the world watched as democracy appeared to hang in the balance. Cleon Peterson's voice, through his art, adds to the chorus of those who advocate for truth and democracy, and his work remains a powerful example of how art can engage with and influence the political landscape.

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City At Night Blue Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2010 Signed & Numbered Limited Edition of 12 Artwork Size 18x24

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Chateau Paris Pink Letterpress AP Artist Proof Print by Mr André Saraiva Limited Edition 1-Color on 100# Cover Neenah Classic Crest Natural White Fine Art Paper Graffiti Street Pop Artwork. AP Artist Proof 2023 Signed & Marked PP Limited Edition Artwork Size 16x20 Letterpress Print Mr. André Saraiva Chateau Paris Pink Letterpress AP Artist Proof 2023 The 2023 Chateau Paris Pink AP Artist Proof by Mr. André Saraiva captures the whimsical energy and romantic mischief that define his place within Street Pop Art & Graffiti Artwork. Produced as a one-color letterpress print on 100# Neenah Classic Crest Natural White fine art paper, this 16 x 20 inch edition was signed and marked as an AP, denoting its status outside the standard numbered run. Artist Proofs hold particular importance in printmaking as they reflect the earliest impressions pulled for the artist’s review, making them especially desirable to collectors who seek artworks with a direct connection to the creative process. Visual Style and Iconic Characters This print features Saraiva’s instantly recognizable stick-figure characters dancing across the page in soft pink linework. Their wide, toothy grins, crossed-out eyes, and loose, jubilant movements express the carefree, flirtatious spirit that has defined his signature character, Mr. A, since his early graffiti appearances in Paris during the 1990s. The top-hatted figure paired with a flowing-haired partner reinforces the playful narrative of nightlife, celebration, and romantic spontaneity. Scattered stars, hearts, and motion lines energize the composition, giving the print a lively rhythm reminiscent of Saraiva’s street-based origins, where quick, expressive lines communicated joy in public spaces. Chateau Marmont and Cultural Connection Incorporating the iconic Chateau Marmont letterhead at the top, the print interlaces Hollywood mythology with Parisian graffiti culture. Located on Sunset Boulevard in Los Angeles, Chateau Marmont has long been a sanctuary for actors, writers, musicians, and artists since opening in 1929. Its storied history of creativity and indulgence makes it a fitting backdrop for Saraiva’s exuberant characters. The handwritten “Paris” at the bottom serves as a bridge between two creative capitals — one steeped in American cinematic glamour, the other in European street culture — emphasizing Saraiva’s globe-spanning artistic identity. Mr. André Saraiva’s Influence in Contemporary Street Pop Art Born in Sweden in 1971 and raised in Paris, André Saraiva emerged from the city’s graffiti scene as one of its most prominent voices. His character Mr. A became a symbol of the joie de vivre that permeates his work, later expanding into galleries, editorial projects, murals, and luxury collaborations. The Chateau Paris Pink AP exemplifies his ability to merge elegance with spontaneity, bringing the carefree energy of graffiti into refined fine art contexts through meticulous letterpress technique. This Artist Proof stands as a vibrant testament to Saraiva’s playful approach and his lasting influence on Street Pop Art & Graffiti Artwork, celebrating both the intimacy of hand-drawn lines and the cultural interplay between Paris and Hollywood.

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Divided We Stand, United We Fall Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of XXX Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do it & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today we find ourselves at a crossroads; now, more than ever, is the time we need to come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We’re all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson The connection of Peterson with street art is also an aspect of his work worth mentioning. Even though he has created numerous murals all over the world, the artist himself does consider himself a street artist: “I don’t think of myself as a street artist or somebody that does work in that vein, but I love the idea of doing large paintings that confront people.”. This is revealing of his motivation to make his art as accessible as possible, as a way to invite the viewers to interact with it and confront the subjects the artist is interested in addressing. This brings up the following questions concerning the art of Peterson: “What is the meaning of it? Does it have a meaning after all? If yes, is this pre-determined by the artist? In order to better understand the way meaning is created in the world of Cleon Peterson, it is essential to, primarily, understand the way he perceives the media as a field of allegations, unbased rumors, suppositions and outright lies. In the world that the artist has created and, in correlation with our own reality, media is a tool of manipulation in the hands of politicians, leaving us helpless and in the mercy of an exploitative authoritarian system.

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Night Lights PP Printers Proof Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. PP Printers Proof 2020 Signed & Marked PP Artwork Size 16x24

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Bricks Graffiti Bubble Original One of a Kind Mixed Media Spray Paint Painting Artwork on Stretched Canvas by Street Art Pop Culture Artist DrNuse89. 2022 Signed Original Painting Size 9x3

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Chateau André Pink Letterpress AP Artist Proof Print by Mr André Saraiva Limited Edition 1-Color on 100# Cover Neenah Classic Crest Natural White Fine Art Paper Graffiti Street Pop Artwork. AP Artist Proof 2023 Signed & Numbered Limited Edition of 100 Artwork Size 16x20 Letterpress Print Mr. André Saraiva Chateau André Pink Letterpress AP Artist Proof 2023 The 2023 Chateau André Pink AP Artist Proof by Mr. André Saraiva is a refined yet mischievous exploration of his signature character-driven style within the broader landscape of Street Pop Art & Graffiti Artwork. Produced as a one-color letterpress print on 100# Neenah Classic Crest Natural White fine art paper, this 16 x 20 inch work is signed and marked as an AP, identifying it as part of the exclusive Artist Proof impressions that accompany the limited edition of 100. These proofs are highly valued in the printmaking world since they represent the earliest pulls used by the artist to evaluate quality, making each example especially desirable for collectors. Visual Style and Narrative Expression Rendered in a soft pink linework, the print centers on André’s iconic graffiti figure Mr. A, shown dancing with carefree delight among bottles, abstract motion lines, and playful objects like a striped ball, toy block, and serpentine worm. Mr. A’s exaggerated grin, crossed-out eye, and top hat convey the irreverence and joie de vivre that defined Saraiva’s early graffiti interventions across Paris. The composition’s whimsical chaos evokes late nights, creative excess, and a sense of unrestrained celebration, all executed with the loose, gestural charm that characterizes André’s work. Even the crossed-out Chateau Marmont header above serves as part of the visual play, letting viewers glimpse the artist’s humor and subversive spirit. Chateau Marmont and Cultural Resonance The inclusion of the Chateau Marmont letterhead anchors the piece in the mythos of one of Los Angeles’ most storied landmarks. Since its opening in 1929, Chateau Marmont has been a refuge for actors, musicians, artists, and writers, becoming a cultural symbol of Hollywood’s creative and often chaotic undercurrents. By stamping his name over the hotel’s header, André merges Parisian street culture with Hollywood lore, transforming the venue into part of his own visual universe. This fusion of settings underscores the global influence of street art and reinforces André’s role as a cultural connector between nightlife, fine art, and urban expression. André Saraiva’s Place in Street Pop Art Born in 1971 and raised in Paris, André Saraiva rose to prominence in the late 1980s and 1990s graffiti scene, introducing the character Mr. A as a symbol of charm, rebellion, and romantic spontaneity. His work has expanded into galleries, fashion collaborations, murals, and nightlife ventures while retaining the playful immediacy rooted in graffiti. The Chateau André Pink AP embodies his ability to transform simple line drawings into cultural statements, blending elegance with irreverence. As an Artist Proof, this print stands as a rare and polished example of Saraiva’s ongoing contribution to Street Pop Art & Graffiti Artwork, encapsulating both the exuberant personality of Mr. A and the timeless allure of creative spaces like Chateau Marmont.

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City By The Sea Hand-Pulled 5-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 150 Artwork Size 14x11

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Supreme NYC HPM Acrylic Archival Print by Daniel Loveridge Fine Art Hand-Embellished Limited Edition on 290gsm Moab Entrada Rag Bright Paper Artist Artwork. 2023 Signed & Numbered Acrylic Paint Hand Embellished Limited HPM Edition of 5 Artwork Size 17x14 "Daniel Loveridge’s gritty canvases seamlessly capture urban decay's raw and unrepentant beauty. Working predominantly in acrylic and ink on canvas, Loveridge paints en plein air, as he has for his sixteen-year-long career. Dilapidated interior scenes comprise the majority of the artist’s oeuvre. Abandoned buildings rife with decomposing tin and concrete walls are intensified by brilliantly pigmented patches of graffiti throughout his compositions." -House of Roulx

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David with Machine Gun AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print. Shepard Fairey x Blek le Rat David with Machine Gun AP Silkscreen Print 2008 The David with Machine Gun AP Artist Proof silkscreen print from 2008 is a rare collaborative work created by Shepard Fairey, widely known as OBEY, and stencil art pioneer Blek le Rat. Hand-pulled on fine art paper and measuring 18 x 24 inches, this Artist Proof edition is signed by both artists and marked “AP,” distinguishing it from the standard numbered release of 100. Artist Proofs carry additional significance within the art world due to their limited availability and direct association with the artists’ approval process, making this piece especially sought after by collectors of Street Pop Art & Graffiti Artwork. Imagery and Symbolic Tension This print features Michelangelo’s classical David, a symbol of Renaissance ideals of beauty, youth, and heroism, reimagined with a modern twist: he holds a machine gun. The stark juxtaposition between timeless humanist ideals and contemporary instruments of war creates a powerful critique of violence and the ways cultural icons are repurposed to reflect current anxieties. Set against a graffiti-covered urban backdrop, the figure embodies the collision between high art traditions and street-level social commentary. The work challenges viewers to consider how ideals of strength and beauty are corrupted when reframed within the context of militarization. Collaboration Across Generations Blek le Rat, born Xavier Prou in France in 1951, is often credited as the father of stencil graffiti, influencing countless artists with his Paris-based interventions since the 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, rose to prominence through his OBEY campaign and politically resonant prints, later achieving international acclaim with his Hope poster of Barack Obama. Their joint creation of David with Machine Gun demonstrates how two generations of artists from different cultural backgrounds can merge their practices to create a unified message. It serves as both homage to classical art and a critique of the modern world. Rarity and Collectible Importance Artist Proof editions such as this one are rarer than the main run, typically reserved for the artists themselves or for key collaborators. Marked “AP” and carrying the signatures of both Fairey and Blek le Rat, this print embodies both historical and artistic value. Beyond its scarcity, the work is a striking representation of how street artists reinterpret cultural symbols to confront pressing issues like war and societal decay. The David with Machine Gun AP silkscreen stands as a prime example of the fusion of fine art history and modern protest through the visual language of Street Pop Art & Graffiti Artwork.

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Chateau Marmont Love Letterpress Print by Mr André Saraiva Limited Edition 1-Color on 100# Cover Neenah Classic Crest Natural White Fine Art Paper Graffiti Street Pop Artwork. 2023 Signed & Numbered Limited Edition of 150 Artwork Size 16x20 Letterpress Print Move Fast Move Smooth Chateau Marmont, an iconic Los Angeles landmark, has been a beacon of creativity, opulence, and allure since its doors in 1929. This institution has been essential to Hollywood history, hosting numerous celebrities, artists, and influential figures. While it is best known for its role in Tinseltown's culture and history, Chateau Marmont has also impacted the world of graffiti and street art.

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